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Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

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Page 1: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Emotional dancesTherapeutic dialogues as embodied

systems

Paolo BertrandoDirector, Episteme Centre

Turin, Italy

Page 2: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Labour is blossoming or dancing where

The body is not bruised to please the soul

William Butler Yeats, 1927

Page 3: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

(Keith Haring)

Page 4: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The mind/body problem (dualism) is a sharp theoretical divide…

Page 5: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

…but it’s not a problem for systemic therapy practice.

Page 6: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

the dualism

(Alberto Giacometti)

Page 7: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Here is a remarkable fact. When atoms and molecules are organized in a suitably complicated way, the result is something that perceives, knows, believes, desires, fears, feels pain, and so on—in other words, an organism with a psychologyorganism with a psychology. Alex Byrne, 2006

Page 8: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

… how do [mind and body] interact so as to produce in a person a mind able to have effects on their body (as when the person wills the body to perform some act), whilst also their body can affect their mind (as in the experience of pain)? Although the problem is simple it has as yet no satisfactory solutionas yet no satisfactory solution. John Taylor, 2007

Page 9: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

the problem

(Nam June Paik)

Page 10: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

parallel dualism

trascendental idealism

reductionist materialism

Page 11: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Without consciousness, the mind–body problem would be much less interesting. With consciousness With consciousness it seems hopeless. Thomas Nagel, 1974

Page 12: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

There is also the question of what exactly is what exactly is the mindthe mind? It is certainly composed of conscious components, but it would also seem to contain non-conscious ones [that are] more readily accepted as … components of the body. John Taylor, 2007

Page 13: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

experiencedescription of

experience

Page 14: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

narratives of the body

(Man Ray)

Page 15: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The textuality of the body implies that any account of bodily experience is mediated; it cannot servecannot serve, as many modernists suggest, as a source of a primitive “reality”.

Tim Armstrong, 1996

Page 16: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The body as an object of investigation conflates any ready distinction between a philosophy of experience and a philosophy of knowledge. … We act, as we write, with with the bodythe body.

Bryan Turner, 1992

Page 17: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

the body text

(Alberto Giacometti)

Page 18: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

It is (usually) the female body which comes comes to act as a “text”to act as a “text”, uttering its meanings in a material way, well known from instances of hysteria, because other channels do not necessarily exist for it.

Sue Vice, 1996

Page 19: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

solid bodies

(Botero)

Page 20: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Between 1880 and 1920, gluttony … would be bound to fatness, fatness to inefficiency, inefficiency to lack of energy and loss of balance, and imbalance to overweight. This knot of relationships would hold as well for housewives as for dancers, and in the home as in the heavens. Hillel Schwartz, 1987

Page 21: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

body as object

(Man Ray)

Page 22: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Bodies become thingsthings for moving, possessing, using, enjoying, adjusting, disposing of, bartering with, abusing, ignoring, exploiting, controlling, and so on. This often leads to self-manipulation as well as to the manipulation of others.

Vincent Kenny, 1998

Page 23: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

anorectic bodies

(Alberto Giacometti)

Page 24: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Anorexia is necessarily parodicnecessarily parodic, as it at once exemplifies the feminine stereotype of perfect slimness and repudiates it by making a mockery of it. Marilyn Lawrence, 1989

Page 25: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

family therapy

(David Hockney)

Page 26: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

O body swayed to music, O brightening glance

How can we know the dancer from the dance?

William Butler Yeats, 1927

Page 27: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

In family therapy, Yeats’s question is considered rhetoricrhetoric: we cannot know the dancer from the dance. The person is his dance. Minuchin and Fishman, 1981

Page 28: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

What am I doing? I am accessing the right brain when I ask somebody how they feel and when I help them to connectconnect with parts of their body. Virginia Satir, 1985

Page 29: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

new dualisms

(René Magritte)

Page 30: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

disembodied dialogues

mindless bodies

Page 31: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

When ideas become radically separated from embodied practices, the sensuous activities of everyday life tend to be subordinated to disembodied abstract disembodied abstract differences. John Lannamann, 1998

Page 32: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Schizophrenia is a disease of the brain disease of the brain in which various psychopathological processes result in highly variable clinical manifestations. However, despite a century of study, what is wrong in the brain (and where) is not known with exactitude.

