International Sale Old Master Paintings, Drawings and Prints

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International Sale Old Master Paintings, Drawings and Prints Auction, Friday, October 7th, 2011

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  • TheInternationalSaleOld Master Paintings,Drawings & Prints

    Lyon & Turnbull Edinburgh28th September 2011Freemans Philadelphia7th October 20 11

  • TheInternationalSaleOld Master Paintings,Drawings & Prints Friday, October 7th, 201111am

    Sale Number 1411

    1808 Chestnut Street

    Philadelphia PA 19103

    Tel. +1 215.563.9275

    Fax. +1 215.563.8236

    www.freemansauction.com

    Catalogue: 15 / $35

    See page 2 for viewing and

    enquiriy details

    Inside Front Cover: Lot 107Inside Back Cover: Lot 9

    Printing by Brilliant Studio

    Exton, Pennsylvania

    Wednesday, September 28th 2011

    11am

    Sale Number LT329

    33 Broughton Place

    Edinburgh EH1 3RR

    Tel. +44(0) 131 557 8844

    Fax. +44(0) 131 557 8668

    www.lyonandturnbull.com

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:24 PM Page 1

  • Viewing and Enquiries

    Auction

    Friday, October 7th, at 11am

    Exhibition

    Friday September 30th

    10am - 4.:30pm

    Saturday October 1st

    12 noon - 4pm

    Monday October 3rd

    10am - 4:30pm

    Tuesday October 4th

    10am - 4:30pm

    Wednesday 5th October 5th

    10am - 4:30pm

    Thursday October 6th

    10am - 4:30pm

    Limited viewing on morning of the sale

    Specialists

    David Weiss

    direct tel: 267.414.1214

    dweiss@freemansauction.com

    Maya ODonnell-Shah

    direct tel: 267.414.1210

    mshah@freemansauction.com

    Commission Bids

    Bridgette Bonner

    tel: 267.414.1208

    fax: 215.599.2240

    bbonner@freemansauction.com

    1808 Chestnut Street

    Philadelphia PA 19103

    Tel. +1 215.563.9275

    Fax. +1 215.563.8236

    www.freemansauction.com

    Auction

    Wednesday, September 28th, at 12 noon

    Exhibition

    Sunday September 25th

    12 noon - 4pm

    Monday September 26th

    10am - 5pm

    Tuesday September 27th

    10am - 5pm

    Morning of sale strrictly by

    appointment only

    Specialists

    Nick Curnow

    nick.curnow@lyonandturnbull.com

    Charlotte Riordan

    charlotte.riordan@lyonandturnbull.com

    Enquiries and Commission Bids

    Lyon and Turnbull Ltd.

    33 Broughton Place

    Edinburgh EH1 3RR

    Tel. +44 (0)131 557 8844

    Fax. +44 (0)131 557 8668

    email: info@lyonandturnbull.com

    www.lyonandturnbull.com

    Please note that the the Conditions of Sale and Buyers Information vary

    between Lyon & Turnbull and Freemans - information for both can be

    found in this catalogue.

    Bidding will be in GB for Lyon & Turnbull and US$ for Freemans - the

    equivalent rate is given for each lot at 1 = $1.60 but should be treated as a

    guide only.

    G11-10622_OldMastersTXT1-32:Layout 1 9/12/11 1:18 PM Page 2

  • TheInternationalSaleOld MasterPaintings,Drawings & Prints

    Session One

    Wednesday, September 28th 2011

    at 11am

    Lyon and Turnbull

    33 Broughton Place Edinburgh

    EH1 3RR

    G11-10622_OldMastersTXT1-32_Layout 1 9/9/11 11:49 AM Page 3

  • Electrical Goods

    Lots that were once operated by

    mains electricity are bought

    entirely at the buyers risk. They

    are offered for sale for display or

    historical purposes and may not

    comply with current regulations.

    Bidding

    At the Sale

    To bid at the sale all potential

    buyers must be registered with us

    on or before the day of sale. We

    will need proof of identification

    and residence, and may require a

    bank reference. Potential buyers

    must collect a bidding number

    before the sale begins, and show

    that number if successful in

    purchasing a lot. Please ensure

    that the auctioneer repeats the

    number correctly when

    confirming the sale. If there is any

    doubt at this stage as to the

    hammer price or buyer it must be

    brought to the auctioneers

    attention immediately. All lots

    will be invoiced to the name and

    address given on your registration

    form, which is non-transferable. If

    you have purchased a lot you

    may take your bidding number to

    the accounts department and

    receive an invoice immediately. If

    you have not been successful

    please leave the number at the

    Registration or Reception desks.

    In writing

    Bid forms are available at the sale

    and at the back of the catalogue.

    These should be submitted in

    person, by post, or by fax as soon

    as possible prior to the sale and

    we will bid on your behalf up to

    the limit indicated. In the event of

    receiving two identical bids the

    first one received will take

    precedence. They must be

    received at the very latest at least

    an hour before the sale. We will

    do our utmost to execute these

    bids but we offer this service

    entirely at the bidders risk.

    required to collect a royalty

    payment for all qualifying works

    of art, where the artist is still

    living. This royalty will be charged

    to the buyer on the hammer price

    and in addition to the buyers

    premium. It will not apply to

    works where the hammer price is

    less than 1,000 (euros). The

    charge for works of art sold at

    and above 1,000 (euros) and

    below 50,000 (euros) is 4%.

    For items selling above 50,000

    (euros), charges are calculated on

    a sliding scale.

    All royalty charges are paid to the

    Design and Artists Copyright

    Society (DACS) and no handling

    costs or additional fees are

    retained by the auctioneer. Resale

    royalties are not subject to VAT.

    Please note that the royalty

    payment is calculated on the rate

    of exchange at the European

    Central Bank on the date of the

    sale.

    More information on Droit de

    Suite is available at

    www.dacs.org.uk

    Damage and Restoration

    Occasionally when a lot has

    suffered extensive damage and/or

    restoration it is indicated in the

    catalogue. This is mentioned

    entirely at our discretion for the

    benefit of buyers. Where there is

    no mention of damage and/or

    restoration this should not be

    taken to mean that there is none.

    It is the buyers responsibility to

    ensure that the condition of lots

    is to their satisfaction (see our

    Terms and Conditions of Sale).

    Condition Reports

    If potential buyers are unable to

    inspect lots in person our

    specialists will be happy to

    prepare detailed Condition

    Reports on individual lots as

    quickly as possible. These are for

    guidance only and all lots are sold

    as found (see our standard

    Terms and Conditions of Sale).

    Buying at Auction

    This sale is subject to our

    standard Terms and Conditions of

    Sale. If you have not bought at

    auction before we will be

    delighted to advise you.

    Estimates

    Estimates are printed below each

    lot and do not include the buyers

    premium. The sale will be

    conducted in pounds sterling.

    Dimensions

    Dimensions are for guidance only;

    it is the buyers responsibility to

    ensure that they are correct.

    Buyers Premium

    The buyer shall pay the hammer

    price together with a premium

    thereon.

    Antiques, Jewellery & Silver and

    Pictures (Not Fine Sales)

    17.5%

    All other sales

    (Fine/Special/Collections)

    25% up to 25,000 / 20%

    thereafter.

    VAT will be charged on the

    premium at the rate imposed by

    law. (see our Terms and

    Conditions of Sale).

    VAT

    The symbol * by a lot number

    indicates that VAT is payable by

    the purchaser at the standard rate

    on the hammer price.

    The symbol by a lot number

    indicates that the lot has been

    temporarily imported from

    outside the EU and that VAT is

    payable by the purchaser at the

    rate of 5% on the hammer price

    and the buyers premium.

    No VAT is payable on the

    hammer price or premium for

    books bought at auction.

    Droit de Suite

    This symbol indicates works

    which may be subject to the Droit

    de Suite or Artists Resale Right,

    which took effect in the United

    Kingdom on 14th February 2006.

    Under this legislation, we are

    Important Information for Buyers at Lyon & Turnbull

    By telephone

    Bids submitted by telephone

    must be confirmed in writing.

    Telephone bidding

    If you are unable to attend the

    sale we can normally arrange for

    you to bid on the telephone. This

    service is available entirely at our

    discretion and at the bidders risk.

    All telephone bids must be

    confirmed in writing, listing the

    relevant lots and appropriate

    number to be called. We

    recommend that a covering bid is

    also left in the event that we are

    unable to make the call. We

    cannot guarantee that lines will

    be available, or that we will be

    able to call you on the day, but

    will endeavour to undertake such

    bids to the best of our abilities.

    Methods of Payment

    Goods purchased will not be

    released until we have received

    full payment.

    Cash

    Cash payments can be made at

    the accounts desk during or after

    a sale.

    Cheque

    Cheques should be made payable

    to Lyon and Turnbull Ltd. We

    reserve the right to wait until

    cheques have been cleared by our

    bankers before releasing bought

    goods. Cheques can be cleared

    prior to sale on request. Cheques

    drawn by third parties cannot be

    accepted. If paying by post please

    include the slip from your invoice.

    Switch or Credit Cards

    Payment can be made by Switch,

    Mastercard or Visa cards. There

    is a surcharge on credit card

    payments.

    Collection

    It is the buyers responsibility to

    ascertain collection procedures,

    particularly if the sale is not being

    held at our main saleroom.

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

    5

    1 FB367/2FOLLOWER OF SIR ANTHONYVAN DYCKHALF LENGTH PORTRAIT OFKING JAMES II IN ARMOUROil on canvas

    76cm x 63.5cm (30in x 25in)

    1,500-2,000 $2,400-3,200

    2 FB367/4MANNER OF ANTONIO DAVIDHALF LENGTH PORTRAIT OFJAMES EDWARD FRANCISSTUART THE OLD PRETENDERIN ARMOUROil on canvas, feigned oval

    76cm x 63cm (30in x 25in)

    1,500-2,000 $2,400-3,200

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    3 FB367/1AFTER SIR PETER LELY HALF LENGTH PORTRAIT OFKING WILLIAM III IN ARMOUROil on canvas, feigned oval

    76cm x 63cm (30in x 25in)

    and a companion his wife Queen

    Mary mounted within the same

    frame (2)

    Note:The portrait of King William is based onan original in Syon House, that of QueenMary on an original in the QueensCollection

    3,000-5,000 $4,800-8,000

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    wednesday, september 28th, 2011

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    4 FB367/3FOLLOWER OF SIR GODFREYKNELLERHALF LENGTH PORTRAIT OFKING CHARLES IIOil on canvas, in shaped

    cartouche

    75cm x 63cm (30in x 25in)

    1,500-2,000 $2,400-3,200

    5 FB367/5AFTER LOUIS TOCQUEHALF LENGTH PORTRAIT OFCHARLES EDWARD STUARTTHE YOUNG PRETENDER INARMOUROil on canvas

    76cm x 63cm (30in x 25in)

    1,000-1,500 $1,600-2,400

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    6 FA230/2MANNER OF JAN VAN DEMEERTENDING THE FLOCKIndistinctly signed and dated,

    oil on canvas laid down

    13cm x 17cm (5in x 17.5in)

    and a companion a pair (2)

    800-1,200 $1,280-1,920

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

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    7 FB347/2FOLLOWER OF FRANCIA BIGIOMADONNA AND CHILD WITHST.JOHNOil on canvas, with the seal of the

    House of Savoy, Seal of

    Emmanuel verso, unframed

    117cm x 89cm (46in x 35in)

    Note:This is a period variant without thefigures around the well of the original inthe Kunsthistoriches Museum in Viennano.208

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    Note:The Veitch Bequest was a substantialacquisition of an Edinburgh collection ofmostly non-British paintings generallydescribed as Old Masters.

