Important 19th 20th Century Drawings and Watercolors

IMPORTANT 19TH & 20TH CENTURY DRAWINGS AND WATERCOLORS

THURSDAY, OCTOBER 20, 1977 AT 2 RM. SOTHEBY RARKE BERNET INC • NEW YORK

I-

Sotheby Parke Bemet Inc •Newark980Madison Avenue -New York 10021 -(212)4^2-3400

Sotheby Rarke Bemet Inc

John L. Marion, Chairman

OTHER AUCTION ROOMSNew YorkPB-Eighty Four

A Division of Sotheby Parke Bernet Inc.

John D. Block. Director

1 7 1 East 84 Street

New York, N.Y. 10028

Telephone: (212)472-3583

California

Sotheby Parke Bernet • Los AngelesPeter McCoy, President

7660 Beverly Boulevard.

Los Angeles. California 90036Telephone: (213)937-5130

Telex: Los Angeles 677120Telegrams: Ahinitio, Los Angeles

REPRESENTATIVESNew England

Patricia Ward232 Clarendon Street

Boston, Mass. 02 116Telephone: 161 7) 247-2851

SouthwestFlo CraJy

Galleria Post Oak5015 Westheimer RoadHouston, Texas 77056

Telephone: (713) 623-0010

Mid Atlantic

Leffert Lefferls

9 West Washington Street

Middleburg, Virginia 2 2 1 1

7

Telephone: (703) 687-6395

Northern California

Andrea Cornel di Socehran

210 Post Street

San Francisco, California 94108Telephone: (415) 986-4982

SUBSIDIARIESSotheby Parke Bernet

International Realty Corp.Charles H. Seilheimer, President

980 Madison AvenueNew York, N.Y. 10021

Telephone: (212) 472-3465

Sotheby Parke BernetStamp Auction Co., Inc.

Andrnf Levitt, President

158 Deer Hill AvenueDanbury, Connecticut 06810Telephone: (203) 743-4458

ADMINISTRATIONPreside)!!

Finance & Administration

Special Sales & Real Estate

Appraisals & Estates

Director of Sales, Fine Arts

Communications & PromotionDirector of Sales, Decorative Arts

Treasurer

Controller

PB-84, Director

House Counsel

Secretary of the Corporation

EXPERT DEPARTMENTSAfrican & Oceanic Art

American Decorative Arts & Furniture

American Folk Art

American Indian Art

American Paintings

Antiquities & Islamic Art

Books and Manuscripts (American)

Books and Manuscripts (European)

Chinese Art

Contemporary Paintings

English Furniture

European Furniture

European & Chinese Export Porcelain

European Works of Art & Ceramics

Impressionist & Modern Paintings

Japanese Art

Japanese Netsuke & Into

Jewelry

Miniatures & Paperweights

Modern Paintings, Drawings & Sculpture

19th Centur>' European Paintings

19th & 20th Century Works of Art

Old Master Paintings

Photographs

Pre-Columbian Art

Prints (Old Master)

Prints ( 19th & 20th Centur>')

Rugs and Carpets

Russian Art

Silver, Vertu, WatchesTapestries, Coins, Musical Instruments

JOHN L. MARIONARNOLD M. KAGANEDWARD LEE CAVEC. HUGH HILDESLEYDAVID J. NASHTHOMAS E. NORTONROBERT C. WOOLLEYALAN M. FORSTERHOWARD WEISSJOHN D. BLOCKTHEODORE N. KAPLAN, ESQ.

NANCY A. FORSTER

RICHARD M. KERESEYWILLIAM W. STAHLNANCY DRUCKMANELLEN NAPIURAPETER B. RATHBONEGRETE MEILMANRICHARD M. KERESEYTHOMAS P. CLARKEANTHONY FAIRJAMES J. LALLYIAN DUNLOPLINDA R. SILVERMANGERALD BLANDTHIERRY MILLERANDLETITIA ROBERTSARMIN ALLENJOHN L. TANCOCKHERMINE CHIVIAND. MARTIN LORBERLORNA C. KELLYDENNIS SCIOLI

PAUL A. RUSSOSARAH D. COFFINMARY-ANNE MARTINSHARY E. GROSSMANJUDITH LANDRIGANBARBARA E. DEISROTHBRENDA J. AUSLANDERANNE HORTONCLAUDIA GIANGOLAMARC E. ROSENRUTH M. ZIEGLERJOHN EDELMANNGERARD HILLKEVIN L. TIERNEYDAVID E. TRIPP

472-3426

472-3434472-3431472-3454472-3590472-3424472-3503472-3443472-3441472-3568472-3476472-3426

472-3521472-3511472-3512472-3522472-3551472-3551472-3521

472-3594472-3593472-3516472-3543472-3543472-3513472-3514472-3517472-3507472-3547472-3548472-3525472-3525472-3421472-3422472-3532472-3545472-3546472-3537472-3509472-3541472-3595472-3523472-3437472-3437472-3451472-3619472-3531472-3508

SALES CONDUCTED BY: PETER C. WILSON, C.B.E. JOHN L. MARIONEDWARD LEE CAVE C. HUGH HILDESLEY ROBERT C. WOOLLEY JOHN D. BLOCKJAMES J. LALLY MARC E. ROSEN DENNIS J. SCIOLI JAN ANDERSENJOHN EDELMANN EUNICE S. CARROLL KNUT HOFF, JR. LORNA C. KELLY

MH ^l^~!

:?d'-

SALE NUMBER 4031

IMPORTANT 19TH & 20TH CENTURYDRAWINGS AND WATERCOLORS

EXHIBITION

From Saturday, October 1 5 to Wednesday, October 1 9, 1 977 at 1 P.M.

Galleries open 1 A.M. to 5 P.M. Tuesday through Saturday

Private viewing Monday, October 17 by appointment only.

For appointment or any additional information obout this sale, please

telephone The Modern Paintings and Drawings Department (direct lines

212/472-3545 ond 472-3546).

PUBLIC AUCTION

THURSDAY, OCTOBER 20, 1977 at 2 P.M.

SOTHEBY PARKE BERNET INC.

980 Madison Avenue (76th-77th Streets)

New York 10021 212/472-3400Cable: Parkgal, New York

Telex: New York 232643

Recorded Announcement of Qurren^ So\g% and Exhibifions, 24 hours a day. 21 2-472-3555

Cover Illustration: Lot 176

IMPORTANT19TH & 20TH CENTURY

DRAWINGS AND WATERCOLORS

Including works by

CASSATTCEZANNECHAGALLDUBUFFETERNSTFEININGERGAUGUINGONTCHAROVAKLEE

KUPKALEGERMAGRITTEMATISSEMIROMODIGLIANIMONETMOOREMORANDINOLDEPICASSOPISSARROSEGONZACSIGNACTANGUY

Property of various owners • including

MR. AND MRS. ALAN JAY LERNER • NEW YORKARTHUR MURRAY • HONOLULUNEW YORK HEALTH AND HOSPITALS CORPORATION/BELLEVUE HOSPITAL CENTER • NEW YORKESTATE OF BARBARA WESCOTT • ROSEMONT, NEW JERSEY

Public Auction • Thursday Afternoon • October 20, 1977 at 2 p. m,

SOTHEBY PARKE BERNET INC. • NEW YORK

BOARD OF DIRECTORSJohn L. Marion, Chairman

EXECUTIVE COMMITTEEEdward Lee Cave C. Hugh Hildesley Arnold M. Kagan

David J. Nash Thomas E. Norton Robert C. Woolley

DIRECTORSArmin B. Allen John D. Block Alan M. Forster

William T. French Richard M. Keresey James J. Lally

Judith Landrigan D. Martin Lorber Peter McCoy

Mary-Anne Martin Frederick A. Melhado Thierry Millerand

Marc E.Rosen Dennis J. Scioli John L. Tancock

Kevin L. Tierney Jesse D. Wolff

ASSISTANT DIRECTORSAlfred Bristol Eunice S. Carroll Thomas P. Clarke Nancy A. Forster

Joseph J. Kuntz Alexis C. Manice Richard D. Murrell

ADMINISTRATIVE DEPARTMENTS

Advertising

Appraisals

Art Transport Service

Bids and Sales Records

Catalogue Production & Editorial

Catalogue Subscription

Consignment Advisory Services

Customer Advisory Service

Decorative Arts Representative

Estate Division

Exhibitions Decorator

Facilities & Security'

International Offices Liaison

Inventory Control, Decorative Arts

Inventor>' Control, Paintings

Museum Services

Personnel

Quintina Colio

Samuel T. Blaisdell

Suzanne Nixon

Eunice S. Carroll

Harriet F. Walley

Helen F. Wellner

Annette Benda

Jane WyethElsbeth Van Tets

Alexis C. Manice

Alfred Bristol

Edward F. McGovernWathena Slaughter

Suzanne Zaret

Irene Taurins

Susan L. Brody

Cheryl Lincoln

472-3417

472-3452

472-3468472-3435472-3415472-3414

472-3419472-3486

472-3570472-3453

472-3489472-3491

472-3460472-3501

472-3535472-3478

472-3479

APPRAISALSThe charge for appraising works of art, collections, the contents of houses, estates and

all types of personal property, including jewelry, is IViVc up to a value of 550,000 and

19?^ on any amount in excess. Appraisals may be done for insurance, estate, family divi-

sion or other purposes (excluding gift tax).

A flat rate can be arranged in certain circumstances. The minimum fee is S500, and

traveling expenses are additional.

A partial rebate of our fee will be made on any property subsequently consigned to

us for sale within a year of our appraisal. Further information may be obtained from

Miss Marjorie CrodeUe, (212) 472-3452.

CATALOGUES AND PRICE LISTS

Catalogues, prepared by the expert departments involved, are published for all auction

sales. These may be purchased singly or by annual subscription.

Printed Usts recording the prices of all lots sold are also available. Single copies are

S2.00 each.

The Sotheby Parke Bernet Newsletter, which lists sales held in New York, London, Los

Angeles and elsewhere, is available for $3.00 per year (S5.00 overseas).

