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Mireya SamperMars 2012

tgefandi: Jn Garar gmundssonHnnun: Dilj rhallsdttir / Plnetan / MireyaPrentun: Gujn

2012 Mireya


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Infinity made visible

Mireya Sampers work for the exhibition Myth ofModern Times in Chile in 2000 is characteristic of hersubjects and methods. White cotton strips hang fromthe ceiling, forming a spiral that visitors can walk into,leading them to the middle of the work where they aresurrounded by white under a strong light. The stripsare covered with acrylic plastic layer, the outer onescompletely, then less and less as you go further in. Theplastic represents the outside world and its pollution;the guests path in the spiral is a journey towards theirown essence, the purity within them. This is whereenvironmental concern and spiritual quest cometogether in a powerful and simple installation.

Mireya works in a variety of materials depending on theidea that they serve and external c ircumstances. She has

created numerous site-specific installations around theworld, such as pieces of acrylic and spices associatedwith the Khasi religion in India, a silver bamboo forestand floating leaves in Japan, the infinity sign in paper ina Lithuanian forest, coloured sand beside a temple onan island in Southern France, an installation of flowers,living light and coloured water in an old jail in Mauritius,and sculpted sea stones in Drangsnes and Garurin Iceland. Behind these works lies a clear conceptdeveloped in local materials. Sampers drawings areoften more spontaneous, executed with intuition, inflow. All these works have in common certain themesthat run like recurrent threads throughout her uvre.

Delicacy and transparency characterize many of MireyaSampers works, especially the Fusion series, where twopieces of paper are superimposed. Yet there is greatstrength in these installations, in her way of framing thepieces and occupying the space, capturing the v iewersattention and leading him towards, and sometimesinto, the work. Good examples of this is the Samryskjaspiral she did for her solo exhibition in KpavogurArt Museum in Iceland in 1999 and her exhibitionManasthithi: A State of Mindin India in 2003.

The artist delights in dissolving and shifting acceptedboundaries between painting and sculpture, two-dimensional and three-dimensional works. One of

her sculptures is only a few centimetres thick, whileher paintings are frequently made on paper that hasa certain thickness and a living surface, in up to 10 cmthick frames that hang in the space and can be movedaround like a sculpture, or simply stand on the floor.Transparency also lets the space flow and blurs the

line between the different pieces. Mireya Samper hassaid that she wants to express the fusion of the outerand the inner world. Just as man is part of the greatuniverse and at the same time owns his inner, personallife, Mireyas works are parts of the environment, of ageographical, social and cultural context, and at thesame time have their intimate expression, their nuancesand character.

Mireya Samper cares about nature and is environ-mentally minded, as is subtly evident in many of herworks. She also cares about man and his fate, as can beseen in pieces she has produced in two former prisonsin Chile and Mauritius. There, her works have a kind ofhealing effect, in memory of suffering and in respect forlife.

Water, in various forms, is one of Mireyas favoritesubjects. She has put coloured water in clear plasticbags, as a symbol of joy and vitality. The drop formappears in various ways: carved in rocks, as floatingsculptures or hanging baskets of flowers in memory ofprisoners. For Mireya this form is mainly associated withtears, these offsprings of thoughts. Water drops alsorelate to time and the infinite. In her exhibition WaterWorlds in Reykjavik in 2005 she showed big paper workswith a marble sculpture in which two drops surroundedby water generate the the symbol for infinity.

Infinity is a representation of the universe and Mireyasworks exhort us to meditation and internal inspection,while being related at the same time to the outerworld and the cosmic. In her installation on FrioulIsland in France she used the octagon present in oldhospital buildings on the site as a reference to theuniverse and to ancient geometric science. The spiritualreference in her works is not associated with any onereligion in particular, and her series of drawings Prayerseeks inspiration in mankinds meditation and hopes,irrespective of place and faith.

