8
MKTC5SP-0816 The Lexia Reading Core5 ® program provides Instructional Materials to ensure that all students receive personalized and comprehensive instruction and practice in all skill areas. Lexia Lessons ® , Lexia Skill Builders ® , Lexia ® Connections and the Supplemental Comprehension Lessons are designed to be used in conjunction with the online learning activities in Lexia Reading Core5. These materials can be incorporated into classroom routines in a variety of ways, including whole class instruction, small group activities, and independent work. Lexia Instructional Materials provide opportunities for students to: Respond to open-ended questions orally and in writing Build fluency through oral reading Reinforce skills using multi-sensory manipulative materials Engage in collaborative discussions with peers www.lexialearning.com MKTC5SP-0816 LEXIA INSTRUCTIONAL MATERIALS Lexia Skill Builders Paper-based practice materials that reinforce and extend the online learning • Recommended upon completion of an activity to build automaticity Extend online learning to many speaking and writing activities • Designed to be used independently, with a teacher, or with a peer partner • Can be used in classroom centers, for homework, or during after school programs Supplemental Comprehension Lessons Scripted materials for teacher-led instruction that specifically target reading comprehension • Designed to fit flexibly into existing literacy instruction • Provide instructional routines and activities to address key areas of comprehension • Target skills such as reading poetry, reading plays, and understanding text features • Include materials such as passages and graphic organizers Lexia Connections Strategies and routines to structure individual, small group, or whole class activities • Target essential components of reading skill instruction • Provide guidance and context to teachers while allowing for creativity and flexible delivery • Link reading activities to content-area instruction in science, math and social studies • Include reference tables, word lists, and graphic organizers Lexia Lessons Scripted materials for teacher-led instruction that target specific Core5 skills • Designed for individual, small group, or whole class targeted instruction • Automatically recommended for struggling students based on performance • Provide adaptations to further support or enhance student skill development Include materials such as picture cards, wordlists, activity sheets and graphic organizers INSTRUCTIONAL MATERIALS Sampler Read the Greek combining form at the top of the page and think about the meaning. Then write the combining form next to the picture that best shows the meaning. On the next line, write a word that uses the combining form. You may need to use a dictionary. scope meter astro derma tele naut gram graph sphere audio anti biblio Name: 2 Level 17 | Structural Analysis Greek Combining Forms 1 Lexia Reading Core5 SKILL BUILDERS meter perimeter 1 3 5 7 9 11 2 4 6 8 10 12 Choose five of the words you wrote above to use in five descriptive sentences on the back. . Script page 1 GRADE 1 | Comprehension Reading Poems (Supplemental) Lexia Reading Core5 LEXIA LESSONS Direct Instruction Today we’ll be learning about poems, and what makes a poem different from other kinds of writing. Let’s start by listening to a poem called “Snowflakes.” As you listen, form pictures in your mind. Give an expressive oral reading of the nursery rhyme: The snowflakes are falling by ones and by twos; There’s snow on my jacket, and snow on my shoes; There’s snow on the bushes, and snow on the trees. It’s snowing on everything now, if you please. Ask students what they pictured when they heard the poem. Encourage them to give details about what is in the scene, and who might be speaking the words in the poem. This poem helps me picture white snowflakes falling more and more heavily, and piling up everywhere. In a poem, words may be repeated to show a big idea. Listen as I reread the poem. Every time you hear the word snow, raise your hand. Reread the poem so that students can identify the repeated word snow. Hearing the word snow again and again helps us picture all that snow falling and piling up! A poem often has rhythm. The rhythm in a poem makes it like a song that we can clap to. Listen as I read the poem again. Clap along to hear the rhythm. Reread the poem. Model clapping to the beat of its lines—four claps to a line—as students clap along. We’ve seen that a poem can help us form pictures in our mind. We know that a poem may have repeated words. A poem has rhythm. There’s something else that a poem may have. Listen as I read the first two lines of the poem, and pay special attention to the words that I say loudly. Read aloud just the first two lines, using a louder voice to say twosand shoes. Description Supplemental Lexia Lessons can be used for whole class, small group or individualized instruction to extend learning and enhance student skill development. This lesson is designed to help students recognize that sound, meaning, and feeling are combined in a poem. Students also learn the terms rhythm and rhyme and use them to talk about poetry. Teacher Tips You can adapt this lesson for older students by showing them the poems in this lesson and reading together. Preparation/Materials • Drawing paper and crayons Vocabulary Skill Sequence Basic Categories Spatial Concept Words Describing Words Combining Adjectives Categorizing Words Multiple Meaning Words Synonyms & Antonyms Similes & Metaphors IDIOMS Simple Analogies Affix & Root Meaning (Structural Analysis) Shades of Meaning Complex Analogies Greek Combining Forms (Structural Analysis) Curriculum Connection Display illustrations from familiar stories. Ask students to use an idiom to describe a specific scene. For example, a character who is in trouble may be described as in hot water. Then, discuss how the illustration adds to students’ understanding of the text. page 1 Idioms An idiom (e.g., to be on top of the world) is a group of words that do not mean what they seem to say. By studying idioms, students develop their awareness of figurative expressions and expand their descriptive language skills. Classroom Ideas As necessary, teach or review the definition of an idiom. Explain to students that they should use sentence clues to figure out the meaning of an idiom. For example, in the sentence Cal won first prize, so he was on top of the world, students should recognize that someone cannot literally be on top of the world. Have them underline the idiom and, with support, look at the rest of the sentence and deduce the meaning (e.g., Since Cal won first prize, he is probably really happy). Write an idiom on one index card and its meaning on another card. Create a deck of up to 15 pairs. Shuffle the cards and have students work together to match the idioms to their meanings. Have students act out learned idioms in a charades-style manner or in brief skits. Fellow students should guess the idiom being portrayed. Distribute one idiom to each student or pair of students. Have some students illustrate the actual meaning of the idiom, while others should illustrate the literal meaning of the idiom. Once the drawings are finished, ask students to find their idiom partners without talking (by sharing illustrations only). Use idioms as writing prompts or discussion points (e.g., Have you ever thrown in the towel? Do you remember a time when you felt like a fish out of water?). Citing specific examples, students can discuss these topics with peers or form a written response to these questions. LEXIA ® CONNECTIONS Script page 1 LEVEL 10 | Structural Analysis Suffixes, Lesson 1 Lexia Reading Core5 LEXIA LESSONS Direct Instruction Today, we are going to learn about suffixes. Suffixes are word parts that can be added to the end of a base word to change the meaning slightly. Display the word cup. This word is cup. I can use the word in the sentence “There is a cup” and I know it means there is only one cup. But, I can add the suffixsto the end of the word cup, and that will mean there is more than one cup. Add an sto the end of the word to make cups. So now I can use this word in the sentence “There are two cups.” The–sat the end changes the meaning of the word cup. It makes it plural, which means more than one. Find an object in the room that can be made plural by adding –s(e.g., desk, pencil, or book). Name the object using the base word, then model adding the suffix –sas above. Display the plural word for the object and use the following procedure to model how to identify the suffix. First, I look to see if there is a suffix–sat the end of the word. I circle it. Next, I underline the base word. Finally, I write the suffix–snext to the word. Repeat this procedure using the suffix –es. Possible objects include: watch, hall pass, bench. Then, write the suffix –sabove the words that end in –s. Write the suffix –esabove the words that end in –es. The suffixes–sand –escan be added to base words to change their meaning slightly. Both–s and –esmake a base word plural, meaning more than one. We use the suffix–sto make most words plural. We use the suffix–eswhen a base word ends with the letters ch, sh, tch, ss, x, or z. Description This lesson is designed to help students recognize common suffixes and understand that suffixes can change the meaning or form of a base word. The ability to identify suffixes serves as a foundation for understanding the most common spelling rules and thinking about the structure of words (prefix, root/base word, suffix). Teacher Tips This lesson teaches suffixes using suffixes –sand –es. Use the same sequence to give students practice with other suffixes (listed in the Adaptations section). Preparation/Materials •A piece of lined paper for each student to use in Independent Application

