Goran Stefanovski - EURALIEN

8/13/2019 Goran Stefanovski - EURALIEN

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euralien

(script for a theatrical event)

concept and dramaturgy byGoran Stefanovski

draft copyMarch 5th, 199

commissioned by

!"#$%&'#

as part of the proectandscape *

in collaboration +ith

Stockholm &ultural &apital of $urope 199

-'#!"$

1. #/$ 0'S (-ld Smuggler, oung Smuggler, Girl Smuggler, &ustoms -fficer)

1



2. #/$ 3S'M (0ricklayer, &ello 4layer)

. #/$ &-"S'3#$ (Senior &lerk, 6unior &lerk)

7. #/$ !"#$%%-G3#!-" (&ounsellor, Male Student)

5. #/$ 3!$" 0'S#$% 8#/$ S/--#!"G %3"G$(r $ugenio, Male #arget, :emale #arget)

;. #$%M!"3 (Man, <oman)

=. $*S<$$" (S+edish <oman, 0osnian '" observer)

. #/$ %34$ -: $'%-43 ($uropa, >eus)

9. :-%#%$SS $'%-4$

1?. #/$ S#$3% &-"S#$3#!-"

11. #/$ !$"#!# S/-4 (#he Shop 3ssistant)

12. #/$ %-@!"G &/3%3&#$%S(#he Street 0ard, #he #oilet &leaner, #he 4eddlar, #he S+eet &hauvinist, #he

4rostitute, #he :ortune #eller, #he :ool)

1. #/$ <$!"G8 #/$ :'"$%3(0ride, :ather, 0rother, 0ridesmaid, Groom, Mother, Sister, 0est Man)

+hat

$uralien +ill be a theatrical, interactive, stationtostation performance8event. !t +ill be an ironic theme park of $uropean social and political alienation and nationalistickitsch at the end of the 2?th century. !t +ill be an eAhibition of the farcical and tragiceffects of human intolerance +hich, in its eAtremes, leads to chauvinism andnationalism. !t +ill be a fair +ith stands from various corners of $urope (although

primarily from the 0altic countries and the 0alkans). !t +ill be a Bsho+caseB of theBuniversal alienB that lives in all human beings and has a human face. #he event +ill

dramatise ho+ easy it is for us to fall prey to this beast, since it does not live outsideus, but +ithin.

#he audience, as they enter, +ill be given passports of a generic (other) i.e.non$uropean'nion country and in the course of the event +ill be treated asnon$' citiCens, i.e. BothersB or aliens. #hey +ill be stopped at B:ortress $uropeB

borders, asked to fill in visa forms and sample firsthand various forms ofBalienationB. !n this +ay the audience +ill get an insight into and eAperience of ho+sad and funny it is to be a citiCen of the BotherB $urope today.

#he artistic means of the proect +ill incorporate theatre, music, video, performance

art, etc. #he proect +ill be one +hole event, but it +ill consist of various BnationalB,specially commissioned installations. !n every room the audience +ill be given a

2



thing to take a+ay +ith themD a certificate, a badge, a smuggled item, etc.. #hey +ill be given a printed itinerary through the building +hich +ill convey the idea of aBourneyB. -n their +ay out, the audiences +ill be given ne+ visas to put in their

passportsD to+ards a ne+, utopian, chauvinistfree $uropeE

+here

Stockholm 9, %iksarkivet, Stockholm. 3 labyrinthine setup of ten rooms, t+o largehalls, corridors, lifts, etc.. :or the audience, the event +ill be a +alkingroundeAperience, rather than a sittingdo+n one.

#he %iksarkivet +ill be treated as the $mbassy of $uralien. !t is a cultural informationcentre. 3 refugee treffpunkt. 3 #emple. !t is representative of the !nvisible %epublic of$uralien, the voice of the !nvisible nation of millions of immigrants and refugees of$urope today. !t has a flag and an anthem. #he honorary cultural ambassador of

$uralien could be &harlie &haplin.

+hen

-pening nightD 2rd 6une, 199. 4erformances up to and including 5th 6uly. #heevent +ill last for four hours, bet+een = p.m. and 11 p.m..

for +hom

#he proected number of the audience is ??. -ne third of the target audience +ill be immigrants from various countries living in S+eden, one third +ill be generaltheatregoers and the final third +ill consist of young people. #he proect +ill takeinto consideration that most of the audiences +ill be S+edish citiCens +ith a slimunderstanding of the political realities being dramatised.

+ith +hom

#he proect +ill be performed by ?7? performers. #hey +ill be strong,

speciallycommissioned individuals and groups. #heir input +ill follo+ the generaloutline of the script, but +ill other+ise be their o+n creation. !t +ill be a sho+case fortheir style of +ork and +ill be developed through a process of interbreeding andBgreenhouseB +ork. #he performers +ill merge their energies and influence eachother. !n this respect, the proect is meant to become a truly multicultural +orkshop.

ho+

<e start from the assumption that +e +ant all of our audiences to see everything inthe course of the evening.

#he movement of the audience +ill be in groups. $ach group +ill have a colour.



$ach group +ill have at least t+o leaders, neutral helpful leaders.

rumming noise (live or prerecorded) +ill shake the house at the intermission times+hen the audiences have to change rooms.

#here +ill be 9 such intermissions i.e. changes of rooms. #he event in a room +ouldnot last longer than 15 minutes.

#here is not going to be -"$ larger narrative. #he audiences +ill make their o+nindividual narratives from the bits and pieces they pick up. "o one room is moreimportant than another. "o room is treated as an introduction to another room. 3llrooms must be +orlds unto themselves. (#he larger events of the :uneral and the<edding +ould be treated as ust other individual rooms. #he :uneral eventmight even come before the <edding.

$ach room +ill have titles and lettering over the doors. #hey +ill be +ritten in the

original language of the performers. ! +ill +rite the teAt. !t should be sparse and poetic.

#he event +ill take place on three physical levelsD

a) #he rooms

#he rooms +ill be a compleA of 1? spaces filled +ith various activities andinstallations. #he audience +ill have free access to these spaces at their o+nchosen time. #he rooms can have their o+n regulations about ho+ many membersof the audience they take. Some of them may not even start their performance untilthey have the reFuired number.

b) #he hidden levels

3t various points in the proect (for eAample, as they move bet+een rooms or are inthe cafe outside), the audience +ill be targeted by the roving characters. #he rovingcharacters +ill take small groups and individuals from the audience to variouscorners of the building broom cupboards, lifts, attic ladders, chutes, etc. +herethey +ill interact. $ach member of the ??strong audience +ill meet most, if not all,of the roving characters in the course of the evening.

c) #he <edding8:uneral halls

#he +edding8funeral halls are t+o bigger rooms in the building, connected to one

another. 3t prescheduled times (for eAample, at D? p.m. and at 1?.? p.m.), all ofthe audience +ill gather there to see, and take part in the t+o substantial interactive

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theatrical performances of Bthe +eddingB and Bthe funeralB.

a) the rooms

1. #/$ 0'SD

#he audience enter a bus stuck at an $astern $uropean border. !t should be asapproAimate a recreation of a real bus as possible. #he minimum reFuirement+ould be that there are at least real bus seats. #he space is only a section of a bus.!t is a small and compact space. #he audience (for eAample = or people) sit do+nand so become passengers in the bus.

#hen the -ld Smuggler, the oung Smuggler and the Girl Smuggler enter the bus.#hey are a team of highly professional smugglers. #hey come in +ith huge plastic

bags, old suitcases, various items badly +rapped up in old ne+spaper. 3ll of asudden their things are all over the bus and all over the passengers.

#he smugglers ask members of the audience to help them +ith their smuggling byhiding various articles on their bodies. #hey help the audience stash a+ay bottles of+hisky and packs of cigarettes under their skirts and into their coat pockets. 3lsothey ask the passengers to put on layers upon layers of eans over their trousers.#he audience thus become accomplices in the smuggling.

#he situation is thick and farcical. #he atmosphere is that of the silent movies, aMarA 0rothers routine. #he smugglers frantically move all over the space, over theshoulders of the passengers. !t is a highly choreographed procedure.#he -ld Smuggler is the Girl Smugglers husband. /e uses bad $nglish.

#/$ - SM'GG$%D 4lease, +e have too much cigarette, too much +hisky, toomuch eans. 4lease put eans on body, put cigarette under skirt, put +hisky in

pocket. &ross border, you give +hisky, cigarette, eans backE 0e good friend. ourich $urope, +e poor $urope. ou good, +e rememberEB

#he oung Smuggler is the Girl Smugglers lover. uring all this mess he finds timeto kiss her behind her husbands back. /e doesnt speak in sentences, but onlyuses single +ords.

#/$ -'"G SM'GG$%D /old, give, here, there, put, take, hide, shit, my, yours,eAcuse me, thank you, oops, ouch, hey.

#he Girl Smuggler is a strong, butch +oman, bigger than her husband and biggerthan her lover. She +ears a studded leather +ristband. She is the brains behind theoperation.

3ll of a sudden the &ustoms -fficer appears. !n that split second the smugglers

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ump into the three seats behind the backs of the audience and pretend to be fastasleep. #he &ustoms -fficer is a pompous man, a+are of his status in the +orld and proudof his uniform. /e looks unmistakably like a crook himself. /e is suspicious of the

passengers.

-::!&$%D Good evening. &ustoms &ontrolE ouaneE >ollE 3nything to declareH

/e looks deep into the eyes of the members of the audience. /e unerringly kno+s+ho has +hat.