Mireya uses light or a reference to it as a symbol of ourinner self, of something higher, of peace and universalvalue. It is often represented by silver, on stone, wood,

leaves or paper. This light is that of the moon, thefeminine light of night that rests, heals and prepares forthe arrival of dawn and the sun. Mireya Sampers worksencourage us to connect to ourselves and at the sametime to open up towards the environment, nature andthe sacred in all.

sds lafsdttir, art historian

endanleikinn formgerur

Verki sem Mireya Samper geri fy rir sninguna Mythof Modern Times Chile ri 2000 er lsandi fyrirvifangsefni hennar og aferir. Hvtir bmullarrenningarhanga lofti rmisins og mynda spral sem gestir getagengi inn , allt a miju verksins ar sem eir standaumluktir hvtu undir sterkum ljskastara. Renningarnir eruaktir akrlplastlagi, eir ystu algerlega, san minna ogminna mli eftir v sem innar dregur. Plastefni tknarumheiminn og mengun hans, fer gesta spralnum erferalag eirra a eigin kjarna, hreinleikanum innra meeim. arna mtast v umhverfissjnarmi og andlegleit sterkri og einfaldri innsetningu.

Mireya vinnur margs konar efni, sem rast af eirrihugmynd sem au jna og af ytri astum. annighefur hn unni margar site specific innsetningar

vs vegar um heiminn, til a mynda verk r akrl ogkryddi sem tengist Khasi trarbrgunum Indlandi,silfurlitan bambusskg og fljtandi lauftr Japan,endanleikamerki r pappr skgi Lithen, litaan sandvi hof eyju suur Frakklandi, innsetningu r blmum,lifandi ljsi og lituu vatni gmlu fangelsi Mauritius, ogtilhggvi sjvargrjt Drangsnesi og Gari slandi.A baki essum verkum liggur skr hugmyndavinna semtfrist san stamiaan efnivi. teikningum Mireyubirtist oft sjlfsprottnari tjning ar sem listakonan vinnur innsi og fli. ll eiga essi verk sameiginlegviss emu og minni sem ganga eins og rauur rur gegnum skpun hennar.

Vikvmni og gagnsi einkenna mrg verka Mireyuog einkum Samrunasyrpuna, ar sem tv papprsverkeru lg saman. eru essar innsetningar alltafsterkar, hvernig hn rammar myndirnar inn og fyllirrmi, hvernig hn fangar athygli horfandans og leiirhann a verkinu og jafnvel inn a, lkt og Samryskjuspralnum sem hn vann fyrir sningu sna Gerarsafni1999. Mireya notai lka essa afer Manasthithi:Hugarstand, sem hn sndi Indlandi ri 2003.

Listakonan leikur sr gjarnan a v a fra til vitekinlandamri milli mlverks og hggmyndar, tv- ogrvra verka. Einn af sklptrum hennar er aeinsnokkurra millimetra ykkur mean mlverkin eru oft

ger pappr sem hefur vissa ykkt og lifandi yfirbor,eru rmmu inn allt a 10 cm ykka r amma sem hanga rminu og sem er hgt a ganga kringum eins ogsklptr, ea standa hreinlega glfinu. Gagnsi leyfir

lka rminu a fljta og gerir skilin milli mismundandiverka ljs. Mireya segist vilja tj samruna ytri og innriheima. sama htt og maurinn er hluti af alheimnumog br um lei yfir eigin innra lfi eru verk Mireyu hlutiaf umhverfinu, af landfrilegu, jflagslegu ogmenningarlegu samhengi og hafa um lei sna eigintjningu, blbrigi og srkenni.

Mireyu er annt um nttruna og ltur sig umhverfismlvara, eins og birtist fnlegan htt mrgum verkum.Hn ltur sig einnig manninn og rlg hans skipta,eins og sst vel verkum sem hn hefur unni tveimurfyrrverandi fangelsum, Chile og Mauritius. ar hafaverk hennar eins konar heilandi hrif, minningujningar og viringu fyrir lfinu.

