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THE COLLECTION.fOF GERTRUDE STEINc.AND HER FAMILY

FOUR-,<:fiMERICANJ'

INPARIJ

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THE U:WUSEUM OFc./\10DERN cART, NEW YORK

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AExh_0950_MasterChecklist

Lender»

Robert Ardrey and Helen Johnson Ardrey; Leon AnthonyArkus; Dr. and Mrs. Harry Bakwin; George S. Block; Mr.and Mrs. Leigh B. Block; Mr. and Mrs.Gilbert W. Chapman;Walter P. Chrysler; Sidney E. and Roberta Cohn; Mrs.Andrew Cole; Mrs. J. H. Cr-ang: Dominique Maurice-Denis;John W. Dodds; Alvin C. Eurich; Mr. and Mrs. Sampson R.Field; Mr. and Mrs. William A. Gaw;Mr. and Mrs. JacquesGelman; Mr. and Mrs.Walter A. Haas; The Honorable andMrs. W. Averell Harriman; Mrs. Oveta Culp Hobby; Mrs.Robert P. Hutchins; Mr. and Mrs. Tevis Jacobs; RiccardoJucker; Mr. and Mrs. Nelson R. Kandel; Mr. and Mrs.David Lloyd Kreeger; Jan Krugier; Dr. and Mrs. Norman F.Laskey; Robert Lehman Collection; Mrs. Philip N. Lilien-thal; Dr. and Mrs.Frederick H. Low;Jean Masurel; PierreMatisse; Mr. and Mrs. Algur H. Meadows; Andre Meyer;Mr. and Mrs. Jan Mitchell; Johann Mustad; E. Jan Nadel-man; Mr. and Mrs. William S. Paley; Henry PearlmanFoundation; Mr. and Mrs. Henry Pearlman; Picard Collec-tion; Mr. and Mrs. Augustus Pollack; Lionel Prejger; Mr.and Mrs. Perry T. Rathbone; Mrs. Jerome B. Rocherolle;Mr. and Mrs. DavidRockefeller; NelsonA. Rockefeller; Dr.and Mrs. Harold Rosenblum; Herbert and Nannette Roths-child; Mrs. Madeleine Haas Russell; Mr. and Mrs. DanielSaidenberg; Mr. and Mrs. John D. Schiff; Mr. and Mrs.Georges E. Seligmann;Fred M. Stein Family; Walter Stein;

H. Arnold Steinberg; Mr. and Mrs. Lionel Steinberg; Mrs.Maurice L. Stone; Eugene V. Thaw; Mr. and Mrs. RichardK. Weil; Mr. and Mrs. John Hay Whitney; Five anonymouslenders.

The Baltimore Museum of Art; Museum of Fine Arts,Boston; Albright-Knox Art Gallery, Buffalo; The Art Insti-tute of Chicago; The Cleveland Museum of Art; Konstmu-seurn, Goteborg, The Museum of Fine Arts, Houston; TheHermitage, Leningrad; The Tate Gallery, London; NationalGallery of Victoria, Melbourne; Collection of AmericanLiterature, Beinecke Rare Book and Manuscript Library,Yale University, New Haven; The Metropolitan Museumof Art,_New York; The Museum of Modern Art, NewYork; Nasjonalgalleriet, Oslo; .Musee du Louvre, Paris;Musee National d'Art Moderne, Paris; The Art Museum,Princeton University, Princeton, New Jersey; Museum ofArt, Rhode Island School of Design, Providence; BrighamYoung University Art Collection, Provo, Utah; San Fran-cisco Museum of Art; Dumbarton Oaks Collection, Wash-ington, D_C.; Kunsthaus, Zurich.

Wally F. Findlay Galleries International, Inc., Chicago;Marlborough Gallery, Inc., New York; Galerie Alex Maguy,Paris.

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Catalogue

The catalogue is arranged alphabetically by artist, with theworks of each artist arranged chronologically, and works ofthe same year listed alphabetically by title. A date enclosedinparentheses does not appear on the work itself. In dirnen-sions, height precedes width. The name of the member ofthe Stein family who first owned each work is given in pa-rentheses, preceding the name of the present owner. In thecaseof prints and sculpture, it is not known in every instancewhether the impression or cast in the exhibition is the oneactually owned by the Steins.

Several entries include quotations from the writings of Ger-trude or Leo Stein or comments by the director of the exhi-bition. Quotations appear in italic, comments in roman type.The sources of the quotations are: [Gertrude Stein], TheAutobiography of Alice B. Toklas, New York: Harcourt,Brace and Company, 1933; Gertrude Stein, Picasso, Boston:Beacon Press 1959 (originally published in French, Paris:Librairie Flo~ry, 1938); Leo Stein, Appreciation: Painting,Poetry and Prose, New York: Crown Publishers, 1947; [LeoStein], Journey into the Self: Being the Letters, Papers ~Journals of Leo Stein, edited by Edmund Fuller, New York.Crown Publishers, 1950.

CHRISTIANBERARD.1902-1949

f,)Mha/>lJ 10"" (G t deGertrude Stein. 1928. Ink on paper, 131f2 x 12. er ruStein). Collection ot American Literature,. Beinecke RareBook and Manuscript Library, Yale U'rriversrty, New Haven.

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EUGENEBERMAN.born 1899

P t '1 fA!' B. Toklas. (ca. 1930). India ink on paper,or ear 0 Ice Gilb t A Harnson22xI7".(AliceB.Toklas).Collection I er ;'018;;' ,Washington, D.C. TO·

PIERREBONNARD.1867-1947

The Siesta. (1900). Oil on canvas, 43 x 5[1/,'. (Leo andGertrude Stein). National Gallery of Victoria, Melbourne,Australia. Plale 23. M.9'il T

PAULCEZANNE,1839-1906

Apples. (1873-77). Oil on canv~,I;!iY8 x lOW'. (Leo andGertrude Stein). Collec'trl,n~it~Mne V. Thaw, New York.Plate 19. ::;.o·/OfJIOThe Cezanne apples have a unique importance to me thatnothing can replace ... The Ceaannes had to be divided. Iam willing to leave you the Picasso oeuvre, as you left methe Renoir, and you can have everything except that I wantto keep the few drawings that I have ... and I'm afraid you'llhave to look upon the lossof the apples as an act of God.-Letter from Leo to Gertrude Stein (1913-14?), Journeyinto the Self, p. 57.

Portrait of the Artist's Son, Paul. (1880). Oil on canvas,6% x 6". (Michael and Sarah Stein). Collection Me. andMrs. Henry Pearlman, New York. 7(;. /00 IJJ

Environs de Gardanne. (1885-86). Watercolor on paper,121/4 x 183/4 ", (Leo and Gertrude Stein). Private collection,NewYork. (W/LD£I'ISTE:/N 6a/., NY.) "'IoO./Ou'S

Bathers in Landscape. (ca. 1890-97). Lithograph, printedin color, 93/8 x 12 5/S If. (Leo and Gertrude Stein; Michael ax:dSarah Stein). The Museum of Modern Art, New York, gIftof Abby Aldrich Rockefeller. NO T EX H. ;;l1D9, "'fDBathers. (ca. 1895). Oil on canvas, lOs;. x 181/8'.(Leo andGertrude Stein). The Baltimore Museum of Art, The ConeCollection. Plate 20. :;O,9;;J.1Bathers. (1899). Lithograph, printed in color, 16% x 205/8 ",

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DAUMIER. Head of an Old Woman. 1856-60.Henry Pearlman Foundation, NewYork

(Leo and Gertrude Stein). The .Museum of Modern Art, A

New York, Lillie P. Bliss Collec tion. NO, EXt!· ...q.5,Mont Ste.-Vicioire (ca. 1900). Watercolor on paper, 121J4 x183/.'. (Leo and Gertrude Stein Y-Musee du Louvre, Paris. ~.1"'3'

'cABINET 'DES VESSIIJ5 Vii- "TV, T

OTHON COUBINE. 1883-1969

Orchard with Purple Heather. (rnid-1920s?). Oil on canvas,23'/2 x 28'/2'. (Leo Stein). Collection Fred M. Stein Family,New York. 90./0 IJ> g

HONORE DAUMIER. 1808-1879

Head of an Old Woman. (1856-60). Oil on panel, 8% x6lf2". (Leo and Gertrude Stein). Henry Pearlman Founda-tion, New York. '1-6./D05They had soon the privilege of upsetting his IVoIlard'sjpiles of canvases and finding what they liked in the heap.They bought a tiny little Daumier, head of an old woman.-Gertrude Stein, Autobiography of Alice B. Toklas, p. 38.