-::!&$%D <hiskyE &igarettesE 6eansE 6eansE <hiskyE &igarettesE 0ad passengersE0ad S+edishE 0ad, bad S+edishE @ery bad, bad S+edishE <hat do +ith you no+H

/e pretends that he doesnt kno+ +hat to do. /e scratches his head. #hen he sees

the sleeping smugglers. /e +akes them up.

-::!&$%D &ustoms &ontrolE ouaneE >ollE 3nything to declareHG!%D -h, good evening, Mr &ustoms Man, sirE-::!&$%D Something to declareHG!%D "othing.-::!&$%D "othingHG!%D 3bsolutely...SM'GG$% M$"D ...nothingE-::!&$%D Get upEG!%D <hyH

-::!&$%D Get upEG!%D <hy get upH /ave nothingE-::!&$%D /ave something. Get upEG!%D "o trustH-::!&$%D "o trustE

(#/$ SM'GG$%S G$# '4. 0$/!" #/$!% S$3#S #/$%$ !S 3 $@$%.)

-::!&$%D <hatHG!%D "othingE-::!&$%D "othingH

G!%D 3bsolutely...SM'GG$% M$"D ...nothingE-::!&$%D /o+ nothingH Something. <hatH

-::!&$% 4'S #/$ $@$%. 3 -: #/$ -"$ S!$ -: #/$ S$3#S -:#/$0'S #'%" -@$%. #/$%$ 344$3%S 3 S4$&!3 S43&$ '"$% #/$ S$3#S.#/$%$ !S S-M$#/!"G /'G$ &-@$%$ '4 <!#/ 03"I$#S.

-::!&$%D <hat thisHG!%D 0lanketsE

-::!&$%D 'nder blanketsHG!%D "othing.

;



-::!&$%D "othingHG!%D 3bsolutely...3 SM'GG$%SD...nothing.

-::!&$% 4!&IS '4 #/$ 03"I$#S. '"$%"$3#/ #/$%$ !S 3 /'G$

S/!" "'&$3% <3%/$3 %-&I$#.

-::!&$%D My GodE 'raniumE %ocket +arheadE %adioactiveE :rom %ussian 3rmyE!nternational scandalE <hat do no+H Go ail allEG!%D Mr &ustoms Man, sir. <e gro+n up. <e realistic.

(#3I$S 3 03"I"-#$ 3" 4'#S !# !" /!S 4-&I$#)

-::!&$%D <hat you talking aboutE

(G!% 4'#S 3"-#/$% 03"I"-#$ !" /!S 4-&I$#)

-::!&$%D ! say, +hat you talking aboutHG!%D <hat are you +aiting forE Give manE GiveE

(#/$ 3'!$"&$ G!@$ #/$!% </!SI, &!G3%$##$S 3" 6$3"S #- #/$&'S#-MS M3". #/$ G!% #3I$S 3"-#/$% 03"I"-#$. S4!#S !"#- !#3"S#!&IS !# -" #/$ -::!&$%S :-%$/$3. %3M3#!& 43'S$ !" </!&/#/$-::!&$% $&!$S </3# #- - "$*#.)

-::!&$%D -I. ou see somethingHG!%D "othing.-::!&$%D ou see nothing.G!%D 3bsolutely...SM'GG$% M$"D ($"&-'%3G!"G 3'!$"&$ #- 6-!" #/$M) ...nothingE-::!&$%D GoodEG!%D Good.-::!&$%D :ine.G!%D :ine.-::!&$%D Goodbye.

G!%D Goodbye-::!&$%D Good passengers.G!%D Good officerE

(G!%S S#3%#S &344!"G. $"&-'%3G$S 43SS$"G$%S #- &34 #--.-::!&$% 0-<S #- #/$M. 3SIS #/$M #- S#-4.)

-::!&$%D #hank you. 4lease. !m only doing my ob.

(/$ $3@$S. SM'GG$%S &-@$% #/$ %-&I$# <!#/ #/$ 03"I$#S.4'#

#/$ S$3#S 03&I -<". #/$ S/3I$ /3"S <!#/ #/$ 3'!$"&$.)

=



G!%D #hank you for your cooperation. #his is 'nited $uropeE #his is a deeper and+ider communityE #hank you, $uropeE #hank you, S+edenE

2. #/$ 3S'MD

#he audience enter a room +hich is a space in an asylum seekers ail in a <estern$uropean country. !t has bunk beds. !t has been the home of a t+o asylum seekersfor months. #here are socks drying on the side of the beds. Glasses +ithtoothbrushes, +et blankets, bits of food, an intensely private space. #he refugeeshave been +aiting for months for the initial decision of the government +hether theycan stay in the country. #hey Bcannot seeB the audience although they are sittingeAtremely close to them.

#he audience are BghostsB. #hey sit on the beds of the asylum seekers as silentintruders and observers of this Bslice of lifeB. #he refugees go about their dailyactivities. #hey are little +orlds unto themselves, little public islands. #hey are

obviously tired of each others company. #he 0ricklayer is sitting neAt to the +indo+,naked to the +aist, +riting a letter in his mind and gaCing out of the +indo+. #he&ello 4layer is shaving and looking at himself in the mirror.

#/$ 0%!&I3$%Dear +ife, sons and daughters. !n theory an asylum seeking prisoner may +riteone letter a +eek to anyone he chooses. #he letter is posted by secondclass mailat public eApense. 0ut, in practice, they allo+ us, +ho have been here for longerthan siA months, to pay for t+o eAtra letters a +eek from our earnings. #hey seem tolike me, so ! manage to send you a letter every day. #his Fuota doesnt apply toletters to official sources. ! +rite to my solicitor free of charge. -ur letters have to be

regulationsiCe and +ritten on prison paper. #hey are posted in plain envelopes,+hich do not give any indication of +here they come from. !n eAceptionalcircumstances, they allo+ me to +rite on plain paper, for eAample if !m +riting to achild under 1;. Still +aiting for the initial decision of the government to let us into thecountry. <hen they do, ! +ill get you all over here. ! +ill +ork as a bricklayer. ! +ill

build houses and they +ill pay me lots of money. -n Sundays you +ill all sit on mylap. ! +ill +ear a +aistcoat. ! +ill have chocolates in my +aistcoat pocket and feedyou them. 3nd there +ill be peace. 3nd +e +ill be happy. ! promise you that. #akecare of each other. ! love you all. addy.

!" 43%3$ #- #/!S #/$ &$- 43$% !S S/3@!"G. /$ !S 3"

!"#$$&#'3, 3 4%-:$SS!-"3 M'S!&!3".

#/$ &$- 43$%D<e +ill all die here. <e +ill leave our bones here. $very time ! look out of the+indo+ ! can see a forest. 3nd out of the forest there comes this ship. <iththousands of people hanging off it. 3nd many of them fall off and disappear. #heset+o 3lgerians cut their +rists yesterday. #hey did it to each other. 0rother to brother.3 blood tie. <hat the fuck am ! doing in this alien landH ! had a girl once. #he sunshone +hen she smiled. !ll go to the market to buy +ings and fly to see her. !ve losttouch. !ll never be able to play the cello again. My fingers are stiff. ! ate my passportsiA months ago. ! still have the taste of paper in my mouth.



0%!&I3$%D! dont give a fuckE <hat the fuckH !m all right. #he doors of the +orld are open forme. !m fine here. !ts clean, its +arm. !ts like a hotel here. ! can +ait, ho+ever longit takes. 0ut +hen ! go out, !ll fuck my +ay through piles of pussy, !ll have piles ofmoney, !ll play games +ith the stupid, naive, gullible social democracy. ! steal they

give me social benefits and a pension. 3nd then !ll buy a 0ang and -lufsen hificentre, a Mercedes S2?? coupe convertible, a house in the country +ith solarheating, acuCCi, solarium and sauna and !ll have dogs and cats and an alligator ina tub specially made for it.

#/$ &$- 43$% #/%$3#$"S #/$ 0%!&I3$% <!#/ /!S %3>-%.

&$- 43$%DShut up. Shut the fuck up.

#/$ 0%!&I3$%D

<hats the matter +ith youH

&$- 43$%D<ith meH <hats the matter +ith meH

0%!&I3$%DStop itE &ool itE #ake it easyE

&$- 43$%D!ll kill youE ! cant listen to you anymore.

0%!&I3$%D! cant listen to you, either. Iill yourself, you mother fucker.

&$- 43$%Dou are +hat $urope hates in us. !m not like youE

0%!&I3$%D-h yes you areE

&$- 43$%D!m a musician.

0%!&I3$%Dou +ere a musician. ou are an asylumseeking asshole ust like me no+. 6ustlike all of us.

43'S$.

0%!&I3$% S#3%#S &'%S!"G !" /!S "3#!@$ #-"G'$.

&$-43$%D$nglishE (#/$ 0%!&I3$% G-$S -" &'%S!"G !" /!S M-#/$% #-"G'$.)

Speak $nglishE ou promisedE <e said +e +ere going to speak $nbglish to eachotherE (/$ 4'#S /!S /3" -" /!S $3%S %$:'S!"G #- /$3%.) ! dont

9



understand this languageE ! am a foreigner no+E ! am a foreignerE

#/$ 0%!&I3$% G-$S -" &'%S!"G. #/$ &$- 43$% S#3%#S&%!"G.

0%!&I3$%DSo you do understand. So youre not a foreigner. "ot yet. (43'S$) ont cry.(43'S$) ets make it up. <e have to go through this together. Go on.

&$- 43$%D! apologise.

0%!&I3$%D!ts all right. 6ust dont do it again.

