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CODEGA AWARDS 2018LIGHTINGDESIGN PROJECTS

\ 1LEDinART

The Jury of the Codega Award is composed by qualified expertsof lighting and electronics sectors:

Silvio Baronchelli - President of Assodel

Stefano Catucci - Director of Lighting Design Master at La Sapienza University of Roma

Paul James - Mondo Arc’s Editor in chief

Esther Torello - Lightecture Editor in chief

Francesco Iannone - Lighting designer

Massimo Malaguti - Past director of Univeneto

Fabio Peron - Teacher at IUAV University of Venice

Thomas Roemhild - Professor at the University of Wismar

Maurizio Rossi - Director of Lighting Design & LED Technology Master at Politecnico of Milan

Paola Urbano - Lighting Designer, Co-founder of APIL and Member of its Board

Sponsor:

The CommiteeFor the sixth time, on the 19th October of 2018, Venice

will host the Codega Award - the international recognition

of lighting design excellences and solutions - celebrating the

importance of quality, control and versatility of new technologies.

Promoted by Assodel (the Italian Association of Electronics

Clusters), Phot/IDEA (Int’l Dist of Electronics Association) and

Elint Consortium, the Codega Award is assigned to professionals

for their innovative ideas and their “intelligent” and integrated use

of light.

FOCUS On InnOVATIVE LIGHTInG DESIGnIn the wonderful setting of Ca’ Zen, Venice, lighting designers,

architects and professionals will meet. Apart from the prize-giving

ceremony, the event will host a conference session on “Lighting

controls and new technologies for a revolutionary design approach”.

In the next pages, you will find the List of the candidates of the

1st category (Lighting Design projects): 56 projects from all around

the world. The projects will also be presented at ILLUMINO TRONICA

(Bologna, 29 Nov/1 Dec), the Italian trade show devoted to new

technologies and IoT.

19th oCTober 2018

Codega awards

\ 2 LEDinART

CODEGA AWARD\ PROJECTS 2018ARTEC3 tunateca balfegò /4GRAND SIGTh DESIGNshenzen longgangchuangtou tower /5

GRAND SIGTh DESIGNguangzhou poly yuzhu tower /6

ACTLDla flèche dans les nuages /7

STUDIO DE SChUTTERburg vischering /8

GEORGE SExTON190 s. la salle /9

kSLDscottish parliament debating chamber /10

RAMA MENDELShONfabric hotel tlv /11

ACTLDerasmus bridge /13

DL STUDIOgolden gate bridge /14

ACTLDbrussels airport /x

CANAL LEDparis by night /15

LIChTWERkEgolden edge bus terminal /16

MIChAEL GRUBBmuseo lavazza /17

CLICkONhotel royal hideway /18

BDPwilkins terrace /19

ARTC LIGhT DESIGNdome of guastalla /20ARTEC3dream & nature /21PLANLUx borusan auto /22MARCO PIVAcasa alitalia /23BALDIERInational gallery rome /24

CONSORZIO ELINT

Elettrimpex Lumen

International

The Elint Consortium acts in the SSL

(Solid State Lighting) and Electronics

area to promote products and

applications internationally. Elint is a

member of Federexport-Confindustria

and actively cooperates with

several public Institutions for matters

regarding export.

For information:

segreteria@consorzioelint.it

www.consorzioelint.it

Supplement to n° 2/2018

Elettronica & Imprese

international

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COVER–2-2018.indd 1 09/10/18 16:44

LEDin ART

COLOPhON \

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Editor Laura Baronchelli: l.baronchelli@tecnoimprese.it

Publisher Consorzio Elint Tecnoimprese: LightArt Clara Lovisetti Editorial staff Silvia Anselmi Laura Moccetti

Int’l issue Consorzio Elint Phot

UK Gary kibblewhite Aubrey Dunford

Editorial Consorzio Tecno Scarl office Via Console Flaminio, 19 20134 Milano (Italy) cons@tecnoimprese.it

Web site www.ledlab.it

Marketing Diego Giordani: d.giordani@tecnoimprese.it Administration amministrazione@tecnoimprese.it

Graphic Project Francesco Bonetti: & Production info@realadv.it Printing STCC Roma

\ 3LEDinART

ARTEC3echoes of a land / toreo /25REMMpopulst bebek brewery /26ZNAchina room 33 /27LIChTWERkEboris jelzin presidential center /28ARTEC LIGhT DESIGNwaterfalls riva del garda /29TAMSChICk MEDIA & STUDIOlight cloud /30MATTEO CASINIsyrah restaurant /31LIGhT & STUDIOlightelar /32ZNAhut11a /33SIMONE MIChELIaquatio /34ALBERTO APOSTOLIporticciolo spa /35LIChTSPhEREoffice building /36REMMpur impur /37MARCO PIVA city of light /38LkL - LIChT kUNST LIChTbike square /39EL PRIMER DIA casa mision /40PINBALL R. MORCILLOtriple jet /40MARCO PIVApantheon rome hotel /41LkL - LIChT kUNST LIChTcafeteria dusseldorf /42JPLDdutyfree talinn airport /43LBSA - LUCA SALASparte luz /44MASSIMILIANO MOROcerchiocielo /44

INDEx \

/24

/33

/46

ZNAthe altani collection /45STUDIO DE ShUTTERfull node /46EL PRIMER DIAacanto /46LSBA - LUCA SALASsilver deer /47SOPhyA ACOSTAsiete puertas /47MT ELECTROpalace of arts /48LSBA - LUCA SALAScasa teo /48

\ 4 LEDinART

CODEGA AWARD / PROJECTS 2018

arTeC3 - sPaIN

TuNaTeCa balfegóbarCeloNa

The Balfegó gastronomic project responds

to the need to create a thematic space

dedicated to Bluefin Tuna. Each space

represents either water or ship, and is designed

for the user to enjoy multiple views and interact

with their environment. Working along with the

interior designers and chefs, the goal was to create

different immersion levels of the user with the water

atmosphere. This was achieved by a lighting design

based on dynamic light that resembles the sun

filtered by water, or the different tones of light on a

boat, in order to enhance the gastronomic experience.

The main hall functions as a restaurant, where the

dynamic light receives the diner and invites them

to learn more about the Bluefin through a central

piece: the school of fish, composed of 88 units of

customized LED spots with warm filters (2700k),

placed down the central room, illuminating more

than a hundred-acrylic fish hanging from the ceiling,

forming a circle. With fish swimming in space, and

waves surrounding the scene, everyone is welcome

into an immersive world.

Application: RestaurantLocation: Barcelona, Spain

Date: April 2017Client: Gastro Boutique Balfegó

Interior designer: El Equipo Creativo Lighting designer: artec3 Studio

Photo: Adrià Goula

\ 5LEDinART

The architecture is a container that captures

light, just like a musical instrument captures

music. Light needs a structure that can show

it. ShenZhen LongGang ChuangTou Tower has an

open spatial structure, interspersed with deconstructed

blocks, and with a rhythmical unit form which gives

light the best expression carrier.

The curtain-wall surface is designed with unique

deep windows. With the subtle change of the angle

of the pane sideboard, a natural mechanism of light

reflection is formed.

For the installation, the studio has weighed the

possibility of various schemes through calculation

and simulation. After rethinking, and communicating

with the architects, Grand Sight Design installed

the lights in the grooves on the top of deep windows

(outside the glass).

The anti-glare grilles is added outside the grooves,

and the grilles are customized according to the size

of window frames and the angle of lights, so as to

avoid uncomfortable visual perception. The lights are

arranged and installed according to the mechanism

and rhythm of the architecture itself.

graNd sIgHT desIgN INTerNaTIoNal

sHeNZHeNloNggaNg CHuaNgTou Tower

Location: Shenzen, ChinaDate: July 2018

Lighting Design Team: Yanzi Wang (chief designer),

Xinyu Huang, Hui Ren Photo: Shu He

“like with a musical instrument, light follows the special rhythm of the architecture ”

\ 6 LEDinART

guaNgZHouPoly yuZHu Tower

The lighting design for this project is inspired by Poly’s vibrant

corporate culture. Combining decorative and functional

lighting with elements such as digital words, media contents

and language symbols, the lighting design studio created an

intelligent and high-quality office space aimed for new technology

services.

Using track spot lights to tables and white LED linear strips within

the co-working spaces has a large impact of defining and reinforcing

the open and sharing working environment. Stretch ceiling is neatly

implemented in public conference area to further accentuate a simple

and open communication environment.

Decorative lighting items are co-ordinated with digital and futuristic

elements within the space. Feature wall behind the reception desk is

decorated with a world map assembled by dots of LED lights.

In the elevator lobby, feature wall is lit up by different lengths of

lighting lines as if a circuit board was printed on the wall.

Perforated metal panels are lit from behind within the elevator cab.

These dotted lighting lines resemble digital codes providing a visual

relief to the space.Interactive projectors are set for display walls

within the exhibition area.

In this project, lighting design are in details of dots, lines and planes

to allow for multiple visual experiences within the space.