Catalogue subscription rates include the price lists and the Neusletler.

Catalogues, price lists, and detailed information on subscriptions are available at the

galleries or by writing to the Subscription Department. (Please specify sale number

when ordering. ) For further information: Mrs. Helen F. Wellner, (212)472-3414.

ADVICE TO PROSPECTIVE BUYERS AND SELLERS

INSPECTION OF PROPERTY, VISITS

Prospective sellers who wish advice and auction price estimations on their property

should contact the appropriate department(s) or the consignment advisor. Miss Annette

Bencla, (212) 472-3419.

Photographs may be submitted or arrangements made to bring property to the

galleries. The Decorative Arts Counter (4th floor, 980 Madison Avenue, open Mon-day-Friday, 10 am to 5 pm) provides a free inspection and auction price estimation

service and coordinates with the various expert departments. It is always advisable to

telephone before coming in.

Visits to advise clients and evaluate propert>' can be arranged. The usual fees for

such initial visits are:

Manhattan S25.00

Other boroughs of New York Ciry S50.00

New York Metropolitan Area S 100.00

Elsewhere in North America S2 50.00

Traveling expenses are extra and the fee is refundable in the event of consignment

for sale by Sotheby Parke Bernet within one year from the date of the visit.

STANDARD COMMISSION RATESFOR SELLERS

Standard commissions for selling fine art property at auction are:

25% of the first Sl,000of the sale price of each lot;

20% of the next $4,001 of the sale price of each lot;

(from S 1,000 and including 55,000)

15% of the next 510,000 of the sale price of each lot;

(from 55,001 and including 5 1 5,000)

12Vi% of such portion of the sale price of each lot

as is in excess of 515,000

There is a minimum commission of 535 charged for each lot sold.

There are no commissions (buyer premiums) added to the hammer price.

BIDDINGSuccessful bidders attending the auction are required to sign a bid confirmation card

upon the fall of the hammer and will not be permitted to take delivery of purchases until

their checks have cleared unless they have previously established credit or made pay-

ment arrangements.

As a convenience to clients who cannot attend a sale in person, Sotheby Parke

Bernet will, if so instructed, execute written order bids' on their behalf, without addi-

tional cost. Order bidders should use the Bid Form' provided in the catalogue and note

the 'Advice to Order Bidders' printed on each form. Telephone bids must be confirmed

in writing or by cable. Sotheby Parke Bernet will not be responsible for errors or failure

to execute bids.

Lots are bought for order bidders at the lowest possible price (which may be below

the order bid price) subject to other bids and reserves. For further information: Miss

Eunice S. CarroU, (212) 472-3435.

REMOVAL OF PROPERTYUnless different arrangements have been agreed upon, all purchases must be removed

by the buyer by 5 pm on the third day following the sale. Purchases not so removed may

be turned over to a Ucensed warehouse, for removal and storage at the expense and risk

of the purchaser.

Clients are advised that packing and/or handling of purchased lots by our employees

is undertaken solely as a courtesy for the convenience of clients; and in the case of

fragile articles, it will be undertaken at the sole discretion of the Gallery.

Although we recommend the use of professional packers, books and small articles

which are not fragile can be packed on our premises, and, at our sole discretion, can be

sent by mail or other carrier for a nominal charge. Prints and drawings in glazed frames

cannot be handled iq this manner. Charges for packing, insurance, and freight are pay-

able by the purchaser. For further information: Miss Suzanne Nixon, (212) 4"'2-3468.

Copyright - Sotheby Parke Bernet Inc. 1977

Not Responsible for Typographical Errors or Omissions BD^/7

CONDITIONS OF SALEThis printed catalogue, as amended by any posted notices or oral announcements during

the sale, constitutes Sotheby Parke Bernet Inc's (the "Galleries") and the "Consignor's"

entire statement relative to the property listed herein. The following Conditions of Sale,

any glossary contained herein and the accompanying Terms of Guarantee set forth

herein are the complete terms and conditions on which all property listed herein shall be

offered for sale, sold or purchased. The property will be offered and sold by the

Galleries as agent for the Consignor.

1. The authenticity of the Authorship of property listed in the catalogue is

guaranteed as specifically stated in the Terms of Guarantee. Except as so specifically pro-

vided in the Terms of Guarantee" with respect to authenticity of Authorship, all

properr>' is sold "as is" and neither the Galleries nor the Consignor makes any war-

ranties or representations of any kind or nature with respect to, nor shall they be held

responsible or liable for, the correctness of the catalogue or other description of the

physical condition, size, quality, rarity, importance, provenance, exhibitions, literature

and historical relevance of the property and no statement in the catalogue or made at the

sale or in the bill of sale or invoice or elsewhere shall be deemed such a warranty or

representation or an assumption of hability with resi>ect thereto. Prospective bidders

should inspect the property before bidding to determine its condition and whether or

not it has been repaired or restored. The Galleries and the Consignor make no

representation or warranty' expressed or implied as to whether the purchaser acquires

any reproduction rights in the property.

2. The Galleries reserves the right to withdraw any property at any time before

actual sale.

3. Unless otherwise announced by the auctioneer at the time of sale all bids are per

lot as numbered in the printed catalogue.

4. The Galleries reserves the right to reject a bid from any bidder. The highest bid-

der acknowledged by the auctioneer shall be the purchaser. In the event of any dispute

between bidders, the auctioneer shall have sole and final discretion either to determine

the successful bidder or to re-offer and resell the article in dispute. If any dispute arises

after the sale, the Galleries' sale record shall be conclusive in all respects.

5. If the auctioneer determines that any opening bid is not commensurate with the

value of the article offered, he may reject the same and withdraw the article from sale,

and if, having acknowledged an opening bid, he decides that any advance thereafter is

not sufficient amount he may reject the advance.

6. On the fall of the auctioneer's hammer, the highest bidder shall be deemed to

have purchased the offered lot in accordance with all of the conditions set forth herein

and thereupon (a) assumes full risk and responsibilirv' therefor, (b) will sign a confirma-

tion of purchase thereof, and (c) will thereupon {jay the full purchase price therefor or

such part as the Galleries may require. All properr>- shall be removed from the Galleries

by the purchaser at his expense not later than three (3) days following its sale and, if not

so removed, may be sent by the Galleries to a public warehouse for the account, risk and

expense of the purchaser. If the foregoing conditions or any other applicable conditions

herein are not complied with, in addition to other remedies available to the Galleries

and the Consignor by law, including without limitation the right to hold the purchaser

liable for the bid price, the Galleries, at its option may either (a) cancel the sale, retain-

ing as liquidated damages all payments made by the purchaser or (b) resell the property

on three (3) days notice to the purchase and for the account and risk of the purchaser,

either publicly or privately, and in such event the purchaser shall be liable for the pay-

ment of deficiency plus all of the costs, including warehousing, the expense of both

sales, and the Galleries' commission on both sales at its regular rates and all other

charges due hereunder and incidental damages.

7. AH lots marked with immediately preceding the lot number are being offered

subject to a reserve, which is the confidential minimum price below which such lot will

not be sold. The Galleries may implement such reserves by bidding through its

representatives on behalf of the Consignor. In certain instances, the Consignor may pay

the Galleries less than the standard commission rate where a lot is "bought-in " to

protect its reserve. Where the Consignor is indebted to or has a monetary guarantee

from the Galleries, and in certain other instances, the Galleries or affiliated companies

may have an interest in the offered lots and the proceeds therefrom other than their

commissions, and may bid therefor to protect such interests by a representative or

agent.

8. Unless exempted by law from the payment thereof, the purchaser will be re-

quired to pay the combined New York State and local sales tax. The rate of such

combined tax is 8 per cent if within New York Ciry and ranges from 4 per cent to 8 per

cent if outside New York City but within New York State.

Deliveries outside of New York State may be subject to the compensating use tax of

another state and, where a duty of Collection is imposed upon them by law, the

Galleries will require payment of such taxes.

TERMS OF GUARANTEEThe Galleries guarantees the authenticity of Authorship of each lot contained in this

catalogue on the terms and conditions set forth below.

1. Definition of Authorship

"Authorship" means the idenury of the creator, the period, culture, source of origin of

the property, as the case may be, as set forth in the BOLD TYPE HEADING of such

catalogue entry.

2. Guarantee Coverage

Subject to the exclusions of (i) attributions of paintings, drawings or sculpture executed

prior to 18"'0, and (ii) periods or dates of execution of the properr>', as explained in

Paragraph 5 below, if within five (5) years from the date of the sale of any lot, the

original purchaser of record tenders to the Galleries a purchased lot in the same condi-

tion as when sold through the Galleries and it is established that the identification of

Authorship (as defined above) of such lot as set forth in the BOLD TYPE HEADINGof the catalogue description of such lot (as amended by any posted notices or oral an-

nouncements during the sale) is not substantially correct based on a fair reading of the

catalogue including the terms of any Glossary contained herein, the sale of such lot will

be rescinded and the original purchase price refunded.

3. Non-Assignability

It is specifically understood that the benefits of this Guarantee are not assignable and

shall be applicable only to the original purchaser of the lot from the Galleries and not to

the subsequent owners or others who have or may acquire an interest therein.

4. Sole RemedyIt is further specifically understood that the remedy set forth herein, namely the re-

scission of the sale and refund of the original purchase price paid for the lot, is exclusive

and in lieu of any other remedy which might otherwise be available as a matter of law.

