ma music [ccss]

  • Published on
    03-Feb-2017

  • View
    212

  • Download
    0

Embed Size (px)

Transcript

  • UNIVERSITY OF CALICUT

    M.A.MUSIC CHOICE - BASED CREDIT SEMESTER SYSTEM

    SCHEME & SYLLABUS (AFFILIATED COLLEGES)

    ELECTIVES

    SEMESTER III

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al1 MU3EP01 Semi Classical

    Musical Compositions

    Practical 2 25% 75%

    2 MU3EP02 Modern Composers Practical 2 25% 75%

    3 MU3EP03 Rare Varnams Practical 2 25% 75%

    4 MU3EP04 Pancha Linga Sthala Kritis

    Practical 2 25% 75%

    5 MU3EP05 Pre Trinity Composers

    Practical 2 25% 75%

    SEMESTER IV

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al1 MU4EP06 Compositions of

    AnnamacharyaPractical 2 25% 75%

    2 MU4EP07 Rare Tillanas Practical 2 25% 75%

    3 MU4EP08 Compositions of Tyagaraja

    Practical 2 25% 75%

    4 MU4EP09 Post Trinity Composers

    Practical 2 25% 75%

    5 MU4EP10 Kerala Composers Practical 2 25% 75%

    /tmp/CORE & ELECTIVE (CCSS) Affiliated Colleges.doc

  • ELECTIVES FOR STUDENTS FROM OTHER DEPARTMENTS

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al1 MU4EP11 Ashtakas & Sthotras Practical 2 25% 75%

    2 MU4EP12 Divyanamas of Thyagaraja

    Practical 2 25% 75%

    3 MU4EP13 Malayalam Poems Practical 2 25% 75%

    4 MU4EP14 Nottuswaras of Muthuswami

    Dikshitar

    Practical 2 25% 75%

    /tmp/CORE & ELECTIVE (CCSS) Affiliated Colleges.doc

  • UNIVERSITY OF CALICUT

    M.A.MUSIC CHOICE - BASED CREDIT SEMESTER SYSTEM

    SCHEME & SYLLABUS (AFFILIATED COLLEGES)

    CORESEMESTER I

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al1 MU1CT0

    1History of Music up

    to Sangitaratnakara-

    period

    Theory-I 4 25% 75%

    2 MU1CP02

    Foundation course in Performance

    Practical-I 4 25% 75%

    3 MU1CP03

    Varnams & Swarajathis

    Practical-II 4 25% 75%

    4 MU1CP04

    Musical Compositions

    Practical-III 4 25% 75%

    SEMESTER II

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al5 MU2CT0

    5History of Music of

    the post-Sangitarathnakara

    Period

    Theory-II 4 25% 75%

    6 MU2CP06

    Group Compositions

    Practical-IV 4 25% 75%

    7 MU2CP07

    Compositions of Swati Tirunal

    Practical-V 4 25% 75%

    /tmp/CORE & ELECTIVE (CCSS) Affiliated Colleges.doc

  • 8 MU2CP08

    Manodharma Sangita - I

    Practical-VI 4 25% 75%

    SEMESTER III

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al9 MU3CT0

    9History of the Music of Modern period

    Theory-III 4 25% 75%

    10 MU3CP10

    Geyanatakam Practical-VI

    4 25% 75%

    11 MU3CP11

    Vilambita Kala Compositions

    Practical-VII

    4 25% 75%

    12 MU3CP12

    Manodharma Sangita-II

    Practical-VIII

    4 25% 75%

    SEMESTER IV

    Sl.No.

    Course Code

    Course Title Course Type

    Cre-

    dits

    MarksIntern

    alExtern

    al13 MU4CP1

    3Ragam-Tanam-

    PallaviPractical-

    IX4 25% 75%

    14 MU4CP14

    Concert Practical-X 4 25% 75%

    15 MU4CP15

    Project 8 100%

    16 MU4CP16

    Comprehensive Viva 2 25% 75%

    /tmp/CORE & ELECTIVE (CCSS) Affiliated Colleges.doc

  • /tmp/CORE & ELECTIVE (CCSS) Affiliated Colleges.doc

  • SEMESTER IMU1CT01- THEORY I

    HISTORY OF THE PRE-SANGITA RATNAKARA PERIOD

    1. Different periods of Musical History-Ancient, Medieval, and Modern.

    2. Sama Gana & its characteristics Scale of Samagana, Swara ornamentation- Swaras and symbols used in Samagana, Method of Singing, Notation- Sama Hastha- Instruments used in Samagana.

    3. Gandharva System: a. Swara system of ancient Gandharva Music System, Murchana

    and Jathi. b. Post-Gandharva developments in Murchana and Jathi. c. Musical forms- Outline study of Gitaka, Nirgita. d. Post-Gandharva Musical forms- Jati Gita, Kapala Gana and

    Kampala Gana.

    4. Ancient Tamil Music System References to Music in Chilappatikaram Classification of Musical Scales, Musical Instruments (Yazh)- Origin, Decline and varieties- Sacred Musical Forms of the Ancient Tamils Tevaram, Tiruvachakam, Nalayira Divyaprabantham, Tiruppavai, Tiruvempavai, Tiruppugazh and Kavadichindu.

    5. Sudha Vikritha Swaras Development up to and including treatment in Sangita Ratnakara of Saranga Deva.

    6. Vadi, Samvadi, Anuvadi & Vivadi Swara systems.

    7. System of Raga Classification: a. Marga Ragas- Desi Ragas. b. Marga Grama Raga, Uparaga, Bhasha, Vibhasha & Antara

    Bhasha. c. Desi Raganga, Bhashanga, Kriyanga & Upanga. d. Sudha-Chayalaga & Sankirna Ragas.

