1 GIVE2 WELCOME TO ENGLAND

3 STRONG BLACK VINE4 FLAVOR 5 NOT DYING TODAY

6 MAYBE CALIFORNIA 7 CURTAIN CALL8 FIRE TO YOUR PLAIN 9 POLICE ME

10 THAT GUY 11 ABNORMALLY ATTRACTED TO SIN12 500 MILES 13 MARY JANE 14 STARLING

15 FAST HORSE 16 OPHELIA 17 LADY IN BLUEBONUS TRACK OSCAR’S THEME

RECORDED & MIXED BY MARK HAWLEY & MARCEL VAN LIMBEEKPRODUCED BY TORI AMOS

TORIAMOS.COM & UNIVERSALREPUBLIC.COM

�&� 2009 Universal Republic Records, a Divison of UMG Recordings, Inc. 1755Broadway, New York, NY 10019. Distributed by Universal Music Distribution.FBI Anti-Piracy Warning: Unauthorized copying is punishable under federal law.

EBONY BEAUTY, PASS THIS SHADE, THE LOOKING GLASS REFLECTS, THEN A VOICE CALLS ME BACK.

WHOSE GOD THEN IS GOD? THEY ALL W

ANT JURISDICTION.

GIVESo you heard & I crossed over the line & Do I have regrets? & Well, not yet & There are some, & some who give Blood & Igive love & I give & Soon before the sun & before the sun & begins to rise & I know that I & I must give & so thatI & I can live & There are some, & some whose give & twists itself to take & they mis-take & who, what made up theline & some say it was pain & or was it shame & Soon before the sun & before the sun & begins to rise & I knowthat I & I must give & so that I & I can live & Some & Some who give Blood. & I give love & I give

WELCOME TO ENGLAND“Do a dance for me.” & Baby it is late still you pour me & a tall one... & “Go on, let the liquid take off what you’reon. & You’ve been down before...” & Boy, not like this. & I’m in Quicksand I am sinking fast & “Perfect,” he laughed,“cause your other half has & got himself a Devil’s access — & Welcome to England,” & he said, “Welcome to myworld. You better bring your own sun & sweet girl. You gotta bring your own sun now don’t you forget — & you bringyour own sun, just enough for everyone.” & Heels on. Go on. & Bang a Tango but do not get tangled & Who can staystrong? when they only give us lies to lean on & When your heart explodes is it deathly cold? & You must let the colorsviolate the & Blackness & There is a magic world parallel & so leave your daily & hell — “Welcome to England,” & hesaid, “Welcome to my world...” & It’s not a question if I can & Fight by your side and withstand & Anything but, & Iforgot that you said, “Girl if you come... & you better bring your sun. & Sweet girl, you gotta bring your sun & Nowdon’t you forget you bring your sun— & Just enough for & everyone & for everyone.” & “Welcome to England” & welcometo england

STRONG BLACK VINEShut your mouth & I’m spinnin’ it tight down south & I’m on raid & tie you down cause boy I can & save you from thatevil faith & Eagles serve yeah unhuh Mother first & they turn you predator but boy I can & save you from that evilfaith & Arms sold in Balmy cities that may not be with us for long & save you from that evil faith & lay back & StrongBlack Vine & submission & is my mission for a & Strong Black Vine & you just might see that & sweet jesus & StrongBlack Vine & submission & is my mission for a & Strong Black Vine & your mission & concentrate & Blown to bits herinnocent flesh to dust & all for a dark god & all for the love of some evil faith & Swollen stream & every drip serpentsbless & you rape Earth knowledge & still she would save you from your evil faith & Bodies bathe in black gold yourpleasure & Arms sold in Balmy cities that may not be with us for long & save you from that evil faith

