26
Piano ace. Molto Agitato . . . Composed by JOSEPH CARLBREIL d.. . ---=== :::::::=-- Molto Agitato rna tempo Moderato . --- ---- fl -- ® For Storms,Battles,Fires,Explosions and ® Consequent Mob Excitement;followed by <C> Victory or Rescue. C68U Copyright 1917 byChapl'ell & Co.Ltd, All rese rved

fl-- - sfsma.org · '* At this point incase ofa victoryafterbattle,a nationalanthemmaybe ... .h r--1 I ""I I I ... threats,approachof assassins,storms.etc,with (B)

  • Upload
    votram

  • View
    219

  • Download
    3

Embed Size (px)

Citation preview

Piano ace.Molto Agitato

..

. Composed byJOSEPH CARLBREIL

d...---=== :::::::=--

Molto Agitato rna tempo Moderato

.--- ----

fl--

® For Storms,Battles ,Fires,Explosions and® Consequent Mob Excitement; followed by<C> Victory or Rescue.

C68U Copyright 1917 byChapl'ell & Co.Ltd,All rese rved

Piano ace 3

a tempo

ag't'tatissimo D.C.

) I I = r:'Il..--- r:'I c::::::I of ----"..r.-•., .. .• 'I1H·· _.- - • I , It! lift- • •• • • -f pesante p rall f pesanteh,., :>- :;;- :>- b'"1 :>- :>- :>- :>-,. ,. ,. ,. ,. •, ..

p;t

*"

'* At this point in case of a victory after battle, a national anthem may betaken up

C 6841

Composed byJOSEPH CARL BREIL

Piano ace

Agitato Misterioso and Grandioso conMorendo®For Scenes of Fear, Inner Dread, Hopelessness,Premonition of doorri.etc.with

®an outcry of despair or indignation,a desparate appeal, followed by

©an utter sense of hopelessness,ora calm and soothing aftermath.rA\ Not too fast .'-EY Viol ==---

poco accel. cresco

C 81;4l C0vyright 1917 hy ChaV)J('ll & Co.Ltd..-\11 rizl::- r e s e r v .. ,i

DRlq L.Piano ace

® Grandioso

\o "J I to

ff .- -:--... -: 6 ""'/ 6/ " -... /" - .......... ,,- /' ........ <, "''''1..

..J""",j --

•I tJ, • 14 - '- -/6""'/R .......... /6""'/ 6. <, --- ...-.

r: I- -morendo dim.

* Use ending in case of doom or hopelessnessUse 211d ending in case new hope arises

C 6841

ViolinAgitato Misterioso and Grandioso con Morendo

19 - IJ i l@ - 'P -

@ Not too fast Joseph Carl Breil

:PHpp

¥d !

¥ :U !pocoaccel.

®Grandioso

-=== cresco ff@ Morendo sempreth - - j

pp

_

*Use Ist ending in case ofdoom or hopelessnessUse 2nd ending in case new hope arises

Composed by-CARL BREIL

.' (/. PiaM> ace . ' ,

N94Misterioso eLamcntoso,® Fear, doubt.trepidation.hauntingscenes or memories,which bring on .

® despair, sadness.or grief,followed by ensuingCO) resignation or consolation.

Andante misterioso

I .

.--.--------------------..,\-1-c:

C ,6StU Copyright 1917 by Chappell & Co.Ltd .All rights reserved

Piano ace, 3

®

.h r--1 I ""I I IViola or Horn .. ..,...- - """< . '. o·

J J

" ?

) .,I-

,• f-

P -poco cresc

F""

ad Ub:::-= f:'I .

:>

"4"

I---:

v\1"""..,...

B Andante Lamentoso

Ir---J. .oJ J 1r-'1 ../ . I

"I .

··-"

l

" · !r'

· .fr'

. ·fu ·" p.· ··9-'

JO_"· · I

.p'I

·· ·I · · · . I

I -z •0

0-. ·4'

\ r7'-7 ·

" ..J

:i: -6"':I

.0

4/l ....1 iorendo

0

LJr ppI--

i rail e dim0-= ....

