Patrick Massman

DIGITAL P

HOTOGRAPHY &

DESIGN

SPRING 2013

ALPHABET PHOTOGRAPHY

TRIPTYCH

MONO WITH A SPLASH W/ ALEX BAUMAN

lineShape/Form

SpaceValuecolor

ELEMENTS OF DESIGN

LINES

LINES CONT.

SHAPE AND FORM

SHAPE AND FORM CONT.

SPACE

POSITIVE AND NEGATIVE SPACE

DEEP SPACE

SHALLOW SPACE

FRAMING

VALUES

VALUE CONT.

COLOR

COLOR CONT.

TEXTURE

TEXTURE CONT.

Repetition/patternBalanceEmphasis

Contrast(black and white)Movement

Unity

PRINCIPLES OF DESIGN

REPETITION / PATTERN

BALANCE

EMPHASIS / FOCAL POINT

CONTRAST

MOVEMENT / RHYTHM

UNITY

PORTRAIT

PORTRAIT

He painted many peoplePainted straight/rounded lines in random

placesUsed bright neon colors

Used texture almost like fabricThe composition was filled in completely

PASCHKE RESEARCH SLIDE

PASCHKE PORTRAIT

ED PASCHKE AND HIS WORK

FORESHORTENING

OBSCURING

FORCED PERSPECTIVE

JUXTAPOSITION

DISTORTION DISLOCATION

DISGUISING

FRAGMENTATION

FEATHERING

COLLAGE

• My surreal collage is biggy smalls morphed with a cat in a subway going through a volcano.

• I used Juxtaposition and disguising to hid the mixing board into the floor.

• I also layered each layer to blend together and masked biggies head to the cat.

CAMEO APPEARANCE IN FAMOUS ART WORK

CAMEO APPEARANCE IN A MOVIE SCENE

Impressionists artists drew the edges of their objects with lines of paint.

Impressionists emerged in the 1800’s and had a way of seeing the world and a new way of putting that vision on

the canvas. Impressionism was a way of painting that showed the

general impression of the light on the scene or object. The impressionists also used dashes and dabs of paint to

form the edges of objects and they had new brighter colors in tubes. Paint tubes and new easels artists could

get out of their stuffy studios and paint outside.

IMPRESSIONISM

Claude Monet

Pierre-Auguste RenoirCamille Pissarro

Alfred Sisley

IMPRESSIONISM

IMPRESSIONIST PRACTICE

IMPRESSIONISM RESEARCH

• Optical art is a method of painting concerning the interaction between illusion and picture plane, between

understanding and seeing.

• Op art works are abstract, with many of the better known pieces made in black and white. When the viewer

looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or

alternatively, of swelling or warping.

OP ART

Victor Vasarely

Arnold Schmidt Richard Anuszkiewicz

Jesús Soto

FAMOUS OP ARTISTS

BLACK AND WHITE OP ART

COLOR OP ART