    6,000-8,000 $9,600-12,800

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    9 FB674/116TH CENTURY ENGLISHSCHOOLHEAD OF CHRISTInscribed extensively: THIS

    PRESENT FIGURE IS THE SIMILITUDE

    OF OUR LORDE IHV OUR SAVIOUR

    IMPRINTED IN AMIRALD BY THE

    PREDECESSORS OF THE GRETE TURKE

    AND SENT TO POPE INNOSENT THE

    VIII AT THE COST OF THE GREAT

    TURKE FOR A TOKEN FOR THIS CAUSE

    TO REDEME HIS BROTHER THAT WAS

    TAKEN PRISONER, oil on panel

    27.5cm x 20cm (10.75in x 8in)

    8 FA161/9AFTER HANS HOLBEINHALF LENGTH PORTRAIT OFHENRY VIIIOil on panel, feigned oval

    19cm x 15cm (7.5in x 6in)

    500-800 $800-1,280

    Note:This depiction of Jesus in profile isderived from an image engraved on theEmerald Vernicle in the collection of theVatican. Like St.Veronicas Veil and theMandylion Edessa, the Emerald Vernicle,though not claimed as miraculous, wasaccepted as a portrait of Christ.Around 1429, Sultan Bajazet 11 ofConstantinople, The Great Turk, gave theemerald, carved with the profile of Jesus,to Pope Innocent VIII. Bajazet profferedthe emerald to ensure that his brotherwould remain in Papal custody, thussecuring his own unhindered accessionto the throne. The inscription below theportrait relates to this story, although thepainter has changed the intention behindthe gift.

    800-1,200 $1,280-1,920

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

    11

    10 FB678/1FOLLOWER OF SIR GODFREY KNELLERFULL LENGTH PORTRAIT OFKING WILLIAM III INCEREMONIAL ROBESOil on canvas

    218.5cm x 142cm (86in x 56in)

    Note:A German-born pupil of Bol andRembrandt, Godfrey Kneller became theleading portrait painter in the court ofEngland in the late 17th and early 18thcenturies.The present work is related to severalother examples of Knellers portrait ofWilliam III (or King Billy as he wascolloquially known amongst his Scotsand Irish subjects), including that held inthe Royal Collection. The work differsfrom the Royal Collection version inWilliams choice of footwear, depictinghim in red-heeled shoes. A traditionalsymbol of status which survives in theLouboutins of today, this sartorial choiceechoes the Parisian fashions of hiselegant foe, Louis XIV, whom Kneller alsopainted. For many years it has hung in anhistoric Irish household, where itselaborate crown-topped frame wouldhave attested to the households loyaltyto the throne.

    12,000-18,000$19,200-28,800

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    12 FB54/1FOLLOWER OF MATHYSSCHOEVAERDTSA BUSY COASTAL SCENE WITHFIGURES AND BOATS IN AHARBOUROil on panel

    20cm x 24cm (8in x 9.5in)

    1,000-1,500 $1,600-2,400

    11 FB207/117TH CENTURY GERMANSCHOOLVIEW OF A FARMYARD WITH ACASTLE IN THE DISTANCEOil on oak panel

    18cm x 24.5cm (7in x 9.5in)

    1,500-2,000 $2,400-3,200

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    13 FB347/13CIRCLE OF CARLO MARATTATHE ASSUMPTION OF THEVIRGINOil on canvas, unframed

    133.5cm x 97.5cm (52.5in x 38.5in)

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    3,000-4,000 $4,800-6,400

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    14 FB211/1FOLLOWER OF ADAM FRANSVAN DER MEULENTHE SIEGE OF VIENNAOil on canvas

    48cm x 56cm (19in x 22in)

    1,000-1,500 $1,600-2,400

    16 FB54/2MANNER OF VAN KESSELMONKEY CARD PLAYERSOil on card

    18cm x 28cm (7in x 11in)

    400-600 $640-960

    15 FB594/2CIRCLE OF ORAZIOGREVENBROECKA BUSY PORT AT SUNSETOil on canvas, unframed

    33cm x 69cm (13in x 27in)

    600-800 $960-1,280

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  • LYON & TURNBULLold master paintings, drawings & prints

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    17 FB347/917TH CENTURY ROMANSCHOOLAN ITALIANATE LANDSCAPEWITH FIGURES AND ANIMALSBY RUINSOil on canvas

    50.5cm x 65cm (20in x 25.5in)

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    4,000-6,000 $6,400-9,600

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    18 FB589/1REMBRANDT VAN RIJN(DUTCH 1606-1669)PEASANT CALLING OUTEtching, only state, Bartsch 177,

    stamped with a collectors mark

    11.2cm x 4.3cm (4.4in x 1.7cm)

    and a pair Peasant Replying (2)

    Provenance:Peasant Calling Out bears thecollectors mark of Richard Houlditchdied 1736, Peasant Replying was in thecollection of Rev. J.Burleigh James 1850

    8,000-12,000 $12,800-19,200

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

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    19 FA267/5REMBRANDT VAN RIJN(DUTCH 1606-1669)SECOND ORIENTAL HEADEtching 11/11,Bartsch 287

    15.2cm x 12.7cm (6in x 5in)

    Note:A label attached to the print states thatthe etching was inspected by A.M.Hindof the British Museum

    5,000-7,000 $8,000-11,200

    20 FB464/3REMBRANDT VAN RIJN(DUTCH 1606-1669)CHRIST DISPUTING WITH THEDOCTORSEtching, 65, Bartsch

    13cm x 21.5cm (5in x 8.5in)

    2,000-3,000 $3,200-4,800

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    22 FB672/2AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)THE DEATH OF THE VIRGINEngraving, by P. Galle, second state,

    with partially identifiable watermark

    31cm x 41.6cm (12.2in x 16.4in) (plate size)

    38cm x 49.4cm (15in x 19.25in) (sheet size)

    Note:Inscription reads 'Thus Philipp Galle copiedthe archetype by Pieter Bruegel', and'Abraham Ortelius and his friend attended toits making', accompanied by three Latinquatrains.

    800-1,200 $1,280-1,920

    21 FB672/3AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)INVIDIA, FROM THE SEVENDEADLY SINSEngraving, by P. van der Hayden,

    only state, with engraver's

    monogram and flower watermark

    24cm x 29.2cm (9.4in x 11.5in) (plate size)

    24cm x 33cm (9.5in x 13in) (sheet size)

    800-1,200 $1,280-1,920

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

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    23 FB672/1AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)SAINT JAMES VISITING THEMAGICIAN HERMOGENESEngraving, 1565, by P. van der

    Hayden, first state, with flower

    watermark

    22cm x 29.3cm (8.7in x 11.5in) (plate size)

    22.5cm x 30cm (8.75in x 12in) (sheet size)

    Note:Published by Hieronymous Cock 1565,inscription translated 'St James by devilisharts is placed before the magician'.

    800-1,200 $1,280-1,920

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    25 FB347/14ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES AND DOG BY RUINSOil on canvas

    43cm x 33.5cm (17in x 13.25in)

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    2,000-3,000 $3,200-4,800

    24 FB347/15ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES BY RUINSOil on canvas

    48cm x 37.5cm (19in x 14.75in)

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    2,000-3,000 $3,200-4,800

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    wednesday, september 28th, 2011

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    26 FB270/1AFTER LOUIS GABRIELBLANCHET HALF LENGTH PORTRAIT OFBONNIE PRINCE CHARLIEOil on canvas

    71cm x 58cm (28in x 22.75in)

    6,000-8,000 $9,600-12,800

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    28 FA415/1JOHAN YKENS (17TH CENTURY FLEMISH)ALLEGORICAL FIGUREALONGSIDE A BUST OF HOMERSigned, oil on panel, unframed (a

    fragment)

    51cm x 23cm (20in x 9in)

    600-800 $960-1,280

    27 FA415/217TH CENTURY ANTWERPSCHOOLFOUR ELDERS OF THE CHURCHOil on panel

    55cm x 46cm (21.75in x 18in)

    1,000-1,500 $1,600-2,400

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    29 FB596/1SIR HENRY RAEBURN R.A.,R.S.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTHPORTRAIT OF GOVERNORHENRY HAMILTONOil on canvas

    127cm x 101.5cm (50in x 40in)

    Note:This portrait dates circa 1785. It has beensuggested that the sitter could beColonel Henry Hamilton, whose portraitby James Tassie, dating from 1786, is inthe Scottish National Portrait Gallery.

    Provenance:McCormick Sale, American ArtAssociation, New York, 15th April 1920With Knoedler, 1922Mr and Mrs van Horn Ely, by whomgiven to the Phoenix Art MuseumAnon. sale, Sothebys, 8th November1995, lot 53

    Exhibited:Chicago, The Art Institute, 1895 and 1919Pittsburgh, Carnegie Institute, 1898Boston, Copley Hall, 1900Boston Art Students Association, no. 33

    15,000-20,000$24,000-32,000

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    31 FB347/10CIRCLE OF JAN BOTHA WOODED LANDSCAPE WITHSHEPHERD BOY AND ANIMALSOil on panel

    58..5cm x 80cm (23in x 31.5in)

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    1,500-2,000 $2,400-3,200

    30 FB54/3MANNER OF THOMAS PATCHAN ITALIANATE COASTALVIEW WITH FISHERMENUNLOADING THEIR CATCHOil on canvas

    61cm x 74cm (24in x 29.25in)

    1,500-2,000 $2,400-3,200

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    32 FB347/118TH CENTURY FOLLOWER OFVERONESETHE TRIUMPH OF VENICEOil on canvas, feigned oval

    114.5cm 73.5cm (45.25in x 29cm)

    Note:The original of this painting hangs in thePalazzo Ducale, Venice. The Riccicolouration suggests a late 17th/early18th century date. In 1715 Charles de laFosse advised Ricci to paint onlyVeroneses and no more Riccis

    Provenance:Royal Scottish AcademyThe Veitch Bequest 1875

    6,000-8,000 $9,600-12,800

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

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    33 EAA391/62ATTRIBUTED TO JOHN HAYLSHALF LENGTH PORTRAIT OF AYOUNG MAN IN ARMOUR ANDWHITE CRAVATOil on canvas

    76cm x 63.5cm (30in x 25in)

    2,000-3,000

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 26

  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

    27

    34 EAA567/3STUDIO OF SIR GODFREYKNELLER (BRITISH 1646-1723)THREE-QUARTER LENGTHPORTRAIT OF THE DUKE OFSCHOMBERGOil on canvas

    127cm x 101cm (50in x 40in)

    Note:The Duke of Schomberg (1616-1690) isspectacular subject matter for a formalportrait, depicting one of the greatprofessional soldiers and military leadersof 17th century Europe, the AblestSoldier of his Age, as Matthew Glozierhas sub-titled his recent biography of theHeidelberg-born Mashal Schomberg. Anorphan from an early age, he began hiscareer in the service of Frederick Henry,Prince of Orange, eventually servingSweden, France, the Dutch Republic,Brandenburg and Britain in their militaryendeavours. He was a Marshal of Franceand a General in the English andPortuguese armies, was awarded the titleof Count of Mrtola by the King ofPortugal, the Order of the Garter andcreated Duke of Schomberg in theEnglish Peerage. As historians have noted, Schombergwas one of the last international soldiersand military leaders, prospering at a timewhen borders in Europe were morepermeable and there was a constantneed for experienced military leaders.That became less the case towards theend of the seventeenth century whendifferent governments took more controlof their armies. An inflexible Protestant,Schomberg married a French Huguenotwoman and eventually led William IIsarmies against the Jacobite supporters ofJames II in Ireland, second-in-commandto the Prince of Orange. He died at theBattle of the Boyne on 1st July 1690whilst crossing the Boyne river andrallying his men and is buried in StPatricks Cathedral.

    2,500-4,000 $4,000-6,400

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  • LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011

    28

    35 FB673/1ANDRIES DE CONINCK(FLEMISH fl. 1643-1659)A STILL LIFE OF LOBSTER, FRUITAND OBJETS ON A TABLE-TOPWITH A VIEW THROUGH AWINDOW BEYONDOil on canvas

    113.5cm x 159cm (44.75in x 62.5in )

    Note:In a letter of 2007 Dr. Fred Meier of RKDconfirmed the attribution to Andries deConinck on the basis of a transparencyand it is recorded on their databaseno.71824

    18,000-25,000$28,800-40,000

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  • LYON & TURNBULLold master paintings, drawings & prints

    wednesday, september 28th, 2011

    29

    36 EAA560/2AFTER RAPHAELTHE CONESTABILE MADONNAOil on panel, circular

    20cm (8in) diameter

    Note:The original is in the Hermitage.