LEXIA INSTRUCTIONAL MATERIALS · The Lexia Reading Core5® program provides Instructional Materials to ensure that all ... graph gram tele naut biblio anti sphere ... (prefix, root/base

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Page 1: LEXIA INSTRUCTIONAL MATERIALS · The Lexia Reading Core5® program provides Instructional Materials to ensure that all ... graph gram tele naut biblio anti sphere ... (prefix, root/base

MKTC5SP-0816

The Lexia Reading Core5® program provides Instructional Materials to ensure that all students receive personalized and comprehensive instruction and practice in all skill areas. Lexia Lessons®, Lexia Skill Builders®, Lexia® Connections and the Supplemental Comprehension Lessons are designed to be used in conjunction with the online learning activities in Lexia Reading Core5. These materials can be incorporated into classroom routines in a variety of ways, including whole class instruction, small group activities, and independent work.

Lexia Instructional Materials provide opportunities for students to:

• Respond to open-ended questions orally and in writing

• Build fluency through oral reading

• Reinforce skills using multi-sensory manipulative materials

• Engage in collaborative discussions with peers

www.lexialearning.com MKTC5SP-0816

LEXIA INSTRUCTIONAL MATERIALS

Lexia Skill Builders Paper-based practice materials that reinforce and extend the online learning

• Recommended upon completion of an activity to build automaticity

• Extend online learning to many speaking and writing activities

• Designed to be used independently, with a teacher, or with a peer partner

• Can be used in classroom centers, for homework, or during after school programs

Supplemental Comprehension Lessons Scripted materials for teacher-led instruction that specifically target reading comprehension

• Designed to fit flexibly into existing literacy instruction

• Provide instructional routines and activities to address key areas of comprehension

• Target skills such as reading poetry, reading plays, and understanding text features

• Include materials such as passages and graphic organizers

Lexia Connections Strategies and routines to structure individual, small group, or whole class activities

• Target essential components of reading skill instruction

• Provide guidance and context to teachers while allowing for creativity and flexible delivery

• Link reading activities to content-area instruction in science, math and social studies

• Include reference tables, word lists, and graphic organizers

Lexia Lessons Scripted materials for teacher-led instruction that target specific Core5 skills

• Designed for individual, small group, or whole class targeted instruction

• Automatically recommended for struggling students based on performance

• Provide adaptations to further support or enhance student skill development

• Include materials such as picture cards, wordlists, activity sheets and graphic organizers

INSTRUCTIONAL MATERIALS Sampler

Read the Greek combining form at the top of the page and think about the meaning. Then write the combining form next to the picture that best shows the meaning. On the next line, write a word that uses the combining form. You may need to use a dictionary.

scope meterastroderma

tele nautgramgraph

sphere audioantibiblio

NO

Name:

2

Level 17 | Structural AnalysisGreek Combining Forms 1

Lexia Reading Core5SKILL BUILDERS

meter

perimeter

1

3

5

7

9

11

2

4

6

8

10

12

Choose five of the words you wrote above to use in five descriptive sentences on the back..

Script page 1

GRADE 1 | ComprehensionReading Poems (Supplemental)

Lexia Reading Core5LEXIA LESSONS

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Direct Instruction

Today we’ll be learning about poems, and what makes a poem different from other kinds of writing. Let’s start by listening to a poem called “Snowflakes.” As you listen, form pictures in your mind.

Give an expressive oral reading of the nursery rhyme:

The snowflakes are falling by ones and by twos;There’s snow on my jacket, and snow on my shoes;There’s snow on the bushes, and snow on the trees.It’s snowing on everything now, if you please.

Ask students what they pictured when they heard the poem. Encourage them to give details about what is in the scene, and who might be speaking the words in the poem.

This poem helps me picture white snowflakes falling more and more heavily, and piling up everywhere. In a poem, words may be repeated to show a big idea. Listen as I reread the poem. Every time you hear the word snow, raise your hand.

Reread the poem so that students can identify the repeated word snow.

Hearing the word snow again and again helps us picture all that snow falling and piling up!

A poem often has rhythm. The rhythm in a poem makes it like a song that we can clap to. Listen as I read the poem again. Clap along to hear the rhythm.

Reread the poem. Model clapping to the beat of its lines—four claps to a line—as students clap along.

We’ve seen that a poem can help us form pictures in our mind. We know that a poem may have repeated words. A poem has rhythm. There’s something else that a poem may have. Listen as I read the first two lines of the poem, and pay special attention to the words that I say loudly.

Read aloud just the first two lines, using a louder voice to say twos and shoes.

DescriptionSupplemental Lexia Lessons can be used for whole class, small group or individualized instruction to extend learning and enhance student skill development. This lesson is designed to help students recognize that sound, meaning, and feeling are combined in a poem. Students also learn the terms rhythm and rhyme and use them to talk about poetry.

Teacher Tips

You can adapt this lesson for older students by showing them the poems in this lesson and reading together.

Preparation/Materials

• Drawing paper and crayons

Vocabulary Skill Sequence

• Basic Categories

• Spatial Concept Words

• Describing Words

• Combining Adjectives

• Categorizing Words

• Multiple Meaning Words

• Synonyms & Antonyms

• Similes & Metaphors

• IDIOMS

• Simple Analogies

• Affix & Root Meaning (Structural Analysis)

• Shades of Meaning

• Complex Analogies

• Greek Combining Forms (Structural Analysis)

Curriculum Connection

Display illustrations from familiar stories. Ask students to use an idiom to describe a specific scene. For example, a character who is in trouble may be described as in hot water. Then, discuss how the illustration adds to students’ understanding of the text.

page 1

IdiomsAn idiom (e.g., to be on top of the world) is a group of words that do not mean what they seem to say. By studying idioms, students develop their awareness of figurative expressions and expand their descriptive language skills.

