2
In the 17th century a style of ar t known as Baroque developed. I t was especially well sui ted to large scale pictures - the kind of painting you would expect to find in a church or palace. There was most demand for works like thi s in Roman Catholic countri es such as Italy , Flande rs and Spain. Painted ceilings wer e very fa s hionable at this time. The artists painted stone structures so cleverly, that from the ground t hey look real. The figures are also painted as though seen from below and appear to be floating through the air. This effect is known as "illusionism". Studying ruins in Rome Two French arti sts, Claude Lorraine paint ing is kn own as a" cl assical fashions, and to st udy th e great and Nicolas Pous sin, s pent most of land scape ". The fig ures ar e ti ny , works of An ci en t Rome a nd the High their workin g lives in Rome. Many of Roman ruins are often incl uded, and Ren ai ssance. Many, like Caravaggio, their paintings show th e hills and the colours are soft greens, blues Car r ac ci, Cla ude an d Poussi n, made plain s around Rome. This type of and browns. their homes there. 16 The paintings of Caravaggio influenced painters allover Europ e. He used strong contras ts of light and shadow to make his paintings more exciting. He often made the people and objects in his pictur es seem to burst out of the frame. In the one above, Jesus (in the middle ) has just surprised his companions. The hand of one and the elbow of another seem to come out of the picture at you. The centre of Baroque art was Rome. Artists from all over E ur ope came to find out about the lat est sty les and ITALY, FLANDERS AND SPAIN: AD1600 to AD1700 Baroque PaintIng

ITALY, FLANDERS AND SPAIN: AD1 600 to AD1700 Baroque PaintIng · art known as Baroque developed. I t was especially well suited to large scale pictures- the kind of painting you would

  • Upload
    others

  • View
    9

  • Download
    0

Embed Size (px)

Citation preview

Page 1: ITALY, FLANDERS AND SPAIN: AD1 600 to AD1700 Baroque PaintIng · art known as Baroque developed. I t was especially well suited to large scale pictures- the kind of painting you would

In the 17th century a style of art known as Baroque developed. I t was especially well suited t o large scale pictures- the kind of painting you would expect to find in a church or palace. There was most demand for works like this in Roman Catholic countries such as Italy, Flanders and Spain.

Painted ceilings were very fashionable at this tim e. The artists painted stone structures so cleverly, that from the ground they look real. The figures are also painted as though seen from below and appear to be floating through the air. This effect is known as "illusionism".

Studying ruins in Rome

Two French artis t s, Claude Lorraine painting is known as a" classical fashions, and to study the great and Nicolas Poussin, spent most of landscape" . The figures are tiny, works of Ancient Rome and the High their working lives in Rome. Many of Roman ruins are often included, and Renaissance. Many, like Caravaggio, their paintings show the hills and the colours are soft greens, blues Carracci , Claude and Poussin, made plains around Rome. This type of and browns. their homes there.

16

The paintings of Caravaggio influenced painters allover Europe. He used strong contrasts of light and shadow to make his paintings more exciting. H e often made the people and objects in his pictures seem to

burst out of the frame. In the one above, Jesus (in the middle) has just surprised his companions. The hand of one and the elbow of another seem to come out of the picture at you.

The centre of Baroque art was Rome. Artists from all over Europe came to find out about the lat est styles and

ITALY, FLANDERS AND SPAIN: AD1 600 to AD1700

Baroque PaintIng

Page 2: ITALY, FLANDERS AND SPAIN: AD1 600 to AD1700 Baroque PaintIng · art known as Baroque developed. I t was especially well suited to large scale pictures- the kind of painting you would

Grid to help assistants transfer ideas from

~,~~~~~~ Rubens' sketches on to

A busy studio master

The Flemish painter, Peter Paul employed other artists to work in his Rubens, worked in Italy as a young studio and had teams of pupils and man. He learnt a great deal there. assistants. Often he did very little of When he returned to Flanders his a painting himself, but supervised work was in such demand that he each stage of the work.

Many of Rubens' paintings are on big of painting, using big, energetic canvases and are full of life. He figures. This paint ing is called "The developed a very dramatic, free way Battle of the Amazons" .

F amous artists Italy ADl560/l609 Annibale Carracci AD1573/1619 Michelangelo Merisi da Caravaggio

France AD1 594/1665 Nicolas Poussin ADl600f1685 Claude lorraine

Flanders AD151711640 Peter Paul Rubens AD1599/1641 Anthony van Dvck

Spain AD1599/1 660 Diego Velazquez AD161711 682 Bartolome Esteban Murillo

Rubens was often used as a diplomat by his patrons, who included the rulers of FraDce, Spain, England and Flanders. Here he presents Charles I of England with a painting from the King of Spain, who wanted peace with England.

At the Spanish court

In Spain, the most famous painter of this time was Diego Velazquez. He worked at court and painted many portraits of the king and his family. This one is of the young princess Margarita and Velazquez in his s tudio.

17