.- .t9=" ti:

:J .IL ..

.-.--.." .. ·

,.....l. 10....

i ----.oiiiI

C 684t

N95.Piano ace

Malta Agitato ! I,I

t

For riots mob scenes, battles' and storms, .Pursuits and exciting events, Conflagrations and conflicts

Composed byJOSEPH CARL BRElL

@AllaBrevef) »>: ":;;; oj. • ft .. If - l

·., ·4 "Jt· T

f, »>: ,1 -.. ·I I I ?1 ?J

8 'lJa --------------- ---••-. ---.--- --.---- ------- ------- ---------- ---

C 6S41 .copyright 1917 by Chappe 11 & Co. Lt d.All rights reserved

Piano ace

······

lJ.B.

C 884:1

3Piano ace® Listesso tempo1- ) - ::.- ::. ::.- :>

II -. : . 1 I I "-'LII "...,

fl r ., r I 'Ill I:-· - - -

· ..71 (j -if

.?f ,

7J

J I. I 121._ r- 1 --- --------. · ·· ·L.......J I - ,,- -- J-1 I wtt W- p-t · -.· ··71 ?J (j 7'J-- - - .. b-fi.-J:':..-

, ::>

::>.

sempre. ,-

J Ih. I,- ,. 41""

J... L "I- • 'v- ll.. 'q'J p"idiminen.do

q:iPp

e -5I I

§ ·· T

ff"'"-x

- .... :::: ·C 6B41

Piano acc.

ppp-=======:

Andante Misterioso Composed byJOSEPH CARL BREIt

@ For stealthy ominous scenes,conspiracies,vengeance,threats, approach of assassins, storms.etc,with

(B) consequent, murders,wrecks, or breaking of the, elements-and general disaster.. ' ,© The aftermath, a dire dismal recollection.

Note:For grotesque comedy scenes@will prove quite availableBut ® must not follow it, 'except the scenes become of the

rA\ nature.© canbe played to follow@ in such scenes.AndanteMisteriosor f}uasiAdagio)

'N<!6

I'J I l... .... · .· . . . . . . . ..j .. : "!F lTr4 ... qi"- -w ., ... .. • "1 'r '" 411 -< . . . . . , . .· . . . .I ..

.:; "iI'... 'i ... 'iI ,.:;i - - - - ,HO u.

w.... uq'il -4 .:4

rJ I . I I l. · -I · . . . . . . · . -, ·.. --_. ··· ·1 -.... "1 ... ., q... •• Tlq_< p

· · . . . . . . .f

. .··

'iI 'it'" .1r4 --. "iI

I'J I . ,--- 1 I. . · ·, I

. · . . . . . . ·· ·· ·· · I- .,-... .W' - .. ., ... q?J ff -\ "1 "'IT 190v.a.< . · . . . · . . . .

f.

·11 'iI q:. 11' 11'

11

r. AIil ... t

'3

diminendo

. Piano ace@ Faster tempo and crescendo

··

I - r: n ub6-·I 4· ...... "--"'" e:::::a . ,

iff -

I- - b. #1.. _ h.1 II. ..-- L. L .. ,... lI ·· ··:;jj -- •• q:.

. ::>"---'

11 2

::> ::>molto agitato

© Tempo I maroatoma non troppo sempre diminendo. . wood

::> ::> ::> ::> - ::::; l- t) I ::> ::> ::> ::>::>I ::>

4 .p.. ... r"/ f pesante .. .. b-...

"i .. -- f qll ... 4..

8

II . . . . . . . . . . .

l ... . - , . • --. q-i* i-1t.)' . . . . . .

I I 1':'\. . . . . .I .\

:4j li .. .. "iii .... :4 q"i :,;j t r.

tJ"

Composed byJOSEPH CARL. BREIL

Piano ace.

tJ"

. .. . . . ..:0 • • • t> - • • • 0 -.e- -&-< .,. pp, . · . :. . . . .. . .