Classroom Ideas

As necessary, teach or review the definition of an idiom. Explain to students that they should use sentence clues to figure out the meaning of an idiom. For example, in the sentence Cal won first prize, so he was on top of the world, students should recognize that someone cannot literally be on top of the world. Have them underline the idiom and, with support, look at the rest of the sentence and deduce the meaning (e.g., Since Cal won first prize, he is probably really happy).

Write an idiom on one index card and its meaning on another card. Create a deck of up to 15 pairs. Shuffle the cards and have students work together to match the idioms to their meanings.

Have students act out learned idioms in a charades-style manner or in brief skits. Fellow students should guess the idiom being portrayed.

Distribute one idiom to each student or pair of students. Have some students illustrate the actual meaning of the idiom, while others should illustrate the literal meaning of the idiom. Once the drawings are finished, ask students to find their idiom partners without talking (by sharing illustrations only).

Use idioms as writing prompts or discussion points (e.g., Have you ever thrown in the towel? Do you remember a time when you felt like a fish out of water?). Citing specific examples, students can discuss these topics with peers or form a written response to these questions.

LEXIA® CONNECTIONS

Script page 1

LEVEL 10 | Structural AnalysisSuffixes, Lesson 1

Lexia Reading Core5LEXIA LESSONS

Direct Instruction

��Today,�we�are�going�to�learn�about�suffixes.�Suffixes�are�word�parts�that�can�be�added�to�the�end�of�a�base�word�to�change�the�meaning�slightly.�

Display the word cup.

This�word�is�cup.�I�can�use�the�word�in�the�sentence�“There�is�a�cup”�and�I�know�it�means�there�is�only�one�cup.�But,�I�can�add�the�suffix�–s�to�the�end�of�the�word�cup,�and�that�will�mean�there�is�more�than�one�cup.

Add an s to the end of the word to make cups.

So�now�I�can�use�this�word�in�the�sentence�“There�are�two�cups.”�The�–s�at�the�end�changes�the�meaning�of�the�word�cup.�It�makes�it�plural,�which�means�more�than�one.

Find an object in the room that can be made plural by adding –s (e.g., desk, pencil, or book). Name the object using the base word, then model adding the suffix –s as above.

Display the plural word for the object and use the following procedure to model how to identify the suffix.

�� �First,�I�look�to�see�if�there�is�a�suffix�–s�at�the�end�of�the�word.�I�circle�it.�Next,�I�underline�the�base�word.�Finally,�I�write�the�suffix�–s�next�to�the�word.�

Repeat this procedure using the suffix –es. Possible objects include: watch, hall pass, bench.

Then, write the suffix –s above the words that end in –s. Write the suffix –es above the words that end in –es.

�� �The�suffixes�–s and –es�can�be�added�to�base�words�to�change�their�meaning�slightly.�Both�–s and –es�make�a�base�word�plural,�meaning�more�than�one.�We�use�the�suffix�–s�to�make�most�words�plural.�We�use�the�suffix�–es�when�a�base�word�ends�with�the�letters�ch,�sh,�tch,�ss,�x,�or�z.

DescriptionThis lesson is designed to help students recognize common suffixes and understand that suffixes can change the meaning or form of a base word. The ability to identify suffixes serves as a foundation for understanding the most common spelling rules and thinking about the structure of words (prefix, root/base word, suffix).

Teacher Tips

This lesson teaches suffixes using suffixes –s and –es. Use the same sequence to give students practice with other suffixes (listed in the Adaptations section).

Preparation/Materials

• A piece of lined paper for each student to use in Independent Application

Page 2: LEXIA INSTRUCTIONAL MATERIALS · The Lexia Reading Core5® program provides Instructional Materials to ensure that all ... graph gram tele naut biblio anti sphere ... (prefix, root/base

SA

MP

LE

ON

LYINSTRUCTIONAL MATERIALS

Sampler

Scrip

t pag

e 1

LEVE

LS 4

& 5

| Co

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Sequ

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ents

Lexia

Rea

ding

Cor

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XIA

LESS

ONS

Dire

ct In

stru

ctio

n

Stor

ies h

ave

a be

ginn

ing,

a m

iddl

e, a

nd a

n en

d. T

hey

go in

ord

er. W

e ca

n us

e th

e w

ords

first,

next

, and

last

to ta

lk a

bout

that

ord

er. W

atch

care

fully

as I

do

thre

e th

ings

.

A

ct o

ut a

sim

ple

thre

e-st

ep s

eque

nce:

(1) W

alk

to th

e b

ooks

helf,

(2) L

ook

at a

few

boo

ks, a

nd

(3) C

hoos

e on

e b

ook

to b

ring

bac

k to

you

r des

k.

D

isp

lay

the

thre

e re

ctan

gle

s w

ith d

ots.

Poi

nt to

eac

h fr

ame

as y

ou u

se th

e se

que

nce

wor

ds

fir

st, n

ext,

and

last

as

you

talk

ab

out w

hat y

ou d

id.

Th

e first

thin

g I d

id w

as w

alk

to th

e bo

oksh

elf. Next,

I loo

ked

over

the

book

s.

And last

, I p

icke

d th

e bo

ok I

wan

ted

to re

ad.

Guid

ed P

ract

iceD

isp

lay

the

thre

e re

ctan

gle

s w

ith d

ots

as y

ou te

ll st

uden

ts a

bou

t the

thre

e p

arts

of a

sto

ry.

Le

t’s th

ink

toge

ther

abo

ut w

hat I

just

did

like

we

are

thin

king

abo

ut a

stor

y.

Whe

n I l

iste

n to

a st

ory,

I pi

ctur

e in

my

min

d w

hat i

s hap

peni

ng first—

at th

e be

ginn

ing

of

the

stor

y. I

pict

ure

wha

t is h

appe

ning

next—

in th

e m

iddl

e of

the

stor

y. A

nd I

pi

ctur

e w

hat i

s hap

peni

ng last

—at

the

end

of th

e st

ory.

N

ow, I

’m g

oing

to re

ad a

littl

e st

ory.

As w

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ten,

let’s

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t is h

appe

ning

first

, next,

and last

. It w

ill b

e lik

e w

atch

ing

a m

ovie

insi

de o

ur h

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Rem

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r to

liste

n to

ot

hers

, tak

e tu

rns a

nd sp

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rly

as w

e ta

lk a

bout

the

stor

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Firs

t, C

arly

and

her

mom

pic

ked

ap

ple

s at

the

orch

ard

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Nex

t, th

ey fi

lled

a b

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aske

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ap

ple

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Last

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ly a

nd h

er m

om b

aked

ap

ple

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s at

hom

e.

