HENRIK IBSEN.pptx

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    HENRIK IBSENMa. Ysabel Jeremiah P. Juachon

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    March 20, 12 ! Ma" 2#1$0%

    Source& h''(&))***.*i+i*an.co

     Ibsen *as o'en reerre'o as /'he a'her o'hea'rical realism

    He *as also one o 'heouners o Moernism in'hea're

    n is 'he mos' reuen'l"(erorme rama'is' in'he *orl a'er

    Sha+es(eare

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    Earl" 3ie

    Born in S+ein, Nor*a"

    4amil" *en' rom rich 'o (oor

    Became increasin5l" in'ro6er'e

    7ro'e (oe'r" in his s(are 'ime 4aile 'he en'rance e8amina'ion

    Ro"al 4reeric+ 9ni6ersi'" in :hri

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    3ie as a *ri'er

    Ibsen *as e'ermine 'o or5e a as a *ri'er

    1;1hea'eBer5en

    He *as 5i6en 'he o((or'uni'" in 1mana5e a ne* 'hea'er

    9nor'una'el" or him, a5ain, i' *

    ban+ru(' in 1%2

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    3ie as a *ri'er

    He e8ile himsel or a 2=

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    3ie as a *ri'er

    /an o(en rain, a loa'hsome soreabominable (iece, a re(ulsi6e ane5rain5 *or+

    < a cri'ic on Ahos's 11C

    Some o his (la"s arouse con'roan (ro6o+e (ublic ou'ra5e.

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    7or+s C

    The Burial Mound *ri''en in 1;0, re6ise 6ers

    N

    St. John’s Night  *ri''en in 1;2, @rs' (ublish

    Lady Inger  *ri''en in 1;, @rs' (ublis

    The Feast at SolOlaf Lile!rans *ri''en in 1;%, @rs' (ublish

    The "i!ings at #elg

    Lo$e’s Co

    The %rete

    Source& ibsen.nb.no 'he Ibsen *ebsi'e (roFec'C < h''(&))ibsen.nb

    %eer

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    7or+s

    %eer

    The League of '

    %

    (m)eror and &al

    %illars of So  + ,oll’s #

    &

     +n (nemy of the %e

    The -ild

    osmers

    The Lady from th

    #edda &

    The Master Bu

    LittleSource& ibsen.nb.no 'he Ibsen *ebsi'e (roFec'C < h''(&))ibsen.nb

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    7or+sIbsenGs rama'ic *or+s are o'en i6ie in'o Na'ionalhe ramas rom Catiline 'o Th

    ?raLo$e’s Comedy , Brand, %eer &ynt  an (m)eror

    Realis'ic con'em(%illars of So*iety , + ,oll’s #ouse, &hosts an +n

    Ps"cholo5ical an s"mbThe -ild ,u*! , osmersholm, The Lady from th

    &a/ler , The Master Builder , Little (yolfBor!man an -hen -e ,

    Source& ibsen.nb.no 'he Ibsen *ebsi'e (roFec'C < h''(&))ibsen.nb

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    4inal Years an ?ea'h

    His e'eriora'in5 heal'h sho*e in March 1$

    He ha u, *hich *as 'hen ollo*e b" a s'ra clo' e6elo(e in one o 'he ar'eries on 'hsie o his brain

    He suere ano'her s'ro+e in 'he s(rin5 o 1

    His ri5h' arm an le5 an 'he ri5h' sie o h*ere (aral"se an his s(eech became slur

    In March 1$0#, he reco6ere a bi' rom 'he

    >a++. H. I. >han+ "ou, H.I.C *ere 'he las'*ro'e b" his o*n han

    He ie on 2# Ma" 1$0% a' 2 PM

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    ?ollGs House

    Nora < >he (ro'a5onis' o 'he (la" an 'he *ie o >or6

    Nora ini'iall" seems li+e a (la"ul, na6e chil *ho lac+so 'he *orl ou'sie her home. She oes ha6e some *oe8(erience, ho*e6er, an 'he small ac's o rebellion in en5a5es inica'e 'ha' she is no' as innocen' or ha((" aa((ears. She comes 'o see her (osi'ion in her marria5eincreasin5 clari'" an @ns 'he s'ren5'h 'o ree hersel o((ressi6e si'ua'ion.