&$- 43$%D

! +ont.

0%!&I3$%D#hats +hat you said last time.

43'S$.

&$- 43$%D(/$ J'-#$S :%-M #/$ 'niversal eclaration of /uman %ightsD) 3ll human

beings are born free and eFual in dignity and rights. #hey are endo+ed +ith reasonand conscience and should act to+ards one another in a spirit of brotherhood,

regardless of race, colour, seA, language, religion, political or other opinion,national or social origin, property, birth or other status. $veryone has the right to life,liberty and security of person. "o one shall be held in slavery or servitude. "o oneshall be subected to torture or to cruel, inhuman or degrading treatment or

punishment.

43'S$.

0%!&I3$%D&ome on. Shake hands. (#/$ &$- 43$% 3" #/$ S&%-'"G$% S/3I$/3"S) !m sorry. (43'S$) #hats better.

. #/$ &-"S'3#$D

#he audience enter a stuffy room +hich is the consular section of an embassy. -ne+all is a large mirror +here the audience can see themselves. #here are t+ohatchesD one is lo+ and you have to bend do+n to it, the other is high and you haveto get up on your toes to reach it. 3lice in 0ureaucracy and. #he Senior &lerk sitson a high chair (similar to the chair of the tennis referees) neAt to the upper hatch.#he 6unior &lerk sits on a small table neAt to the lo+er hatch.

#he audience have to +ait in a strict Fueue. #he Senior &lerk is overseeing the

situation and is never happy +ith the +ay the Fueue looks. /e gives instructions tothe 6unior &lerk to get the Fueue in orderD

1?



S$"!-% &$%ID#he Fueue is not right. &ant you keep a Fueue in orderH ou, change places +iththe one behind you. ou come to the front here. "o+ everyone go half a metre tothe right. -I. Slightly to the left no+. #hats right. #hats better. "o. #hats not +hat !

had in mind. #hats not it at all. oure driving me madE ! cant +ork in theseconditionsE

#here is a detector that al+ays beeps +henever someone passes under it. #heaudiences are given forms they have to fill in. #hey are the original Schengen&ountries visa forms. #he 6unior &lerk takes fingerprints of everyone +ho enters thespace. #he 6unior &lerk gives the forms to the Senior &lerk, the Senior &lerk is nothappy +ith the +ay theyve been filled in, and he sends them back do+n a primitivechute. #heres lots of stamping of the forms going on.#/$ 6'"!-% &$%ID

#heres $urope and theres $urope. 0ehave yourselves. Make +ay. Get in theFueue. Silence please. isten here. isten to /im. ont make /im mad. ! can helpyou, if you help yourselves. ! could help you, but there are regulations. ! have to

punish you to make you good. o you +ant us to put you in our black booksH Soyou never cross a $uropean 'nion border againH

#/$ S$"!-% &$%ID "ot this formE #hat formE 0lock letters only pleaseE #o enter our country you mustobtain a visa. ou must get a proper endorsement. 0y the proper authorities. oumust be eAaminedE So that you may proceed. <hy have you +ritten here, this is-fficial 'se -nly spaceE

6'"!-% &$%ID (3SIS #/$ 3'!$"&$ -% G!@$S #/$M 3 S4$&!3J'$S#!-""3!%$)/ave you ever committed suicideHid you have seA this morningH !f yes, ho+ +as itHo you shave your pubic hairHo you believe in organised crimeH

!s there a GodH/as the 0erlin <all fallenH<hat do you mean, these are stupid FuestionsH

<hat do you see +hen you look at yourself in the mirrorHo you eat asparagusH<ould you consider killing your grandmother forD 5?? gilders, 1,5?? gilders or you+ouldnt kill your grandmother for under 2,5?? gildersH

7. #/$ !"#$%%-G3#!-"D

#he audience enter a dark room +hich is an international airport interrogation room.#hey are present at an interrogation. (#his could be a theatrical event or a

prerecorded video).

#/$ &-'"S$-% #/$ M3$ S#'$"#

11



&-'"S$-%D ! am an immigration counsellor. ! +ork here at the airport. 0eforeyou go and talk to the police, !d like to talk to you first.S#'$"#D es.&-'"S$-%D ou understand !m trying to help you.

S#'$"#D es.&-'"S$-%D o you need helpHS#'$"#D "o.&-'"S$-%D <hy do you +ant to get into enmarkHS#'$"#D 0ecause of Soren.&-'"S$-%D Soren +hoHS#'$"#D Soren Iierkegaard.&-'"S$-%D #he philosopherHS#'$"#D es.&-'"S$-%D !m sorry. ! dont understand. <hy because of himHS#'$"#D 0ecause his concern +ith individual eAistence, choice and commitment

profoundly influenced modern theology and philosophy.&-'"S$-%D id itHS#'$"#D es.&-'"S$-%D ou are a Iierkegaard fanHS#'$"#D !f you must put it that +ay.&-'"S$-%D So +hat are you going to do in enmarkHS#'$"#D !ll visit the 'niversity of &openhagen +here he studied. 3nd the cafes+here, at one time, he led an eAtravagant social life.&-'"S$-%D o you kno+ anyone +hos still alive in enmarkHS#'$"#D Soren is still pretty alive.&-'"S$-%D ! mean physically.

S#'$"#D ! kno+ otte.&-'"S$-%D <ho is sheHS#'$"#D 3 girlfriend of mine.&-'"S$-%D :rom enmarkHS#'$"#D es.&-'"S$-%D <hat does she doHS#'$"#D Shes a thinker.&-'"S$-%D 3 thinkerHS#'$"#D es.&-'"S$-%D <hat does that meanHS#'$"#D !snt it selfeAplanatoryH

&-'"S$-%D o you have a letter +ith her invitationHS#'$"#D She doesnt kno+ !m coming. ! +ant to surprise her.&-'"S$-%D 0ut you cant get into the country.S#'$"#D She came to my country three times and ! never +rote any invitationletters to her.&-'"S$-%D o you have any moneyHS#'$"#D "o.&-'"S$-%D /o+ comeHS#'$"#D 0ecause ! dont make any money.&-'"S$-%D ou cant get into $urope if you dont have any means ofsupporting yourself. #heyll ask you if you have money.

S#'$"#D !ll say, ! dont need any means of supporting myself.&-'"S$-%D <hat are you going to eatH

12



S#'$"#D Iierkegaard. 3nd otte.&-'"S$-%D <hat if you get sickHS#'$"#D ! +ont.&-'"S$-%D /o+ do you kno+HS#'$"#D !ntuition.

&-'"S$-%D <hat if you dieHS#'$"#D ou are a depressive, arent youH&-'"S$-%D !m sorry, but the policemen +ont let you in. ou havent got acase. /o+ are you going to travelHS#'$"#D !ll +alk.&-'"S$-%D <hat am ! going to do +ith youH (#- #/$ 3'!$"&$) <hat am!going to do +ith himH (#- #/$ S#'$"#) ! dont +ant to insult your intelligence,

but, then again, ! dont +ant you to insult mine. !f ! let you in, you might +ant to liveinthis countryE

S#'$"#D So +hatH <hy cant ! live in any country ! +ant to live inH&-'"S$-%D !ts easy for you to say that.S#'$"#D "o, its easy for you to say thatE&-'"S$-%D o you +ant to hear some hard factsHS#'$"#D 3l+ays.&-'"S$-%D #here are three million seven hundred $ast Germans trying tofigure out +hat to do +ith themselves. -ne and a half million !raFis uprooted afterthe Gulf <ar. #here are more than t+o and a half million 4alestinian refugees. #+omillion eAugoslavs. -ne million 3lbanians. #hats the obective truth.S#'$"#D #he highest truth is subective.&-'"S$-%D #here are state la+s.

S#'$"#D 3nd theres human life. #he fundamental problems of +hich defyrational, obective eAplanation. #he highest truth is subective.&-'"S$-%D IierkegaardH

S#'$"#D &orrect.

(/$%$ /$ $"#$%S !"#- 3 !S&'SS!-" <!#/ #/$ 3'!$"&$ </$#/$%#/$S#'$"# S/-' 0$ 3-<$ !".)

5. #/$ 3!$" 0'S#$% 8 #/$ S/--#!"G %3"G$D

#he audience enter a room +hich is a laboratory in a genetic centre. #here is ashady character there, +ho look shabby, +eird, seAually frustrated and generallyderanged. /e is r $ugenio, a specialist in genetic purity. #here are crucibles full ofgreen liFuid, +hich is bubbling and steaming. #hey have a crude electricalcontraption that looks like an electric chair, +ith straps to put over the +rists, and ametal cap full of +ires to put over the head of the person seated in the chair.

-&#-% $'G$"!-Dadies and gentlemen, +elcome to the G4 or the Genetic 4urity aboratories. My

name is octor $ugenio.

1



(:%-M #!M$ #- #!M$, !"@-'"#3%!, /$ !&IS /!S M-'#/ 3" /3SS/!"!"G !" /!S $$S, 3S !: #/$%$S 3 0$3S# <!#/!" /!M #%!"G #-G$#-'#.)