Po

int t

o th

e si

ngle

-dot

fram

e an

d re

read

the

first

sen

tenc

e.

Desc

riptio

nTh

is le

sson

is d

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ned

to h

elp

stu

den

ts fo

rm m

enta

l pic

ture

s of

the

even

ts in

a n

arra

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A

s th

ey v

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the

det

ails

of t

he p

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ork

with

the

seq

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ord

s fir

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st, a

nd b

uild

thei

r und

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and

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of s

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egin

ning

, mid

dle

, and

end

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uden

ts a

re p

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pte

d to

ask

que

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ns to

imp

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and

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and

cla

rify

info

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Teac

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The

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this

less

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thre

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sent

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r dis

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(2) t

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, and

(3) s

pea

k cl

early

.

Prep

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Mat

eria

ls

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raw

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left-

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the

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se th

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d o

f th

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LEVE

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ents

Lexia

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Cor

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    Here’s what I picture in the first part of the story. Carly is a girl w

ho is with her mother. They 

are

outd

oors

in a

n or

char

d—a

kind

of f

arm

for a

pple

tree

s. Th

ey a

re re

achi

ng u

p to

pic

k ap

ples

fr

om th

e tr

ee b

ranc

hes.

W

hat d

o yo

u pi

ctur

e at

the

begi

nnin

g of

the

stor

y? A

s we

talk

abo

ut th

e st

ory,

rem

embe

r to

liste

n to

oth

ers,

take

turn

s and

spea

k cl

earl

y.

En

cour

age

stud

ents

to o

ffer v

arie

d d

etai

ls a

bou

t the

girl

, mot

her,

and

set

ting

. Em

pha

size

that

ther

e ar

e m

any

way

s to

pic

ture

a s

cene

.

Re

read

the

seco

nd e

vent

. Hav

e st

uden

ts g

ive

idea

s ab

out w

hat t

hey

pic

ture

. Rer

ead

th

e th

ird e

vent

, and

sha

re id

eas

abou

t wha

t the

sce

ne lo

oks

like.

Th

en d

isp

lay

the

thre

e p

ictu

res

from

the

first

sto

ry. M

ake

sure

they

are

not

in o

rder

.

    These pictures show

 what happens first, next, and last in the story. Which picture 

show

s the

beg

inni

ng o

f the

stor

y? (T

he g

irl a

nd h

er m

othe

r in

the

appl

e or

char

d.)

D

irect

stu

den

ts to

pla

ce th

is p

ictu

re b

y th

e fir

st fr

ame.

W

hich

pic

ture

show

s the

mid

dle

of th

e st

ory?

(The

girl

and

her

mot

her c

arry

ing

a

big

bask

et o

f app

les.)

D

irect

stu

den

ts to

pla

ce th

is p

ictu

re b

y th

e se

cond

fram

e.

W

hat d

oes t

his p

ictu

re sh

ow?

(The

end

of t

he st

ory;

the

girl

and

her m

othe

r are

in

the

kitc

hen

baki

ng a

pple

pie

s.)

D

irect

stu

den

ts to

pla

ce th

is p

ictu

re b

y th

e th

ird fr

ame.

Ta

lk a

bou

t the

det

ails

that

mat

ch w

hat y

ou a

nd s

tud

ents

imag

ined

, and

oth

er d

etai

ls

the

artis

t pro

vid

ed.

D

o yo

u ha

ve o

ther

que

stio

ns a

bout

the

stor

y th

at w

ill h

elp

you

unde

rsta

nd w

hat h

appe

ned?

Inde

pend

ent A

pplic

atio

nFo

llow

a s

imila

r pro

ced

ure

with

the

stor

y b

elow

.

N

ow I’

ll re

ad a

new

stor

y. T

hink

abo

ut w

hat h

appe

ns first, next

, and

last

. M

ake

a m

ovie

in y

our h

ead

as y

ou li

sten

.

Sim

on th

rew

a b

all i

nto

the

lake

.

Sim

on’s

dog

Pep

per

sp

lash

ed in

to th

e la

ke.

Pep

per

bro

ught

the

bal

l bac

k to

Sim

on.

H

ave

stud

ents

des

crib

e w

hat t

hey

pic

ture

in th

e b

egin

ning

, mid

dle

, and

end

of t

he s

tory

.

Th

en d

isp

lay

the

thre

e p

ictu

res

on th

e se

cond

pic

ture

pag

e at

the

end

of t

he le

sson

.

D

irect

stu

den

ts to

pla

ce th

e p

ictu

res

in s

eque

nce,

und

er th

e th

ree

fram

es m

arke

d w

ith

one,

two,

or t

hree

dot

s.

Page 3: LEXIA INSTRUCTIONAL MATERIALS · The Lexia Reading Core5® program provides Instructional Materials to ensure that all ... graph gram tele naut biblio anti sphere ... (prefix, root/base

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MP

LE

ON

LYINSTRUCTIONAL MATERIALS

Sampler

Scrip

t pag

e 3

LEVE

LS 4

& 5

| Co

mpr

ehen

sion

Sequ

encin

g Ev

ents

Lexia

Rea

ding

Cor

e5LE

XIA

LESS

ONS

Adap

tatio

ns

For S

tude

nts W

ho N

eed

Mor

e Su

ppor

t

Op

tio

n 1

: Su

bst

itute

an

activ

ity in

whi

ch

stud

ents

list

en to

two

even

ts th

at h

app

en

“firs

t” a

nd “

next

.” T

hey

then

pan

tom

ime

the

even

ts in

seq

uenc

e. E

xam

ple

s:

Fi

rst,

[nam

e of

stud

ent]

wal

ked

to th

e toy chest. Next, he/she found a puppet 

to p

lay

with

.

Fi

rst,

Rabb

it ho

pped

to th

e ga

rden

. Next, she nibbled on lettuce she found 

ther

e.

Op

tio

n 2

: Ta

lk w

ith s

tud

ents

ab

out t

hree

th

ing

s th

ey h

ave

don

e so

far t

oday

. Use

the

wor

ds

first

, nex

t, an

d la

st a

s yo

u re

pea

t the

ev

ents

. The

n, p

rom

pt s

tud

ents

to re

tell

“the

st

ory

of to

day

” in

seq

uenc

e.

For S

tude

nts R

eady

to M

ove

On

Read

a fa

mili

ar s

tory

to s

tud

ents

, pau

sing

to

ask

que

stio

ns a

bou

t seq

uenc

e. F

or e

xam

ple

:

      Whose porridge did Goldilocks try first? 

