Lisbon Pp.ppt

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babbir

Text of Lisbon Pp.ppt

  • Glossing

    Alison MaggartUniversity of Southern CaliforniaIntertextuality in Music Since 1900

    March 7, 2015

  • Letter from Hollander to Babbitt; 4/29/82:Dear Milton, I think its best to think of the poem [The Head of the Bed] asa journey . . .

    Library of Congress, Babbitt Collection, Box 8 folder 2

  • 23:6 KJV: Surely, goodness and mercy shall follow me all the days of my life.

  • 23:6 KJV: Surely, goodness and mercy shall follow me all the days of my life.

    The Child: Surely, Mrs. Murphy shall follow me all the days of my life.

  • 23:6 KJV: Surely, goodness and mercy shall follow me all the days of my life.

    The Child: Surely, Mrs. Murphy shall follow me all the days of my life.

  • 23:6 KJV: Surely, goodness and mercy shall follow me all the days of my life.

    The Child: Surely, Mrs. Murphy shall follow me all the days of my life.

  • 23:6 KJV: Surely, goodness and mercy shall follow me all the days of my life.

    The Child: Surely, Mrs. Murphy shall follow me all the days of my life.

    allegorical

    literal

  • Glosses mm.18

  • Glosses mm.18

    Hebrew

  • Glosses mm.18

    Hebrew

    Latin

  • Glosses mm.18

    Hebrew

    Latin

    German

  • Glosses mm.18

    Hebrew

    Latin

    German

    English

  • Glosses mm.18

    Hebrew

    Latin

    German

    English

  • Glosses mm.18

    source set

  • Glosses mm.18

    source setcomplement

  • Glosses mm.18

    source setcomplement

    T6

    +2 -5 -2 +4+5 -5 -4 +2+5

    -2

    retrograde

    interval progression:

  • Glosses mm.18

    source set

    retrograde inversion

    pitch-class: t 0 7 5 9 2

    5 t 20 7 9

  • Glosses mm.18

    source set

    inversion

    +2 -5 -2+4+5

    -2+5 +2-4 -5

    interval progression:

  • Consonance and Imitation in Glosses, mm.2834

    P5

    P4

    P4

    P5

    T-2

  • Facsimile from Arnold Schnberg Center Online

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    C Major Triad

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    C minor Triad

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    E Major Triad

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    E minor Triad

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    Ab Major Triad

  • 1 2t6957e8034

    Schoenbergs Miracle Set

    -1 -3 -4 +3 -4 -2 +4 -3 +4 +3 +1

    Ab minor Triad

  • 4308e791t256541908t2e36787403e15269t0e8473596t129851402637te1095846t7e23et7362485901763e2t041589t962513748e0652t19e3047832e7t680914521t6957e8034

    {0,3,4,7,e,8}{1,2,5,6,9,t}

    Modern Psalms matrix based onSchoenbergs Miracle Set

  • 4308e791t256541908t2e36787403e15269t0e8473596t129851402637te1095846t7e23et7362485901763e2t041589t962513748e0652t19e3047832e7t680914521t6957e8034

    Modern Psalms matrix based onSchoenbergs Miracle Set

    {0,3,4,7,e,8}{1,2,5,6,9,t}

  • 4308e791t256541908t2e36787403e15269t0e8473596t129851402637te1095846t7e23et7362485901763e2t041589t962513748e0652t19e3047832e7t680914521t6957e8034

    {0,3,4,7,e,8}{1,2,5,6,9,t}

    retrograde

    Modern Psalms matrix based onSchoenbergs Miracle Set

  • imitation

    O, du mein Gott: alle Vlkerpreisen dich und versichern dichihrer Ergebenheit.

    Oh, you my God: all people praiseyou and assure you of theirdevotion.