JO DAVIDSON, 1883-1952

Gertrude Stein. (ca. 1923). Bronze (recast, 1949, from moldused to reproduce a miniature version in pewter of the al-most life-size original)~73/4" high. (Gertrude Stein). Collec-tion of American Literature, Beinecke Rare Book and Man-uscript Library, Yale University, New Haven. '1().:J93Jo Davidson too sculptured Gertrude Stein at this time.There, all was peaceful. Jo was witty and amusing and hepleased Gertrude Stein.-Gertrude Stein I AutQQionraphy of IAl~'e B. Tlklas 1'.251. i(. 't~/gA6 ?/f! • (p'1-4 on ~O(). ~e )(, I I<. nB,lgnln. ca. ~9tO~.~atercolor on paper, 75/8 x 11l14".(Gertrude Stein). Collection of American Literature, Bei-necke Rare Book and Manuscript Library, Yale University,New Haven. NIT £xH· 10.39;),

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MAURICEDENIS. 1870-1943

Mother in Black. 1~95. Oilon canvas, 18'/. x IS". (Leo andGertrude SteIn). (CollectIOn Domini9ue Maurice-DenisSaint-Germain-en_Laye) 'Pr/·v,de. CO!lec.f,oV/ 7/).985JUANGRIS. 1887-1927

Glassand Boftle. (1913-14). Oil and pasted paper on can-vas, 24% x 15 V.. ·. (Gertrude Stein). Collection AndreMeyer, New. York. rO./OJ ':10

Book and Glasses. (1914). Oil, pasted paper, and crayon oncanvas, 253,4 x 193;4". (Gertrude Stetn). Private collection,NewYork. (ste,n cs+afe) rO./a/toFlowers. (1914). Oil, pasted paper, and pencil on canvas,21'1. x 18\1.,". (Gertrude Stein). Pr\vate collection, NewYork.Plate 24. (St~ln fs+afe) 70./;;2/'0The Table in Front of the Window. 1921. Oil on canvas,25% x 39 lI:z ': (Gertruc!e Stei?). 'pr\vate collection, NewYork "'Pe.n(st~/VI es~Te,) " 7D./2/,,1-The Clown. 1924J~ on paper, 9% x 7'/2 . Inscnbed: AGertrude Stein/tres amicalement/Juan Gris/I924." (Ger-trude Stein). Collection Mr. and Mrs. Lionel Steinberg,Palm Springs, California. Page 69. TO ./O/.ffiSeated Woman. 1924. Oil on canvas, 3;f x 23%". (GertrudeStein). Private collection, New York. (st~-klo./2.I'1Study: Ship's Deck (Boat Deck). (192,ff Watercolor andpasted paper on paper 81/2 x 113;4 ". Inscribed: "A Gertr~deStein/son ami Juan Gris 1925." (Gertrude Stein). Collec~38Nelson A. Rockefeller, New York. Page 71. TO'/

TheGreen CIOfh.(1925)Oil on canvas, 28314 x 36%". (Ger-trude Stein). Collection Mr. and Mrs. David Rockefeller,NewYork. _ 10./,;);l g

A Book Concluding with As a Wife Has a Cow. (1926).Four lithographs, each 9% x 73/8" (sheet size). (GertrudeStein). The Museum of Modern Art, New York, gift ofJames Thrall Soby. /VOT l:XH. 89.5'i1./-"IThese lithographs were commissioned as illustrations for atext by Gertrude Stein, published by D.-H. KahnweiJer in1926.

Dish of Pears. 1926. Oil on canvas, 105/8 x 13314".(GertrudeStein). Collection Mr. and Mrs. David RockefeIler, NewYork Plate 25. ro./~d.t

MARIELAURENCIN.1885-1956

;;1-' "Ig, 3/'/K"Group of Artists. 1908. Oil on canvas, 24% x 311/8". (Leoand Gertrude Stein). The Baltimore Museum of Art, TheCone Collection. Plate 26. 't6.~In the early days Marie Leurencin painted a strangepicture,portraits of Guillaume [Apollineire], Picasso, Fernandeand herself. Fernande told Gertrude Stein about it. GertrudeStein bought it and Marie Laurencin was so pleased. It wasthe first picture of hers anyone had ever bought.-GertrudeStein, Autobiography of AliceB. Toklas, pp. 76-77.

JACQUES LIPCHITZ. born 1891

Gertrude Stein. (1920). Bronze, 13318'. (Gertrude Stein).The Museum of Modern Art, New York, gift of friends ofthe artist. j. {;3He had just finished a bust of Jean Cocteau aridhe wantedto do her. She never minds posing, she likes the calm of itand although she does not like sculpture and told Lipchitzso, she began to pose. I remember it was a very hot springand Lipchitz's studio was appallingly hot and they spenthOUTS there.Lipchitz is an excellent gossipand Gertrude Stein adores

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LIPCHITZ. Gertrude Stein. 1920The Museum of Modern Art,New York,

gift of friends of the artist

the beginning and middle and erid of a story and Lipchitzwas able to supply several missing parts of several stories.And then they talked about art and Gertrude Stein rather

liked her portrait and they were very good friends and thesittings were over.-Gertrude Stein, Autobiography of Alice

B. Toklas, p. 249.

EnOUARDMANET.1832-1883/'1-3/8' /I '/"1"

Ball Scene. (1873). Oil on canvas, ><l), " 18%". (Leo andGertrude Stein). Collection Johan Mustad, Gotebor g, Swe-den. Plate 21. 1-(l. ~fD4We had an exquisite little Manet.-Leo Stein, Appreciation:Painting, Poetry and Prose, p. 198.They found a very very small M anet painted in black andwhite with Forain in the foreground and bought it.-Ger-trude Stein, Autobiography of Alice B. 'Toklas, p. 38.

HENRI MANGum. 1874-194925 I :l/3/S-'

Standing Nude. (ca. 1904-5). Oil on canvas, 21)'* It 21". )(LeO~A d Gertrude Stein). Private collection, New York. (JMeph SolomonThe f lowing spring [1905) I went through the Lnd.eoen- ttJ.I01.J1dents' "thoroughly as I had gone through the Autumn Salon... I bOLfght ... a successful study of the nude by M eriguin,really school of Matisse, but of a kind of Matisse that I hadnot yet seen; otherwise I should not have been so wellpleased with this Matisse at second-hand.-Leo Stein, Ap-preciation: Painting, Poetry and Prose, p. 158.

LOUIS MARCOUSSIS.1883-1941

Ge~trude Stein. (ca. 1933). Engraving, 14 x 11". (Gertrude5t.em). Th~ Museum of Modern Art, New York, gift ofVIctor S. Riesenfeld. NOT EXH. 345. 48

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Still Life with Chocofate Pot. Paris (1900). Oil on canvas,The Cardpla e (1923) 0'1 283/4 x 23'/2". (Michael and Sarah Stein). Galerie Alex

y rs. . . I on canvas, 31% x.23%". taguy, Paris. Plate 1. T6.'f!3(Gertrude Stern). Pnvate collection, Paris.(Maunc~ Tardot rO·'''1 .The next peunter who attracted her attention was Andre he Serf. Pans (1900-1903). Bronze, 373/8" high. (LeoMasson. Masson was at that time influenced by Juan Gris and Gertrude Stein; Michael and Sarah Stein). The Mu-inwhom Gertrude Stein's interest was permanent and vital. seum of Modern Art, New York, Mr. and Mrs, Sam SalzShe was interested in Andre Masson as a painter particu- Fun~.Plate 13. S68·5"l#lady as a painter of white and she was interested in his com- Metisse spent three years and more than a hundred sittingsposition in the wandering line in his compositions.-Gertrude on a small statue, which at the end looked to the averageStein, Autobiography of Alice B. Toklas, p. 258. person as though it might have been done in an afternoon

... I had seen this figure in plaster several times and admiredit, but it was only when I saw it in bronze that my enthu-siasm flamed, and I bought it.-Leo Stein, Appreciation:Painting, Poetry and Prose, p. 33.Madeleine, I. (1901). Bronze:"'23Sjg" high. (Michael andSarah Stein). The Baltimore Museum of Art The ConeCollection.""Dl35/8X 'iJ'/"I~ 1'/1 ;meL. bau ' 10.9;1.1'

I'/+~ IJ'!+ x, 1'/g"Woman with Black Hair. (ca. 1902). Oil on canvas, 171/2 x14V2". (Michael and Sarah Stein). Collection Mrs.AndrewCole, San Francisco. 10.1+/3

Iff 3/H)( 15'/~ 1/Andre Derain. (1905). Oil on canvas, liVS: Jt 11%". (Mi-chael and Sarah Stein). The Tate Gallery, London.Plate 9.

10.'18Japanese Woman beside the Water. Collioure (1905). Oilon canvas, 13% x 11" '. (Michael ii!nJliipaJJ Stein). Collec-tion Mr•. Phi lip N. Li lienthal, J;l,(WPil8W, California. 10./"116

Landscape, Collioure. (1905). Oil on 1o':.'I.~1,S18x 213/4'.(Michael and Sarah Stein). Collection Mr. and Mrs. DavidRockefeller, New York. Plate 5. ;0./2:l'

II.K:JOd 1"/" IS g/~"Landscape, Les Genets. (1905). Oil on casees, 12?~ ::c H".(Michael and Sarah Stein). Collection Mr. and Mrs.WalterA.Haas, San Francisco. "';L. 9-0./:2 8 '3renal1dMadame Matisse in Garden. (190S):.-,Ink on paper, 8 x

ANDRE MASSON. born 1896

HENR1 MATISSE. 1869-1954

The Open Door. Brittany, Summer 1896. Oil on canvas,13'12 x 11" (sight). (Michael and Sarah Stein). Privatecollection. (R()(//311V1ISleIAl) 3" /3 ?I ~O.I031-/0 ,if)(. ~/tIIAjaccio. Corsica (1898). Oil on canvas, 11 x 14'/4 ', (MichaelandHSara~tein). Collection Mr •. Philip N. Lilienthal,_-I'll, ERr~, I'f .l5Ig6l~@, a 1 orrua.