FLAVORBattle of the minds & cries Below cries Above & You must pick a side & Will you choose fear? & Will you chooselove? & What does it look like, & this orbital ball from the fringes of The Milky Way? & What does it feel like, & thisorbital ball on the fringes of The Milky Way? & Raining flavor & Icing flavor & flavor love & Whose God then is God? & Theyall want jurisdiction & In the Book of Earth & whose God spread fear? & Spread love? & And what does it look like, & thisorbital ball from the fringes of The Milky Way? & What does it feel like, & this orbital ball on the fringes of The MilkyWay? & Raining Flavor & Icing Flavor & flavor love & Turn up the frequency & What does it look like, & this orbital ballfrom the fringes of The Milky Way? & What does it feel like, & this orbital ball on the fringes of The Milky Way? & Rainingflavor & Icing flavor & Spread that flavor & flavor flavor

NOT DYING TODAYThere was a gambler and a cleaner and a puppeteer & only the puppet could explain just what he was & All on a buswe were hopin’ to pass the time & plug my piece in boys then we can drink the wine & drink the wine drink thewine— & music, good friends, I’m not dyin’ today. & I may be 6 feet under full of wonder & I’m not dyin’ today & Dyin’today & I’m not dying mister & today & Neil is thrilled he can claim he’s mammalian & “But the bad news,” he said,“Girl, you’re a dandelion.” & Dandelion. hey I need to think about that. & Yeah, I thought about that and I said, & “Whatthe Hell?” & He said, “Nope, you are Earth bound, blow them seeds away & maybe one will make a sound.” & Make asound, make a sound— & music, good friends, & I’m not Dyin’ Today & I may be 6 feet under full of thunder, & I’mnot Dyin’ Today. & Dyin’ today, & I’m not dying mister & today & So they got us go & goin’ and comin’ & Cause theymake us pay & if we go or stay & Is he prayin’ & that I’ll pop my clogs? & If they can’t prove I’m crazy & by noon I’llbe pushin’ up them daises & Tomorrow, with their Donut box they’ll say, & “It’s sad she’s Brown Bread.” & Hey, I got myweapons— & music, good friends, & I’m not Dyin’ today. & I may be 6 feet under & way down yonder & I’m not Dyin’today & Dyin’ & I’m not dying, sister, take your paws off & my ankle straps and my mister & Dyin’ Fryin’, rather havea lie-in & I am not blowin’ that Gabriel’s Trumpet & I got my own band to play today

MAYBE CALIFORNIAhey Mrs. see, please don’t jump & “why not, nothing is making sense anymore to me & I don’t know when I stoppedmaking him smile. & Now the kids see me cry all the time.” & From one mother to the other & They’ll never get overthis & for their lifetime all their wishes & will be dashed upon those cliffs. & So let’s be strong you and me & The nightis o-opening & Our angels are falling & and they will warm & they’ll warm us & She asked, “Right Now? & RightHere?” & I’m feelin’ soon, & soon my dear, & maybe california & maybe california. & As mothers we have ourtroubles & You’ll leave them with emptiness & for their lifetime all their wishes will be dashed upon those cliffs & thosecliffs & So let’s be strong you and me & the night is o- it is opening & our angels are falling & and they will warm & theywill warm us & She asked, “Right Now? & Right Here?” & I’m feelin’ soon so soon my dear, & maybe california & maybecalifornia & Until then there will be & starlight shining down & for every tear in every town

CURTAIN CALLebony beauty & pass this shade & the looking glass reflects & then a voice calls me back, & “this is just circumstanceit is not & personal”, oh no it never is. & then you ram your hand in your bag & for a little friendly substance & By thetime you’re 25 & they will say, “you’ve gone and blown it”. & By the time you’re 35, I must confide, & you will haveblown them all & Right on cue just act surprised & when they invite you to take & your curtain call & you climbedChina’s wall & your & curtain call & I have done what I’ve done & and it has the ultimate consequence & then a voicecalls me back, & “this is not business, no, & its more like spiritual” & is that what it is & Then you ram your hand inyour bag & for a little protection & By the time you’re 25 & they will say, “you’ve gone and blown it.” & By the time you’re35, I must confide, & you will have blown them all & Right on cue just act surprised & when they invite you to take & yourcurtain call & you climbed China’s wall & your curtain call & they closed China’s wall & curtain call & ebony beauty &pass this shade & the looking glass reflects