5. Exclusions

The Guarantee covers only the correctness of description of Authorship (as defined in I

above) as identified in the BOLD TYPE HEADING of the catalogue item but does not

extend to (i) the identity of the creator of painting, drawings and sculpture executed

before 18"0 unless these works are determined to be counterfeits, as this is a matter of

current scholarly opinion which can change, (ii) the identification of the periods or dates

of execution of the property which may be proven inaccurate by means of scientific

processes not generally accepted for use until after publication of the catalogue, or (iii)

titles or other identification of offered lots or descriptions of physical condition and size,

quality, rarity, importance, provenance, exhibitions and hterature of historical

relevance, which information normally appears in lower case type below the BOLDTYPE HEADING identifying the Authorship. Although our best judgment is used in

attributing paintings, drawings and sculpture created prior to 18"0 through the appro-

priate use of glossary terms, and due care is taken to insure the correctness of the sup-

plemental material which appears below the BOLD TT^PE HEADING of each entry in

the catalogue, the Guarantee does not extend to any possible errors or omissions

therein. CS7/77

IMPORTANT INFORMATION FOR PROSPECTIVE BIDDERS

Please note Article 7 of the Conditions of Sale dealing with the subjects of "reserves" and the Galleries' 'interest in

offered lots other than normal selling commissions. " The following definitions of terms and explanations of policies

on these subjects and the implementation thereof are provided for your information and guidance.

•RESERVE"

Definition: A "Reserve" is the confidential minimum price agreed between the seller and the Galleries, below which

the lot will not be sold. On unsold lots, less than full commission will be paid to the Galleries.

Policy: All lots marked with immediately preceding the lot number are being offered subject to a reserve. Our stan-

dard advice to sellers is that reserves be set at a percentage of the median of the estimates, generally somewhat below

the low estimate shown in the estimate sheet provided with this catalogue. In no case do we permit a reserve to exceed

the high estimate shown in the estimate sheet. Unsold lots, i.e., those which do not meet their reserve, are omitted

from the price lists issued following sales.

Implementation: The Galleries as agent for the seller protects reserves, that is, places bids during the auction if and whenthe highest outstanding bid at any time during the sale is below the reserve on the lot being offered.

"OWNED PROPERTY "

Definition: "Owned property" is property which, at the time it is offered for sale at auction, is owned solely or partially

by the Galleries or an affiliate of the Galleries (and in the sale of which the Galleries is acting as a principal and not an

agent).

Policy: The purchase of property by the Galleries for sale at auction is an insignificant part in the Galleries' overall

business. Direct purchases are only made at the request of a client and, in these cases, only after standard commissionsales or guaranteed minimum price sales have been rejected by the client. Reserve prices of property owned by the

Galleries are set on the same or a lower basis than property sold for other consignors, that is, reserves usually will be

set below the low pre-sale estimates provided with this catalogue and in no case will they be higher than the low esti-

mates. Any owned property which is unsold at the auction will be omitted from the price lists following the sale. All

property owned by the Galleries will be identified in the catalogue as "Property of Sotheby Parke Bernet Inc. " or a

similar recognizable designation. In some cases, the prior source of property will be identified, e.g., "Property from

the Estate ofJohn Doe sold by order of the present owner Sotheby Parke Bernet Inc."

Implementation: Representatives of the Galleries will make no bids on behalf of the Galleries for property owned by the

Galleries except to protect a reserve placed by the Galleries as owner. Bidding by the Galleries to protect reserves onproperty owned by the Galleries is effected in the same way as bidding to protect reserves on property consigned by an

outside seller.

12/76

LIST OF ARTISTS

ALECHINSKY, PIERRE (Belgian: B. 1927) 174

BERMAN, EUGENE (Russian-French.- 1899-1974) . . . 146, 147

BOUDIN, EUGENE LOUIS (French: 1824-1898) . 102, 103, 104

CASSAH, MARY (American: 1844-1926) 112

CEZANNE, PAUL (French: 1 839-1 906) 1 05

CHAGALL, MARC (Russian-French: B. 1887) 135A, 142

DELVAUX, PAUL (Belgian: B. 1897) 1 56, 1 57

DIX, OnO (German: 1891-1969) 122

DUBUFFET, JEAN (French: B. 1901) 175, 176

DUCHAMP, MARCEL (French: 1887-1968) 116

DUFY, RAOUL (French: 1 887-1 953) 1 37A, 1 39, 1 40

ERNST, MAX (German: 1891-1976) 159

FEININGER, LYONEL (American: 1 871 -1 956)

123, 124, 125, 126, 127, 128, 1 28A

GAUGUIN, PAUL (French: 1848-1903) 1 05A

GLEIZES, ALBERT (French: 1881-1953) 120

GONTCHAROVA, NATALIA (Russian: 1881-1962) 1 22A, 122B

GORKY, ARSHILE (Armenian-American: 1904-1948) 166

GROSZ, GEORGE (American: 1893-1959) 144, 145

KLEE, PAUL (Swiss: 1879-1940) 1 29, 1 29A, 1 30, 1 31

KUPKA, FRANZ (Czech-French: 1871-1957) . 119, 121, 121A

DE LA FRESNAYE, ROGER (French: 1 885-1 925) 118

LEGER, FERNAND (French: 1881-1955) 115, 164, 165

LOISEAU, GUSTAVE (French: 1865-1935) 109

MAGRIHE, RENE (Belgian: 1898-1967) 160

MAILLOL, ARISTIDE (French: 1 861 -1 944) Ill

MAN RAY (American: 1 890-1 976) 1 58

MARINI, MARINO (Italian: B. 1901) 170

MAHA (ROBERTO ECHAURREN) (Chilean: B. 1917) 179

MATISSE, HENRI (French: 1869-1954) 138

MIRO, JOAN (Spanish: B. 1 893) 1 53, 1 73A

MODIGLIANI, AMEDEO (Italian: 1884-1920) 132, 133

MONET, CLAUDE (French: 1840-1926) 110

MOORE, HENRY (British: B. 1 898) 1 67, 1 68

MORANDI, GIORGIO (Italian: 1890-1964) 171, 172

NICHOLSON, BEN (British: B. 1894) 173

NOLDE, EMIL (German: 1867-1956) 143

PASCIN, JULES (American: 1885-1930) 134, 135

PICASSO, PABLO (Spanish: 1881-1973)

113, 140A, 141, 177, 178, 1 78APISSARRO, CAMILLE (French: 1830-1903) .... 106, 107, 108

REDON, ODILON (French: 1 840-1 91 6) 114

SEGONZAC, ANDRE DUNOYER DE (French: 1884-1974) 137

SIGNAC, PAUL (French: 1863-1935) 136

SOUVERBIE, JEAN (French: B. 1 891 ) 117

STEINBERG, SAUL (American: B. 1914) 180

SUTHERLAND, GRAHAM VIVIAN (British: B. 1903) 169

TANGUY, YVES (French: 1900-1955) 152

TCHELITCHEW, PAVEL (Russian: 1898-1957)

148, 149, 161, 162

TOULOUSE-LAUTREC, HENRI DE (French: 1864-1901) .. 101

WOLS (WOLFGANG SCHULTZE) (German: 1913-1951) . .

154, 155

ZADKINE, OSSIP (Russian-French: 1890-1967) .... 150, 151

AFTERNOON SESSION

Thursday October 20 at 2 P.M.

CATALOGUE NUMBERS 101 to 180

101

Property of Various Owners

HENRI DE TOULOUSE-LAUTRECIE JOCKEY

Stamped with monogram

Pencil on buff paper 6 % X 4 V2 inches

17 X 11.5 cm

Nofe. This work is accompanied by a photo-certificate from

Mme. M. G. Dorfu dated Paris, February 15, 1977 in which

she states that it will be included in a forthcoming supple-

ment to her Toulouse-Lautrec catalogue raisonne.

Provanance

Estate of Waiter Fletcfier, New York

[See illustration]

102

EUGENE LOUIS BOUDINLES VIEUX POIRIERS DE VASONY

Signed and dated 1854

Charcoal and pastel on

pale gray paper, laid down 1 8 Vs X 2 1 3/4 inches

46 X 55.5 cm

Note: This work will be included in the forthcoming catalogue

raisonne of Boudin's watercolors and drawings, now in prep-

aration by Robert Schmit.

Provenance

Atelier Eugene Boudin (Sale: Paris, Hotel Drouot,

March 20-21, 1899, no. 27)

[See illustration]

J

[ 103 ]

Property of Mr. and Mrs. Alan Jay Lerner • New York

EUGENE LOUIS BOUDIN103 SCENE DE LA PLAGE

With stamped initials and dated 1 870

Watercolor and pencil on buff paper,

affixed to a tissue paper mount

55/8 X 103/4 inches

14.2 X 27.4 cm

Note: This work will be included in the forthcoming cat-

alogue raisonne of Boudin's watercolors and drawings, now

in preparation by Robert Schmit.

[See illustration]

[ 104 ]


EUGENE LOUIS BOUDIN04 LES BATEAUX A VOILE A SCHEVENINGEN

Signed, stamped with initials and dated Scheveningen'76

Watercolor, gouache and pencil on tan paper,

laid down on board and affixed

to a mat (sight) 8 Vz x 12 inches

21.5 X 30.5 cm

Nofe- This work wili be included in the forthcoming cot-

o/ogue raisonne of Boudin's wotercolors and drawings, nowin preparation by Robert Schmit.

[See illustration]

)^

PAUL CEZANNE105 ETUDE DE BAIGNEURS

Pencil-on paper, laid down 8 X 5 y4 inches

20.5 X 13.5 cm

^- -m^-

Executed c/rca 1875-78

Provenonce

Paul Guillaume, Paris

Albert Sarraut, Paris

Sale: Paris, Hotel Drouot, December 3, 1964, no. 6

Exh;b/fecy

Paris, Galerie Bernheim-Jeune, Cent Q'mqxjanê Ans

de Dessins, 1952-53

Literaiure

cf. L. Venturi, Cezanne Son Art — Son Oeuvre,

1936, nos. 260, 389, 390, 393

Adrien Chappuis, The Drawings of Paul Cezanne,

1973, no. 425 (illus.)

[See illustration]

[ 105 ]

Property of Mr. and Mrs. David P. HeilnerBlue Hill, Maine

I05A PAUL GAUGUINTETE D'UNE FEMME TAHITIENNE

Watercolor 121/4 x 7 % inches

31 X 18.7 cm

Executed c/rco 1895-1903

Provenance

Collection M. Lucien Gurraud

M. Knoedler & Co., Inc., New York, 1 957

Liierafure

Charles Morice, Paul Gauguin, 1919, p. 59, illus.