    Torvald Helmer < NoraGs husban. >or6al eli5h's in (osi'ion a' 'he ban+, Fus' as he eli5h's in his (osi'ion oas a husban. He 'rea's Nora li+e a chil, in a manner '+in an (a'roniLin5. He oes no' 6ie* Nora as an euaas a (la"'hin5 or oll 'o be 'ease an amire. In 5eneis o6erl" concerne *i'h his (lace an s'a'us in socie'"

    allo*s his emo'ions 'o be s*a"e hea6il" b" 'he (ros(esocie'"Gs res(ec' an 'he ear o socie'"Gs scorn.Source& h''(&))***.s(ar+no'es.com)li')ollhouse)charac'e

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    ?ollGs House

    Dr. Rank  < >or6alGs bes' rien. ?r. Ran+ s'ans ou' ascharac'er in 'he (la" *ho is b" an lar5e unconcerne *o'hers 'hin+ o him. He is also no'able or his s'oic acce(a'e. 9nli+e >or6al an Nora, ?r. Ran+ ami's 'o 'he isna'ure li'erall", in his caseC o his lie. 4or 'he mos' (ar''al+in5 'o >or6al abou' his imminen' ea'h ou' o res(e

     >or6alGs is'as'e or u5liness.

    ?ollGs House o(ens on :hris'mas e6e in 'he li6in5 roHelmersG househol

    Source& h''(&))***.s(ar+no'es.com)li')ollhouse)charac'e

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    ?ollGs House

    Prior 'o IbsenGs 'ime, ramas *ere *ri''en (reomina6erse an 5enerall" i no' e(ic' e6en's in an accu

    Ibsen sou5h' 'o e(ic' lie accura'el" an realis'icall"(la"s, *hile el6in5 in'o 'he '"(es o conic's an ihe 6ie*e as charac'eris'ic o his 'ime

    He (a''erne his ialo5ue a'er real

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    ?ollGs House

    /Beore I *ri'e o*n one *or, I ha6e 'o ha6charac'er in min 'hrou5h an 'hrou5h, I mu(ene'ra'e in'o 'he las' *rin+le o his soul. I a(rocee rom 'he ini6iual 'he s'a5e se''inrama'ic ensemble, all 'ha' comes na'urall"no' cause me an" *orr", as soon as I am ce'he ini6iual in e6er" as(ec' o his humani'

    ha6e 'o ha6e his e8'erior in min also, o*nlas' bu''on, ho* he s'ans an *al+s, ho* hconuc's himsel, *ha' his 6oice souns li+eo no' le' him 5o un'il his a'e is ul@lle.

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    ?ollGs House

    :harac'eriLa'ion is 'he means b" *hich a *rre6eals a charac'erGs (ersonali'".

     >he 6erse ramas *ri''en beore IbsenGs 'iminclue solilouies in *hich 'he charac'ers 'heir innermos' 'hou5h's irec'l" 'o 'he au

    In con'ras', charac'ers in a realis'ic rama me6elo(e 'hrou5h 'heir (h"sical a((earanc

    commen's, an ac'ions an 'hrou5h o'her cremar+s abou' 'hem

     >he :hris'mas >ree in 'he (la" someho* (aNora

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    ?ollGs House  >he slammin5 o 'he oor s"mboliLe NoraGs asser'io

    reeom an ine(enence. >he soun re(resen'e

    challen5e 'o 'he e8is'in5 belies concernin5 se8 roles ' 'he 'ime 'he (la" *as *ri''en, i' *as *iel" belie6

    *omen *ere inerior 'o men

    7omen *ere e8(ec'e 'o marr" an 'o e6o'e 'heir ser6in5 'heir husbans an raisin5 'heir chilren

     >he" *ere e8(ec'e 'o res(ec' an obe" 'heir husba

    ues'ion

    7hen Nora 'ells >or6al 'ha' she (lans 'o lea6e him, 'ries 'o orbi her, 'hen *arns her 'ha' she is /no' e6abou' *ha' (eo(le *ill sa"

    3i+e >or6al, 'he auiences *ere shoc+e an ismaNora le' an slamme 'he oor

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    ?ollGs House  Ye', 'his orce man" (eo(le 'o be5in re

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    ?ollGs House  >he (la" is an e8am(le o a li'erar" *or+ *i'h numer

    'hemes 'he cen'ral iea or insi5h' in'o lieC&