CODEGA AWARD / PROJECTS 2018

graNd sIgHT desIgN INTerNaTIoNal

Location: Guangzhou, ChinaDate: September 2017Lighting Design team: Hui Ren, Kaixnan Chen, Yao XiaoPhoto: Jossy Lin

\ 7LEDinART

“La flèche dans les nuages” illustrates the

construction period of the spire of the

Strasbourg Cathedral, between the xIV and xV

century. A Story of passion following the steps of the great

characters who marked that era. The public will (re)discover the

different protagonists of this technical, artistic and human tale.

The Spire is one of the most famous and admired architectural

masterpieces of this era, assimilated to a miracle. It is the

craziness of the Man that constantly pushes the limits of the

spirit and the technique that brought the Cathedral to become

an architectural icon of the Middle Ages.

Between symbols and poetry, “La flèche dans les nuages”

explores the drawing techniques of the architect to his wildest

dreams. From dream to reality, the story follows the principal

axes of the narrative:

• The spire from his first sketch to the technical drawings;

• The dream of the architect, the aspiration of the man to

surpass himself;

•The builders of the Place du Château – individually and then

as in ever increasing numbers;

• The builders of the sky and the ascent of the stones to

heaven;

• A heritage forever engraved in the stone and in the sky.

This year, for the first time, ACTLD moved the video

projection from the walls of the Cathedral to the middle

of the sky. They designed an original structure consisting

of a light mesh of 400sqm suspended above the Place du

Château and on which was projected the story of the spire

and the men who built it. An invitation to look up to the sky

and live an immersive experience.

Location: Strasbourg, FranceDate: July/September 2018Installation: La Flèche dans les nuagesPhoto: Frank Baudy, ACTLD

aCTld

la flÈCHe daNs les Nuages

\ 8 LEDinART

CODEGA AWARD / PROJECTS 2018

Burg Vischering is one of the oldest and best

preserved castles in Münsterland, Germany.

The castle was built in the second half of the 13th

century and became the seat of the Droste zu Vischering

Application: Museum - Historic buildingLocation: Lüdinghausen, Germany

Date: 2018Lighting Designer: De Schutter

in cooperation with Duncan McCauleyPhoto: Philipp Oberkircher

sTudIo de sCHuTTer

burg VIsCHerINg

Family. In February 2018, after a year and a half of

renovation, Burg Vischering re-opened its doors.

The overall concept of the exhibition designer, Duncan

McCauley was to show the castle as the main exhibit.

In cooperation with him, De Schutter studio designed

the lighting for both the permanent and the temporary

exhibition.

The lighting design aim was to create lighting that could

only be experienced through atmosphere and not through

visible lighting fixtures. The many custom-made fixtures

combine the newest LED technology whilst blending in

into the historical architecture. This is with the exception of

the knight’s hall, where the chandeliers are eye-catching

and are part of the dynamic lighting that tell the story of

the festivities that took place in this magnificent space.

\ 9LEDinART

George Sexton Associates provided lighting design

services for the grand three-story high lobby spaces at

190 S. La Salle. They worked with krueck + Sexton

Architects and Tishman Speyer Properties to revive this Class-A

office building located in downtown Chicago. Originally designed

by Philip Johnson in the 1980s, the purpose of this work was to

preserve the building’s historic design while finding innovative,

seamless, cost-effective, value conscious, and sustainable

solutions to highlight the interior architecture. The original gold leaf

ceiling was brought to life by integrating LEDs into the cornices. In

addition, the large cast bronze grilles in the main lobby and elevator

lobbies were repurposed into backlit “windows” to balance the

contribution of daylight and enhance the symmetry of the space.

The original decorative fixtures were rejuvenated with modern

satine lenses and LED sources to reduce glare and infuse the

space with diffuse light. The integration of LED lighting in historic

lanterns and grilles involved meticulous detailing and extensive use

of mockups for evaluation of lighting systems. The project was

designed to meet AShRE 90.1-2013 energy code requirements,

with allowed lighting power density of 0.88w/sf (8.8 w/SQ M).

The lighting design provided for the lobby highlights the sculpture

by Anthony Caro, Chicago Fugue, which was inspired by musical

instruments and constructed on-site in 1987.

Location: Chicago, Illinois (USA)Date: September 2017Lighting Design: George Sexton AssociatesPartners: Tishman Speyer Propert; Krueck+Sexton ArchitectsPhoto: Steve Hall - Hall + Merrick photographers

george seXToN

190 s. la salle

“innovative solutions to highlight the historic building”

\ 10 LEDinART

sCoTTIsH ParlIameNT debaTINg CHamber

The Debating Chamber in the Scottish Parliament

effectively functions as aTV studio during parliamentary

business. The brief was to review the current metal-halide

lighting scheme and daylight ingress conditions, aiming to improve

glare and uniformity for the MSPs and broadcasting team.

KSLD decided that the best lighting solution had to include a

custom suspended luminaire, creating soft but high light levels for

broadcasting, while integrating and showcasing the architectural

structure that was previously hidden behind hundreds of pole

mounted spotlights.

The form of the luminaire mirrors the plan-form of the chamber,

and the light extractors within the fitting are graphic figures used

CODEGA AWARD / PROJECTS 2018

Ksld

sdas

Application: Interior lighting - public spaceLocation: Edinburgh, Scotland, UKDate: September 2017Photo: David Barbour

elsewhere in the chamber, reflecting the architectural language of

the building as a whole. The quantity of graphic figures represents

the number of sitting MSPs.

Specially designed frosted louvres prevent direct sunlight

causing problems with broadcasting and improve comfort for

parliamentarians. The spatial arrangement was devised to create

a sense of randomness, but with discernible pattern at specific

angles and homogeneous light for the broadcasting cameras.

A soft, yet high quantity light is achieved, via hidden integrated

LEDs. While a full DALI control system manages lighting for

different functions and times of day.

\ 11LEDinART

The Fabric Hotel is located on a street characterized by

fabric shops, textiles and sewing products and serves as a

“neighborhood salon” of sorts, combining rough industrial

design with warm and colorful furniture and art.

The recently, 43-room, intimate hotel, which years ago was home

to a sewing factory, has been designed in a harmonious and

tasteful manner. From the moment you enter the lobby, the avant-

garde, lively atmosphere reminds visitors of Berlin, and the young

design fits the space like a glove with an air of total relaxation.

The artwork adorning the walls, and Jennifer Abessira’s urban

space inspired collages on the back wall of the reception area

perfectly emphasizes the design concept of the hotel and its

relative location in the city center. Jennifer’s work is accentuated

by adjustable spot lights 2500k LED light. Above the reception

desk custom made “chandelier” from brass tubes with carbon-

look dimmable LED bulbs. The interior design, entrusted to Oren

Bronstein, highlights the contrast between the rough and industrial

design with the warm and calming atmosphere in the rooms.

The attention and thought behind the design elements is apparent

in every corner of the hotel, as evidenced by the beauty of the

combination of colors and textures.

Architect yoav Messer created a red silicate bricks façade

covering the exterior walls of the building, giving it an unusual

texture and simulating the façade of the old sewing factory.

The square-framed windows are constructed of black steel, and

stand out at various distances from the wall, creating an optical

illusion. The variable distances are highlighted by a hidden linear

LED light, also in 2500k to complete the warmth of the red-

brownish façade color by night.

Application: HotelLocation: Tel Aviv, IsraelDate: July 2018Photo: Ronny Tubul & Assaf Pinchuk

rama meNdelsoHN

fabrIC HoTel TlV

“rough industrial design is combined with warm and colourful furniture and art”

\ 12 LEDinART

aCTld

erasmus brIdgeApplication: Urban landscapeLocation: Rotterdam, NetherlandsYear: 2017Client: City of RotterdamPhoto: ACTLD

CODEGA AWARD / PROJECTS 2018

The Erasmus Bridge, designed by architect Ben van

Berkel, is the tallest bridge in the Netherlands (height

139 m) and the most important landmark in Rotterdam’s

skyline since its inauguration in 1996.

With the Erasmus Bridge approaching its 21st anniversary,

the City of Rotterdam and the architects from UNStudio, who

designed the original lighting scheme of the bridge, wanted to

revamp the lighting scheme with the latest LED technology and

dynamic possibilities to perform striking visual effects in mind.

Considering the project as a re-lighting of a light scheme over

20-years old, the whole approach was a challenge by itself, as

neither the original concept nor positioning of the fixtures could

be modified. The intention was to re-think the original lighting

scheme and translating into a full LED solution, while keeping in

mind three main elements: 1. reservation of the original lighting

concept and the appearance of the bridge; 2. night sky friendly;

3. reduced energy consumption and maintenance.

Cooperating with the architects, ACTLD worked out a full

dynamic RGBW solution, that not only respected the original

appearance, especially for the whites, but recreated a new

installation with added value: an open and flexible dynamic

installation, with a great variety of scenarios, better color

rendering, better performance and increased output, even with

less energy consumption (-17% from the original scheme).

\ 13LEDinART

sTudIo dl

goldeN gaTe brIdgeroTTerdam

The Willemsbrug in Rotterdam is one of the city’s three

large bridges, alongside the Erasmusbrug and the Van

Brienenoordbrug. The 356 meter long cable-styed bridge,

designed by Cor Veerling architects, crosses the river Maas.