John Rewald, Gauguin Drawings, 1958, no. 94,

[See illustration]

[ 105A ]

Property from the Collection of

Mrs. Maurice Newton * New York

CAMILLE PISSARRO106 MARCHE A POINTOISE

Signed and dated '82

Gouache and pastel on linen,

laid down on paper 1 4 ys x lOVs inches

36.5 X 27 cm

Provenance

Acquired from the artist

Durand-Ruel, New York

[See color plate]

•^

^"^j''

I

Hi

cT>

107

Property of Arfhur Murray • Honolulu

CAMILLE PISSARRO107 PAYSANNE AHACHANT SA MARMOTTE

Signed with initials

Pastel on pale pink paper 121/8 X 9 1/4 inches

31 X 23.5 cm

Provenance

Estate of Mrs. Eva Lutyens, London (Sale: Sotheby's,

June 22, 1966, no. 2, illus. in catalogue)

£xh/b/ted

London, The Matthiesen Gallery, Camille Pissarro,

1950, No. 54

[See illustration]

I 108 ]

Property from the Estate of the

lafe Mrs. William F. Peter • Lake forest. III.

CAMILLE PISSARRO08 LA VEILLEE


Gouache on paper,

mounted on board 1 Vs X 8 Vi inches

27 X 21.5 cm

Provenance

Collection Durand-Ruel, Paris

LUerafure

Georges Lecomte, L'Art Impressionnisfe d'apres la

collection privee de M. Durand-Ruel, 1 892, pp. 85-

86 (description of this work); cf. illus. facing p. 80

(etching by A.-M. Lauzet after this work)

Exhibifed

The Art Institute of Chicago, Treasures of Chicago

Collectors, 1961

[See color plate]

[ 109]

Property of Another Owner

GUSTAVE LOISEAU109 LES FALAISES A POURVILLE

With atelier stamp

Watercolor and pencil

[See illustration!

93/4 X 13 inches

25 X 33 cm

Property from the

Bernhard Foundation, Inc. • New York

CLAUDE MONET110 LA FALAISE A SAINTE ADRESSE

Signed

Pastel, laid down on paper 8 7/8x11 3/8 inches

22.5 X 29 cm

Nofe- This work will be included in Daniel Wildenstein's

forthcoming Monet catalogue raisonne.

Executed circa 1 882

Provenance

Jeanne Castel, Paris

Jean Metthey, Paris

Bianchini Gallery, New York, 1 966

[See color plate]

[ no ]

i

I

[in- recfo ]


ARISTIDE MAILLOL111 NU DEBOUT and NU ACCROUPI:

\ V A DOUBLE-SIDED DRAWING

./ Signed with monogram, recto

Pencil on buff paper 12% x 9 74 inches

32.5 X 23.4 cm

[See illustrations of both sides]

[111- verso]

i< i=^»t ^'^/'/rz,.^^^.

-V^-SJ* - ")..

12

MARY CASSATT112 A WOMAN WRITING

Signed

Pencil 71/2 X 10 inches

19 X 25.3 cm

Note. According to Adelyn Breeskin this drawing is dated

circa 1896. It will be included in the supplement to her

Mary Cassati catalogue raisonne, now in preparation.

[ See illustration]

' JNi^

XLy. ^

V\

[ 113 ]

PABLO PICASSO113 ETUDE DE QUATRE NUS

Signed

Pencil on bufF paper,

affixed to a mount 5 Vs X 7 % inches

13 X 20 cm

Note. This drawing is closely related fo two major oits of

autumn, 1906. The two figures at the left appear in Deux

Femmes Nues, in the collection of the Museum of Modern

Art, New York, and three of the figures can be found in

Tro/s Nus, at the Barnes Foundation, Merion, Pa. The latter

painting, according to Pierre Daix (v.i.) is close to the first

studies for the landmark Demo/se//es d'Avignon.

Executed in 1906

Provenance

Collection Berggruen, Paris

Literafure

Christian Zervos, Pablo Picasso, vol. 22, 1970, no.

461, illus. p. 162; cf. vol. 1, 1957, nos. 349 and

366 for related oils

Pierre Daix and Georges Boudaille, Picasso 1900-

1906 Caialogue raisonne de I'oeuvre peint, 1966,

no. XVI. 20, p. 325, illus. (as Efucês de Nus); cf.

nos. XVI. 15 and XVI.32 for related oils

[See illustration]

ODILON REDON14 L'APPARITION

Signed

Charcoal on buff paper,

mounted on board

20 y4 X 1 2 3/8 inches

51 .5 X 31 .5 cm

Nofe. To be included in Daniel

Wildensfein's forthcoming Redon

catalogue raisonne.

Provenance

Swetzoff Gallery, Boston, 1952

[See illustration]

[ 114 ]

FERNAND LEGER15 CONTRASTE DE FORMES ( LE REVEILLE-MATIN)

Signed with initials and dated '13

Gouache 21 Ya x 18 inches

55 X 45.7 cm

Note. A photo-certificate from Daniel-Henry Kahnweiler

dated Paris May 7, 1976 accompanies this work.

Provenance

Galerie Louise Leiris, Paris

Sidney Janis Gallery, New York

Galerie Claude Bernard, Paris

[See color plate]

^

.?/v

/

,//

r^.

^LWr/^mm'pÂ^j^ "Tl i

[ 115 ]

[ 116]

Property of the New York City Health and Hospitals

Corporation, Bellevue Hospital Center • New York

MARCEL DUCHAMPI 116 'LE CELIBAT BROIE SON CHOCOLAT LUI-MEME'

Signed, titled and dated 1913

Pen and sepia ink on buff paper 5 V4 x BVa inches

1 3.5 X 21 cm

Provenance

Pierre Matisse, New York, 1 950

Exhibited

Philadelphia Museum of Art; New York, The Mu-

seum of Modern Art; The Art Institute of Chicago,

Amorce/ Duchamp Exhibhion, 1973-74, checklist

only

[See illustration]

":&

>


JEAN SOUVERBIE117 A TABLE


Pencil

[See illustration]

ROGER DE LA FRESNAYE118 TETE CUBISTE

With atelier stomp

Pencil

Provenance

Estate of the artist

Paule Caillac, Paris

[See illustration]

8 'A X 1 3 inches

21 X 33 cm

7V2 X 4 % inches

19 X 12 cm

[ 117]

[ 118 ]

FRANZ KUPKA119 COMPOSITION

With stamped signature, verso

Gouache on buflF paper 9x7 inches

23 X 18 cm

Noie A photo-certificate from Andree Martinel-Kupko doted

Paris, December 17, 1976 accompanies this work. She states

that this work was executed in connection with a series used

to illustrate the text of on article by Louis Arnould-Gremilly,

"De I'Orphisme a propos des tentatives de Kupka", in la Vie

des Letfres (Par^. October, 1921).

Provenance

Galerie Karl Flinker, Paris

[See illustration]

ALBERT GLEIZES

20 COMPOSITION CUBISTE


Gouache 141/2 X 1 1 inches

37 X 28 cm

[See illustration]

[ 119 ]

I 120 1

FRANZ KUPKA121 ETUDES POUR LOCALISATIONS DE MOBILES GRAPHIQUES

Signed

Pastel on laid paper, affixed to a mount 13 x 12% inches

33 X 31 .5 cm

Note- The fheme Localisations de mobiles graphiques (Organization of Graphic Motifs),

which cluminates in two oils dated 1912-13, has been described by Morgit Rowell as

follows:

The phrase localisations de mobiles graphiques' is developed in two stages in Kupka's

writings. The terms 'mobile' and mobile graphique' occur for the first time in his J970-

J J manuscript. They are defined as the outer expression of the artist's inner motivations

(or motives) and identified as 'motifs-mobiles' (motive-motifs) as opposed to ' motif-sujets'

(subject motifs) or the motif derived from a subject in the perceived world. For Kupka,

there is no necessity to look for subject matter in perceived objects. The artlsfs slightest

gesture, his style or approach to painting express an intelligence, a mentality, a vision

and this is sufficient.

In the same text, Kupka defines the phrase 'localisations des motifs-mobiles graph-

iques,' a concept which he will develop more extensively in the years these pictures

were done. In his 1912-13 manuscript, Kupka devotes three to four hand-written pages

to this concept which we will attempt to summarize here:

In our inner visions, fragments of images float before our eyes. In order to capture

these fragments, we unconsciously trace lines between them and by thus setting up a

network of relationships, we arrive at a coherent whole. These lines drawn to organize

our visions are like 'stereoscopic bridges' between fragments in space. . . . The lines

of this network define points in space and directions. They provide the scaffolding of

the image; they capture the rhythmic relationships between impressions. And this is

the real subject of the painter: the lyrical or tragic schema of nature poeticized or

dramatized. Details, forms, figures, objects may subsequently be added to articulate the

image further.

Executed in 1912

Provenance

Galerie Karl Flinker, Paris

Saidenberg Gallery, New York

Exhibifed

New York, Royal Marks Gallery, Kupka Exhibition: Oils, Wafercolors andWoodcuts, 1 976

[See color plate]

[ 121 ]

.^J**-^'

FRANZ KUPKA21 A ETUDES POUR LOCALISATIONS DE MOBILES

GRAPHIQUES: A DOUBLE-SIDED DRAWING

Signed, redo

Charcoal and pastel

Note. See note to the preceding lot.

Provenance

13 5/8x12 3/4 inches

34.6 X 32.5 cm

Exhibifed

New York, Royal Marks Gallery, Kupka Exhibifion:

Oils, Watercolors and Woodcuts, 1 976

Literature

cf. Margit Rowell, Catalogue for the exhibition

Franiisek Kupka: A Retrospective, New York, The

Solomon R. Guggenheim Museum, 1975, pp. 198-

1 99, illus. figs. 1 05 and 1 06 (related oils)

Samuel G. Haddad, New York [See illustration of recto]

I 122 ]

OTTO DIX

122 RUE VERSAILLES

Signed and titled; also inscribed Rue Versailles, Billi

Moniigues and numbered 1335/21 verso

Gouache on paper 111/2x11 1/4 inches

29.2 X 28.5 cm

No>e A pencil sketch of the some subject appears verso.