I'1 -.. .. 11"""41 • ... "iI - - 1If- 'i ... • ... T - -- -

2 NQ7Misterioso Moderato

@ to depict a conspiracy, ora burglarywithI. <B) consequent tumult.capture orescape.

@ A dismal forest or desert scenewithII. ® pursuit bywild beasts or by bandits.III ® approac?ing storm ana'.. @ lts unleashing® AHa breve Misterioso e Moderato

(,. . . I l I. · ..

,-. ... • • .. :i na(

· . i · .I ..• . - ., ...... ---l)' • ...... b- = -

'11 :to -i

H

I ··IJ

I J I J 1 J I J - J I J IJ I J -ec- -· ··i:(. fj=

2dCl & Oboe-eo- orns -e- ;:::..

( ,1

. .Wi Wi

( pp --===- --=. ==-- --= ==-- --= ==--- --= ==-- --== ==-- ---= =-- --== ===--- - - "- -I · ii·-

Dj ..

!J u Wi - - "" y.U" - bu -6-< .-6-== ==-- ....-c= ==-- --== =-- -==:--= =-- . =2£ ---=== ==-- =,..;;;; --==- - - -· - .I. - .

Piano acefir '\9/ Allegro Agitato::> ::> ::>

, '4 · i·fU t# -& (;,I U ..9- t# (;,1-& (;,I (;,I -4 . (;,I a

< - - -

fI I \ :i.. ··

I I • ... D-* 7J" I I I r

.,

) ;., ,- - -iii ::>::> ::> ::>::>::>

4 U U ,t# , ,(;,I ==:: ., ...... 1'!'u _ t# fi't# t# t1 v U ::-=b. 'i i .'j

/" -........, It ·I - .... D-6- I I I I """'- ../ 4

>-- - - :§i - :=tl

\ 4 -- ==, ,/' <, 1·I I I I 1'- -- (;,I c ,

::::> ::> b #-ej

I I , I ----: --..;;;; --...;;;:: I

k.I ,- -........, (2. L"'" r.t- l r-I/I ·

• p..- c I .... tHI c;

'r

f) lClo 0##

0 0,, ::<

-: 1"--..1/ <,, ··• b.. "'i P. b=i . - - • ... b. 4 b'i .-=6

of) .u. - -e--e- '6' 0 lClo -e- -- .

I !§:, ,..

4 - - - u

a: r.t- .'") P- n P- p I':' (';\.-, · ..· '.0- n

Love Theme I.For Scenes of deep love and affection- Fervent passion.

Composed. byJOSEPH CARL ERElL

-----..___ I.-..--i;r

I I I /:::: .. ------ -· . . · .\ . .'· . . · 'i·tJt- •• - ..... -4' c· ;·U< - '1 rim, i1.J Jl· .·r' " I - .. ' - ...

I ... .J.--J- Tl .

fl II · · · ·· '. · I. · · . · ·I · · . ·. · · · · ·u '•. U r ... 1 i eo( - L.-l •. I i i I IJ

f :> ::'all. Fine.- m ..... - ·· · ·· .. . · ··:j' •• 'I I ., ..f. t d 'tnas er an un Krow I fig paSS'lOn

I - ..--iiiiI'l I I I -· . .. . ." ;·U·i '_UiU ,U' U ' · -. # V_ -==:::accelleraJldo poco a poco e sem.pr« crescendo· .· . . ..· . !'. "If. " .. ....

..e .

# •D.C. al FineI

Copyright 1917 . by Chappell & Co., Ltd.C. 6840 - 22 All rights reserved

17\1

.PLE...:.:>U liANOLE CAREFULLY' 16

No.9 Love Theme IICan also be used in Idyllic scenes, such as sunrise, sunset, rural landscapesOJ' contented home scene» Bl'other with sister, Children at play, or Motherwith Child: - Lovers portraying warm affection without the intenseness ofpassion, Friends, Happiness, BlissFelicity Contentment.Also practical for prayer scenes.