    800-1,200 $1,280-1,920

    37 FB594/1AFTER RAPHAELTHE TRANSFIGURATIONOil on canvas

    131cm x 88cm (51.5in x 34.5in)

    Note:The original painting was Raphaels lastand is in the Pinoteca Vaticana

    1,500-2,000 $2,400-3,200

    38-50

    No lots

    END OF DAY ONE

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 29

  • Lyon & Turnbull carries on business withbidders, buyers and all those present in theauction room prior to, or in connection, witha sale on the following General Conditionsand on such other terms, conditions andnotices as may be referred to herein.

    1. DEFINITIONS

    In these Conditions:

    (a) Auctioneer means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

    (b) deliberate forgery means an imitationmade with the intention of deceiving as toauthorship, origin, date, age, period, cultureor source but which is unequivocallydescribed in the catalogue as being thework of a particular creator and which, atthe date of the sale, had a value materiallyless than it would have had if it had been inaccordance with the description;

    (c) hammer price means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

    (d) terms of consignment means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

    (e) total amount due means the hammerprice in respect of the lot sold together withany premium, Value Added Tax chargeableand any additional charges payable by adefaulting buyer under these Conditions;

    (f) sale proceeds means the net amountdue to the seller, being the hammer price ofthe lot sold less commission at the statedrate, Value Added Tax chargeable and anyother amounts due to us by the seller inwhatever capacity and however arising;

    (g) You, Your, etc. refer to the buyer asidentified in Condition 2.

    (h) The singular includes the plural and viceversa as appropriate.

    2. BIDDING PROCEDURES AND THEBUYER

    (a) Bidders are required to register theirparticulars before bidding and to satisfy anysecurity arrangements before entering theauction room to view or bid;

    (b) the maker of the highest bid accepted bythe auctioneer conducting the sale shall bethe buyer at the hammer price and anydispute about a bid, which must be raisedbefore the next lot is offered, shall be settledat the auctioneers absolute discretion.

    (c) Bidders shall be deemed to act asprincipals.

    (d) Once made, no bid may be withdrawn.

    (e) Our right to bid on behalf of the seller isexpressly reserved up to the amount of anyreserve and the right to refuse any bid isalso reserved.

    3. INCREMENTS

    Bidding increments shall be at theauctioneers sole discretion.

    4. THE PURCHASE PRICE

    The buyer shall pay the hammer pricetogether with a premium thereon. Antiques,Jewellery & Silver and Pictures (Not FineSales)17.5%.

    All other sales (Fine/Special/Collections)25% up to 25,000 / 20% thereafter. VAT will be charged on the premium at therate imposed by law.

    5. VALUE ADDED TAX

    Value Added Tax on the hammer price isimposed by law on all items affixed with anasterisk (*) or dagger (). Value Added Tax

    is charged at the appropriate rate prevailingby law at the date of sale and is payable bybuyers of relevant lots.

    6. PAYMENT

    (1) Immediately a lot is sold you will:

    (a) pay to us the total amount due in cashor in such other way as is agreed by us. Weaccept cash, bank transfer (details onrequest), Switch or Debit Cards and Visa orMasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

    (2) any payments by you to us may beapplied by us towards any sums owing fromyou to us on any account whatever withoutregard to any directions of you or youragent, whether express or implied.

    7. TITLE AND COLLECTION OFPURCHASES

    (1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

    (2) You shall at your own risk and expensetake away any lots that you have purchasedand paid for not later than four working daysfollowing the day of the auction or upon theclearance of any cheque used for paymentafter which you shall be responsible for anyremoval, storage and other associatedcharges.

    (3) No purchase can be claimed orremoved until it has been paid for.

    (4) It is the buyers responsibility toascertain collection procedures, particularlyif the sale is not being held at our mainsaleroom and the potential storage chargesfor lots not collected by the appropriatetime.

    8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

    (1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the following rightsand remedies:

    (a) to proceed against you for damages forbreach of contract;

    (b) to rescind the sale of that lot and/or anyother lots sold by us to you;

    (c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

    (d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

    (e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

    (f) to retain that or any other lot sold to youuntil you pay the total amount due;

    (g) to reject or ignore bids from you or youragent at future auctions or to imposeconditions before any such bids shall beaccepted;

    (h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your property

    in our possession for any purpose until thedebt due is satisfied.

    (2) We shall, as agent for the seller and ontheir behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

    9. THIRD PARTY LIABILITY

    All members of the public on our premisesare there at their own risk and must notethe lay-out of the accommodation andsecurity arrangements. Accordingly neitherthe auctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for the safetyof the property of persons visiting prior to orat a sale.

    10. COMMISSION BIDS

    While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumed tohave carefully inspected and satisfiedthemselves as to its condition we shall if soinstructed clearly and in writing executebids on their behalf. Neither the auctioneeror our employees or agents shall beresponsible for any failure to do so. Wheretwo or more commission bids at the samelevel are recorded we reserve the right in ourabsolute discretion to prefer the first bid somade.

    11. WARRANTY OF TITLE ANDAVAILABILITY

    The seller warrants to the auctioneer and toyou that the seller is the true owner of theproperty consigned or is properly authorisedby the true owner to consign it for sale andis able to transfer good and marketable titleto the property free from any third partyclaims.

    12. AGENCY

    The auctioneer normally acts as agent onlyand disclaims any responsibility for defaultby sellers or buyers.

    13. TERMS OF SALE

    The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of the lot.

    14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

    (1) Commission: 15% of the first 3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of 30). Loss and damage warranty:1.5% on value of lots sold. Photography:max 40 mono per lot, max 250 colour.Internet Marketing Service: 10 per lot.

    (2) If a vendor wishes to withdraw a lotconsigned for sale, a withdrawal fee willapply; this will be charged at 15% of the midestimate with any photography chargesincurred and all subject to VAT at thecurrent rate.

    15. DESCRIPTIONS AND CONDITION

    (1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect before anysale and they (and any independent expertson their behalf) must satisfy themselves asto the accuracy of any description applied toa lot. Prospective buyers also bid on theunderstanding that, inevitably,representations or statements by us as toauthorship, genuineness, origin, date, age,provenance, condition or estimated selling

    price involve matters of opinion. Weundertake that any such opinion shall behonestly and reasonably held and acceptliability for opinions given negligently orfraudulently. Subject to the foregoing neitherwe the auctioneer or our employees oragents or the seller accept liability for the correctness of such opinionsand all conditions and warranties, whetherrelating to description, condition or qualityof lots, express, implied or statutory, arehereby excluded. This Condition is subjectto the next following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 information tobuyers.

    (2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

    16. FORGERIES

    Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition as whenbought, and is accompanied by particularsidentifying it from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot including anybuyers premium provided that (1) if thecatalogue description reflected the acceptedview of scholars and experts as at the dateof sale or (2) you personally are not able totransfer a good and marketable title to us,you shall have no rights under thiscondition.

    The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

    GENERAL

    17. We shall have the right at our discretion,to refuse admission to our premises orattendance at our auctions by any person.

    18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the seller and/orthe auctioneer as appropriate.

    (2). Such rights and exclusions shall extendto and be deemed to be for the benefit ofemployees and agents of the seller and/orthe auctioneer who may themselves enforcethem.

    19. Any notice to any buyer, seller, bidder orviewer may be given by first class mail inwhich case it shall be deemed to have beenreceived by the addressee 48 hours afterposting.

    20. Special terms may be used in cataloguedescriptions of particular classes of items(Books, Jewellery, paintings, guns, firearmsetc) in which case the descriptions must beinterpreted in accordance with any glossaryor guidance notes appearing in thecatalogue. These notices and terms will alsoform part of our terms and conditions ofsales.

    21. Any indulgence extended to biddersbuyers or sellers by us notwithstanding thestrict terms of these Conditions or of theTerms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditions shallbe construed as having full force and effect.

    22. Scottish law applies to theinterpretation of these Conditions.

    Lyon & Turnbull Standard Terms & Conditions of Sale

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 30

  • Fine PaintingsThursday 1st December, 201133 Broughton Place, Edinburgh EH1 3RR

    www.lyonandturnbull .com

    SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTH PORTRAIT OF ELIZABETH DOUGLASOil on canvas

    125cm x 100cm (49in x 39.5in)

    15,000-20,000 (24,00-32,000)

    Viewing timesSunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pmMorning of Sale by appointment only

    EnquiriesNick CurnowTel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

    Charlotte RiordanTel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

    SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)

    THREE-QUARTER LENGTH PORTRAIT OF JAMES DOUGLAS

    Oil on canvas

    125cm x 100cm (49in x 39.5in)

    15,000-20,000 (24,00-32,000)

    Further entries invited until October 20th

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 31

  • Upcoming atFreemans

    www. f r e eman s au c t i o n . com

    Inquiries:alasdair nicholdirect tel: 267.414.1211anichol@freemansauction.com

    david weissdirect tel: 267-414-1214dweiss@freemansauction.com

    maya odonnell-shahdirect tel: 267-414-1210mshah@freemansauction.com

    Catalogue $35

    AuctionSunday December 4th at 2pm

    ExhibitionsWednesday November 30thThursday December 1stFriday December 2ndSaturday December 3rd

    Please contact the department or www.freemansauction.com for further details

    Fine American & European Paintings &Sculpture 12/04/11

    EDWARD WILLIS REDFIELD(american 1869-1965)"CANAL AT LAMBERTVILLE" (detail)Signed 'E.W. REDFIELD' lower left, oil on canvas32 1/4 x 39 1/2 in. (81.9 x 100.3cm) $150,000-250,000 (93,750-156,250)

    G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 32

  • TheInternationalSaleOld MasterPaintings,Drawings & Prints

    Session Two

    Friday, October 7th 2011

    at 11am

    Freemans

    1808 Chestnut Street

    Philadelphia PA 19103

    G11-10622_OldMastersTXT33-64_Layout 1 9/9/11 11:57 AM Page 33

  • Important Information for Buyers at Freemans

    Registration

    Buyers Premium

    Sales Tax

    Catalogue Descriptions

    Bidding

    Payment

    Removal of Purchases

    Shipping and Packing

    All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our receptiondesk, by fax or through our website at www.freemansauction.com. Wewill require proof of identification and residence and may require acredit card and/or a bank reference. By registering for the sale, thebuyer acknowledges that he or she has read, understood and acceptedFreemans Terms and Conditions of Sale.

    A Buyers Premium will be added to the successful bid price and ispayable by the buyer as part of the total purchase price. The BuyersPremium shall be: 25% on the first $20,000 of the hammer price ofeach lot, 20% on the portion from $20,001 through $500,000, and12% on the portion of the hammer price exceeding $500,000.

    All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register theirtax numbers on current PA forms. Forms should be submitted to ourClient Services office on the second floor.

    All item descriptions, dimensions and estimates are provided forguidance only. It is the buyers responsibility to inspect all lots prior tobidding to ensure that the condition is to their satisfaction. If potentialbuyers are unable to inspect lots in person, our specialists will behappy to prepare detailed Condition Reports on individual lots asquickly as possible. These are for guidance only, and all lots will besold as is as per our Terms and Conditions of Sale.

    At the sale Registered bidders will be assigned a bidder number andgiven a paddle for use at the sale. Once the first bid has been placed,the auctioneer asks for higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddle until theauctioneer acknowledges you. The auctioneer will not mistake arandom gesture for a bid.By phone A limited number of telephone lines are available for biddingby phone through a Freemans representative. Phone lines must bereserved in advance. Requests must be submitted no later than 24hours prior to the scheduled start of the sale.In writing Bid forms are available in the sale room and at the back ofthe catalogue. These should be submitted in person, by mail or by faxno later than one hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit indicated, but is notresponsible for errors or failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absenteebids through the web site and will receive email confirmation of theirbid. Freemans is not responsible for errors or failure to execute bids.

    Lots purchased will not be released until we have received fullpayment. Payment may be made in cash, by check, money order, ordebit card. Payments by check must clear the bank before goods willbe released.

    Deliveries will not be made during the time of the sale unlessotherwise indicated by the auctioneer. All items must be paid for andremoved by October 14th at 3pm. Purchases not so removed may beturned over to a licensed warehouse at the expense and risk of thepurchaser.

    Responsibility for packing, shipping and insurance shall be exclusivelythat of the purchaser. Upon request, Freemans will provide thepurchaser with names of professional packers and shippers known tous.