Vatn er Mireyu hugleiki margs konar formi. Hn hefursett lita vatn glra plastpoka, sem tkn fyrir gleiog lfskraft. Dropaformi birtist msum myndum:Hggvi steina, sem fljtandi sklptr ea hangandikarfa fyrir blm minningu fanga. Fyrir Mireyu tengistetta form fyrst og fremst trum, essum afkvmumhugrenninga. Vatnsdropar tengjast lka tmanumog hinu endanlega. sningu sinni Vatnsheimar Reykjavk ri 2005 sndi hn str papprsverk samtmarmarasklptr ar sem tveir dropar umluktir vatnimynda endanleikaformi .

endanleikinn er birting alheimsins og verk Mireyuhvetja flk til hugunar og innri skounar, jafnframtv a tengjast ytri heimum og hinu kosmska. innsetningu sinni Frioul eyju Frakklandi notaihn tthyrningsformi, en a var til staar gmlum sptalabyggingum stanum, sem tilvsun alheiminn og forna gemetrska speki. Andleg vsunverkanna skir ekki ein trarbrg fram yfir nnur ogteikningasyrpan Bn sr innblstur hugleislu ogbn mannkyns, h sta og tr.

Mireya notar ljs ea tilvsun a sem tkn um okkarinnra sjlf, um eitthva ra, um fri og alheimsleggildi. a er oft tkna me silfurlit, steini, tr,laufum ea pappr. Hr er v aallega um tunglsljsa ra, hina kvenlegu birtu ntur sem hvlir, grir

og undirbr fyrir komu dags og slar. Verk Mireyuhvetja okkur til a tengjast okkur sjlfum og um lei aopna okkur gagnvart umhverfinu, nttrunni og hinuheilaga sem llu br.

sds lafsdttir, listfringur


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BnReykjavk, sland 2008.

Prayer

Kol og pigment pappr 20 x 20 cm.Charcole and pigments on paper.

Olukrt og blek striga 35 x 35 cm.Ink and oilpastel on canvas.


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Vatnsheimar

Aldrei hef g s vatn

hallast upp a vegg.Olukrt vax gler og jrngera gfumuninn

vatni yfirvinnur nttrulgmlin. m lka skynjaa fossbrimdalalafrostklrog okaeru hugmyndir okkar allra.

endanleiki

...og endalausri hringrs

sem hendurhafa greypt marmara

vatni sytrandi

allt ar til eldgmul slin enst t ofsafengnu bli

verur a hvtum dverg og hringokueftir fjra milljara ra.

Lj/Poems: Ari Trausti Gumundsson.

Waterworlds

Never knew water

to lean against a wall.Pastel wax glass and ironmake the decisive diffence

water wins over the laws of nature.

You can also sensehow waterfallssurfmorning mistfrost clawsand fog

are images in all our minds.

Infinity

...andin the unending cycle

that handshave chiseled in marble

the water seeping

until the primeval sun explodesin frenzied flame

turning into a white dwarf and nebulasome four billion years on.

Vatnsheimar

Reykjavk, sland 2005.

Waterworlds

Blndu tkni pappr 1,85 x 1,05 m.Mixed media on paper.

Infinity, marmari og vatn 0,28 x 0,65 x 0,80 m.Marble and water.


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Plast, vatn og blek 0,65 x 0,70 x 4,50 m.Plastic, water and ink.

Divali in PrisonPort Luis, Mauritius 2008


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n titilsAbiko, Japan 2000.

Bambus lauf silfru kallast vi tungli,auga skginn birtulaa vegfarendur til tttkuauga skginn lfilaa vegfarendur til silfursauga hugsun manna.

No title

Silvered bamboo leaves echo the moon,enrich forest lightattract pedestrians to participateenrich the forest livesattract pedestrians to the silverenrich people's thinking.

Bambus og lakk 270 m2.

Bamboo and lack.


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Bamboo and lack.


Bamboo and lack.


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9/7 Khasi

Shillong, Meghalaya, India 1999.