!ts no secret +e live in a dangerous +orld, in a threatened +orld, in a polluted+orld. ! am a specialist in genetic purity. <e +ill demonstrate to you a fe+ recentlydeveloped techniFues called etect and 4urify the 3lienE our attention please,ladies and gentlemen. #his is an anatomy class. <e are surrounded by alienviruses. !ts a necessity for the modern man and +oman to learn ho+ to protectthemselves. #his is a class in anthropology, sociology, social psychology,sociopsychopathology. #his is a short free promotional course. :or the fulllengthcourses of three +eeks, siA +eeks and nine +eeks, please consult our leaflets. -ur

prices are competitive. -ur eApertise unparalleled. <ithout much ado, lets startE&ould +e have a volunteer, pleaseH (/$ 4!&IS 3 <-M3" #/3# --IS43%#!&'3% B4'%$B.) <ould you step over here, pleaseH Sit do+n hereE (/$

S!#S /$% !" #/$ &/3!% 3" S#%34S /$% !".) "ice and easy. ou are not aforeigner, ! presume. ou are not an alien. ! mean, you are one of 'S, rightH ourenot one of #/$MH -r so you think, so you thinkH 0ecause, ho+ever safe you thinkyou are, you can never be sure. !ts ust possible that some+here deep +ithin youtheres the demon gene of an alien bubbling to get out. 3 +andering gene yourfather contracted on a short visit to 3msterdam, or on the frontline at #hessaloniki, orin a backstreet round # &entralen. o you +ant to live +ith this bomb in your headH-f course you dont. ou +ant to eliminate the virus. #hats +hat +ere here for. #he3lien 0usters. <e +ant you to feel pure, +e +ant you to feel good, +e +ant you to

be happy again. <e have our latest laser techniFues for dealing +ith the alien particles, clusters and +hole parts in your body once and for all. 0ut first and

foremost, the iagnosisE

/$ S/-<S M3"!& S!G"S -: !M43#!$"&$. /$ /!#S /!MS$: -" #/$/$3S- #/3# /$ -$S"# -@$%S#$4 #/$ M3%I. /$ 4'GS !" #/$ &/3!%.#/$%$ 3%$ -< !G/#S 0!"I!"G 3" -< "-!S$S 0$$4!"G.

#he most conservative method is the method of physical measuring. ets have alook at the +eight, the shape and measure of the nose, the height of our volunteerand the volume of her head.

/$ #3I$S /$% M$3S'%$S <!#/ @3%!-'S '#$"S!S. /$ 3S-#-'&/$S/$% 0%$3S#S 3" /$% 0$/!". /$ <%!#$S -<" #/$ 3#3 -" 34!$&$-: 434$%. /$ --IS 3# !#. S/3I$S /!S /$3.

! dont think +e can be completely satisfied here. 'nfortunately, you do have analien bugE $ating you from the inside. <e +ill need to apply other methods.

Method -neD #he sense of Sight. ookingE ooking deep into the eyes. 4erceive bythe eye. #he alien is in the eye of the beholder. Seeing is believing. #o come to

kno+ by looking. @isualisation. $Aamine. <atch closelyE Grasp the true natureE 4ayattentionE 3pprehend the obect by sightE :orm a mental pictureE

17



Method #+oD #he sense of #ouch. 4erceive through the tactile sense. /andle or feelgently. ay hands upon the one afflicted +ith scrofulaE #ake into the handsE 0e

briefly in contact or conunction +ith the alienE eave a mark or an impressionE#ouch baseE

Method #hreeD #he sense of SmellD 4erceive the odour or scentE #he olfactory factorsensationE 4ut your nose into itE et your nose lead the +ayE $Aercise your sense ofsmell.

Method :ourD #he sense of /earingD 4erceive or apprehend by the ear. isten +ithattentionE 4rick up your earsE Gain information by analysing the sound of the 3lienE

Method :iveD #he sense of #asteD #aste and try before you eliminateE 3scertain theflavour of the 3lien by taking a little in your mouthE $at it or drink it in smallFuantitiesE

Method SiAD #he SiAth SenseD most important, difficult to learn. Sense by sensing.GraspE &omprehendE

et us no+ see +hat +e have learned. :ind a partner no+, please, everybody. "oone is safeE o it to each other in pairsE #his is a dirty +orld, this is a +orld steepedin sin. #he 3lien is +ithinE ook at each other hard and long. o you see +hat !meanH ou all have to come for further treatmentE

%. $'G$"!- G-$S !"#- 3 :!#. /$ S#%34S /!MS$: -<" !" #/$&/3!% #-

&3M -<". /$ S4%!"I$S <3#$% -@$% /!MS$:.

ou stinking 3liens in disguiseE 4retending you are innocent and naive civilians. !am not pleased +ith youE "ot pleased +ith you at allE ! +ill eApose you allE ou makeme madE ou drive me craCy. ! have not finished +ith youE ! have not finished +ithyou at allE

#/$ 3'!$"&$ !S $3 !" SM3 G%-'4S !"#- 3 &-""$&#$ %--M.

#he audience enter a narro+ space like a peepsho+ booth. #here are t+o cabins

like this. !n one there is the Male #arget, in the other there is the :emale #arget. #he parts of the cabin +here the #argets are, are brightly lit, +hereas the part of thecabin +here the member of the audience is could be +ith the light turned off or onas he8she +ishes. #he #argets and the member of the audience are onetoone.

!n front of him the Male #arget has a relief of natural landscape, +ith mountainsrivers, houses, trees, animals etc. !n front of her the :emale #arget has a plastic+oman +ith detachable parts, hands, head, organs, etc..

#he audience have a choice of Bhate speechB phrases (nationalistic andchauvinistic freFuently used phrases) and Bheal speechB to choose from. <hen a

member of the audience says one of these phrases to the #arget, it has an effectDthe #arget enacts the hurt, cries, has tears in the eyes, closes the eyes, fro+ns, a

15



tree falls do+n, a house is set on fire, the doll loses a leg. -r the target smiles,laughs, feels good. <ords can kill and +ords can healE #he audience have thechoice of the follo+ing phrasesD3uslander %ausEou are a miserable foreign bastardE

ou are a bloody alienEou copulate like rabbitsEou stinkEou are a filthy animalEou are shitE-nly a dead refugee is a good refugeeE

Stranger in the night fuck youEou are international riffraff, scum and garbageEook at yourselves, assholesE

-r

/elloE/o+ do you say hello in your languageH/o+ are you todayE! like you.! +ant to be your friend.<ould you like to be my friendH

#here are t+o possibilitiesD that the audience can see the Bhate speechB8 Bhealing

speechB phrases, or that the audience press anonymous buttons and produce phrases at random. #here could also be pretaped speech, or a microphone for theaudience to use BliveB.

#he audience can also choose the follo+ing parameters for the #argetsD

"3#!-"3!#D #urkish, :lemish, !rish, Macedonian, $stonian, ithuanian, etc.%3&$D +hite, black, yello+, red%$!G!-"D Muslim, &atholic, -rthodoA, 3dventist, /indu, 0uddhist4%-:$SS!-"D play+right, manual +orker, croupier, technician, chimney s+eep,etc.

#he audience should also be allo+ed to enter the booths in pairs and small groups.

;. #$%M!"3D

#he audience enter a room +ithin +hich there is another BroomB, a rectangular boAmade of seethrough material. !nside there are t+o dancers. 3 Man and a <oman. !tis the :uture. 3ll "ationalisms have finished. /umans have become tolerant beyondthe imaginable. #he $arth has become a +elfare heaven. 4eace and plenty rule

-.I. #he Man and the <oman are +aiting for planes at an airport. #he place isaseptically clean. #hey are very +ell groomed and dressed. #hey are high class

1;



eAecutives +ith no financial +orries in the +orld. #he man and the <oman lookterribly bored though. #hey notice each other. #he glance at each other. #hey

become conscious of each others territory. Slo+ly they start BinterferingB +ith eachothers space. Soon, +hat starts +ith a touch, enters an animalistic phase of savagetearing apart of each other. 3re they making love or trying to devour each otherH 3

Bne+ primitiveB ritual. #olerance is forgotten. #here is a primordial battle forsupremacy, a giant individual fight for control, an outpour of aggression.

3s they dance they knock on the pleAiglass +alls of their space, thus sendingreverberations to the audience looking at them from close Fuarters.

3ll of a sudden, they stop. #hey curl back to their corners. #hey become una+are ofeach others presence again. 3s if theyve never noticed each other in the first

place. #hey are back to their ever so civilised sophistication. Something BterminalBhappened at the #erminal.

=. $* S<$$"D

#he audience enter a room +hich is a checkpoint on a street in Stockholm, +hich isin the throes of a civil +ar. #he city has been charted and divided into sectors +hichare fighting each other. #he audiences are citiCens of Stockholm caught by thesituation together +ith the <oman.

#he <oman is at a checkpoint. Shes +earing a raincoat and has a plastic bag inher hand. She comes to the desk +here a 0osnian '" observer is sitting.

-0S$%@$%D esH<-M3"D !m sorryH-0S$%@$%D <hat can ! do for youH<-M3"D ! +ant to go home.-0S$%@$%D o youH <here is your homeH<-M3"D -n the other side.-0S$%@$%D #he other side of +hatH<-M3"D #he other side of the street. @alhallavagen.-0S$%@$%D !mpossible.<-M3"D <hyH-0S$%@$%D #his section of to+n is no+ cut off.

<-M3"D ! passed this +ay this afternoon.-0S$%@$%D 0ut no+ its evening.<-M3"D My son is at home. /es ill.-0S$%@$%D !m sorry.<-M3"D /es +aiting for me.-0S$%@$%D !m sorry.<-M3"D 4lease.-0S$%@$%D #oo late. !n the morning there +ill be an armoured vehicle to cover

pedestrians crossing the street.<-M3"D 0ut !ll ust Fuickly run no+.-0S$%@$%D #heres sniper fire.