    G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 34

  • 35

    FREEMANSold master paintings, drawings & prints

    friday, october 7th, 2011

    52 11-1857/3TWO ETCHINGS

    ANTHONY VAN DYCK(FLEMISH 1599-1641)

    FRANS SNYDERS Circa 1622-1625. Etching

    9 11/16 x 6 1/8 in. (24.6 x 15.6cm)

    [Hollstein, 11]

    and

    ADAM VAN NORTCirca 1645. Etching

    9 5/8 x 6 3/16 in. (24.5 x 15.7cm)

    [Hollstein, 8] (2)

    $1,000-1,500 625-940

    51 11-1537/39ANTHONY VAN DYCK(FLEMISH 1599-1641)

    CHRIST CROWNED WITHTHORNSCirca 1631. Etching

    10 5/16 x 8 5/16 in. (26.2 x 21.1cm)

    [Hollstein, 20]Provenance:Colnaghi, London (according to a hand-written note on verso of framing).

    $500-700 310-440

    G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 35

  • 36

    FREEMANSold master paintings, drawings & printsfriday, october 7th, 2011

    55 11-1537/36ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)

    PR DELLA VALLECirca 1740. Etching

    11 7/8 x 17 1/8 in. (30.2 x 43.5cm)

    [Bromberg, 8 I/III]Provenance:Lucien Goldschmidt Inc., New York.

    $1,500-2,000 940-1,250

    54 11-1537/3ATTRIBUTED TO ANTONIOVISENTI(ITALIAN 1688-1782)

    PALAZZO DELLBORI, VENEZIALocated and inscribed at lower

    right and lower center, ink and

    gray wash on paper

    14 1/4 x 20 3/4 in. (36.2 x 52.7cm)

    Provenance:Lucien Goldschmidt, Inc., New York.

    $1,000-1,500 625-940

    53 11-1537/37ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)

    PAESAGGIO CON TORRE E DUEPILASTRI IN ROVINACirca 1740. Etching

    5 11/16 x 8 3/16 in. (14.4 x 20.8cm)

    [Bromberg, 28 II/II]

    $500-700 310-440

    G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 36

  • 57 11-1857/4SEVEN PRINTS

    AEGIDUS SADELER II(FLEMISH CIRCA 1570-1629)

    VIRGIN AND CHILD ON A GRASSY BANK(AFTER ALBRECHT DURER)Circa 1660. Engraving

    [Hollstein, 72]

    together with six portrait etchings

    AFTER SIR ANTHONY VAN DYCK"CAESAR ALEXANDER SCAGLIA", "CLARISSIMUS

    DIODORUS TULDENUS", "GASPAR DE CRAYER",

    "JOHANNES SNELLINEX", "JOHANNES VAN

    MILDER" and "PETRUS DE IODE JUNIOR"

    each unframed (7)

    various sizes

    $800-1,200 500-750

    37

    FREEMANSold master paintings, drawings & prints

    friday, october 7th, 2011

    56 11-1537/186FOUR PRINTS

    GIOVANNI BATTISTAVINCENTINO PITTONI, THEELDER(ITALIAN 1520-1583)

    FOUR ETCHINGS

    FROM PRAECIPUA ALIQUOTROMANAE ANTIQUITATISRUINARUM MONIMENTA1561 (4)

    (plate 2) 9 1/16 x 12 1/4 in. (23 x 31.1cm)

    (plate 10) 9 1/8 x 13 in. (23.2 x 33cm)

    (plate 12) 8 1/2 x 12 11/16 in.

    (21.6 x 32.2cm)

    (plate 27) 8 3/16 x 12 5/16 in.

    (20.8 x 31.3cm)

    $1,200-1,800 750-1,125

    G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 37

  • 58 11-1857/1ALBRECHT DURER(GERMAN 1471-1528)

    VIRGIN SURROUNDED BYMANY ANGELS1518. Woodcut, unframed

    11 7/8 x 8 1/2 in (30.2 x 21.6cm)

    [Bartsch, 101; Hollstein, 101]

    $600-800 375-500

    59 11-1857/2REMBRANDT VAN RIJN(DUTCH 1606-1669)

    JAN CORNELIS SYLVIUS,PREACHER1633. Etching, drypoint and

    engraving, unframed

    6 1/2 x 5 9/16 in. (16.5 x 14.1cm)

    [Bartsch, 266; Hollstein 266;

    Ustickes second state (of three)]

    $2,000-3,000 1,250-1,875

    60 11-1852/1GEORG PENCZ(GERMAN 1500-1550)

    JOSEPH ERZHLT SEINETRAUMEPLATE 1 FROM DIE GESCHICHTE

    JOSEPHS

    1544. Engraving

    4 3/8 x 2 15/16 in. (11.1 x 7.5cm)

    [Bartsch, 91] (2)

    $500-700 310-440

    FREEMANSold master paintings, drawings & printsfriday, october 7th, 2011

    38

    G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 38

  • 61 11-1775/4REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE FLIGHT INTO EGYPT: ANIGHT PIECE1651. Etching

    5 1/16 x 4 5/16 in. (12.9 x 11cm)

    [Bartsch, 53; Hollstein, 53;

    Ustickes sixth state (of nine)

    (Basan impression)]

    $1,200-1,800 750-1,125

    62 11-1009/2REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE PANCAKE WOMAN1635. Etching, in an antique

    saltwood, elm and mohogany

    frame with decorated bone inlay

    4 3/8 x 3 1/8 in. (11.1 x 7.9cm)

    [Bartsch, 124; Hollstein, 124;

    Ustickes second state (of six)]

    $3,000-5,000 1,875-3,1255

    63 11-1775/19REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE FIRST ORIENTAL HEADEtching

    5 3/16 x 4 15/16 in. (13.2 x 12.5cm)

    [Bartsch, 286; Hollstein, 286;

    Ustickes only state (l) (from the

    Swedish plate)]

    $1,500-2,500 938-1,563

    FREEMANSold master paintings, drawings & prints

    friday, october 7th, 2011

    39

    G11-10622_OldMastersTXT33-64_Layout 1 9/9/11 11:57 AM Page 39

  • 64 11-1775/8REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE GOLDSMITH1655. Etching

    3 x 2 3/16 in. (7.6 x 5.6cm)

    [Bartsch, 123; Hollstein, 123;

    Ustickes second state (e) (of 3)

    (Basan impression)]

    $1,200-1,800 750-1,125

    65 11-1775/16REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE LITTLE JEWISH BRIDE(SASKIA AS SAINTCATHERINE)1638. Etching

    4 3/8 x 3 1/16 in. (11.1 x 7.8cm)

    [Bartsch, 342; Hollstein, 342;

    Ustickes only state]

    $1,000-2,000 625-1,250

    66 11-1775/9REMBRANDT VAN RIJN(DUTCH 1606-1669)

    CHRIST CRUCIFIED BETWEENTWO THIEVES: AN OVALPLATECirca 1641. Etching

    5 5/16 x 3 15/16 in. (13.5 x 10cm)

    [Bartsch, 79; Hollstein, 79;

    Ustickes second state (of three)]

    $2,000-3,000 1,250-1,875

    FREEMANSold master paintings, drawings & printsfriday, october 7th, 2011

    40

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  • 68 11-1775/10REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE ARTIST DRAWING FROM A MODELCirca 1646. Etching

    9 1/8 x 7 1/4 in. (23.2 x 18.4cm)

    [Bartsch, 192; Hollstein, 192; Ustickes second state (of two) (Basan

    impression)]

    $2,000-3,000 1,250-1,875

    69 11-1775/11REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE CIRCUMSICION IN THE STABLE1654. Etching

    3 3/4 x 5 11/16 in. (9.5 x 14.4cm)

    [Bartsch, 47; Hollstein, 47; Ustickes second

    state (of two) (Basan impression)]

    $1,000-1,500 625-940

    67 11-1775/3REMBRANDT VAN RIJN(DUTCH 1606-1669)

    NUDE MAN SEATED, ANOTHER STANDING WITH A WOMANAND A BABYCirca 1646. Etching

    7 5/8 x 5 in. (19.4 x 12.7cm)

    [Bartsch, 194; Hollstein, 194; Ustickes seventh state (of seven)

    (Bernard impression)]

    $1,000-1,500 625-940

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  • 70 11-1775/13REMBRANDT VAN RIJN(DUTCH 1606-1669)

    BEGGARS RECEIVING ALMS ATTHE DOOR1648. Etching

    6 3/8 x 5 1/16 in. (16.2 x 12.6cm)

    [Bartsch, 176; Hollstein, 176;

    Ustickes fifth state (of six)

    (Basan impression)]

    $1,500-2,000 940-1,250

    71 11-1775/7REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE STONING OF ST.STEPHEN1635. Etching

    3 3/4 x 3 3/8in. (9.5 x 8.6cm)

    [Bartsch, 97; Hollstein, 97;

    Ustickes second state (of four)

    (Basan impression)]

    $1,000-1,500 625-940

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  • 73 11-1775/15REMBRANDT VAN RIJN(DUTCH 1606-1669)

    OLD MAN WITH BEARD, FURCAP & VELVET CLOAK1632. Etching

    4 1/4 x 3 3/16 in. (10.8 x 8.1cm)

    [Bartsch, 262; Hollstein, 262;

    Ustickes third state (of three)

    (from the Collection of 200

    Etchings 1816)]

    $1,000-1,500 625-940

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    72 11-1775/14REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE BAPTISM OF THEEUNUCH1641. Etching

    7 1/8 x 8 3/8 in. (18.1 x 21.3cm)

    [Bartsch, 98; Hollstein, 98;

    Ustickes fourth state (of four)

    (Basan impression)]

    $2,000-3,000 1,250-1,875

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  • 75 11-1775/17REMBRANDT VAN RIJN(DUTCH 1606-1669)

    WOMAN AT A DOOR HATCHTALKING TO A MAN ANDCHILDREN1641. Etching

    3 11/16 x 2 7/16 in. (9.4 x 6.2cm)

    [Bartsch, 128; Hollstein, 128;

    Ustickes second state (of three)

    (Basan impression)]

    $1,500-2,500 938-1,563

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    74 11-1506/12REMBRANDT VAN RIJN(DUTCH 1606-1669)

    CHRIST AND THE WOMAN OFSAMARIA AMONG RUINS1634. Etching

    4 7/8 x 4 5/16 in. (12.4 x 11cm)

    [Bartsch, 71; Hollstein, 71;

    Ustickes second state (i) (of

    four) (Basan impression)]

    $3,000-5,000 1,875-3,125

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    76 11-1775/6REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE CARD PLAYER1641. Etching

    3 7/16 x 3 1/8 in. (8.7 x 7.9cm)

    [Bartsch, 136; Hollstein, 136;

    Ustickes fourth state (of four)

    (Basan impression)]

    $1,200-1,800 750-1,125

    77 11-1775/12REMBRANDT VAN RIJN(DUTCH 1606-1669)

    THE CRUCIFIXION: SMALLPLATECirca 1635. Etching

    3 3/4 x 2 5/8 in. (3.8 x 2.6cm)

    [Bartsch, 80; Hollstein, 80;

    Ustickes first state (l) (of four)

    (Basan impression)]

    $700-1,000 438-625

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    78 11-1779/1REMBRANDT VAN RIJN(DUTCH 1606-1669)

    NAKED WOMAN SEATED ONA MOUNDCirca 1631. Etching with

    Powderhorn watermark and

    inscribed Pm 1681 in ink verso,

    unframed

    7 x 6 5/16 in. (17.8 x 16cm)

    [Bartsch, 198; Hollstein, 198;

    Ustickes fourth state (of five)]Provenance:(ex-collection) Pierre Mariette.

    $6,000-10,000 3,750-6,250

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    79 10-2295/1CLAUDE-FLIX-THODOREALIGNY, KNOWN ASTHODORE CAROUELLEDALIGNY(FRENCH 1798-1871)

    GORGES DAPREMONTInscribed lower left, ink on paper

    11 1/4 X 17 1/2 in. (28.6 x 44.5cm)

    Note:We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.

    $1,000-1,500 625-940

    80 10-2295/3JEAN-FRANCOIS MILLET(FRENCH 1814-1875)

    STUDY OF A NUDE FOR LESCONFIDENCESExecuted circa 1846-8, crayon

    noir on paper, with J.F.M. studio

    stamp lower left

    3 1/8 X 6 1/2 in. (7.9 x 16.5cm)

    Note:The present drawing is thought to be apreparatory study for the larger, morefinished Millet drawing in the Cabinetdes Dessins, Muse du Louvre.We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.