FIRE TO YOUR PLAINShock & got the shock of my life & just buckle up girls & I’m stealing the night & From them & steal the night & Whatthey’re down to & let’s see in cold day light & I gotta get this right & I gotta get this right & Cause she’s up & AndI am low & Watching you & Watching her play this game & yeah she’s bold & bold enough & to set fire to your plain & herfire to your plain & Pray & you can pray to your jane & I put out the call & but not to be saved & Called my Devilinekin & with her yellow Astin Martin & “we gotta get this right” & I gotta get this right & Cause she’s up & And I amlow & Watching him & Watching her play this game & yeah she’s bold & Bold enough & to set fire to his plain & shesaid, “Get in and set the SAT-NAV to hell” & Or would it be Purgatory & I gotta get this right & I gotta get this right & Causeshe’s up & And I am low & Watching you & Watching her play this game & yeah she’s bold & Bold enough & to setfire to your plain & Her fire to your plain & Her fire & Bold enough & Her fire to your plain

IF A FEATHER LINED WITH HIS W

ORDS BECOMES A BLADE.

POLICE MEPolice yourself & Police yourself & Police me & Police yourself & Police yourself & Police me & We’ve got our ownremote viewing & Ever cell has been taught to think & Perhaps the answer to the question & Lies in the question & Perhapsyou should read my thoughts & Line them up like soldiers & Police yourself & Police yourself & Police me & Loaded, full ofwinter you are & Storming Blackberry girl & Will you strike before he’s & Loaded, full of winter you are storming & Blackberrygirl will you strike & Before he’s loaded & Full of winter you are & Police yourself & Police yourself & Police me & Canthey monitor how you think? & They’ve got their own remote viewing & To get off he cries “slutty goth” & But I’m abrightly colored person & Loaded, full of winter you are & Storming Blackberry girl & Will you strike before he’s & Loaded,full of winter you are storming & Blackberry girl will you strike & Before he’s loaded & Full of winter you are & Perhapsthe answer to the question & Lies in the question & Perhaps you should read my thoughts & Line them up likesoldiers & Police yourself & Police yourself & Police me

THAT GUYThat Guy & Swears he will walk & and carries a chip as big as New York & That Guy & at night makes me scream & andsmashes the best possibilities & That Guy & Just brings his war & home, she cries, “why can’t Daddy leave his waroutside?” & That Guy & When he wants can love & like no other love & until the darkness comes & Do we make up tobreak up? & Do we break up then wake up? & To cuts instead of kisses & To cuts instead & Instead & Instead & ThatGuy & Swears he will walk & and carries a chip as big as New York & That Guy & Cannot seem to see & there’re noother guys & but the one he used to be & Do we make up to break up? & Do we break up then wake up? & To cutsinstead of kisses & To cuts instead & Instead & Instead & Will we make up? & Will we break up? & Will I wake upwith, with & That Guy & That Guy & That Guy

ABNORMALLY ATTRACTED TO SINImpeccable peccadillo & You are off your guard & Pussy willow calls there by the church, & “don’t go in if you areabnormally attracted to sin” & Abnormally attracted to sin & She may be dead to you & But her hips sway a naturalkind of faith & That could give your lost heart & A warm chapel & You’ll sleep in her bell tower & And you will simplywake & Abnormally attracted to sin & Abnormally attracted to sin & Impeccable peccadillo & I know who you are & Talesof longing sway & Lost without a verse & Hymns of swing lay low & there by the church, & “don’t go in if you areabnormally attracted to sin”

500 MILESHe walked 300 miles & Just to bring me bread & His body like a sculpture & Almost decorated & and I’ll wake him asthe dawn does & and we’ll break it on the bus & saying, “this was made for us, love” & In lovers communion for 500miles & And in 500 miles will he break & Break me again? & In lovers communion for 500 miles & And in 500 mileswill we brake & Even break & Step it up & Grab your phone & Get your suitcase & There is no time to waste & A bigadventure awaits & Sad news, France suffered a late snow & The blooms break through the ice & In San Francisco & Aguitar man finally confessed & He left that actress & Over the lakes with hearts touched by frost & We fought in theLand of the Midnight Sun & I lost myself & I lost myself & I walk 300 miles & Just to bring & To bring him bread & Inlove some gifts are simple & Others I underrated & So I’ll wake him as the dawn does & And we’ll face what anylovers must & Blueness pales within a flames lust & In lovers communion for 500 miles & And in 500 miles will hebreak & Break me again? & In lovers communion for 500 miles & And in 500 miles will he brake & Even break & willwe brake & Even break & Brake & Even brake & Don’t slow down & We might not even break