According to Dr. H. H. Klihm, executor of the Otto Dix estate,

this work was executed in 1912-19)4.

Provenance

Richard L. Feigen & Company, Chicago, 1964

Mr. and Mrs. Robert B. Mayer, Chicago

[See color plate]

NATALIA GONTCHAROVA122A FLEURS RUSSES

Signed

Watercolor 1 72 X 6 Vi inches

26.7 X 16.6 cm

[See illustration]

[ 122A ]

NATALIA GONTCHAROVA122B PAYSAGE RUSSE

Signed

Watercolor

Executed circa 1916

[See illustration^

1 y2 X 6 % inches

26.7 X 17.2 cm

*drv;ije^ : i..A'-«,-r .-. ^

PtJt M + 'i '

[ 123 ]

123

Property of Mrs. Annamarie Balchan andMrs. Grefchen Scanlan • New York

LIONEL FEININGERANKUNFT EINES SEGLERS

Signed, titled, dated 7 9 34 and inscribed Dear old

Frilz!

Pen and India ink with

watercolor on buff paper 7 Vs X 11 % inches

19.5 X 29.5 cm

Note: This and the following five lots are part of a group

of drawings and Feininger memorabilia inherited from

Frederick (Fritz) Strothmann, a life-long friend of the artist.

Provenance


Frederick Strothmann (father of the present owners)

[ See illustration]

r -^-.-

4--^KcÂ»i:i-

i . ^.«, V.Miw

\

-tJr'oX^

to[ 124 ]

[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN,

continued]

LIONEL FEININGER124 CLIPPER SHIP WITH YELLOW SAILS

Signed; also dedicated To dear old Friiz, '23. Sepi.

1 942' , from Leo on the verso

Pen and India ink with watercolor

on buflF laid paper 9'/? x 12 74 inches

24 X 31 cm

Nofe. See note to the preceding lot.

Provenonce


Frederick Strothmonn (father of the present owners)

[See illustration]

[ 125 1

[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN,

continued]

LIONEL FEININGER

125 SEASCAPE WITH BLUE MOUNTAINS

Signed and dated 17. ix. 46.; also dedicated To dear

old FrUz, with affectionaie good wishes. 23. sepf.

1946 on the verso

Wotercolor with pen and India ink

on buff paper 7% x 10% inches

19.5 X 27.5 cm

Note- See note to lot 123.

Provenance



[See illustration]

n

.-c-_. . • . L'

<jl'U'--

X'.y

y

•11,1 :.

1 / I''iii'il '^^^

Xy

/f / '/

__^*^;^g:^_:!i^JSir?L: V^^'^^

M26 1

[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN.confinued]

LIONEL FEININGER126 FIGURE BY THE SEA

Signed and Inscribed alien Frifz!

Pen and India ink

on buflF paper 9 Vs X 1 1 Vs inches

23.3 X 29.5 cm

Note: See note fo lot 1 23.

Provenance



[See illustration]

I 127 ]

[PROPERTY OF MRS. ANNAAAARIE BALCHAN AND MRS. GRETCHEN SCANLAN,

eonfinued]

LIONEL FEININGER

127 FOUR GHOSTIES

Pen and India ink

with watercolor 3 Vs X 6 % inches

8 X 17.5 cm

Nofe. On the verso is a personal note from the artist to

Mr. Strothmann and his wife.

Provenance



[See illustration]

[PROPERTY OF MRS. ANNAAAARIE BALCHAN AND MRS. GRETCHEN SCANLAN,continued]

LIONEL FEININGER128 THREE GHOSTIES

Signed


on laid paper 4 % X 6V4 inches

1 1 .5 X 1 6 cm

128

Note. See note to lot 123.

Provenance



[See illustration]

i f

129

[PROPERTY OF MRS. ANNAMARIE BALCHEN AND MRS. GRETCHEN SCANLAN,con/inued]

LYONEL FEININGER128A LEHERS AND MEMORABILIA

A group of letters from Lyonel Feininger to Frederick

Strothmonn dating from August 24, 1939 to Decem-ber 18, 1955, containing four India ink and water-

color sketches of "Ghosties," and four woodcuts,

three with hand coloring

Nofe. See note to lot 123.

Provenonce


Frederick Strothmonn (father of the present

owners)


PAUL KLEE

129 DUELL

Signed; also titled, dated 1938 and numbered E 19on the mount

Brush and black gouache on paper,

affixed to a mount 7x11 inches

18 X 28 cm

[See illustration]

PAUL KLEE

129A FLORA NOCTIS

Signed; also titled, dated 1939 and numbered Aii

on the mount

Gouache on paper,

affixed to a mount 1 1 Ys x 8 Va inches

29.5x21 cmProvenance

Sidney Janis Gallery, New York, 1 956

Exhiiifed

New York, Sidney Janis Gallery, A Selection of

20th Century Paintings 1905-1955, 1956, no. 13

(no catalogue)

New York Sidney Janis Gallery, 10th Anniversary

Exhibition, 1958, no. 33, illus.

Hartford, Wadsworth Atheneum, 20th Century Eu-

ropean Paintings, 1965, no. 5 (checklist only)

[See color plate]

[ 129A ]


Late Barbara Wescott • Rosemonf/ N.J.

PAUL KLEE

130 FRUCHT DER KUSTE

Signed; also titled, dated 1933, numbered H 14 and

marked I! on the mount

Oil on paper 9 '74 x 1 1 % inches

23.5 X 30 cm

Provenonce

Mayor Gallery, Ltd., London

Edward Le Bas, London, 1966

Exhibiied

London, Leicester Museum and Art Gallery, Exhibi-

Hon of Confemporary Art, 1 936

London, Leicester Galleries, Paul Klee, 1941

Trenton, New Jersey State Museum, From New Jer-

sey Collections, 20th Century Painting & Sculpture,

1972

Summit (N.J.) Art Center, Wescott Co//ecf/on, 1974,

no. 34

[See color plate]

Wtfi

[ 130 ]

h

[ 131 1

II'

Property of Another Owner Property of Robert Anglund • Weston, Conn.

PAUL KLEE

131 SCHLAFENDE KATZE

Signed and dated 1905; also dated 1905 and num-

bered 26 on the mount and on the reverse of the

mount

Watercolor and pencil on paper,

laid down on board 3 y4 X 5 Vi inches

8.2 X 14 cm

Provenance

Galerie Georges Moos, Geneva

[See illustration]

AMEDEO MODIGLIANI132 FEMME AUX MAINS JOINTES

Signed

Pencil 17 X 1 Ye inches

43 X 26.5 cm

Note: A brief half-length figure study of a seated man,

done in pen and sepia ink, appears on the verso.

This work is accompanied by a photo-certificate from

Arthur Pfannstiel dated Hamburg, December 16, 1962, in

which he proposes that the model may have been Beatrice

Hastings.

Executed 1915-16

Provenance

Galerie de I'Abbaye, Paris

Mr. and Mrs. J. D. Stuchell, New York

[See illustration]

A

/

1

[ 132 ]

[ 133 ]

133


AMEDEO MODIGLIANIPORTRAIT D'HOMME DEBOUT andHOMME NU ASSIS: A DOUBLE-SIDED DRAWING

Signed and inscribed, recto

Pencil on buff paper (sight) 1 6 1/2 X 9 3/4 inches

42 X 25 cm

Note: A letter from Jacques Lipchitz in which he discusses-

this drawing will be provided to the purchaser.

Executed 1916-17

Provenance

Paul Gardner, Kansas City, 1 955

[See illustration of both sides]

[ 1 33-verso ]

Ji I[ 134 ]

JULES PASCIN134 QUATRE FEMMES

With atelier stamp; also bears Succession Pascin

stamp, verso

Pen and India ink, watercolor and pastel

on buff paper (sight) 8V2 x 7 V2 inches

21.5 X 19 cm

Note. On the verso is a small sketch of a mother and child,

done in pen and India ink.

Executed circa 1920

[See illustration]

JULES PASCIN35 MODELE ASSIS

With atelier stamp; also bears Succession Pascin

stamp, verso

Watercolor, pastel and pencil

on thin buff paper

Executed ciVco 1925

[See illustration]

11x8 inches

28 x 20.3 cm

/

/

/

\

y

, "i I

^.^

\

"

/

[ 135 ]

Property of Leon Harris * Dallas

MARC CHAGALL135A VASE DE FLEURS

Signed

Gouache 2] Va x 1 7 inches

51 .5 X 43 cm

Note. According to Mme Ida Meyer-Chagall this work was

executed in the south of France in 1938-41.

Provenance

Estate of Emil J. Arnold, New York (Sale: Parke

Bernet, October 1 8, 1 973, no. 26)

[See color plate]

5.ffl

[ 135A ]

^' ••» jr*' J <>\mjJ( i-

[ 136 ]


<.i'VrvR/o

PAUL SIGNAC136 ST. MALO

Signed, titled and dated St. Malo juillei '30

Watercolor and pencil 1 1 74 x 17% inches

28.5 X 44 cm

Provenance

Galerie Lucie Weill, Paris

Exhibited

Paris, Galerie Lucie Weill, Paul Signac - Dessins,

Pastel Aquarelles, 1965, no. 28

[ See illustration]

ANDRE DUNOYER DE SEGONZAC137 FERME DANS LA VALLEE DU MORIN

Signed

Watercolor with pen and India ink

on paper, laid down on panel 21 % x 30 74 inches

55.3 X 77 cm

Executed circa 1935

Provenonce

Galerie Sagot Le Garrec, Paris

[See color plate]

[ 137A ]

RAOUL DUFY137A LA SIRENE

Signed

Gouache on heavy wove paper 23 % x 1 8 % inches

59.5 X 47.7 cm

Provenance

Acquired from the artist, circa 1 930

[See illustration]

[ 138 ]

HENRI MATISSE138 TETE DE FEMME


Charcoal 20 72 X 16 inches

52 X 40.5 cm

Note A photo-certificate from Mme Marquerite Dulhuit

dated Paris, 26-2-68, accompanies this work.