It is a symbol of modern engineering art: clear, functional and,

with its red-painted steel structure, in direct contrast to the white

Erasmus Bridge. Because of its color and shape, the nickname

“Golden Gate Bridge of Rotterdam” established.

As a guiding idea for the lighting design, the two neighbouring

bridges should stand next to each other as a family with

independent but not competing characters. Whilst the shape

of the Erasmusbrug in nighttime is pointed out mainly by

its illumination of the steel cables, the illumination of the

Willemsbrug willingly waives this element while focusing on the

body. By doing so, the two bridges enter into a dialog.

An essential feature of the Willemsbrug is its red color, to

extend this color to the night time impression was a crucial part

of the lighting design. This is done by specially for this project

developed LED elements consisting of red and white LEDs, that

can be controlled separately. Due to this technique the light color

can be adjusted and the color shifting, caused by the ageing

process of the surface coating, can be negated. A LED-Line all

along the horizontal bridge deck is connecting both river banks

and creates a red glowing stripe over the river Maas.

The main idea and different variants had been visualized in

3D-Models, this process helped communicating the design and

supported the decision making process.

The Lighting Design is based on modern planning tools, that

make this illumination very sustainable in an energy efficient and

ecological manner, causing minimal light pollution. Studio DL

accompanied the implementation planning and the realization

process, making sure to achieve the best possible design and

desired quality.

With the illumination of the Willemsbrug, the lighting designers

have created an object that not only underlines its independent

character at night, but also blends harmoniously into the city’s

nocturnal silhouette without entering into direct competition with

other important buildings.

Application: UrbanLocation: Rotterdam, NetherlandDate: June 2018Photo: Midi010 Fotografie

“a modern lighting which underline the independent character of the bridge at night”

\ 14 LEDinART

CODEGA AWARD / PROJECTS 2018

aCTld

brussels aIrPorT

Location: Zaventem, BelgiumYear: 2018Client: Toerisme VlaanderenPhoto: ACTLD

A 30,000 pixel and kinetic effect sculpture has been

designed and installed at Zaventem airport in Brussels,

above the main travellator leading from the jetway to

the baggage claim hall.

The main purpose of this realization is to invite the passengers

landing at Brussels Airport to discover the region of Flanders

through a dynamic media installation, immersing the passerby

into a world of visual imaging and lighting.

The floating sculpture emphasizes the strong perspective of the

main corridor’s axis, making the travellator the perfect spot for an

immersive experience.

The animated ceiling installation is 70 m long, combining low/

medium resolution LED strips and 4 panoramic high-quality video

panels, fitted above a special kinetic fabric. A loop of content

runs 24-7 in this demanding environment, giving all passengers

a glimpse of what they can expect and do in the region.

Literal content appears on the main video panel displays

while more abstract animations run through the length of the

installation. The animation of abstract surfaces follows the

dynamics and graphics of the video, so it looks like ‘extensions’ of

the content itself; retaining same color, tonality and continuity.

The kinetic fabric that covers the installation was an important

element to illustrate the travelling and immersive effect by

creating an interesting linear deformation.

ACTLD treated the whole sculpture as a graphic landscape of

lights, with different sensations in depths and compositions.

The challenge of keeping the installation flexible in a space that

has a lot of safety constrains to respect, directly impacted the

design, resulting in different modular facetted elements that are

forming the sculpture.

“an immersive installation: a 30,000 piXel and kinetic effect sculpture to capture passengers”

\ 15LEDinART

CaNal led

ParIs by NIgHT

Location: Paris, FranceDate: June 2018

Lighting Design: Fabrice Azoulay - Canal LEDPhoto: Fabrice Azoulay, Roland Bourguet

The MIS (Maison Internationale de Séjour) has a

dual purpose. It welcomes young people, students

or apprentices, for short stays. But outside, its

façades respond to a second mission of embellishment,

communication and permanent creation...

Parisian residents or tourists who pass by, or on the ring road

highway, must have a new vision of the city at night.

The brief was to satisfy the demands of the Mayor on his vision

of urban lighting and the dynamism of the neighborhood.

For all these reasons Canal LED created a revolutionary

system: according to the news, the weather or the imagination

of the designer, the façades of the three buildings can change

colors or effects. They can repeat the same message, or variant,

each developing specific information, as they can simply

reproduce predefined images.

Everything can be changed remotely and live, which allows the

studio to respond quickly to requests for new visuals.

In all, no less than 153,984 LEDs illuminate the façade of the

MIS. Never in Europe had a building owned so many of these

lights outside. The large illuminated area (1,025 m2, a “screen”

about 58m long and 18m high) makes the lighting of the MIS a

unique project.

From their conception, the MIS have been equipped with a

second glass skin. Their skeleton was made up of clear walls, so

as to privilege the transparency, and to bring out the soul of the

construction. The outer epidermis consists of 284 rectangles of

glasses, all surrounded by LEDs profiles. The way to place leds

gives a rendering worthy of a screen, proposing lighting effects

never seen in Europe.

All these LEDs are controlled by a server. Each profile is

equipped with pixel led strip. So that collectively or separately,

they can be controlled to serve all imaginations, whether in

terms of lighting intensity, or choice of colors...

\ 16 LEDinART

Recently, Gummersbach has its long-desired

representative entrance area into the city, whose

architectonical character is predominated by a gold

radiating roof structure.

In the course of the planning the old station building was

new painted and the bus station was displaced there. The

architects’ office of pape+pape architects from kassel

planned a 130m long and 10 to 25m wide roof. The roof is

made of a polygonal folded corpus - developed from the

broken structure of the boulders in the surrounding area -

which follows the slight curve of the railway.

Its surface shine apparently golden created by the covering of

aluminium bronze shingles.

The structure is characterized by the lighting of the golden roof,

which not only emphasizes the architecture, but also provides

the necessary lighting. This is done via two parallel-running and

diffused LED light strips in the central axis above the vertical

slices. This is complemented by warm white roof recessed

downlights, which illuminate the bus segments, ramps and

stairs, with a powerful light and a narrow cone of light.

The effect: the light bands create a radiant, almost embedding

environment in which the light hotspots create a certain

dramaturgy. In addition, the impression arises that the light on

the underside of the roof comes from the strong light of the

spots, because the light bands are arranged so high that one

can not see where this light actually comes from.

CODEGA AWARD / PROJECTS 2018

lICHTwerKe

goldeN edgebus TermINal

Location: Gummersbach, GermanyDate: May 2017

Lighting Design: LichtwerkeArchitect: pape+pape architekten

Electrician: Patrick SkarneckPhoto: Lucas Roth

“the light bands create a radiate environment”

\ 17LEDinART

mICHael grubb

museo laVaZZa

Application: Museum Location: Turin, ItalyLighting Design: Michael Grubb StudioExhibition Design: Ralph Applebaum Associates (RAA)Date: April 2018Photo: Andrew Lee

Museo Lavazza is a sensory journey through global

coffee culture, explored through the 120 year

story of the Lavazza family.

Michael Grubb Studio provided lighting design for the exhi-

bition, working with multi-award winning exhibition designers

Ralph Appelbaum Associates (RAA) to create a series of

highly immersive and emotive experiences.

The journey begins with a homely welcome into the 19th

century roots of the Lavazza brand, followed by the fascinating

production process, where visitors can smell, touch and taste

the alchemy of coffee production “from bean to cup”, the ri-

tuals and traditions of coffee making, and the fabulous creative

collaborations which make Lavazza culturally distinct.

Museo Lavazza has five galleries, or ‘worlds’, each with its

own style and theme: 1. Casa Lavazza, a cosy environment

dedicated to the company history; 2. La Fabbrica, devoted

to the process of blending, roasting and packaging Lavazza’s

coffee; 3. La Piazza, an iconic celebration of the coffee

rituals which unite us all; 4. L’Atelier, a room documenting

60 years of Lavazza’s creative collaborations with artists and

designers; 5. L’Universo, a 360-degree multimedia space

that engulfs visitors in clouds and a boundless midnight blue

sky... a celebration of the Lavazza “Universe”.

\ 18 LEDinART

CODEGA AWARD / PROJECTS 2018

Aesthetic sensitivity, individual attribution of meaning

and personal attitude depend on our visual perspective.

Should we change our emotional or geographical standpoint, the

temporary perception likewise changes and thus our interpretation.

Gestalt psychology confirms that the basic shapes of circle,

rectangle and triangle serve as mythologically and metaphysically

evocative anchors of interpretation, allowing us to grasp and

structure the complexity of our environment. The light installation

developed by Studio De Schutter, in partnership with Döllken

Lighting, is based on this concept and plays simultaneously with

the complexity and simplicity of our perception and the multi-

facetted reality that surrounds us. It sees itself as a trigger for a

change of perspective and calls for the tracing and disintegration of

our cognitive dissonances.

sTudIode sCHuTTer yPoV

ClICKoN

HoTel royal HIdeaway Corales suITes

Now more than ever the unique experiences that come to us through

the senses have taken a big role thanks to social networks. To all

the traditional concepts that are sought in a hotel we have now to add the

search for “instagrammable” experiences, that fill our senses. The hotel

must be seen in this sense, considering the rocky environment of Tenerife,

the architecture of Leonardo Omar and the interior design of MKV.