Next? Last?

    Whose bed did Goldilocks sleep in first? 

Next? Last?

G

oldi

lock

s tri

ed o

ut th

e be

ds, t

he ch

airs

, an

d th

e po

rrid

ge in

the

Bear

s’ ho

use.

Which did she try out first, next, and 

last

?

Wra

p-Up

Che

ck s

tude

nts’

und

erst

andi

ng. P

rese

nt e

ither

set

of p

ictu

res

from

the

less

on. A

sk s

tude

nts

to u

se

thei

r ow

n w

ords

to te

ll w

hat h

appe

ns in

the

beg

inni

ng, m

iddl

e, a

nd e

nd o

f the

sto

ry.

Use

stu

dent

s’ re

spon

ses

to g

uide

you

r cho

ice

of a

ctiv

ities

in th

e A

dapt

atio

ns s

ectio

n.

Stud

ents

who

com

ple

te th

is le

sson

sho

uld

retu

rn to

the

onlin

e ac

tiviti

es in

Lex

ia R

ead

ing

Co

re5

For f

urth

er d

evel

opm

ent o

f aut

omat

icity

with

thes

e sk

ills,

pro

vid

e st

uden

ts w

ith L

exia

Ski

ll B

uild

ers.

Repr

oduc

ible

pag

e 1

LEVE

LS 4

& 5

| Co

mpr

ehen

sion

Sequ

encin

g Ev

ents

Lexi

a Re

adin

g Co

re5

LEXI

A LE

SSO

NS

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MP

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ON

LYINSTRUCTIONAL MATERIALS

Sampler

Repr

oduc

ible

pag

e 2

LEV

ELS

4 &

5 |

Com

preh

ensi

onSe

quen

cing

Eve

nts

Lexi

a Re

adin

g Co

re5

LEX

IA L

ESSO

NS

Page 5: LEXIA INSTRUCTIONAL MATERIALS · The Lexia Reading Core5® program provides Instructional Materials to ensure that all ... graph gram tele naut biblio anti sphere ... (prefix, root/base

SA

MP

LE

ON

LYINSTRUCTIONAL MATERIALS

Sampler

Read

the

pas

sag

es b

elo

w w

ith a

par

tner

. Yo

ur p

artn

er m

ay b

e an

ad

ult o

r a

clas

smat

e.

Take

turn

s b

eing

the

read

er a

nd th

e lis

tene

r.

Dis

cuss

eac

h r

ead

ing

wit

h y

ou

r p

artn

er.

q W

as t

he

read

ing

sm

oo

th a

nd

eas

y to

un

der

stan

d?

q D

id t

he

read

er r

ead

wit

h e

xpre

ssio

n?

q W

hat

qu

esti

on

s d

o y

ou

hav

e ab

ou

t th

e p

assa

ge?

Nam

e:

4

Leve

l 12

| Flu

ency

Pass

age F

luen

cy 1

Lexi

a Rea

ding

Cor

e5SK

ILL B

UILD

ERS

1Russ

wen

t on a

trip w

ith h

is frien

d B

en. They

hik

ed in t

he

woods.

Then

they

cam

e

to a

pla

ce t

o c

amp. Ben

’s d

ad m

ade

a fire

. They

sat

by

the

fire

and c

ooke

d h

ot

dogs.

Russ

hel

ped

set

up a

ten

t. R

uss

and B

en s

lept

in s

leep

ing b

ags

in t

he

tent. T

he

cam

p-

ing t

rip w

as fun. Russ

lik

ed s

leep

ing in t

he

tent.

Russ

lik

ed c

ampin

g. H

e w

ished

he

had

a t

ent

at h

om

e. R

uss

took

a sh

eet

from

his b

ed.

He

hung o

ne

side

of th

e sh

eet

on a

chai

r. H

e hung t

he

oth

er s

ide

on a

shel

f. T

he

shee

t

looke

d lik

e a

tent! T

he

nex

t day

, M

om

cam

e in

to w

ake

up R

uss

. Russ

pee

ked o

ut

from

his h

angin

g s

hee

t. “

I lik

e m

y te

nt,”

he

said

.

2Big

Fro

g a

nd S

mal

l Fr

og h

ad a

hom

e in

a p

ond. But

now

thei

r pond w

as d

ry.

“We

must

fin

d a

wet

pla

ce t

o liv

e,”

said

Big

Fro

g.

The

frogs

set

out

from

the

pond. They

cam

e to

a d

eep h

ole

. It

was

a w

ell th

at p

eople

had

dug. The

frogs

saw

wat

er in t

he

wel

l.

“This d

eep w

ell has

wat

er,”

Sm

all Fr

og s

aid. “W

e ca

n liv

e her

e!”

Big

Fro

g s

aid, “W

e le

ft t

he

pond b

ecau

se it

was

dry

. W

hat

will

we

do if th

is w

ell dries

up?

We

will

not

hav

e a

way

to g

et o

ut. T

he

hole

is

too d

eep.”

Big

Fro

g w

as w

ise.

The

frogs

set

out

agai

n.

THE

REA

DER

SH

OU

LD:

THE

LIST

ENER

SH

OU

LD:

➊ R

ead

th

e w

ord

s ca

refu

lly a

nd

cle

arly

.

➋ P

ay a

tten

tio

n t

o p

un

ctu

atio

n a

nd

rea

d

wit

h e

xpre

ssio

n.

➊ L

iste

n c

lose

ly t

o t

he

read

er. I

s th

e re

adin

g

smo

oth

, cle

ar a

nd

eas

y to

un

der

stan

d?

➋ A

s yo

u li

sten

, th

ink

of

a q

ues

tio

n a

bo

ut

the

pas

sag

e to

ask

th

e re

ader

wh

en h

e o

r sh

e h

as fi

nis

hed

rea

din

g.

Pra

ctic

e th

ese

skill

s us

ing

a p

arag

rap

h fr

om

a b

oo

k o

f yo

ur c

hoic

e.

Ad

d th

e su

ffix

to th

e b

ase

wor

ds

and

writ

e th

e w

ord

s on

the

line.

