180

A-R Editions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181Archival Products. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182Bach, C.P.E.: Complete Works . . . . . . . . . . . . . . . . . . . . cov. 3Brepols Publishers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183Bridge Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181Broude Trust . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184College Music Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185Crystal Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181Digital Concert Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186DRAM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Equinox Publishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188Fontes Artis Musicae . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189Indiana University Press . . . . . . . . . . . . . . . . . . . . . . . . . . 190J. & J. Lubrano Music Antiquarians . . . . . . . . . . . . . . . . . 186J. W. Pepper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . cov. 4Kevork Marouchian. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191Milliner Koken Collection . . . . . . . . . . . . . . . . . . . . . . . . 191Multicultural Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193Music Library Association . . . . . . . . . . . . . . . . . . . . . 186, 192Music OCLC Users Group (MOUG) . . . . . . . . . . . . . . . . 192Packard Humanities Institute . . . . . . . . . . . . . . . . . . . . cov. 3Patrizio Barbieri. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194Perspectives of New Music . . . . . . . . . . . . . . . . . . . . . . . . 195Seth B. Winner Sound Studios . . . . . . . . . . . . . . . . . . . . . 196Singers Babel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196Steve Weiss Music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196Theodore Front Musical Literature . . . . . . . . . . . . . . . cov. 2

INDEX TO ADVERTISERS

�

181

Emanuel Aloys Förster Six String Quartets, Op. 16

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Machito and His Afro-Cubans Selected Transcriptions

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Masses by Ludwig Daser and Matthaeus Le Maistre

- - - -

Benedetto Marcello Il trionfo della Poesia, e della Musica

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182

183

C. Speck (ed.)The String Quartet

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Music on the Grand Tour in the Seventeenth Century

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Dimensions, Materials, and Techniques

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184

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W. S. Gilbert & Arthur Sullivan: IolantheEdited by Gerald HendrieIntroduction by Dinah Barsham & Helga PerryGilbert & Sullivan: The Operas: A Critical Edition, 6

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TH E D IG ITAL C ONCE RT HALL FOR I N ST ITUT ION S

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Born in 1905, Bill Russell demonstrated

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The book is based largely on personal interviews conducted with Russell about

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The Accom-paniment in “Unaccompa-nied” BachInterpreting the Sonatas and Partitas for ViolinStanley Ritchie

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Piano Duet RepertoireSecond EditionCameron McGrawEdited and expanded by Christopher Fisher and Katherine Fisher

Remixing the ClassroomToward an Open Philosophy of Music EducationRandall Everett Allsup

Guide to the Solo Horn RepertoireLinda Dempf and Richard

Music and Embodied CognitionListening, Moving, Feeling, and ThinkingArnie Cox

Children’s Home Musical Experiences Across the WorldEdited by Beatriz Ilari and Susan Young

The Eighteenth-Century Fortepiano Grand and Its PatronsFrom Scarlatti to BeethovenEva Badura- Skoda

191

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An essential reference and resource for anyone interested in traditional American fiddle tunes, their history, folklore, and early players.

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ISBN 987-0-16-9831003-0-0 Library of Congress Control Number: 2010941631888 pages total. 1404 tunes in musical engravings, arranged alphabetically. Ten page introduction with explanations and examples. Main index arranged by Title, with references to source recordings and cross-references to similar

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The Music OCLC Users Group (MOUG) is the voice of music users of OCLC’s products and services.

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194

Via Quartaccio 21 04100 Latina

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… this is a book to be consulted rather than one to read in a single session. Certainly it is unique: there is no other that covers the same ground so comprehensively. J. NORMAN, The Organ Yearbook, XLIII (2014)

... research on the musical instruments includes their historical development, the evolution of construction techniques, materials employed, timbre characteristics, sound yield and much besides... as essential an instrument to science historians as it is to musicians and musicologists. P. P. DONATI, Informazione organistica, XXVI-1 (2014)

In conclusion, I think Barbieri has given us a very valuable book, summarizing as it does nine centuries of acoustical thinking about wind instruments and organ pipes. It is definitely a reference book, not an introductory text. The density of information is very high, and I would not suggest reading it from beginning to end like a novel. R. PYLE, The Galpin Society Journal, LXVIII (2015)

It is a welcome and important addition to a still very much understudied field. The book should be received as nothing less than Barbieri’s opus magnum. ... Complete with an extensive bibliography and a detailed index, this book, when regarded as a reference manual rather than a standard historical narrative, will be an essential entry point to the study of musical instruments. J.-F. GAUVIN, Isis (“History of Science Society”), CVI-1 (March 2015)

195

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