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Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

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Page 1: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Get Into The Groove

Sound Recording and Reproduction

Christopher ErcoliJonathan Hammond

Page 2: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Abstract: Edison Exploratorium

Education project Interactive

Why Sound Recording? Schenectady Long history with

data storage Widely used

Page 3: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Scope of Work Methods Covered:

Mechanical Storage Phonograph, Dictaphone,

Audograph, Vinyl Disk Recording

Magnetic Storage Poulsen’s Wire Recorder,

Magnetophone, General Electric Wire Recorder Model #51, 8-track, Cassette Tape Player

Optical Recording Compact Disc Player

Page 4: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Display Layout

Historical Artifacts Interactive Devices Visual presentation

Step by step explanation of: Function Theory Fabrication Historical and technical significance

Page 5: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Goals Make most interactive and

enlightening exhibit possible Success Criteria

Information content Promotes exploration Understandable Universally engaging Promotes future independent interests in

the field

Page 6: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Mechanical Sound Storage

Historical importance Key Device Features:

Diaphragm size and material

Movement of stylus for recording and playback

Page 7: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Mechanical Storage Display Interactive

Solutions Echophone Campbell’s LP

Player Historical Significance

Phonograph Patent Dictaphone Recorder Wax Cylinders Gray’s Audograph Record Lathe Vertical Record Player

Page 8: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Magnetic Sound Storage Key Device Features:

Magnetic media High Frequency

Biasing Amplification

Practical applications

Page 9: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Magnetic Storage Solutions Interactive Solutions

Magnetic Media Magnetic Media Display

High Frequency Biasing Tape Player & Low Pass Filter

Amplification Laser Motion Interactive Computer Program:

Audacity 1.3 Beta

Developments in Magnetic Recording Media

Evolution from wire to substrate

Changing shape of media Disc Wire Reel

Wire Recorder 8-track Cassette player Answering machines

Page 10: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Optical Sound Storage

Schneider, Doug. Simaudio Moon Nova CD Playerhttp://www.soundstage.com/revequip/

simaudio_nova.htm

Revolutionizing the music industry through noise reduction

Key Device Features: Laser focusing

and photo sensor Polycarbonate

medium with digital code

Tracking system Parallels with

magnetic storage

Page 11: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Conclusions Similarities between storage techniques

Transducing method Stylus or data detection point Tracking method to retrieve data

Effective educational tools Bright, well colored display Clear explanation of theory and practice Parallels between devices

The more the better! Interactive, Interactive, Interactive

User friendly

Page 12: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Acknowledgements

Dean Traver Prof. Spinelli Edison Exploratorium

Page 13: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

Questions?

Page 14: Get Into The Groove Sound Recording and Reproduction Christopher Ercoli Jonathan Hammond

References T. Day, "Listening to Musical History," A Century of Recorded Music, 2000, [pp. 1-58] J. Sterne, "Cultural Origins Of Sound Reproduction," The Audible Past, 2003, [pp. ] D.L. Morton Jr., "The Life Story of a Technology," Sound Recording, 2004, [pp.55-69] D. Morton, Off The Record: The Technology And Culture of Sound Recording In America,

New Brunswick, NJ: Rutgers University Press, 2000. S.X. Wang and A.M. Taratorin, Magnetic Information Storage Technology, 1999, [pp. 66-

194] E.M. Williams, Design and Analysis of Magnetoresistive Recording Heads, 2001, [pp.] E. D. Daniel, C.D. Mee, M.H. Clark, "The First 100 Years," Magnetic Recording, IEEE Press,

1999, [pp. 47-66] E. D. Daniel and C. D. Mee, Magnetic Recording Technology, ed. New York: McGraw-Hill,

1996. M. Camras, Magnetic Tape Recording, 1985, [pp. 52-229]. M. Camras, Magnetic Recording Handbook. New York: Van Nostrand Reinhold Company,

1988. J. Finn. The Complete Handbook of Magnetic Recording. New York: TAB Books, 1996. K. C. Pohlmann, "Volume 5 The Computer Music and Digital Audio Series," The Compact

Disc Handbook 2nd ed., 1992, [pp.] E. W. Williams, The CD-Rom and Optical Disc Recording Systems, Oxford: Oxford

University Press, 1996 S. Lambert and S. Ropiequet, "The New Papyrus" CD ROM, 1986, [pp. 1-45] M. Clifford, The Complete Compact Disc Player. Englewood Cliffs, NJ: Prentice-Hall Inc,

1987.