<-M3"D ! dont mind.-0S$%@$%D ! cant let you go.

1=



<-M3"D So +hat am ! going to doH-0S$%@$%D ! really dont kno+.<-M3"D !s there any other +ay to get thereH

(-0S$%@$% 4-!"#S #- 3 M34 -: S#-&I/-M.)

-0S$%@$%D #he other +ay is a long +ay. <e are here. @alhallavagen and "ybrog.!f you go do+n to Iarlaplan, there are still vehicles crossing to "arvavagen do+n tothe sea. !ts all in flames at the moment. ou can try a ferry there, if its stilloperational. #here +as a shootout there this morning. !f you can manage to get toSkansen or Skeppsholmen, you can try to get to indgovagen by helicopter. 0ut itshighly risky. #he other possibility is to +alk do+n the '0ahn and try to get across atStadion. 0ut there are armed gangs of thieves do+n that +ay.<-M3"D My God. <hy have +e deserved thisH ! envy you so much.-0S$%@$%D <hyH<-M3"D ou are a 0osnian gentleman. 3nd your country is a civilised social

democracy. 3 +elfare state. ou havent seen +ar in such a long time. ou aresimply not barbaric like us.-0S$%@$%D ou are not barbarians.<-M3"D <e are animals.-0S$%@$%D our +ar didnt start because youre animals. !t started because ofsocial conditions.<-M3"D &an you imagine something like this happening in SaraevoH-0S$%@$%D :rankly, no. (43'S$) <hat have you got in the bagH<-M3"D 4otatoes.-0S$%@$%D &an ! see themH<-M3"D (S/-<S #/$ 4-#3#-$S)

-0S$%@$%D /o+ did you manage to find potatoesH<-M3"D ! traded them for my +edding ring.-0S$%@$%D /arsh timesE <hat can ! sayH<-M3"D ou dont have to say anything. (-0S$%@$%S M-0!$ 4/-"$ %!"GS.)

-0S$%@$%D $Acuse me. es. (/$ !S#$"S.) Great. !ll be there. !ve got a coupleof bottles. 0urgundy. See you later, alligator. (43'S$. /$ #'%"S -:: #/$#$$4/-"$.) Sorry. ou +ere saying. "o proper food in years. ! kno+. !snt ita+ful. ! suppose ! could let you go. !f you do me a favour.

<-M3"D 3nything.-0S$%@$%D !d like to take your photograph.<-M3"D 3 photographH-0S$%@$%D !m a bit of a photography buff.<-M3"D <ell.-0S$%@$%D 6ust sit here.<-M3"D /ereH

-0S$%@$%D es.

(<-M3" S!#S. -0S$%@$% G$#S 3 &3M$%3 -" 3 #%!4-. G$#S #/$

$"S #-G$#/$%. #'%"S -" !G/# :%-M 3 G$"$%3#-%.)

1



<-M3"D ou have electricity.-0S$%@$%D !ts our o+n generator.<-M3"D -h.-0S$%@$%D es. <ell, you look great. &ould ! ask you to spread your legs a little.<-M3"D !m sorry.

-0S$%@$%D our legs. &ould you spread them for me. 6ust a little bit.<-M3"D (S4%$3 /$% $GS 3 !##$.)-0S$%@$%D #hats lovely. (/$ #3I$S 3 4/-#-G%34/.) #hats it. !t didnt hurt,did itH #hank you. (/$ #3I$S -'# 3 &3" -: M$3# :%-M -"$ -: /!S%3<$%S.)#ake this to your son. !ts beef. oes he like beefH<-M3"D #hank you. (S/$ #3I$S #/$ &3".) &an ! go no+H-0S$%@$%D es.<-M3"D <hat about the sniperH-0S$%@$%D !ts dark. #heyre drunk. 3nd youre not that unlucky, are youH

9. #/$ %34$ -: $'%-43D

#he audience enter a room +here they can individually peep through slits do+n intoa hole. !nside there are t+o halfnaked dancers. #he +oman looks like a refugee inflight, the man looks like an official man of authority chasing her. #he +oman is themythological 4%!"&$SS $'%-43, being seduced by >$'S. #he member of theaudience +ill have a torch +ith +hich they +ill try to catch a glimpse of the dancers,+ho keep running a+ay from the light into the dark. #he music is 0eethovens B-deto 6oyB, the $uropean 3nthem.

oop of continuous narrationD #he continent of $urope received its name from$uropa, daughter of 3genor, Iing of 4hoenicia and #elephasa. She +as so beautiful that >eus became enamoured of her, and the better to engage heraffections, he assumed the shape of a bull, and mingled +ith the herd +hile $uropaand her female attendants +ere gathering flo+ers in the meado+s. #he god tookadvantage of her situation, and retiring to+ards the shore, crossed the sea +ith$uropa on his back and arrived safe in &rete. /ere he assumed his original shapeand declared his love. $uropa, a stranger on an unkno+n shore, consented, thoughshe had once made vo+s of perpetual celibacy. She became the mother of Minos,Sarpedon and %hadamantus. #he continent of $urope...

1?. :-%#%$SS $'%-4$D

#he audience enter a room +hich has a +all of video monitors. #hey all sho+infrared, night+atch camera pictures of various bordersD a river, a bridge over aravine, a fence, a +all, a rail+ay track, an airport run+ay etc..

-n the last screen in the corner there is a specially prepared video. !t is supposedlya police training film, alerting the border guards of the various techniFues that

people have tried in order to cross borders illegallyD slipping across mountain passes, umping over barbed+ire fences, s+imming over rivers, diving +ith

19



snorkels under +ater, hiding in cars, buses and trucks, train compartments andaeroplane cargo holds.

#he style of the film is a speededup, farcical, possibly black and +hite, silent movie.

3fter this film has eAplored the techniFues of the BvillainsB, another film startsD itdemonstrates the tools for the Bgood guysB, i.e. the border policemenD snorkels,handcuffs, straitackets, tape to put over the mouth, etc.. !t demonstrates techniFuesof combat, overcoming assaults, etc..

#his film has the style of a dry, precise, BrealB documentary.

11. #/$ S#$3% &-"S#$3#!-"D

#he audience enter a room in +hich there are a big telescope turned to+ards thesky, a microfiche reader and a big kaleidoscope.

#he pastD -n the microfiche reader or computer, one can see documentation on the0altic deportations.

#he presentD #hrough the telescope one can see a collection of specially prepareddossiersD photographs of refugees +ith their o+n hand+ritten messages speciallyfor the proect. #hey are concentrated oneliners about their refugee eAperience.$ach life is a +hole universe. /undreds of thousands of refugees living in S+edenin the present day.

#he futureD #hrough the kaleidoscope one can see faces and images falling uponone another.

12. #/$ !$"#!# S/-4D

3long one of the corridors there are stands that display various items like in ashop8museum. #he items are characteristic of the Bnational coloursB of +here theycome fromD a national ne+spaper, an eAclusive national recipe,some national food, national maps, old and ne+, a private photograph album ofunkno+n people, national money, note and coins, the national hero (photos, a

book), a tape of national songs, a national obect no one +ill guess the function of,a list of 1? freFuent phrases in the national language, national costumes, or detailsof, actual or photographs, a list of a fe+ +ide spread national slogans, any materialsfrom the local S+edish embassy (visa papers etc.)

Some of these "ational items +ill surely overlap +ith the "ationalistE (#his thin ice isthe issue of our proect any+ayE)

#he audience here can touch, put on and try all the Bcultural luggageB on display.#hey can look at themselves in the mirror and have a 4olaroid photograph taken.#hey can redefine and play +ith their identities.

#he S/-4 3SS!S#3"# helps them.

2?



3mongst these items there are some Bsour picklesBD guns, ammunition, nationalistregalia, etc.. #he audience can try on generals uniforms and dark glasses.

b) the roving characters

#he roving characters are +ondering figures. #hey are like spiders catching theaudience in their +eb. #hey take them individually or in groups, to their secret densand levels. #here they tell them stories or ask them Fuestions.

#/$ S#%$$# 03% /e is a street singer, +ho hangs around restaurants. -n the lining of his coat

there hang various maps of overlapping kingdomsD Greater 3ustria/ungary,over Greater Germany, over Greater :rance, over Greater Serbia, over Greater&roatia, Gustaph 3dolphuss S+eden, etc.. /e uses the maps to illustrate hissongs. /e has a hat in front of him.

Good evening, good ady8Gentleman. ! greet you. ! am the street bard. /o+ are youtodayH ! kno+ the stories of the +arriors. 3bout my life, ! kno+ nothing. !veforgotten.!ts my head. ! have a picture, an empty table, a green apple in the corner. 3 +omansitting under a +indo+, its autumn. #hats all. ook at this. (/$ S/-<S #/$

M34S.) &hoose a story. 4oint your finger to the map. (#/$ M$M0$% -: #/$3'!$"&$ 4%$SS$S /$%8/!S :!"G$% -" #/$ M34) 3 story from...(/$S3S#/$ "3M$ -: </3#$@$% %$G!-" #/$ 3'!$"&$ 4-!"# #-). -nce uponatime there +as a man from here. #here +as a village here called @ladovo. #hen the#urks came. 3nd raCed it to the ground. #hen the @enetians beat the #urks and puttheir heads on spikes. Men of darkness eat food +hich is stale and tasteless, +hichis rotten and left overnight, impure, unfit for holy offerings. #hen the3ustro/ungarians beat the #urks and cut their balls off. -h, +oe is me, to haveseen +hat ! have seen, to see +hat ! see. #hen the first and second +ar thre+ the

3ustro/unagrians out. #hen the Serbs and the &roats fought against the 0osnians,+ho screamed in pain and dropped to the ground. #hen the 0osnians foughtagainst the 3lbanians, then the 0osnians fought against themselves. /ereE /ere+as a big battle. 3nd then the borders +ere like thisE (/$ S/-<S 3"-#/$% M34)0ut then the borders changed. 3nd became like this. So this part disappeared fromthe face of the earth. #hen the borders changed yet again. 3nd this part appeared,and this one disappeared. 3nd the people +ho lived hereH #he people +ho livedhere lost their memory. 3nd +ere all dispersed and had to go to other countries.3nd the Macedonians and the 4hoenicians sailed to 0yCantium. 0ut it +as too late.0ecause +hen they arrived, &onstantinople fell. (/$ S!"GS 3 S-"G 30-'# #/$:3 -: &-"S#3"#!"-4$) #o you, my honourable friend, crueller than a

ravening lion, spiller of royal blood, ! grant you the choice of +eapons.