MARY JANEThen he said, “Mom I want to forna... & I mean formulate and discover the realms of the unknown & with Mary Jane & Afterall you’ll be away for the weekend & Just please consent & I need a friend” & I admit your puberty was somewhatstrange & Could this be fixed with Mary Jane? & Mary Jane Mary Jane Mary Jane Who? & So I said, Son you want topermeate & And discover the realms of the unknown & With Mary Jane & After all the other boys that are your age & Theyonly wake to medicate & Do I know her family? & Is she even mannerly when she’s out in society? & “She evenbakes” & She even bakes? & “These odd brownies” & Mary Jane Mary Jane Mary Jane Who? & Then he said, “I believe in herfamily, & On her maternal side there was a & Dr. Tetrahydrocannabinol Pure Isomer Dronabinol & Mary Jane Who. & (For Cor)

STARLINGStarling you were right I am the jealous kind & whoever would have guessed & Starling now I am shut out andconfined & even within my nest & what, what does it take to make it through another day? & if a feather lined withhis words becomes a blade & Starling when he screams he screams in black and white & just like the magpie & shatterednight then I woke & not to a lonely lark but to a raven’s cry & if a feather lined with his words becomes a blade & thenwhat, what will it take to make it through another day? & so when they play, play the song & sing along & it could beyour turn to shine & if you know the lines & hey what’s that you say & “You can find, find him on line & most of thetime these days” & “Is that right,” I say. & you were right Starling

FAST HORSEHow can I be drunk? & You strike with dry poison & I am possessed & Still engaged in some kind of advancedshackling & Girl you got to find you the man who & can smoke this out, Bad Medicine & Girl you got to find you theman who & can smoke this out, Good Medicine would say— & You got you a Fast horse darlin’ & But all you do iscomplain it ain’t & a maserati. & You had a soul that you left back in Memphis & but your mama ain’t New Yorkshe is pure & Tennessee & On a desert High-way & I am struck by my own rage & Time-bomb in his palm a finger-apple & augments this advanced shackling & Girl you got to find you the man who & can smoke this out, BadMedicine & Girl you got to find you the man who & can smoke this out, Good Medicine would say— & You got you aFast horse darlin’ & But all you do is complain it ain’t & a maserati. & You had a soul that you left back in Memphis & butyour mama ain’t New York she is pure & can’t you see your mama ain’t New York & she is pure Tennessee & Tennessee

OPHELIAOphelia your secret is safe & Ophelia you must break the chain & some girls will get their way & some fathers willcontrol from the grave & Ophelia you must remember & Veronica’s America is not like— & is not like Charlotte’s, oneto savor & cosmic flavor & then Alison whispers, “remember & Change waltzes in with her sister Pain & waiting foryou to send her away & wish her well break the chain & break the chain” & I feel you & Ophelia & “The Eve of St.Agnes”, & a poem he can’t reach you in & Ophelia you know how to lose & but when will you learn to choose & thosemen who choose to stay & those mothers who won’t look the other way & Ophelia you must remember & Veronica’sAmerica is not like— & is not like Charlotte’s, one to savor & cosmic flavor & then Alison whispers, “remember & Changewaltzes in with her sister Pain & waiting for you to send her away & wish her well break the chain & break thechain” & I feel you & Ophelia

LADY IN BLUECigarettes recommended & “Need a Light to use?” & said the Lady In Blue after the rain & What is left? & What is right...you may understand, & I left the right man. & said the Lady In Blue, & “I left the right man.” & Boys play well intomidnight & “Can I join you?” & said the Lady In Blue after the rain & “Pillow cold, but She won’t stray into other lands,”he said, & “Take my hand,” to the Lady in Blue, & “You wronged the right man.” & Cigarettes recommended & “Need a Lightto use?” & said the Lady In Blue, & “I wronged the right man” & Boys play well into midnight & “Can I join you?” & saidthe Lady in Blue after the rain & Boys you play well into midnight & “Can I join you?” & said the Lady In Blue & said theLady In Blue & said the Lady In Blue, & “I can play too.”