    8. Association of Kala (Time) with Ragas- Raga classification based on Time-Theory, Association of Rasa with ragas.

    9. Music of the Kudumiyanmalai Inscriptions.

  • 10. Musical form of the medieval period Gita, Vadya & Nritha Prabanthas.

    11. Tala Marga & Desi Talas Detailed study of Taladasapranas.

    SEMESTER I

    MU1CP02 PRACTICAL -1

    FOUNDATION COURSE IN PERFORMANCE

    1. Rendering of Alankaras in 35 Talas with Gamakas in the Melakarta Ragas- Todi, Mayamalavagowla, Kiravani, Kharaharapriya, Charukesi, Harikambhoji, Sankarabharanam, Subhapantuvarali, Kamavardhini, Shanmukhapriya, Simhendramadhyamam, Latangi, Vachaspati & Mechakalyani.

    2. Laya Exercises Rendering of Tisra, Chaturasra, Khanda & Misra Sollus with the shifting of Eduppus in different Kalams in the Talas Adi, Khandachapu & Misrachapu.

    3. Ability to render Simple Korvais in Adi, Rupaka & Misrachapu Talas.

    4. Ability to translate to Swara syllables, the complex passages from Kritis.

  • SEMESTER I

    MU1CP03 PRACTICAL II

    VARNAMS & SWARAJATIS

    1. Ability to render any 2 Adi Tala Varnams in different Kalams and Nadais -(5 Kalams)

    2. Ata Tala Varnams Bhairavi, Kalyani, Todi & Nattakurinji.

    3. Swarajatis of Syamasastri Bhairavi, Todi & Yadukulakambhoji.

  • SEMESTER I

    MU1CP04 PRACTICAL III

    MUSICAL COMPOSITIONS

    One Kriti each in the following Melakata Ragas:

    Dhenuka, Kiravani, Gowrimanohari, Charukesi, Harikambhoji, Vagadheeswari, Shanmukhapriya, Lathangi, Hemavathi, Subhapantuvarali, Vachaspathi & Simhendramadhyamam.

    One Kriti each in the following Janya Ragas:

    Hindolam, Mukhari, Dhanyasi, Begada, Anandabhairavi, Nattakurinji, Surutti, Kedaragowla, Ritigowla, Arabhi & Devagandhari.

    Compositions in the following Minor Ragas:

    Hidusthani Kapi, Hindusthan Behag, Hamsanandi, Malayamarutham & Ranjini.

  • SEMESTER II

    MU2CT05 THEORY II

    HISTORY OF THE POST-SANGITA RATNAKARA PERIOD

    1. Sudha Vikrita Swaras Development in the post-Sangita Ratnakara Period.

    2. Mela-Raga Systems of Raga Classification & its development up to Modern Times.

    3. Different Mela Systems of Post-72 Mela Padhathi 144 Melas, 108 Melas & 5184 Melas.

    4. Classification of Ragas Ghana, Naya & Desya, Vakra Ragas & its varieties, Uthama, Madhyama & Adhama Ragas.

    5. Devathamaya Rupa of Ragas.

    6. Raga-Ragini-Parivara System.

    7. Lakshanas of Vaggeyakaras & Classification.

    8. Gamakas, Sthayas & Alankaras in Music.

    9. Modal Shift of Tonic.

    10. Tala- Development of the 35 Tala System, Chapu Talas, Desadi & Madhyadi Talas.

    11. Manodharma Variety Alapana, Thaya, Thanam Niraval & Kalpanaswaram. Exposition of Pallavi Ability to notate a Pallavi in Thrikalam.

    12. Evolution of Notation in South Indian Music.

    13. Landmarks in the history of Music.

    14. Madhura Bhakthi in Music with reference to Compositions of various Composers on this theme.

  • SEMESTER II

    MU2CP06 PRACTICAL IV

    GROUP COMPOSITIONS

    One Composition each from the following Group Kritis:

    1. Navagraha Kriti of Muthuswami Dikshithar.

    2. Kamalamba Navavaranam of Muthuswami Dikshithar.

    3. Navaratnamalika of Syama Sastri.

    4. All the five Ghanaraga Pancharatnas of Tyagaraja.

  • SEMESTER II

    MU2CP07 PRACTICAL V

    COMPOSITIONS OF MAHARAJA SWATI TIRUNAL

    1. Pancharaga Swarajati.2. Padavarnam Todi or Sudha Kapi.3. Navarathri Kriti 14. Navaratnamalika (Navavidhabhakthi) 15. Utsavaprabantha 16. Kuchelopakhyanam 17. Ajamilopakhyanam 18. One Ragamalika from the following:- Bhavayami, Pannagendrasayana, Kamalajasya.9. Javali10. Thillana11. Hindustan Bhajan

    Compositions in the following Ragas:

    Mohanakalyani, Lalithapanchamam, Kannada, Bhavapriya, Bhushavali, Nayaki & Hamirkalyani.

  • SEMESTER II

    MU2CP08 PRACTICAL VI

    MANODHARMA SANGITA I

    Ability to render Raga Alapana in the following Ragas:

    Kiravani, Charukesi, Shanmukhapriya, Lathangi, Hindolam, Mukhari, Vachaspati, Simhendramadhyamam, Madhyamavati, Poorvikalyani, Dhanyasi, Begada, Anandabhairavi, Nattakurinji, Surutti, Kedaragowla, Ritigowla, Arabhi, Devagandhari, Hindustan Kapi, Hindustan Behag, Hamsanandi, Malayamarutham & Ranjini.

    Ability to render Kalpana Swaras in the following Ragas:

    Kiravani, Charukesi, Shanmukhapriya, Hemavati, Latangi, Vachaspati, Simhendramadhyamam, Madyana, Hindo