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THE CONSTRUCTIONS OF MARCUS AGRIPPA IN THE WEST Geoffrey Mottershead Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy March 2005 School of Art History, Cinema, Classics and Archaeology The University of Melbourne

Constructions Agrippa

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TTHHEE CCOONNSSTTRRUUCCTTIIOONNSS OOFF MMAARRCCUUSS AAGGRRIIPPPPAA

IINN TTHHEE WWEESSTT

GGeeooffffrreeyy MMootttteerrsshheeaadd

Submitted in total fulfilment of the requirements of the degree of

Doctor of Philosophy

March 2005

School of Art History, Cinema, Classics and Archaeology

The University of Melbourne

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Dedicated to

HILARY PATRICIA ANNE

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i

AABBSSTTRRAACCTT Marcus Agrippa was the chief supporter of Octavian, the heir of Julius Caesar, in his rise to prominence as the first Roman Emperor Augustus. He also played a central role in the Augustan establishment of the new order of Empire, which replaced the late Republic. Agrippa's land and sea victories were crucial for the success of Octavian, but it will be argued that his constructions were important instruments of change in this pivotal historical period. Consequently, all Agrippan works are investigated, whether for war or peace, and whether known from material remains or other evidence. Agrippan constructions in the West (Gaul and the Iberian Peninsula) are described in detail, and the others are described in more general terms.

Previously, Agrippan constructions have either been included in biographies of Agrippa, and treated generally, or have been studied as particular works with detailed description, but little explanation. Also, constructions in towns with material remains or inscriptions have been extensively studied, but important works outside towns with fewer remains have been largely overlooked. Consequently, previous writers have represented Agrippa as a builder of monuments in towns and there has been little understanding of the nature or purpose of the totality of his works, and no proper account of them. The comprehensive analysis in this thesis shows that the principal Agrippan construction in the West was the road network, radiating from Lugdunum (Lyon) to the Atlantic, the English Channel and the Rhine. This constituted the first physical framework of Roman control outside the more settled south of Gaul. Agrippa's planning and part construction of a monumental town at Augusta Emerita (Mérida), and his probable foundation of Caesaraugusta (Zaragoza) were part and parcel of Roman expansion by colonisation into new parts of the Iberian Peninsula. These major works in Gaul and Hispania set a pattern of development for centuries to come and were, therefore, influential over a long period. This was not the case in the East, which was already Hellenised and under Roman hegemony. In the case of Rome, Agrippan works were subsumed in the building programme of Augustus and later works. Consequently, the Agrippan constructions in the West were, ultimately, more important than those elsewhere. The general review of Agrippa's works contained in this thesis leads, therefore, to conclusions which represent a new viewpoint on Agrippan constructions in the West. He was certainly a builder of monuments in towns in the region, as previously known, but it has been shown here that his constructions in the West were instruments of important regional change in a pivotal historical period. There is also a new and more detailed description of the works in the West. In addition, constructions elsewhere are explained and described generally in a new integrated study of all the works.

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ii

This is to certify that:

(i) the thesis comprises only my original work towards the PhD;

(ii) due acknowledgement has been made in the text to all material

used;

(iii) the thesis is less than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices.

GEOFFREY MOTTERSHEAD

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iii

PPRREEFFAACCEE As a civil and structural engineer, who later studied Classical Archaeology, ancient

structures were already of particular interest to the author. The idea of writing a thesis

about the constructions of Agrippa arose from reading a comment about Agrippa in

Reinhold's biography. He said: 'If Augustus was the architect of the Roman Empire,

Marcus Agrippa was his superintendent of construction'1. Reinhold was referring to

Agrippa's support of Octavian, the heir of Julius Caesar, in his rise to supreme power in

the Roman world as Augustus, the first Roman Emperor, and to his continuing help in the

Augustan shaping of the new Imperial Order replacing that of the Republic. He had in

mind all the actions of Agrippa, including his land and sea victories, his general support,

and, also, his important physical constructions. Reinhold's description of Agrippa as

'superintendent of construction' prompted consideration of a study of his actual physical

constructions. In this, the constructions would be explained as part and parcel of

Agrippa's activities. Consequently, all the constructions would be included, whether for

war or peace, and whether they are identified as Agrippan from their materials remains,

or from other evidence. The best possible description of the works was to be provided.

It soon became clear that it would not be possible to explain all the Agrippan

constructions and to also describe them in detail. A concentration on one particular

region was necessary. Agrippan works at Rome were primarily intended to influence the

citizens in favour of Octavian, and to introduce the New Order of Augustus. Those in

Italy formed no cohesive corpus, and, in the East, the Agrippan works were not important

agents of change. The remaining region of Agrippan construction was Gaul and the

Iberian Peninsula, where the constructions were instruments of substantial change. It

was, therefore, possible to develop hypotheses about their relationship to important

historical development. Also, although there were substantial material remains of

Agrippan works in the West, it was possible to describe the constructions there in detail

in the space available. It was, therefore, decided to focus on the Agrippan constructions

in the West. Yet it was not possible to fully account for these without also considering

those elsewhere as part of the whole corpus of Agrippan works. These other

constructions, were, therefore, to be not only explained, but, also, to be described to the

extent that this cast light on those in the West.

1 Reinhold M., Marcus Agrippa, Rome, 1965.

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iv

AACCKKNNOOWWLLEEDDGGEEMMEENNTTSS I am grateful for the help given by Trinidad Nogales Basarrate of the

Museo Nacionàl de Arte Romano at Mérida, who generously provided me with a

great deal of information and gave me publications of which I was unaware. At

Lyon, Armand Desbat kindly took me on a tour of his investigations at the

'Temple of Cybele' site and of other monuments. He also presented me with several

publications which brought me up-to-date on archaeological investigations at Lyon. I

would like to thank my supervisors, Professor Frank Sear and Professor Ron Ridley

for their patient guidance through the many difficulties of research and writing, and

for their encouragement throughout the entire period of investigation. Finally, any

errors or omissions in the final text are mine rather than those of

Vyvyian Ferguson-Sharp who prepared it.

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`

TTAABBLLEE OOFF CCOONNTTEENNTTSS

Vol. 1 Text PAGE

§ THE INVESTIGATION 1

§ GAUL Figs. A and B 9, 10 Introduction 11 Chapter1: Agrippa's road system 14 " 2: Lugdunum (Lyon) 39 " 3: The Temple of Valetudo at Glanum 62 " 4: Nemausus (Nîmes) 84 " 5: Other Agrippan works in Gaul 98 Agrippan Works in Gaul : Conclusions 107

§ HISPANIA Figs. C and D 109, 110 Introduction 111 Chapter 6: North-West Hispania 114 " 7: Agrippa at Augusta Emerita (Mérida) 128 " 8: The theatre at Augusta Emerita : Agrippan works 137 " 9: Possible Agrippan works at Augusta Emerita 162 Augusta Emerita : Conclusions 180 Chapter 10: Agrippan constructions at urban centres other than

Augusta Emerita 182 Agrippan Works in Hispania : Conclusions 202

§ OTHER REGIONS 207 Chapter 11: Agrippan works other than in the West 207

§ AGRIPPAN CONSTRUCTIONS IN THE WEST : CONCLUSIONS 218

§ ABBREVIATIONS 223

§ BIBLIOGRAPHY 225 (1) Texts 225 (2) Modern Works 227 (3) Additional Items 246

Vol. 2 Illustrations of the chapters § ILLUSTRATIONS

Chapter 1: Figs. 1.1 - 1.12 " 2: " 2.1 - 2.15 " 3: " 3.1 - 3.28 " 4: " 4.1 - 4.6 " 5: " 5.1 - 5.5 " 6: " 6.1 - 6.3 " 7: " 7.1 - 7.5 " 8: " 8.1 - 8.44 " 9: " 9.1 - 9.22 " 10: " 10.1 - 10.9 " 11: " 11.1 - 11.7

§ SOURCES OF ILLUSTRATIONS

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TTHHEE IINNVVEESSTTIIGGAATTIIOONN

HISTORICAL INTRODUCTION

The historical introduction is not fully documented by reference to footnotes since it is

intended to provide only a general background for the detailed study of the Agrippan

constructions. These are documented by reference to texts and modern works.

Agrippa (Marcus Vipsanius Agrippa) was probably born in 63 B.C.1 and, therefore, in

the same year as Octavius (the first Emperor Augustus). Julius Caesar sent both of

them to Apollonia on the Adriatic coast of Epirus in 46-45 B.C. for education and

military training2. Agrippa and the future Augustus formed a close association which

was to be maintained until the untimely death of Agrippa in 12 B.C., some quarter of

a century before the end of the principate of Augustus in A.D. 14. The relationship

between Agrippa and Octavius was governed by their origins and natural talents. As

the heir of Julius Caesar, Octavius was to become Gaius Julius Caesar Octavianus,

generally referred to as Octavian. Octavian could advance his position as the heir to

Caesar, and because he was from an appropriate social class3. Agrippa, whose

background was humble 4, could advance with Octavian by using his talents as a

military commander, organiser of practical affairs, and technician.

On the assassination of Caesar in 44 B.C., Octavian, at the age of 18, travelled to

Rome and the protracted struggle to take up his inheritance began. The

'Second Triumvirate' of Antony, Octavian and Lepidus (43 B.C.), the triumph of the

Caesarian party at Philippi in 42 B.C., and the subsequent wars of Perusia need not be

described, since there is no indication of any Agrippan works of this period5.

Agrippa became praetor urbanus at Rome in 40 B.C., where he celebrated the

1 Cassius Dio, 54.28 dated Agrippa's death to 12 B.C. and Pliny, HN, 7.46, described him as

51 years of age at his death. Also, Reinhold, M., Marcus Agrippa , Rome, 1965, p.1, and Roddaz, J.M., Marcus Agrippa, Rome, 1984, pp.23-25.

2 Reinhold, pp.12-15, Roddaz, Marcus Agrippa, pp.31-36.

3 Suetonius, Augustus, 1-7; Reinhold, pp.1-11, Roddaz, Marcus Agrippa , pp.17-28.

4 Reinhold, pp.1-11. Roddaz, Marcus Agrippa, pp.17-22.

5 Cary, M., and Scullard, H.H., A History of Rome , (Third Edition), London, 1975, pp.283-291, for a general account of the period.

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- 2 - Ludi Apollinares6. At the Peace of Brundisium in 40 B.C., Antony received control

of the East, leaving Octavian Italy, Gaul, Spain and Illyricum, with Lepidus in charge

of Africa. Antony's wife, Fulvia, had died, and Antony took Octavian's sister,

Octavia, as his wife, creating a dynastic alliance7. After the elimination of

Salvidienus Rufus8, Agrippa was Octavian's right hand man in war.

Shortly after the Peace of Brundisium, Agrippa was sent to Gaul to take control there

for Octavian. He won a brilliant victory over the Aquitani and crossed the Rhine, as

the first Roman general to do so since Caesar. It is argued here that he planned and

built the first form of a strategic road system radiating from Lyon (Lugdunum), to the

Atlantic Ocean, the English Channel and the Rhine, and connected to southern Gaul.

His Temple of Valetudo at Glanum in southern Gaul is also from this period, as are

possible works at Arles (Arelate) and at Fréjus (Forum Iulii). Agrippa was recalled to

Rome after about two years to take up his first consulship 9, and to break the sea

power of Sextus Pompey, the surviving son of Pompey the Great, who had seized

Sicily and was threatening the corn supply of Rome with his fleet. Octavian had

suffered a severe defeat in a naval action against him10. Agrippa constructed a new

port in the Bay of Naples, where he built a fleet and trained it, defeating

Sextus Pompey at Naulochos and Mylae in 36 B.C. Octavian could now guarantee

the corn supply of Rome and control the seas round Italy. Agrippa campaigned in

Illyria and Pannonia in 35 and 34 B.C., but there is no evidence of any Agrippan

works associated with his actions there11. On his return to Rome, Agrippa, as aedile,

embarked on an enormous programme of works in 34 and 33 B.C. to improve the

water supply and other infrastructure of the city, which had fallen into disrepair

during the civil wars. These constructions greatly improved the living cond itions of

the people and were an important cause of Octavian becoming more popular than

6 Cassius Dio, 48.20,2 Reinhold, p.22 and Note 6, Roddaz, Marcus Agrippa, p.62.

7 Cary and Scullard, pp.291, 2.

8 Salvidienus Rufus, who had been with Octavius and Agrippa at Apollonia, was Governor of Transalpine Gaul for Octavian, but offered his legions to Antony who divulged this information to Octavian at the Peace of Brundisium, Reinhold, p.24, Note 26.