Rem

emb

er th

e ru

les

to h

elp

you

sp

ell t

hese

w

ord

s. T

hen,

use

bot

h w

ord

s in

a s

ente

nce.

berr

ies

chom

ping

Nam

e:

5

Leve

l 16

| Stru

ctur

al A

naly

sis

Spel

ling

Rule

s 3Le

xia R

eadi

ng C

ore5

SKIL

L BUI

LDER

S

ber

ry +

es

=

ch

om

p +

ing =

Ask

an

adul

t or c

lass

mat

e to

read

thes

e w

ord

s to

you

so

you

can

pra

ctic

e sp

ellin

g th

em o

n th

e b

ack.

sa

d +

er

=

cr

y + ing =

w

in +

ing =

lady

+ e

s =

cl

ap +

ed =

skat

e + e

r =

slim

e + y

=

tr

ip +

ed =

sm

ile +

ed =

silly

+ n

ess

=

hop +

ing =

bunny

+ e

s =

hik

e + ing =

mud +

y =

sh

ake

+ ing =

stripe

+ e

d =

The

bear

s ha

ve b

een

chom

ping

on

berr

ies

all a

fter

noon

st

ate

+ m

ent

=

sh

op +

er

=

1 73 952 84 106

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MP

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ON

LYINSTRUCTIONAL MATERIALS

Sampler

Vo

cab

ula

ry

Skill

Se

qu

en

ce

• B

asic

Cat

ego

ries

• S

pat

ial C

onc

ept W

ord

s

• D

escr

ibin

g W

ord

s

• C

om

bin

ing

Ad

ject

ives

• C

ateg

ori

zing

Wo

rds

• M

ulti

ple

Mea

ning

Wo

rds

• S

yno

nym

s &

Ant

ony

ms

• S

imile

s &

Met

apho

rs

• ID

IOM

S

• S

imp

le A

nalo

gie

s

• A

ffix

& R

oo

t M

eani

ng

(Str

uctu

ral A

naly

sis)

• S

had

es o

f M

eani

ng

• C

om

ple

x A

nalo

gie

s

• G

reek

Co

mb

inin

g F

orm

s (S

truc

tura

l Ana

lysi

s)

Cu

rric

ulu

m C

on

ne

ctio

n

Dis

pla

y ill

ustr

atio

ns

fro

m fa

mili

ar s

tori

es.

Ask

stu

den

ts to

use

an

idio

m to

des

crib

e a

spec

ific

scen

e. F

or

exam

ple

, a c

har

acte

r w

ho

is in

tro

uble

may

b

e d

escr

ibed

as

in h

ot

wat

er. T

hen

, dis

cuss

ho

w

the

illus

trat

ion

add

s to

st

uden

ts’ u

nder

stan

din

g

of t

he

text

.

pag

e 1

Idio

ms

An id

iom

(e.g

., to

be

on to

p of

the

wor

ld) i

s a g

roup

of w

ords

that

do

not

mea

n w

hat t

hey

seem

to sa

y. B

y st

udyi

ng id

iom

s, st

uden

ts

deve

lop

thei

r aw

aren

ess o

f figu

rativ

e ex

pres

sion

s and

exp

and

thei

r de

scrip

tive

lang

uage

skill

s.

Cla

ssro

om

Idea

s

As

nece

ssar

y, te

ach

or

revi

ew th

e d

efini

tion

of a

n id

iom

. Exp

lain

to

stu

den

ts th

at th

ey s

ho

uld

use

sen

tenc

e cl

ues

to fi

gur

e o

ut th

e m

eani

ng o

f an

idio

m. F

or

exam

ple

, in

the

sent

ence

Cal

wo

n fir

st

pri

ze, s

o h

e w

as o

n to

p o

f the

wo

rld

, stu

den

ts s

ho

uld

rec

og

nize

th

at s

om

eone

can

not l

itera

lly b

e o

n to

p o

f th

e w

orl

d. H

ave

them

un

der

line

the

idio

m a

nd, w

ith s

upp

ort

, lo

ok

at th

e re

st o

f th

e se

nten

ce a

nd d

educ

e th

e m

eani

ng (e

.g.,

Sinc

e C

al w

on

first

pri

ze,

he

is p

rob

ably

rea

lly h

app

y).

Wri

te a

n id

iom

on

one

ind

ex c

ard

and

its

mea

ning

on

ano

ther

ca

rd. C

reat

e a

dec

k o

f up

to 1

5 p

airs

. Sh

uffle

the

card

s an

d h

ave

stud

ents

wo

rk to

get

her

to m

atch

the

idio

ms

to th

eir

mea

ning

s.

Hav

e st

uden

ts a

ct o

ut le

arne

d id

iom

s in

a c

har

ades

-sty

le m

anne

r o

r in

bri

ef s

kits

. Fel

low

stu

den

ts s

ho

uld

gue

ss th

e id

iom

b

eing

po

rtra

yed

.

Dis

trib

ute

one

idio

m to

eac

h s

tud

ent o

r p

air

of s

tud

ents

. Hav

e so

me

stud

ents

illu

stra

te th

e ac

tual

mea

ning

of t

he

idio

m, w

hile

o

ther

s sh

oul

d il

lust

rate

the

liter

al m

eani

ng o

f th

e id

iom

. Onc

e th

e d

raw

ing

s ar

e fin

ish

ed, a

sk s

tud

ents

to fi

nd th

eir

idio

m p

artn

ers

with

out

talk

ing

(by

shar

ing

illu

stra

tions

onl

y).

Use

idio

ms

as w

ritin

g p

rom

pts

or

dis

cuss

ion

po

ints

(e.g

., H

ave

you

ever

thro

wn

in th

e to

wel

? D

o y

ou

rem

emb

er a

tim

e w

hen

yo

u fe

lt lik

e a

fish

out

of w

ater

?). C

iting

sp

ecifi

c ex

amp

les,

stu

den

ts c

an

dis

cuss

thes

e to

pic

s w

ith p

eers

or

form

a w

ritt

en r

esp

ons

e to

th

ese

que

stio

ns.

LEX

IA® C

ON

NE

CTI

ON

S

pag

e 2

Idio

ms:

Set

1

Idio

mM

ean

ing

to b

e al

l fing

ers

and

thum

bs

to b

e cl

umsy

to g

o in

one

ear

and

out

the

othe

rto

hea

r so

met

hing

but

qui

ckly

forg

et it

to b

e th

e tip

of t

he ic

eber

gto

be

a sm

all p

art o

f a b

igg

er p

rob

lem

to b

ark

up th

e w

rong

tree

to lo

ok

for

a so

lutio

n in

the

wro

ng p

lace

to g

et th

e b

all r

ollin

gto

get

sta

rted

on

som

ethi

ng

to th

row

in th

e to

wel

to g

ive

up

to tu

rn o

ver a

new

leaf

to h

ave

a fr

esh

star

t

to m

ove

mou

ntai

nsto

ach

ieve

so

met

hing

ver

y d

ifficu

lt

to b

e on

the

fenc

eto

be

und

ecid

ed

to w

ing

itto

mak

e it

up a

s yo

u g

o a

long

to h

ear i

t thr

oug

h th

e g

rap

evin

eto

hea

r so

met

hing

fro

m s

om

eone

els

e

Idio

ms:

