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Gothic Supernatural and Romanticism

Gothic Supernatural and Romanticism

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Gothic Supernatural and Romanticism. Gothicism. Gothic Literature Developed as a genre in 18 th century It is devoted to tales of horror, the darker, supernatural forces. Gothicism. Gothic Architecture Majestic, unrestrained architectural style - PowerPoint PPT Presentation

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Page 1: Gothic Supernatural and Romanticism

Gothic Supernatural and Romanticism

Page 2: Gothic Supernatural and Romanticism

Gothicism

Gothic Literature Developed as a genre

in 18th century It is devoted to tales of

horror, the darker, supernatural forces

Page 3: Gothic Supernatural and Romanticism

Gothicism

Gothic Architecture• Majestic, unrestrained

architectural style• Profusion of savage, often

grotesque ornamentation• Vaulting arches• Spires reaching to the

heavens

Page 4: Gothic Supernatural and Romanticism

Gothicism

The DoppelgangerA second self or alternate identityRepresents opposing forces in human natureSuggests humans have a double nature

Page 5: Gothic Supernatural and Romanticism

GothicismMonster/ Satanic Hero/ Fallen

Man Motif• Fallen Hero becomes a Monster or,

confronts a monster who is his double• Like Satan, he defies the rules of God’s

universe

Frankenstein’s Monster

Page 6: Gothic Supernatural and Romanticism

Tragic Hero Traits...

Hubris: arrogance causing transgression against the gods

Catharsis: a move from ignorance to knowledge

Periptea: reversal of fortune (fall from grace)

Hamartia: weakness that causes the eventual downfall

Nemesis: fate that cannot be escaped

Page 7: Gothic Supernatural and Romanticism

Gothicism relates to Romanticism

Romanticism refers to a movement in art, literature, and music during the 19th century.

Romanticism is characterized by the 5 “I”s Imagination Intuition Idealism Inspiration Individuality

Page 8: Gothic Supernatural and Romanticism

Imagination Imagination was emphasized over

“reason.” This was a backlash against the

rationalism characterized by the Neoclassical period or “Age of Reason.”

Imagination was considered necessary for creating all art.

British writer Samuel Taylor Coleridge called it “intellectual intuition.”

Page 9: Gothic Supernatural and Romanticism

Intuition Romantics placed value on

“intuition,” or feeling and instincts, over reason.

Emotions were important in Romantic art.

British Romantic William Wordsworth described poetry as “the spontaneous overflow of powerful feelings.”

Page 10: Gothic Supernatural and Romanticism

Inspiration• The Romantic artist, musician, or

writer, is an “inspired creator” rather than a “technical master.”

• What this means is “going with the moment” or being spontaneous, rather than “getting it precise.”

Page 11: Gothic Supernatural and Romanticism

Idealism Idealism is the concept that we can make

the world a better place. Idealism refers to any theory that

emphasizes the spirit, the mind, or language over matter – thought has a crucial role in making the world the way it is.

Immanuel Kant, a German philosopher, held that the mind forces the world we perceive to take the shape of space-and-time.

Page 12: Gothic Supernatural and Romanticism

Individuality Romantics celebrated the individual. During this time period, Women’s

Rights and Abolitionism were taking root as major movements.

Walt Whitman, a later Romantic writer, would write a poem entitled “Song of Myself”: it begins, “I celebrate myself…”

Page 13: Gothic Supernatural and Romanticism

Romanticism is all about:

The Loner

The Individual

The Power and Majesty of Nature

The Dreamer

The Pitfalls of Science

The Romantic Country Life

Romanticizing the Gothic and Medieval Life

Page 14: Gothic Supernatural and Romanticism

Literature In America, Romanticism

most strongly impacted literature.

Writers explored supernatural and gothic themes.

Writers wrote to express themselves.

Page 15: Gothic Supernatural and Romanticism

To Sum Up:

Gothicism and Romanticism can be related in nature!!!!

THE END!!!!