27
Foundations of Art and Design Chapter 12: Scale and Proportion

Foundations of Art and Design Chapter 12: Scale and Proportion

Embed Size (px)

Citation preview

Page 1: Foundations of Art and Design Chapter 12: Scale and Proportion

Foundations of Art and Design

Chapter 12: Scale and Proportion

Page 2: Foundations of Art and Design Chapter 12: Scale and Proportion

Scale

Fig. 12.1Head of Constantine the Great (8.5 ft.)

Page 3: Foundations of Art and Design Chapter 12: Scale and Proportion

Scale

Fig. 12.1 Head of Constantine the Great (8.5 ft.)

The scale of Fig. 12.1 Head of Constantine the Great is large. Why do you think that this scale was used?

1. Because the medium was large to start with

2. To convey the importance of the subject

3. Neither of these

1 2 3

33% 33%33%

Page 4: Foundations of Art and Design Chapter 12: Scale and Proportion

Size of Art

Fig.12.3The Hippopotamus at Zoological Gardens, Regent’s Parkby The Count de Montizon

Page 5: Foundations of Art and Design Chapter 12: Scale and Proportion

Size of Art

1. Scale

2. Relative

3. Comparative

4. None of theseFig.12.3

The Hippopotamus at Zoological Gardens, Regent’s Park

by The Count de Montizon

The size of an object in relationship to its surroundings as seen in Fig.12.3 The Hippopotamus at Zoological Gardens, Regent’s Park by The Count de Montizon is referred to as:

1 2 3 4

25% 25%25%25%

Page 6: Foundations of Art and Design Chapter 12: Scale and Proportion

Scale Within Art

Fig. 12.5 The Depositionby Fra Angelico

Page 7: Foundations of Art and Design Chapter 12: Scale and Proportion

Scale Within ArtIn Fig. 12.5 The Deposition the artist Fra Angelico creates a dramatic response by varying the size or scale of the elements within the overall design or composition. What effect or response do you feel this creates?

Fig. 12.5 The Deposition by Fra Angelico

1 2 3 4

25% 25%25%25%

1. Repose

2. Sadness

3. Both of these

4. Neither of these

Page 8: Foundations of Art and Design Chapter 12: Scale and Proportion

Size and Art

Fig. 12.7 Rosary Bead

Page 9: Foundations of Art and Design Chapter 12: Scale and Proportion

Size and Art

1. The function of the work

2. The desired impact on the viewer

3. Both of these

4. Neither of these

The size of a work of art is determined by:

Fig. 12.7 Rosary Bead

1 2 3 4

25% 25%25%25%

Page 10: Foundations of Art and Design Chapter 12: Scale and Proportion

Size and Scale of Elements Within the Design or Pattern

Fig. 12.9 Body Building, Cape Canaveral Florida by David LaChapelle

Page 11: Foundations of Art and Design Chapter 12: Scale and Proportion

Size and Scale of Elements Within the Design or Pattern

1. Yes

2. NoFig. 12.9 Body Building, Cape Canaveral Florida

by David LaChapelle

Does the actual size of a work of art have to relate to the nature of the imagery that the artist is depicting?

1 2

50%50%

Page 12: Foundations of Art and Design Chapter 12: Scale and Proportion

Hierarchical Scaling

Fig. 12.10 Family Portrait

by Viola Frey

Page 13: Foundations of Art and Design Chapter 12: Scale and Proportion

Hierarchical Scaling

1. Hierarchical Scaling

2. Relative scale

3. Large scale

When the use of relative size indicates the relative importance of the objects or people depicted, the term used is:

Fig. 12.10 Family Portrait by Viola Frey1 2 3

33% 33%33%

Page 14: Foundations of Art and Design Chapter 12: Scale and Proportion

Compare and Contrast

Fig. 12.12 Madonna in the Churchby Van Eyck

Page 15: Foundations of Art and Design Chapter 12: Scale and Proportion

Compare and Contrast

1. The importance of the Madonna

2. The importance of Christ

3. The holiness of the Madonna

4. The holiness of the church

In Fig. 12.12 Madonna in the Church what does the scale of the Madonna signify?

Fig. 12.12 Madonna in the Church by Van Eyck 1 2 3 4

25% 25%25%25%

Page 16: Foundations of Art and Design Chapter 12: Scale and Proportion

Compare and Contrast

Fig. 12.13 Interior of the Pantheonby Pannini

Page 17: Foundations of Art and Design Chapter 12: Scale and Proportion

Compare and Contrast

In Fig. 12.13 Interior of the Pantheon the artist uses scale to show the

1. The insignificance of people

2. The grandeur of the structure and architecture

3. Both of these

4. Neither of these

Fig. 12.13 Interior of the Pantheon by Pannini 1 2 3 4

25% 25%25%25%

Page 18: Foundations of Art and Design Chapter 12: Scale and Proportion

Distortion of Scale

Fig. 12.14 The Knife Ship by Claes Oldenburg

Page 19: Foundations of Art and Design Chapter 12: Scale and Proportion

Distortion of Scale

In Fig. 12.14 The Knife Ship, Claes Oldenburg distorts the realistic scale of objects:

1. To challenge the viewer to look at the familiar in a new way

2. For fun

3. To make a political statement

Fig. 12.14 The Knife Ship by Claes Oldenburg

1 2 3

33% 33%33%

Page 20: Foundations of Art and Design Chapter 12: Scale and Proportion

The Golden Rectangle

Page 21: Foundations of Art and Design Chapter 12: Scale and Proportion

The Golden Rectangle

Fig. 12.21 is a depiction of the:

1. Golden Rectangle

2. Mean rectangle

3. Extreme rectangle

4. All of these

1 2 3 4

25% 25%25%25%

Page 22: Foundations of Art and Design Chapter 12: Scale and Proportion

The Spiral

Fig. 12.24 Spiral Jetty by Robert Smithson

Page 23: Foundations of Art and Design Chapter 12: Scale and Proportion

The SpiralFig. 12.24 Spiral Jetty by Robert Smithson is an example of a(n):

1. Earthworks

2. Mobile

3. Kinetic Artwork

4. Relief Sculpture

Fig. 12.24 Spiral Jetty by Robert Smithson1 2 3 4

25% 25%25%25%

Page 24: Foundations of Art and Design Chapter 12: Scale and Proportion

The Spiral, continued…

Fig. 12.25The Great Mosque at Samarra

Page 25: Foundations of Art and Design Chapter 12: Scale and Proportion

The Spiral, continued…

1 2 3 4

25% 25%25%25%

Fig. 12.25 The Great Mosque at Samarra in Iraq replicates:

1. The spiral

2. Nature

3. Both of these

4. Neither of these

Fig. 12.25The Great Mosque at Samarra

Page 26: Foundations of Art and Design Chapter 12: Scale and Proportion

The Root Five Rectangle

Fig. 12.29 The Fall of Man and the Expulsion from the Garden of Eden by Michelangelo

Page 27: Foundations of Art and Design Chapter 12: Scale and Proportion

The Root Five RectangleIn Fig. 12.29 The Fall of Man and the Expulsion from the Garden of Eden the tree is in the main square of a root 5 rectangle. This rectangle is thought to be:

Fig. 12.29The Fall of Man and the Expulsion from the Garden of Eden

by Michelangelo

1. Aesthetically pleasing

2. The square root of 5 (or 2.236) times the width of the rectangle

3. Used as the “frame” for many pieces of art including buildings and paintings

4. All of these1 2 3 4

25% 25%25%25%