Lyrics for Oscar’s Theme can be found at www.everythingtori.com

GIVEBösendorfer Piano, Synths & Vocals Tori AmosLoops & Drums Matt ChamberlainBass Jon EvansGuitar Mac Aladdin

WELCOME TO ENGLANDBösendorfer Piano, Synths & Vocals Tori AmosLoops & Drums Matt ChamberlainBass Jon EvansAcoustic & Electric Guitars Mac Aladdin

STRONG BLACK VINEVocals Tori AmosDrums & Percussion Matt ChamberlainBass Jon EvansElectric Guitars Mac AladdinArrangement John Phillip ShenaleB3 Organ & Synths John Phillip Shenale

FLAVORBösendorfer Piano, Rhodes, Synths & Vocals Tori AmosDrum Loop & Percussion Matt ChamberlainBass Jon EvansElectric Guitars Mac Aladdin

NOT DYING TODAYRhodes, Organ & Vocals Tori AmosDrums & Percussion Matt ChamberlainBass Jon EvansAcoustic & Electric Guitars Mac Aladdin

MAYBE CALIFORNIABösendorfer Piano & Vocals Tori AmosDrums & Percussion Matt ChamberlainBass Jon EvansAcoustic & Electric Guitars Mac AladdinStrings Arranged & Conducted by John Phillip ShenaleString Players: Violin Ed Bale, Matthew Elston, Fiona McNaught & Kate Robinson, Viola Holly Butler & James Hogg, Cello Rosemary Banks & Caroline Dale

CURTAIN CALLBösendorfer Piano & Vocals Tori AmosLoops & Drums Matt ChamberlainBass Jon EvansAcoustic & Electric Guitars Mac Aladdin

FIRE TO YOUR PLAINBösendorfer Piano, Synths & Vocals Tori AmosLoops, Drums & Percussion Matt ChamberlainBass Jon EvansElectric Guitars Mac Aladdin

POLICE MESynths & Vocals Tori AmosLoop & Drums Matt ChamberlainBass Jon EvansElectric Guitars Mac Aladdin

THAT GUYBösendorfer Piano & Vocals Tori AmosDrums Matt ChamberlainBass Jon EvansGuitar Mac AladdinSynths John Phillip ShenaleOrchestra Arranged & Conducted by John Phillip ShenaleString Players: Violin Ed Bale, Matthew Elston, Fiona McNaught & Kate Robinson, Viola Holly Butler & James Hogg, Cello Rosemary Banks & Caroline Dale

ABNORMALLY ATTRACTED TO SINSynths, Organ, & Vocals Tori AmosLoops & Drums Matt ChamberlainBass Jon EvansElectric & Acoustic Guitars Mac Aladdin

500 MILESBösendorfer Piano, Synths & Vocals Tori AmosDrums, Loops & Percussion Matt ChamberlainBass Jon EvansElectric & Acoustic Guitars Mac Aladdin

MARY JANEBösendorfer Piano & Vocal Tori Amos

STARLINGRhodes, Bösendorfer Piano & Vocals Tori AmosLoop & Drums Matt ChamberlainBass Jon EvansAcoustic & Electric Guitars Mac Aladdin

FAST HORSEPiano & Vocals Tori AmosDrums & Percussion Matt ChamberlainBass Jon Evans12 String & Mandolin Mac AladdinArrangement John Phillip ShenaleB3 Organ & Synths John Phillip Shenale

OPHELIABösendorfer Piano & Vocals Tori AmosDrums Matt ChamberlainBass Jon EvansElectric Guitar & Mandolins Mac Aladdin