Innsetning tveimur hlutum,9/7, Khasi; akrl, krydd, bambus, 7,50 x 1,10 x 0,60 m.Ofgntt, akrl, pappr, litir, 1,60 x 0,30 x 0,02 m.Installation in two parts,9/7, Khasi; acryl, spices, bamboos.The too much, acryl, paper, colors.


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Samruni

Samruni ytri og innri heima.

a er bi sjnrnn og efnislegur samruni verkinu sjlfu hver mynd er einungis til gegnum ara ea yfir henni.

Sambland mismunandi heima er innblstur essa verks.

Kveikjan a v er bi stri alheimurinn og heimurinn sem

br innra me okkur...

Fusion

Fusion of the external and the inner universe.

At the same time, there is a visual and a material fusion in the workitself each painting will only exist through or covering the other.

Blending of the universes is the inspiration of this work.

They are inspired from the big universe out there and the universewithin ourselves...

Samruni, blndu tkni pappr 30 x 15 cm.Fusion, mixed media on paper.


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Manasthithi: HugarstandInnsetning tveimur hlutum.

Mumbai, Indland 2003

Titillinn sjlfur ber ema sningarinnar.Hugarstand er -efnislegt stand sem hvert og eitt okkar er ea hefur vali sr a vera .Verldin ll er undir hrifum essara mismunandi hugarstanda... Til gs ea ills.

ar sem etta er -efnislegt stand, nota g verkunum ltt og stundum gegns efni, myndirnareru einskonar samruni; samruni tveggja mynda einum ramma. a er a segja hver mynd er ekkitil n hinnar.

Maur mun vallt sj eithva af hinni myndinni gegn, sem skrskotar til eirrar stareyndar all erum vi undir hrifum annars flks hugarstands, jafnvel er vi reynum a vera a ekki.Samruninn er jafnt efnislegur og andlegur.

Myndirnar eru mrkum ess a vera anna hvort tvvar og rvar.

Hinn hluti innsetningarinnar er efnisleg framlenging myndanna, ar sem enn er unni megegnsi og smu liti, oftast Sindour, me rum mili fljtandi og reglulega stillt upp.

Hugarstand tti aldrei a vera svegjanlegt ea dmandi.

Manasthithi: A State of Mindis made of one installation in two parts.

The title of the exhibition embraces the theme of the whole show.A state of mind is the non-physical condition each and every one of us is in or has chosen to bein. The whole world is affected by different states of minds... for the good or for the bad.

As it is a non-physical state, in my work I go for light and sometimes transparent materials. Inthe first part of the installation the pictures are a kind of a fusion, a fusion of two pictures in oneframe. That is, one picture does not exist without the other. One will always see some of the otherpicture through, which relates to the fact that we are all influenced by other peoples state ofmind, even though we try not to. The fusion is material as well as mental.

The pictures are playing on the edge of being either two dimensional and three dimensional.

The second part of the installation is a material extension of the pict ures, still using transparencyand the same colors, most of the time though Sindour. These elements are in anothersubstance, I keep them floating and chaotically mixed up.

The state of mind should never be fixed or judgmental.

Manasthithi: Hugarstand blndu tkni pappr (sindour) 1,20 x 0,60 m.Manasthithi: A State of Mind mixed media on paper (sindour).


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Brimi bylur grjtinugefur og tekurgull og tregahttir aldreiendar hvergi

... skilur eftir tr.

The surf breaks upon on the rocksgives and takesgold and sorrownever stopshas no end

... brings tears.


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Fangau ljsi

Fangau norurljsin,tunglsljsi,ljsi innra me sjlfri r.Fangau ljsi.

Capture the light

Capture the north-lights,the moonlight,the light within you.Capture the light.

2011 Rekaviur, silfur, gifs og jrn 0,37 x 0,58 x 1,60 m.Driftwood, silver, plaster and iron.

2011 Fjlskyldubnd, fjrugrjt og silfur 0,10 x 0,20 x 0,45 m.Familybonds, seastone and silver.


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2009 Shaman, kol pappr 45 x 33 cm.Charcoal on paper.

