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Elements of painting, printmaking, photography,
graphics artOr how we talk about images
on a flat surface
What is it?A two-dimensional object
Rejects representation Does not try to represent
the “real” Iconic – symbol of the real Techniques to unveil the
process
Accepts representation Tries to imitate the “real” Tries to be three-
dimensional Techniques to fool the eye
How is it done?
How the elements are used And put together describe the composition of the
piece
Elements of painting/design
1. Line 2. Form 3. Color 4. Space 5. Texture
Use of basic elements in composition
1. Repetition 2. Balance 3. Unity 4. Focal area 5. Perspective 6. Chiaroscuro 7. Dynamics
The composition of a piece helps us construct meaning in and for the
artwork.
Line Real line – actual line on the surface Implied line – suggested line through color, shape,
boundaries of objects Painterly line – more implied than real Linear – more actual line than implied
Line is used to control our eye, create unity and balance, help construct meaning
Form
Shape of object (as a result of the use of line) Shape of parts of composition Triangle, square, circle, and so on
Color
Hue – pure color (red, blue,….) Value – amount of black or white in color Intensity – degree of purity of color
Space
Illusion of three dimensions
Texture
Implied – suggested roughness or smoothness of objects in the composition
Real – what it would feel like if you touched it
How those elements are used to create the image….
Repetition
The repetition of line, color, shapesRepeat the element in a consistent patternRepeat the element in a variation of the pattern Juxtapose elements in a pattern
Balance
SymmetricalBilateral if divided the same on both sides
AsymmetricalPlacement of unlike terms
Unity
Completeness within the frame (closed composition)
Incomplete; viewer’s attention drawn outside the composition (open composition)
Use of color, line, shape to pull the objects together
Focal Area
Where one’s attention is drawnCan have more than one focal area
Perspective
Making a two-dimensional object into the illusion of three-dimensional
Linear (1-point) perspectiveConverging line to achieve the sense of distance
Aerial perspectiveColor, detail, size to create sense of distance
Chiaroscuro
Contrasts of light and dark
Dynamics
How lively or stable/stolid does the picture seem?
Subject matter
Continuum
From real (representation) to nonobjective (iconic)
Our knowledge of the history of the use of elements also contributes to the
meaning of the object.