    $2,000-3,000 1,250-1,875

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    82 11-1793/1ITALIAN SCHOOL17TH-18TH CENTURY

    FEEDING THE LIVESTOCKSigned with indecipherable

    monogrammed signature lower

    right, sepia ink and wash on

    paper

    12 1/2 x 18 in. (31.8 x 45.7cm)

    $600-800 375-500

    81 11-1694/2TWO WORKS ON PAPER

    ITALIAN SCHOOL17TH-18TH CENTURY

    THE CRUCIFIXION, WITHSKETCHES VERSORed chalk on paper

    11 5/16 x 8 7/16 in. (28.7 x 21.4cm)

    and

    CIRCLE OF ROTTENHAMMER(GERMAN 1564-1625)

    THE BEHEADING OF SAINTJOHN THE BAPTISTInscribed in part Rottenhammer

    in pencil verso, and with A.V.

    Wurzbach stamp and exhibition

    sticker verso, brown ink with gray

    washes on laid paper (2)

    4 15/16 x 3 1/4 in. (12.5 x 10.8cm)

    Provenance:(ex-collection) A.V. Wurzbach.

    $1,000-1,500 625-940

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    83 11-1504/1FRANCESCO ZUCCARELLI(ITALIAN 1702-1788)

    STANDING MALE NUDE WITHHIS ARM ON A LEDGEInscribed P.H. lower left, and

    with unidentified stamp lower

    right, sepia ink and wash

    heightened with white on brown

    paper

    8 3/4 x 6 1/16 in. (22.2 x 15.4cm)

    Provenance:Sothebys New York, sale of January 25,2002, lot 110.(according to label verso) Colnaghi & Co.Ltd. London.

    $2,500-3,500 1,560-2,200

    84 10-8108/37JEAN-MICHEL MOREAU,CALLED MOREAU LE JEUNE(FRENCH 1741-1814)

    THE FOUR CONTINENTS WITHBENJAMIN FRANKLIN AS THEPERSONIFICATION OFAMERICA BEFORE ANALLEGORY OF RELIGION,ERMENONVILLE AND THETOMB OF ROUSSEAU SEENBEYONDBlack and sepia ink, wash and

    pencil on paper

    7 1/8 x 10 7/8 in. (18.1 x 27.6cm)

    Provenance:Christies, New York, sale of January 25,2007, lot 85.

    Note:Engraved by Andr Macret (1775-1789)in 1785, with numerous differences.

    $3,000-4,000 1,875-2,500

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    86 10-2035/1FOLLOWER OF VINCENZOMANNOZZI(ITALIAN D. 1657)

    OLYMPIA ABANDONED BYBIRENOOil on canvas

    66 7/8 x 89 in. (169.9 x 226.1cm)

    Provenance:Sothebys, New York, sale of January 29,2010, lot 725.

    $2,000-4,000 1,250-2,500

    85 10-8107/1CIRCLE OF CARLO MARATTA(ITALIAN 1625-1713)

    ANTIOPE AND CUPIDOil on canvas

    25 1/2 x 19 1/4 in. (64.8 x 48.9cm)

    $4,000-6,000 2,500-3,750

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    87 11-1566/2ATTRIBUTED TO GIOVANNIBATTISTA BEINASCHI(ITALIAN 16361688)

    DIOGENES SEATED IN HISBARREL DISCUSSINGPHILOSOPHY WITH TWODISCIPLESOil on canvas

    72 x 48 in. (182.9 x 121.9cm)

    Provenance:Sothebys, New York, sale of October 17,1997, lot 126.

    $8,000-12,000 5,000-7,500

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    89 11-1792/8GIOVANNI DOMENICOVALENTINO(ITALIAN ACT. 1661-1681)

    FIGURES READING IN AKITCHEN INTERIORSigned with initials G.D.V.R. on

    pot at lower right, oil on canvas

    19 x 25 in. (48.3 x 63.5cm)

    $2,500-3,500 1,560-2,200

    88 11-1952/3FOLLOWER OF FRANCESCOSOLIMENA(ITALIAN 1657-1747)

    HOLY FAMILYOil on canvas

    14 3/8 x 11 1/2 in. (36.5 x 29.2cm)

    $1,500-2,500 938-1,563

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    90 11-1850/1NORTHERN ITALIAN SCHOOL17TH CENTURY

    PUTTIOil on canvas, in an architectural

    frame

    28 x 25 in. (71.1 x 63.5cm)

    Provenance:(according to typed and printed labelverso)Olive P. Eggleston, Philadelphia, 1936,purchased as Alonzo Miquel de Lahar(Torar), Infants at Play.

    $4,000-6,000 2,500-3,750

    91 09-1958/1FOLLOWER OF CARLOSARACENI(ITALIAN CIRCA 1579-1620)

    THE MADONNA AND CHILDWITH SAINT ANNE AND ANANGELOil on canvas laid on panel

    30 3/4 x 42 7/8 in. (78.1 x 108.9cm)

    Literature:For an autograph version of thiscomposition, please see Anna OttaniCavina, Saraceni: tre dipinti, qualche datoin Scritti in Onore di Giuliano Briganti,Milan, 1990, pp. 160-7, fig. 2.

    $2,000-3,000 1,250-1,875

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    94 11-1692/3FOLLOWER OF MATTIA PRETI(ITALIAN 1613-1699)

    HEAD OF A MALE SAINTInscribed Anibale Caracci

    Bologniese, (sic) verso, oil on

    canvas, unframed

    14 x 10 5/8 in. (35.6 x 27cm)

    $500-700 310-440

    93 11-5035/9CIRCLE OF CARLO CERESA(ITALIAN 1609-1679)

    CHILD WITH DOG IN INTERIOROil on canvas

    26 1/4 x 19 1/2 in. (66.7 x 49.5cm)

    $1,200-1,800 750-1,125

    92 07-8003/8MANNER OF MARCODOGGIONO(ITALIAN 1470-1549)

    MADONNA AND CHILDOil on cradled panel, painted in

    the oval

    14 1/2 x 13 1/4 in. (36.8 x 33.7cm)

    $800-1,200 500-750

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    95 11-8051/13AFTER TITIAN(ITALIAN CIRCA 1485-1576)

    PORTRAIT OF A KNIGHT OFMALTAOil on canvas, unframed

    35 x 59 in. (88.9 x 73.7cm)

    Note:After the original by Titian in the UffiziGallery, Florence.

    $800-1,200 500-750

    97 09-1380/23ITALIAN SCHOOL19TH CENTURY

    PORTRAIT OF A SEATED BOY INTHREE-QUARTER PROFILEOil on canvas, framed in the oval

    11 1/2 x 9 3/8 in. (29.2 x 23.8cm)

    $1,000-1,500 625-940

    96 11-8051/9FOLLOWER OF POMPEOBATONI(ITALIAN 1708-1787)

    PORTRAIT OF A GENTLEMANIN A GREY COATOil on canvas, unframed

    30 x 25 in. (76.2 x 63.5cm)

    $1,000-1,500 625-940

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  • 98 11-1792/2FOLLOWER OF GIUSEPPE LAVAGNA(ITALIAN CIRCA 1684-CIRCA 1723)

    OUTDOOR STILL LIFE WITH MIXED FLOWERS, FIGURESAND BIRDSPair of shaped oils on canvas, in gilded, polychrome

    Venetian style architectural frames (2)

    17 1/4 x 42 3/4 in. (43.8 x 108.6cm) (each)

    $5,000-7,000 3,125-4,375

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  • 100 11-1792/4MANNER OF GENNARO GRECO,CALLED IL MASCACOTTA(ITALIAN 1663-1714)

    CAPRICCIO WITH TRAVELERSOil on canvas, unframed

    11 1/8 x 31 7/8 in. (28.6 x 81cm)

    $1,000-1,500 625-940

    99 11-1792/1NEAPOLITAN SCHOOL18TH CENTURY

    MIXED FLOWERS IN AN URNOil on canvas, unframed

    29 5/8 x 23 5/8 in. (75.2 x 60cm)

    $1,200-1,800 750-1,125

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  • 101 11-1798/8VENETIAN SCHOOL18TH CENTURY

    A MUSICAL TRIOand MAIDEN WITH TAMBOURINEPair oils on canvas laid on panel,

    ovals (2)

    13 3/4 x 18 5/8 in. (34.9 x 47.3cm) (each)

    Provenance:M. Fiorillo, Philadelphia, Pennsylvania.

    $6,000-8,000 3,750-5,000

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    102 11-1792/3NEAPOLITAN SCHOOL18TH CENTURY

    STILL LIFE WITH MIXEDFLOWERSand a companion, pair oils on

    canvas (2)

    17 3/8 x 29 1/2 in. (44.1 x 74.9cm) (each)

    $3,000-5,000 1,875-3,125

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    103 11-8050/1CIRCLE OF PIETER COECK VAN AELST THE ELDER(FLEMISH 1502-1550)

    VIRGIN AND CHILDOil on panel, in a period polychrome and parcel gilt frame, inscribed

    with 'OH GLORIOSA DOMINA / EXCELSA SUPER SYDERA /

    LACTASTI SACRO UBERE / QUI TE CREAVIT, PROVIDE'

    23 1/2 x 17 1/4 in. (56.7 x 43.8cm)

    $12,000-18,000 7,500-11,250

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    106 11-1000/8FOLLOWER OF GERRIT VONHONTHORST(DUTCH 1590-1656)

    PORTRAIT OF A GENTLEMAN,POSSIBLY PRINCE RUPERT OFTHE RHINE, IN AN ERMINEROBEOil on canvas

    27 3/4 x 22 3/4 in. (70.5 x 57.8cm)

    $1,000-1,500 625-940

    105 11-1697/2FOLLOWER OF ARTUSWOLFAERTS(FLEMISH 1581-1641)

    MALE SAINTOil on cradled panel

    25 1/4 x 19 3/8 in. (64.1 x 49.2cm)

    $1,000-1,500 625-940

    104 11-1803/103CIRCLE OF JAN ANTHONISZVAN RAVESTEYN(DUTCH CIRCA 1570-1657)

    PORTRAIT OF A WOMANWEARING A WHITE RUFF ANDLACE COLLAROil on panel, unframed

    21 1/2 x 19 7/8 in. (54.6 x 35.2cm)

    Note:Panel in two unjoined sections.

    $2,000-3,000 1,250-1,875

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    107 11-1855/2SCHOOL OF ANTHONY VANDYCK(FLEMISH 1599-1641)

    THOMAS WENTWORTH, FIRST EARL OF STRAFFORD, IN ARMOROil on canvas

    49 1/4 x 39 in. (125.1 x 99cm)

    Provenance:David Cooke, United Kingdom.

    Note:The present composition directly relatesto Van Dycks portrait of Wentworth inthe Collection of the National Trust,Petworth House, Sussex.

    $5,000-7,000 3,125-4,375

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  • 108 11-1798/5CIRCLE OF JUSTUSSUSTERMANS(FLEMISH 1597-1681)

    DUCHESS OF TUSCANYOil on canvas

    25 3/4 x 19 1/4 in. (65.4 x 48.9cm)

    Provenance:(according to label Inscribed in Italian onverso, and typed label verso)Grand Duchess of Tuscany.Presented to the above on July 15, 1661by the Marquis Colui.The family of the Count of C***oi.

    $2,500-3,500 1,563-2,200

    109 11-1858/1ATTRIBUTED TO CLAUDELEFEBVRE(FRENCH 1632-1675)

    LADY WITH PEARLS AND PINKSATIN DRESSOil on canvas

    25 1/2 x 19 3/4 in. (64.8 x 50.2cm)

    Provenance:Anonymous sale, Christies, New York,circa 1978.

    $8,000-12,000 5,000-7,500

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  • 110 10-1993/5CONTINENTAL SCHOOLCIRCA 1840

    YOUNG MAN WITH VIOLINBEFORE A CASEMENTOil on canvas

    25 1/2 x 21 3/8 in. (64.8 x 54.3cm)

    Provenance:(according to inventory label verso) LeGarde Meuble Public, Bedel & Cie., Parisunder inventory number 7778.