The hotel is divided into two blocks: 1. a familiar one, with the Oliva

restaurant, where a more open lighting with striking decorative lights was

used; 2. another block for adults where the Spa and restaurants Maresía,

San ho and Nao Atlántico are located, with more closed lights.

In all the restaurants DALI has been used to adapt the lighting to the uses

of the spaces maximizing the customer experience at all times.

Location: Frankfurt, GermanyDate: March 2018

Installation: Your point of view - YPOVLighting Design: Studio De Schutter

in partnership with Dollken LightingPhoto: Sebastian F., Genius Loci

Application: Hotel and restaurantLocation: Costa Adeje, Tenerife, SpainDate: February 2018Lighting Design team: Emilio Pellejero Silva, Rafael Gavira Cabrera - Clickon StudioPhoto credits: Barcelo Hoteles-iGuzzini

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The warm candlelit appearance of the evening setting opens

onto the terrace where low level accents within the stairs form

a large indirect reflector, balancing the contrasts of interior/

exterior. Graduated changes of soft wash and sharp accent

gives emphasis to task spaces. These accents were used to

build the visual plane, allowing traditional light levels to drop to

very low levels just above 1 lx.

The most important aspects for the multi-tiered Wilkins

Terrace were legibility, orientation and connectivity. Low level

lighting is interwoven with the architecture and lighting façades,

accenting stone reveals and building up a presence of light

emanating from the materials with no down lighting or visible

light fittings and a total absence of glare.

Customer: fdsfeLighting Design: dsfsPhoto credits:

The brief was to create an attractive new social space

for staff and students but also to provide routes to

surrounding spaces to better connect the Blooms-bury

Campus. The Refectory was light locked so BDP made the

ceiling plane porous to orientate the spaces and potential uses

to daylight or night time. Another layer was added to enable

the space to function as a bright canteen in the morning, for

meetings in the afternoon and for functions in the evening.

wIlKINsTerraCe

bdP

Location: University College London, UK Architect: Levitt Bernstein ArchitectsElectrical Install: MSLLighting Design team: Colin Ball, Lora Kaleva - BDPElectrical / Mechanical Services: Clare Reinhold, BDPDate: August 2017Photo credits: Ben Blossom; Tom Niven

“legibility, orientation and connectivity are three main aspects of this lighting design project”

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CODEGA AWARD / PROJECTS 2018

arTeC lIgHT desIgN

sT. PeTer’s & Paul’s CaTHedral IN guasTalla

The brief was to find a way to enhance the

perception of both the beautiful architecture and

the artworks, without seeing any lamp. At the

same time to light up the artworks with the maximum color

rendering and uniformity, without any reflection, and to save

Location: Guastalla, Italy Year: 2016/2018

Photo: Artec Light Design

energy and maintenance costs. In the project, Artec Light

Design used high quality LED lamps only, all controlled

by a DMx-RDM memory desk in order to create the most

suitable lighting scene for every liturgical event. The project

used 210 lamps for a total maximum power of 4,8kW.

\ 21LEDinART

arTeC3 - sPaIN

dream & NaTure

arTeC lIgHT desIgN

sT. PeTer’s & Paul’s CaTHedral IN guasTalla

Location: Catalan Pavilion - Biennale di VeneziaInstallation: Dream & NatureDate: From May to November 2018Client: Institut Ramon LlullLighting design: Artec3 Studio Barcelonain partnership with RCR Arquitectes

The project of the Pavilion of Catalonia at the

Biennale di Venezia is based on a recurrent idea by

RCR Arquitectes to represent their dream of nature.

A world of dreams that comes from La Vila in Olot, an new

experimental laboratory for architecture, and is presented as

an exhibition made exclusively for the biennale.

In the pavilion, the abstraction generated by light, the

enveloping plastic material and hundreds of hanging Fresnel

lenses, aim to immerse the visitor in a sensorial experience in

which the limits of the space are blurred. Light projections and

graphical representations on some of the lenses, reveals

the most intimate universe inhabited by Rafael, Carme and

Ramon, 2017 Pritzker winners. The lighting design generates

a dreamlike atmosphere. As the light interacts with the plastic

materials and lenses, it creates multiple effects and light

densities throughout the different exhibition zones, immersing

visitors in an ambience that strengthens the architectural

concept.

“the lighting design generates a dream-like atmosphere”

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CODEGA AWARD / PROJECTS 2018

PlaNluX

borusaN auTo

Location: Istanbul, TurkeyDate: March 2018Lighting Design: Planlux - Korhan Sisman, Gorkem EnginClient: Borusan Automotive A.Ş Architect: Arkzon Architecture Interior Architect: 2B Dezigned Façade Designer: Werner Sobek Photo: Korhan Sisman

The lighting concept development of Borusan

Auto started off by heading to the TEM

highway and analyzing the building’s surrounding

environment. The main approach to the lighting design

concept was what one can perceive at a glance while

passing close to the building along the highway. Planlux

was responsible for the lighting design project.

At the entrance of the BMW showroom, people are

greeted with a highlighted car; then, there is a 9-meter

high volume split into two, with one half being a gallery

space filled with cars, and the other half providing a

mezzanine floor, where the office spaces are located.

The gallery space spans continuously for 130 meters

along the whole width of the building. The continuity

of mezzanine floor along this span helps the observer

perceive interior volume both internally and externally,

for that reason it was important to emphasize the

contours of the mezzanine floor with light.

The filigree textile façade designed and engineered by

Werner Sobek creates an exciting visual contrast in

juxtaposition with the concrete texture of the building.

A highly transparent glazed façade between the textile

and the concrete surfaces further underlines this visual

effect and contributes to the building’s lightweight

appearance.

In the showroom, the use of the lights and their

technical specifications were already set by BMW

standards. After analysing the needs of the building,

Planlux found it was best to switch to LED lighting.

\ 23LEDinART

Casa alITalIamarCo PIVa

hospitality, organization, comfort, style and emotion are

the key words from wich the lounge project stems. The

lounge is a new way of welcoming passengers, featuring

a light that conquers space without invading it and solutions that

play with beams, dynamic LEDs and precision optics.

The concept of Casa Alitalia project by Marco Piva Studio in

Rome Fiumicino, inaugurated in June 2018, was to create an

environment with a homey feel rather than of a public space,

with areas arranged like a house. In Casa Alitalia a large doorway

leads into an Italian building, a passage that takes guest from the

chaotic airport environment into a calm, sophisticated space.

The lighting has been designed to enhance the quality of the

materials and the colors of the spaces. A punctual and modular

use of light sources, the contrast between different materials

and Made in Italy furnitures have been chosen to guarantee

quality and durability as well as beauty and harmony.

A taste of the Italian lifestyle offered to international travelers.

Application: Public spaceLocation: Rome, Italy

Date: June 2018Client: Alitalia

Architect & Lighting Design: Marco Piva StudioSite Area: 1.000 sqm

Photo: Andrea Martiradonna

“a calm, inviting and sophisticatic space to welcome travellers in a perfect italian way”

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CODEGA AWARD / PROJECTS 2018

The scope of the lighting project was to update an old

lighting system with metal halide lamps.

The request from the Director of the Museum was to

have a diffuse light on the artworks with no specific accent.

The Baldieri Studio used, on the existing tracks, LED spot

light with different power and lenses to achieve the best

beam to spread the light over the paintings. The light level is

controlled by an onboard dimmer, the LED source is 4000k

to better match the daylight big skylight. The CRI used is >95

with very a high score on the R9.

According to the exhibition layout where the statues look at

the paintings, like a normal visitor, the Baldieri Studio had to

use a stage lighting technique to emphasize the sculputures

and avoid any glare to visitors.

baldIerI lIgHTINg desIgN

NaTIoNal galleryof moderN arT Application: Museum Location: Rome, ItalyYear: 2017/2018Photo: Luigi Filetici

\ 25LEDinART

The lighting design for the Mexican Pavillion in the Venice Biennale seeks

to communicate, in a subtle and precise way, the curatorship of this

year: Echoes of a Land. It explains three realities: the complexity of the

Mexican territory, its devastation due to natural causes and some examples

of contemporary Mexican architecture.

The essentiality of the pavilion was filled with contents with imprint through

the ordered placement of vertical tectonic elements of worked stone murals

that explained the three conceptual realities. The pavilion also included more

sensitive elements. On one hand, sounds from Mexico that were heard

through headphones placed on a bench and illuminated by LED strips.

On the other, three pieces of light art that brought light and color from

Mexican architecture.

Location: Biennale, Venice Date: May / November 2018Photo: Santiago Arau, Roberta Ferreira, videodocumentationproject/ INBA

arTeC3 sTudIo - meXICoeCHoes of a laNd

ToreoThe Toreo office project proposes a study process of

lighting in a building in an “unfinished” way. The common

areas are not intended to have excessively differentiating

finishes, but to maintain an industrial aspect, to give a spatial

continuity and a contemporary air to the place.