9 Ehrenberg, V., and Jones, A.H.M., Documents Illustrating the Reigns of Augustus and Tiberius, Oxford, 1976, p.33, also Reinhold, p.28 and Note 1.

10 Cassius Dio, 48.49.2-3, and Cary and Scullard, pp.292, 3.

11 Reinhold, p.45, Roddaz, Marcus Agrippa, pp.140-142.

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- 3 - Antony, and in Octavian's success in persuading the Senate to declare war against

Cleopatra, and, therefore, also against Antony12.

As admiral, Agrippa played a major role in securing the victory for Octavian over

Antony and Cleopatra at Actium in 31 B.C. He became consul for the second and

third (and last) time in 28 and 27 B.C. respectively13. The part played by Agrippa in

the re-organisation of the State in 27 B.C. cannot be gauged from the evidence, but it

must be assumed that, as consul, he had some influence14. Agrippa created a new

quarter of Rome in the Campus Martius in 27-25 B.C. Buildings there marked the

naval victories of Augustus (and Agrippa), and the connection of Augustus to Caesar

and the gods. Agrippa also built voting places for the people, thus acknowledging

their political rights, and created baths and other facilities for their recreation. These

works were intended to symbolise the new constitutional arrangements of 27 B.C.

Agrippa's new aqueduct, the Aqua Virgo, which served the Campus Martius, was

dedicated in 19 B.C.15.

Agrippa withdrew from Rome in 23 B.C. under circumstances related to the

succession and the marriage of Julia, the daughter of Augustus, to Marcellus, the son

of Octavia. Agrippa's powers in the East and any constructions there are discussed

below16. On his return from the East, Agrippa married Julia, the widow of

Marcellus17, who gave birth in 20 B.C. to Gaius18, and, later, to Lucius, and Agrippa

Postumus, although none became the princeps. Agrippa was sent to Gaul in late

20 B.C. to restore order, and left it in the early part of 19 B.C. The only strong

indication of his construction in Gaul is a praetorium at Lugdunum, built in about

20 B.C., although this cannot be attributed to him positively. Agrippa may also have

drawn up a large scale plan of monumental development for the town, including its

12 Cassius Dio, 50.1-6, also below Chapter 11, p.207.

13 Ehrenberg & Jones, p.35.

14 The set speech (incomplete) put into the mouth of Agrippa by Cassius Dio, 52.2-13, together with the longer reply of Maecenas, 52.14-40, provided no reliable information on Agrippa's contribution to the first settlement of 27 B.C.

15 Cassius Dio, 54.11 for the aqueduct and below Chapter 11, Notes 3, 5, 6 and 8-11, pp.208, 9 for the works.

16 See below Chapter 11, Note 20, p.212.

17 Cassius Dio, 54.6.6, also Roddaz, Marcus Agrippa, pp.351-6.

18 Cassius Dio 43.8.5.

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- 4 - aqueducts, and may have started construction on some works in addition to the

praetorium19. Augustus had set in train the construction of an Augusteum at Nîmes

(Nemausus) in 26/25 B.C. and Agrippa may have advanced work there in 19 B.C.

There is no definite evidence of Agrippan works elsewhere at Nemausus, despite the

existence of inscriptions there which might indicate this20. It is argued here that any

Agrippan road works in Gaul in 19 B.C. were cosmetic.

The pacification of N.W. Hispania by Augustus in 26-25 B.C. was incomplete and the

region was finally subdued by Agr ippa in a difficult campaign in 19 B.C., which

called for substantial Agrippan military works. There is no evidence of Agrippan

civil works in the region. Agrippa provided the theatre at Mérida (Augusta Emerita),

founded by Carisius in 25 B.C. This became the capital of the province of Lusitania,

possibly inaugurated by Augustus during his visit to the West in 16-13 B.C. It is

argued here that Agrippa was the 'father' of the monumental town with its bridges and

aqueducts, and that he started to construct other works in addition to the theatre21. It

is also suggested that Agrippa almost certainly founded the first Roman town at

Zaragoza (Caesaraugusta), and that he may have established a new naval base at the

Punic city of Gades (modern Cádiz) 22. It is possible that Agrippa was responsible

for other constructions in the Iberian Peninsula, but there is no definite evidence of

these and it is unlikely that they were important.

Agrippa returned to Rome from Spain in the first half of 18 B.C., and received the

tribunicia potestas for the first time when Augustus was having his renewed23. He

was now almost equal to Augustus. Agrippa may have built the first form of the

theatre at Ostia before he left for the East in 17 B.C., where he remained until

13 B.C. Agrippa built the large concert hall, or Odeion, in the Agora of Athens in

16-15 B.C. and, possibly, other works at the city. He also built at Antioch, the

Roman capital of Syria, certainly after Actium and in 17-13 B.C., and, possibly,

19 See below Chapter 2 for the Agrippan works at Lugdunum.

20 See below Chapter 4 for the Agrippan works at Nemausus.

21 Cassius Dio, 53.25 for the campaigns of Augustus in 26/25 B.C. and 53.26 for the foundation of Augusta Emerita, 54.11 for Agrippa's movement to Spain and his campaign, and 54.23 for the visit of Augusts to the West. Also below, Chapters 6 for the campaign, 7 for Agrippa at Augusta Emerita, 8 for the theatre and 9 for possible Agrippan works at the town.

22 See below Chapter 10, pp.187, 8 for the naval base and pp.191-8 for Caesaraugusta.

23 Cassius Dio, 54.12.4-5.

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- 5 - also in his earlier visit of 23-21 B.C. Agrippa may have founded colonies at Patras,

in the Gulf of Corinth, at Alexandria Troas, near Troy, and at Beirut in the Lebanon,

but the dates of his possible actions there are uncertain and may be as early as the

period shortly after Actium. Agrippa campaigned in Pannonia in 13-12 B.C. and

died in 12 B.C. while returning to Rome24.

THE SUBJECT OF INVESTIGATION

The constructions referred to in the historical introduction included civil works such

as roads, buildings of various kinds, port facilities, and also those for military

campaigns. Agrippa built ships with special mechanical devices25, but these are not

included in this study. Some of the constructions, and particularly military ones,

were built in timber or earth and little or nothing of these has remained. Building in

stone has often survived, and sometimes substantially, and there has, therefore, been

a previous focus on investigation of these. Yet all Agrippan works for which there

is reliable evidence, whether from inscriptions, texts, or other valid sources are to

be included here. Furthermore, both the completed entity and the planning from

which this resulted are to be investigated. For military constructions, and some

civil works, the decision to build, and the construction were virtually simultaneous.

Some other works, which were part of an Agrippan town plan, were built later, and,

in some cases, after his death. Here, therefore, Agrippa is investigated as the 'father'

of general development, the planner of something more specific and the builder of a

particular construction. All constructions are to be explained, but only those in the

West are to be described in detail.

CRITERIA FOR INCLUSION OF CONSTRUCTIONS The known Agrippan works are of two types. The first is a specific construction

which is known to be Agrippan because of an inscription or a text. In the West, only

the Theatre at Mérida in Spain and the Temple of Valetudo at Glanum have

inscriptions naming Agrippa26. The Agrippan road network in Gaul is identified as

24 See below Chapter 11, p.211-217, for the Agrippan constructions and possible foundations

after his return to Italy in 18 B.C. until his death in 12 B.C., also Roddaz, Marcus Agrippa , Chapter 3, 'Prince de l'Orient', pp.419-488 for his activities in the East.

25 Cassius Dio, 49, 12 and Appian, 5.106.439 and 5.118.491, described the ships built by Agrippa to defeat Sextus Pompey.

26 See below Chapters 8, pp.148-150, and 3, p.70, for the inscriptions at the theatre and the temple respectively.

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- 6 - Agrippan from a text of Strabo27. The second type of known Agrippan works is

identified by Agrippan actions recorded in texts or other reliable evidence, which,

necessarily, included construction, or by imputation from specific known works. For

example, Agrippa would have built road stations along his roads in Gaul, and have

constructed substantial military works in N.W. Spain for his large campaign of

19 B.C.28. This second type of known Agrippan works can be located precisely and

described in detail only if material remains are both found and identified as Agrippan.

There are, also, constructions which may be Agrippan. Those with material remains

may be Agrippan if they are of the Agrippan period and there are indications from

other reliable sources. For example, at Mérida, the theatre is Agrippan, there is

Claudian epigraphy indicating Agrippan action at the town, and historical indication

of Agrippan urban planning29. Some works there may, therefore, be his in addition to

the theatre. Texts, coins and the general history of a place or region can indicate

possible Agrippan action, such as his possible foundation of Caesaraugusta

(Zaragoza)30.

THE OBJECT OF INVESTIGATION All known or possible Agrippan constructions in the West, as defined in the 'subject

of investigation' and in the 'criteria for inclusion of constructions', are to be identified,

dated, and explained historically, and particularly as supporting the aims of Octavian

and Augustus. Their importance is to be assessed at the time of construction and

subsequently. The known works of Agrippa in the West are to be described as fully

as possible. The possible Agrippan works in the West are to be investigated like the

others there, but their description is to be less comprehensive. There is also to be an

assessment of the degree of probability of them being Agrippan works. Agrippan

works, other than in the West, whether known, or possible, are to be investigated only

to cast further light on those in the West, and particularly, to indicate the specific

features which distinguish these. There is, therefore, to be only a general description

of works outside the West.

27 Strabo, 4.6.11.

28 See below Chapters 1 and 6 respectively for the roads and the campaign.

29 See below Chapters 7(a) and (b) for the history and (c) for the Claudian epigraphy.

30 See below Chapter 10, section C, pp.191-198.

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METHOD OF INVESTIGATION Formal investigation of the remains of the Agrippan works in the West was the

natural province of the local archaeologists, or of authorised bodies from elsewhere.

Investigation of the material evidence here was, therefore, to be by personal

inspection without physical disturbance of the works, and, wherever possible, with

advice from local archaeologists or historians. Visits were made to all the sites in

France and Spain where there were significant remains of major Agrippan

construction or a distinct possibility of Agrippan works. The principal material

remains of known Agrippan construction in the West are at the Theatre of Mérida in

S.W. Spain. These were inspected in detail and contact was established with local

archaeologists. The town, its bridges, and aqueducts with their dams, were examined

for possible Agrippan works. The remains of the Agrippan Temple of Valetudo at

Glanum, near St. Rémy-de-Provence, were also inspected in detail. At Lyon, the

remains of a praetorium, probably of Agrippa, were inspected with the archaeologist

in charge of the excavations, together with sites at and near the town. At Nîmes an

inspection was made of the sacred fountain area and other parts of the town. The

vestiges of the Agrippan works at the Campus Martius at Rome were also examined,

together with a possible Agrippan warehouse near the Roman forum. The published

literature on the known Agrippan works, which is mainly restricted to examination of

those with surviving remains, was examined in detail, consolidated and subjected to

critical analysis. This literature included the biographies of Agrippa by Reinhold and

Roddaz, referred to above 31, and a large number of papers and other publications on

particular Agrippan works. It was also necessary to examine a wider range of

information and comment in order to identify the Agrippan works of both war and

peace with few or no material remains. This entailed research of the historical,

epigraphic and numismatic record (particularly of the provincial coinage, as distinct

from the Imperial32) available in libraries in Australia, Rome, London, Madrid and

elsewhere. Particular care was taken to investigate all aspects, including those of

engineering, which have not generally been accounted for by the archaeologists and

historians who have written nearly all the literature on the Agrippan works.

31 See above Note 1, p1.

32 Burnett, A., Amandry, M., and Ripolles, P.P., Roman Provincial Coinage, Vol. 1, London, 1992, was particularly valuable.

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PRESENTATION The study constitutes a virtual biography of Agrippa restricted to his planning and

construction in the West, and this indicates a chronological treatment. Yet, Agrippa

was in Gaul twice and built at some places during both visits. Also, some major

works call for treatment in dedicated chapters and others are conveniently

investigated with others which may be from a different period. The presentation is,

therefore, in accordance with the works to be investigated while maintaining the

chronology as far as is practicable. The first five chapters are reserved for

constructions in Gaul from 39-37 B.C. and 19 B.C., with some chapters referring to

both periods. The general chronology is set out in the historical introduction. These

chapters are followed by conclusions on constructions in Gaul. Chapters six to ten

inclusive are set aside for constructions in Spain in 19/18 B.C., and are followed by a

conclusion. The eleventh, and final, chapter contains information and discussion on

the works outside the West. This is followed by a general conclusion on Agrippan

constructions in the West in which some reference is made to the earlier conclusions

on Gaul and Spain, but which is intended to present general findings. All the

descriptions of the constructions and their technical details are contained in the

chapters. Illustrations of the constructions are of particular importance. These should

not be compromised by accommodation to the text, and it should be possible to look

at them while reading the text. These objectives can be achieved most fully by

having the text in one volume and the illustrations in another. Four illustrations in the

text volume showing the regions of Gaul and Hispania are indicated by letters, while

all the others illustrating the chapters are numbered.

