photo by rine rodin

photo by kristian touborg

HOW TO QUITformat: performativ workshop series og digital support groupmaterial: digital experiments in disconnectivity and care, workshops / performances and upcoming publicationdimensions: variableyear: 2018-ongoing

two performative workshops / experiments, as attempts to develop concrete tools to alter, subvert and quit mainstream internet infrastructure and its harmful and depressing routines. An attempt to balance the potentials of the internet with humans needs for intimacy and local community, by focusing on pragmatic tools to actively shape one’s internet usage and aid in digital care towards oneself and others.

The two experiments was a part of the exibition “Shaking the habitual” at |meter| exhibition space in Copenhagen. Here, over a period of four months from March 3rd through June 23rd, 2018, |meter| invited artists, writers and activist groups to join a search for feminist utopian horizons.

During the winter of 2018/2019 the group has been working on a publication documenting the two workshops / experiments. The publication will be released at |meter| space in march 2019.

how to quit performance i galleri |meter|

voice machines installation, shaking the habitual, galleri |meter|

HARVESTING THE RARE EARTHformat: solo exhibition: overgaden, institute of contemporary art, copenhagenmaterial: video, worms, micro organisms, glass, light, sound, scenographydimensions: variableyear: 2017

"Harvesting the Rare Earth" presents a speculative near-future scenario, where mining companies are using genetically modified micro organisms to harvest rare earth elements from e-waste dumps around the world.

The exhibition positions itself between a futuristic science demo and a dystopic illustration of the ecological consequences of our current necropolitical reality.

installation detail: overgaden, copenhagen, 2017

installation view: overgaden, copenhagen, 2017

photo by overgaden

photo by overgaden

TETRAIDER #1format: dynamic light installationmaterial: cold cathode light tubes, metal, grass, buried car stereo, sound and batteriesdimensions: 30m x 30m x 3myear: 2013

10+ lysende pyramideformede lysende objekter, placeres "svævende" over en mark. omkring de lysende objekter, produceres en trekantet "crop circle" i græsset.

installation shot: sejerø festival 2013

installation shot from drone: crop “circle” surrounding tetradier #1, sejerø festival 2013

photo by jamie allen

drone photo by julian bay nielsen

CLOUD COMPUTINGformat: solo exhibition, DIAS kunsthal, vallensbæk station, denmarkmaterial: stones, minerals, video, sound, harddrive sculpture, publicationdimensions: variable year: 2016

“One’s mind and the earth are in a constant state of erosion, mental rivers wear away abstract banks, brain waves undermine cliffs of thought, ideas decompose into stones of unknowing, and conceptual crystallizations break apart into deposits of gritty reason.”

Robert Smithson, A Sedimentation of the Mind: Earth Projects (1968)

video still, cloud computing, by jacob remin

video still, cloud computing, by jacob remin

photo by lotte løvholm

CLOUD RESIDUEformat: performance, for nordwind festival at SAVVY contemporary, berlinmaterial: rare earth elements, robot, live video link, video, generative poetry, sounddimensions: variable year: 2017

lecture performance for a robot. the robot is educated in where to find rare earth elements in e-waste and consumer electronics.

cloud residue performance, SAVVY contemporary, berlin

video still, poetry by algorithms

LCD GLITCH MODULESformat: LCD screen sculpturematerial: custom electronics, LCD modules, steel, fluorescent light tubesdimensions: 120cm x 150cm x 20cmyear: 2012-2015

LCD Glitch Modules består af udtjente LCD-skærme, der får nyt liv, når digital signalstøj sendes direkte ind i deres elektroniske kredsløb. Støjen skaber grafiske mønstre og dynamikker, som er unikke for hver enkelt skærm. Der indgår ikke noget video signaler i traditionel forstand i installationen: De grafiske mønstre på skærmen er en direkte konsekvens af videoskærmenes materialitet, deres design og de enkelte komponenter som skærmen består af.

