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Introduction to the genre
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Introduction To Greek Theatre and Tragedy
Genre: Greek Tragedy the word "tragedy" refers primarily to tragic drama: a literary
composition written to be performed by actors in which a central character called a tragic protagonist or hero suffers
some serious misfortune which is not accidental but is significant in that the misfortune is logically connected with the hero's actions.
Tragedy stresses the vulnerability of human beings whose suffering is brought on by a combination of human and divine actions, but is
generally undeserved with regard to its harshness.
The Acropolis
The Parthenon
Theatre of Dionysus
Theatre of Dionysus
Side by Side
Greek MasksFunctions of Greek Masks
Portrayed different emotions
Amplified voices
Allowed actors to portray different characters
Clothing - Costume
• The Chiton -: sleeved, decorated tunic
• Chotharnus- elevating shoes
• Chalmys- short cloak
• Himation- long cloak
Qualities of Greek Dramao Performed on special
occasions or festivals for worshipping Dionysus
o Competitive- prizes awarded (maybe a goat!)
o Choral-singing was very important, Greek Theatre evolved from from a chorus singing
o Closely associated with religion and worshipping gods.
Structure of Greek Drama and Sophocles’ Plays
Violence and Death Offstage
Frequent use of messengers to relate information
Usually a single place (setting)
Stories based on myth or history, but varied interpretations of both
Some characteristics of a Sophocles play:
§ Emphasis on individual characters
§ Reduced role of the Chorus
§ Complex characters, psychological well-motivated
§ Characters subjected to crisis which leads to suffering and self-recognition
§ Common Theme: The choices people make and consequences
The Greek Chorus The Chorus began in numbers as large
as 50, then smaller sizes as actors become more predominate. T
hey provided time for scene changes, introduced background and summary information.
Their dance and chanting provided the visionary experience that separated audience from the actor and the essence of tragedy.
Ideal spectator: reacts as the audience should. Asks questions, takes part in the play
Establishes framework, sets the standard by which action will be judged
Heightens dramatic effect through movement, song and dance
Rhythmical Function-pauses/paces the action so audience can reflect and actors can rest/prepare
So What does all this mean?
• Big Theatre
• Big Characters
• Big Emotions
• Big Consequences- for one person!
THE TRAGIC HERO!
Aristotle’s Tragic HeroTragedy should evoke a sense of pity and fear in the
audienceTragedy can only arouse the sense of pity and fear if the
hero is neither completely good nor completely badThe tragic hero should be highly renowned and
prosperous because the hero must fall from tremendous good fortune in order to feel pity and fear
The hero experiences a downfall because of their “error or frailty. This means either:
their tragic flaw ( a fundamental character weakness, such as destructive pride, ruthless ambition or obsessive jealousy.)
Or a single error of judgment
Tragic Hero Continued• Regardless of how one interprets the “error or frailty”, the
key point is that the hero is on some level responsible for their downfall.
• By the end of the play the hero comes to recognize their error and accept the consequences as their own fault
• The real tragic hero is humbled and enlightened by the tragedy
• The tragic hero evokes our pity because he is not evil and his misfortune is greater than he deserves, and he evokes our fear because we realize we are fallible and could make the same error