2005 Snfellsjkull olukrt pappr 0,40 x 0,70 m.Snfells glacier oilbar on paper.


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Lagrima 2

Kpavogur, sland 2006


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2006 Grsteinn og lbart 0,90 x 1,70 x 2 m.Greystone and rhyolite.


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2011 Tunglskin fjru, fjrugrjt og silfur 0,32 x 0,48 x 0,75 m.Moonlight on the beach, seastone and silver.

2008 Bn, stulaberg og jrn 0,95 x 0,54 x 0,12 m.Prayer, Columnar basalt and iron.


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2006 Tr, stulaberg 0,76 x 0,44 x 0,39 m.Tear, Columnar basalt.


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Cosmos, blndu tkni sand 4 x 4 m.Cosmos, mIxed media in sand.

13001Frioul, Marseille, Frakkland 2004.


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El Dia

Valparaiso, Chile 2000.

Draumur srhvers fanga, blndu tkni 12 x 12 cm.The Dream of a prisenor, mixed media.


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tiverkin Tr Tmans, Tr Gleinnar og Fami Vindanna eru unnin samvinnu v iVi rnason runum 2007-2010.

The outdoors works Tears of the Time,Happy Tears and Embraced by the Windare created in collaboration withVi rnason the years 2007-2010.

Vir rnason, Japan 2009.


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Abiko International Open-Air Art Exhibition 2009 12th

Abiko, Japan 2009.

Tr gleinnar, bambus, illgresi og vr fr 4,5 til 8 m lengd.Happy Tears, bamboo, weed and wire from 4,5 to 8 m in length.


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Bambus, blm, grjt og eldur 2,80 x 0,60 x 0,60 m.Bamboo, flowers, stones and fire.

Bambus, blm, grjt og eldur 2,80 x 1,10 x 1,10 m.Bamboo, flowers, stones and fire.


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Fami Vindanna

Vindarnir eru umfamair ljsinu,norurljs, tunglsljs, slarljs. Fami vindana, ertu fami ljssins.

Embraced by the winds

Winds are embraced by light,north-light, moonlight, sunlight.Embraced by the winds,and so embraced by light.


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2010 Fami Vindanna, sjvargrjt og rekaviur 2,30 x 2,50 x 8 m.Embraced by the Winds.


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Sjvarmli

Sningin er unnin samstarfi vi stuVilhelmnu Gumundsdttur af tilefniopnunar Gallersins Mjlkurbin Lista-Gilinu Akureyri 2011.

At the Seaside

The exhibition is created in collaborationwith sta Vilhelmna Gumundsdttirat the occasion of the opening ofthe Gallery Mjlkurbin at Akureyri,Iceland, 2011.


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Silki, sandur, grjt og blek.Silfur, vatn og textllitur.

Silk, sand, stones, andi ink.Silver, water and textilcolor.


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Sjvarmli

Sjvarmli fir af sr allar tilfinningar.Kalt og heitt.Hart og mjkt.Ljs og skugga.Lf og daua.Minnir okkur bernskuna .... pota puttunum sandinn og tna steina.

At the Seaside

The seashore reveals different emotions.Warm and cold.Soft and harsh.

Light and shadows.Life and death.Reminds us of our childhood ....pickingstones and poking fingers into the sand.


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Leiksning um veruleikannegar fellur t birtingu

Fyrir b.fl,vl,cb og hljsetningu eftir uri Jnsdttur.Mynd- og tnlist, Salurinn, Kpavogur, sland 2008

Ebb and daybreak:representation of being

For b.fl. vl. cb + electronics by urur Jnsdttir.Music and fine-art, Salurinn, Kpavogur, Iceland 2008.

Viur, plast, vatn og blek 2,20 x 0,65 x 2,20 m.Wood, plastic, water and ink.


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EDUCATION1990-93 Ecole dArt de Luminy, Marseille, France.1993 DNSEP, Diplome National Suprieur dExpression

Plastique.