A special approach to lighting design was proposed where

only the common areas would be illuminated and the rest

of the floors would be areas of penumbra. Together with

the architects, it was understood that this luminous object,

in its repetition or orderly distribution, had to go through

the common areas of the building in its horizontal or even

diagonal shapes.

arTeC3 sTudIo - meXICosd

Application: OfficeLocation: Mexico City, MexicoDate: April 2017Size of Project: 25,000sqmWatts/m2: 10.35W/m2

Photo: Enrique Macias

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CODEGA AWARD / PROJECTS 2018

remm

PoPulIsT bebeKbrewery

The Populist Bebek brewery in Istanbul is located in one of the

most sophisticated neighborhoods of the Bosphorus. With a

refined and dreamlike appearance, lighting uses a scenographic

language of contrasts, allowing the focal points to emerge from

darkness and highlighting the richness and textures of the materials.

The Beer Dream Machine is the main character: a sculptural piece that

simulates brewing beer and entertains the viewer with its dynamic

lighting. The BDM provides a warm and softly diffused ambient light

through its tanks and bubbles.

For the architectural lighting of tables and bars, very defined optics

are used, in order to provide the necessary light levels in well-defined

areas. Light plays with contrast, establishing clear visual hierarchies and

enhancing the different materials and textures. Tables are illuminated

with black LED projectors, which remain completely unnoticed on the

dark ceiling background, and with cylindrical suspension luminaires.

Above the bars, low glare recessed downlights with refractive lenses

are installed.

Location: Istanbul, TurkeyDate: April 2018

Project Authors: Lagranja Design for companies and friends

Lighting Design: reMM Lighting Design StudioPhoto: Ali Bekman

“lighting usesa scenographiclanguage ofcontrasts”

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ZNa

CHINa room 33

remm

PoPulIsT bebeKbrewery

Sir Joseph hotung Gallery at 115 meters in length

is the longest gallery in the British Museum and

displays its collection of Chinese and South Asian

antiquities. ZNA delivered a scheme to show the beauty of

the classical architecture and scale, creating a real sense of

wonder on entering the gallery.

The central area around the oculus accommodates large

groups of visitors that assemble before being led through

Application: MuseumLocation: British Museum,

London, UKDate: November 2017

Lighting Design: 2NADesigners: Nissen Richards Studio

Photo credits: Roger Spooner

the gallery. This area is characterized by a brighter atmosphere.

ZNA developed a strategy to control natural light with window

screens, to keep the airy and open ambience, but reduce the

amount of glare around the window bays allowing more focus to

the displays, giving clear priority to the objects in the visual field.

Luminance levels also had to adhere to conservation constraints

so that in some bays works on paper could be displayed that had

never had a place in the gallery previously.

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CODEGA AWARD / PROJECTS 2018

lICHTwerKe

borIs JelZIN PresIdeNTIal CeNTer

On the media façade of the Boris Jelzin Center, light design

meets advanced technology of a LED media façade. It

includes more than 2.600sqm with a width and length

of 100 to 60m and a pixel pitch fo 100x100mm. All video pixels are

installed in IP67 aluminium profiles in horizontal position and have a

substructure with a distance of 5mm to the upstream sheet metal. T

he Lichtwerke studio has planned and implemented the whole media

technology which was necessary to perform flicker-free on screen in a

level as high as possible in 4k hD quality.

The basis of all the media content production are 5 overriding topics:

1. architecture - The architectonical topics follow up interalia with the

confrontation of the existing vertical and horizontal architectonical lines

of the building complex as well as with spatial 3D interpretations.

2. nature - there will be handled landscape images, besides cloud,

rain, ice and snow crystal phenomena.

3. urban space / 4. art - The thematic field culture & art interprets

regional motives of native, old embroidery art and ornamentation.

5. culture - The pleasure of drinking tea is a ritual indispensable in

the Russian nation. The studio filmed with a high speed camera the

discoloration of hot water when dipping a tea bag to reproduce it on

the façade.

Location: Ekaterinburg, RussiaDate: July2017Photo: Werner Huthmacher

\ 29LEDinART

arTeC lIgHT desIgN

waTerfall IN rIVa del garda CaVes

To find lighting ideas supporting the natural beauty of

the place, without becoming too intrusive and without

overcoming the natural environment.

To make the lighting intensity and color of every lamp

independently changing through as many hues as possible, by

a DMx-RDM control system, making the perception of both the

caves and the waterfall changing as well. One of the purposes

was to hide wherever possible the lighting fixtures, despite the

very difficult environment, making their effect almost “magical”.

Another aim was to take care of the installing positions, in

order to avoid any glare for the visitors, and to make easier the

installing/maintenance works and the cables paths.

Artec Light Design used high quality IP67/68 LED lamps only, in

order to minimize the maintenance in very difficult positions, often

under falling water.

The final results:

• 89 lamps for a total maximum power of 3,5KW.

• The final lighting sequence, controlled by a remote DMX-RDM

memory system, was as smooth as stunning.

• Lighting offers a deeper and wider perception plane, making the

place really magical.

• The visitors increased of about 40% from the first re-opening

weeks.

Application: natural environmentLocation: Riva del Garda (Italy)

Date: 2017/2018Photo: Artec Light Design

“light makethe place magicleaving visitorsastonished”

\ 30 LEDinART

CODEGA AWARD / PROJECTS 2018

TamsCHICK medIa& sPaCe

lIgHT Cloud

Inside the new Merck Innovation Centre

in Darmstadt, Tamschick Media + Space

transforms created a large-scale light and sound

installation. Located in a mirrored atrium linking

two buildings, the light and sound sculpture is

composed of 576 organic light-emitting diode

(OLED) panels, and sensors which create an

intelligent system interacting constantly with

people moving through the space. Eighty-five

interactive scenes create a synaesthetic cosmos

in which ideas of connected-ness, innovation and

collaboration can be experienced.

Creative Direction: Marc Tamschick Art Direction/Design: Petra Trefzger, Riccardo Torresi

Client: MerckLocation: Darmstadt, Germany

Date: 2018Photo: Tamschick Media & Space

Amount OLEDs: 576Manufacturer OLEDs: OLEDWORKS

Material of Splines: 3D bended steel with glossy powder coating Total luminous flux: 144.000 Lumen

Power consumption: 3,110 WattNumber of audiovisula modes: 85

Space: walls and ceiling mirrors, doors coated with spy foil

\ 31LEDinART

maTTeo CasINI

syraH resTauraNT

The Syrah Restaurant together with the surrounding

vineyards, located in Montecarlo (Lucca, Italy), is the

core of this lighting design project. The Syrah,

a sinuous grapevine leaf made of glued-laminated wood and

glass, is also the entrance to the new Buonamico Wine Resort.

The particular Syrah architecture and the environment around

have led to a specific approach. It was necessary to deal with

a building under construction, hard to any form of intrusion by

electrical systems.

The interior lighting design aims to recreate a cosy atmosphere

through a fine-tune light at the tables, arranged in a space

dominated by a 6m high wooden shaped roof with large

beams and surrounded by continuous glass windows, avoiding

flooding the surfaces with light.

Small accents of light help the vision of the structure,

enhancing it without becoming too oppressive. Six different

pre-set lighting scenarios allow to vary the mood according to

the use during the day. The exterior design aims to create a

dialogue with the surrounding context and with the Montecarlo

bell tower view without disturbing the balance of the location,

integrating itself in the panorama. On the restaurant terrace,

the lighting fades to low illuminance levels becoming a perfect

link between the interiors and the vineyards. Indoor and

exterior are harmonized creating a continuity of language.

The interior lighting concept aims to ensure a sense of well-

being at the restaurant by recreating the right atmosphere

and a good comfort lighting. In terms of product design, it

was decided to give continuity to the cylindrical volume of

the elevator around which all the spaces are developed; its

elementary geometry becomes a characterizing element

for the lighting of tables and counters where is required a

well-defined direct light. The exterior lighting concept looks

for concordance and dialogue between the building and the

surrounding environment. The internal volume, visible from

every angle, is emphasized defining the surrounding context

only with accents of light. The structure is highlighted by light

blades, while the terrace is bordered by a luminous horizon.