    Facsimile from Arnold Schnberg Center OnlineTranslation by Mark Risinger

    First system of Schoenbergs Modern Psalm

    retrograde

  • 461e3829570t

    Glossess row

    +2 -5 -2 +4 +5 +/-6 -5 -4 +2 +5 -2

  • 461e3829570t

    Glossess row

    +2 -5 -2 +4 +5 +/-6 -5 -4 +2 +5 -2

    F Major E Major

  • t0759283e1648t5370619e4213t805e62497350t271846e9e186t394027568315t4e79200297e4t513865720493t681e9e648172t05379426e508t3124e9160735t8461e3829570t

    Glosses matrix

    {0,2,5,7,9,t}{1,3,4,6,8,e}

  • t0759283e1648t5370619e4213t805e62497350t271846e9e186t394027568315t4e79200297e4t513865720493t681e9e648172t05379426e508t3124e9160735t8461e3829570t

    Glosses matrix

    {0,2,5,7,9,t}{1,3,4,6,8,e}

    retrograde

  • 9702t5t07592A2

    e4861383e164A1

    29570t5t2079S2

    461e3831784eS113118641mm.

    Glosses mm.115

    {0,2,5,7,9,t}{1,3,4,6,8,e}

  • P I

    RITRI

    TI

    R

    TTR

    9702t5t07592A2

    e4861383e164A1

    29570t5t2079S2

    461e3831784eS113118641mm.

    Glosses mm.115

    {0,2,5,7,9,t}{1,3,4,6,8,e}

  • P I

    RITRI

    TI

    R

    TTR

    9702t5t07592A2

    e4861383e164A1

    29570t5t2079S2

    461e3831784eS113118641mm.

    Glosses mm.115

    {0,2,5,7,9,t}{1,3,4,6,8,e}

    retrograde

  • P I

    RITRI

    TI

    R

    TTR

    9702t5t07592A2

    e4861383e164A1

    29570t5t2079S2

    461e3831784eS113118641mm.

    Glosses mm.115

    {0,2,5,7,9,t}{1,3,4,6,8,e}

    retrograde

    retrograde

  • Culmination of Glosses, mm. 170185

    {0,2,5,7,9,t}{1,3,4,6,8,e}

  • Culmination of Glosses, mm. 170185

    {0,2,5,7,9,t}{1,3,4,6,8,e}

    opening ordered hexachord

  • Culmination of Glosses, mm. 170185

    {0,2,5,7,9,t}{1,3,4,6,8,e}

    opening ordered hexachord

    RRR

    R

  • Glosses, mm. 193199

  • Schoenbergs God

    Y H W H

    4 0 8 0

  • Schoenbergs God

    Y H W H

    4 0 8 0

    Augmented Triad

  • Time-point array forGlosses, mm. 193199

    f: 1 6 t 8 3 5 t 5 1 3 8p: 79 2 0

    mf: 0 2mp: 5

  • 4308e791t256541908t2e36787403e15269t0e8473596t129851402637te1095846t7e23et7362485901763e2t041589t962513748e0652t19e3047832e7t680914521t6957e8034

    {0,3,4,7,e,8}{1,2,5,6,9,t}

    Modern Psalms matrix based onSchoenbergs Miracle Set

  • Babbitts sketch for the program notes of Paraphrases

    Paraphrastic, in the sense of glosses, restatement[s,],restating to clarify, to reinterpret, to amplify...

    Library of Congress, Babbitt Collection, Box 12 folder 2

  • ReferencesArgentino, Joe. Transformations and Hexatonic Tonnetz Spaces in Late

    Works of Schoenberg, (Ph.D. diss., University of WesternOntario, 2010).

    Babbitt, Milton. Contextual Counterpoint, and The Twelve-ToneTradition. In Words about Music, ed. by Stephen Dembski andJoseph Straus (Madison, WI: University of Wisconsin Press,1987).

    Couvillon, Thomas Michael. Text and Structure in Schoenbergs Op.50,(Ph.D. diss., Louisiana State University and Agricultural andMechanical College, 2002).

    Hollander, John. Hearing and Overhearing the Psalms. In The Work ofPoetry (New York: Columbia University Press, 1997.

    Hyde, Martha M. Neoclassic and Anachronistic Impulses in Twentieth-Century Music, Music Theory Spectrum 18, No. 2 (Autumn 1996).

    Riffaterre, Michael. Intertextuality vs. Hypertextuality. New LiteraryHistory 25, No. 4 Anniversary Issues (Part 2) (Autumn 1994).

    . Semiotics of Poetry (Bloomington: Indiana University Press, 1978).