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GGAAUULL INTRODUCTION

The word Gaul is used here to describe the Celtic heartland called Gallia by the

Romans. The part of Gaul considered here is Gallia Transalpina, or 'Gaul over the

Alps', as distinct from Gallia Cisalpina or 'Gaul this side of the Alps' when described

in relation to Rome. Fig A1 shows one interpretation of this region when Caesar

began his conquest of Belgica and Celtica, sometimes referred to as Gallia Comata, or

long-haired Gaul. The Caesarian settlement did not impose any new Roman

administrative divisions. Fig. B2 shows the division of Gaul in the Empire. The

Provincia (with minor changes) was now Gallia Narbonensis, and the old

Gallia Comata was split into the three provinces of Aquitania (now extending almost

to the Loire), Lugdunensis, and Belgica. The first step towards forming these

provinces was taken by Augustus during his visit to Gaul in 27 B.C3. There is no

evidence of Agrippan construction across the Rhine, although he crossed this river4.

Consequently, the area of Agrippan works in Gaul is that bounded by the region of

the four Gauls, shown on Fig. B. This encompassed the whole of modern France,

Belgium and Luxemburg, and parts of The Netherlands, Germany and Switzerland.

There is no clear indication about the dating of Agrippa's arrival in Gaul following

the Peace of Brundisium, which was probably in September 40 B.C.5, at which

Octavian discovered the treachery of his governor in Gaul,

Salvidienus Rufus6. Agrippa had been appointed praetor urbanus at Rome 7 in the

first quarter of 40 B.C.8 and would have been eligible to take over a province in

1 Based on Drinkwater, J.F., Roman Gaul. The Three Provinces 58B.C.-A.D.260, London,

1983, Map 1.

2 Based on Drinkwater, Map 2, with excision of Germania and some other features.

3 Cassius Dio, 53.22, also below Note 134, p.34.

4 Cassius Dio, 48.49.3.

5 Roddaz, Marcus Agrippa, p.67 and Note 207.

6 Reinhold, Marcus Agrippa, p.24, Note 26, also Note 8, p.2.

7 Cassius Dio, 48.20.2.

8 Reinhold, p.21, Note 3.

Page 20: Constructions Agrippa

- 12 - 39 B.C.9. Yet, Octavian needed a new governor for Gaul before that time. He would,

therefore, probably have sent Agrippa to Gaul shortly after the Peace of Brundisium.

Roddaz suggested that Agrippa left Rome in October 40 B.C.10, and this dating is

accepted here. The date of Agrippa's departure from Gaul is also unknown, but it was

probably in the early part of 37 B.C.11. Agrippa was, therefore, in Gaul for more than

two years. Agrippa was sent to Gaul to restore order there in 20-19 B.C. After he

had done this, he travelled to Spain to put down a rebellion there12. He probably

arrived in Gaul in late 20 B.C.13, and was almost certainly in Spain before the summer

of 19 B.C.14. In this case, he was in Gaul for about six months. Kleiner has stated

that Agrippa was in Gaul in 27 B.C., but without providing any evidence for this15, as

pointed out by Roddaz, who noted the absence of any text or document16. This

hypothesis cannot, therefore, be accepted. Also, the circumstantial evidence indicates

otherwise. Augustus was in the West in 27 B.C.17, and Agrippa dedicated the

precinct of the Saepta in the Campus Martius at Rome in that year18. It is unlikely

that Agrippa undertook a journey to Gaul before Augustus went there, but, even if he

did so, there is no indication of any Agrippan action, or of constructions resulting

from this.

Agrippa was, therefore, in Gaul twice, with an interval of some 18 years between the two

visits. When he was first there, Octavian had only recently acquired the region.

Agrippa's main task was to consolidate Octavian's position there by putting down

disturbances and setting up a new system of control. Little is known of his military

9 Ibid, p.25, Note 27 and Roddaz, Marcus Agrippa, p.67.

10 Roddaz, Marcus Agrippa, pp.66-69 based on Appian 5.65, 274-6; 5.73, 318 and Cassius Dio, 48.32.1.

11 Cassius Dio 48.49.3 interpreted by Reinhold, pp.26, 27, and Roddaz, Marcus Agrippa, p.68

12 Cassius Dio, 54.11.1.

13 Reinhold, p.88 and Note 70 endorsed by Roddaz, Marcus Agrippa, p.383 and Note 3, and p.636.

14 Roddaz, Marcus Agrippa, pp.405 and 638. Agrippa probably got to N.W. Hispania before the summer of 19 B.C. to allow time for his extensive military campaign before the winter.

15 Kleiner, F.S., 'Gallia Graeca, Gallia Romana and the introduction of classical sculpture in Gaul', AJA , 77, 1973, pp.379-390, p.384.

16 Roddaz, Marcus Agrippa, p.383, Note 1.

17 Cassius Dio, 53.22.

18 Ibid, 53.23.

Page 21: Constructions Agrippa

- 13 - activities, except that he was victorious over the Aquitani in late 38 B.C.19 and that he

was recalled to Italy by Octavian just as he had crossed the Rhine into German territory20.

It is argued here that the Agrippan road network radiating from Lugdunum to the

Atlantic, the English Channel and the Rhine described by Strabo21 was largely completed

in its first form by Agrippa between late 40 B.C. and early 37 B.C. The small

Temple of Valetudo at Glanum, near St. Rémy-en-Provence, was provided by Agrippa

during this period22 and there are some indications of Agrippan construction at Arelate

(Arles) and Forum Iulii23. When Agrippa was in Gaul for the second time, in

20-19 B.C., Augustus had already set in hand the process of reorganisation in the old

Gallia Comata and Agrippa's task was to put down disturbances and advance the

Augustan initiatives in the short period of some six months when he was in the region.

There is evidence of substantial Agrippan construction only at Lugdunum24.

The works in Gaul, which can be attributed to Agrippa with a greater or lesser degree of

certainty, cannot always be dated readily. In some cases, there are substantial material

remains, but, elsewhere, a complete lack of these, and there is no relationship between the

extent of survival and the importance of the construction. At some locations, there are

Agrippan works from both his visits. The treatment adopted is designed to accommodate

all these factors while still providing the best possible description of the remains and

explaining and evaluating all of them. Chapter 1 is devoted to the Agrippan road

network because this is regarded as his most important. The system radiated from

Lugdunum and Chapter 2, describing and explaining all his works there, follows

naturally after it. Chapter 3 is set aside for the Temple of Valetudo at Glanum, since this

has the most substantial material remains of any Agrippan work in Gaul and is of great

architectural interest, although it is a small building. The possible Agrippan works at

Nemausus are considered in Chapter 4. All the other Agrippan works in Gaul, whether

known to be his or possibly so, are investigated in the last and fifth chapter. This is

followed by a conclusion on Agrippan works in Gaul.

19 Appian, 5.92.386.

20 Cassius Dio, 48.49.3.

21 Strabo, 4.6.11.

22 See below Chapter 3, pp.79-80.

23 See below Chapter 5, Section (b), PP.100-106.

24 See below Chapter 2, Section (b), the praetorium, Note 58, p.50.

Page 22: Constructions Agrippa

- 14 -

11.. AAGGRRIIPPPPAA''SS RROOAADD SSYYSSTTEEMM INTRODUCTION

A passage from Strabo referred specifically to Agrippan roads in Gaul. This

described a road network by the routes which it followed: …

‘Lugdunum is in the centre of the country – an acropolis, as it were, not only

because the rivers meet there, but also because it is near all parts of the country.

And it was on this account, also, that Agrippa began at Lugdunum when he cut

his roads — that which passes through the Cemmenus Mountains as far as the

Santoni and Aquitania, and that which leads to the Rhenus, and, a third, that

which leads to the ocean (the one that runs by the Bellovaci and the Ambiani);

and, a fourth, that which leads to Narbonitis and the Massilian seaboard. And

there is also, again, in the Poeninus itself (if you leave on the left Lugdunum

and the country that lies above it), a bye-road which, after you cross the

Rhodanus or Lake Lemenna, leads into the plains of the Helvetii; and thence

there is a pass through the Jura Mountains over to the country of the Sequani

and also to that of the Lingones; moreover, the thoroughfares through these

countries branch off both ways — both towards the Rhenus and towards the

ocean …’1.

The passage from Strabo is the point of departure for all modern research into the

Agrippan road system2, since there are no other known texts, inscriptions, or coins

which mention it. Furthermore, it is not possible to distinguish Agrippan road

material from later construction, since his work has been repaired, upgraded,

abandoned and rebuilt over many centuries. There are no dates in Strabo's text, but

Agrippa was in Gaul twice. Consequently, Strabo did not say when Agrippa planned

his system or state the extent of his construction in 39-37 B.C., or in 19 B.C.

Uncertainties in Strabo’s text have resulted in different views about how it should be

regarded. Goudineau saw the passage as little more than a list of things which could

be done to provide a road network, and suggested that the actual roads, completed

1 Strabo, Geography 4 6.11, as translated by H.L. Jones, in the Loeb Classical Library, The

Geography of Strabo 2, Harvard, 1969, pp.289-291.

2 Roddaz, Marcus Agrippa, p.390.

Page 23: Constructions Agrippa

- 15 - long after the Agrippan period did not necessarily correspond to the description3.

Roddaz thought that the text described a road system planned by Agrippa in

39-37 B.C., but built over a long period4. Drinkwater was more specific, since he

considered that the system described by Strabo was envisaged from Octavian's

acquisition of Gaul in 40 B.C., and was completed to a high standard before 27 B.C.5.

Some writers, including Grenier6 and Chevallier7, have seen Strabo's text as

describing first action by Agrippa in 19 B.C., although Chevallier8 has now cast some

doubt on this dating. Here, it is argued that the text of Strabo is essentially reliable

and that it described a real road network planned by Agrippa and substantially

completed by him in 39-37 B.C. by improving the existing roads. This first system

was upgraded over many decades and any Agrippan action in 19 B.C. was cosmetic.

It might be argued that Strabo's text is unreliable because of the generally defective

understanding of geography, and of cartography in the ancient world9. Strabo’s

description of Gaul in his Geography left much to be desired, since all the coastlines

faced north, the Pyrenees ran N-S, and all the distances were incorrect10. Woolf

suggested that the choice of Lugdunum as the centre of the Agrippan road system,

and the general plan of the system itself, resulted partly from the inadequate Roman

knowledge of Gallic geography11. This comment was probably based on Strabo’s

statement that 'Lugdunum is in the centre of the country’, when it is really in

S.E. Gallia Comata. Geographical errors may have led to over-confidence in Roman

3 Goudineau, C. & Rebourg, A., Eds., Les villes augustéennes de Gaule, (Actes du colloque

international d'Autun, 6-8 Juin, 1985), Autun 1991, Introduction, pp.11, 12.

4 Roddaz, Marcus Agrippa, p.73 and pp.389-392 and Note 29, p.390.

5 Drinkwater, J.F., Roman Gaul, London, 1983, pp.121 and 125.

6 Grenier, A., Manuel d'archéologie gallo-romaine 2, L'archéologie du sol, les routes, Paris, 1934, pp.33-34.

7 Chevallier, R., Roman Roads, London, 1976, p.160. This reference is not used further in the thesis.

8 Chevallier, R., Les voies romaines, Paris, 1997, pp.210 and 211.

9 Dilke, O.A.W., Greek and Roman Maps, Baltimore, 1998, pp.11-72 for an account of geographical concepts and their representation, and pp.43, 44, 47 and pp.62-65 for Strabo.

10 As pointed out by Goudineau, CAH 10, 1996. pp.466, 7.

11 Woolf, G. Becoming Roman, Cambridge, 2000, p.89 and Note 23.

Page 24: Constructions Agrippa

- 16 - achievements12, but Strabo's text gave practical information on places reached or

traversed without reference to points of the compass or distances. Furthermore, the

choice of Lugdunum as the road hub was based on strategic factors13. Also, it is not

possible to doubt Strabo's text because there was insufficient information which he

could use. There was the map of the world on the Porticus Vipsania in Rome near the

Campus Martius, erected by Agrippa’s sister after his death, and still incomplete in

6 B.C.14. The portico and the map are lost, but Pliny mentioned both, and, also, said

that the map was derived from the lost Commentaries of Agrippa15. Roddaz

concluded that these were taken into account in making the map16. Agrippa’s

Commentaries were probably placed in the Archives at Rome after Agrippa died in

12 B.C.17. Strabo, writing his Geography between 9 and 5 B.C., and revising it in

A.D. 18-1918, could have used them19. It is, also, possible that the unknown

'chorographer', or geographer, of Strabo was Agrippa20. The lost Autobiography of

Agrippa contained a passage on Agrippa's Portus Julius in the Bay of Naples21, and,

therefore, probably described the Agrippan roads in Gaul. The evidence, therefore,

indicates that Strabo's account of Agrippa's road network is reliable, even if Strabo,

the partly 'armchair geographer'22 had no direct knowledge of it. Furthermore, an

Agrippan road network can be expected since he was in Gaul twice and could have

built this first essential instrument of control for Octavian or Augustus 23. If Strabo

had not mentioned the Agrippan road system it would probably have been imputed.