01 02 03

04 05 06

01 - ALL ON MAXIMUM LIGHTING SUITABLE FOR PARTICULAR EVENTS IN WHICH LOT OF LIGHT IS REQUIRED 02 - SOFT 03 - RELAX LOW LIGHTING SUITABLE FOR DINNER RECREATING A

COZY AND RELAXING MOOD

04 - LOUNGE ACCENT LIGHTING ON THE BAR AREA AND ON SOME DETAILS IN THE SURROUNDING ENVIRONMENT 05 - DAY TO BE USED DURING THE DAY TO ENLIGHTEN THE VERTICAL

SURFACES THROUGH THE LINEAR LED LIGHTS 06 - NIGHT NIGHT LIGHTING FOR THE GUESTS OF THE WINE RESORT

LIGHTING SCENARIOS LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING 100 100 100 100 100 75 50 75 100 100 100EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON

LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING 75 75 75 100 75 75 50 50 100 75 75EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON

LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING 50 50 50 75 50 50 25 50 75 50 50EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON

LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING 75 100 100 100 100 25 75 75 100 75 25 EXTERIOR DOWNLIGHT: ON RECEPTION DOWNLIGHT: ON

LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING -- -- 100 100 -- -- -- -- 75 75 --EXTERIOR DOWNLIGHT: OFF RECEPTION DOWNLIGHT: ON

LUM. GROUPS 01 02 03 04 05 06 07 08 09 10 11DIMMER SETTING 50 -- -- -- 50 -- 25 -- 25 50 --EXTERIOR DOWNLIGHT: OFF RECEPTION DOWNLIGHT: OFF

MEDIUM LIGHT SUITABLE FOR DINNER RECREATING A VIBRANT MOOD

DIMMER VALUES: 100 = 100% lLUMINOUS FLUX

DALI LUMINARIESGROUPS

GROUP 01: ENTRANCE GROUP 02: BAR GROUP 03: KITCHEN GROUP 04: LINEAR LIGHTS GROUP 05: TABLES 1

GROUP 06: TABLES 2 GROUP 07: TABLES 3 GROUP 08: TABLES 4 GROUP 09: ROOF TOP GROUP 10: STAIRS GROUP 11: GENERAL

buonamico

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LIGHTING CONCEPT SKETCHES, LIGHTING SIMULATIONS (DIALUX EVO 7), LIGHTING SCENARIOS SETTINGS - SYRAH RESTAURANT, M

ONTECARLO (LUCCA, ITALY)

Application: RestaurantLocation: Montecarlo, Lucca, Italy

Date: May 2018Lighting Design: Matteo Casini

\ 32 LEDinART

Lightelar is a tribute to the thousands of artisans who have

passed through the looms of the Royal Tapestry Factory of

Madrid. Light & Studio illuminated different areas of the

factory for their new use as a co-working space.

Lightelar was created to build a bridge between tradition and

innovation, between the old and the new; the tapestry factory

that has been working since 1721 and the co-working space for

innovation companies that was recently launched.

The design is based on more than 200 meters of opalescent

methacrylate tube installed at different heights to create those

crosses that remind us of the tapestries that are being woven

in the rooms next door. The tubes are traversed inside by digital

LED strips controlled point by point to make different scenes and

paths with light. By means of 3 controllers of 64 universes each

connected to a software that launches the images in real time.

The programming is integrated into a control system with a

personalized graphical interface to facilitate the control of the

digital LED and merge it with the rest of the conventional lighting

lIgHT & sTudIo

lIgHTelarreal fabrICa

de TaPICes

and the audiovisual room. This allows to create synchronized

shows with the audio, video, digital LED and DALI lighting of the

room that enables users to handle, through a touch screen, both

the digital lighting and the rest of the lighting in the room.

More than 50 scenes have been created between fixed and

dynamic, many of them inspired by nature, plus a dynamic scene

in which a loom is woven using the most employed colours in

the last 300 years of Factory life.

Location: Madrid, SpainYear: 2018

Lighting Design: Light & StudioPartner: Technology Insight S.L, Volumetricks electronics, Trison

CODEGA AWARD / PROJECTS 2018

\ 33LEDinART

ZNa

HuT11a

hut 11A, the bomb breakthrough, is a permanent exhibition at

Bletchley Park and tells the story of the Bombe machines.

One of the highlights of the gallery is to be like a full scale,

working, replica Bombe: a graphic design language of diagrams,

infographics and new touchscreen applications sit alongside digital

interactives and replica components, allowing the visitor to follow in

the footsteps of a Bombe operator and get hands on with the bombe

machine.

ZNA worked closely with the designer Nissen Richards Studio to

develop a lighting strategy that was coherent with the design intents

Application: MuseumLocation: Bletchley Park, Bletchley, UKDate: March 2018Lighting Design team: Zerlina Hughes, Dogaun Kozan, ZNA Studio Photo: Gavriilux

and to realize a lighting scheme that could enrich the visitor

journey, punctuating the rhythm of the space and at the same

time giving maximum focus to the displays whist adhering to strict

conservation lux level on some of the more vulnerable objects.

The hut itself is a Listed heritage Building and so ZNA could

not make incisions into the building structure and the original

suspended fittings needed to be retained. ZNA specified dimmers

and used these at low intensity to create an ambient glow as a

constant in the space. Along with the designers, ZNA developed

a freestanding structure to carry all lighting equipment and cables

inspired by the diagrammatic quality of early circuitry. This also

carried the graphic content to seamlessly integrate linear lighting

details as well as micro spotlighting all fitting used were latest

LED technology. The studio used a control system to add drama

and dynamism with spotlights being activated by action and

dynamic linear lighting pulsing from one area to another to lead

the visitor through the exhibition.

“an intelligent systemwas used to add drama and dynamism”

\ 34 LEDinART

sImoNe mICHelI

aquaTIoCaVe luXury HoTel & sPa

Location: Matera, ItalyProject developer: Architect Simone Micheli &Architect Cosimo dell’AcquaInterior design and lighting design: Architectural Hero Simone MicheliVisual Design: Roberta Colla MicheliPhoto: Jürgen Eheim

Aquatio it’s a charming new 5-star hotel that brings the

unique experience of a relaxing break in one of the

world’s oldest cities: Matera. The story of Aquatio -

Cave Luxury Hotel & SPA begins with a drop of water; a simple,

pure, incessantly cascading element which shapes matter and

forms spaces, furnishings and the structure as a whole.

The purity and sinuous lines of a drop of water inspired the

design during the creation of interiors and furnishings, and his

development of an expertly captivating lighting system.

Opened in 2018, the hotel occupies a unique position in the heart

of Unesco’s Sassi World heritage site. The hotel rooms, bars and

external areas cover an overall area of 5,000 sqm.

Inspired by the flowing of water the lighting system is fundamental

to shape the ancient stone of Matera Sassi site.

The only source of lighting are spotlights (3 watt, 3000k and 10°

of opening each) recessed into the flooring. Their light goes from

below to the walls creating games of shadows among the space.

Ceilings become reflecting parabolas which are able to multiplies

perspectives and involve the observer as the centre of a system.

The lighting scenographic design is based on a new, contemporary

conception of luxury. It does not mean “opulence” but sustainability

of medias, tools and material.

A deep use of light in a wellness and hospitality structure drove its

design creating a place where people feel comfortable and welcome.

CODEGA AWARD / PROJECTS 2018

\ 35LEDinART

The plant design had to pursue the efficiency and reliability

of the chosen solutions with particular attention to the

rationalization of traditional energy sources and their simplicity

of management and maintenance. Alberto Apostoli Studio has

therefore chosen to provide the structure with solutions that are

attentive in energy saving.

alberTo aPosTolI

PorTICCIolo sPa

In April 2017 the new SPA of Portopiccolo was

inaugurated enriching the luxury offer of this elegant

karst stone village a few kilometers from Trieste.

The concept concerns three levels, plus a basement

dedicated to parking and service areas, for a total surface

of 3,600 sqm.

The project idea wanted to support the genius loci of

the cliffs overlooking the sea, alternating the stone with

natural colors and the transparency of the glass.

This solution allows to lighten the structure, merging

it with the surrounding gulf context and opening to

its guests breathtaking views. The focus on wellness

permeates the entire structure, starting from a more

collective dimension, on the ground floor, and closing

itself more and more to intimacy as the floors rise.

Location: Sistiana (TS), ItalyDate: April/May 2017Lighting Design: Alberto ApostoliPhoto: Franco Matiussi, Matthias Parillard, Lorenzo Crasnich

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lIgHTsPHere

offICebuIldINg HardTurmsTrasse

T

he office building in Zurich West on the hardturmstrasse

is a building under heritage protection, which today hosts

a dynamic hub of architects, designers and young creative

professionals. It was built in two different phases, back in 1952

and 1964 – a heyday of industrialization of Zurich. The renovation

aims to enhance the visibility of the building in the existing urban

environment, to provide a better orientation for the visitors,

bringing back the radiance and industrial character of the building.

Collaborating with Marazzi-Paul Architects and PSP Real

Estate, lightsphere created a uniform language throughout

light: providing a diffuse pleasant general illumination, choosing

premium-quality materials for finishes, optimizing visible cabling

and multiple fragmentation of elements on the ceiling, by

integrating sensors and accessories into luminaires, were some

of the strategies employed. The strict conditions imposed by

the heritage protection were critical; no changes of the existing

electrical infrastructure were allowed. Moreover latest energy

regulations require the addition of sensors and emergency light in

the building. For this reason, bespoke luminaires were designed

in collaboration with lighting manufacturers, to ensure a clean and

neat ceiling appearance, by integrating sensors and emergency

lighting into the body of the luminaires. Lightsphere created a link

between the four different cores of the building, stimulating the

imaginary through a light graphic approach, by the use of circular

shaped, unique luminaires per floor.

The splendor of the new brass handrail, meets the luminaire’s

finishes, adding value and a representative touch to the entrances

and the staircases.