Composed byJOSEPH CARL BREIl

Andante cantabile (Not too slow)fJ ----1- --.1 ' 1---- 1 1 J-----I 1'----- ..-

• =::.-tJ

I- I I I I I I r i r j- r I '-p dotcc.

17' ,. • r_ -........"'-- -• ... ...

r-hJ ,---- -. 1--

\1' ,. i I i , r r LJ l./;f't!" r,.ri-.... -

f .I --·

\ , 1 1 j'l -- '-J'

') I ,--- --..... \--- I I 1---'".r I l I r I

:-• ,. r I I I I

-- 1'9-" • - ,----· .. , - ..,j; ..-:

fJ I I I. 1 I 1 I 1

" .'

I 1 I I I r I I I r -I---- ---

--•· .CJ • .... "II ':i eo. • I

C. 6840- 22 .Copyright 1917 by Chappell & Co. Ltd •

.All rights reserved

I r I r-, I I. ."-- I I" f -"III f r • 11" II' I r

t J.---... ! .-......j ··

I I I I 'I

!!lrl I I I I I

..........I . -rrr r" V 1-- ....II..-i< --- - ------ -.. I --- ;.. rl';. :-- I·· ..

-61- .., r

F-------rr

rl r .- ... .- - I 'r--1· .

, · -- I V r;::::- i --r i 1./i •

f :.. I - -.-

p - -t--- -.L--

f\ r rJ ! ,.- ::-- ---}-I .

.",/ v.... : .. -.--:;

' 1/ .. /I 1......... I·· . .------

.--, --IJCI I --=. ·I · . · ·- · ·• ....: -I ... • f- - &. 5 .

/: -==== ===- ' -----:-.". 1.- .. iI • · ·· .

- Ll-, ...L4·

NQ10Piano acc.

,RecitativeTo beUsedFor A Question

@ A doubtful embarrassing Situation.with(B) Threat, Dec1s10n or Resolut10n following,

\ '

@ Playslowly quasi rectitave mannerOomposed by

JOSEPH CARL BREIL(;\,

J I - I ---\ ·· ·. · . . ·. · ·J 1 1 I 1 r > 1<

p.,.. (;\,

f ". --.,:.. .--- -

I I - I -( 4

· . . .· e . ·.,- 1 , 1 r raU W -,i • f"i( D.C.•• ,J"•• l J. I

,I · ·· ·· . . ·I ,. I

-tenuioJ I

:> , :> :> :> :>

" ,.. -,..

>-

'Z: .... 11 .... 11 'q-a .. 11 i .,.:qi

;:> :>- ':>. :>, · .-6-'" 'fl'.f:l ..... qi . '- -<:»: " q:4i

(1 I >- >- :::>- "--'v

.. ....7. 11 '61- 4' -4 ..... .. ..... :iij lJ

, D.C.

r - :>- ;:,.. 1":'1··;i

r.. I. I

*Note:-If theDecision is a matter of love orpatriotism the Trlr-eetor- may atpoint go intohis chosen love theme ora patriotic anthem instead 'of to B. _ _

Copyright 1917 by Chappel l & Co. Ltd.All rights reserved

C68'li

"Composed by _. JOSEPH CARL ERElL

tJ P- --- ,. #-I ..

Piano aceN<? 11 AGeneral UtilityTheme® May be used ill love scenes,farewells,idyllic scenes fairy or child scenes,

@ solemnoccasicns, festivals rejoicings,or general mirth and happIness.,

be used for a waltz scene.\SJAndante moderato

.' . - . . . . ... .. . . . . .•• .... ::4j = ... . I I..:j .

. - . I. .· . .I . . . .• Jut' , 'tr't.t I .. I-' I' I-' .. I U" , ,,'1 I .. I ,. If"

< "- -- ..... .... .... ...,..---. . •• I , --·. . . I. . . .. . .· . .,I • • ..... =-. = -.'.