12 Moynihan, R., ‘Geographical Mythology and Roman Imperial Ideology’, Winkes, R., Ed.,

The Age of Augustus, Louvain-la-Neuve, 1985, pp.149-162, at p.152, suggested that Augustus believed that he had nearly conquered the world by his penetration into Germany.

13 Drinkwater, J.F., 'Lugdunum : Natural Capital of Gaul?', Britannia, 6, 1975, pp.133-140, also see below, p.40.

14 Cassius Dio, 55.8.3, and Roddaz, Marcus Agrippa, pp.291-293 and Notes 345-363.

15 Pliny, 3.17.

16 Roddaz, Marcus Agrippa, pp.573-577 and Notes 32-52.

17 Ibid, p.389 and Note 27.

18 Dilke, p.62.

19 Roddaz, Marcus Agrippa, pp.573-591 and Notes 31-128.

20 Dilke, pp.43, 4 for the 'lost chorographer'.

21 Roddaz, Marcus Agrippa, pp.568-571 and Notes 6-19 referring to Pliny, 7.148, and 26.121, also below Chapter 11, p.211, for the port.

22 Dilke, p.62.

23 See above pp.11, 12, for Agrippa's two visits to Gaul.

Page 25: Constructions Agrippa

- 17 -

EXTENT OF AGRIPPA'S ROAD NETWORK Strabo mentioned four Agrippan routes radiating from Lugdunum, which can be

identified by reference to Fig. 1.124. The first of these, to the West, reached the

Santoni, marked on Fig. 1.1 as the Santones. The second route to the Rhine was

poorly described, since it could have reached this river at any point between the

territory of the Raurici and the estuary on the North Sea. Strabo's route to Ocean

went through the territories of the Bellovaci and the Ambiani marked on Fig. 1.1 to

reach the English Channel. The fourth route must have gone down the valley of the

Rhône. Strabo also referred to a 'bye road', described here as a by-road, after noting

the four Agrippan routes, although he did not say that this was part of Agrippa's road

network.

Strabo said that the by-road crossed the Rhodanus (the Rhône), or Lake Lemenna

(Lake Geneva) into the plains of the Helvetii, going through a pass in the

Jura Mountains into the territories of the Sequani and the Lingones. As can be seen

from Fig. 1.1 and Fig. 1.225, the Rhône passes through Lake Geneva. Consequently,

the road crossing the river or the lake could have come from Lugdunum or from over

the Alps via the Great St. Bernard Pass. Strabo also said, ‘And there is also, again in

the Poeninus itself (if you leave on the left Lugdunum and the country that lies above

it) a bye-road’. Strabo’s mention of Lugdunum and the ‘Poeninus itself’ (the Alps) in

the same sentence does not properly define the road location. This was recognised in

the Loeb edition by a note on the translation. ‘Strabo’s brevity is again confusing.

He suddenly shifts his standpoint from Lugdunum to the Poeninus (the Alps). He has

in mind two roads: (1) the road which ran through the Poeninus to the Rhodanus (the

Rhône) at the eastern end of Lake Geneva, crossed the river, circled around the lake,

crossed again at the other end and then followed the Rhodanus to Lugdunum;

and (2) a road that branched off the same at some point north of the lake, into the

plains of the Helvetii'26. Jullian27 thought that the passage referred to two roads from

Lugdunum to Italy, one over each of the two St. Bernard Passes shown on Fig. 2.2.

24 Based on Brogan, O., Roman Gaul, London, 1953, Fig. 1, p.19.

25 Based on Chevallier, Les voies romaines, Fig. 146, p.234, and Grenier, 2, Figs. 10 and 11, pp.40, 41.

26 Strabo, Geography, translated by H.L. Jones, The Geography of Strabo, 2, Harvard, 1969, Note 2, pp.290-291.

27 Jullian, C., Histoire de la Gaule, 4, Paris, 1929, p.84, Note 7.

Page 26: Constructions Agrippa

- 18 - Grenier discerned only one road from Lugdunum to Italy via Lake Geneva and the

Great St. Bernard Pass28, and Roddaz followed this29. None of these interpretations

explain Strabo's passage 'If you leave on the left Lugdunum and the country that lies

above it'. This phrase seems to indicate that the traveller from Italy has already

passed the fork in the road leading to the Little St. Bernard Pass after departing from

Augusta Praetoria (Aosta), and is about to cross the Great St. Bernard Pass towards

Octodurus. In this case, there was one by-road from over the Alps and it crossed the

Rhône to the east of Lake Geneva.

It is most unlikely that Agrippa would have built such a road. The territory of the

Helvetii between Augusta Raurica and Lake Geneva was strategically important for

Roman security, since it lay between the Alpine tribes (including the Helvetii) and

Southern Gaul. It also gave access to the Great St. Bernard Pass and Italy. After the

frustration of the Helvetii in their plan to migrate to Western Gaul and their defeat by

Caesar, they were obliged to retain their lands30 and Colonia Julia Equestris (Nyon)

was established by Caesar31. Colonia Raurica (modern Augst) was founded by

L. Munatius Plancus with Lugdunum in 43 B.C.32. The Roman position at Nyon

guarded passage over the Swiss Plateau to Lugdunum and the Alps. That at Augst

guarded the Rhine crossing, and, also, blocked the natural route between there and

Vesontio via the Belfort Gap, or the pass between the Jura Mountains and the Vosges

to the north33. Consequently, the Swiss Plateau was guarded before Agrippa first

came to Gaul, although there may have been no continuous road between Nyon and

Augst34. Agrippa, therefore, was more likely to provide for security by new road

construction reaching a position on the Rhîne below Augst. There is also no reason

to think that Agrippa used a road through the Great St. Bernard Pass for his supplies

or troop movements. In 39-37 B.C., he recruited most of his forces for action in Gaul

28 Grenier, 2, pp.39-42.

29 Roddaz, Marcus Agrippa, p.390 and Note 28.

30 Caesar, BG, 1.28. 3-4.

31 Wells, C.M., The German Policy of Augustus, Oxford, 1972, pp.35-36, Notes 1 and 2, indicating the scholarship on the foundation, for which there seems to be no primary text.

32 As indicated by CIL, 10.6087, on the tomb of Plancus.

33 The Belfort Gap is marked on Fig. 1.4.

34 As argued by Wells, p.37. Note 63.

Page 27: Constructions Agrippa

- 19 - in that territory35, and it is most unlikely that forces would be diverted from Italy.

Furthermore, the two St. Bernard Passes could not be used without let or hindrance

until Augustus freed them from local control in 25-24 B.C. Even in 19 B.C. it is not

certain that the Great St. Bernard Pass could accommodate wagons 36.

Both Jullian37 and Drinkwater38, considered that Agrippa planned and built nothing

east of the Jura Mountains. Grenier stated that the by-road was Agrippan39 and

Roddaz followed him40, but neither gave any justification for their positions.

Chevallier was silent on the matter. Attribution of the by-road to Agrippa was

perhaps argued because Strabo mentioned it immediately after the four Agrippan

roads, yet this is probably explained by Strabo's account of the clearing of the Alpine

roads by Augustus earlier in his book 441. Having described Agrippa's roads, he was

reminding the reader of the achievement of Augustus and noting that, as a result of

both these actions, it was possible to travel directly from Italy to Gaul, and from there

to Ocean and the Rhine. Agrippa did not say that the 'thoroughfares’ were the

Agrippan roads, but some writers have assumed this 42.

INVESTIGATION OF THE AGRIPPAN SYSTEM OF FOUR ROADS Investigation is confined to the roads themselves and limited to identifying their

locations without reference to bridges or other works which were part of them. Road

stations and other buildings for road use and security built by Agrippa are considered

in Chapter 5. Roads at and near Lugdunum are examined in Chapter 2. As noted

above, Strabo's text mentioned no dates. Agrippa could have devised his system in

39-37 or 19 B.C. and have started work on any particular road at different times. The

35 Roddaz, Marcus Agrippa, p.70 and Note 217.

36 Strabo, 4.6.6 and 4.67. Hyde, W.W., Roman Alpine Routes, Philadelphia, 1936 (facsimile Ann Arbor, 1983), Wells, p.37 and Chevallier, p.273.

37 Jullian, 4, p.84, Note 7.

38 Drinkwater, Roman Gaul, p.125.

39 Grenièr, 2, p.39.

40 Roddaz, Marcus Agrippa, p.390, Note 28.

41 Strabo, 4.6 and 7.

42 See below Notes 112-116, p.30.

Page 28: Constructions Agrippa

- 20 - reasons for his actions in the two periods were also different for particular roads. It is,

therefore, necessary to investigate each road separately, and, also, to consider the whole

network. A first section is set aside for examination of each of the four roads in which

the location is considered in relation to historical and strategic factors. A second

section is reserved for investigation of the factors influencing planning and construction

of the whole network. It is then possible to draw conclusions from the findings of the

two sections.

1. INVESTIGATION OF EACH OF THE FOUR ROADS

The location of a first Agrippan road must be deduced rather than stated because of

the lack of material evidence of its existence. If a later Roman road followed its

trace, there would be changes in alignment over the centuries. If the first trace was

abandoned for another, these changes could be substantial. Consequently, the

location assessed here is approximate. It can be shown only on a small scale map,

and indicated by the places traversed or reached by it. Drinkwater marked the whole

network on a small scale map43 and Chevallier described the locations in his text,

illustrating only that to the South44. Here, a road location diagram is provided for

each of the roads.

The locations of Agrippa's first roads are deduced from the written and the material

evidence. The Antonine Itinerary consists of a text describing journeys of the

Antonine period and naming stopping places and the distances between them45.

There is no information on when the road was built. The Peutinger Table is a painted

map of the 12th or 13th century based, by several removes, on a road map of the

4th century. This contains information from the early and late Empire, but it cannot be

used to date any of the roads in Gaul46. These written sources indicate the existence

of a Roman road later than the Agrippan period, but they do not describe all the

Roman roads, and can, therefore, be used only suggest the possible existence of some

43 Drinkwater, Roman Gaul, Map 7, p.238.

44 Chevallier, pp.210, 211 and Fig. 127.

45 Dilke, pp.125-8, Chevallier, pp. 56-59.

46 Miller, K., Die Peutingersche Tafel, Stuttgart, 1962, Levi, A. & M., Itineraria Picta, Rome, 1967, Dilke, p.114 and Chevallier, pp.153-6.

Page 29: Constructions Agrippa

- 21 - roads of Agrippa47. The material evidence is from the remains of the Roman roads.

Sometimes these can be readily identified from site inspection, but the line of the road

can be discerned most easily from the air, by noting changes in relief or vegetation,

the land division and the locations of bridges and buildings of various periods. The

general chronology of roads in a particular zone can be built up by combining local

historical information with the physical evidence48. The written and material

evidence of the Roman roads is not always sufficient to deduce the location of the

first Agrippan roads, and, particularly, where there are alternative routes. In these

cases, it is necessary to consider reasons for Agrippa to adopt one route rather than

another.

(a) THE ROAD FROM LUGDUNUM TO THE WEST:

Strabo said that the road passed through the Cemmenus Mountains 'as far as the

Santoni and Aquitania.’ The Cemmenus Mountains, or the Cévennes, lie to the west,

and mainly south, of Lyon. The chief city of the Santoni was at Mediolanum

(modern Saintes). The general route can be identified from Fig. 1.1 as going west

from Lugdunum over the tributaries of the Loire, skirting the higher part of the

Averni (the Auvergne Plateau), and reaching the territory marked 'Santones'.

Fig. 1.349 shows the principal known Roman roads in the area. The shortest route

was directly from Feurs to Clermont-Ferrand, but the Peutinger Table shows the

Roman road going through Vichy, and the Antonine Itinerary indicates no westerly

road from Lugdunum. The direct road between Feurs and Clermont-Ferrand, rose to

some 1,500 metres, whereas that through Vichy reached only about 500 metres, but

the road gradients on the direct route were not a serious problem for military forces

with pack animals. The direct road was discerned some 80 years ago by Besnier, and

then confirmed by Grenier50. The Peutinger Table would not have noted it if the road

was re-routed through Vichy later for easier passage of vehicles. The short route has

been identified as that of Agrippa by a recent study in which the historical and

47 Chevallie r, Fig. 121, p.200 and Fig. 122, p.201, provided maps showing, respectively, the

roads according to the Peutinger Table and the Antonine Itinerary. These are used here.

