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Empowering Writers

Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

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Page 1: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Empowering Writers

Page 2: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Narrative Writing

ENTERTAININGBEGINNING

ELLABORATIVE DETAILStory Critical Character, Setting, Object

SUSPENSEAnticipation leading to the main event

THE MAIN EVENTShow action in slow motion, frame by freame, stretch it out! Include description and main

character’s thoughts and feelings!

Action leading to SOLUTIONOf problem or

CONCLUSION of adventure

EXTENDED ENDINGMemory Decision,

Feeling,Wish

Page 3: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

The Writing Diamond Defined

The beginning must “hook” the reader and make them feel compelled to read on. The author might use an

interesting action, dialogue or exclamation, the main

character’s thoughts, or feelings, raise story questions or even use a sound to grab

the reader’s attention. Stories should begin as close to the main event as possible.

Page 4: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Description of Setting, Character or Object…

A descriptive segment (3-4 sentences long) which describes a story critical setting, character, or object will help

draw the reader in and help the reader experience the fictional world through the five senses of the main character. If the setting is mundane or boring (an average kitchen, the school yard, etc.) the author may choose to describe an important character or object instead.

Page 5: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Here the author moves toward the main event by building

suspense or a sense of anticipation. This might

involve raising worry, wonder, concern, or doubt, all of which build tension. This can be done through

the use of “story questions”, “word referents”, or “the

magic of three.”

Page 6: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

THE MAIN EVENT

This is the most important part of the story – the climax, the

event that the entire story has led up to – essentially, what the whole story is about. The main

event section involves the problem/struggle sequence , or

the adventure or interesting peak experience. This “scene” should be told in almost slow motion, expanded upon and

stretched out through a balance of action, thought, description,

and dialogue. This is the largest, most significant part of

the story.

Page 7: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

The Solution/Conclusion

This is the section that brings the main event to a close. The

problem is solved or the adventure or experience

comes to an end.

Page 8: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Extended Ending

The ending summarizes the main character’s thoughts, feelings,

memories, hopes, wishes or decisions in regard to the main event. It might also include a defining

action that SHOWS any of above. The extended ending should not be

abrupt, rather it should have a feeling of satisfied

closure.

Page 9: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Introduction to Beginnings

Page 10: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Hi there kids, my name is Bradley and I am here to tell you what makes me

want to read a book, story, or essay.

Did you know that the beginning of a story, just like a first impression, is

very important!

Imagine if the beginning of a story was BORING, would you want to keep reading

it?

Page 11: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

It is your job as the writer to create an opening that is not only entertaining,

but also interesting enough to make the reader want to keep

on reading.Here are some examples of Story Beginnings that we need to trash. These beginnings will go intoOur “BORING BEGINNINGS CEMETERY”

• One sunny day…One rainy afternoon…• This story is about…• Hi, my name is…• I woke up, go dressed and had breakfast. Then I…

Page 12: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Here are some examples of Story Beginnings that we need to trash. These beginnings will go intoOur “BORING BEGINNINGS CEMETERY”

• One sunny day…One rainy afternoon…• This story is about…• Hi, my name is…• I woke up, got dressed and had breakfast. Then I…

Let’s see, can

you tell me what

is wrong with

these openings?

Page 13: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

What did you and your team come up with? What’s the

problem with these?

Page 14: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

What did you and your team come up with? What’s the

problem with these?

1.None of the openings give a hint of what is to come

2. None raise compelling questions about the story

Page 15: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

So, what is the function of a story

beginning?

1.A story beginning should introduce the reader to the

a. MAIN CHARACTER

b. The STORY SETTING

c. The PURPOSE for the storyMOST IMPORTANTLY

The beginning should capture the reader’s

interest and hook the reader into reading on!

Page 16: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

THE STORY SHOULD BEGIN AS CLOSE TO THE

MAIN EVENT AS POSSIBLE!!!

RIIIIINNNNNNGGGGG! “Oh no the bell is ringing,” I said to Heidi as we ran towards our classroom. First day of school and I am already late. This is the start of a wonderful day, I can’t even imagine what could go wrong next. I arrived breathless from running to get to

my math class. This is shaping up to be what seems like the worst day ever, has that ever happened to you?

Page 17: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading
Page 18: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

An Action: What would you do?

Instead of:

This is a story about how I found a fairy in the woods.

TRY THIS:

* I walked along the shady forest path on a magical afternoon.

Page 19: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

An Action….

Put the main character in the setting doing something interesting and relevant

RIIIIINNNNNNGGGGG! “Oh no the bell is ringing,” I said to Heidi as we ran towards our classroom. First day of school and I am already late. This is the start of a wonderful day, I can’t even imagine what could go wrong next. I arrived breathless from running to get to my math class. This is shaping up to be what seems like the worst day ever, has that ever happened to you?

Page 20: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Dialogue: What would you say or exclaim?

Instead of:

This is a story about how I found a fairy in the woods. TRY THIS:

* “What a magical day for a walk in the woods!” I said.