    Note:The present painting is likely based on, orinfluenced by, Dutch 17th Centurypainters, notably the LeidseFijnechilders (Leiden Fine Painters).

    $10,000-15,000 6,250-9,375

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  • 111 11-1787/1ATTRIBUTED TO SIR PETERLELY(BRITISH 1618-1680)

    AN ELEGANT LADY, BELIEVEDTO BE COUNTESS ANNE,SEATED IN A LANDSCAPEOil on canvas

    50 3/8 x 39 15/16 in. (128 x 101.4cm)

    $7,000-10,000 4,375-6,250

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  • 112 11-1797/1CIRCLE OF ADRIAENHANNEMAN(DUTCH CIRCA 1601-1671)

    YOUNG MAN IN INTERIOR, THEVIRGIN, CHRIST CHILD ANDSAINT PETER IN THE DISTANCEOil on canvas

    42 x 44 in. (106.7 x 111.8cm)

    $12,000-18,000 7,500-11,250

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  • 113 05-1071/1FOLLOWER OF DAVID TENIERS,THE YOUNGER(DUTCH 1610-1690)

    INTERIOR OF AN INN WITHPEASANTS MERRYMAKINGOil on canvas.

    16 x 23 in. (40.6 x 58.4cm)

    $1,000-1,500 625-940

    114 11-8051/20FOLLOWER OF ADRIAEN JANSZVAN OSTADE(DUTCH 1610-1685)

    PEASANTS IN AN INTERIOROil on panel, unframed

    8 3/4 x 12 3/8 in. (22.2 x 31.4cm)

    $800-1,200 500-750

    115 11-1163/58FOLLOWER OF CORNELIS VAN ESSEN(DUTCH CIRCA 1690-CIRCA 1710)

    VILLAGE SCENE WITHPRISONERS IN STOCKADE ANDONLOOKERSOil on cradled panel

    24 1/8 x 28 5/8 in. (61.3 x 72.7cm)

    $800-1,200 500-750

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  • 117 11-1799/1MANNER OF QUENTIN METSYS(MASSYS) THE ELDER(FLEMISH 1466-1530)

    LAMENTATION OF CHRISTOil on cradled panel

    35 3/8 x 31 1/8 in. (89.9 x 79.1cm)

    $3,000-5,000 1,875-3,125

    116 11-1396/1FOLLOWER OF GERARD TERBORCH THE YOUNGER(DUTCH 1617-1681)

    WOMAN DRINKINGOil on panel

    13 1/8 x 10 in. (33.3 X 25.4cm)

    Note:The present painting derives from TerBorchs Woman Drinking in theFrankfurt Museum.

    $1,500-2,000 940-1,250

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  • 118 11-1950/1FOLLOWER OF SIR PETER PAULRUBENS(FLEMISH 1577-1640)

    THE FALL OF MAN WITH ASURROUND OF SEVEN GREEKGODSOil on canvas

    32 x 25 in. (81.3 x 63.5cm)

    $6,000-8,000 3,750-5,000

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  • 120 11-1697/1CIRCLE OF HENDRICK FRANSVAN LINT(FLEMISH 1684-1763)

    COLOSSEUM, ROMEOil on canvas

    11 1/8 x 15 1/2 in. (28.3 x 39.4cm)

    $5,000-7,000 3,125-4,375

    119 11-1952/2MANNER OF GERRIT DOU(DUTCH 1613-1675)

    SAINT JEROMEOil on canvas

    16 7/8 x 13 1/2 (42.9 x 34.3cm)

    $2,500-3,500 1,560-2,200

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  • 121 11-1792/5MANNER OF ADRIEN DE GRYEF(FLEMISH 1657-1715)

    STILL LIFE WITH HARE AND GAME BIRDSand

    STILL LIFE WITH PHEASANT AND WOODCOCKPair oils on panel (2)

    7 7/8 x 9 7/8 in. (20 x 25.1cm) (each)

    $1,000-1,500 625-940

    122 11-1566/1FOLLOWER OF JAN FYT(FLEMISH 1611-1661)

    STILL LIFE WITH HAREOil on canvas laid on panel

    31 1/8 x 24 1/4 in. (79.1 x 61.6cm)

    $1,000-1,500 625-940

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    123 11-1854/1FOLLOWER OF PAUL DE VOS(FLEMISH 1595-1678)

    DOGS AND CATS FIGHTING INA LANDSCAPEOil on canvas

    26 x 33 1/4 in. (66 x 84.5cm)

    $2,000-3,000 1,250-1,875

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  • 125 11-1792/6FOLLOWER OF THOMAS WYCK(DUTCH CIRCA 1616-1677)

    LANDSCAPES WITH TRAVELERSSix oils on canvas, framed

    together

    2 3/4 x 4 1/2 in. (7 x 11.4cm) (each)

    9 1/4 x 9 1/2 in. (23.5 x 24.1cm)

    (overall, sight)

    $2,500-3,500 1,560-2,200

    124 11-1495/1FOLLOWER OF JAN-BAPTISTEBOSSCHAERT(BELGIAN 1677- CIRCA 1746)

    STILL LIFE WITH TULIPS,PEONIES, AND CONVOLVULUSIN A CLASSICALLY DECORATEDBOWL UPON A LEDGEOil on canvas

    18 3/4 x 14 1/2 in. (47.6 x 36.8cm)

    $2,500-3,500 1,560-2,200

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  • 126 11-1699/1ATTRIBUTED TO GASPARPIETER VERBRUGGEN THEYOUNGER(FLEMISH 1664-1730)

    FLORAL GARLANDS ADORNINGAN URN UPON A LEDGEOil on canvas

    52 1/2 x 39 1/2 in. (133.4 x 102cm)

    $20,000-30,00012,500-18,750

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  • 128 11-1782/2FOLLOWER OF SIMONPIETERSZ VERELST(DUTCH 1644-1721)

    ROSES, CHRYSANTHEMUMS,BLUEBELLS AND OTHERFLOWERS IN A GLASS VASEUPON A STONE LEDGE WITHHOVERING BUTTERFLY,HOUSEFLIES AND LADYBUGOil on canvas

    17 5/8 x 13 5/8 in. (44.8 x 34.6cm)

    $3,000-5,000 1,875-3,125

    127 11-8051/4MANNER OF JAN VANHUYSUM(DUTCH 1682-1749)

    MIXED FLOWERS IN AN URNWITH BIRDS NEST, ALL UPONA STONE LEDGEOil on panel, unframed

    23 9/16 X 18 3/4 in. (59.8 x 47.6cm)

    $800-1,200 500-750

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  • 129 11-1338/1CIRCLE OF ABRAHAM JANSZSTORCK(DUTCH 1644-1708)

    SHIPS IN A MEDITERRANEANPORTOil on canvas

    24 3/4 x 33 1/4 in. (62.9 x 84.5cm)

    $3,000-5,000 1,875-3,125

    130 11-1856/1JOHANNES CHRISTIAANSCHOTEL(DUTCH 1787-1838)

    SHIP IN DISTRESSSigned J.C. Schotel lower right,

    oil on canvas

    21 3/4 x 27 3/4 in. (55.2 x 70.5cm)

    Provenance:Sothebys New York, sale of January 29,2005, lot 119.

    $7,000-10,000 4,375-6,250

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  • 131 11-8031/1FOLLOWER OF JAN PORCELLIS(DUTCH 1584- CIRCA 1632)

    SHIPS IN A STORMY ESTUARYOil on panel

    17 3/4 x 29 3/4 in. (45.1 x 75.6cm)

    $4,000-6,000 2,500-3,750

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  • 132 11-8041/5MANNER OF ROSE ADELADE-DUCREUX(FRENCH 1761-1802)

    A YOUNG WOMAN HOLDINGA BOOKOil on canvas, inscribed Mlle

    Duthe by Vige Le Brun in a fine,

    period carved and gessoed

    giltwood frame

    23 x 18 1/8 (58.4 x 46cm)

    $3,000-5,000 1,875-3,125

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    133 11-1797/2CIRCLE OF CHARLESBEAUBRUN(FRENCH 1604-1692)

    PORTRAIT OF A NOBLEWOMANInscribed indistinctly upper left,

    oil on cradled panel

    12 x 9 1/2 in. (30.5 x 24.1cm)

    $2,500-3,500 1,560-2,200

    134 11-1141/1AFTER ALEXIS-SIMON BELLE(FRENCH 1674-1734)

    PORTRAIT OF A LADY, SAID TOBE PRINCESS LOUISA MARIATHERESA STUARTInscribed Maria di Este / Queen

    Consort of James 2d (sic) /

    Godmother of Charles

    Bodenham lower left, oil on

    canvas

    30 x 25 in. (76.2 x 63.5cm)

    $1,000-1,500 625-940

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  • 135 11-1777/1HUBERT ROBERT(FRENCH 1733-1808)

    LAVANDIRES AT A STREAM, IN A CLASSICAL LANDSCAPEWITH RUINSOil on canvas

    29 7/8 x 32 3/4 in. (75.6 x 83.2cm)

    Note:This painting is to be included in the catalogue critique of the oil paintings of HubertRobert being prepared at The Wildenstein Institute, Paris. An Avis dInclusion(Statement of Inclusion) from The Wildenstein Institute will accompany this lot.

    $60,000-80,000 37,500-50,000

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  • 136 10-9011/1ATTRIBUTED TO GASPARDDUGHET, CALLED GASPARDPOUSSIN(FRENCH 1615-1675)

    FIGURES IN AN EXTENSIVECLASSICAL LANDSCAPEPainted circa 1660, oil on canvas

    9 x 12 1/2 in. (22.9 x 31.8cm)

    Provenance:Collection of the Marquis of Bath(according to label verso).Phillips, London, sale of December 10,1996, lot 104 as Gaspard Dughet.Didier Aaron, Inc.

    $7,000-9,000 4,375-5,625

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  • 137 11-1073/145MANNER OF NICOLASLANCRET(FRENCH 1690-1743)

    THE SKATERSOil on tin

    19 13/16 x 25.5 in. (50.3 x 64.8cm)

    Provenance:Sothebys New York, sale of February 6,1997, lot 78 as After Nicolas Lancret

    $800-1,000 500-625

    138 11-1163/56CLAUDE MICHEL DUPLESSIS(FRENCH CIRCA 1770-AFTER 1799)

    A MILITARY ENCAMPMENTSigned and dated M.h. Duplessis

    1791 lower right; also inscribed

    57 lower left, oil on canvas

    22 3/4 x 35 1/2 in. (57.8 x 90.2cm)

    Provenance:Sothebys New York, sale of June 13,2007, lot 162

    $4,000-6,000 2,500-3,750

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  • 139 11-1798/10CIRCLE OF NICOLAS-RENJOLLAIN(FRENCH 1732-1804)

    BACCHUS AND ARIADNEOil on canvas

    45 1/4 x 63 3/4 in. (114.9 x 161.9cm)

    $8,000-12,000 5,000-7,500

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  • 140 11-8051/16FOLLOWER OF JEAN-BAPTISTEMONNOYER(FRENCH 1634-1699)

    STILL LIFE OF PARROT TULIP,ROSES, CHRYSANTHEMUMSAND OTHER FLOWERS IN AGILT BRONZE URN, UPON ALEDGE WITH DRAPED CLOTHOil on canvas, unframed

    34 1/4 x 38 5/8 in. (87 x 98.1cm)

    $3,000-5,000 1,875-3,125

    141 11-1792/7FOLLOWER OF ANDREASSCACCIATI(ITALIAN 1642-1704)

    STILL LIFE OF FLOWERSINCLUDING PARROT TULIPS,CARNATIONS AND WITHPOMEGRANATES IN A GLASSVASE UPON A STONE LEDGE;And a companion, pair oils on

    canvas, unframed (2)

    25 1/2 x 18 3/4 in. (64.8 x 47.6cm)

    25 1/2 x 19 in. (64.8 x 48.3cm)

    $4,000-6,000 2,500-3,750

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  • 142 10-1993/8JEAN-BAPTISTE GARNIER(FRENCH FL. CIRCA 1748-1759)

    ABRICOTS ET PRUNESSigned with initials JB. (cojoined) G.f

    bottom center, oil on panel

    9 7/8 x 13 1/8 in. (25.2 x 33.3cm)

    Provenance:Kunsthandel P. De Boer, Amsterdam.Private Collection, Paris.Acquired from the above, 1955.Thence by descent in the family.