close up, installation view

installation view, nikolaj kunsthal, 2015 photo by jacob remin

photo by jamie allen

WAVEFORMS OF THE EARTHformat: residency + solo exhibition in collaboration with david gauthier: gallery bb15, linz, austriamaterial: salt crystals, curstom built plinths with speakers, custom synthesizers, sound, cloaks, rocks, photo documentationdimensions: variableyear: 2014

“Silicon, salt, crystals and volts are the primary elements of this initiatic journey into the paranormal where geologies manifest occult waveforms from the earth. Cryptic crystals from the Salzburgian salt-mines have been collected in the misty mountains and are displayed on unique plinths synthesising and amplifying their immemorial din from below. ”

- excerpt from exhibition program text

photo documentation: waveforms of the earth, salzburg, austria, 2014

installation view: bb15, linz, austria, 2014

photo by petra moser

photo by petra moser

MATERIAL MEDITATIONformat: installationmaterial: mac mini, OS X screen saver “nature”, wood, LCD screens, VGA splitterdimensions: 200cm x 100cm x 40cmyear: 2011

installation shot: black box gallery 2011 photo by jamie allen

CCFL LIGHT SCULPTURE 1format: dynamic light installationmaterial: cold cathode lights, custom electronics, PC power supplydimensions: 150cm x 150cm x 50cmyear: 2011

installation shot: black box gallery photo by jamie allen

LIGHTWEIGHTformat: solo exhibition / material interview by julie bitsch: material: concrete, gipsum, wood, electronics, sound / vibration, lights, video, custom electronicsdimensions: variableyear: 2014

“remin has produced answers, commentaries and queries which from a material setting examine the materiality of digital media and developments in the binary sender – receiver structure of the traditional media hierarchy over post–internet multilateral routes of communication and their implicated etheric power structures.”

- excerpt from the exhibition program text by erik duckert

installation view: BETON art space, 2015

installation view: BETON art space, 2014 photo by martin kurt haglund

photo by martin kurt haglund

DRONE PAINTINGformat: installation / performancematerial: mixed media: wood, metal, 30+ drones, quadrophonic sound, custom electronics and custom control softwaredimensions: 4m x 4m x 4myear: 2013

a performance for 30+ drones put inside a cage with paint and a canvas.

video stills from performance documentation, re-new, 2013 video material courtesy of pb43 & re-new

LIGHT PROLAPSEformat: kinetic light sculpturematerial: custom electronics, stepper motors, wire, sound and fluorescent light tubesdimensions: variableyear: 2011

“A bright, non-earthly and fragile creature, created in glass, but in motion and with a loud pulse. In this encounter with the strange a relationship emerges: A meeting which at one and the same time is electric, dangerous and fragile.”- excerpt from catalogue text by Karen Lisa Salamon

video from nytap: https://vimeo.com/34340375

installation view: nytap, copenhagen, 2011

installation view: notch11, beijing, 2011 photo by jacob remin

photo by jacob remin

MACHINES ARE HAVING FUN(WHEN YOU’RE NOT LOOKING)format: dynamic light installationmaterial: LED displays, passive infrared motion sensors, custom electronicsdimensions: 6m x 2,5m x 1myear: 2008

installation view: charlottenborg forårsudstilling 2008

KUBENformat: light installationmaterial: fluorescent light tubes, custom electronicsdimensions: 150cm x 150cm x 150cmyear: 2010

installation view: rundetårn, 2010 photo by jacob remin

photo by mads høbye

MINUS LIGHTformat: light installation + performancematerial: fluorescent light tubes, blindfolddimensions: 120cm x 200cm x 10cmyear: 2013

7 fluorescent light tubes creates an intense bright white light and giant minus sign, gallery visitors are invited to be blindfolded in front of the lamp. the experience hightens awareness on all non-visual senses: sounds, smells, the heat from the lamp all become very present.

installation shot: LEAP gallery, berlin, 2013 photo by jacob remin