The Canal 01 the Midi. Toulouse (Winter 1898-99). Oil on~, 91/2 x 141/2 ': (Michael and Sarah Stein). CollectionMr. and Mrs. Lionel Steinberg, Palm Springs'1~~YJ~jia.Still Life. (1899). Pencil on paper, 4% x 5'/4'. (Michaeland Sarah Stein). The Baltimore Museum of Art, The ConeCollection. NOT ex« ro.9~The Invalid. Toulouse (early 1899). Oil on canvas, 18%x 15". (Leo and Gertrude Stein). The Baltimore MuseumofArt, The Cone Collection. '1O.:Jf). J.p

Sideboard and Table. Toulouse (early 1899). Oil on canvas,2~ $132 '~ ~nichael and Sarah Stein). Dumbarton OaksCo ectro~, asitngton, D.C. Plate 3. 10,/OlJlMale Nude. (ca. 1900). Oil on canvas, 32'/4 x 111/2'. (Mi-chael and Sarah Stein). Private. follection, San Francrsco.

(OR. STANLEy STEINBER(j; 1(J./OfSu

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10'/,". (Michael and Sarah Stein). CollectinnMr. and Mrs.Lionel Steinberg, Palm Springs, California. 'TO· ID 6"1

Olive Trees. (1905). Oil on canvas, 18'/8 x 21%". (Leo andGertrude Stein). Robert Lehman Collection, New YorkPlate 4. ?D. 39 T

Ij/Portrait of Pierre Matisse. (1905). Bronze, 61/8" high. (Mi-chael and Sarah Stein). The Baltimore Museum of Art,The Cpn'l Collecjiql"i'&:. 'I.:10. (; )I. t 3/,' 011 TO.Sl;l+/'VlU 6 r,. /lase , 3/-+ ;c. l' ~:3 /ISeascape (Bord de mer). Collioure (1905). Oil on wood,93/8 x 12%". (Michael and Sarah Stein). San FranciscoMuseum of Art,Mildred B. Bliss Bequest. rO./O:l:l.Seascape (Marine). Collioure (1905). Oil on wood, 9% x121/4". (Michael and Sarah Stein). San Francisco Museumof Art, Mildred B. Bliss Bequest. ro·/02/Woman Leaning on Her Hands. (1905). Bronze~1j4" high.(Michael and Sarah Stein). The Baltin;t9re Museum of Art,The Cone Collection.'t5 ~ 9'31,~ ~3/+· 70.93/Woma{1J".ith a Branch of Ivy (L'Italienne). (ca. 1905). Oilon ~r1514 u Hn~".(Michael and Sarah Stein). Col-lection Dr. and Mrs. Norman F. Laskey,Mt. Kisco, NewYork. Plate 6. .jr /(,S/a x /351, II rO,ST!;

F· . L d C' _I p'''''ciltgure In a an scape. olhoure (1905-6). Watercdlot.on

paper, 7 x 10". (Michael and Sarah Stein). Collection Mr.and Mrs. Tevis Jacobs, San Francisco. '10.9lJ8Harbor at Collioure.Collioure (1906?). Lithograph, 43/8 x75/8". Inscribed: "hommage a Mademoiselle Stein/Henri-Matisse." (Gertrude Stein). The Museum of Modern Art,New York, given anonymously in memory of Leo and NinaStein. Plate 8. ~;5e>Head of a Young GirI. (1906). Bronze~61j,"high. (Michaeland Sarah Stein). The Baltimore Museum of Art, The ConeCollection. ~ (, '1:1 ~ (p J<. 5 '/2" e' 5 $tH. 70.9~ 5

Head of a Young Girl with Upswept Hair. (1906). Bronze,"'4-\4" high (Michael and Sarah Stein). Collection Dr. andMrs. Har;y, Bakwin,New/York .• "1:/1. ),~i/S)<.::1%" ~05J:20

"'" rnarb/~ base?' , x.2 ~.. ' f' 7 .Madame Matisse Pinning Her Het. (ca. 1906). Ink onpaper, 11% x 7%". (Gertrude Stein). Collection of Amer-ican Literature, Beinecke Rare Book and Manuscript Li-brary, Yale University, New Haven. r()·~'tGertrude Stein always liked the way she pinned her hat toher head and Matisse once made a drawing of his wife rnek-ing this characteristic gesture and gave it to Miss Stein. Shealways wore black. She always placed a large black hat-pinweII in the middle 01 the hat and the middle of the top ofher head and then with a large firm gesture, down it carne.c-Gertrude Stein, Autobiography of AliceB.Toklas, pp. 43-44.Nude belore a Screen. (1906). Oil on canvas, 13 x 71/2".(Michael and Sarah Stein). Collection Robert Ardrey andHelen Johnson Ardrey,Norman, Oklahoma. Plate 15. 10·89'Sarah and Michael Stein returned to San Francisco in thespring of 1906 to inspect their property after the disastrousearthquake and fire. They brought with them three smallpaintings and a drawing by Matisse, the first works of theartist to be seen in America. Among them was this painting.Nude in Landscape. Collioure (1906). Oil on ~~,o.9,153/4x 12%". (Michael and Sarah Stein). Wally F. FindlayGalleries International, Inc., Chicago. 10·900Nude Seated in a Folding Chair. (1906). Lithograph, 143/4x 10%". (Leo andGertrude Stein). The Museum of ModernArt, New York, given anonymously in memory of Leo andNina Stein. . c;z5'3-5ll

Sailboa~in the Harbor of CoIIioure. (1906?). Brush and inkon paper, 6 x 8" (sight). Inscribed on mount: "A AllainSteinyson ami H. Matisse 7 nov. 07" (Allan Stein). Privatecollection. (Rous//oJ1t $rEIN) 10./03lJSketch for Marguerite Reading. (1906). Oil on ~::~8S,5'14

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--x.5V'·. (Michael and Sarah Stein). Collection Pierre Ma-tisse, New York. "'10. ~'ir4-Small Head. (1906). Bronze, 3'1." high. (Michael and SarahStein). The Baltimore Museum of Art The Cone Collection

. . NtJr EX-H. "6.9:2.& .Siandmg Nude Reeding. (1906?). Lithograph, 24 x 18".(Michael and Sarah Stein). Collection Mr. and Mrs. Wil-liam A. Gaw, Berkeley, California. rD. 9lD 3Woman and Still Life. (1906?). Oil on ~ 12'/2 x15%". (Michael and Sarah Stein). Priv~te collec'tion, SanFrancisco. (lJR.STANJ.EY S7EINBEII:f;) ro./DS?-

Yellow Pottery {rom Provence (The Yellow Jug). Collioure(1906). Oil on canvas, 21% x 17314". (Leo and GertrudeStein). The Baltimore Museum of Art, The Cone Collection.rO.9a.:zReclining Nude. Collioure (Summer 1906). Oil 'iii ~12314x 15'/2'. (MiChae~1and Sarah Stein). CollecdonlMrs.Madeleine Haqs Russell San Francisco. "0 /·...,9

fIR/VII rE: C6i1an T -r-tSketch: The Artist's Family. July 4, 1906. Ink on paper(P?2tCQSC'), 31/4 x 41;",". (Michael and S~ah Stein). ~rivatecollection, San Francisco. (Vr.S-tIlN/.E'I'l, tE/N8E~41-0./06g

Woman Leaning on Elbow. (1906-7? )~tlfnt.on paper, 10'/,x 81/,'. Inscribed (at a later date): "To Elise [Haas] fromSarah with love." (Michael and Sarah Stein). CollectionMr. and Mrs. Walter A. Haas, San Francisco. Plate16./215

Ceramic Vase. (ca. 1907). Ceramic, painted,"1!gV4"high.(Michael and Sarah Stein). Collection Mr. and Mrs. LionelStein1;lerg,Palm Springs, California. Plate 11. '10·/06,,/:it' 931'1- ",'ID )( (P /IDancing Faun. (1907?). C~amic t)J1S,.5 x 4%". (Michaeland Sarah Stein). Collecdo~·"f&in"W. Dodds, Stanford,California. /\ -0:;0..969

Margot (Marguerite in a Veiled Hat). (1907). Oil on can-vas, 31V. x 25%". (Leo and Gertrude Stein). Kunsthaus,Zurich. Plate 10. '70./0{p {p

Reclining Nude, I. Collioure (1907). Bronze, 131/,' high x19%" long. (Michael and Sarah Stein). The Museum ofModern Art, New York, acquired through the Lillie P. BlissBequest. Plate 16. /"1'3.6/Studies of Allan Stein. 1907. Brush and ink on paper,21% x 17V2". Inscribed: "A Allan Stein/en souvenir de lesonze ana/affecrueusement/mai 1907 Henri Matisse." (AllanStein). Private collection. (Roue/Nil Sh:IN) 1D·/D38

The Blue Nude (Souvenir of Biskra). Collioure (early. and f'..en~iT "1907). O,lAon canvas, 36V4 x 55V •. (Gertrude and Leo

Stein). The Baltimore Museum of Art, The ConeCollection.Plate 17. 10.9~3During the three years that followed on the Womanwith theHat I bought a number of Matisses--the last one,The BlueWoman, now in the Cone collection in Baltimore, but reallya pink woman in blue scenery.-Leo Stein, Appreciation:Painting, Poetry and Prose, p. 162.Then we went on and saw a Matisse; Ah there we were be-ginning to feel at home. We knew a Matisse when we sawit, knew at once and enjoyed it and knew that it was greatart and beautiful. It was a big figure of a woman lying inamong some cactuses. A picture which was after the show[Independents, 1907-1to be at the rue de Fleurus.-GertrudeStein, Autobiography of Alice B. Toklas, 'p. 211Leo Stein lent this work to the Armory Show in 1913:

Music (Study). Collioure (Summer 1907). Oil on canvas,29 x 24". (Leo and Gertrude Stein). The Museum of Mod-ern Art, New York, gift of A. Conger Goodyear in honor ofAlfred H. Barr, Jr. Plate 12. rtf. u:J..

rn'K"t<tJ If> .J&J.Sketch for Ceramic Design. (ca. 1907-9). Pencil BR 13Bf38P,

4 x 5%". (Michael and Sarah Stein). San FranciscoMuseum of Art, gift of Charles Lindstrom.