21



#/$ #-!$# &$3"$% Shes +earing something definably #urkish or Gipsy. She talks to a member of

the audience as if he or she +ere ust leaving the toilet shes cleaned. (-r, perhaps, if she is neAt to a real toilet, that +ould be the case.) She has a ledgerfull of S+edish social security documents. Shes a la+ abiding citiCen.

$Acuse me, Sir8Madam. ! believe you found the hygiene in this toilet satisfactoryH !do my best to keep things to the highest standards possible. ! +ant you to feel athome. !ve been cleaning this door here. Some oker has +ritten some graffiti. (S/$S/-<S S-M$ G%3::!#! S3!"G B3'S3"$% %3'SB.) ! like +orking in thetoilet because in the toilet its like being at sea. ou have to pit your +its against theelements. !m confused about my legal position. ! have these papers. &ould you

please have a lookH #here is this possibility of an additional personal allo+ance.My friends told me about it. 3lso the housekeeper allo+ance. #he daughtersservice allo+ance. My daughters living +ith me and !m financially responsible forher, and also !m dependent on her services. She helps +ith the house+ork and islooking after the younger children. #heres also the dependent relative allo+ance. !dont understand that. 3lso unemployment benefit, signing on. Sickness benefit.!nvalidity benefit. !ndustrial inures benefit. $veryone +ho +orks for an employer isinsured against industrial inuries. #he time to claim is +hen ! am inured at +ork orif ! contract +hat is kno+n as a Bprescribed industrial diseaseB. ! +ill completesection 0 on the first medical certificate ! sent to the Social Security office to claimsickness benefit. &an ! call you at homeH

#/$ 4$3% /e takes the audience to a secret place +here he has an arsenal of arms and

ammunition. 3lso passports and visas. /e has catalogues of guns and tells theaudience about the various features of the items.

! have German passports, 3rgentinian passports, &anadian passportsE #he fakearticle is 5?? M, the genuine stuff is 2,??? M. ! can get you an 3merican visa,

through &hina, +ith entry into the computer in <ashington. ! have cheap guns, theammunition is slightly more eApensive. ou kno+ ho+ it is. "ame of the game.&heap hard+are, eApensive soft+are. Schengen visas, t+o or more at reduced

prices. #hese here are knitted umpers. My grandmother makes them. <ould youcare for oneH :or your child on +inter days. #his is a &olt. ! have ammunition for it,too. #his is a cock. ($M-"S#%3#$S &-&I!"G #/$ G'".) !f you +antsomethingspecial, it can be arranged. ! can get hold of 'Cis, Ialashnikovs. 3 man +ithout agun is a naked man. 3 gun is an eAtension of your masculinity8femininity. ou are a

beautiful man8+oman. <ell +orth a rape. <hat if ! try to do itH <hat if ! try to mugyouH <hat are you going to do about it, +ithout a gunH ou dont like me. !m a

refugee bastard. ou need a gun to spill my brains out. <ords cant kill me. <ordsdont break my bones. !f you are an ultranationalist, you need arms too. :or every

22



eventuality. 3ll of my people are armed. /o+ are you going to fight usH #hink of thefuture. 4repare for it. !m your neighbourhood dealer. !f in doubt, come and talk tome.

#/$ S<$$# &/3'@!"!S#

3 charming old S+edish gentleman, clean, nicely shaven, +ell groomed,eApensive clothes. 3t the door. Speaks slo+ly and calmly.

ook at our beautiful, uniFuely artistic 'nderground stations. 3nd look at this scum polluting them. %ipping apart the very fabric of our society. ! am a good man, ! am areligious man, ! go to church on Sunday, ! pay my taAes regularly. <hyH So thatthey come and trample over my tradition, over my +ay of life. "o, thank you. !f ! +eresuddenly to die, ! +ould die fulfilled, kno+ing ! had done one thing that mattered.Ino+ing ! had talked to you. !d made myself heard.

!m not a nationalist. ! am ust a+are of the needs and concerns of our country. 3ll !sho+ is loyalty and devotion to my motherland. 3ll ! ask for, is that the interests ofour country are placed above either individual or other group interests.

&ivilisation is determined by nationality. <e need a strong peoples state, a nationalstate, a fatherland. State is nation, nation is state, civilisation is national civilisation.My nation flo+s in my veins.

<hy do they like usH 0ecause +ere rich. <ould they like us if +e +ere poorH -ruglyH -r deformedH -r crippledH -r stupidH -r uneducatedH -r unpopularH -r

alcoholicsH -r madH o they love us for +hat +e really areH

o not listen to this multiculti drivelE #his country gives money for endless seminarsfor ageing hippies and anarchists to discuss the differences bet+eenmulticulturalism, interculturalism and intraculturalism. !n the meantime our citiesrot. #hey even have a sho+ at the %ikarkivet of all places. !n a sacred institution+here all of the historical documentation of this nation +as stored for a hundredyears. "o+ the &ultural &apital of $urope has given the building to theseforeigners. #o tell us +hatH #hat +e are guilty for their problemsH 3nd its all foreignactors and foreign directorsE ont +e have enough S+edish actorsH ont +e haveenough S+edish directorsE !ts shameful, ! tell you. !ts shameful and its a shambles.

#hese people should be simply deported. %emovedE $AiledE 0anishedE Some ofthem, !m sure, are criminals +ho should be punished. :or terrorism, adultery,murder, poisoning, forgery, embeCClementE #heir property should beconfiscatedE #hey should take an oath to depart and never return.

#/$ 4%-S#!#'#$

3 dishevelled, troubled person. She stutters. She +ears a revealing, seAy outfit.

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$Acuse me, Madam8Sir. ! ust +anted to ask you. My daughter has cramps in thestomach. Shes been crying for hours. ! made her mint tea. !t doesnt +ork. o youhave any idea +hat ! should doH ! thought it +as trapped +ind. ! held her in my armsand patted her on her back. !t didnt help. ! cant stand the sound of her crying

anymore. Sometimes ! ust dont care. ! listen to her and ! dont feel anything. ! kno+shes my child, but ! look at her as if she +as an obect. 3nd then ! feel guilty.

! cant +ork if !m not drunk. 0ack home, ! +as raped. 3 gang of boys from theneighbourhood. ! havent made any money today. /ell kill me. /es killed othergirls. /e promised to give me +ork if ! gave him a blo+ob. #hen he set fire to my

passport.

<hat ! have seen in one Fuick visionary moment is that my being an alien +asmade, not inherited. #hat my destiny is more a matter of culture than of biology.

4robably +hat ! +ill do is cut off my feelings. 3nd +hen they return ! +ont open thedoor. ! +ont be at home. So that ! dont feel anything at all. 3nd !ll be cool. 3nd gothrough it very coldly. #he more you do that to yourself, the more difficult it becomesto love again or to trust again or to feel again. $ach time ! move a+ay from that, it

becomes easier. "ot more difficult, but easier. #o avoid committing myself to arelationship. 3nd ! am really concerned about cutting off that +hole feeling aspect.

! have to go back no+. ! hope shes asleep. <hat am ! going to do if shes stillcryingH

#/$ :-- 3 holy fool figure. 3 ovial, goodnatured figure, going round in circles, beinggenerally friendly and helpful. /e kno+s phrases in various languages andsnippets of folk songs from many traditions. /e changes many masks. :rom timeto time you can see him in unusual places. /e goes round the other rooms, goesto the secret levels, and hes on a balcony of his o+n. <hen hes there, he looksdo+n upon the audience pensively. /e announces the beginning of the +eddingand the funeral by blo+ing into a huge @iking horn.

#/$ :-%#'"$ #$$%D3 shabbily dressed +oman, at Stockholms holiday resort. Shes making herliving by looking into a crystal ball. She uses +ater +here the audience can seetheir reflection. 3lso polished metal. She pours melting +aA out of a candle tomake +aA islands float in the +ater. She speaks chunks in a foreign language.She looks into the palms of the audiences hands. She touches them. She alsohas a hamster in a boA full of red and blue envelopes. #he idea is that thehamster picks up one of the red and one of the blue envelopes +ithin +hich thereare messages. #he red envelopes contain eAcerpts from "ostradamuss

prophesies. #he blue envelopes contain suggestions for +arm physical

interactions that the :ortune #eller +ould undertake +ith the member of theaudience.

27



Sir8Madam, do you +ant my mouse to read your futureH &ome on, 0eauty, pick up amessage for this lovely ady8Gentleman.