Page 21: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

DIALOGUE…

Have the main character say something that expresses a feeling, creates worry, or raises the reader’s interest or curiosity. It could be an

EXCLAMATION!RIIIIINNNNNNGGGGG! “Oh no the bell is ringing!” I said to Heidi as we ran towards our classroom. First day of school and I am already late. This is the start of a wonderful day, I can’t even imagine what could go wrong next. I arrived breathless from running to get to my math class. This is shaping up to be what seems like the worst day ever, has that ever happened to you?

Page 22: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

THOUGHT/QUESTION: What are you thinking, wondering or worrying?

Instead of:

This is a story about how I found a fairy in the woods.

TRY THIS:

* Today seems sort of magical, I thought as I looked out into the forest.

Page 23: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

A THOUGHT/QUESTION…

Show what the main character is thinking or worrying about.

RIIIIINNNNNNGGGGG! “Oh no the bell is ringing!” I said to Heidi as we ran towards our classroom. First day of school and I am already late. This is the start of a wonderful day, I can’t even imagine what could go wrong next. I arrived breathless from running to get to my math class. This is shaping up to be what seems like the worst day ever, has that ever happened to you?

Page 24: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

SOUND: What would you hear?

This is a story about how I found a fairy in the woods.

TRY THIS:

* Zing! Woosh! I spun around and stared into the forest. What had made that peculiar sound?

Page 25: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

SOUND…

A story-relevant sound effect or a description of a sound is a great

attention getting technique.RIIIIINNNNNNGGGGG! “Oh no

the bell is ringing!” I said to Heidi as we ran towards our classroom. First day of school and I am already late. This is the start of a wonderful day, I can’t even imagine what could go wrong next. I arrived breathless from running to get to my math class. This is shaping up to be what seems like the worst day ever, has that ever happened to you?

Page 26: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Here is another example of Action at the beginning of your story:

Joey ran full steam ahead across the corral and jumped on the back of the wild stallion!

Here is another example of a thought or question at the beginning of your story:

I wondered if we’d make it out alive.

Here is another example of Dialogue at the beginning of your story:

“I can’t wait to see the Grand Canyon!” I shouted.

Here is another example of sound at the beginning of your story:

BOOM! Jack flinched as the thunder and lightning rolled in ocer the hills.

Page 27: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Read the following beginnings and see if you can match them up with the type of beginning that they are.

From The Winter Worm Business:

Leroy dropped down on his hands and knees and scrambled around frantically trying to sift through the dirt that was piling up around the hole.

Think about what you know about story beginnings. Which of the techniques above sis the author use to grab your attention?

______________________

Page 28: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Read the following beginnings and see if you can match them up with the type of beginning that they are.

From Arthur for the Very First TIme:

The wind began in the night. Arthur awake to hear the tree branches scraping against the window and the sound of sudden sheets of rain being pushed against the house.

Think about what you know about story beginnings. Which of the techniques above sis the author use to grab your attention?

______________________

Page 29: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Read the following beginnings and see if you can match them up with the type of beginning that they are.

From The Whipping Boy:

As soon as the wheels rattled on cobbled streets, Jemmy felt an immense sense of relief.

Think about what you know about story beginnings. Which of the techniques above sis the author use to grab your attention?

______________________

Page 30: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Read the following beginnings and see if you can match them up with the type of beginning that they are.

From The Thirteenth Floor, A Ghost Stroy:

“Anchor!” shouted Captain Stebbins through his speaking trumpet. “Drop anchor!”.

Think about what you know about story beginnings. Which of the techniques above sis the author use to grab your attention?

______________________

Page 31: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Read the following beginnings and see if you can match them up with the type of beginning that they are.

From The Great Gilly Hopkins:

Dread lay on Gilly’s stomach like a dead fish on the beach.

Think about what you know about story beginnings. Which of the techniques above sis the author use to grab your attention?

______________________

Page 32: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Is this an attention grabbing beginning?

We are going to revise this story beginning so that it is interesting and entertaining. We will use one of the four techniques listed below. We will NOT write the whole story, just the beginning. Action: What would you do?

Dialogue or Exclamation: What would you say?

Thought or Question: What are you wondering or worrying about?

Sound: What would you hear?

Page 33: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Here are some examples for this story:Action: What would you do?

My hands trembled as I opened the creaky old door of the deserted house.

Dialogue or Exclamation: What would you say?

“Here goes nothing!” I said as I climbed through the window of the old haunted house.

Thought or Question: What are you wondering or worrying about?

I hope this place isn’t really haunted, I thought, as I tiptoed inside.

Sound: What would you hear?

Boo! Hiss! I shuddered at the strange noises coming from the basement of the abandoned house.

Page 34: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Action: What would you do?

Page 35: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Dialogue or Exclamation: What would you say?

Page 36: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Sound: What would you hear?

Page 37: Empowering Writers. Narrative Writing ENTERTAINING BEGINNING ELLABORATIVE DETAIL Story Critical Character, Setting, Object SUSPENSE Anticipation leading

Haunted House Beginning

Hi, my name is Kate. I will tell you about my adventure exploring a haunted house!

Thought or Question: What are you wondering or worrying about?