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Get Into The Groove
Sound Recording and Reproduction
Christopher ErcoliJonathan Hammond
Abstract: Edison Exploratorium
Education project Interactive
Why Sound Recording? Schenectady Long history with
data storage Widely used
Scope of Work Methods Covered:
Mechanical Storage Phonograph, Dictaphone,
Audograph, Vinyl Disk Recording
Magnetic Storage Poulsen’s Wire Recorder,
Magnetophone, General Electric Wire Recorder Model #51, 8-track, Cassette Tape Player
Optical Recording Compact Disc Player
Display Layout
Historical Artifacts Interactive Devices Visual presentation
Step by step explanation of: Function Theory Fabrication Historical and technical significance
Goals Make most interactive and
enlightening exhibit possible Success Criteria
Information content Promotes exploration Understandable Universally engaging Promotes future independent interests in
the field
Mechanical Sound Storage
Historical importance Key Device Features:
Diaphragm size and material
Movement of stylus for recording and playback
Mechanical Storage Display Interactive
Solutions Echophone Campbell’s LP
Player Historical Significance
Phonograph Patent Dictaphone Recorder Wax Cylinders Gray’s Audograph Record Lathe Vertical Record Player
Magnetic Sound Storage Key Device Features:
Magnetic media High Frequency
Biasing Amplification
Practical applications
Magnetic Storage Solutions Interactive Solutions
Magnetic Media Magnetic Media Display
High Frequency Biasing Tape Player & Low Pass Filter
Amplification Laser Motion Interactive Computer Program:
Audacity 1.3 Beta
Developments in Magnetic Recording Media
Evolution from wire to substrate
Changing shape of media Disc Wire Reel
Wire Recorder 8-track Cassette player Answering machines
Optical Sound Storage
Schneider, Doug. Simaudio Moon Nova CD Playerhttp://www.soundstage.com/revequip/
simaudio_nova.htm
Revolutionizing the music industry through noise reduction
Key Device Features: Laser focusing
and photo sensor Polycarbonate
medium with digital code
Tracking system Parallels with
magnetic storage
Conclusions Similarities between storage techniques
Transducing method Stylus or data detection point Tracking method to retrieve data
Effective educational tools Bright, well colored display Clear explanation of theory and practice Parallels between devices
The more the better! Interactive, Interactive, Interactive
User friendly
Acknowledgements
Dean Traver Prof. Spinelli Edison Exploratorium
Questions?
References T. Day, "Listening to Musical History," A Century of Recorded Music, 2000, [pp. 1-58] J. Sterne, "Cultural Origins Of Sound Reproduction," The Audible Past, 2003, [pp. ] D.L. Morton Jr., "The Life Story of a Technology," Sound Recording, 2004, [pp.55-69] D. Morton, Off The Record: The Technology And Culture of Sound Recording In America,
New Brunswick, NJ: Rutgers University Press, 2000. S.X. Wang and A.M. Taratorin, Magnetic Information Storage Technology, 1999, [pp. 66-
194] E.M. Williams, Design and Analysis of Magnetoresistive Recording Heads, 2001, [pp.] E. D. Daniel, C.D. Mee, M.H. Clark, "The First 100 Years," Magnetic Recording, IEEE Press,
1999, [pp. 47-66] E. D. Daniel and C. D. Mee, Magnetic Recording Technology, ed. New York: McGraw-Hill,
1996. M. Camras, Magnetic Tape Recording, 1985, [pp. 52-229]. M. Camras, Magnetic Recording Handbook. New York: Van Nostrand Reinhold Company,
1988. J. Finn. The Complete Handbook of Magnetic Recording. New York: TAB Books, 1996. K. C. Pohlmann, "Volume 5 The Computer Music and Digital Audio Series," The Compact
Disc Handbook 2nd ed., 1992, [pp.] E. W. Williams, The CD-Rom and Optical Disc Recording Systems, Oxford: Oxford
University Press, 1996 S. Lambert and S. Ropiequet, "The New Papyrus" CD ROM, 1986, [pp. 1-45] M. Clifford, The Complete Compact Disc Player. Englewood Cliffs, NJ: Prentice-Hall Inc,
1987.