48 Chevallier, Chapters 5-7, pp.82-106, and, particularly, Chapter 7, 'Les voies et les données gétopographiques', pp.98-106.

49 Based on Drinkwater, Roman Gaul, Map 8, p.289 and Chevallier, Fig. 121, p.200.

50 Besnier, M, ‘Le point de départ des grandes routes de la Gaule Romaine’, BAC, 1923, pp.73-96, pp, 88, 89, and Grenier, 2, pp.35, 36.

Page 30: Constructions Agrippa

- 22 - physical characteristics of the transport zone were taken into account 51. The

Agrippan road went from Clermont-Ferrand to Limoges, where there is evidence of

it52. It has been identified at Saintes for the first 600 metres after it crossed the

River Charente53. There is, therefore, no dispute about the location of the first

Agrippan road to the West from Lugdunum to Mediolanum.

The Santoni were allies of Rome, as noted by Caesar54, and as can be seen from the

Romanisation of the aristocratic Gaulish family of a man called Epotsorovidus. A

son of this family received Roman citizenship, taking Caesar’s nomen Julius, and his

grandson Caius Julius Rufus, a priest of the Cult of Rome and Augustus at

Lugdunum, paid for the amphitheatre there. He also built the surviving triumphal

arch at Mediolanum in A.D. 18/1955 over the existing Agrippan road from Limoges.

Archaeological investigations indicate the existence of an agglomeration with a

pottery in production by about 40 B.C. The town grid was set out to suit the

monumentalisation of the early 1st century A.D. and the topography of the town

plateau. It had no relation to the line of the Agrippan road which was governed by

the crossing of the Charente River56. There was, therefore, no planning connection

between the Agrippan road and any monument, except the arch of A.D. 18/19 which

was built over it. A road to Mediolanum reached the Charente River with access by

this to the Atlantic Ocean, and also brought Roman forces closer to the valley of the

Loire to the north. Agrippa's road to the English Channel through the territories of

the Bellovaci and the Ambiani and the road to the west provided the bare bones of a

strategic road system for controlling N.W. Gaul, from which Agrippa had little to

fear.

51 Denimal, P., 'La voie Aquitanique d'Agrippa de lyon à Saintes'. Thèse de l'Universitè de Paris,

4, 1995.

52 Chevallier, p.210, Note 47.

53 Maurin, L., ‘Les villes augustéennes de l'Aquitaine occidentale : Bordeaux, Périgueux, Saintes’, Goudineau, C., & Rebourg, A., Eds., Les Villes augustéennes de Gaule, pp.45-59, Fig. 1, p.48 and p.51.

54 Caesar, BG, 3.11; 7.75.

55 King, A., Roman Gaul, London, 1990, pp.66,67 and Note 3, p.218 referring to CIL 13 1036, also Woolf, Becoming Roman, p.40.

56 Maurin, pp.46-48, 54-56, for the chronology of development and Woolf, p.118, for the town grid.

Page 31: Constructions Agrippa

- 23 - Strabo's text stated that the road went as far as the 'Santoni and Aquitania'. The old

Aquitania of Caesar was almost entirely south of the Garonne, shown on Fig. 1.1,

whereas the province of Aquitania, created by Augustus in 27 B.C., extended almost

as far north as the Loire57. Strabo mentioned both58. Since Mediolanum was in the

province of Aquitania, a road reaching the town automatically reached this Aquitania

and it is curious that Strabo mentioned the province. He may have been referring to

the old Aquitania, which had long been a trouble spot before the conquest of Caesar.

The Aquitani were overcome by Crassus acting for Caesar only after a lengthy

struggle following a Roman approach from the south via Toulouse, Carcasonne and

Narbonne 59. The Cantabri of northern Spain helped the Aquitani60. Caesar himself

went to Aquitania in 51/50 B.C. and campaigned there, noting that Crassus ‘had

conquered it to a certain extent’61. Agrippa campaigned in Aquitania in 38 B.C. and

seems to have won a brilliant victory, but there is no other information from the

ancient texts62. It is, therefore, not known whether he approached Aquitania from the

south, like Crassus, or from the north through Saintes, or through some other region.

The last major campaign in Aquitania seems to have been that of Messala Corvinus in

29/28 B.C.63. It is not certain that the region was entirely quiet after this, but it is

unlikely that there was any significant assistance from the Cantabri of northern Spain,

after Agrippa’s pacification of Cantabria in 19 B.C.64. Aquitania, therefore, remained

a trouble spot for the Romans at least until 28 B.C., and, since Agrippa campaigned

there himself he would surely regard it as a strategically important region. Goudineau

noted the existence of problems in S.W. Gaul and N.E. Gaul and suggested that

Agrippa's roads to the West and to N.E. Gaul built to counter these problems,

probably originated from Agrippa’s first visit to Gaul, referring specifically to the old

Aquitania and to Strabo's description of the Agrippan roads65. By extending the road

beyond Mediolanum to the old Aquitania, Agrippa could have kept his forces in

57 The two Aquitanias are shown on Figs. A and B, pp. 9, 10.

58 Strabo, 4.1.

59 Caesar, BG, 3. 20-27.

60 Ibid, 3.26.

61 Ibid, 4.6.

62 Cassius Dio, 48.49.3, Appian, 5.92.386.

63 Roddaz, Marcus Agrippa, p.70 and Note 219.

64 Cassius Dio, 54.11 and below Chapter 6.

65 Goudineau, CAH 10, 1966, pp.489, 490.

Page 32: Constructions Agrippa

- 24 - Gallia Comata for rapid response to unrest in N.W. Gaul and on the Rhine, and have

reduced his forces in southern Gaul. Extension of the road on flatter ground beyond

Saintes for an extra distance of some 170 km was a small task in relation to building

the road the 600 km from Lyon to Saintes over the Auvergne Plateau.

There is, therefore, a strong indication that Agrippa built his road in 39-37 B.C.

extended beyond Mediolanum along the east side of the Gironde to the Garonne near

present Bordeaux. Maurin argued that there was a pre-Roman road from Saintes to a

long-established trading place at Bordeaux, and that Agrippa, improving this,

transferred the Biturges and the Vivisci to the area (indicated on Fig. 1.1) in

39-37 B.C. In fact, Maurin considered that the road to the Bordeaux area passed

through Saintes only because the Charente could be crossed there conveniently66.

Yet the Garonne could be reached through Limoges and Perigueux. It is also unlikely

that Agrippa built a road to transfer people. He more probably made them build the

road themselves to serve his strategic advantage. Apart from the indications of

Goudineau and Maurin, the received opinion is that the Agrippan road to the West

ended at Saintes. Yet the evidence indicates that it extended beyond Saintes to the

Garonne.

(b) THE ROAD TO THE RHINE:

Strabo neither named the place where the road reached the Rhine, nor the regions

through which is passed. Fig. 1.467 shows the course of the Rhine from Augst to its

estuary, and the principal physical features which would have influenced Agrippa's

road location. It was argued above that Agrippa's road passed west of the

Jura Mountains because the invasion routes over the Swiss Plateau and the

Belfort Gap had been guarded by the colonies at Augst at Nyon, established before he

came to Gaul. A road could be built easily up the valley of the Saône, marked on

Fig. 1.1, and most of that of the Moselle. It was not practicable to use the Moselle

valley north of Trier, since the river was convoluted and confined by steep cliffs. A

road to Mainz, Mogontiacum, left the Rhine below this point unguarded. A road to

Cologne or to Bonn over the Eifel reached the plains north of the Ardennes, the

northern margin of which formed a natural barrier against movement to the south

66 Maurin, p.47 and Notes 14-17.

67 Based on Wightman, E.M., ‘Military arrangements, native settlements and related developments in early Roman Gaul’, Helinium, 17, 1977, pp.105-126, Fig. 1, p.109 (part).

Page 33: Constructions Agrippa

- 25 - from across the Rhine over the plains, or from the plains themselves. Agrippa's road

to Ocean passed through the territories of the Bellovaci and the Ambiani to reach the

English Channel, as indicated on Fig. 1.1. An Agrippan road to the Cologne area and

a road to the Channel could be connected by a road along the northern margin of the

Ardennes to form a triangle of road control. There is evidence of such a W-E road

being in partial operation by about 20 B.C68. An Agrippan road to the Cologne area

would, therefore, have been the most effective as a counter to invasion from across

the Rhine north of Augst. The threat of invasion from across the Rhine, and of

insurrection in N.E. Gaul, was a primary concern for Agrippa in 39-37 B.C. and he

would, therefore, have built his road to the Rhine at that time.

A road reaching the general area of Cologne ended in the territory of the Ubii, who

had lived on the east, or right-hand side of the Rhine before the conquest of Gaul, and

had co-operated with Caesar in his crossing of the River69. The Ubii moved over the

river and occupied the area near and to the south of Cologne, including the territory of

the Eburones, shown on Fig. 1.1, laid waste by Caesar after his defeat of their leader

Ambiorix in 53 B.C.70. Strabo said that the Ubii were transferred across the Rhine to

the left bank by Agrippa at their own request71, but he gave no dates. Texts of

Tacitus indicate that the transfer of the Ubii occurred over a long period72. Agrippa

crossed the Rhine in the later part of his visit to Gaul in 39-37 B.C.73, and probably in

winter/spring 38/37 B.C.74. Oak piles driven for a wharf at Cologne have been dated

to 38 B.C.75, and the dating is reliable 76. Agrippa was probably responsible for

building the wharf77. There is no record of Agrippa crossing the Rhine in 20/19 B.C.

68 Wightman, E.M., Gallia Belgica, London, 1985, p.50, noted the road as a supply route, but it

was also a defensive road because of its location.

69 Caesar, BG 4.16.

70 Ibid, 6.43, 44.

71 Strabo, 4.34.

72 Tacitus, Annales 12.27.1 and Germania 28.

73 Cassius Dio, 48.49.3.

74 Reinhold, pp.26, 27 and Note 34 and Roddaz, Marcus Agrippa, p.71.

75 Doppelfeld, O., ‘Das römische Köln. I. Ubier-Oppidum und Colonia Agrippinensium’, ANRW 2.4, 1975, pp.715-750, p.718.

76 Renfrew, C.; Bahn, P., Archaeology, London, 1991, pp.118-120, for the technology of dating timber by dendrochronology.

77 As assumed by Doppelfeld, p.719.

Page 34: Constructions Agrippa

- 26 - The evidence, therefore, indicates that Agrippa was active in the Cologne area in

38 B.C., and that the transfer of the Ubii occurred at this time, although probably as a

formalisation of an earlier process. Dating of the transfer to 38 B.C. is widely

supported78. The relationship between Rome and the Ubii was important from the

conquest onwards and the Ara Ubiorum at Cologne, in existence by A.D. 979, was the

cult centre for the new province of Germania. Colonia Ara Agrippinensis

founded at Cologne in A.D. 50 was a major Roman centre. Gechter provided an

analysis of the special relationship between Rome and the Ubii80.

The location of the Oppidum Ubiorum at Cologne does not automatically indicate that

the first Agrippan road ended there, since it is not possible to trace the development of

Cologne from a transfer of the Ubii in 38 B.C. to the foundation of the colonia 90 years

later81, except for the altar being in use by A.D. 9, as noted above. The earliest Roman

occupation of Cologne has been dated to 5 B.C. from the remains of a Roman camp,

and no pre-Roman pottery has been found. At Bonn (some 25 kms up the Rhine from

Cologne), the pottery indicates a lowland oppidum from 30 B.C. Cologne, on the other

hand, was in an open area unsuitable for an oppidum82. Gechter suggested that the

nobility of the Ubii had been destroyed before the conquest83. It is possible, therefore,

that the Ubii initially settled in various locations, with Bonn amongst the earliest of

these, and that the Oppidum Ubiorum at Cologne was created later by the Romans as

the Ubian cultural centre. Certainly, the Oppidum Ubiorum was laid out to a grid

pattern by Roman surveyors84. Bonn was better sited than Cologne to control

movement from across the Rhine into Gaul immediately north of the Ardennes, since it

is closer to these uplands. There is, therefore, an archaeological and a strategic case for

Agrippa ending his road at Bonn rather than at Cologne, whether Agrippa started to

build his road in 39-37 B.C. or in 19 B.C. The 38 B.C. dating of the wharf timbers at

78 Roddaz, Marcus Agrippa, pp.71, 72 and Notes 225-229 and pp.384-386 and Notes 6-16

provided a summary of the literature.