Bronze with Carnations. (1908). Oil on canvas,235/8 x 29".(Michael and Sarah Stein). Nasjonalgalleriet,Oslo. Plate 18.

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MATISSE. SmaIl Crouching Nude without an Arm. 1908?Collection Mr. and Mrs. Lionel Steinberg, =1 O. 106 '3

Palm Springs, California

1990 ChattotJlPig. (ca. ~). PetleK on paper, 8 x 12" (sight). (Micqaeland Sarah Stein). Private col1ection. (ROU!3IN4 Stl!ll'J) 10. III 35

Rw7 ,,"D " M·Reclining Nude. (ca. 1908?)A1nkonpaper,8x9 . ( ichae land Sarah Stein). CollectionWalter Stein, Port Washington,NewYork. Plate 14. rO·/oll-l.SmaIl Crouching Nude without an Arm. (1908?). Bronze,

lI53/4 high. (Michael and Sarah Stein). CollectionMr. andMrs. Lionel Steinberg,Palm Springs, California. To ·/o5~Sarah Stein told the present owners of this bronze thatMatisse picked her up at their school in Paris for a walk inthe rain, and drew this sculpture from his raincoat pocket,breaking off the arm.He was greatly disturbed and wantedto destroy it, but she persuaded qim not to, and he cast itthat way. -lEO'). ~.2?/'d )I. 33/-+"Two Negresses. (1908). Bronze~181/2' high. (Michael andSarah Stein). The Baltimore Mqseum of Art, The ConeCollection, 'i18 '12 )< 101/4 )I 7 " tinc/ titl1n9 60S" 10.930

'1ltl ll. /0 'f4-' ? /I .:5 .... 1/, •{~.8i'~:rCollioure. Collioure (1908). Oil on canvas, ~:l ", (Michael and Sarah Stein). Collection Mr. andMrs. Jacques Gelman,Mexico, D.F. Plate 2. 10.9()jSarah Stein. (1908-11?). Oil on canvas, 25 x 19'/4' (sight).(Michael and Sarah Stein). Private collection.mOtiSINIl STEIN)N d . F C I·' (S ) . 10./037-u e In orest. ava iere umrner 1909 . 011 on canvas,16'/2 x 13". (Michael and Sarah Stein). CollectionMr. andMrs. Tevis Jacobs, SanFrancisco. ~ TD .!)O2.

M~~UEiRJT~ IN Tf:!ft.EEJ'ot-ES ren,ee Sh;dW£ 0';8150;;? (1910?).ink on paper, 10 x15'12".(Michael and Sarah Stein). CollectionMr. and Mrs.Walter A. Haas, San Francisco. 70.1;1. g'fCollioure. (1911). Oil on canvas, 243/4 x 20'/a". (Michaeland Sarah Stein). Collection Nelson A. Rockefeller, New

York. .. 1>hbtbqfCAP/" 10 ./-;) 3~Po.rtralt of C:lanbel Cone.(1913). Pepsil eR f38:J3er,103/4x 8"(stg!"t1).(MIchael and Sjrah Stein). Private collection.

CROUS//</fl STEIN NOT £IC.II. 70./03:1..

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~otoq rapt,Portrait of Etta Cone. (1913). Ponci' 00 pSJi' 01", 101fz x 8"(Sigl>~. (Michael and Sarah Stein). Private Collection.

() OU6.INFl8Tl:l1'J\ NDt'E1.H· "10./033Untit ed. (1913). i~o'n paper, 11 x 8". (Michael and SarahStein). Collection 1\l."in C. Eurich, New York. '10.9iPl~Black Eyes. (1914). Lithograph, 17% x 12%". (Michaeland Sarah Stein). The Museum of Modern Art, New York,gift of Mrs. Saidie A. May. NOT E)(Ii. 3g.3~I.E /.Ui</!!. ltD". W•• ocur: ,PigYF8. (ca. ~). :n4:onQty~e,4% x 21/2 ', (Michael andSarah Stein). Collection George S. Block, San Fr8JJ.cisco.

'f0.94!1Head. (1914?). Drypoint, 10314x 8" (sight). (Michael andSarah Stein). Collection Mr. and Mrs. William A. Gaw,Berkeley, California. TO· !JflJ.-

Irene Vignier. (1914). Monotype, 6'/. x 2'/4'. (Michael andSarah Stein). Collection Mr. and Mrs. Lionel Steinberg,Palm Springs, California. "10.1050

Nude with Face Half-Hidden. (1914). Lithograph, 19% x12". (Michael and Sarah Stein). The Museum of ModernArt New York Frank Crowninshield Fund. wor: (p."6, , . ,£xll·Seated Nude. (1914). Drypoint etching, 5% x 4'. (Michaeland Sarah Stein). The Museum of MEern Art1.Ne~;f'~fJk.Seated Nude, Back Turned. (1914). Lithograph, 16% x10%". (Michael and Sarah Stein). Collection Mrs. PhilipN. Lilienthal, Burlingame, California. NOT EJ<H.Portrait of Michael Stein. Paris, 1916.Oil on canvas, 261/2x 197/8". (Michael and Sarah Stein). San Francisco M~seumof Art, gift of Nathan Cummings to the Sarah and MIchaelStein Memorial Collection. Page 34. 't{)./019

Study for Portrait of Sarah Stein. Paris, 1916. Charcoal onpaper, 193/8 x 125/8". Inscribed: "3 Mad<lMichel St~in/hommage respectueux/Henri-Matisse 1916." (Sarah Stem).San Francisco Museum of Art, gift of Mr. and Mrs. WalterA. Haas. 1-0./:J{)£1

j

Portrait of Sarah Stein. Paris, 1916. Oil on canvas, 280/8 x221/4". (Michael and Sarah Stein). San Francisco Museumof Art, gift of Mr. and Mrs. Walter A. Haas to the Sarahand Michael Stein Memorial Collection. Page 34. ,/0·/020

The Organdy Dress. (1922). Lithograph, 163/4 x 10%".(Michael and Sarah Stein). The Museum of Modern Art,New York, gift of Ahby Aldrich Rockefeller.NoTU/t· 433-+t>Seated Girl in Garden. (1922). Lithograph, 16'/8 x 203/.'.Inscribed: "8. M. et Mme. Michel Stein - cordialement."(Michael and Sarah Stein). Collection Mr. and Mrs. TevisJacobs, San Francisco. "10.9(,3Arabesque. (1924). Lithograph, 19'/. x 12%". (Michaeland Sarah Stein). The Museum of Modern Art, New York,Lillie P. Bliss Collection. NOT EICH· 8:1.3tPortrait of Mrs. AlJan Stein. (1924'. Charcoal on paper, 25x 19". Inscribed: "aux epoux Allan Stein Daunt/souveniramicaljHenri Matisse/24." (Allan Stein). Collection Mr.and Mrs. Lionel Steinberg, Palm Springs,California. 1D./052

Odalisque. (1925). Lithograph, 20 x 16". (Michael andSarah Stein). Collection Mrs. Philip N. Lilienthal, _-AMWv'/California. "10·/"'1-1':1Seated Woman. (1925). Lithograph, 13 x 10". (Michaeland Sarah Stein). Collection Mr. and Mrs. Tevis Jacobs,San Francisco. ':j-O. 9 ~O

Cha.r'~l>lllnd P1l6te./Nude. n.d ~ on paper, 11 x 9". (Michael and SarahStein). C~lection Dr. and Mrs. Harold Rosenblum, Sau-salito, California. "1()./016

CHARLESMERYON.1821-1868

The Morgue.(i854)Etching, 8% x 7%" (clipped). (Leoand Gertrude Stein). The Metropolitan Museum of Art,New York, hequest of Susan Dwight Bliss, 1967. 1-0,/00/

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/,3/8 X 18'18"Soup. Barcelona (1902). Oil on c~nvas, 14';'2 ill 17~4".(Michael and Sarah Stein). CollectIOn Mrs. J. H. Crang,

to· 90:3Toronto.Two WOD1en at a Bar. Barcelona (1902). Oil on canvas,31'12 x 36". (Leo and Gertrude Stein). Collection WalterP. Chrysler, j-, New York. Plate 27.. '10.9 g~"Collecting" ... isn't something that I am mterested In any

FRANCISPICABIA.1878-1953 more than that I am thrilled by big prices paid for works of. " art I don't know what Chrysler paid for the two women's

G~rtrude Stein. (early, 19305). 011 on ca.nv87, 291/2 x 24 ba~ks of Picasso that he bought from Gertrude but it was,(sight ). (Gertrude Stem). Private collection. (!?0(J1iJ1N~S7i:11J). . h th th f t dollars it set me back. . .. . h h I imegrne Tat er more an e or yShe i~interested In Picebie In whom bitberto s. e as never when I b~ught it.-Leo Stein, Journey into the Self, p. 268. II

been Interested because he at least knows that ii you do not :l4'/B)r, JO JI2solve your painting problem in painting human beings you Woman with Bangs. Barcelona (1902). Oil on canvas, ~do not solve it at all.-Gertrude Stein, Autobiography of ~". (Leo and Gertrude Stein). The Baltimore MuseumAlice B. Toklas, p. 146. "'10· /0'39 of Art, The Cone Collection. "'10.944

-pen .Family Supper. Barcelona (1903). Watercolor'\.and Ink onpaper, 121/2 x 171z."(Leoand Gertrude Stein). Albright-Knox Art Gallejy, Buffalo. Plate 29. 10.9/0

Pen and brYlwn "Seated Nude. (1903-4). Ink on,paper, 15% xliV •. (Leoand Gertrude Stein). CciUection Mr. and Mrs. Georges E.Seligmann, New York. '70./03/"La belle qui passe." (1904). Ink on paper, II x IS'". In-scribed: "La belle qui passe." (Leo and Gertrude Stein).Collection Mr. and Mrs. Daniel Said enberg, New York.