Set

2

Idio

mM

ean

ing

to b

e tie

d u

pto

be

very

bus

y

to s

pill

the

bea

nsto

tell

a se

cret

to b

e in

hot

wat

erto

be

in tr

oub

le

to b

e on

thin

ice

to b

e in

a r

isky

situ

atio

n

to c

hick

en o

utto

no

t do

so

met

hing

bec

ause

of f

ear

to p

ull s

omeo

ne’s

leg

to fo

ol s

om

eone

as

a jo

ke

to b

e al

l in

the

sam

e b

oat

to a

ll b

e in

the

sam

e si

tuat

ion

to h

ave

a he

art o

f gol

dto

be

kind

and

hel

pfu

l

to b

e fis

hyto

be

que

stio

nab

le

to s

tick

out l

ike

a so

re th

umb

to s

tand

out

or

be

diff

eren

t

to b

e al

l ear

sto

be

read

y to

list

en

Idio

ms–

cont

inue

d

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CCSS: RL.1.4

Dire

ct In

stru

ctio

n

Toda

y w

e’ll b

e lea

rnin

g ab

out p

oem

s, an

d w

hat m

akes

a p

oem

diff

eren

t fro

m o

ther

kin

ds o

f w

ritin

g. L

et’s

star

t by

liste

ning

to a

poe

m ca

lled

“Sno

wfla

kes.”

As y

ou li

sten

, for

m p

ictu

res i

n yo

ur m

ind.

G

ive

an e

xpre

ssiv

e or

al re

adin

g o

f the

nur

sery

rhym

e:

The s

now

flake

s are

falli

ng b

y on

es a

nd b

y tw

os;

Ther

e’s sn

ow o

n m

y ja

cket

, and

snow

on

my

shoe

s;Th

ere’s

snow

on

the b

ushe

s, an

d sn

ow o

n th

e tre

es.

It’s

snow

ing

on ev

eryt

hing

now

, if y

ou p

leas

e.

Ask

stu

den

ts w

hat t

hey

pic

ture

d w

hen

they

hea

rd th

e p

oem

. Enc

oura

ge

them

to g

ive

det

ails

ab

out w

hat i

s in

the

scen

e, a

nd w

ho m

ight

be

spea

king

the

wor

ds

in th

e p

oem

.

This

poe

m h

elps

me p

ictu

re w

hite

snow

flake

s fal

ling

mor

e and

mor

e hea

vily

, and

pili

ng u

p ev

eryw

here

. In

a po

em, w

ords

may

be r

epea

ted

to sh

ow a

big

idea

. Lis

ten

as I

rere

ad th

e poe

m.

Ever

y tim

e you

hea

r the

wor

d sn

ow, r

aise

you

r han

d.

Re

read

the

poe

m s

o th

at s

tud

ents

can

iden

tify

the

rep

eate

d w

ord

sno

w.

Hea

ring

the w

ord

snow

aga

in a

nd a

gain

hel

ps u

s pic

ture

all

that

snow

falli

ng a

nd p

iling

up!

A po

em o

ften

has r

hyth

m. T

he rh

ythm

in a

poe

m m

akes

it li

ke a

song

that

we c

an cl

ap to

. Lis

ten

as I

read

the p

oem

aga

in. C

lap

alon

g to

hea

r the

rhyt

hm.

Re

read

the

poe

m. M

odel

cla

pp

ing

to th

e b

eat o

f its

line

s—fo

ur c

lap

s to

a li

ne—a

s st

uden

ts

clap

alo

ng.

We’v

e see

n th

at a

poe

m ca

n he

lp u

s for

m p

ictu

res i

n ou

r min

d. W

e kno

w th

at a

poe

m m

ay h

ave

repe

ated

wor

ds. A

poe

m h

as rh

ythm

. The

re’s

som

ethi

ng el

se th

at a

poe

m m

ay h

ave.

Lis

ten

as I

read

the fi

rst t

wo

lines

of t

he p

oem

, and

pay

spec

ial a

ttent

ion

to th

e wor

ds th

at I

say

loud

ly.

Re

ad a

loud

just

the

first

two

lines

, usi

ng a

loud

er v

oice

to s

ay tw

os a

nd s

hoes

.

Desc

riptio

nSu

pp

lem

enta

l Lex

ia L

esso

ns c

an b

e us

ed fo

r who

le c

lass

, sm

all g

roup

or i

ndiv

idua

lized

in

stru

ctio

n to

ext

end

lear

ning

and

enh

ance

stu

den

t ski

ll d

evel

opm

ent.

This

less

on is

des

igne

d

to h

elp

stu

den

ts re

cog

nize

that

sou

nd, m

eani

ng, a

nd fe

elin

g a

re c

omb

ined

in a

poe

m. S

tud

ents

al

so le

arn

the

term

s rh

ythm

and

rhym

e an

d u

se th

em to

talk

ab

out p

oetr

y.

Teac

her T

ips

You

can

adap

t thi

s le

sson

for o

lder

stu

den

ts b

y sh

owin

g th

em th

e p

oem

s in

this

less

on a

nd

read

ing

tog

ethe

r.

Prep

arat

ion/

Mat

eria

ls

• D

raw

ing

pap

er a

nd c

rayo

ns

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t pag

e 2

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CCSS: RL.1.4

Whi

ch w

ords

did

I sa

y lo

uder

? (t

wos

, sho

es) W

hat d

o yo

u no

tice

abou

t the

soun

ds o

f tw

os a

nd

shoe

s? (T

hey

soun

d th

e sa

me

at th

e en

d.) T

he w

ords

twos

and

shoe

s hav

e th

e sa

me

endi

ng

soun

ds. T

hey

rhym

e. N

ow li

sten

as I

read

the

next

two

lines

of t

he p

oem

.

Re

ad a

loud

line

s 3

and

4, w

ithou

t em

pha

sizi

ng th

e rh

ymin

g w

ord

s.

Tell

me

whi

ch tw

o w

ords

rhym

e. (t

rees

, ple

ase)

Guid

ed P

ract

iceG

ive

an e

xpre

ssiv

e re

adin

g o

f the

poe

m “

Tire

d,”

by

Som

ervi

lle G

ibne

y, g

rad

ually

read

ing

mor

e sl

owly

and

sle

epily

, and

end

ing

with

a y

awn.

Oh,

I’m

so sl

eepy

, I’ll

lie

dow

n to

rest

Her

e in

the

sun;

Soon

will

he

go to

his

bed

in th

e w

est,

Day

will

be

done

.O

h, I’

m so

slee

...py

!So

ft is

the

gras

s, w

ith th

e m

oss p

eepi

ng th

roug

h,Ju

st li

ke m

y be

d;D

aisi

es a

re g

azin

g up

into

the

blue

,O

ver m

y he

ad.

Oh,

I’m

so sl

ee..p

...p.

..p...

Wha

t did

you

pic

ture

whi

le li

sten

ing

to th

e po

em?