79 La Baume, P., Colonia Agrippinensis, Chicago, 1969, pp.10-11.

80 Gechter, M., ‘Early military installations and Ubian settlements in the Lower Rhine’. Blagg, T. & Millet, M., Eds., The Early Roman Empire in the West, Oxford, 1990, pp.97-107, at p.102.

81 King, p.157; Wilson, J.R.A.

82 Gechter, p.100.

83 Ibid, p.99.

84 Doppelfield, p.718.

Page 35: Constructions Agrippa

- 27 - Cologne is explained by Agrippa's crossing of the Rhine 85. A W-E road reaching

Cologne by about 20 B.C., as suggested by Wightman86 is not pertinent to discussion

on an Agrippan road of 39-37 B.C. A termination of the road at Bonn was suggested

by Jullian some 80 years ago based on his interpretation of the remains of roads ending

at both Bonn and Cologne 87. Since that time there has been general agreement that the

road ended at Cologne, with the notable exception of Chevallier, who indicated that the

road did not go to the Cologne district, but to Mainz88. As noted, this termination

would have been ineffective as a strategic road. The general belief that Cologne was

the destination of the road to the Rhine is probably to be explained by the presence of

the colony and the Ara Ubiorum, together with the road going there being marked on

the Peutinger Table and the Antonine Itinerary. Yet all these indicators are from the

Empire and not from the Agrippan period, and the evidence from that time points

strongly to the road finishing at Bonn.

Fig. 1.589 shows a Roman road through Mayen to Andernach, which reached Bonn

by going down the Rhine and, also, a branch off the road over the Eifel through

Zulpich to Bonn. Jullian favoured the road through Zulpich as the Agrippan

road90. Wightman91 and Drinkwater92 also preferred the road over the Eifel, but

going to Cologne. Grenier93 adopted the Andernach road and was followed by

Roddaz94. All these opinions were based on different interpretations of inadequate

information, and there is no detailed study of the Agrippan road in the region

corresponding to that of his road to the West95. A road over the Eifel would have

had military advantage since it commanded high ground and could be used to

85 Cassius Dio, 48.49.3.

86 See above Note 68, p.25.

87 Jullian, S., p.88 and Note 5.

88 Chevallier, p.210.

89 Based on Wightman, Gallia Belgica , general map (part).

90 Jullian, 5, p.88 and Note 5.

91 Wightman, 'Military arrangements …', Fig. 1, p.109.

92 Drinkwater, Roman Gaul, Map 7, p.238.

93 Grenier, 2, p.37.

94 Roddaz, Marcus Agrippa, p.392 and Note 38, referring to Grenier.

95 The Thesis of Denimal above, Note 51, p.22.

Page 36: Constructions Agrippa

- 28 - deploy forces to the west or the east. This route must, therefore, be preferred to

that through Mayen.

Wightman has indicated a re-routing of the first Agrippan road at and near Trier

resulting from Agrippa's visit to Gaul in 19 B.C., based on the dating of the first

Roman bridge at Trier to 18-17 B.C. from dendrochronological investigation.

Wightman argued that Agrippa's first road approached Trier from the south on the

west of the Moselle in order to avoid the ford there, which had steep cliffs on its north

side. When the bridge was built and the cliffs were cut back, the road was deviated to

cross the river96. Her hypothesis is to be accepted. In this case the Agrippan road of

39-37 B.C. was probably re-routed elsewhere in the general region of Trier.

Although there is still controversy and some uncertainty about the route of the first

Agrippan road north of Trier, its general location between Lyon and Trier has been

established. The Agrippan road, shown on Fig. 1.697, went through Chalon, Dijon,

Langres, Toul and Metz, following the valleys of the Saône and the Moselle, except at

Dijon, where it was west of the Saône, and, also, where it went over the Langres Plateau.

Identification of the route has been based on the evidence of the Peutinger Table over the

whole distance, the Antonine Itinerary from Langres to Trier, the remains of Roman

roads and the natural routing indicated by the topography98. As noted above,

construction of the entire road from Lyon to Bonn would have been a primary concern

for Agrippa in 39-37 B.C.

(c) THE ROAD TO THE OCEAN (THE ENGLISH CHANNEL):

Fig. 1.6 shows the principal Roman roads between Lugdunum and the English Channel.

Strabo's text described the road to Ocean as passing through the territories of the

Bellovaci and the Ambiani, shown on Fig. 1.1, whose respective capitals were Beauvais

and Amiens. The only road shown on Fig. 1.6 which reached both is that through

Chalon, Sens, and Paris. Any road reaching Boulogne from Langres directly would not

96 Wightman, E.M., Roman Trier and the Treveri, London, 1970, p.36 and Gallia Belgica,

pp.49, 50 and Note 77, p.342.

97 Based on Wightman, 'Military arrangements … ', Fig. 1, p.109, extended to include Lyon.

98 Drinkwater, Roman Gaul, Map 7, p.238; Roddaz, Marcus Agrippa , p.390; Chevallier, p.210 and Notes 58, 59.

Page 37: Constructions Agrippa

- 29 - pass through Beauvais. Fig. 1.799, indicates that the route through Paris was indirect. It

was easier to reach Beauvais from Sens through Meaux and Senlis, and such a road

existed100. Paris was not an important Roman centre even in the Empire101. Thévenot's

detailed study published in 1969102, but still authoritative103, identified a pre-Roman road

connecting the Aedui of central Gaul to their allies, the Senones and the Bellovaci, and to

the English Channel, which passed through Chalon, Sens, Meaux, Senlis, Beauvais and

Amiens. Thévenot indicated that the first Agrippan road followed the general line of this

road, perhaps upgraded after the conquest104. Such improvement is to be expected, since

trade increased between S.E. Britain and Gaul over the short channel crossing at Boulogne

after Caesar visited Britain105. The Aedui were the first, and the principal, allies of Rome in

Gallia Comata106. It would, therefore have been natural for Agrippa to adopt the road to

Ocean controlled by the Aedui, when he came to Gaul in 39-37 B.C. Yet, Thévenot dated

the first Agrippan road to 19 B.C., relying partly on Grenier who argued that all the

Agrippan roads should be dated from 19 B.C. onwards107, and, partly on the archaeology of

Bibracte, the old capital of the Aedui marked as Mt Beuvray on Fig. 1.6, and of Autun, the

new Roman centre to its East. Thévenot thought that Bibracte was abandoned in the period

20-10 B.C. and that Autun was founded at that time with the Agrippan road passing though

it108. It is now known that Bibracte and Autun continued in use together. There is

uncertainty about the foundation date of Autun109, and, consequently, no clear indication of

the Agrippan road going through Autun in 19 B.C. Also, a road dating there does not

99 Based on Wightman, Gallia Belgica, general map (part).

100 As indicated by Wightman on her general map of Gallia Belgica and also Poux, M., and Robin, S., 'Les origines de Lutèce', Gallia, 57, 2000, pp.181-225, Fig. 22, p.218.

101 Woolf, pp.101, 2, and Notes 62, 63.

102 Thévenot, E., 'Les voies romaines de la cité des Eduens', Latomus, 98, 1969.

103 Chevallier, pp.210, 1 and Note 55.

104 Thévenot, pp.102-108.

105 Caesar, BG, 5, 20, 21. There is also archaeological evidence of a decrease in the trade between S.W. Britain and Brittany from about that time; Wiseman, A. & P., Julius Caesar The Battle for Gaul, Boston, 1980, p.88.

106 BG, 1.11; 8.54.

107 Grenier, 2, pp.33-34.

108 Thévenot, pp.107-8.

109 Woolf, p.9 and Notes 28, 29; Rebourg, A., 'Les origines d'Autun : l'archéologie et les textes', Les villes augustéennes de Gaule, pp.99-105; Gruel, K. and Vitali, D., 'L'oppidum de Bibracte', Gallia 55, 1998, pp.1-140 and Rebourg, A., L'urbanisme d'Augustudunum (Autun, Saône-et-loire), Gallia 55, 1998, pp.141-255.

Page 38: Constructions Agrippa

- 30 - indicate dating elsewhere. Chevallier has suggested a dating of 39-37 B.C. of the whole

road from the general archaeology of its formation with typical ditches110.

The route through Chalon, Autun, Sens, Meaux, Senlis, Beauvais and Amiens is

preferred by modern writers111, although Drinkwater adopted one through Langres,

Reims, Soissons and Amiens112. This is probably explained by his reliance on

earlier writers who preferred a road through Langres. Jullian adopted the route

through Langres, Reims and Soissons which went through Amiens but avoided

Beauvais, relying on the prominent remains of the road. He suggested that Strabo

had made a mistake in saying that the road went through Beauvais113. He was

supported by Grenier114. Thévenot convincingly rebutted this hypothesis of a

'mistake' by Strabo and contested Jullian's adoption of a well-defined route of the

Empire as a first Agrippan road115. The hypothesis of an Agrippan road from Langres

arose from Strabo's remarks on the by-road and the thoroughfares by which it was

possible to reach from this to the Rhine and the English Channel. A by-road through

Besançon and Mirebau, shown on Fig. 1.6, joined Agrippa's road to the Rhine south

of Langres, and would, therefore, have connected to a road to the Channel from there.

Yet the road from Langres through Soissons is probably post-Agrippan while that

through St. Quentin and Arras is probably pre-Agrippan116.

The Agrippan road, therefore, went to Boulogne through Chalon, Sens, Meaux,

Senlis, Beauvais and Amiens along an existing commercial road controlled by an ally

of Rome. This gave direct access to N.E. Gaul and the short Channel crossing to

counter potential unrest in that region and co-operation in this by British tribes.

Adoption of the road and any necessary improvement were called for in 39-37 B.C. in

110 Chevallier, p.211.

111 Roddaz, Marcus Agrippa, p.391 and Notes 35, 36, Wightman, Gallia Belgica , p.50 (through Paris between Sens and Beauvais) and Chevallier, pp.210, 211.

112 Drinkwater, Roman Gaul, Map 7, p.238.

113 Jullian, 5.89.

114 Grenier 2, p.37.

115 Thévenot, pp.89-91.

116 See above, p.19, for Strabo's comments on the by-road and the explanation for these, also Chevallier, p.211 and Notes 56, 57 referring principally to Leman, P., 'La voie de Léman à l'Ocean', la branche orientale. État de la question et propositions nouvelles', Caesarodunum, 10, 1975, pp.102-108 for the dating of the two roads from Langres.

Page 39: Constructions Agrippa

- 31 - conjunction with the construction of the road to the Rhine. A later road, connecting

the road to Ocean and the Rhine117, would seal off the northern plains along the

northern margin of the Ardennes.

(d) THE ROAD TO THE SOUTH:

Fig. 1.8118 shows Roman roads connecting Lugdunum to the South. Lugdunum and

Arelate were both Roman colonies and Vienna was almost certainly a colony before

Agrippa first came to Gaul119. It is, therefore, almost certain that there was a Roman

road from Arelate to Lugdunum by 39 B.C. Drinkwater argued on this basis that

Strabo's road to the South was not part of the Agrippan system120. Yet, this could not

function without the link, which was a funnel for all the through traffic. Whether

Agrippa was obliged to carry out any works on the road link in 39-37 B.C. or 19 B.C.

depended on its condition and the rate of build-up of the traffic on the other three

Agrippan roads, and nothing is known about these factors.

The road on the left, or east, side of the Rhône has been identified as the 'Agrippan

road' of the Empire. Two routes between Lugdunum and Vienna are from the

Claudian period when bridges were built connecting Lugdunum on the west bank of

the Rhône to the east via the island of Bellecour 121. The first Roman road between

Lugdunum and Vienna was on the right or west side, and it crossed the Rhône at

Vienna to continue on this side to the south122. The road on the right bank south of

Vienna was convoluted and subject to flooding, being confined to a strip of land

between the river and high land to the west123. It connected settlements on the river,

whereas the 'Agrippan road' on the left bank, meeting the river only at Vienna,

Valentia and Avennio, was set out to a good line by Roman surveyors. There are no

117 See above Note 68, p.25.

118 Based on Rivet, Fig.38, p.278 and Fig. 42, p.302.

119 Arelate was founded by T. Claudius Nero on behalf of Caesar in 46 B.C., Suetonius, Tiberius 4.1. Lugdunum was founded in 43 B.C. by Munatius Plancus, CIL 10 6087. Rivet, pp.305-6, discussed the evidence for a Roman colony at Vienna from which Roman citizens were expelled and for whom the colony at Lugdunum was created (Cassius Dio, 46.50).