Location: Zurich, CHDate: 2018

Client: PSP Real Estate Architects: Marrazi PaulLighting Design team:

J. Hartmann, C. Sigillo, M. Heilgeist - Lightsphere

Photo: J. Bachmann

remm

Pur ImPur

CODEGA AWARD / PROJECTS 2018

“luminaires have a neat and clean appearance integrating sensors and emergency lighting”

\ 37LEDinART

remm

Pur ImPur

Application: RestaurantLocation: Barcelona, Spain

Date: July 2018Client: Nandu Jubany

Project Authors: Lagranja Design for companies and friendsLighting Design: reMM Lighting Design

Photo: Salva Lòpez

In the heart of Barcelona a new restaurant is born, where the

purest art of cooking is staged, with a gastronomic and sensorial

experience. The place takes diners to two worlds: Pur, the

restaurant, where the purity of cuisine is celebrated; and Impur, the

cocktail bar on the lower floor, where a festive bar is at the center of

the scene. This is the latest project by Chef Nandu Jubany, designed

by Lagranja Design, and illuminated by reMM Lighting Design

studio. here light is played as a key ingredient, so that the vision

works in synergy with all the other senses.

The lighting design has accompanied the development of the project

in all its phases, adopting the values of restoration and interior design

and translating them into lighting solutions. In Pur,

a large open kitchen occupies the entire central space, generating

a small cozy and intimate theater. The lighting is based on the same

criteria of integrity and transparency on which Jubany’s cooking

style and Lagranja’s design are based. The light is pure and defined:

it highlights exactly the culinary and design elements and it flows

seamlessly in the space, compensating where necessary the lack of

natural lighting and simulating its variations and its effects.

Use of LED luminaires in 2700k and IRC90 or higher with very

specific optics to direct the light exclusively on the elements to be

highlighted. The realistic shapes stand out against a background

where hidden biodynamic luminaires are used, as a means of recalling

the color temperature of sunlight at different times of the day.

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The installation City of Light, designed by Marco

Piva for Helios Automazioni, exposed the first time

in Accademia di Brera in Aprile 2017, was a further

investigation into the ratio between matter and light in Marco

Piva’s Architectural projects.

In a play between scales and volumes, various volumetric

elements of different heights arise and grow vertically, simulating

the architectural environment of hypothetical metropolis.

The installation consists of 20 blocks of white SIVEC polished

marble, supported by honeycomb opal structures that uniformly

disperse the light through the stone material.

The base plate, which recalls the regular grid of an urban plan

development, contains a system of LED projectors characterized

by a frosted cold light.

City of Light, which appears as a “heavy” element in the

daylight, becomes gradually lighter as darkness approaches.

marCo PIVa sTudIo

CITy of lIgHT

Location: Milan, ItalyDate: 2018 Installation: City of lightArchitect & Lighting Design: Marco Piva StudioMain Partner: Helios AutomazioniPhoto: Helios Automazioni

CODEGA AWARD / PROJECTS 2018

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sadsa

bIKe squarelKl - lICHT KuNsT lICHT

More and more people are switching from cars to

bikes for their daily commute; this is also true in

the Swiss city of Basel. Exclusively for bicycles,

the pharmaceutical group Novartis built an underground parking

garage for its staff members on the campus. Completed in

the summer of 2017, a subterranean space for more than 800

bicycles was created which forms an impressive architectural

site. Inspired by the Brazilian architecture of Lina Bo Bardi,

the elongated underground space is enclosed by corrugated

concrete walls, while the exposed concrete ceiling and the PU

flooring display a deep blue hue. The organic design vocabulary

of the ribbed wall is continued in 16 large circular ceiling

recesses, which tangibly enhance the relatively low ceiling

height of 2.80m relative to the hall-like space. In each ceiling

recess, the lighting concept allocates oversized diffuse ring

luminaires with a stately exterior diameter of 7m.

The 16 luminous “wheels” are the result of a complex custom

luminaire development. The design goal was to provide the

general illumination through the striking graphic element of

the light collars, thus immersing the space and the elaborately

corrugated exposed concrete walls in a gentle light. Each

bespoke luminaire consists of an annular slanting shell of white

translucent PMMA, which has been divided into 12 individual

segments. The light source consists of an LED ribbon with a

120° light distribution, installed on a mounting plate carrying the

drivers on the rear side.

A daylight and presence detecting control system guarantees

an energy efficient lighting solution that ensures a general

illumination of at least 150 lx in the garage, thus providing

orientation and a sense of safety. The goal for the park located

above the bicycle garage was to create quality of stay in the

outdoor environment and to attract employees to the park.

Architect: Marco Serra ArchitektProject size: 1,600 sqm

Location: Basel, CHDate: July 2017

Lighting Design team: Martina Weiss, Thomas Möritz and Andreas Schulz - LKL

Photo: Johannes Roloff

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Application: ResidentialLocation: Leon, Guanajato, MexicoYear: 2018Photo: Ricardo Janet

el PrImer dIaCasa mIsIoN

A residential building in an outstanding location

in the City of León Guanajuato. A large

central dome articulates the house and generates

a link between the 2 main levels of the residence.

It stands out by means of perimeter lighting by

continuous lines of LEDs.

A sculptured marble wall with low relief engraving

trickles water delimits one of the vertical planes

on the ground floor. The generous height of the

mezzanines and corridors invites to illuminate

indirectly vertical planes with warm temperature

(CCT 2,400 to 2,700 k). Wallwashers are located to

accentuate certain planes and art pieces.

All the luminaries of social and rest areas are

integrated with dimming and control systems

providing flexibility to create environments with

different scenes.

CODEGA AWARD / PROJECTS 2018

PINball r morCIllo

TrIPle JeT

Triple Jet uses light as a democratic instrument. A globally

recognized luminous signal of identity that settles in the public

space as a meeting point of the cultural diversity protagonist of a

new and contemporary urban landscape. It is not the homage to

the icon of the city of Brussels. Triple Jet provokes an exercise of

reflection on the concept of identity. This installation and its radical

form of explicit symbolism through the light reminds us that it is

necessary to recover the identity of our cities and our culture.

Location: Bruxelles, BelgiumYear: 2018

Photo: Pinball Light & Design

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marCo PIVa PaNTHeoNrome HoTel

The new Pantheon Iconic Rome Hotel designed by

Marco Piva Studio is an example of groundbreaking

innovative luxury design with pioneering concepts.

Balanced and tasteful interior design creates the conditions

for a perfect experiential immersion into a new luxury

concept. A very classic but simple space configuration,

where arches and domes are placed to recall memories from

past architecture but interpreted with a modern eye, framed

by very contemporary LED lighting system aimed to recall

the principles of architecture composition.

Bespoke, warm and handpicked materials such as silk,

gold as well as glass, resins and marble are telling to the

visitors and to the hotel guest the story of a unique fusion of

humanism and technic, the unrivalled skilness of transferring

art into every day life experience.

The Marco Piva Studio furthermore created special bespoke

furniture pieces, rooms that variate in colours, special design

light features that marks specific places and effects in the

lobbies, in the restaurant and bars.

The Pantheon Iconic Rome hotel is designed as the perfect

ambience to partake in the Italian style with a cosmopolitan

outlook, a journey into the artistic wonders of this city to discover

its magical places such as the Pantheon, the Spanish Steps and

Trevi Fountain.

A Design that creates the best environment to welcome visitors

coming from the five continents eager to be conquered by the

“spirit” of this city that will never surrender to the banality of an

undistinguished way of living.

Application: HotelLocation: Rome, ItalyDate: September 2018Architect & Lighting Design: Marco Piva StudioClient: MDM Photo: Andrea Martiradonna

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As part of a modernization project, a staff restaurant and

associated kitchen were to be architecturally renovated,

including the lighting.

The daylight deprived spaces are located in the basement and

feature a interior design and lighting typical of the 1970’s.

An essential part of the design task was to introduce daylight

and a visual relation to the exterior by building a new light well.

For structural reasons, only a confined shaft geometry with small

windows could be realized. The added value for the users was

therefore only attainable by means of artificial illumination imitating

natural light, thus supporting the occupant’s individual circadian

rhythm. A floor-to-ceiling, more than 20m long artificial panorama

window wall compensates for the lack of daylight and thus emulates

a relation to the outdoor environment.

Behind the glazing, linear LED luminaires are concealed in the floor

lKl - lICHT KuNsT lICHT

CafeTerIa dusseldorf

Application: RestaurantLocation: Dusseldorf, GermanyDate: April 2017Lighting Design Team: Isabel Sternkopf, Andreas Schulz - LKLProject size: 465 sqmPhoto: Johannes Roloff

and ceiling. Their light intensity and color are automatically adapted

to the time of day by means of an intelligent control system. Some

seating areas are accentuated by pendant luminaires, while the

large, multi-use table cluster at the center is uniformly lit by a lattice-

like light structure. The vibrant accent illumination above the buffets

is supplemented by discreet ceiling recessed luminaires in the

circulation zones.

The color temperature of the aisle access illumination and the

lighting of the adjacent open kitchen is equally variable and is

controlled in sync with the luminous wall.

The artificial panorama window provides human centric

illumination in a daylight deprived space that respects and

supports the occupant’s individual circadian rhythm. A vital lighting

atmosphere and high quality of stay with increased

well-being characterize this successful renovation project.

CODEGA AWARD / PROJECTS 2018

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Waves, both visible and invisible, are everywhere in

nature. In ancient hawaii, surfing was considered an

art. The hawaiian people refer to it as He’e Nalu or Wave Sliding

in English, and it was a vital part of their culture.

