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Aristocracy was rich and powerful during the 17th century
The word baroque = bizarre, elaborately ornamented
Filling up space with action and movement◦ Contrasting light and dark
Baroque Society
Three phases◦ Early (1600-1640)
Italian composers created opera Homophonic texture emphasized and unstable
chords◦ Middle (1640-1880)
Modes gave way to major and minor scales New importance of instrumental music
◦ Late (1680-1750) ** Return to Polyphonic texture Dominant to tonic chords Instrumental music = as important as vocal
Baroque Music
MOOD◦ One piece = One mood usually◦ Exception in vocal music – changes in emotions correspond to changes
in musical changes (but usually not suddenly)
RHYTHM◦ Continuity in rhythm◦ Emphasis on the beat
MELODY◦ Also feeling on continuity (reoccurring)◦ Elaborate and ornamental = not balanced
DYNAMICS◦ Continuity – if shifts occur, usually sudden = TERRACED DYNAMICS◦ Use of ORGAN or HARPSICHORD – no finger pressure control◦ Clavichord = slight changes allowed = for amateur usage
Characteristics of Baroque Music
TEXTURE◦ Polyphonic◦ Repetition of the melody in different voices◦ Not all were polyphonic
CHORDS AND BASSO CONTINUO◦ Chords – became more significant◦ Sometimes composed melody to fit a chord
progression◦ BASSO CONTINUO and FIGURED BASS
WORDS and MUSIC◦ Sometimes many notes for one syllable of text
Characteristics of Baroque Music Cont’d
Instruments in the violin family
10-40 players
Based on the basso continuo – harp and cello, bass, or bassoon
Violins and violas
Woodwinds, percussion, brass were added only some of the time – ie. when music was festive
Melody, rhythm and harmony was stressed
Baroque Orchestra
Movements that contrast
Movement = complete and independent, but part of a larger work
ABA, AB, Undivided form = ALL COMMON
Contrasting sounds
Baroque Form
Music written to order (mainly from churches and courts, and opera companies)
Good pay and prestige of the music director
Job is at the call of the patron
Some had good relationships with their patrons ◦ Ie. Corelli
Music in Society
Church also need music – organ or choir, or orchestra
Church music contributed to the prestige of the city
Music played in public, for taverns etc.
Usually musician jobs = handed down from father to son
Women were not usually employed performers, but many became musicians (ie. Caccini, Strozzi)
To become a musician = pass exam, or do other non-musical requirements
Music in Society Cont’d
Small group pitted against larger group (Tutti)
2-4 soloists
8-20 in Tutti◦ String instruments, harpsichord as part of basso
continuo
Usually in 3 movements (fast, slow, fast)
Concerto Grosso
Usually the form of the first and last movement of concerto grosso
Alternating between tutti and solo
TUTTI with a theme (ritornello)
Theme returns in different keys in fragments
End of the piece = ritornello in home key◦ TR (home key)◦ Solo◦ TR (fragment)◦ Solo◦ TR(fragment)◦ Solo◦ TR(home key)
Ritornello (refrain) Form
The fugue: polyphonic composition on one main theme: SUBJECT
Different melody lines (voices) imitate the subject
TOP LINE – soprano voice, bottom is base 4-5 voices, but usually starts in single voice Sometimes counter subject Episodes with new material Some are introduced by a prelude
The Fugue
Instrumental music grew in importance
Sonata = several movements for 1-8 instruments
TRIO sonatas: 2 high instruments, 2 for basso
Sonata da cheisa vs. Sonata da camera
Baroque Sonata
Late Italian Baroque – born in Venice
Violin teacher, composer, conductor
Composed SOLO CONCERTOS – single soloist and orchestra
Antonio Vivaldi
Known as the town musicians
Church organist, court organist, then concertmaster
First wife died, leaving 3children – remarried
Cantor in Leipzig, he was a religious man
J.S. Bach
No opera, his vocal music – usually hymns
Polyphonic texture and rich harmony
Several melodic lines at once – chord progression
Single idea per piece – twisting the inner voices etc
Bach’s Music
Same key but different tempo, meter, or character◦ Allemande◦ Couratne◦ Gavotte◦ Sarabande◦ Gigue
AABB
Balance and symmetry
The Baroque Suite
Fusion of music, acting, poetry, dance, scenery, constumes
Began 1600
Orchestra and actors with conductor
LIBRETTO – text Parts:
◦ Coloratura soprano◦ Lyric soprano◦ Dramatic soprano◦ Lyric tenor◦ Dramatic teno◦ Basso buffo◦ Basso profondo
Opera
Camerata – ancient Greek tragedy They rejected polyphony Euridice by Peri earliest opera preserved Orfeo by Monteverdi 1st opera house in Venice – 1637 Castrato Late baroque – secco
recitative/accompanied recitatives ABA da capo Arias
Baroque Opera Writers
Early Baroque era
Wrote Orfeo
Music directer in Venice
Bridging the 16th and 17th century
Wanted emotional intensity in music
Used dissonances, tremolo and pizzicatos
Monteverdi
London, choirboy, then composer then organist
English composer, wrote with all music forms
Wrote Dido and Aeneas
Homophonic textures and polyphony
Used GROUND BASS – repeated bass pattern
Henry Purcell
Libretto by Nahum Tate – inspired by Aeneid by Virgil
Dido – Queen and Aeneas – king of Trojans
Aeneas lands in Carthage and falls for Dido
False messenger tells Aeneas to leave – Dido suicides
Dido and Aeneas
Music used often in churches – 4 hour services!
Chorale: hymn tunes sung to German texts- Usually one note to a syllable- New music was often based on traditional melodies- CHORALE PRELUDES before the hymn
Cantata- Piece that was sung- usually for chorus, vocal soloists, organ and orchestra- Resembled the opera at the time
Chorale and Church Cantata
Large scale for chorus, solo and orchestra No acting,based on biblical stories
Choruses and arias, duets and recitatives
Longer than cantatas and have story line
Ie. Messiah
Oratorio
Italian opera and English oratorio
Studied law in university
Music director at for Hanover
Wrote Rinaldo (opera)- success
Favorite of Queen Anne
Scapegoat of political struggles
1741: Messiah
George Frideric Handel
Late Baroque- just like Bach
His works are nearly always serious, based on Roman and Greek history
English oratorios – stories from Old Testament But not for the church, just for entertainment
The chorus was his focus!
Changes texture frequently
Sharp changes in mood – major and minor
Handel’s Music