Provenance

Albert Loeb & Krugier Gallery, New York

[See illustration]

•^r '^

«rtt ^̂o> <ni

>

I 139 1

RAOUL DUFY39 MARINE AVEC RUINES ET FONTAINE

Signed

Gouache and watercolor

with pencil

Provenonce

Golerie des Etats-Unis, Cannes

[See illustration]

13x191/2 inches

33 X 49.5 cm

RAOUL DUFY40 LE CHATEAU DE CHENONCEAUX

Signed, titled and dated 1937

Gouache on buflF paper 193/4 X 25 3/4 inches

50 X 65.5 cm

[See illustration]

#A,f^^f^,1>;

«»Rt^|

%ii^7^^^y

rv. {••N •

'i4

;/- -

40 ]

[ 140A ]

PABLO PICASSO140A LE JOUEUR DE FLUTE

Dated Paris 28 Octobre XXXII; also signed at a later

date

Pen and India ink1 2 '72 X 10 inches

31.5 X 25.5 cm

Nofe. A photo-certificate from Claude Picasso accompaniesthis work.

Provenonce

Gallery D'Audrecht, The Hague

E. J. van Wisselingh, Amsterdam, 1 957

[See illustration]

PABLO PICASSO141 NU A LA TERRASSE

Signed and dated Cannes 16 Juillet XXXIII

Watercolor and India ink on paper,

mounted on board 15% x 20 inches

40 X 51 cmProvenance

Paul Rosenberg, Paris

J. K. Thannhauser, New York, 1 934Dr. Herschel Carey Walker, New York

[ 141 ]

Exhibited

Hartford, The Wadsworth Atheneum, 20ih Century European

Paintings from the Carey Walker Foundation with additions

from the Walker Collection, 1 965, no. 1 6

[ See color plate]


Late Margaret Wells Marcus * Houston

MARC CHAGALL142 LE COUPLE AU BOUQUET DE FLEURS ET AU

PANNIER DE FRUITS


Gouache, watercolor and

India ink 30 x 22 1/4 inches

76.2 X 56.5 cm

[See color plate]

1^

/#»-'

>^^: '.u."!


EMIL NOLDE143 TULPEN

Signed

Watercolor 1 8 74 x 1 3 % inches

46.5 X 35 cm

Note: A photo-cerfificafe dated September 1, 1977 from Dr.

Martin Urban of the Nolde Stiftung in Seebull accompanies

this lot. In an accompanying letter he furnishes a date of

1947-50.

Provenance

Emil Nolde Collection, Seebull

Frank Perls Gallery, Beverly Hills

[See color plate]

J.

[ 143 ]

it

is

\

V

Vr.

4-

GEORGE GROSZ144 STUDIES OF A WOMAN UNDRESSING

Signed

Pastel, watercolor and ink

on buff paper

Executed in 1940

[ 144 ]

241/2 X 18 72 mzUes

62 X 47 cm

Provenance

Marc Sandler, Pittsburgh

Literafure

Herbert Bittner, ed., George Grosz, 1960, illus.

pi. 95

[See illustration]

v<k> ' •

•^^-z^

in[145]

GEORGE GROSZ145 FEAST AND FAMINE


Watercolor

Provenonce

Erich Cohn, New York

[See illustration]

18 X 23 78 inches

45.7 \ 58.7 cm

^^^?r>.

^

[ 146]

Property of Colonel Harold H. Sims,

U.5.AJ. Rtd. * San Antonio

EUGENE BERMAN" 146 PORTRAIT OF GERTRUDE STEIN WITH

ARMS CROSSED

Signed and dated 20 sept 1 929

Pen and India ink on buff paper 24^/8 x 19 inches

62.5 X 48.2 cm

Provenance

Gertrude Stein, Paris, 1946 (gift to the present

owner)

[See illustration'

'•^^^^^

[ 147]

[PROPERTY OF COLONEL HAROLD H. SIMS, continued]

EUGENE BERMAN147 PORTRAIT OF GERTRUDE STEIN

Signed, dated 1929 and inscribed G.S.

Pen and India ink on buff paper 25% X 19 inches

65.5 x48.2 cm

Provenance

Gertrude Stein, Paris, 1946 (gift to the present

owner)

[See illustration]

v>

•'^


Late Barbara Wescott • Rosemont, N.J.

PAVEL TCHELITCHEW148 HAND INTO TREE (STUDY FOR HIDE AND SEEK)


Pen and India ink with wash 1 % X 15 inches

27.5 X 38 cm

Provenance

Durlacher Bros., New York, 1967

Exhibited

New York, Gallery of Modern Art, Pavel Tchelif-

chew, 1964, no. 228

Summit (N.J.) Art Center, Wescott Co//ecf/on, 1974,

no. 69

[See illustration]

[PROPERTY FROM THE ESTATE OF THE LATE BARBARA WESCOTT, continued]

PAVEL TCHELITCHEW149 FIGHTING BOYS (STUDY FOR HIDE AND SEEK)


Pen and dark brown ink

with wash

Provenance

17% X 10% inches

44 X 27.5 cm

[ 149 ]

Monroe Wheeler, New York (gift to the present

owner)

Literature

Parker Tyler, Yesterday's Children, 1944, illus.

[See illustration]

Property of the New York City Health and Hospitals

Corporation, Bellevue Hospital Center • New York

OSSIP ZADKINEI 150 MINOTAUR


Pen and India ink on buflf paper 1 8 x 23 % inches

45.7 X 60.5 cm

Provenance

Mrs. John Stephen, Greenwich, Conn, (gift of the

artist)

[See illustration]

150 ]

[PROPERTY OF THE NEW YORK CITY HEALTH ANDHOSPITALS CORPORATION, confinued]

OSSIP ZADKINE151 EUROPA


Pen and India ink

on buff paper 17% x 24% inches

45.5 X 60.5 cm

Provenance

Mrs. John Stephen, Greenwich,

Conn, (gift of the artist)

Exhibited

San Francisco Museum of Art,

Oss/'p Zadkine, 1944 (lent by the

artist)

[ See illustration 1


YVES TANGUY52 COMPOSITION


Pen and India ink 171/4x11 s/s inches

43.7 X 29.5 cm

Provenance

Brook Street Gallery, London

Auslonder Gallery, New York

Le Monde Galleries, New York

Lester Avnet, New York (Sale: Sotheby Parke Ber-

net, March 1 7, 1 976, lot 1 32, illus.)

Exhibited

New York, Albert Loeb and Krugier Gallery, 6e//-

mer and fhe Surrealisis, 1968, no. 89 in the cat-

alogue

[See illustration]

Property of Peter Joralemon • Tonopah, Nevada

JOAN MIRO153 THREE CHARACTERS FROM A GREEK TRAGEDY

Brush and India ink with pastel on paper,

laid down on board 19 78 x 25 V4 inches

48.5 x64 cm

Nofe; A photo-certificate from Pierre Matisse dated NewYork, March 10, 1976 accompanies this work, in which he

provides a date of February, 1934.

Provenance


Pierre Matisse Gallery, New York, 1 934

Dorothy Rieber Joralemon (mother of the present

I 152 ]owner)

[See color plate]

'-iMl^m^^mryî

[ 153 ]

it' J . . • 4 5(S.r;

u}o-^


WOLS154 ANIMAUX SOU MARINS

Signed

Watercolor with pen and India ink

on buff paper 6 % X 8 V2 inches

17x 21.5 cm

Provenance

Galerie Drouant-David, Paris, 1958

[See illustration]

[ 154 ] WOLS155 L'OEUF MAUVAIS

Signed


on blue-green paper

Provenonce

Galerie Drouant-David, Paris, 1958

[See illustration]

6% X 5 inches

17 X 12.7 cm

PAUL DELVAUX56 CROQUIS

Blue ink and wash on paper,

aflRxed to a mount 6% X 5 Vb inches

1 6 X 1 3 cm

Nofe.- A photo-certifrcafe from Claude Spaak dated Paris,

April 8, 1976 accompanies this work, for which he provides

a date of 1936.

Provenance


Claude Spaak, Choisel, 1976

Galerie Octave Negru, Paris

[See illustration]

[ 155 ]

B

PAUL DELVAUX157 DEUX FEMMES

India ink and watercolor

No»e. A letter from the artist to Claude Spook doted No-vember 22, 1949 appears on the verso. Delvoux lived with

the Spook fomily ot Choisel, near Poris, for several months

in early 1949.

Provenance


Claude Spaak, Choisel

[See illustration]

6 1/4 X 9 'A inches

1 6 X 23.5 cm

#

[ 158 ]

Property of Mr. and Mrs. Gifford Phillips

Santa Monica, Calif.

MAN RAY158 INQUIETUDE II

Signed and dated 1920; also signed, titled and dated

1920-65

Mixed media collage on paper 25 Vi x 19% inches

65 X 50 cm

Provenance

Cordier and Ekstrom, Inc., New York

Exhibiied

The New York Cultural Center, Man Ray, 1974-75,

no. 184

[See illustration]

[ 159 ]


MAX ERNST159 OISEAU PARMI LES FEUILLES

Signed

Frottage on paper 7 X 9 '74 inches

18 X 23.5 cm

Nofe. This work will be included in the forthcoming MaxErnst catalogue raisonne, now in preparation by WernerSpies.

Executed circo 1 945

Provenonce

Brook Street Gallery, London

[ See color plate]

Property of Mr. and Mrs.

Bart F. McLaughlin • West Lake Village, Calif.

RENE MAGRITTE160 'LA CLEF DES CHAMPS'

Signed; also titled and dated 1 948, verso

Gouache 1 8 % x 14 inches

46.7 X 35.5 cm

Provenance


Copley Gallery, Beverly Hills, 1 948

[See color plate]

[ 160

[ 161 ]

61


Late Barbara Wescoft * Rosemont, N.J.