Messages in the %ed $nvelopesD

0ecause of the storm at sea, the foreign ship +ill approach the unkno+n port. "ot+ithstanding the signs of the palm branches, after+ards, death and pillage. #hegood advice comes too late.

#he besieged city is assaulted by night, fe+ escape. 3 battle not far from the sea. 3 prostitute faints +ith oy at the return of her son, poison in the fold of the hiddenletters.

#he eAiles deported from the islands +ill be murdered by fire, great floods, ignorantrulers. /o+ long this century before it is seen to be restoredH 0efore long everything

+ill be controlled. <e a+ait a very evil century.

!n the senseless rage of a furious struggle, the brothers +ill dra+ their +eapons attable. #hey are separated and +ounded.

#he city is almost burnt to ashes by fire from the sky.

!n the city +hich the +olf +ill enter, the enemies +ill be very close by.

!n the besieged city, men and +omen at the +alls, the enemy +ithout, the greatarmy of the civil +ar.

Messages in the 0lue $nvelopesD

et me hold your hand.et me hug you.et me stroke your hair.et me stroke your cheek.et me kiss you on the cheek.et me close your eyes.

3nd askD <hat +orries youH

c) the <edding8:uneral halls

#/$ <$!"GD

3t a prescheduled time, for eAample at D? p.m., the audience enter the+edding8funeral halls +hich are t+o large rooms connected to one another. #hereis a real band playing +ild, loud music. &onstant beating of drums. #here is realfood on the tables.

#he audience are relatives of the marrying families. 3s they enter the +edding hall

they should be given flo+ers or even costumes to put on. #he audience in one hallare the side of the bridegroom, the audience in the other hall are the side of the

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bride. #he situation is rather like the feuding families of the &apulets and theMontagues. #here is tension in the air.

#he +edding should be a highly theatrical, tongueincheek, olde +orldemelodrama about the tragic love of a boy and a girl belonging to t+o enemy tribes

living in a Stockholm suburb today, as performed by an amateur dramatic society.#he genre is tragic farce. !t combines elements of poetic drama, naturalist drama, aritual performance and a postmodernist event. #he men have handlebarmoustaches. #he tone of the speeches is grandiloFuent. #he characters areD

#/$ 0%!$ a beautiful young +oman of 0alkan origin. She +as born there, but brought to S+eden as a young girl.

#/$ :3#/$% a patriarchal figure, very conservative in his outlook on life.#/$ 0%!$S 0%-#/$% a rabid 0alkan fundamentalist. /e believes that it is up tohim to preserve the BoldB +ays. /e can hardly remember the BoldB +ays, but that is

not a problem. /e is a nationalist by default. #hat is an easy +ay of providinghimself +ith an identity. #/$ 0%!$SM3! the brides best friend. She is also of 0alkan descent, butcompletely S+edish in her +ays.

!n the opposite camp areD

#/$ G%--M a young, handsome man, also from the 0alkans, but belonging to adifferent BtribeB (possibly of different religious faith, but that is not going to be furtheremphasised).

#/$ G%--MS M-#/$% a +oman of the BoldB tradition +ho feels helpless in thene+ +orld. /er husband is dead. She cannot control the fate of her son, so shesimply prays and hopes for the best.

#/$ G%--MS S!S#$% the Grooms younger sister. She loves her brother andloves the choices he makes.

#/$ G%--MS 0$S# M3" a chauvinist and a nationalist. /e is not happy +ith his best friends decision to marry that particular 0ride. /e is very macho and keen on+eapons and alcohol.

1. #he 3rrival of the <edding Guests

/all 3D -ne hundred members of the audience enter /all 3. #hey are guests of the0rides side. #hey mingle +ith some of the characters from the %ooms, +ho are no+guests at the +edding, too. Some of these guests have supposedly arrived from theBoldB country in the 0alkans specially for the +edding.

/all 0D #+o hundred members of the audience enter /all 0. #hey are guests of theGrooms side. #hey mingle +ith some of the characters from the %ooms, +ho areno+ guests at the +edding, too.

2. #he ove Song of the 0ride and Groom

2;



/all 3 (balcony) D#he 0ride and Groom are in love. #he 0ride is pregnant. #hey+ant to marry. #heir family do not kno+ of their relationship. #he 0ride kno+s that,for her family, the ne+s +ill be disastrous. (#his scene is repeated t+ice. -nce onthe balcony of the 0rides house, once on the balcony of the Grooms house.)

3 -@$ S-"GDook at me, look my loveook at me long,#oday !m here, my soul,#omorro+ !m gone,#omorro+ !m gone, my love,:oreign lands long,:oreign lands gone.<hat to send back to youH<hat to send back to youH

o you +ant money, my love,o you +ant a lineH! dont +ant money, my soul,! dont +ant a line,! dont +ant a line,<hat ! +ant, my love,

3re nightingales three.#he first to sing, my soul,<hile ! dine,#he neAt to sing, my soul,

<hile ! sleep,#he third to sing, my soul,<hen ! rise.

/all 0 (balcony)D %eprise of the same scene

. 0reaking the "e+s

/all 3D #he 0ride breaks the ne+s to her family. #he reactions are strong and

passionate. $verything is held against her.

:3#/$%D !n my time...

0%!$D !n your time...

:3#/$%D !n my time...

0%!$D :ather, this is my timeE

:3#/$%D <ell see about thatE

0%!$D <hat are you going to do about itH

2=



0%-#/$%D <e could put you on a donkey, back+ards. <ith the donkeys tail in yourhands. 3s they used to do +ith dishonest +omen in the old country.

/all 0D #he Groom breaks the ne+s to his family. #he reactions are strong and passionate. $verything is held against him.

#/$ M-#/$%D !ts the month of May. !ts unlucky for +eddings. !ts a month forremembering the dead. !ts an illomened time for lovers.

#/$ S!S#$%D !ll cover you in soot and ashes. So youll have many babies.

#he +edding used to be an arrangement of the parents rather than the bride andgroom.

M-#/$%D !n my time...

G%--MD !n your time...

M-#/$%D !n my time...

G%--MD Mother, this is my timeE

M-#/$%D <ell see about thatE

G%--MD <hat are you going to do about itH

S!S#$%D #here hasnt been a pear +ithout a petal, there +ont be a man +ithout his bride.

7. #he 4reparations of 0ride and Groom

/all 3D #he ritual +ashing of the bride in +ater +ith boiled thyme. She gets dressedin topheavy, folkloric, rich clothes. She does her hair.

#/$ 0%!$SM3!D o not move your head so that the groom doesnt die.

#he 0ridesmaid puts a +reath made from a vine branch in the 0rides hair. et sheuses everyday modern utensilsD a hairdrier, electric toothbrush, etc.. #he old ritualsare undercut by the contemporary. #he 0ridesmaid smokes and drinks &oke. Shelistens to techno music on a cassete recorder.

#/$ 0%!$SM3!D (putting the veil over the eyes of the 0ride) 3 veilD to protectyou against the evil eye.

#he 0ridesmaid produces a huge cake. #here are figures on it made out of doughD acat, a dog, a colt, a calf, a snake, a liCard, birds, etc.. #he 0ridesmaid makes an

2



obstacle for the 0ride to ump overD a chain of flo+ers.

0%!$SM3!D eave all of your moods behind and ump into a ne+ life.

:3#/$%D eath approachesE #here are omens every+here. #here are cries and

movements of birds, flo+ers blooming out of season, clocks striking thirteen times, pictures falling off the +all, a diamondshaped crease kno+n as a coffin appearingon ironed linen, the sudden appearance of mice in the house, the sudden departureof the longestablished cricket from the house, an o+l screeching nearby. 3 dogho+ling continuously outside the house.

/all 0D #he 0est Man is shaving the Groom. #he Groom is barefoot. /es holding amirror and is looking at himself. 3fter the shaving the Groom dresses the Groom inrichly embroidered clothes. /e puts an old rifle in one of the grooms hands and aflag in the other.

/is Mother and Sister are +atching. #he Mother is desperate.

M-#/$%D eath approachesE #here are omens every+here. #here are cries andmovements of birds, flo+ers blooming out of season, clocks striking thirteen times,

pictures falling off the +all, a diamondshaped crease kno+n as a coffin appearingon ironed linen, the sudden appearance of mice in the house, the sudden departureof the longestablished cricket from the house, an o+l screeching nearby. 3 dogho+ling continuously outside the house.

#he Sister approves of the +edding. Shes +earing punk clothes.

5. #he -pposition

/all 3D #he 0rides 0rother is unhappy. /es drunk and shouting against the familyof the Groom. /e asks the members of the audience to shout +ith him, too.

#/$ 0$S# M3"S 8 #/$ 0%!$S 0%-#/$%S 3M$"#<hat people have been tortured soH3ccursed usE

-h, brothers,have you heard +hat is done by the cursed banditsto us, our brothers and sisters,our sisters and sorro+ing mothersH/onour dishonoured,

the peaceful slain,slain, seiCed,girls, children made heathen,schooled in destructionE

! beg you, my brothers,+ork, by the living God,

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summon your forcesKif the kings and cCarsare deaf to your pleaslet us strive ourselves,taking up arms

against the bandits,the thieving bandits+ho five hundred years torment us,that +e may be free

better that +e diethan be tormented thus,

by the savage infidels+ho slaughter us like +omenfolk.