"to./OrrBoy with a Milk Can. Paris (1904). Gouache on cardboard,241/2 x 173,4". (Leo and Gertrude Stein). Collection Mrs.Oveta Culp Hobby, Houston. Pblate 35. to.966

rotvt1The Promenade. (1904). Ink,.on"paper, 15314x 12". (Leoand Gertrude Stein). Collection Mr. and Mrs. John D.Schiff, New York. .".._ 'ID./O,:},"/-

ru. "....DSeated Woman. (1904?). Ink on paper, 7% x 5'/2'". (Leoand. Gertrude ~tein): Coll'ection(Mr and Mrs. Richard K.Well, St. Louis) rnllo.re. CoJl~cflOn 'TO./D{,~

ELIE NADELMAN.1882-1946-K

Standing Woman. (1907; cast ca. 1926). Bronze, 30'" high.(Leo and Gertrude Stein). Collection E. Jan Nadelman,Washington, D.C. -j( ;J9 '/+ • '63/-4- K ? '/2" l/l1c1./nol1ze b-ase 3/S )( 5 '/;2 • & '/;" " '1'0.930

PABLO PICASSO. born 1881

ca« Scene. Paris (1900). Oil on =1.,10 x 13'/.'. (AliceB. Toklas). Collection of American Literature, HeineckeRare Book and Manuscript Library, Yale University, NewHaven. TO . 3.9 /J)Once about this time Picasso looking at this [Le Divan byToulouse-Leutrect and greatly daring said, but all the sameI do paint better than he did. Toulouse-Lautrec had beenthe most important of his early influences. I later bought alittle tiny picture by Picasso of that epoch.-Gertrude Stein,Autobiography of Alice B. Toklas, p. 12.

The Blue House. Barcelona (1902). Oil on canvas, 203/8 x163/8". (Leo and Gertrude Stein). CollectionAndre Meyer,New York. Plate 28. 10·/ ;J/9Head of a Bearded Man. Barcelona (1902). Charcoal onpaper, 12 x 81/2".(Leo and Gertrude Stein). Collection LeonAnthony Arkus,Pittsburgh. "TO./OOff

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'Pen a",p brew.,Study ~?r Young Acrobat on a Ball. (1904 )"Ink on paper,10 x 7 . (Leo and Gertrude Stem). Collection SiJlney E.and Roberta Cohn, New York. 1D.'358"Urie tree beJJedanse barbare" (with letter to Leo Stein).(Drawing 1904; letter ca. 1905). Ink on paper, 11~15V.g ", Inscribed under drawing: "Une tres belle dansebarb are." (Leo Stein). Collection Mr. and Mrs. Perry T.Rathbone, Cambridge, Massachusetts. Page 27. TD./0/3

Head 01 a Man (Mask). 1904-5. Bronze,lr73/4·high. (Leoand Gertrude Stein). The Baltimore Museum of Art, TheCone Collection. Plate 38.-l( ~'I"I)( 6 '/2" 1'/2 1/ .. 0.9.34

Study for The Actor with Profiles of Fernande. Paris (Win-ter 1904/5). Pencil on paper, 19 x 12'/,'. (Leo and Ger-trude Stein). Collection Nelson A. Rockefeller, New York.

»e» toe- ~;,{t~'8Circus Family with Violinisl. (1905)", Ink and onpaper, 7'/8 x 6'/,'. (Michael and Sarah Stefn). The Balti-more Museum of Art, The Cone Collection. to.9a~This and the following three works are studies for TheAcrocer's Family with a Mankey.

lPashMonkey. (1905). Brush ..-I pen and ink on paper, 7'/2 x7114". (Michael and Sar-;;:h Stein). The Baltimore Museumof Art, promised bequest of Grace McCann Morley inmemory of Sarah Stein. ~o.996Mother Caressing Child. (1905). Ink on paper, 8 x 5%".(Michael and Sarah Stein). The Baltimore Museum of Art,The Cone Collection. -a, d /L rD, S8 Ii>ren an II?Profile Head of Woman. (1905 ) ""Ink and /lwash on paper,71/4 x 53/8". (Michael and Sarah Stein). The Baltimore Mu-seum of Art, The Cone Collection. 70.94°The Acrobat's Family with a Monkey, Paris (1905). Gou-ache, watercolor, pastel, and India ink on cardboard, 41 x29V2". (Leo and Gertrude Stein). Konstmuseum, Gote-borg, Sweden.Plate 40, "TO.Slot

\\, l(i. ,,,,,,-" ~...'-~---

!

PICASSO. Guillaume Apollinaire. 1905.Collection Lionel Prejger,Paris ":f0./0/0

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'Ptl1."'DFamily of Harlequins. (1905);.,Ink on paper, 7% x 7". (Leoand Gertrude Stein). Collection Mr. and Mrs. Georges E.Seligmann, New York. 10./0:1.0Four Nudes (verso: Two Men Posing). (1905). Ink onpaper, 91/2 x 12%", (Leo and Gertrude Stein). Picard Col-lection. 1'0./001'Guil1aume Apo11inaire. Paris (1905). India ink on paper,12 V4 x 9". (Leo and Gertrude Stein). Collection LionelPrejger, Paris. Page 165. TO./OIOIt was before Gertrude Stein knew the rue Revignen thatGuillaume ApolJinaire had his first paid job, he edited alittle pamphlet about physical culture. And it was for thisthat Picasso made his wonderful caricatures,including oneof Guillaume as an exemplar of what physical culture coulddo.-Gertrude Stein, Autobiography of Alice B. Toklas, p. 77.

Harlequin and Child. (1905). Ink on paper, 12'14 x 9'/2".(Leo and Gertrude Stein). Collection Mr. and M;s. GeorgesE. Seligmann, New York. 10./030Head of a Boy. '1905'. Gouache on composition board,12'!4 x 9'12". (Leo and Gertrude Stein), The ClevelandMuseum of Art, bequest of Leonard C. Hanna, Jr. Plate 39.Head of Woman in Profile. (1905). Drypoint, 11f-:;~3l"(plate). (Leo and Gertrude Stein). The Museum of Mod-ern Art, New York, Lillie P. Bli:;s Collection. 91.34

nn 4Yld ~OI1 a",~Pti'''''The Jester's Family.Paris (1905 ~ Ink, ~s f1oRoiAlj rima~ on paper, 6% x 4'Vs". (Michael and Sarah Stein).Dum barton Oaks Collection, Washington, D. C. 'to./OIJ~Seated Nude. Paris (1905). Oil on cardboard, mounted onpanel, 413/4 x 30". (Leo and Gertrude Stein). .Musee Na-tional d'Art Moderne, Paris. "10./00+Sheet of Studies: Self-Portrait and Nudes. (1905). Ink onpaper, 9'12 x 12%". (Leo and Gertrude Stein). CollectionH. Arnold Steinberg, Montreal. Plate 3}. '70./04- T~-

The Two Giants. Paris (1905). India ink on paper, 125/8 x

85/s". (Leo and Gertrude Stein). Collection Jan Krugier,Geneva. to.~H5Two Harlequins. 1905. Pastel on paper, 271/2 x 201/2 ",(Michael and Sarah Stein). Collection Mrs. Robert P.Hutchins, Manchester, Vermont. 10.9f..g'1Woman with a Fan. Paris, 1905. Oil on canvas, 39 x 32".(Leo and Gertrude Stein). Collection the Honorable andMrs. W. Averell Harriman, Washington, D. C. Plate 37.~0./+14Young Girl with a Basket of Flowers. Paris (Spring 1905).Oil on canvas, 61 x 26". (Leo and Gertrude Stein). Collec-tion Mr. and Mrs. David Rockefeller, New York. Plate 32.After meeting Picasso I went again to Sagot's. Gertrude waswith me this time and Sagot showed us a picture of a nude,almost naked little girl with a basket of red flowers. I likedthe picture, but Gertrude hated it. A few days later I boughtit. That day I came home late to dinner, and Gertrude wasalready eating. When I told her I had bought the pictureshe threw down her knife and fork and said, "Now you'vespoiled my appetite. I hated that picture with feet like amonkey's." Some years after, when we were offered an ab-surd sum for the picture and 1wanted to sell it-since forthat money one could get much better things-Gertrudewould not agree to sen and I believe that she always keptit.-Leo Stein, Appreciation: Painting, Poetry and Prose,p.173.Gertrude Stein did not like the picture, she found somethingra~her appalling in the drawing of the legs and feet, sorne-thing that repelled and shocked her. She and her brotheralmost quarrelled about this picture. He wanted it and shedi.d not. want.it in the house. Sagat gathering a little of thediSCUSSIO,?s~Id, but that is alright if you do not like the legsand feet It IS very easy to guillotine her and only take thehead. Nc: that would not do, everybody agreed, and nothingwas decided.

