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Creativity in Teaching English Reading and Writing The Royal Thai Distance Learning Foundation with support from the American Embassy RELO Office and TOT

Creativity in Teaching English Reading and Writing

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Creativity in Teaching English Reading and Writing. The Royal Thai Distance Learning Foundation with support from the American Embassy RELO Office and TOT. Review: Session 1. What is in the box?. What did you discuss in the previous session?. Review: Session 1. Prior experience. - PowerPoint PPT Presentation

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Page 1: Creativity in Teaching English Reading and Writing

Creativity in Teaching English Reading and

Writing

The Royal Thai Distance Learning Foundation with support from the

American Embassy RELO Office and TOT

Page 2: Creativity in Teaching English Reading and Writing

What is in the box?

Review: Session 1

What did you discuss in the previous session?

Page 3: Creativity in Teaching English Reading and Writing

Prior experience

Assumptions

Belief systems

Completed ideas

Pre-determined solutions

What someone says is ‘right’ or ‘true’

Review: Session 1

Page 4: Creativity in Teaching English Reading and Writing

Classroom Applications

Review: Session 1

What did you do in your classes?

What worked?

What didn’t work?

What did you do to make it work?

Page 5: Creativity in Teaching English Reading and Writing

POETRY

LEASE

PEN THE BOX.

NJOY

HE JOURNEY.

EADY

OURSELF.

Welcome to Session 2

Page 6: Creativity in Teaching English Reading and Writing

Word Splash!

With a partner, look at the following picture carefully.Write as many words with 1-3 syllables

as you can in 2 minutes.

Page 7: Creativity in Teaching English Reading and Writing
Page 8: Creativity in Teaching English Reading and Writing

Word Paint!

With the same partner, pick FIVE ofthe words that best

conveys the meaning of the picture.

What do you feel?see?

taste?hear?smell?

What does it remind you of?

Page 9: Creativity in Teaching English Reading and Writing

Haiku• Japanese form of

poetry

• 17 syllables (5-7-5) and a Kigo* (‘season’)

• nature, feelings, experiences, every day things

• imagery & senses

As the wind does blow

Across the trees, I see the

Buds blooming in May

UCLA Asia Institute

What senses are awakened in the haiku above?

Page 10: Creativity in Teaching English Reading and Writing

What picture do you see in your head when you read this?

An old silent pond...

A frog jumps into the pond,

An old silent pond...

splash! Silence again.

by Matsuo Basho

Page 11: Creativity in Teaching English Reading and Writing

• Which word or words help(s) you paint this picture in your head?

• What do you think this is about? Why?

An old silent pond...

A frog jumps into the pond,

splash! Silence again.

by Matsuo Basho

Painting A Mental Picture

Page 12: Creativity in Teaching English Reading and Writing

YOUR TURN

On your own or with a new partner,write a haiku inspired by the following picture.

form

content language

com

pact

& m

eani

ngfu

l

precise & sim

ple

Page 13: Creativity in Teaching English Reading and Writing
Page 14: Creativity in Teaching English Reading and Writing

How can you find your voiceas a writer?

Page 15: Creativity in Teaching English Reading and Writing

EXPERIENCE and VOICEengaging and reshaping

observing the world

transformation and innovation

(Grainger, Goouch, Lambirth)

multimodal and multicultural

autonomy and choice

Page 16: Creativity in Teaching English Reading and Writing

Unfinished Haikus

With a partner, complete the missing linesof haikus in your handout.

Please prepare to share it.

Page 17: Creativity in Teaching English Reading and Writing

Exquisite Haikus

Groups of three people.

Each write a specific haiku line.

Don’t show it.

After all are done and put together, does it make sense?

Why or why not?

Page 18: Creativity in Teaching English Reading and Writing

Experience & VoiceYour Thoughts

Writing poetry is .... because ....

This helps me with my language because...

This helps me with my creativity because...

Page 19: Creativity in Teaching English Reading and Writing

• What are some new ideas and perspectives have you learned?

• What can you adapt and apply to your overall teaching?

• What will you try in your classrooms soon?

Teaching Implications

Page 20: Creativity in Teaching English Reading and Writing

Korp Khun Mak Ka

Thank you very much andSee you in the next session!

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