Light and sound also travel in waves. Inspired by this, he’e Nalu

is an art installation that invites you to ride an experience that

will fill your senses with colors and sounds from the ocean.

The piece is formed by two rows of acrylic columns strategically

located to create an undulating passage. The length and height

of the structure was carefully considered to fully surround the

visitors. Each column is tilted at a specific angle to imitate the

movement of an ocean wave as a person walks through. RGBW

LED floodlights located in the base illuminate each column from

the bottom, changing intensity and color throughout the night.

m. dauTaNT &g. HesmaTI

He’e Nalu

JPldwalK THrougH duTyfree TalINN aIrPorT

The store design celebrates Estonian culture and natural heritage

through a shopper journey modelled on a fairy tale walk through

a forest. The main 800sq m duty free store incorporates Tallinn’s first

walk-through format and the core categories (liquor, P&C, confectionery,

tobacco, fashion & accessories) offer a strong local brand presence.

The revamp is intended to express a strong local flavour. The design of

the main free store was envisaged as absolutely integral to the airport’s

pledge to be “the world’s cosiest airport”.

The aim was to make it cosy - with a commercial edge. The store

journey is themed as a forest walk, including wonderful semi-private

seating areas that provide a break in the walk.

These are decorated with themed backlit graphics in a traditional

woodcut style that echo classic fairy tales, the woodcut elements

continue through to the carefully selected regionally sourced, designed

and manufactured wooden pendants .

Location: Tallin, EstoniaDate: June 2018Photo: The Design Solution, Moodie Davitt Report

Location: Vivid Sydney, AustraliaDate: May 2018

Installation: He’e NaluDesigners: Marie Dautant and

Golosana HeshmatiPhoto: Frank Dautant &

Golsana Heshmati

“the world’s cosiest airportwith a strong local flavour ”

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Perception filters accumulated in a space, air,

earth, cloud, water, time and part light that play

with the complexity of their astonishments.

An abstraction of the form, intangible in its relation

to it, outstanding physically but intervening as

illusions of time and intensities given by the

physical qualities of light. A space of contemplation

immersed in the world of observation. ParteLuz,

as the word refers, is the division, intersections,

cuts and parts of light that create a space.

The project started as an investigation of the

subtile changes of natural light that impact our

public spaces. Time as a concept of movement,

mysterious phenomenon between materials, space

and change of its qualities. The project of control

via DMx plays an important roll creating 3 scenes

representing the subtile changes of the movement

in a 60 min period.

lsba - luCa salasParTe luZ

Location: Museo Tamayo, Mexico City, Mexico

Year: 2017Installation: Parte Luz

Photo: LSBA studio

Location: Palermo, ItalyYear: 2017Size: 200sqm roomConsumation: 60W

massImIlIaNo moroCerCHIoCIelo

All the sculptures of this exhibition

have almost the same technique. LED

projectors of Royal Blue and Lime pairs are the

fixed part, while the projected object changes

according to the environment. To communicate

with the architecture the designer used

plexiglass circles and shapes whose shadows

are projected in the surrounding space.

Movement plays a key role in the installation, as

the rhythm or the rotations and the repetitions

help to create an immersion of the public in

the artwork. An intense dialogue between the

shapes of Palermo and the geometry of light

was generated in this exhibition.

The perception of time and space changed

dramatically, slowing and accelerating as the

look shifted through the place.

CODEGA AWARD / PROJECTS 2018

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lsba - luCa salasParTe luZ

Treasures of the Mughals and the Maraja is a touring

exhibition that celebrates Indian jades and jewels from

xVI to xx century belonging to the Al Thani Collection.

Opened for the first time to the public at the Metropolitan

Museum of Art in New york in 2014, the exhibition then

travelled a lot.

ZNA worked closely with bGcstudio, who also designed the

previous exhibition at the Gran Palais, to realize a lighting scheme

that would make the jewels the masterpieces of the space,

finding a delicate balance between ambient and display lighting.

The magnificent windows of the Sala dello Scrutinio have been

partially blacked out, to control the natural light and recreate a

more dramatic atmosphere. The lighting of the painted ceiling

and walls followed the narrative of the stories, giving a sense of

dynamism and excitement to the visitor, highlighting vistas and

long views but always paying attention to the rendering of fine

details on even the smallest display.

The studio developed a strategy to easily integrate and install

new lighting into the existing showcases, using fibre optics and

small spotlights to reduce the glare to the minimum. The entire

exhibition has been designed with LED lights to contain power

consumption and heating for conservation levels.

Each piece required a bespoke lighting response to bring out the

depth of the gems and render the colours brilliantly. Mounting

angles and distance from the gem as well as colour temperature

were all considered and worked seamlessly into the decorative

design details.

Application: Temporary Exhibition Location: Sala dello Scrutinio Palazzo Ducale, Venice, ItalyYear: September 2017Designers: bGcstudioLighting Design: ZNA StudioPhoto: Sebastiano Girardi

ZNa

THe alTaNI ColleCTIoN

“the lighting design eXcite visitors by highlighting longviews, always paying attention to the rendering of fine details”

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Located in a former post office built in 1927, Full Node

is a co-working and event space. The brief was to have

an innovative and flexible environment.

The lighting design concept was developed in close

collaboration with the architects LxSy.

The meetup and café spaces needed versatile lighting: catchy for

events but also suitable for workshops. These requirements were

fulfilled setting different, easily controllable scenarios. The RGBW

light lines hang in different heights and directions, playing on the

concept of the innovative and digital businesses who inhabit this

office space.

Inspired by the idea of block and chains, the dark grey suspended

lines run through the corridors sometimes breaking, sometimes

becoming light lines that enter the office’s spaces.

de sHuTTerfullNodeApplication: Office & co-working Location: Berlin, GermanyYear: 2018Project size: 1,050 sqm Architects: LXSY ArchitektenPhoto: Andres Meichsner

Location: Guanajuato, México Year: 2018Photo: Miguel Angel V. Calanchini

el PrImer dIaCasa aCaNToA superb landscape design for a classic ambient on a

colonial style home in the historic town of San Miguel

de Allende. A balanced and rich palette in textures, with

textures and weights ranging from river gravel, ground

covers, shrubs, young trees and palms to several year-old

thick bark jacarandas that bloom seasonally. 5w and 10w

30o narrow flood LED projectors are arranged accordingly

to scale, concealed preventing glare. Uniform warm white

color temperature is used all over, shadows are projected

onto architectural planes creating visual interest.

CODEGA AWARD / PROJECTS 2018

\ 47LEDinART

lsba - luCa salas

sIlVer deerThe idea behind Silver Deer store was the creation

of a common lighting scenario. Enhancing the

architectural structure, an element which hosts all the

engineerings and support of the space. By doing such

highlighting of the roughness of the space, the roof

disappears into a light changing scenario, as the effect

of the passing of a cloud in a sunny day from warm to

neutral light.

These effect is changing each 20 min during operation

hours. The control system and scenario helps reducing

a 50% of consumption of the installation. In a 900sqm

store six house type stands are distributed to show the

products. In each house LSBA worked a indirect light

coming from the shelves and accent lighting to give the

user a focused experience on the products and materials

of the store.

Application: RetailLocation: Mexico City, MexicoYear: 2018Photo: LSBA studio

“7 puertas” is an installation which proposes a new space

of transition and contemplation.

The continuity of shadows allow visitors to better discover

the lighting objects and shapes, changing and alterning their

perception of the surrounding space.

The idea of “7 puertas” is to offer a personal discovering path

that one of us can follow to achieve different meanings.

soPHya aCosTasIeTe

PuerTas

Location: Museo Municipal de Artes “Dr. Urbano Poggi”, Rafaela, ArgentinaYear: 2018Photo: Sophya Acosta

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CODEGA AWARD / PROJECTS 2018

Casa Teo is a project of Chef Enrique Olvera, a renowned chef in

Mexico City which created a space for developing new ideas

around the dinning table. The table, the tablecloth, the dishes, the

cutlery, the utensils, are the main elements that make up the central

experience of this place. A place of gastronomic experiences.

The lighting project was based on the tablecloth. That sensory mantle

of touch luminously accompanies the space in the form of a luminous

object and diffuse light, enveloping the residence in a dim light.

lsba - luCa salasCasa Teo

Location: Mexico City, MexicoYear: 2018

Photo: LSBA studio

Location: Surgut, Siberia; RussiaYear: 2017Architectural lighing: 1,160 lightsGrassiled screen: 540 sqmTotal power: 122 kwPhoto: Sergey Gerasimov

mT eleCTroPalaCe of arTs

The appearance of a daylight gallery

whilst not raising the luminance levels

on objects. Ceiling treatment: Taking some

inspiration from the original decorative wall

lights we would propose a suspended light

track. Objective is to maximise daylight,

controlling natural daylight and solar gain.

We propose using illuminated ( lighbox)

signage at high level to draw the eye down

to each end of the gallery. In the same

lightbox language a new threshold, with

signage will signify entrance to the Jade

Gallery.

The smaller dimensions of LED sources

makes easier to integrate the lighting into

the 3D build to add a visual cohesion to

the interpretation and also to avoid where

possible further interventions in the building