1992 Four months scholarship from the city of Marseille,for the Academia di Bologna, Italia.1991 DNAP, Diplome National dArt Plastique.1987-90 The Art and Craft school of Iceland.1988 Fore months at the Atelier Pie, Barcelona, Spain.1986 French, Facult de lettres Paul Valery,

Montpellier, France.1985 AA Collage of Akureyri, Iceland.

EXHIBITIONSSolo exhibitions and outdoors works2011 At the Seaside, Akureyri, Iceland.2010 Embraced by the winds, Garur, Iceland. Heaven and earth, Garur, Iceland.2009 Vttir, Akureyri, Iceland. Ambo, Akureyri,Iceland.2008 Prayer, Reykjavk, Iceland.2007 Vestur/Suur, Kpavogur, Iceland.2006 Lagrma, Drangsnes, Iceland. Our Nature, Reykjavk, Iceland.2005 Water-worlds, Reykjavk, Iceland.2004 Hugarstand - Manasthiti, Reykjavk, Iceland. Silence of the nature, Reykjavk, Iceland.2003 Manasthiti, Mumbai, India.1999 Samryskja Fusion, Museum of Kpavogur, Iceland.

GROUP EXHIBITIONS2012 Fresh Winds in Garur, curator, Garur, Iceland.2010 Fresh Winds in Garur, curator, Garur, Iceland.2009 Abiko International Open Air Exhibition, Japan.2008 Times, Port Luis, Mauritius.

Ebb and day break: representation of being, musicand fine-art, Salurinn, Kpavogur, Iceland.

2004 13001, Frioul, Marseille, France.2003 International Mail Art Exhibition of Naxos,

Naxos, Greece.2002 Swarovski Crystal World, Inspruch, Austria.2001 M.K. Ciurlioni s National Museum Kaunas, Lithuania. On the edge, International Symposium, Nida, Lithuania.

NM1990-93 Ecole dArt de Luminy, Marseille, Frakkland.1993 DNSEP , Diplome National Suprieur dExpression

Plastique.

1992 Fgurra mnaa styrkur fr Marseille borg, til nmsvi Academia di Bologna, Italia.1991 DNAP, Diplome National dArt Plastique.1987-90 Mynd- og Handaskli slands.1988 Fjrir mnuir Atelier Pie, Barcelona, Spnn.1986 Franska, Facult de lettres Paul Valery, Montpellier,

Frakkland.1985 Stdentsprf fr MA, Akureyri, sland.

EINKASNINGAR OG TIVERK2011 Sjvarmli, Akureyri, sland.2010 Fami vindanna, Garur, sland. Himinn og jr, Garur, sland.2009 Vttir, Akureyri, sland. Ambo, Akureyri, sland.2008 Bn, Reykjavk, sland.2007 Vestur/Suur, Kpavogur, sland.2006 Lagrma, Drangsnes, sland. Nttran okkar, Reykjavk, sland.2005 Vatnsheimar, Reykjavk, sland.2004 Hugarstand Manasthiti, Reykjavk, sland. gnin nttrunni, Reykjavk, sland.2003 Manasthiti, Mumbai, India.1999 Samryskja, Gerarsafn, Kpavogur, sland.

SAMSNINGAR2012 Ferskir Vindar Gari, sningarstjri, Garur, sland.2010 Ferskir Vindar Gari, sningarstjri, Garur, sland.2009 Abiko International Open Air Exhibition, Japan.

2008 Times, Port Luis, Mauritius.Leiksning um veruleikann egar fellur t birtingu,mynd- og tnlist, Salurinn, Kpavogur, sland.

2003 International Mail Art Exhibition of Naxos, Naxos,Grikkland.

2002 Swarovski Crystal World, Inspruch, Austurrki.2001 M.K. Ciurlionis National Museum Kaunas, Lithen. On the edge, International Symposium,

Nida, Lithen.

2000 Myth of modern times, Museo de lArteContemporneo de Santiago, Chile.

El Dia, Valparaiso, Chile. Abiko Open Air Exhibition,Abiko, Japan.International Kulturaustausch,Kameleon, Berlin, Germany.