120 Drinkwater, Roman Gaul, p.125.

121 Roddaz, Marcus Agrippa, p.372 and Note 41; Chevallier, pp.211-2, also see below Figs. 2.1 and 2.2.

122 Chevallier, p.212, and Note 61.

123 Ibid, p.212, for a description of the road on the right bank.

Page 40: Constructions Agrippa

- 32 - surviving Roman road markers on the road east of the Rhône earlier than 3 B.C.124.

At Orange (Arausio), the line of the road entering the town from the north through

the Triumphal Arch continues along the cardo maximus, indicating that the town

grid was set out from the existing road. There is no definite dating for the

foundation of the town, but it was, almost certainly, before the second visit of

Agrippa to Gaul in 19 B.C.125.

There is, therefore, insufficient evidence to indicate whether Agrippa was responsible

for any road construction south of Lugdunum, but it is probably safe to conclude that

he did little or nothing in this region. His immediate concern was to provide a

strategic network in Gallia Comata, where there were no Roman roads. Furthermore,

the colonies, which used the road south of Lugdunum, would have been expected to

upgrade it to carry the essentially commercial traffic, which built up because of the

road works to the north.

2. INVESTIGATION OF THE AGRIPPAN NETWORK

Fig. 1.9126 shows the locations of the Agrippan roads as deduced in section 1 where it

was also argued that construction was put in hand in 39-37 B.C., except for the road

to the South, where any Agrippan construction cannot be dated. In this section, the

object of enquiry is identification of factors which influenced the development of the

Agrippan network as a whole. Investigation is divided into two parts. In the first of

these, consideration is given to what Agrippa would have sought to achieve. In the

second, the practical limitations on Agrippan achievements are examined by

reference to technical factors. He could build only a certain amount of road of a

particular standard in a specific period of time with the forces available to him. He

was, therefore, constrained by elements, some of which he could not control.

124 Rivet, p.79 and Note 45, p.82.

125 The town was mentioned in Livy, 67, Strabo, 4.1.11 and Pliny, 3.36. Cassius Dio, 49.34, said that mutinous soldiers were sent to Gaul after the defeat of Sextus Pompeius, in 36 B.C., and, perhaps, to Orange and Béziers, as suggested by Rivet, pp.150 and 172. Goudineau, CAH 10, 1996, p.477, dated the foundation between 40 B.C. and 28 B.C. Bellet, M.E., Orange Antique. Guides Archéologiques de La France, Paris, 1991, p.14, noted that the earliest dateable evidence of Roman occupation at Orange is from 15 B.C., but the principal Roman monuments there are Augustan or later, and earlier works may have been disturbed when these were built. Rivet, p.79, noted the remains of a structure under the Triumphal Arch dedicated to Tiberius.

126 Based on Drinkwater, Roman Gaul, Map 7, p.238, and his place names, pp.228-231.

Page 41: Constructions Agrippa

- 33 - (a) HISTORICAL AND STRATEGIC FACTORS:

The Caesarian policy in Gallia Comata following the conquest was essentially one of

‘laissez-faire’. Provided that tribute was paid, and there were no serious disorders,

there would be little Roman interference in Gaulish life and government. Roman

interests in Gallia Comata were safeguarded by the legions in encampments, or at

Gaulish sites, together with alliances between Rome and local chieftains 127. When

Octavian had the West allocated to him at the Treaty of Brundisium in 40 B.C, he did

not want to direct substantial resources there while he was consolidating his position

in Italy, and in the Roman world generally. On the other hand, he wanted to take

definite possession of the territory which had been conquered by his 'father', and was

a counter to Antony's control of the East. His policy would have been to introduce

some measures of additional control to ensure that the territory remained quiet. The

most powerful control measure was effective road communication reaching potential

trouble spots for rapid transmission of intelligence about unrest and movement of

military forces in response. This would enable the size of the army to be reduced. A

road system radiating from Lugdunum to the Atlantic, the English Channel, and the

Rhine could be used by forces stationed at Lugdunum or in Gallia Comata, leaving

southern Gaul unaffected. The roads, forts and garrisons near or on them would be

built by the army. Drinkwater considered that Agrippa built well engineered roads,

starting in 39 B.C., and that this programme was completed by 27 B.C.128. He also

discerned military changes on Agrippa's arrival with larger forces being replaced by

smaller more mobile units using the roads to reach trouble spots from garrison forts

on the roads129. It is unlikely that such a large network could have been built to a

high standard by 27 B.C. Also, completion of the network by this date was of little

use to Agrippa, who was probably asked by Octavian to institute a control system

before he left Gaul. Agrippa had to reorganise the military forces and build the roads

at the same time, otherwise he would not achieve his objectives of control and

recasting the military forces, which went hand in hand. Roddaz argued that Agrippa

was sent to Gaul in October 40 B.C.130, and he was probably recalled in early

37 B.C131. It is possible that Agrippa was meant to stay in Gaul longer and was

127 Drinkwater, Roman Gaul, pp.18-20 for a brief assessment of the Caesarian settlement.

128 Ibid, pp.21, 93, 124-126.

129 Ibid, pp.122, 3.

130 Roddaz, Marcus Agrippa, pp.60-69, also above Note 10, p.12.

131 See above Note 11, p.12.

Page 42: Constructions Agrippa

- 34 - recalled to deal with Sextus Pompey132 earlier than needed for him to become consul

in 37 B.C.133. Certainly, Agrippa was compelled to act on the roads and the forces in

a few years, and had no option but to provide a road system of a lower standard than

that described by Drinkwater in order to complete his network before he left the region.

Augustus organised the first census in Gaul and set in train the creation of the

three provinces of Aquitania, Lugdunensis and Belgica in 27 B.C., and not when

he was again in the West in 16-14 B.C.134. There was no need for new roads to be

built to serve the capitals of the provinces135, which probably became effective

administrative units many years later. Nor is there any reason to think that

Agrippa did anything to the roads in 19 B.C. because of the initiative of 27 B.C.,

even if he had sufficient time to do so (he was in Gaul for only about six months,

put down disturbances in N.E. Gaul and was active at Lugdunum136. Drinkwater

emphasised the connection between roads and the census, since the latter called

for a cadastre with details of boundaries, ownership, etc., and roads provided fixed

points in the landscape137. Yet Agrippa's road network formed only a narrow

ribbon of land and did not exist in N.W. Gaul. It is, therefore, difficult to discern

a strong connection between census and the roads in Gallia Comata as a whole. A

census could proceed irrespective of road works. Consequently, a census ordered

in 27 B.C. would have had no significant influence on road construction, or have led

to Agrippan road action in 19 B.C. Chevallier suggested that Agrippa may have been

asked to undertake cadastration in 19 B.C.138, but any such action did not necessarily

call for road construction.

132 See above Note 10, p.2, for Sextus Pompey.

133 Ehrenburg and Jones, p.33, for the consulate.

134 Cassius Dio, 53.22, for the ordering of the census and the initial step to create the three provinces in 27 B.C. , as supported by Goudineau, CAH 10, 1996, p.487, and Drinkwater, Roman Gaul, p.20. Cassius Dio, 54.23, describing the visit of Augustus to the West in 16-14 B.C. did not indicate establishment of the provinces.

135 The first capital of Aquitania at Saintes (Drinkwater, Roman Gaul, p.96, and Note 21, p.115, Goudineau, CAH 10, 1996, p.488) was surely on a road by 27 B.C., even if Agrippa had not built his road to it in 39-37 B.C. Reims, the first capital of Belgica (Strabo, 4.3.5, Drinkwater, Roman Gaul, p.38, Goudineau, CAH 10, 1996, p.488) was the long-established capital of the Remi. Lugdunum, the first and continuing capital of Lugdunensis was on a Roman road before Agrippa visited Gaul, as already noted.

136 See above Note 14, p.12', Cassius Dio, 54.11, and below Chapter 2.

137 Drinkwater, Roman Gaul, p.125.

138 Chevallier, p.211 and Note 57.

Page 43: Constructions Agrippa

- 35 - It can, therefore, be concluded that the actions of Augustus in 27 B.C. had little or no

effect on road planning or construction. Consequently, they would have led to no

major Agrippan road works in 19 B.C. The impetus for building a first Roman road

network was the acquisition of Gaul by Octavian in 40 B.C. The first form of this

was completed by Agrippa in 39-37 B.C. It remained to form the trunk routes of the

much larger and higher standard Roman road network of the Empire. The Agrippan

roads were, therefore, gradually upgraded over a long period, which started when

Agrippa left Gaul in 37 B.C. The Agrippan visit of 19 B.C. was a short event during

which little could have been built.

(b) TECHNICAL FACTORS:

Agrippa's roads were to reach his desired destinations as directly as possible, be open

to traffic all year, and have the capacity to carry his military forces and military

intelligence. The existing roads would have been investigated by Agrippa, and he

would then have assessed how he could best cobble together an acceptable system

from these. Where Agrippa was obliged to build ex-novo the standard which he

adopted would have been the minimum to achieve his objectives.

i. Locations of the pre-Agrippan Roads:

As pointed out by Renardet139, Agrippa’s roads were planned by a single

authority to reach specific destinations as directly as possible. Pre-Roman

through routes, on the other hand, had evolved over a long period, and were

formed in some cases by connecting local roads radiating from local centres.

The Roman roads would surely disregard them and by-pass the places on them.

Yet this finding must be qualified in the case of the Agrippan roads. Through

roads or tracks along the Moselle, Saône and Rhône arose because of the rivers

and movement along these. The settlement pattern was therefore of the ‘ribbon’

rather than the ‘radial’ type, and was what Agrippa wanted for his road

locations. In the case of the road to the West, both pre-Roman and Agrippan

road locations were influenced by the same topography of natural routes through

an upland area. As noted above, Agrippa's road to Ocean followed the trace of

an existing through route. Also, Renardet had in mind the fundamental

difference between pre-Roman and Roman road planning, but Agrippa was

139 Renardet, E., Vie et croyances des gaulois avant la conquête romaine, Paris, 1975, p.100.

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- 36 - obliged to compromise on road location to some extent to achieve his aims.

Furthermore, as pointed out by Jullian140, the Agrippan roads followed the

ancient routes of the people dictated by the topography. There is no need to take

into account the extensive use of rivers in Gaul referred to by Strabo141, and

which can be envisaged from the penetration of these into the interior, as shown

on Fig. 1.1. Rivers could not be used along the routes to the West and the

English Channel, and, as already noted, roads existed along both sides of the

Rhône, which could, in any case, not always be used for transport142.

Although Agrippa could have used the general locations of the existing roads, it

was necessary to adjust the actual alignments. Fig. 1.10143 shows a typical

pre-Roman road, Fig. 1.11144, a secondary Roman road, and Fig. 1.12145, the

'Agrippan road' of the Empire between Amiens and Beauvais. It was not

feasible for Agrippa to aim at alignments like that on Fig. 1.12, because this

would have entailed ex novo works which he could not complete. Yet he could

not tolerate the sinuous pre-Roman roads over the whole of his network, since

this would have greatly increased the total road length. He probably wanted to

create alignments like those shown on Fig. 1.11. In some places he could

provide this within the existing road formation. Elsewhere he would be obliged

to build ex novo. This new work could not be extensive if he was to provide his

system quickly, nor could his re-alignments be drastic and frequent.

ii Standards of pre -Agrippan Roads :

The integrity of the roads under the loading of military traffic is not in doubt

since they had been developed over a long period from tracks to carry vehicles

and consisted of many layers of consolidated materials146. Caesar had no

140 Jullian, 4. p.85.

141 Strabo, 4.1.2.

142 Ibid, 4.1, 14, noted that it was difficult to sail up the Rhône.

143 Chevallier, Fig. 2, p.27.

144 Ibid, Fig. 102a, p.160.

145 Ibid, Fig. 100, p.159.

146 Renardet, pp.93-99.

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- 37 - difficulty in using the roads for his conquest147. Also, the Helvetii intended to

use wagons in their migration to the west coast of Gaul148. This is not

surprising since the cart, or wagon, had been in general use in Gaul for centuries

before Caesar's conquest, having appeared in Europe and nearby areas in the

2nd millennium. In the Iron Age, there was widespread use of carts, as is known

from the cart burials of the Hallstatt culture149. The site of a cart burial can be

seen on Fig. 1.10. The Romans borrowed technology of wagon building from

the Celts and the names of the different types of wagons in Gaul, which were

well-adapted to the economy and terrain150. Agrippa would not have

encountered serious difficulties in using the existing roads throughout the year

since there were many pre-Roman bridges151, indicating that the roads would not

generally be subject to flooding. Also, frequent river crossings were necessary

only on the roads to the West and to the English Channel, since the other two

generally followed rivers rather than crossed them, except at Vienna. The pre-

Roman roads were probably not suitable for rapid communication by light

vehicles and horsemen carrying intelligence, since the road surfaces had not

been designed for this purpose. Resurfacing could be done easily since the

pre-Roman roads were surfaced with small stones and gravel, which could be

harrowed and reinforced by smaller gravel.

