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MODERN ART IS BORN 1912 Futurist exhibition in Paris 1913 Armory Show in NYC 1913 Futurist Opera-Victory over the Sun-St. Petersburg Suprematism: Term coined in 1915 by Kazimir Malevich for a new system of art, explained in his booklet Ot kubizma i futurizma k suprematizmu: Novyy zhivopisnyy realizm (‘From Cubism and Futurism to Suprematism: the new realism in painting’). The term itself implied the supremacy of this new art in relation to the past. Malevich saw it as purely aesthetic and concerned only with form, free from any political or social meaning. While Suprematism began before the Revolution of 1917, its influence, and the influence of Malevich’s radical approach to art, was pervasive in the early Soviet period. Malevich traced the origins of Suprematism to his sets and costumes for the Russian Futurist opera Pobeda nad solntsem (‘Victory over the sun’), given in St Petersburg in December 1913. His designs reflected the complex synthesis of Russian and west European art that reached its height on the eve of World War I. Futurism: Futurism, Italian Futurismo, Russian Futurism, an early 20th-century artistic movement that centred in Italy and emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life in general. The most significant results of the movement were in the visual arts and poetry. Art Deco: Art deco is an eclectic artistic and design style that began in Paris in the 1920s and flourished internationally throughout the 1930s and into the World War II era. The style influenced all areas of design, including architecture and interior design, industrial design, fashion

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MODERN ART IS BORN

1912 Futurist exhibition in Paris

1913 Armory Show in NYC

1913 Futurist Opera-Victory over the Sun-St.

Petersburg

Suprematism:

Term coined in 1915 by Kazimir Malevich for a new system of art, explained in his booklet Ot kubizma i futurizma k suprematizmu: Novyy zhivopisnyy realizm (‘From Cubism and Futurism to Suprematism: the new realism in painting’). The term itself implied the supremacy of this new art in relation to the past. Malevich saw it as purely aesthetic and concerned only with form, free from any political or social meaning. While Suprematism began before the Revolution of 1917, its influence, and the influence of Malevich’s radical approach to art, was pervasive in the early Soviet period.

Malevich traced the origins of Suprematism to his sets and costumes for the Russian Futurist opera Pobeda nad solntsem (‘Victory over the sun’), given in St Petersburg in December 1913. His designs reflected the complex synthesis of Russian and west European art that reached its height on the eve of World War I.

Futurism:

Futurism, Italian Futurismo, Russian Futurism, an early 20th-century artistic movement that centred in Italy and emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life in general. The most significant results of the movement were in the visual arts and poetry.

Art Deco:

Art deco is an eclectic artistic and design style that began in Paris in the 1920s and flourished internationally throughout the 1930s and into the World War II era. The style influenced all areas of design, including architecture and interior design, industrial design, fashion and jewelry, as well as the visual arts such as painting, graphic arts and film.

Art Nouveau:

Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"

Terms:

Favrile (from the old French word for handmade)-in regards to Tiffany

Images

Russian Suprematists

Malevich

o Suprematism with 8 Red Rectangles 1915 oil on canvas

o Black Circle 1915 oil on canvas

o White on White 1918 oil on canvas

Goncharova (Cubo-Futurist, Rayonist, Futurist)

o The Cyclist 1913

o The Green and Yellow Forest 1915

Italian Futurists

Boccioni Unique forms of Continuity in Space 1913bronze

Balla

o Dynamism of a Dog on a Leash 1912 oil on canvas

o Mercury Passing before the Sun 1914 tempera/paper

Tiffany

Louis Comfort Tiffany

o Laurelton Hall (house in Long Island) 1920’so A view of Oyster Bay 1920’so Education-Yale University

Art Deco

Van Alen, William (designer) Chrysler Building (NYC) 1928-1930

Exterior Shining the eagles Looking above Interior inlaid doors

Art Nouveau