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Gertrude Stein and her brother continued to be verydivided in this matter and they were very angry with eachother. Finally it was agreed that since he the brotherwanted it so badly they would buy it .... -Gertrude Stein:Autobiography of Alice B. Toklas, p. 52.

Study for Boy Leading a HOjse. Paris (Winter 1905/6).Brush and sepia wash on paper, 191/4 x 125/8". (Michael andSarah Stein). The Balt imore Museum of Art, The Cone

• "7· , ICollection. '" Xi. /4 I ?D,fj4SBoy Leading a Horse. Paris (Winter 1905/6). Oil on can-vas, 86112 x 511/4". (Leo and Gertrude Stein). Collection Mr.and Mrs. William S. Paley, New York. Plate 36'llO.';Z;l~1'<''''''' S"1':>-.{P,!Leo Stein. (ca. 1905-6)'I\Ink on paper, 121 x 9% .(Mi~iliIel and Sa):,ahSteip). Private collection. Page 29.

"'OU8/NII ::>'TEIN)_ rO./042.Leo tein. (ca. 1905-6). Ink on paper, 6% x 41/4', (Leo andGertrude Stein). Collection Mrs. Jerome B. Rocherolle,Stamford, Connecticut. Page 28, 10.10/'1Portrait of Gertrude Stein. Paris (1905-6). Oil on canvas,39% x 32". (Leo and Gertrude Stein). The MetropolitanMuseum of Art, New York, bequest of Gertrude Stein, 1946.Page 50. 70./000It was only a very short time after this that Picasso beganthe portrait of Gertrude Stein, now so widely known, butjust how that came about is a little vague in everybody'smind. 1 have heard Picasso and Gertrude Stein talk about itoften and they neither of them can remember. They canremember the first time that Picasso dined at the rue deFleurus and they can remember the first time GertrudeStein posed for her portrait at rue Ravignan but in betweenthere is a blank. How it came about they do not know.Picasso had never had anybody pose for him since he wassixteen years old, he was then twenty-four and GertrudeStein had never thought of having her portrait painted, andthey do not either of them know how it came about. Anyway

it did and she posed to him for this portrait ninety times and.a great deal happened during that time....Spring was coming and the sittings were coming to an

end. All of a sudden one day Picasso painted out the wholehead. I can't see you any longer when 1 look, he said irrita-bly. And so the picturewas left like that.Nobody remembers being particularly disappointed or

particularly annoyed at this ending to the long series of pos-ings. There was the spring independent and then GertrudeStein and her brotherwere going to Italy aswas at that timetheir habit. Pablo and Fernande were going to Spain. ...Gertrude Stein, Autobiography of Alice B. Toklas, pp. 55,64-65.Immediately upon his return from Spain he painted in thehead without having seen me again and he gave me the pic-ture and I was and I still am satisfied with my portrait] lorme, it is I, and it is the only reproduction of me which isalways I, for me.-Gertrude Stein, Picasso, p. 8.After a little while I murmured to Picassothat I liked hisportrait of Gertrude Stein. Yes, he said,everybody says thatshe does not look like it but that does not make any differ-ence, she wil1, he said.-Gertrude Stein, Autobiography ofAlice B. Toklas, p. 14.

The Bath. (1906). Ink on paper, 11 x 16". (Leo and Ger-trude Stein). The Art Museum, Princeton Universi~Princeton, New Jersey. 70./0 I

Boyan Horseback. Paris '1906). Ink on paper, 16 x 123/4".(Leo and Gertrude Stein). Collection NelsonA.Rockefeller,New York. 7O./Q-'l0

Chick, Blue Background. (1906). Woodcut, 5'14 x 4%".(Leo and Gertrude Stein). Collection Me. and Mrs. JohnHay Whitney, New York. NOT ExH. 70./::1150This and the followingwoodcut were made for a projectededition of Guillaume Apollinaire's Le Bestiaire.

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This portrait of their only child was painted as a birthdaygift to Sarah Stein from her husband.

Portrait of Leo Stein. Paris (Spring 1906). Gouache oncardboard, 93/4 x 6%", (Leo and Gertrude Stein). The Bal-timore Museum of Art, The Cone Collection. Page 12. =10 ..989

ren an»Bust of Female Nude in Profile. Gosol (Summer 19061" Inkon,$"a'Ii:lr,103,4 x 7%". (Michael and Sarah Stein). The Bal-timore Museum of Art,The Cone Collection. "=10• .941

Standing Nude. Gosol (Summer 1906). Conte crayon on 6roIJmpaper, 241J2 x 180/s".(Leo and Gertrude Stein). CollectionMr. and Mrs. Leigh B. Block, Chicago. Plate 31.Study for Standing Female Nude.Standing Female Nude. Gosol (Summer 1906). Oil on can-vas, 605/8 x 37%", (Leo and Gertrude Stein). CollectionMr. and Mrs. William S. Paley, New York. Plate 30. 1()./~;J.1Q

Study for Two Youths. Gosol (Summer 1906). Crayon onpaper, 101/s x 6%", (Leo and Gertrude Stein). CollectionNelson A. Rockefeller, New York. -;0./;;1."13

Letter to Leo Stein with Sketch of The Peasants. August 17,1906. Ink on paper, 7 x 8%" (unfolded). (Leo Stein). Col-lection of American Literature, Beinecke Rare Book andManuscript Library, Yale University, New Haven. -:;0.93=t

Head of a Young Man. Paris (Autumn 1906). Oil on can-Standing Nude. (1906). Pencil on paper, 12Y4x 91/8'. (Leo vas, 10% x 73,4". (Leo and Gertrude Stein). Collectionand Gertrude Stein). Collection Mr. and Mrs. Georges E. Andre Meyer, New York. 70.1221Seligmann, New York. 70 IO~~ R I' . 'PenCIL-. ec Imng Nude. Paris (Autumn 1906). lillBilltBf8) en on

S d f., ano eJ/llRrOl1t 183/. 24'/;" (L d . .tu y or Woman Combing Her Heir. (1906). Penci'[.on paper, 4 x 2. eo an Gertrude Stem). The Ba lti-

paper, 12 x 8%", (Leo and Gertrude Stein). Collection Mr. more Museum of Art, The Cone Collection. -::;0.94:2..and Mrs. GeorgesE. Seligmann, New York. 10. /0';1.""

bt Portrait 01 Allan Stein. Paris (Spring 1906). Gouache on."'c!f;'rdboard,29% x 231/2'. (Michael and Sarah Stein). TheBaltimore Museum of Art, The Cone Collection. Page 83.

'If),.33 B

Eagle, Red Background. (1906). Woodcut, 5% x 4'/,'.(Leo and Gertrude Stein). Collection NelsonA.Rockefeller,New York. NaT liXH, '10./:241Head of a Woman. (1906). Pencil on paper, 9 x 63/4". (Leoand Gertrude Stein). Collection Dr. and Mrs. Frederick H.Low, New York. 10.919Head of a Woman. (1906). Ink on paper, 12 x 9Y". (Leoand Gertrude Stein). Collection Mr. and Mrs. Georges E.Seligmann, New York. 10. /0:1./DProdigal Son amongPigs (The Swineherd). (1906). Penciland ink on paper, 8x71/2", (Leo and Gertrude Stein). Collec-tion Mr. and Mrs. Daniel Said enberg, New York. Plate 34.She was always fond of pigs, and because of this Picassomade and gave her some charming drawings of the prodigalson among the pigs.-Gertrude Stein, Autobiography ofAlice B. Toklas, pp. 108-109. "1-0, /0/8

'MIsM. WwlIISeated Nude, Seen Irom Back. (19jJ6). Ink onapaper. 16'/.x 113/4". (Leo and Gertru,\e Stein)' ColrectionMr. and Mrs.Richard K.Weil, St. Louis) 'PRIVIITE CO~~ECTION ro'/Ou3Standing Nude. (1906). Pencil on paper, 24% x 181/s'.(Leo and Gertrude Stein). Museum of Art, Rhode IslandSchool of Design, Providence, gift of Mrs. Murray S. Dan-forth. 10, /0/2

Studies for Two Nudes. Paris (Autumn 1906). Contecrayon on paper, 24 x 173/4". (Leo and Gertrude Stein).Museum of Fine Arts, Boston, Arthur Tracy Cabot Fund.T N d P' "'t/).960wo u es. arts (Autumn 1906). Charcoal on paper,

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24'/2 x 18". (Leo and Gertrude Stein). The Museum ofFine Arts, Houston, gift of Governor and Mrs. W. P. Hobby.

. &.n~11 ;lJ. Sr..r.. "Head In Profile. (1907). ~ on paper, 5% x 7'/2 .(Leo and Gertrude Stein). Collection Mr. and Mrs. JanMitchell, New York. 70·.984

Study for Les Et,moiselfes d'Avignon (INez quart de Brie").(1907). Cgnt6 gr:(.~~aon paper. 11VB x 93/8". (Leo and Ger-trude Stein). Collection Mr. and Mrs. Georges E. Selig-mann, New York. "I()./D:JS

STUDy (Head) ( 1907). Gouache on paper, ca. 12 x 9". (Michael andSarah Stein) Collection Mr. and Mrs. Walter A. Haas,San Francisco. 10./;28 fJJStudy for Les Demoiselles d' A v ignon.

Head of Sailor. Paris (Spring 1907). Oil on canvas, 15% x16%". (Leo and Gertrude Stein). Collection Mr. and Mrs.David Rockefeller, New York. 10./";1. 32Study for Les Demoiselles d'Avignon.Head. Paris (Summer 1907). Oil on paper, 12% x 9';'''.(Leo and Gertrude Stein). P.,.t.:ivatecollectio!\, New York.