Robert W. Buchanan et al., 1997

Page 33: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The issue was not whether a lesion was present, but which of all those reported were significant. John Casanova, 1997

Page 34: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Despite the wide array of histopathological lesions nonenone have thus far [1997] proved diagnostic. John Casanova, 1997

Page 35: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The delineation of the neuroanatomy of the symptom complexes of schizophrenia is a major goal major goal of schizophrenia research… Robert W. Buchanan et al., 1997

Page 36: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

new solutions

(Marcel Duchamp)

Page 37: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

[There is the] temptation to see a profound philosophical problem in a place where there is really none. As the philosopher Ludwig Ludwig Wittgenstein Wittgenstein emphasised, such philosophical mirages are often produced by an apparently inevitable but erroneous picture of the phenomenon under investigation… Alex Byrne, 2006

Page 38: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

I do not know what to do except to make abundantly clear what opinions I hold regarding the supernatural on the one hand and the mechanical on the other. …

Page 39: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Very simply, let me say that I despise and despise and fear fear both of these extremes of opinion and that I believe both extremes to be epistemologically naive, epistemologically wrong, and politically dangerous. They are also dangerous to something which we may loosely call mental health.

Gregory Bateson, 1967

Page 40: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

beyond dualism

(Man Ray)

Page 41: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The old compromises between “supernatural” religion and “materialist” science are artefacts of a false division false division and by-products of the meeting between unsophisticated theology and equally unsophisticated science. Gregory Bateson, 1976

Page 42: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

person and self

(Alexander Calder)

Page 43: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The “person” is not a bounded entity separated off from the world in which he or she exists, but an interaction of interaction of body with worldbody with world, consisting partially of both. David Smails, 1993

Page 44: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

embodied interactions

(Henry Moore)

Page 45: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The history of our embodied interactions … generates over time the range of possible actions in which we can viably engage. … The body is the the repository of the repertoire repository of the repertoire of viable anticipations which we can make about ourselves with others. Vincent Kenny, 1998

Page 46: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

new neuroscience

(Alberto Giacometti)

Page 47: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

… it’s in these acts, as actsacts rather than mere mere movementsmovements, that our experience of the surrounding environment is embodied, that things get for us an immediate meaning. … the acting brainacting brain is also, and first of all, an understanding brainunderstanding brain. Giacomo Rizzolatti and Corrado Sinigaglia, 2006

Page 48: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

To discover that a certain feeling depends on the activity of a number of specific brain systems, interacting with a number of body organs doesn’t doesn’t diminish diminish the status of that feeling. Antonio R. Damasio, 1994

Page 49: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

embodied dialogues

(Marcel Duchamp)

Page 50: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

There is nothing more in the utterance than the utterance; there is nothing more said than what it is said; there is nothing more shown than what is shown. Nothing moreNothing more. Tom Andersen, 1995

Page 51: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Not all words for just anyone submit equally easy. … Forcing [language] to submit to one’s own intentions and accents, is a difficult and complicated difficult and complicated process. Mikhail Bakhtin, 1935

Page 52: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Verbal communication can never be understood and explained outside of … a concreteconcrete situation. Voloshinov/Bakhtin, 1929

Page 53: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

body positioning

(René Magritte)

Page 54: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

The person suffering does not experience the fullness of his own fullness of his own outward expressedness outward expressedness in being … He does not see the agonizing tension of his own muscles, does not see the entire, plastically consummated posture of his own body, or the expression of suffering on his own face.

Page 55: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

He does not see the clear blue sky the clear blue sky against the background of which his suffering outward image is delineated for me.Mikhail Bakhtin, 1923

Page 56: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

emotions

(Alberto Giacometti)

Page 57: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Blushing is the most peculiar and most most human human of all expressions. Monkeys redden from passion, but it would require an overwhelming amount of evidence to make us believe that animals could blush.

Charles Darwin, 1872

Page 58: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

It is not the simple art of reflecting on our own appearance, but the thinking what thinking what others think of usothers think of us, which excites a blush. In absolute solitude the most sensitive person would be quite indifferent about his appearance.

Charles Darwin, 1872

Page 59: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Although the evidence to support the order of events that James postulated is somewhat equivocal, most modern theorists accept that emotions involve emotions involve both mind and bodyboth mind and body.Keith Oatley, 2004

Page 60: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Emotion can point to goals and concerns. Sometimes they are clear to us. Sometimes, however, we might not know not know we have these goalswe have these goals, so the emotions associated with them emerge only slowly. Keith Oatley, 2004

Page 61: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

hugs

(Henry Moore)

Page 62: Emotional dances Therapeutic dialogues as embodied systems Paolo Bertrando Director, Episteme Centre Turin, Italy

Shiva Nataraja