<e are a raceE<e are a nationE

<e are an ethnosE<e are a clanE<e are a tribeE<e are of the same strainE<e are of the same stockE<e have the same pedigreeE<e have the same heritageE<e have the same rootsE<e are of the same eAtractionE<e have the same bloodlineE<e are the same breedE

#hey are aliensE#hey are foreignersE#hey are strangersE#hey are outlandersE#hey are outsidersE#hey are nonnativesE

#hey are immigrantsE#hey are ne+comersE

/all 0D #he Grooms best man is unhappy. /es drunk and shouting against thefamily of the 0ride. /e asks the members of the audience to shout +ith him, too./e sings the lament. /es using the same teAt as the 0rother.

;. #he Sacred @o+

/all 3 (balcony) D #he 0ride and Groom meet shortly before the +edding to tell eachother they +ill stay together +hatever happens. #hey sing a love song.

-@$ S-"GD

<herever she +alks, my dearest,the +ind starts blo+ing,

?



+herever she sits, my dearest,the sun starts glo+ing,+herever she stands, my dearest,the rain starts falling,+herever she +eeps, my dearest,

pearls start rolling,+henever she laughs, my dearest,gold starts flo+ing,+henever she speaks, my dearest,

bells start tolling.

/all 0 (balcony) D %eprise of scene.

=. #he &rossing-ver

#he 0ride and Groom meet at the door bet+een /all 3 and /all 0. #he 0ride +earsa veil.

G%--MD !m calling outfor you, s+eet bride,to come out from

the chamber doors besto+ your giftson the +edding guestsand kiss the hand

of each of them.

#he Mother thro+s +ater after her son.

M-#/$%D May your life go as smoothly as the +ater do+n the hill.

She goes around inviting the dead to the +edding as +ell.

M-#/$%D !m calling out to the dead. &ome to our +edding, to see our oy, and siton our left side, and look from afar, and do not enter the house, and keep us fromevil, and do not do us any harmE

3ll of the audience from /all 3 enter /all 0. #he 0ride and Groom shake and kisshands and slo+ly +alk through the cro+d of guests.#he 0est Man holds an apple in his hand. /e goes round the audience and asksthem to stick coins into the apple.

#/$ :3#/$%D- you groom, you grey falcon,+here are you going+ith your armyHhere +e have no bride to marry

+e only have birds of the +ood.

1



. #he Making Merry

ancing and singing and flags and shooting in the air

#/$ &!%&'3% %!"I!"G S-"GD "o+ drank the brideno+ drinks the bridegroomdrink bridegroom drink

break the glass on your forehead

and let your heart be merry.

9. #he Shootout

/all 0 (balcony)D

#/$ 0%!$S 0%-#/$% 3" #/$ 0$S# M3"D (alternating)3n outla+ has no real /omesteadfor his home is upon the mountain3n outla+ has no real father for his father is a long rifle.3n outla+ has no real mother,for his mother is a sharp sabre.3n outla+ has no real brothers,for his brothers are paired pistols.

#he 0rides 0rother and the Grooms best man start a fight. #he 0rother produces agun and aims at the 0est Man. #he Groom umps bet+een them. #he 0rother shootsand hits the Groom. #he Groom falls do+n dead. #he 0ride takes the gun and +antsto shoot at her brother. She cannot do thatE She kills herself.

#/$ :'"$%3D

3t a prescheduled time, for eAample at 1?.? p.m., the audience enter /all 0, +hichis no+ the funeral hall. !t is half dark. Juiet dirges are being sung. #he candles burn.#here are chairs along the +alls. #he audience are no+ guests at a funeral. #hey

are given candles as they enter.

!n /all 0 the audience are greeted by t+o couplesD #he 0rother of the 0ride and theSister of the Groom and by the Grooms 0est Man and the 0ridesmaid.

#hey offer the guests candles and funeral meats to eat for the souls of the fallen.

#hey take groups of the audience to /all 3 +here there are t+o coffins. -ne +ith the0rides picture on top of it and one +ith the Grooms picture on top of it. 0y the sideof the 0rides coffin sits the Grooms Mother. 0y the side of the Grooms coffin sitsthe 0rides :ather. #he audience pass by the t+o coffins and shake hands +ith the

parents of the dead.

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#he Mother is +hisperingD

M-#/$%D #he crayfish have called a +eddingand the turtles are invitedand the hedgehogs to make merry

Mr /edgehog +andered over,stole a kiss from Mrs #urtle.Mr #urtle caught sight of himand +ent after Mr /edgehog/ey there, /edgehog, lover boy,<hose +ife is it you +ere kissingH

#he maidens grave in lo+er graveyard#he young mans grave in upper graveyard#hey put do+n root, took root in the black earth.#he maid came up as a red rose bush,

and the youth as a black olive.

-pen the doors, loosen the ties of the curtains, put out of doors all animals, put outthe fire, thro+ a+ay all the food, veil the mirrors and turn them to the +alls, stop theclocks and keep an unbroken vigil beside the coffin.

#/$ :3#/$%D<hat does it mean a raceH<hat does it mean a nationH<hat does it mean an ethnosH

<hat does it mean a clanH<hat does it mean a tribeH<hat does it mean strainH<hat does it mean stockH<hat does it mean pedigreeH

<hat does it mean heritageH<hat does it mean rootsH<hat does it mean bloodlineH<hat does it mean breedHisten to me, $vening Star on high thereE

#ell the ord to come do+n from the heavens:or ! +ish to fight a duel +ith him.

<hen all the audience have been past the coffins and have returned to /all 0, theMother, :ather and members of the families take the coffins out of /all 3 and into/all 0.

3ll of a sudden, the Groom and the 0ride appear on the balcony. #hey are alive and+ell +ith a some+hat ghostlike Fuality about them. #hey +ear their +eddingcostumes. #hey singD

3 -@$ S-"GD



ook at me, look, my love,ook at me long,#oday !m here, my soul,#omorro+ !m gone,#omorro+ !m gone, my love,

:oreign lands long,:oreign lands gone.<hat to send back to youH<hat to send back to youHo you +ant money, my love,o you +ant a lineH! dont +ant money, my soul,! dont +ant a line,! dont +ant a line,<hat ! +ant, my love,3re nightingales three.

#he first to sing, my soul,<hile ! dine,#he neAt to sing, my soul,<hile ! sleep,#he third to sing, my soul,<hen ! rise.

#he +edding music band appears behind them. #hey start playing. #he 0ride andGroom eAchange rings. #hey kiss. #hey +ave to the audience. #he families look atthe <edding in /eaven. #he audience slo+ly leave.

+hyH

AAAAAAAAAAAAAAAAA3lienation is estrangement from other people, society or +ork. !n psychology itmeans a blocking or dissociation of a persons feelings, the persons problems inadusting to society. 3 persons activities become either aggressive violence or totalinactivity. #his alienation is often turned against others. !t is BchannelledB asintolerance for Bthe otherB. !t gro+s into racism, seAism or chauvinism.

#he idea of the proect is that chauvinism and nationalistic intolerance are phenomena of the past, that they have outlived their historical purpose and that theyshould be laid to rest in the historical archives. (#he space +here the proect isgoing to be staged, #he %iksarkivet, +ill emphasise this idea.) #he proect shouldgraphically dramatise ho+ painful intolerance is and ho+ its eAtremes invariablylead to disaster.

3lbert $instein called nationalism Ban infantile sickness and the measles of thehuman raceB. #he proect +ill try to delineate the difference bet+een the healthyfeelings of national pride and those of aggressive chauvinism. %ichard 3ldingtoncalled patriotism Ba lively sense of collective responsibilityB and nationalism Ba silly

cock cro+ing on its o+n dunghillB. #he proect +ill dramatise the dark sides of ingoism, chauvinism, Aenophobia and isolationism.

7



3 great number of the refugees in $urope today are a direct result of the civil +ars inthe 0alkans. Most of these people are ordinary folk +ho +ant to escape from dangerand find happiness. #his is the idea of immigrant and refugee +e +ant to dramatise.!t is not the image of a +orthless person stealing social benefits, as much as the

idea of Bunaccommodated manB that +e +ish to represent. &harlie &haplin is thetypical 2?thcentury Bunaccommodated manB. -ne of his early films sho+s himarriving on $llis !sland totally unprepared for the trials and tribulations that are instore for him. !n another he arrives in the sno+s of 3laska in search of gold,+earing a summer suit. /e is at the same time sad and funny and touchinglyhuman. #his is the picture +e +ould like our audience to take home +ith them.

<e are not going to dramatise them as different from us. -n the contrary. #he proect +ill try to sho+ them and us as one and the same. Everyone carries a part of"the other" in themselves that can easily come to the fore, given certain social and

political circumstances. #he fear of the other is really the fear of the other in

ourselves. "ationalism is an ideology. 3s a political proect it offers a utopia of purityand oneness. Such a project is only possible if it locates an enemy. B#he -therB

becomes the enemy, obstructing the road to achieving the national ideal. #hisBscapegoatB enemy should be eAterminated (ethnically cleansed) as a prereFuisitefor the utopia. #his task gives the nation a sense of mission. !t gives them a sense ofvirtue, a belief that they have to fight in self defence and in the conteAt of a larger

proect for helping humanity.

$urope has been through long and numerous historical maelstroms of nationalisticfrenCy. "ationalism and chauvinism are potencies that +e all carry in us. We allhave infinite energies for good and evil. 4oliticians often manipulate and

instrumentalise these potencies for their o+n ends. -ne of the +ays of doing this isthrough the use of Bhate speechB. #his speech demonises Bthe otherB and preparesthe ground for more cruel battles. 3ll human beings are subect to thesemechanisms. 3s enlightened human beings +e must learn ho+ to put a brake onthem.

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Documents

Goran Stefanovski - EURALIEN