(srEIN ESTATIE) "(()'f2Ip"Head. Paris (Summer 1907). Oil on paper, 12'/4 x 9/2 .(Leo and Gertrude Stein). 'private COllectiol' New York.

C~/!'J ESTATE '10.1:212Head. Paris (Summer 1907). Tempera an watercolor onpaper, mounted on panel, 121/4 x 91/2", (Leo and GertrudeStein) Collection Nelson A. Rockefeller, New York. .A. ~O.J':h'lHead (Head in Browns and IlJ'3s':.l,Paris (Summer 1907).Watercolor and gouache on pa~t,"121/8 x 93/8". (Leo andGer-trude Stein). Collectio;;'- Nelson A. Rockefeller, NewYork. 70.1:1"'f5Study for Nude with Drapery. Paris (Summer 1907).-Watercolor on paper, 121/4 x 91/2", (Leo and GertrudeStein). The Baltimore Museum of Art, The Cone ~cg.l~~i~n.Study for Nude with Drapery. Paris (Summer 1907). Oil

a"pp6NCJ..,wash on paperAiffiounted on canvas, 12% x 93/4". (Leo andGert:'ude Stein). Collection Herbert and Nannette Roths-child. 7()./ot~Study for Nude with Drapery. Paris (Summer 1907). Oil onpaper, 12'14 x 9'/2'. (Leo and Gertrude Stein). CollectionMr. and Mrs. Lionel Steinberg, Palm Springs,Ca1ifornia.,~

10./0SQStudy for l¥Jide with Drapery. Paris (Summer 1907).Gouache on p'a~~~ounted on canvas, 12x 91/4". (Leo andGertrude S'tein). Collection Mrs. Maurice L. Stone, NewYork. Plate 42. 10.IOS9Study for Nude with Drapery. Paris (Summer 1907). Oil oncanvas, 23 ~a x 18lf4 ", (Leo and Gertrude Stein). CollectionMr. and Mrs. John Hay Whitney, New York.Plate 41. ro·/:1.55Nude with Drapery. Paris (Summer 1907). Oil on canvas,59Va x 393/4". (Leo and Gertrude Stein). The Hermitage,Leningrad. Plate 43. NOT EXH.

Still Life with Lemon. Paris (Summer 1907). Gouache on BROWNpaper, 120/a x 9IJ2". (Leo and Gertrude Stein). CollectionMr. and Mrs. David Rockefeller, New York. 70./:135Mask of a Woman. (1908). Branz!, 7V,' high. CollectionMr. and Mrs. Sampson R. Field, New York. ?fJ.IOo+Gertrude and Leo Stein owned the original terracotta of thissculpture, now in tDeMusee National d'Art Moderne, Paris.'It 'J X;" 'If! X 43/4 fl1 BASE' J!rla )<. t •5'18 nStill Life with Ffui ana Glass. tlaris (1908). Tempera onwood, 105/8 x 8%". (Leo and Gertrude Stein). CollectionMr. and Mrs. John Hay Whitney, New York.Plate 45.

StIJL.J:1fe wYh Glasses and Fruit. Paris (1908~O'6fI5tnGlf~ 1t"!~O% x SYg". (Leo and Gert,rpde Stein). Pri-vate collection, New York. (STEIN ESTATEI NfJT E){ H·

?-O./.:lO~tiJilUife :Nt> Glasses and Fruit. Paris (1908). 0,1 on.re~~10% x 8V.'. (Leo and Gertrude Stein). Col-lection Nelson A. Rockefeller, New York. Plate 44. '10./:142

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above PICASSO. Homage to Gertrude. 1909.Private collection, NewYork =1-D./:211

below PICASSO. Houses on the Hill,Horta. 1909.Collection Nelson A. Rockefeller, New York 10. J:J4-lP

Three Women. Paris (1908). Oil on canvas, 783.4 x 701/s".(Leo and Gertrude Stein). The Hermitage, Leningrad.Plate 46. . 'lb./if:!jAgainst the wall was an enormous picture, a strange pictureof light and dark colours, that is all I can say, of a group, anenormous group and next to it another in a sort of red brown,of three women, square and posturing, all of it rather fright-ening.-Gertrude Stein, Autobiography of Alice B. Toklas,p.27.Landscape, La Rue des Bois. (late Summer 1908). Oil oncanvas, 283/4 x 23%". (Leo and Gertrude Stein). CollectionRiccardo Jucker, Milan. 90. S"I;J.Landscape, La Rue des Bois. (late Summer 1908). Oil oncanvas, 28Vs x 233~". (Leo and Gertrude Stein). CollectionAndre Meyer, New York.Plate 48. "'H>./:J;).:2...

Landscape. Paris (Autumn 1908). Oil on canvas, 395/s x32". (Leo and Gertrude Stein). Collection Mr. and Mrs.David Rockefeller, NewYork. '1()./:J33Homage to Gertrude. (1909). Tempera on wood, 81/4 x103/4". (Gertrude Stein). Private collection, New York.It was about this time too that he made for her the tiniest ofceiling decorations on a tiny wooden panel and it was anhommage a Gertrude with women and angels bringing fruitsand trumpeting. For years she had this tacked to the ceilingover her bed. It was only after the war that it was put uponthe wal1.-Gertrude Stein,Autobiography ofAliceB. Toklas,p.109. (ST'EIN £STATE) c1.0./::;nHead of Woman. Paris (Spring 1909). ,3..e.~::'ch;'i~':!l~@.,19* x 13". (Leo and Gertrude Stein). Collection JeanMasurel, Paris. to ..9'a;/'Vase, Gourd, and Fruit on a Table. Paris (Spring 1909). Oilon canvas, 281/2 x 233/8". (Leo and Gertrude Stein). Collec-tion Mr. and Mrs. John Hay Whitney, New York. Plate 47.

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•

This is one of two still lifes lent by Leo Stein to the ArmoryShow in 1913.

Head of a Woman. Horta de Ebro (Summer 1909). Oil oncanvas, 23\18 x 20V,,'. (Leo and Gertrude Stein). The ArtInstitute of Chicago, The Joseph Winterbotham Collection.

Houses on the Hill, Horta. Horta de Ebro (SumJg,:~~).Oil on canvas, 25% x 32". (Leo and Gertrude Stein). Col-lection Nelson A. Rockefeller, New York. '7D./;J,,/IPThat summer they {Pablo and FernandeJ went again toSpain and he came back with some spanish landscapes andone may say that these landscapes, two of them still at theTae..fIe Fleurus and the other one in Moscow in the collec-tion that Stchoukine founded and that is now national prop-erty, were the beginning of cubism.-Gertrude Stein, Auto-biography of AliceB. T'ok las, p- 109.The Reservoir, Horta. Horta de Ebro (Summer 1909). Oilon canvas, 233,4 x 193/4". (Leo and Gertrude Stein). Collec-tion Mr and Mrs. David Rockefeller, New York. Plate 49.. '9.a·/a3+The Architect's Table. Paris (Spring 1912). 011 on canvas,oval, 28% x 231/,". (Gertrude Stein). Collection Mr. andMrs. William S. Paley, New York. Plate 50. '10./:2-:J.+In the Spring of 1912, Gertrude Stein made her first inde-pendent purchase of a Picasso painting. Letters from Picassoand D.-H. Kahnweiler indicate that the price of 1,200 francswas difficult for her to pay. Picasso stuck to his price, andKahnweiler arranged for payment to be made in two in-stallments. Picasso referred to the picture casually as "votrenature morte (ma jolie )," but Kahnweiler identified thepainting by its formal title, "La Table de I'Architecte."The Little Glass.Paris (Spring 1912). Oil on canvas, 181/.x 15'/.'. (G<;FtrudeStein). Priyate collection, New York.

lsre/,/'J EStATE) . 1/)·/;10'+sun Life. Pans lSpring 1912).011 and charcoal on canvas,18'/. x 15'/.'. (Gertrude Stein). Collection Mr. and Mrs.John Hay Whitney, New York. ?a./~f5';J,

Study for Violin. Paris (Winter 1912). Crayon and char-coal on paper, 24% x 18%". (Gertrude Stein). Marlbor-ough Gallery, Inc., New York. 70.96 J

Violin. Paris (Winter 1912). Oil, sand, andcharcoal on can-vas, 213/4 x 17". (Gertrude Stei!l)' Private collection, NewYork. (STIWJ TiSTA,e./ 70./;JOrStudy for Guitar on a Table. Paris (Winter 1912/13).Crayon on paper, 25 x 19%". (Gertrude Stein). Marlbor-ough Gallery, Inc., NewYork. Plate 53. 7a.9'8DGuitar on a Table. Paris (Winter 1912/13). Oil, sand, andcharcoal on canvas, 241/4 x 20Vs". (Gertrude Stein). Collec-tion Nelson A. Rockefeller, New York. Plate 52. y,()./Q4SMan with a Guitar. Ceret,(Summer 1913) Oil and wax oncanvas, 511/4 x 35". (Gertrude Stein). Collection AndreMeyer, New York. Plate 55. 7()·/C1;;l3Student with a Pipe. Paris (Winter 1913/14). Oil, charcoal,pasted paper, and sand on canvas, 28% x 231/s". (GertrudeStein). Collection NelsonA. Rockefeller, New York. Plate51. ?6./~-i":l-Woman with. Mandolin. Paris (Winter 1913/14). Oil,sand, and charcoal on canvas, 45% x 18%". (GertrudeStein). Collection Mr. and Mrs. David Rockefeller, NewYork. Plate 54. 70.1C13(PCut Pear, Grapes, and Pipe. Paris (1914). Oil and sand onpaper~~V2' (sight). (Gertrude Stein). Private col-lection. (ROI.iBINA 9t'/!!.IN) 7-0· {0111Still Life with Ace at Clubs. Paris (1914). Oil, pen£~ ..c.llar-coal, and pasted paper on canvas, mounted on"",cra'i!lea~, 17% x 15". (Gertrude Stein). Collection Mr. andMrs. John Hay Whitney, New Yo~.. 10./0253

GoUo.c e WItt.Still Life with Calling Card. 1914" eneil and pasted paperson paper, 51/2 x 8 lI4", (Gertrude Stein). Collection Mrs.Gilbert W. Chapman, New York. Page 172. 10.956

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......., ...