Piano ace

iii

.....,....,·I · ... ·,.. ... .. r-- i I!!.I! Ii" .. • -------.. -!D.. ., ., ., . .. :: ., ., II ., -·· .. ..._- . .

-- - -..... -- . - -_.. . L..-...__ . · ...r r' I I j' !i". .... .;". ./r· r' ti:.-r--) ... I

/ . .· .. .1 t "i.U .t II' II' • • •

I III' III' ,I U i U' Ii- ,.

17Jf-- ...'. ..... .... -I •• -'· . . . .· . .. . ·· . . . .

I • • .... ::;j. - -41'.I

• •II

, iii tri, tr iiiU i tr I :... I

_. - -.....1. I -. I - .'.

I

,

Q... I I I .. ., . .,. ..Jt.. . . .. ..

- .i z; I I--IP- I iP'

, C!1iJ" " .. ,.. I " '" ......r I I I IIi" -II'" .... .... - -- - .... mf J.- ....

· . . · .· . . .. · . ·.... :4' - .,.' 1'- --r1Tempo ListessoJ. . . J. I · .I· .

C U U JI' II" U U- U • U' t f - -< . . ..· · . . ·. · . . . ... ..-----------....bi;- ......, ... • f: .:. ·. .. ·

14 - .ibfl D- raZZ'.J! .J JI -e- !"' !'" !"· .·: . : .-- D ------) t=-

Piano acc.

/J J

Composed byJOSEPH CARL ERELL

) I ::> .. 3 - - :::.;-j . ...-..

- -- "if it- iyl-J' .... ' .... J B: -:- .'r....... • .......pp'l. 7" i '-" '-" .....I..

"i • - T "it .. ..

NQ12 Marcia FunebreScenes,Executions, etc.® -MarCia Funebre J

!IQ I J r-,... ::>- "T' 3 ::>- /J /JI'1'1 . oJ i: TI_ ".:::::;:-" ..... -..... • :: . f'< 771!I

,- - .. • i 1i i .. .r-

33

3

33I :::> ... I

I· -4 i :4 .11 ..... - ..... -: -ir- 11 _

.. .. 4 i ...... - ...<

I I I I I·I · .. • • .. , ... It

(.) I ::>- J

4 ... ... ... ....... , . 1"'- .Ai II . ...

f •l · -

-:;. i T - ..,. "it

rrr

@I/necessary to shorten (Jut from here to (J

I ==r 9 - ::>- 3 3-

14 ..

11 :: ' f... ...... fill' ..... (!J'

·! ·'--

"iilr- ol'- "i 1 "it qi -( i

// . . .l . ..,, - L........I.....,- I.....:l • .e::IJ J<s:>.} } ! .} -! .} } ..... .} ... ) .. ....· r r r- I I ,..

fJ - /1 •. r--:::l 1- r---4-. . .l . ., l 1.....1-' ":---""l --......::::I 1..:--=1. ,.. t.. !< ... j ...'.} :i .}-. .0_

- - _. - - 0

......

r 1- T I i -];jj

Piano ace 3

•. 1= -r j. I If I,) - •

"- r + .. Iit

3 3

I r-:-- l 3 ...-.-,ll' -J.L$ ... .. jt::::J .TJ r II' • II· " ". " ". "u

----- #-

·- ,- i i iT q... :± -- ... • "i i "

I ::::> 3 3 . :::> ,...- ,...,...-·4 -: .! ....::- j "j ... - ... .,.. -i 1;1-

( PI ICo •- .

-i" - " " " "7- -..

33I /1 ::::> ,...- ,.....-- -I

"l i ..... -.... 1 t1 j."4pp <:»:

I··T , 7t • • " ""'i ...

/1 . . . • .-- - ./ .l 41 11. ... .. • .. .e >

..-= '-t- -:1-pp '--'"

1':'\dim. .- T '11 it l T I ""'"T T- .-"Z: •