    Literature:Michel Fare, Le Grand Sicle de la Nature Morte enFrance, Fribourg, 1974, p. 252 illus.

    $30,000-50,000 18,750-31,250

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  • 144 11-8041/3ATTRIBUTED TO FRANCIS COTES(BRITISH 1726-1770)

    AND

    DOUGLAS HAMILTON(BRITISH 1740-1808)

    PORTRAIT OF A LADYOil on canvas, oval

    11 3/4 x 9 3/4 in. (29.8 x 24.8cm)

    $800-1,200 500-750

    145 11-8041/2FOLLOWER OF ALLAN RAMSAY(SCOTTISH 1713-1784)

    PORTRAIT OF A LADY, SAID TO BE LADY SARAH BUNBURYOil on canvas

    36 x 28 in. (91.4 x 71.1cm)

    $2,000-3,000 1,250-1,875

    143 11-1798/12NORTHERN EUROPEAN SCHOOL18TH CENTURY

    CAPPRICCIO WITH FIGURES ON ATRACKOil on canvas

    33 x 52 1/8 in. (83.8 x 132.4cm)

    $2,000-3,000 1,250-1,875

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  • 146 11-8041/1FOLLOWER OF SIR WILLIAMBEECHEY(BRITISH 1753-1839)

    PORTRAIT OF A GIRL WITHBONNET, SAID TO BE MISSALICE DOWNMANOil on canvas

    22 1/2 x 18 in. (56.2 x 45.7cm)

    $1,000-1,500 625-940

    147 10-2026/2FOLLOWER OF SIR GODFREYKNELLER(BRITISH 1646-1723)

    PORTRAIT OF A NOBLEMAN INERMINE ROBE, SAID TO BELOUIS XIVOil on canvas

    33 x 27 in. (83.8 x 68.6cm)

    Provenance:Freemans, sale of November 24, 1952,lot 159.

    $1,000-1,500 625-940

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  • 148 11-1855/1CIRCLE OF SIR PETER LELY(BRITISH 1618-1680)

    PORTRAIT OF A NOBLE LADY,BELIEVED TO BE MARY OFMODENAOil on canvas

    50 3/8 x 40 1/4 in. (128 x 102.2cm)

    $5,000-7,000 3,125-4,375

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  • 149 11-1691/1SIR HENRY RAEBURN(BRITISH 1756-1823)

    PORTRAIT OF A YOUNGINDIAN WOMANOil on canvas

    30 x 25 in. (76.2 x 63.5cm)

    Provenance:(according to notations on verso)Parke-Bernet Galleries Inc., anonymoussale, February 1, 1940.Sir John Marjoribanks, purchased fromthe above sale.R.L. Cawood.

    Note:We are grateful to Duncan Thomson forconfirming the attribution to Raeburn onthe basis of a photograph.

    $6,000-10,000 3,750-6,250

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  • 151 11-1363/13AFTER DIEGO RODRGUEZ DESILVA Y VELZQUEZ(SPANISH 1599-1660)

    THE INFANTA MARGARITATERESA IN A BLUE DRESSSigned with indecipherable

    monogrammed signature verso,

    oil on canvas

    50 1/8 x 42 3/8 in. (127.3 x 107.6cm)

    Note:After the original painting by Velsquezpainted circa 1659, KunsthistorichesMuseum, Vienna.

    $2,000-3,000 1,250-1,875

    150 11-1782/1FOLLOWER OF ALONSO CANO(SPANISH 1601-1667)

    CRUCIFIXIONOil on canvas

    35 1/8 x 27 7/8 in. (89.2 x 70.8cm)

    $2,000-3,000 1,250-1,875

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  • 152 09-1380/43FRANCO-GERMAN SCHOOL18TH-19TH CENTURY

    THESEUS AND THE MINOTAUROil on canvas

    50 1/4 x 39 5/8 in. (127.6 x 151.4cm)

    $4,000-6,000 2,500-3,750

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  • 154 11-1952/1FOLLOWER OF JOHANN KARLLOTH(GERMAN 1632-1698)

    BACCHUSOil on canvas

    25 3/4 x 21 1/4 in. (65.4 x 54cm)

    $2,000-3,000 1,250-1,875

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    153 11-1556/1JOHANN BERNARD BAPTISTESCHEFFER(GERMAN 1765-1809)

    GENTLEMAN WITH A DRINKAT A CASEMENTSigned and dated J.B. Scheffer

    1794 lower left, oil on canvas

    18 3/4 x 15 3/8 in. (47.6 x 39.1cm)

    $3,000-4,000 1,875-2,500

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  • 155 11-8063/1FRANZ XAVER PETTER(AUSTRIAN 1791-1866)

    STILL LIFE WITH ROSES AND TULIPS WITH PARROT IN A BRASSVASESigned and dated Franz Xav. Petter 1834 lower right, oil on canvas

    27 x 22 in. (71.1 x 58.4cm)

    Provenance:Frost & Reed Ltd., London.

    $30,000-50,000 18,750-31,250

    END OF SALE

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  • 1Unless otherwise indicated, allProperty will be offered byFreemans as agent for theConsignor.

    2Freemans reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

    3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold AS-IS. Freemans is acting solely as anauction broker, and unlessotherwise stated, does not own theProperty offered for sale and hasmade no independent investigationof the Property. Freemans makesno warranty of title, merchantabilityor fitness for a particular purpose,or any other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind ornature with respect to the Property.

    4Freemans in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

    5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freemansreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or theconstitution of lots.

    6The highest bidder acknowledgedby the auctioneer shall be thebuyer. The auctioneer has the rightto reject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreemans sale record shall beconclusive in all respects.

    7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same and withdraw the Property fromsale.

    8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to complianceby the buyer with these Conditionsof Sale. Buyer thereupon assumesfull risk and responsibility of theproperty sold, agrees to sign anyrequested confirmation ofpurchase, and agrees to pay the fullprice, plus Buyers Premium,therefore or such part, upon suchterms as Freemans may require.

    9No lot may be removed fromFreemans premises until the buyerhas paid in full the purchase pricetherefor including Buyers Premiumor has satisfied such terms thatFreemans, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freemans, or sentby Freemans to a publicwarehouse, at the sole risk andcharge of the buyer(s), andFreemans may prohibit the buyerfrom participating, directly orindirectly, as a bidder or buyer inany future sale or sales. In additionto other remedies available toFreemans by law, Freemansreserves the right to impose a latecharge of 1.5% per month of thetotal purchase price on any balanceremaining ten (10) days after theday of sale. If Property is notremoved by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freemans by thebuyer; Freemans shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freemans will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freemanspossession after ten (10) days. Ifthe foregoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freemansand the Consignor (includingwithout limitation the right to holdthe buyer(s) liable for the bid price)Freemans, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, thebuyer(s) shall remain liable for anydeficiency in the original purchase

    price and will also be responsiblefor all costs, including warehousing,the expense of the ultimate sale,and Freemans commission at itsregular rates together with allrelated and incidental charges,including legal fees. Payment is aprecondition to removal. Paymentshall be by cash, certified check orsimilar bank draft, or any othermethod approved by Freemans.Checks will not be deemed toconstitute payment until cleared.Any exceptions must be madeupon Freemans written approval ofcredit prior to sale. In addition, adefaulting buyer will be deemed tohave granted and assigned toFreemans, a continuing securityinterest of first priority in anyproperty or money of, or owing tosuch buyer in Freemanspossession, and Freemans mayretain and apply such property ormoney as collateral security for theobligations due to due toFreemans. Freemans shall have allof the rights accorded a securedparty under the PennsylvaniaUniform Commercial Code.

    10Unless the sale is advertised andannounced as without reserve,each lot is offered subject to areserve and Freemans mayimplement such reserves bybidding through its representativeson behalf of the Consignors. Incertain instances, the Consignormay pay less than the standardcommission rate where Freemansor its representative is a successfulbidder on behalf of the Consignor.Where the Consignor is indebted toFreemans, Freemans may have aninterest in the offered lots and theproceeds therefrom, other than thebrokers Commissions, and all salesare subject to any such interest.

    11No buy bids shall be accepted atany time for any purpose.

    12Any pre-sale bids must besubmitted in writing to Freemansprior to commencement of the offerof the first lot of any sale. Freemanscopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreemans accepts these bids forthe convenience of bidders notpresent at the auction, Freemansshall not be responsible for thefailure to execute, or, to executeproperly, any pre-sale bid.

    13A Buyers Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyers

    Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

    14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/orlocal sales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

    15Freemans may, as a service tobuyer arrange to have purchasedproperty posted and shipped at thebuyers expense. Freemans is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freemans.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

    16In no event shall any liability ofFreemans to the buyer exceed thepurchase price actually paid.

    17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freemans in exercisingany right under this Agreementshall operate as a waiver of suchright or any other right and waiveron any one or more occasions shallnot be construed as a bar to orwaiver of any right or remedy ofFreemans on any future occasion.

    18These Conditions of Sale and thebuyers, the Consignors andFreemans rights under theseConditions of Sale shall begoverned by, construed andenforced in accordance with thelaws of the Commonwealth ofPennsylvania and Consignor andBuyer agree to the exclusivejurisdiction of the Philadelphia,Pennsylvania Court of CommonPleas and the United States DistrictCourt for the Eastern District ofPennsylvania.

    Freemans Terms & Conditionsall property offered and sold (property) through samuel t. freeman & co, (freemans) shall beoffered and sold on the terms and conditions set forth below which constitutes the completestatement of the terms and conditions on which all property is offered for sale. by bidding at theauction, whether present in person or by agent, by written bid, telephone, internet or other means, thebuyer agrees to be bound by these terms and conditions.

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  • Auctions

    EDINBURGHWednesday September 28th

    Inquiries:Lee Younglee.young@lyonandturnbull.com

    Douglas Girtondouglas.girton@lyonandturnbull.com

    PHILADELPHIAFriday October 7th

    Inquiries:David Walkerdirect tel: 267-414-1216dwalker@freemansauction.com

    Benjamin Fisherdirect tel: 267-414-1215bfisher@freemansauction.com

    Viewing

    Please contact the department at www.freemansauction.com or www.lyonandturnbull.comfor exhibition/viewing details

    The International SaleEdinburgh 28th September, 2011 Philadelphia 7th October, 2011

    Fine Louis XV gilt bronze mounted bureau plat and cartonnierstamped migeonThe cartonnier dial signed Masson$15,000-20,000 (9,375-12,500)

    www.lyonandturnbull .comwww.freemansauction.com

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  • names

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    signatures & dates

    measurements

    any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. lyon & turnbull andfreemans reserve the right, in forming their opinion, to consult andrely upon any expert or authority considered by them to be reliable.

    Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artists forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether precededby an initial or not, indicates that in our opinion the work is by the artistnamed.

    Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

    Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

    Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

    Follower of..... refers to a work by a painter working in the artists style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

    Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

    School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

    After an artist is in our opinion a copy of any date after a work by thatartist; e.g. After Charles Willson Peale.

    Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

    Bears a signature and/or a date and/or an inscription means that webelieve the artists name and/or date and/or inscription have been addedby another hand.

    All references to signature, inscriptions and dates refer to the presentstate of the work.

    Dimensions are given height before width.