En

cour

age

varie

d re

spon

ses,

mak

ing

sur

e th

at s

tud

ents

und

erst

and

that

the

sett

ing

is

outd

oors

, and

the

spea

ker i

n th

e p

oem

is ly

ing

on

the

gra

ss.

A

sk q

uest

ions

to h

elp

stu

den

ts th

ink

abou

t the

mea

ning

, fee

ling

, and

sou

nd e

ffect

s in

the

poe

m, r

erea

din

g a

loud

as

need

ed:

Wha

t rep

eate

d w

ords

hel

p yo

u un

ders

tand

that

the

pers

on in

the

poem

is fe

elin

g sl

eepi

er a

nd

slee

pier

? (O

h, I’

m so

slee

py.)

If yo

u w

ere

clap

ping

alo

ng to

the

rhyt

hm o

f thi

s poe

m, h

ow w

ould

you

r cla

ps ch

ange

? (C

lap

slow

er a

nd sl

ower

to sh

ow g

ettin

g sl

eepi

er a

nd sl

eepi

er.)

List

en a

s I re

ad th

e fir

st fo

ur li

nes:

Oh,

I’m

so sl

eepy

, I’ll

lie

dow

n to

rest

H

ere

in th

e su

n;

Soon

will

he

go to

his

bed

in th

e w

est,

Day

will

be

done

.

Whi

ch p

airs

of w

ords

rhym

e? (r

est/

wes

t, su

n/do

ne) W

hat d

oes “

Soon

will

he

go to

his

bed

in th

e w

est”

mea

n? (T

he su

n se

ts in

the

wes

t. Th

e su

n is

goi

ng to

slee

p, to

o.)

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CCSS: RL.1.4

List

en a

s I re

ad tw

o ot

her l

ines

:

Dai

sies a

re g

azin

g up

into

the b

lue,

O

ver m

y he

ad.

Wha

t do

you

pict

ure?

A

s st

uden

ts re

spon

d, g

uid

e th

em to

und

erst

and

that

the

spea

ker i

n th

e p

oem

is lo

okin

g u

p a

t th

e b

lue

sky,

and

the

dai

sies

see

m to

be

look

ing

up,

too.

Re

read

the

poe

m, p

ausi

ng a

fter e

ach

phr

ase

or li

ne, s

o th

at s

tud

ents

can

rep

eat a

fter y

ou.

Inde

pend

ent A

pplic

atio

nD

istr

ibut

e d

raw

ing

pap

er a

nd c

rayo

ns. R

erea

d th

e p

oem

s “S

now

flake

s” a

nd “

Tire

d.”

Ask

stu

den

ts to

ch

oose

one

poe

m a

nd d

raw

a p

ictu

re to

go

with

it.

Afte

r stu

den

ts h

ave

com

ple

ted

thei

r pic

ture

, hel

p th

em to

writ

e a

cap

tion

for i

t usi

ng w

ord

s or

line

s fr

om th

e p

oem

.

Wra

p-Up

Che

ck s

tud

ents

’ und

erst

and

ing

.

How

can

you

tell

that

you

are

list

enin

g to

a p

oem

and

not

a st

ory?

En

cour

age

a va

riety

of r

esp

onse

s b

ased

on

the

inst

ruct

ion

in th

is le

sson

. For

exa

mp

le: A

poe

m

is s

hort

er. A

poe

m d

escr

ibes

one

thin

g. A

poe

m is

mor

e lik

e a

song

. A p

oem

has

a rh

ythm

you

ca

n cl

ap to

. The

re m

ight

be

rhym

es in

a p

oem

. You

can

list

en fo

r rep

eate

d w

ord

s.

U

se s

tud

ents

’ res

pon

ses

to g

uid

e yo

ur c

hoic

e of

act

iviti

es in

the

Ad

apta

tions

sec

tion

on th

e fo

llow

ing

pag

e.

Scrip

t pag

e 4

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CCSS: RL.1.4

Adap

tatio

ns

For S

tude

nts W

ho N

eed

Mor

e Su

ppor

t

Rep

eat a

sim

ple

poe

m o

r nur

sery

rhym

e fo

r st

uden

ts to

pra

ctic

e un

til th

ey c

an re

cite

it

from

mem

ory.

Afte

r stu

den

ts re

cite

the

poe

m,

dra

w a

ttent

ion

to rh

ymin

g w

ord

s, rh

ythm

, an

d re

pea

ted

wor

ds

and

sou

nds.

Exa

mp

les:

Rain

, rai

n, g

o aw

ay;

Com

e aga

in a

noth

er d

ay;

Littl

e Har

ry w

ants

to p

lay.

Hey

! Did

dle d

iddl

eTh

e cat

and

the fi

ddle

The c

ow ju

mpe

d ov

er th

e moo

n.Th

e litt

le d

og la

ughe

dTo

see s

uch

fun

And

the d

ish ra

n aw

ay w

ith th

e spo

on.

For S

tude

nts R

eady

to M

ove

On

Focu

s on

sen

sory

wor

ds

by

gui

din

g s

tud

ents

to

writ

e a

ridd

le p

oem

, in

whi

ch th

e ne

xt-t

o-la

st li

ne is

“W

hat i

s it?

” St

art b

y ch

oosi

ng a

to

pic

with

stu

den

ts, s

uch

as a

kin

d o

f wea

ther

, a

fam

iliar

pla

ce, a

food

, or a

n an

imal

. The

n d

isp

lay

a ch

art t

o fil

l out

with

des

crip

tive

wor

ds

that

stu

den

ts s

ugg

est a

bou

t the

top

ic.

The

exam

ple

bel

ow s

how

s en

trie

s in

all

the

colu

mns

; onl

y tw

o or

thre

e co

lum

ns m

ay

have

ent

ries

with

oth

er to

pic

s.

See

Hea

r

shin

yb

eaut

iful b

row

nsm

oo

th

mm

mm

msl

urp

Touc

h o

r Fe

elTa

ste

or

Smel

l

coo

l on

the

tong

uesw

eet

yum

my

Afte

r gen

erat

ing

sen

sory

wor

ds

and

phr

ases

, g

uid

e st

uden

ts to

cre

ate

the

lines

of a

poe

m

to d

escr

ibe

thei

r top

ic. T

hen

add

the

ridd

le

and

the

answ

er. W

rite

and

dis

pla

y th

e p

oem

to

read

alo

ud w

ith s

tud

ents

. For

exa

mp

le:

Beau

tiful

bro

wn,

Shin

y,So

smoo

th,

In a

spoo

n.I s

lurp

.Co

ol o

n m

y to

ngue

,Sw

eet a

nd m

mm

m, y

umm

y!W

hat i

s it?

Choc

olat

e ice

crea

m!