1999 Portes ouvertes, Genie de la Bastille, Paris, France. 9/7, National Museum of Shillong, Meghalaya, India.1998 Expedition, Kunstfabrik Am Flutgraben, Berlin,

Germany. Am Paul Linker ufer, Berlin, Germany.1997 Kunstfabrik Am Flutgraben, Berlin, Germany.1990 Aids, Borgarsptali, Reykjavk, Iceland.

ART IN PUPLIC PLACESCapture the light, Municipal offices, Garur, Iceland.Embraced by the winds, Garur, Iceland.Lagrma, Drangsnes, Iceland.Fusion, Swarovski Crystal World, Inspruch, Austria.The silence in the nature, Landsbanki slands, Iceland.Glass worlds, Grand Htel Reykjavk, Iceland.

RECIDENCYS, SYMPOSIUMS AND WORKSHOPS2009 Abiko Shi, Japan.2008 Flic en Flac, Mauritius.2004 les de Frioul, Hspital Caroline, Marseille, France.2001 Nida, Lithen.2000 Facultad de Arte Valparaiso, Chile.2000 Abiko Shi, Japan.1999 Shillong, Meghalaya, India.

RECEIVED GRANT2009 Fusa technico, Abiko, Japan.2002 Cultural department of the town of Kpavogur,

Iceland.2002 Grant, 6 months salaries, from the Ministry of Culture,

Iceland.2001 Cultural department of Bnaarbanki slands hf.2001 Ministry of Culture, Iceland.2000 Fusa technico, Abiko, Japan.2000 Ministry of Culture Iceland.1993 Scholarship from the city of Marseille, France.

2000 Myth of modern times, Museo de lArteContemporneo de Santiago, Chile.

El Dia, Valparaiso, Chile. Abiko Open Air Exhibition,Abiko, Japan. International Kulturaustausch,Kameleon, Berlin, skaland.

1999 Portes ouvertes, Genie de la Bastille, Paris, Frakkland. 9/7, National Museum of Shillong, Meghalaya,

Indland.1998 Expedition, Kunstfabrik Am Flutgraben, Berlin,

skaland. Am Paul Linker ufer, Berlin, skaland.1997 Kunstfabrik Am Flutgraben, Berlin, skaland.1990 Aids, Borgarsptali, Reykjavk, sland.

VERK OPINBERUM STUMFangau ljsi, Bjarskrifstofur Garur, sland Fami vindanna, Garur, sland.Lagrma, Drangsnes, sland.Fusion, Swarovski Crystal World, Inspruch, Austurrki.gnin nttrunni, Landsbanki slands.Glerheimar, Grand Htel Reykjavk, sland.

RECIDENCYS, SYMPOSIUMS OG WORKSHOPS2009 Abiko Shi, Japan.2008 Flic en Flac, Mauritius.2004 les de Frioul, Hspital Caroline, Marseille, Frakkland.2001 Nida, Lithen.2000 Listahskli Valparaiso, Chile.2000 Abiko Shi, Japan.1999 Shillong, Meghalaya, Indland.

STYRKIR2009 Fusa technico, Abiko, Japan.

2002 Menningarr Kpavogs, sland.2002 Sex mnaa starfslaun,

Menntamlaruneyti slands.2001 Menningarr Bnaarbanka slands hf.2001 Menntamlaruneyti slands.2000 Fusa technico, Abiko, Japan.2000 Menntamlaruneyti slands.1993 Sklastyrkur fr Marseille borg, Frakklandi.

Mireya SamperFdd 1964 Reykjavk, slandBakkabraut 7 d, 200 Kpavogur, sland.Smi: + 354 544 8007, gsm: + 354 698 59 [email protected]


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Mireya Samper Bakkabraut 7d 200 Kpavogur Icelandgsm: +354 698 5973 [email protected] mireya.is

Myth of modern timesMuseo de lArte Con temporneo de Santiago, Chile 2000.

Akrl og bmull 6 x 8 x 8 m.Acryl and cotton.


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Documents

Mireya Catalogue Net Tp