PAVEL TCHELITCHEWTCHAIKOWSKY

Signed, dated 1949 and numbered VIII

Pastel on buff paper 1 2 X 8 % inches

30.5 X 22.5 cm

Provenance

Durlacher Bros., New York, 1 951

Exhibited

New York, Durlacher Bros., Tcfie/itchew, 1951

New York, Gallery of Modern Art, Pavel Tchelii-

chew, 1964, no. 301, p. 67 in catalogue

[See illustration]


PAVEL TCHELITCHEW162 SPIRAL HEAD

Signed, dated 1950 and numbered III

Casein on blue paper 1 9 Vs x 13 inches

50 X 33 cm

Provenance

Durlacher Bros., New York, 1 95

1

Exhibited

Summit (N.J.) Art Center, Wescott Collection, 1974,

no. 71

'See illustration]

[ 162 ]


FERNAND LEGER164 PROJET PEINTURE MURALE

Signed with initials; also numbered M. N° 2

Brush and India ink with gouache

on buff paper 1 9 % X 25 5/8 inches

50.5 X 65 cm

Nofe. This work bears a certificate of authentication from

NacJio Leger on the verso.

Executed mid-1940's

[See illustration]

Property of Bruce Gregory • Sarasota, fla.

FERNAND LEGER

165 COMPOSITION

Signed with initials and dated '46; also bears signed

dedication dated 1950

Gouache with brush and India ink

on orange paper 12% x9% inches

32.5 X 25 cm

Provenance

Acquired from the artist by the present owner, 1 950

[See illustration]

[ 166 ]


ARSHILE GORKY166 UNTITLED

Ink on orange paper,

laid down on masonite 1 3 % X 18 mches

35.5 X 45.5 cm

Note- A MS cerfifrcafe by Agnes Gorky Phillips dated No-

vember 27, 1961 in which she provides a date of 1941, is

affixed to the reverse of the mount.

[See illustration]

I 167]

HENRY MOORE167 RECLINING FIGURES (STUDIES FOR SCULPTURE)


Pencil, pen and ink, colored

crayons and watercolor on paper,

laid down on board

Provenance

Leicester Galleries, London

Dr. N. J. de Mather, London

Marlborough Fine Art, Ltd., London

1 'A X 1 7 mches

25.7x43.2 cm

Exhibited

London, Leicester Galleries, Henry Moore Exhibi-

tion, 1940, no. 82 in the catalogue

London, Marlborough Fine Art, Drawings and

Watercolors, 1 967, no. 53 in the catalogue

Literature

Kenneth Clark, Henry Moore Drawings, 1974, pi.

XXV, illus. in color

ISee color plate]

HENRY MOORE168 STUDY FOR FAMILY GROUP


Watercolor and mixed media 1 1 72 X 9 1/4 inches

29.2 X 23.5 cm

Note A phofo-certificafe signed by the artist and datedJanuary, 1974 accompanies this work.

Provenance

Acquired from the artist, 1953Anton Schutz, Scarsdale, N.Y., 1972

Exhibifed

Toronto, Art Gallery of Ontario, Henry Moore Cen-tre Opening Exhibifion, 1 974

[See illustration]

[ 169 1

GRAHAM SUTHERLAND169 STUDY FOR HEAD

Signed with initials and dedicated: To Le Roux &

Philippa, a souvenir of May 1 8fh 7 953 in friendship

Wotercolor and charcoal 12% x 10% inches

31 .5 X 27.5 cm

Executed in 1 953

Provenance

Mr. and Mrs. LeRoux Smith LeRoux, London (gift of

the artist)

McRoberts and Tunnard, Ltd., London

Lester Avnet, New York (Sale: Sotheby Parke Ber-

net, March 1 7, 1 976, lot 1 29, illus.)

[See illustration]

MARINO MARIN!170 CAVALLO E CAVALIERE

Signed twice, dated 1955 and inscribed with dedi-

cation

Oil with brush and India ink

on buff paper

Provenance


[See illustration]

34 X 241/2 inches

86.5 X 62.3 cm

[ 170 ]

GIORGIO MORANDi171 NATURA MORTA

Signed


on buff paper 6 y4 X 7 % inches

16 X 19.7 cm

[ 171 ]

Nofe: A photo-certificafe from the artist dated Bologna,

June 16, 1961 accompanies this work.

Executed in 1 956

Provenance

Acquired from the artist by the present owner, 1 956

[See illustration]

[ 172 ]

172


Late Barbara Wescott • Rosemont, N.J.

GIORGIO MORANDINATURA MORTA

Signed


Executed in 1 959

71/4 X 10 5/8 inches

18.5x 27 cm

Provenance

World House Galleries, New York

Monroe Wheeler, New York

Exhibited

Trenton, New Jersey State Museum, American and

European Drawings, Pastels, Prints and Watercolors

from New Jersey Collectors, 1 972

[See illustration]


BEN NICHOLSON173 LINEAR WITH BLUE

Mixed media on irregularly shaped paper

121/4 x 9 % inches

31 X 25 cm

Provenonce

Andre Emmerich Gallery, Inc., New York

[See illustration]

[ 173 ]


JOAN MIRO173A L'EPOUVANTE DE L'OISEAU PORTE-MALHEUR

Signed; also signed, titled and dated

1 965, verso

India ink, watercolor and pastel 35 V2 x 25V2 inches

90 X 65 cmProvenance

Galerie Maeght, Paris

[See color plate]

^-nL^-4,

"*^,â

[ 173A ]

[ 174]

Property of fhe Hon. Jack Faxon • Detroit

PIERRE ALECHINSKY174 UNTITLED


Ink and wash 1 6 Vi X 2 1 % inches

41 .5 X 55.5 cm

Note. This is one of a set of four drawings entitled Family

Album.

Exhibited

Washington, D.C., National Gallery, I 9th and 20ih

Century European Drawings, (circulating exhibition

organized by the American Federation of Arts),

1965-66, no. 1, illus.

New York, Solomon R. Guggenheim Museum, Euro-

peon Drawings, 1966, no. 2

[See illustration]


JEAN DUBUFFET175 QUATRE TETES OU BUSTES

Signed with initials and doted '62

Gouache 193/4 X 26 'A inches

50 x67 cm

Literature

hAax Loreou, Catalogue des Travaux de Jean

Dubuffet, Fascicule XX: L'Hourloupe I, 1966, no. 41,

illus. p. 26

[See color plate]

JEAN DUBUFFET176 LA CONGRATULE

Signed with initials and dated '62

Gouache 20% x 27 74 inches

50.8 X 69.2 cm

Provenance

Galerie Claude Bernard, Paris

Liferature

Max Loreau, Cafalogue des Travaux de Jean

Dubuffet, Fascicule XIX: Pans Circus, 1965, no.

434, illus. p. 197

[See color plate and cover]

[ 176 ]

PABLO PICASSO177 DEUX NUS

Signed, dated 14.7.62 and numbered I

Pencil and pastel 9 72 x 12% inches

24 X 32 cm

Provenance


Galerie Berggruen, Paris

Contemporary Art Establishment, Paris

Literafure

Christian Zervos, Pablo Picasso, vol. 20, 1968, no,

316, illus. p. 129

[See illustration]

iVt^L.^

li

[ 178 ]

PABLO PICASSO178 ECUYERE ET LION (CIRQUE I)

Signed, dated 23.9.68 and numbered I

Pencil

PABLO PICASSO178A FEMME ASSISE EN COSTUME DE CHEVAL

91/2x12 1/4 inches

24 X 31 cm

Signed and dated 2.1 .64

Charcoal on buff paper 291/2 X 241/2 mches

75 X 62 cm

Note: This work will be included in a forthcoming volume

of the Zervos catalogue devoted to the works of 1968,

now in preparation by Editions Cahiers d'Arf.

Provenance


Saidenberg Gallery, New York, 1975

[See illustration]

Nofe; This drawing is executed on the verso of an early

proof impression of the linoleum cut Toros en Vallauris,

1960, Bloch no. 1291.

Provenance

Picasso Arts, New York

Liferafure

Christian Zervos, Pablo Picasso, vol. 24, 1971, no.

8, illus, p. 5

[See illustration]

p

[ 178A ]

A

[179]

MATTA179 LES PARTICIPANTS

Signed and titled

Colored crayons and pencil 19 x 26 inches

48.2 X 66 cm.

[See illustration]

[ 180 ]

SAUL STEINBERG

180 EAST HAMPTON

Signed

Mixed media

Provenance

Aldis Browne, New York, 1973

[See illustration]

1 4 y2 X 23 inches

37 X 58.5 cm

[ END OF SALE ]

Sothebv Parke Bemet Inc. Estimates (U.S.$)

980 Madison Avenue, New York, N. Y. 10021

Telephone 212 472-3435, 3436, 3440

NOTE: As a con\'enience to its clients, Sotheby Parke

Bemet Inc. furnishes pre-sale estimates for all property

included in the auctions. These estimates are our approx-

imate \aluations based, whenever possible, on compara-

ble auction values.

As provided for in the "Conditions of Sale" and as ex-

IMPORTANT 19TH & 20TH CENTURYDRAWINGS AND WATERCOLORSSALE 4031 • THURSDAY • OCTOBER 20, 1977

plained in the "Important Information For Prospective

Bidders", all the property should be assumed to have re-

serves . In no case, where a reserve exists, will it exceed the

range of estimates quoted below. There are no commis-

sions (buyers premiums) added to the hammer price.