LADY IN BLUEBösendorfer Piano, Synths & Vocals Tori AmosLoops, Drums & Percussion Matt ChamberlainBass Jon EvansElectric Guitar Mac Aladdin

OSCAR’S THEMEBösendorfer Piano & Vocals Tori AmosLoop Matt ChamberlainBass Jon Evans

All Songs Written by Tori AmosPublished by Sword and Stone (ASCAP)©2009 Sword and Stone Publishing – All lyrics reprinted by permissionRecorded & Mixed by Mark Hawley & Marcel van LimbeekAssisted by Adam SpryProduced by Tori AmosMastered by Jon AstleyRecorded, Mixed & Mastered at Martian Engineering, Cornwall, EnglandManagement: John Witherspoon & Chelsea Laird – The Bridge Entertainment GroupChief Technician: Adam SpryStudio Accountant: Helen GilbertStrings Arranged & Conducted by John Philip ShenalePiano Technician: Ann WalkerAdditional overdubs at Avast Studios, Seattle, WA

Photography: Karen CollinsCreative Director: Sandy BrummelsArt Direction & Design: Christopher Kornmann for spit and imageThe Glam Squad: Stylist: Karen Binns & Make Up: Jenni Clark & Hair: Barry Lee Moe

Legal: Peter Paterno & Michelle Jubelirer at King, Holmes, Paterno & BerlinerUS Booking: Carole Kinzel at CAAEuropean Booking: Mike Dewdney at ITBInternational Booking: Marlene Tsuchii at CAAEuropean Travel: Dave Brock at Rima Travel

Thanks to my creative partners Johnny & Chelsea at The Bridge, to Mark & Marcel forbeing the progressive production team that you are. Deep respect for all of the musicians,John Phillip Shenale, Matt Chamberlain, Jon Evans & Mac Aladdin. To Karen Binns & allthe designers who have supported this project. To Karen Collins & her team. To Barry LeeMoe. To Janine. To Jenni Clark. To all of the film crew fondly known as the L.A. Hippies.Christian Lamb, Chris Kantrowitz & last but never least Kendra Wester. Jim Garrity & toAlan for the Swiss chocolate. And to Nell Arnaud. To Greg in New York. Helen Gilbert &Adam Spry. Jon & Jude. Carol Kinzel, Bruce Lampcov, Deborah MacCullough. To Mick,Sancha, Anne, Dan & Richard. Tim Levy & Samuel Adamson. Barry & Kalen.

Thanks also to Doug, Mel, Monte & Avery. My Universal team...Cameo, Kim, Tom, Serena,Rian, Sandy, Beth, Paul, Jason, Dan, Kirk, Joel, Lori & Leah, Pat, Michael, Trina & Aleix,Felice & Lyssa at Girlie Action. In the UK...Ted, Darcus, Jon, Pru, Ted, Ruth, Glen, Steve &Polly. Of course, Max & Lee Ellen. And a special thanks to Amanda Marks – thanks forbeing in the right place at the right time.

PERSONAL THANKS: Firstly to Mark, Husband & conspirator. Tash, you are the sun tome, just yes to the Dobyns 5-Cody, Casey, Kit, Kelsey & of course Cory. Dr. MarieDobyns, Mom & Dad–the Oak Trees of the family. Phillip, Kelly, Wesley & Becky, Tim &Sue, & the rest of all the Amos bunch. The Copeland tribe of the Carolinas, to themost patient woman in Christendom, Mrs. Irene Hawley. To Mac Aladdin’s dad. Sageof thanks to Manny King & to your students past & present who visit us on tour. ToCurtis Kehkahbah for your insight & wisdom. To Dr. Daee. Dr. Roberts & all at youroffice, especially that Antoinette. Hugs to Beenie (Nancy Shanks), Vincent & all you do &to my soul brother, Neil Gaiman & to my little brother, Rantz. SuperDebs & Mark, Sian,Rhys & Abbie. Uncle Bob. Arminda. Ali & Jon. The Beans. Leo’s wisdom. Michael’s Spirit.