Still Life with Fruit, Glass, Knife, and Newspaper. 1914.Oil and sand on canvas, 135/8 x 16112". (Gertrude Stein).Collection Mr. and Mrs. David Lloyd Kreeger, Washington,D.C. Plate 56. ;/-0.91'4

Still Life with Bottle of Maraschino. Avignon ~Summer19141- Oil and charcoal on canvas, 15 x 181Js"".(GertrudeStein). Collection Mr. and Mrs. John Hay Whitney, NewYork. 10·/;;1.54Apple. Paris, Winter 1914. Watercolor on paper, 53/8 x 67/8".Inscribed on back: "Souvenir pour Gertrude et Alice/Picas-so/Noel 1914." (Gertrude Stein and Alice B. Toklas). Col-lection Mr. and Mrs, David Rockefeller, New York. Pages57-58. I TD·/~30

and perle IGuitar. Paris, Spring 1918. Watercolor on paper, 6314 x 71/2",Inscribed on back: "pour Gertrude St'einjson ami Picasso/Montrouge 26 avril 1918." (Gertrude Stein). CollectionMr. and Mrs. David Rockefe l ler-, New York. to. 1:13 JPicasso had just written to Gertrude Stein announcing hismarriage to a jeune Iille,a real young lady, and he had sentGertrude Stein a wedding present of a lovely little paintingand a photograph of a painting of his wife.That lovely little painting he copied for me many years

later on tapestry canvas and I embroidered it and that wasthe beginning of my tapestrying. I did not think it possibleto ask him to draw me something to work but when I toldGertrude Stein she said, alright, I'll manage. And so one daywhen he was at the house she said, Pablo, Alice wants tomake a tapestry of that little picture and I said I would traceit for her. He looked at her with kindly contempt, if it isdone by anybody, he said, it will be done by me. Well, saidGertrude Stein, producing a piece of tapestry canvas, go toit, and he did.-Gertrude Stein, Autobiography of Alice B.Toklas, pp. 228-229. ,<IuS/CIi/. S'CClfETable with Guitar and .va ~.~ '0 • j uan-les-Pins (1920).

above PICASSO. Still Life with Calling Card. 1914. o.rsCollectionMrs. Gilbert W. Chapman, New York =10. ~';;;l

below PICASSO. Guitar. 1918.Collection Mr. and Mrs. David Rockefeller, New York '70./;1. 31

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Gouache on paper, mounted on cardboard, 95/8 x 7lf4". (Ger-trude Stein). Collection Mr. and Mrs. Gilbert W. Chapman,New York. 10.95'tCalligraphic Still Lile. April 2, 1922. Oil on canvas, 32 'Is x391/2". (Gertrude Stein). The Art Institute of Chicago, AdaTurnbull Hertle Fund. Plate 57. 70·~51

Designs for needlepoint, executed by AliceB. Toklas as up-holstery for two 18th-century chairs. (late 1920s). Collec-tion of American Literature, Beinecke Rare Book and Man-uscript Library, Yal~/U'Jiversity, New Haven.[ro.988

::I9.x. I ~'l z: x;;"O z I'10.~"9

HANSPURRMANN(?). 1880-1966

Still Life with Fruit. n.d. Oil on canvas, 18 x 24". (Michaeland Sarah Stein). Collection Mr. and Mrs. Augustus Pol-lack, Carmel, California. 10·1009

PIERRE-AUGUSTERENOIR. 1841-1919

Bather. (1882-83). Oil on canvas, 21 x 16". (Leo and Ger-trude Stein). Collection Mr. and Mrs. Algur H. Meadows,Dallas. TO. Sg(pBrunette. (1890). Oil on canvas, 16V4 x 12%". (Leo andGer-tr-ude Stein). Collection Mr. and Mrs. Nelson R. Kandel,Baltimore. Plate 22. '10.9'1'3The Reader. (ca. 1895). Oil on canvas, 8'/4 x 6%". (Michaeland Sarah Stein). The Baltimore Museum of Art, The ConeCollection. TO .34-5Tile Two Bathers (from L'Estampe OriginaJe).(189S) Etch-ing, 10l/4 x 9V2". (Leo and Gertrude Stein). The Metro-politan Museum of Art, New York, Rogers Fund, 1922.

10·100:1.

Landscape. n.d. Oil on canvas, 125/8 x 13%". (Leo and Ger-trude Stein). The Baltimore Museum of Art, The ConeCollection. ?-O.94-lPAlthough the date of ca. 1917 is given in the 1934 catalogueof The Cone Collection, this seems to be the painting thatappears in a 1904 photograph of the studio at the Rue deFleurus.

FRANCIS ROSE. born 19093.2" Q 5 SIB

Gertrude Stein. (1930-35?). Oil on canvas, 311/2 x 2Sl/4"(sight). (Gertrude Stein). Private collection. CRtJtl8/)NII

N6T EX tl. sTeINrO.I043

PAVELTCHELITCHEW.1898-1957

Portrait of Gertrude Stein. 1930. Brush and India ink onpaper, 16~"4 x 113/8". (Gertrude Stein). The Art Institute ofChicago, given in memory of Charles B. Goodspeed by Mrs.Gilbert W. Chapman. rO.953

FELIXEDOUARDVALLQTTON.1865-1925

Gertrude Stein. (1907). Oil on canvas, 391/2 x 32". (Leoand Gertrude Stein). The Baltimore Museum of Art, TheCone Collection. '10.3"'1'1-

I

III

I

MAHONRIYOUNG.1877-1957-/(

Portrait 01 Leo Stein. (ca. 1926). Terracotta, 12" high. (LeoStein). Brigham Young University Art Collection, Provo,Utah . .,.. 101/B x 1 • fJ '3/i' n 011 ~O./O "tl

p/-;H t-er"~'3!J!.- 5)C 1'/-1"ditJrn.

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Works Exhibited, Not Listed in Catalog

Matisse: L2IT3/T~EHEAD. (1906). Bronze, 3 3/4 x 2 1/4 x4 on marble base 23/8 x 1 7/8 x 17/8".

Collection Mr. Walter Stein, New York. 70.1045

Matisse: Postcard with Sketch of the PAINTER'S FAMILY.(1911). Pen and ink on paper (postcard) 3 5/8 x5 /2" C '1 . ollection Mr. and Mrs. John W. Dodds,Stanford, California. 70.1423

Matisse: Letter from Matisse to Sarah Stein with Sketch ofORA SES. (1912). Ink on lined paper, 4 x 8 3/8".(Michael and Sarah Stein). Collection Mr. and Mrs.John W. Dodds, Stanford, California. 70.1424

Matisse: WOMAN WITH NECKLACE. (1925). Lithograph,21 1/2 x 18 1/8". (Michael and Sarah Stein).Collection Mr. Philip N. Lilienthal, Atherton,California. 70.1417

Picasso: FACTORY AT HORTADE EBRO. (1909). Oil oncanvas, 20 x 23 3/4". Collection The Hermitage,Leningrad. 70.1422

The following drawings by Le Corbusier are of the Villa atGarches outside Paris which was commissioned by Michaeland Sarah Stein and Mme. Gabrielle de Monzie. CollectionFondation Le Corbusier, Paris:

STEIN DE MONZIE (View of 2 facades). (1926). Pencil andpastel on yellow tracing paper, 15 3/4 x 29 3/4". 70.1406

STEIN DE MONZIE (Perspective view). (1926). Pencil andpastel on yellow tracing paper, 15 3/8 x 24 1/2". 70.1407

STEIN DE MONZIE (AUNORD) (North facade). (1926). Penciland pastel on yellow tracing paper, 19 7/8 x 427/8". 70.1408

STEIN DE MONZIE (Axonometric view). (1926). Pencil onyellow tracing paper, 431/2 x 30 3/8". 70.1409

STEIN DE MONZIE (AU SUD) (Southfacade). (1926). Penciland pastel on tracing paper, 207/8 x 411/2". 70.1410

STEIN DE MONZIE (facade). (1926). Pastel and pencil onyellow tracing paper, 171/8 x 283/4". 70.1411

Works Not Exhibited and Not Listed in Catalog

Matisse: Postcard with Sketch of the Artist. (1909). Pen andink on paper (postcard), 3 1/2 x 5 1/2". Collection Mr. andMrs. John W. Dodds, Stanford, California. 70.1425

Picabia: MANWITHA GUITAR. (n. d.). Oil on canvas, 32 1/8 x39 3/4". Private Collection. (RoUOJ}/1ISTEIN) 70.1040

Rose: WOMANAT TABLE WITHTWO CHILDREN. 1933. Oilon canvas, 361/4 x 23 5/8". Private Collection. 70.1044

(ROilS/AlII ST£lN)

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