101 $800/1200

102 2000/3000

103 6000/8000

104 2000/3000

105 3000/5000

105A 8000/10000

106 30000/35000

107 4000/6000

108 10000/15000

109 800/1000

110 8000/12000

111 3000/4000

112 3500/4500

113 5000/7000

114 14000/18000

115 30000/40000

116 4000/6000

117 500/700

118 1000/1500

119 $3000/4000

120 3000/5000

121 12000/15000

121 A 5000/7000

122 7000/9000

122A 1800/2500

122B 1800/2500

123 2000/3000

124 2000/3000

125 2800/3500

126 1400/1800

127 1200/1500

128 1500/2000

128A 2000/3000

129 5000/6000

129A 40000/60000

130 35000/45000

131 5000/7000

132 5000/7000

133 $8000/12000

134 1000/1500

135 2000/3000

135A 28000/35000

136 5000/7000

137 12000/16000

137A 8000/12000

138 7000/9000

139 5000/7000

140 8000/10000

140A 10000/14000

141 25000/30000

142 20000/25000

143 18000/25000

144 1800/2500

145 7000/10000

146 800/1000

147 800/1000

148 600/800

149 $1000/1500

150 800/1200

151 800/1200

152 7000/9000

153 8000/12000

154 4000/6000

155 3000/5000

156 1800/2500

157 3000/4000

158 2000/3000

159 7000/9000

160 40000/50000

161 4000/5000

162 4000/6000

163 No lot

164 6000/8000

165 4000/6000

166 7000/9000

167 12000/15000

168 $10,000/12,000

169 1400/1800

170 6000/9000

171 6000/8000

172 6000/8000

173 4000/6000

173A 45000/55000

174 1400/1800

175 18000/25000

176 30000/35000

177 14000/18000

178 6000/8000

178A 8000/10000

179 1800/2500

180 4000/6000

NOT RESPONSIBLE FOR TYPOGRAPHICAL ERRORS OR OMISSIONS

SALE 4031

SOTHEBY PARKE BERNET INC.

980 Madison Avenue, New York, N.Y. 10021

Telephone (212) 472-3435, 3436, 3440

Date.

I desire to place the following bids for Sale 4031 to be held October 20, 1977. These bids are to

be executed by Sotheby Parke Bernet up to but not exceeding the amount or amounts specified below. Each

bid is PER LOT, as indicated, and all bids will be executed and are accepted subject to the "Conditions of

Sale" and "Terms of Guarantee' printed in the catalogue of this sale. Please see "Advice to Order Bidders"

on the reverse of this bid slip.

Name.

Q

Zo

<wHQZ<QO

CO<

(please print or type)

Address-( Street) (Apt )

(City) (State) (Zip)

Telephone.

Signed

(Code)

Bonk reference or deposiL

(If bidder is not known to Sotheby Parke Bernet Inc.)

Lot Number Top limit of Bid (Bid is per lot numberOS listed in the catalogue)

$

IMPORTANT: To facilitate handling, kindly mark envelope: " Afieniion—Bid Depariment'

ADVICE TO ORDER BIDDERSIf instructed, Sotheby Parke Bernet Inc. will execute bids and

advise prospective purchasers. This service is free. Lots will al-

ways be bought as cheaply as is allowed by such other bids and

reserves as are on our books or bids executed in competition

from the audience.

PLEASE NOTE: Sotheby Parke Bernet Inc., offers this service

as a convenience to its clients who are unable to attend the sale

and will not be held responsible for error or failure to execute

bids.

Commission bids, when placed by telephone, are accepted only

at the sender's risk, and must be confirmed by letter or telegram

(Cable address: PARKGAL, NEW YORK)

.

Please use the bidding slips provided and be sure to note care-

fully lot numbers and descriptions.

Always quote the sale number of the catalogue to avoid any pos-

sible confusion.

Please bid as early as possible. In the event of identical bids, the

earliest will take precedence.

"Buy" bids are not accepted. The limit you leave should be the

amount to which you would bid if you were to attend the sale.

Each bidding slip should contain bids for one sale only.

Alternative bids can be placed by using the word "OR" between

lot numbers.

In order to avoid delay in clearing purchases, buyers unknownto us are advised to make arrangements before the sale for pay-

ment or for references to be supplied. If such arrangements are

not made, checks will be cleared before purchases are delivered.

IMPORTANT NOTE: Successful bidders will be notified andinvoiced within a few days of the sale.

Unsuccessful bidders will not be specifically notified, but will

receive a price list indicating results of the sale if a stamped,

self-addressed envelope is enclosed with the submitted bid.

AB 8/76

Photographs by

SOTHEBY PARKE BERNET PHOTOGRAPHY DEPT.

Tel. 212/472-3527

Consultant Art Director

ALAN HARTWELL, N.Y.C,

Color Separations by

TOPPAN PRINTING COMPANY

Printed in the U.S.A. by

JERSEY PRINTING COMPANY INC.,

BAYONNE, N.J.

(050607)

Sotheby Parke Bernet Group, Ltd.

Peter C. Wilson C.B.E., Chairman

AUCTION ROOMS & REPRESENTATIVES* OUTSIDE THE UNITED STATES

UNITED KINGDOMLondonSotheby Parke Bernet & Co.34-35 New Bond Street,

London W1A2AATelephone: (01)493 8080Telex: 24454 SPBLONGTelegrams: Abinitio, London

Sotheby's Belgravia

19 Motcomb Street,

London SW1X8LBTelephone: 101 1235 43 11

Telex: 24454 SPBLONGTelegrams: Gavel, London

Sotheby Parke Bernet & Co.(Hodgson's Rooms)1 1 5 Chancer)' Lane,

London WC2A IPXTelephone: (01) 405 7238

EdinburghJohn Robertson

*

19 Castle Street,

Edinburgh EH2 3AHTelephone: (03 1) 226 5438Telegrams: Abinitio, Edinburgh

ARGENTINAWilliam R. Edbrooke

'

Kerteux Antiques,

Libertad 846Buenos Aires

Telephone: (41 1 Plaza 0831

AUSTRALIABruce H Rutherford '

1 no High Street

Armadale, MelbourneVictoria 3143Telephone: .Melbourne 509 7211Telegram: Abinitio, Melbourne

BELGIUMComte Henry de Limburg Stirum *

Sotheby Parke Bernet Belgium32, RuedelAbbayeBrussels 1050Telephone: (2) 343 5007Telex: 34837. TELCAL B. ext. Ill

INTERNATIONAL REPRESENTATIVES

Q)untess Bernadotte • The Hon. Angus Ogiivy

Signora M. Pallavicino • Sir Michael Stewart, kcmb, obe

Count Trolle-Bonde • Prince Franz zu Sayn-Wittgenstein

BRAZILRio de Janeiro

Walter Geyerhahn '

Rua do Rosario

135/1 3^-2° andar

Rio de Janeiro

Telephone: 252 7495 & 252 9552Telegrams: Eikos, Rio dtJaneiro

Sao Paulo

Cornelius O.K. Reichenheim'

Al. Ministro Rocha Azevedo 391

Sao Paulo

Telephone: 282-0581

CANADAGeoffreyJoyner

Sotheby Parke Bernet(Canada) Ltd.

Suite 4 1 2, The Park Plaza,

no Bloor Street West,

Toronto, Ontario M5S 1T9Telephone: (416) 922 0300

FRANCERear Admiral

J. A. Templeton-Cotill. C B.*

Sotheby Parke Bernet(France) s.a.r.l.

3 Rue de Miromesnil

Paris ^5008

Telephone: (1)266 4060Telex: 640084Telegrams: Abinitio, France

GERMANYDr. Ernst Behrens

*

Sotheby Parke Bernet GmbHOdeonsplatz 16

8 Munich 22

Telephone: (89) 222375 6(89) 222376Telex: 523443

HOLLANDJan Pieter Glerum

Sotheby Mak van Waay B.V.102 RokinAmsterdam CTelephone: (20) 24 62 15

& (20) 24 62 16

Telex: 13267Telegrams: Abinitio, Amsterdam

HONG KONGJohn MarrSotheby Parke Bernet(Hong Kong) Ltd.

7th Floor

Lane Crawford House,

Hong KongTelephone: 225454Telex: 75486 Lane HXTelegrams: Abinitio. Hong Kong

IRELANDThe Earl of.Mount Charles

*

Slane Castle,

Navan, Co. MeathTelephone: Drogheda 24207Also: 38 Dawson Street, Dublin

Telephone: (01) 779446Consultants: Mrs. John Hunt &Mrs. Mao Boydell

Telephone: (01) 323 1 10

ITALYFlorence

Count Altise di Robilant

Carmen Gronau (Consultant)

Sotheby Parke BernetItalia s.r.l.

Palazzo Capponi,

Via Gino Capponi 26,

Florence 50121Telephone: 010 39 55571410Telegrams: Abinitio, Firenze

Milan

Sotheby Parke BernetItalia s.r.l.

Via Montenapoleone 3,

20121 Milan

Telephone: (2) 783907Telex: 59478Telegrams: Abinitio, Milan

MONACODr S S Cristea

Sotheby Parke Bernet(Monaco) S.A.

Sporting D'Hiver

Place du Casino

Monte Carlo

Telephone: (93) 308880Telex: SPBMON 479471

SCANDINAVIARolfLarson

*

Sotheby Parke BernetArsenalsgatan 4

Stockholm 1 1 47

SwedenTelephone: (8) 101478& (8) 101479Telex: 17380 Forlun

SOUTH AFRICARetnhold H. Cassirer

Sotheby Parke BernetSouth Africa (Proprietary) Ltd.

P.O. Box 31010Braamfontein 201"', Johannesburg

Telephone: (11)724 5967 &(11)7246029Telex: 8-3636 SATelegrams: Abinitio,Johannesburg

SPAINJuan Antonio Perez Ramirez

Saskia-SothebysLagasca 16, Madrid 1

Telephone: (1)225 4885 & 225 4890Telegrams: Abinitio. Madrid

SWITZERLANDDr.J G. Wille in partnership u ith

Alfred Schuarzenbach

Sotheby Parke Bernet A.G.20 Bleicherweg, 8022 Zurich

Telephone: ( 1 ) 202 00 1

1

Telex: 52380Telegrams: Abinitio, Zurich

Of 7/77

Documents

Important 19th 20th Century Drawings and Watercolors