    Glossary

    FREEMANSold master paintings, drawings & printsfriday, october 7th, 2011

    98

    G11-10622_OldMastersTXT65-104_Layout 1 9/8/11 9:41 AM Page 98

  • FREEMANSold master paintings, drawings & prints

    friday, october 7th, 2011

    99

    Schoevaerdts, M., 12

    Schotel, J.C., 130

    Solimena, F., 88

    Storck, A.J., 129

    Sustermans, J., 108

    Teniers, D., the Younger, 113

    ter Borch, G., the Younger, 116

    Titian, 95

    Tocque, L., 5

    Valentino, G.D., 89

    van Aelst, P.C., the Elder, 103

    van Bloemen, J.F., 24, 25

    van de Meer, J., 6

    van der Meulen, A.F., 14

    van Dyck, Sir A., 1, 51, 52, 107

    van Essen, C., 115

    van Huysum, J., 127

    van Kessel, 16

    van Lint, H.F., 120

    van Ostade, A.J., 114

    van Ravesteyn, J.A., 104

    van Rijn, R., 18, 19, 20, 59, 61-78

    Venetian School, 101

    Verbruggen, P., the Younger, 126

    Verelst, S.P., 128

    Veronese, 32

    Visenti, A., 54

    von Honthorst, G., 106

    Wolfaerts, A., 105

    Wyck, T., 125

    y Velquez, D.R. de S., 153

    Ykens, J., 28

    Zuccarelli, F., 83

    Hayls, J., 33

    Holbein, H., 8

    Italian School, 81, 82, 97, 99

    Joullain, N-R., 139

    Kneller, Sir G., 4, 10, 34, 147

    Lancret, N., 137

    Lavagna, G., 98

    Lefebvre, C., 109

    Lely, Sir P., 3, 111, 148

    Loth, J.K., 154

    Mannozzi, V., 83

    Maratta, C., 13, 85

    Metsys, Q. (Massys), the Elder,

    117

    Millet, J-F., 80

    Monnoyer, J.B., 140

    Moreau, J-M. (called Moreau le

    Jeune), 84

    Neapolitan School, 99, 102

    Northern European School, 143

    Northern Italian School, 90

    Patch, T., 30

    Pencz, G., 60

    Petter, F.X., 155

    Pittoni, G.B.V., the Elder, 56

    Porcellis, J., 131

    Preti, M., 94

    Raeburn, Sir H., 29, 149

    Ramsay, A., 145

    Raphael, 36, 37

    Robert, H., 135

    Roman School, 17

    Rottenhammer, 81

    Rubens, Sir P.P., 118

    Sadeler II, A., 57

    Saraceni, C., 91

    Scacciati, A., 141

    Scheffer, J.B.B., 153

    Adelade-Ducreux, R., 132

    Aligny, C-F-T. (known as

    Thodore Carouelle D'Aligny),

    79

    Antwerp School, 27

    Batoni, P., 96

    Beaubrun, C., 134

    Beechey, Sir W., 146

    Beinaschi, G.B., 87

    Belle, A-S., 133

    Bigio, F., 7

    Blanchet, L., 26

    Bosschaert, J-B., 124

    Both, J., 31

    Brueghel, P., the Elder, 21, 22, 23

    Canal, A. (called Canaletto), 53,

    55

    Cano, A., 150

    Ceresa, C., 93

    Continental School, 110

    Cotes, F., 144

    D'Oggiono, M., 92

    David, A., 2

    de Coninck, A., 35

    de Gryef, A., 121

    de Vos, P., 123

    Dou G., 119

    Dughet, G. (called Gaspard

    Poussin), 136

    Duplessis, C.M., 138

    Durer, A., 58

    English School, 9

    French-German School, 152

    Fyt, J., 122

    Garnier, J-B., 142

    German School, 11

    Greco, G. (called Il Masacotta),

    100

    Grevenbroeck, O., 15

    Hanneman, A., 112

    Index to Artists

    Artists are listed by surname and initials; for actual attribution and authorship please refer to the individual

    lots and the glossary of terms opposite.

    G11-10622_OldMastersTXT65-104_Layout 1 9/8/11 9:41 AM Page 99

  • Auctions:Saturday November 19thandSunday November 20th

    Upcoming atFreemans

    www. f r e eman s au c t i o n . com

    Inquiries:lynda caindirect tel: 267.414.1237lcain@freemansauction.com

    amy parentidirect tel: 267.414.1223aparenti@freemansauction.com

    Catalogue $30

    ExhibitionsWednesday November 16thThursday November 17thFriday November 18th

    Please contact the department or www.freemansauction.com for further details

    American Furniture, Folk & Decorative Arts 11/19/11

    The 6th Annual Pennsylvania Sale 11/20/11

    FREEMANS

    1808 Chestnut Street

    Philadelphia, PA 19103

    Telephone: 215.563.9275

    126 Garrett Street

    Charlottesville, VA 22902

    Telephone: 434.296.4096

    45 School Street

    Boston MA 02108

    Telephone: 617.367.3400

    www.freemansauction.com

    Attributed to Reuben Rowely(active 1820-1836)a young couple seated inpainted windsor chairsOil on canvasprovenance:A Philadelphia Collection$15,000-$25,000 (9,375-15,625)

    G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:06 PM Page 100

  • The Forbes Collection at Old Battersea HouseTo be sold on Tuesday 1st November, 2011at 33 Broughton Place, Edinburgh EH1 3RR

    www.lyonandturnbull .com

    Viewing timesFreemans, Philadelphia (highlights only)From September 24th - please contact Freemans for details

    Old Battersea House, LondonTuesday 15th October and Wednesday 16th October10am to 5pm

    Lyon & Turnbull, EdinburghMonday 28th October to Wednesday 30th October10am - 5pm

    EnquiriesNick CurnowTel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

    Lee YoungTel: +44 (0)131 557 8844Email: lee.young@lyonandturnbull.com

    Douglas GirtonTel: +44 (0)131 557 8844Email: douglas.girton@lyonandturnbull.com

    John MackieTel: +44 (0)131 557 8844Email: john.mackie@lyonandturnbull.com

    G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 101

  • International Auction Calendar

    JANUARY 2012

    19 Rare Books, Manuscripts & EphemeraFreemans, Philadelphia

    20 Coins, Currency & MedalsFreemans, Philadelphia

    25 Fine English & Continental Furniture,Decorative Arts & SilverFreemans, Philadelphia

    SEPTEMBER

    07 Rare Books, Maps & ManuscriptsLyon & Turnbull, Edinburgh

    10 Fine Asian ArtsFreemans, Philadelphia

    22 Rare Books, Manuscripts & PostersCoins, Currency & MedalsFreemans, Philadelphia

    28 Old Master & British Paintings & PrintsLyon & Turnbull, Edinburgh

    28 The International SaleLyon & Turnbull, Edinburgh

    28 Fine AntiquesLyon & Turnbull, Edinburgh

    To be offered in the Fine Jewellery & Watchessale on December 05 at Freemans.

    To be offered in the English & Continental Furniture & Decorative Arts sale on October 06at Freemans.

    To be offered in The International Sale sale on October 07 at Freemans.

    OCTOBER

    05 Fine English Furniture, Silver & Deco-rative ArtsFreemans, Philadelphia

    06 Fine Continental Furniture & Decora-tive Arts to includeThe Loren Gardner CollectionFreemans, Philadelphia

    07 The International SaleFreemans, Philadelphia

    07 Old Master & British Paintings & PrintsFreemans, Philadelphia

    12 Jewellery & SilverLyon & Turnbull, Edinburgh

    15 Saturdays @ L&TLyon & Turnbull, Edinburgh

    21 Photographs & PhotobooksFreemans, Philadelphia

    NOVEMBER

    01 The Forbes Collection at Old Battersea HouseLyon & Turnbull, Edinburgh

    06 Modern & Contemporary ArtFreemans, Philadelphia

    16 Decorative Arts & DesignLyon & Turnbull, Edinburgh

    19 American Furniture, Folk &Decorative ArtsFreemans, Philadelphia

    20 The Pennsylvania SaleFreemans, Philadelphia

    30 Fine Jewellery & SilverLyon & Turnbull, Edinburgh

    DECEMBER

    01 Fine PaintingsLyon & Turnbull, Edinburgh

    04 Fine American & European Paintings & SculptureFreemans, Philadelphia

    05 Fine Jewelry & WatchesFreemans, Philadelphia

    06 Holiday SaleFreemans, Philadelphia

    07 Fine AntiquesLyon & Turnbull, Edinburgh

    G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 102

  • International Staff Directory

    PICTURES, WATERCOLOURS

    & PRINTSNick Curnownick.curnow@lyonandturnbull.com

    Charlotte Riordancharlotte.riordan@lyonandturnbull.com

    OLD MASTERSNick Curnownick.curnow@lyonandturnbull.com

    FURNITURE, CLOCKS &

    WORKS OF ARTLee Younglee.young@lyonandturnbull.com

    Douglas Girtondouglas.girton@lyonandturnbull.com

    RUGS & CARPETSGavin Stranggavin.strang@lyonandturnbull.com

    AMERICAN, FURNITURE,

    DECORATIVE & FOLK ARTLynda A Cain (+1 267.414.1237)lcain@freemansauction.com

    Amy Parenti(+1 267.414.1223)aparenti@freemansauction.com

    ENGLISH & CONTINENTAL FURNITURE,

    SILVER & DECORATIVE ARTSDavid Walker (+1 267.414.1216)dwalker@freemansauction.com

    Benjamin Fisher (+1 267.414.1215)bfisher@freemansauction.com

    ASIAN ARTSRobert Waterhouse (+1 267.414.1226)rwaterhouse@freemansauction.com

    Richard Cervantes (+1 267.414.1219)rcervantes@freemansauction.com

    OLD MASTERSDavid Weiss (+1 267.414.1214)dweiss@freemansauction.com

    Maya ODonnell-Shah (+1 267.414.1210)mshah@freemansauction.com

    FINE JEWELRY & WATCHESKate Waterhouse (+1 267.414.1230)kwaterhouse@freemansauction.com

    Madeline McCauley (+1 267.414.1227mmccauley@freemansauction.com)

    FINE PAINTINGS & SCULPTUREAlasdair Nichol (+1 267.414.1211)anichol@freemansauction.com

    David Weiss (+1 267.414.1214dweiss@freemansauction.com)

    MODERN & CONTEMPORARY ARTAnne Henry (+1 267.414.1220)ahenry@freemansauction.com

    Aimee Pflieger (+1 267.414.1221)apflieger@freemansauction.com

    PHOTOGRAPHSAimee Pflieger (+1 267.414.1221)apflieger@freemansauction.com

    Kate Molets (+1 267.414.1228)kmolets@freemansauction.com

    JEWELLERY, SILVER, COINS

    & MEDALSTrevor Kyletrevor.kyle@lyonandturnbull.com

    Colin Frasercolin.fraser@lyonandturnbull.com

    DECORATIVE ARTS & DESIGNJohn Mackiejohn.mackie@lyonandturnbull.com

    EUROPEAN & ASIAN CERAMICSCampbell Armourcampbell.armour@lyonandturnbull.com

    ARMS & ARMOURJohn Batty (consultant)john.batty@lyonandturnbull.com

    RARE BOOKS, MAPS, MANUSCRIPTS & PHOTO-

    GRAPHSSimon Vickerssimon.vickers@lyonandturnbull.com

    Alex Dovealex.dove@lyonandturnbull.com

    ANTIQUE SALESLee Younglee.young@lyonandturnbull.com

    Douglas Girtondouglas.girton@lyonandturnbull.com

    ENQUIRIES &

    COMMISSION BIDSTel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 info@lyonandturnbull.com

    POP CULTURE (consultant)Simeon Lipman (+1 267.414.1213)slipman@freemansauction.com

    ORIENTAL RUGS & TAPESTRIESDavid Weiss (+1 267.414.1214)dweiss@freemansauction.com

    Richard Cervantes (+1 267.414.1219)rcervantes@freemansauction.com

    RARE BOOKS, MANUSCRIPTS

    & EPHEMERADavid J Bloom (+1 267.414.1246)dbloom@freemansauction.com

    Joe Huenke (+1 267.414.1247)jhuenke@freemansauction.com

    BIDS DEPARTMENTBridgette Bonner(+1 267.414.1208)fax: (+1 215.599.2240)bbonner@freemansauction.com

    Telephone: +44 (0)131 557 8844 www.lyonandturnbull.com

    Main Switchboard +1 215.563.9275 www.freemansauction.com

    G11-10622_OldMastersTXT65-104:Layout 1 9/12/11 1:16 PM Page 103

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    G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 104

  • 1808 Chestnut StreetPHILADELPHIA PA 19103Tel: +1 215.563.9275

    126 Garrett StreetCHARLOTTESVILLE VA 22902Tel: +1 434.296.4096

    45 School StreetBOSTONMA 02108Tel: +1 616.367.3400

    www.freemansauction.cominfo@freemansauction.com

    33 Broughton PlaceEDINBURGH EH1 3RRTel: +44 (0)131 557 8844

    182 Bath StreetGLASGOW G2 4HGTel: +44 (0)141 333 1992

    78 Pall MallLONDON SW1Y 5ESTel :+44 (0)20 7930 9115

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