Merce Cunningham
MontariMerce CunninghamCunningham Einstein : nu exista puncte
fixe in spatiuCunninghma filosofia ZEN momentele de constienta. Zen
uneste subiectul cu obiectul.Cunningham DADAISMCunningham John Cage
si muzica aleatorieMomente esentialeEste modelul dansului
influentat de filosofia zenCarolyn BrownSuzuki spune ca arta
orientala descrie spiritul in timp ce arta occidentala descrie
forma.Cunningham Artele ZENRelatia cu spatiul 22 de trasee care
relationeaza prezenta fixa a corpului, dinamica corporala cu
spatiul scenicOrganizare cu ajutorul aleatorismului : interventii
ale corpului / performerului in compozitia vizuala si energetica a
compozitiei; explozii gestuale, asamblari, distrigeri si
recompuneri de forma a grupului.Tehnica
Summerspace (1958). Design Robert Rauschenberg6
Un dans fara centru2. Costume poitiliste in acord cu
background-ul creeaza iluzii optice, insusi spatiul primeste
vizibilitate3. Un spatiu palpabil continuu redefinit de corpul
performerului4. Spatiul este un camp de forta, generat de un flux
magnetic intre corp si spatiu5. Univers heraclitean, continuu supus
metamorfozeiSummerspace 19587
Nocturne
Story, 1964Alte colaborari cu Robert Rauschenberg9
Beach birds for the cameraRobert Rauschenberg Merce
CunninghamSuite for five in space and time 1956
Music: John CageDesign: Robert RauschenbergDancers: Merce
Cunningham Dance Company
Walkaround Time, 1968, Music: David BehrmanDesign: After Marcel
DuchampDancers: Merce Cunningham Dance Company
Rainforest
Andy Warhol, Silver C
Walkaround time, Design Jasper Jones
Walkaround time
Sursa : Marcel Duchamps, The large glass
Marcel Duchamp, The Large glass
19Marcel Duchamps, Nud coborand o scara
Split Sides 2003, Design: Catherine Yass, Robert Heishman,.James
Hall, James IngallsDancers: Merce Cunningham Dance Company
Points in space 1986. Muzica John Cage, Voicless essay
Points in spaceUn colaj sonor din soapte, voci care accentueaza
miscarea, reactii imprevizibilePictures 1984One of the most
striking elements of Mark Lancasters dcor was the lighting, which
shown against the backcloth, capturing the dancers movements like
photographic images taken by a still camera. Cunninghams
choreography for Pictures frequently isolated small groups of
dancers, in intricate, linked poses, as in when the last flash of
light hit the stage, and Cunningham lifted the motionless body of
Patricia Lent, then the newest member of the company, and held her
horizontally, as if it were the last image in a photo album.
Lancasters costumes were gray or black leotards and blue
sweatpants. The musical score by David Behrman was performed by
Takehisa Kosugi.
Jasper Jones , Field Painting
Field Painting
Cunningham, Field DancesMinutiae, design Rauschenberg
Minutiae
Combines
Combines
Combines
32Rausxhenberg, Red paintings
Interscape, 2000, design Rauschenberg34BIPED
BIPED
Biped
Biped