It can, therefore, be concluded that Agrippa could have formed a viable strategic road

system on the routes described by Strabo, and have substantially completed this while

he was in Gaul in 39-37 B.C. He could have done this only by relying principally on

the existing roads, which he would have improved, and by adding some minor

ex-novo work. Agrippa's first system could only have been built to a modest

standard, but nothing further was needed for a strategic network.

147 Chevallier, p.25 and Notes 9-11, for Caesar's use of the roads and general comments on the

pre-Roman road works.

148 Caesar, BG, 1.3.

149 Pigott, S., Daniel, G. and McBurney, C., Eds., France Before the Romans, London, 1974, pp.183-5, René, J., Vix et ses trésors, Paris, 1979, pp.88-97 and Fig p.89, Powell, T.G.E., The Celts, London, 1985, Fig. 9, p.30 and Fig. 12, p.35, showing the evolution of carts, and Augouze, F.K. and Büchsenschütz, O., Towns, Villages and Countryside of Celtic Europe, London, 1992, pp.16-18 and 24, for the general development of road transport.

150 Renardet, p.101; Coulon, G., Les gallo-romaines, Paris, 1985, p.25; Chevallier, p.28.

151 Chevallier, Note 10, p.26, provided a list of bridges mentioned by Caesar in Bellum Gallicum.

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- 38 -

CONCLUSIONS The evidence indicates strongly that Agrippa created the first form of his road network in

39-37 B.C for strategic reasons, and mainly by using and improving existing roads. This

system remained to form the framework of the much larger Roman road system of the

Empire, and was upgraded over a long period152. There were no significant road

alterations as a result of the initiatives of Augustus in 27 B.C. in creating the three

provinces and taking the first census, and any road works by Agrippa in 19 B.C. were

cosmetic. There is no case for Agrippa starting his road planning and construction in

19 B.C. Agrippa's road network provided the first framework of Roman control, and

places on it were, in some cases, the first locations of Roman influence. Agrippa built his

road to the West to reach the trouble spot of the old Aquitania and did not end it at

Saintes, as generally understood. Also, his road reached the Rhine at Bonn and not at

Cologne, as is usually argued. It is unlikely that Agrippa was responsible for road

construction south of Lugdunum.

It is now generally agreed that Agrippa planned and started to build his road system

in 39-37 B.C., rather than in 19 B.C., but no consideration seems to have been given

to his use of the existing roads to cobble together a first viable network. Yet, this was

simply an extension of Julius Caesar's use of the roads, and what should be expected

from Agrippa as a Roman general using existing resources to the greatest possible

extent. The generally accepted hypothesis of Agrippa starting to build a high standard

road system ex novo rests on the powerful modern image of the 'Roman road' built to a

high standard, straight, and elevated above the landscape, as seen on Fig. 1.12. Yet,

there were many categories of Roman roads153, one of which is shown on Fig. 1.11,

and the standard depended on the local needs of the time. The high standard roads of

the Empire, as shown on Fig. 1.12, served the needs of that time. The key to

understanding the Agrippan road network is to set aside modern ideas of the high

standard Roman roads of the Empire and to assess Agrippa's reactions to the problem

faced by him.

152 Rivet, p.79 and Note 45, p.82, noted Augustan markers on the road to the South. Roddaz,

Marcus Agrippa, p.390 and Note 29, described Claudian markers on the Agrippan roads and Chevallier, p.210 noted 25 markers on the Agrippan road to the Rhine dating from the Claudian period to Constantine 2 (A.D.337-340).

153 Chevallier, pp.32-35, describes the various classes of Roman roads.

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- 39 -

22.. LLUUGGDDUUNNUUMM ((LLYYOONN)) It was argued in Chapter 1 that Agrippa built the first form of his road network

radiating from Lugdunum in 39-37 B.C. and that he did little, if anything, to it in

19 B.C. The constructions to be investigated in this chapter are his road works of

39-37 B.C. at and near Lugdunum, excluded from discussion in Chapter 1, and all his

other works at Lugdunum of 39-37 B.C. and 19 B.C.

1. THE FRAMEWORK OF AGRIPPAN ACTIVITY

The general location of Lugdunum was indicated in the chapter on the roads.

Fig. 2.11 shows the topography and the courses of the rivers Saône and Rhône in the

Roman period. Fig. 2.22 shows a model of the city of Lugdunum in the Empire.

Fig. 2.33 indicates the modern city with solid ground and extensive development

between the Saône and the Rhône from the foot of the Croix-Rousse, including the

former Island of Bellecour. Consequently, the ancient writers referred to the

confluence of the Saône and Rhône, as shown on Figs. 2.1 and 2.2, and, the Roman

works at river level are largely lost. The main public buildings of Lugdunum were on

the Hill of Fourvière and the plateau of La Sarra, with the circus on the Trion below

the plateau, and there was extensive development on the Island of Bellecour, which

was connected by bridges to both sides of the rivers. The Altar of Rome and

Augustus and the amphitheatre were on the Croix-Rousse across the Saône and joined

to the town by a bridge. As noted in Chapter 1, the location of Lugdunum made it a

key centre of Roman security. Also, the Plateau of La Sarra, with its

Hill of Fourvière, could be defended, and it overlooked a crossing of the Saône north

of a complicated river confluence. Yet, since rainfall was the only source of water on

the plateau, and the ground was permeable4, it was not naturally suitable for large-

scale permanent human habitation until cisterns and wells were in general use. It is,

therefore, not surprising that there is no evidence of permanent native occupation

1 Audin, A., Lyon miroìr de Rome , Paris, 1979, Fig. p.31

2 Photograph of the maquette in the Musée de la Civilisation gallo-romaine Lyon, Burdy, J., Guide des aqueducs romains de Lyon, Lyon, 1999, p.5.

3 Desbat, A., 'Nouvelles recherches à l'emplacement du prétendu Sanctuaire Lyonnais de Cybèle', Gallia, 55, 1998, pp.237-277, Fig. 2, p.239.

4 Burdy, J., Guide des aqueducs romains de Lyon, p.7.

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- 40 - before Roman colonisation5, but only of military encampments by Roman armies6.

There is evidence of Roman cisterns and wells, and four aqueducts served the Roman

town7. In fact, Lugdunum became a Roman colony, and the hub of Agrippa's road

network, because its strategic location outweighed the water shortage. The fact that

there had never been an oppidum on the plateau made the area a neutral zone where

native leaders could meet, and, therefore, appropriate for the construction of the

Altar of Rome and Augustus 8, although this was not at the town itself.

The Roman colony at Lugdunum was founded by Munatius Plancus in 43 B.C. for

Romans who had been expelled from Vienne, and, also, to establish a strategic

military centre9, but the foundation text said nothing specific about its location. A

text of Strabo has been seen by some to suggest that it was at or near river level, but

the general consensus now favours the plateau10. Also, a Roman colony would not

have been founded below dominating positions, especially when old encampments on

one of these could be used for an urbs quadrata. Italian merchants, expelled from

Vienne in 62/61 B.C., may have settled at the confluence of the Rhône and the

Saône11, but their works, now lost, were almost certainly near the river and are

disregarded here. There is, therefore, no possibility of an Agrippan first Roman

settlement on the plateau. He could only add to what Plancus had done there.

5 Walker, S., Ed., Récentes recherches en archéologie gallo-romaine et paléochrétriene sur

Lyon et sa région , BAR-1S, 108, 1981, Oxford, pp.29-54, also Burnouf, J. et al, ‘Lyon avant Lugdunum. Un habitat du premièr Age du Fer à Vaise’, Goudineau, C. & Mandy, B. Eds., Aux Origines de Lyon, pp.11-22.

6 See below Notes 22 and 24, pp.43, 4, for the archaeological information on the camps.

7 See below Note 95, p.57, for the cisterns and p.52, for the aqueducts.

8 Drinkwater, J.F., ‘Lugdunum : ‘Natural Capital’ of Gaul?’, Britannia 6, 1975, pp.133.140.

9 Cassius Dio, 46.50, for the foundation text. CIL 10, 6087, on the tomb of Plancus recorded the foundation (and that of Raurica), also, Goudineau, C., 'Les textes antiques sur la fondation et la topigraphie de Lugdunum', Aux Origines de Lyon, pp.23-36.

10 Strabo, 4.3.2., said that Lugdunum was sited under a hill near the confluence of the rivers. He described the Altar of Rome and Augustus as rising in front of it at the confluence. Goudineau, ‘Les textes antiques …’, p.29, pointed out that the text indicated the town as only near the confluence, whereas the altar was at it, therefore proving two different sites. He also suggested that Strabo described the town as generally below the hill of Fourvière.

11 Cassius Dio, 37, 47-48, mentioned expulsion of settlers from Vienne in 62/61 B.C., but, in his foundation text, 46.50 (referring to 43 B.C.) he gave no indication when settlers at the confluence of the Rhône and the Saône had gone there. Audin, pp.38, 39 and Drinkwater, ‘Lugdunum’, pp.134.5 supported the idea of a settlement in 62/61 B.C., but neither provided any clear evidence. Goudineau, ‘Les textes antiques …', p.24, argued against it on the basis that settlement would not have occurred there before the conquest, and that, if this had happened, a colony would have been created before 43 B.C.

Page 49: Constructions Agrippa

- 41 - Plancus probably formed an urbs quadrata on the plateau. By 39 B.C., Lugdunum

had a garrison on the hill and an agglomeration of settlements at various sites. The

population was probably numbered in hundreds rather than thousands and no

significant construction in permanent materials can be envisaged. In 39-37 B.C.

Agrippa was interested in Lugdunum for strategic purposes. It is, therefore, unlikely

that he would have been concerned to expand the town, or to start any monumental

construction. He would have focussed on the military and road functions.

In 19 B.C. Lugdunum, the hub of Agrippa’s road system for some two decades, must

have become a commercial centre. The principal mint of the Empire was established

at Lugdunum in about 15 B.C.12. This dating is not to be confused with that of the

first issues of the ‘Altar’ series, in 10 B.C.13. The 10 B.C. dating has, in turn, led to

the dating of the Altar to Rome and Augustus to 10 B.C. and the dedication by

Augustus himself14. Yet, dating to 12B.C. with the dedication by Drusus seems to be

well established15, and is accepted here. The new Mint and the Altar indicate

political development of Lugdunum, reinforcing the previous commercial expansion,

and, therefore, also a corresponding programme of monumental development. The

need for urban development has been accepted, but this has been dated to 15-10 B.C.,

following the visit of Augustus to the West16. Yet, it is possible that this was

undertaken earlier, since, in 27 B.C., Augustus set in hand the creation of the three

provinces, with Lugdunensis as the most important of these, and Lugdunum as its

capital. Also, the problem of water may have become serious before 15 B.C. and, in

this case, it would have been necessary to consider the construction of aqueducts in

addition to expansion on of the town itself.

There is, therefore, reason to think that Agrippa in Gaul in 19 B.C. with his

experience in urban expansion and water supply at Rome 17, could have undertaken

12 Burnett et al, p.150.

13 RIC, p.28.

14 Ibid, p.27.

15 Gros, P., ‘L’ Augusteum de Nîmes’, RANarb , 17, 1984, pp.123-134, p.129, and Woolf, Becoming Roman, p.216 and Notes 50 and 51 referring to several studies on the altar.

16 Tranoy, L. and Ayala, G., ‘Les pentes de la Croix-Rousse à Lyon dans l’antiquitie. État des connaissances’, Gallia, 51, 1992, pp.171-189, p.188.

17 See below Chapter 11, pp.207, 8.

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- 42 - planning, and, possibly, construction for the expansion of Lugdunum, and that he

may have been asked to do so by Augustus. Yet, these initiatives could have been

taken by Augustus in 16-13 B.C., and there is insufficient evidence to decide who

was responsible, either partly or wholly, for the expansion. It can only by said that

Agrippa could have acted rather than Augustus, as is generally understood.

2. AGRIPPAN PLANNING AND CONSTRUCTION

Investigation in this section is in three parts. The first is concerned with Agrippan

roads at and near Lugdunum constructed in 39-37 B.C. Agrippan planning and

construction at the urban centre in 39-37 B.C. and 19 B.C. is examined in the second.

In a third part, Agrippan planning and construction of aqueducts serving the urban

centre is investigated.

(a) AGRIPPAN ROADS:

According to Strabo, ‘Lugdunum is in the centre of the country — an acropolis as it

were, not only because the rivers meet there, but, also, because it is near all parts of

the country. And it was on this account, also, that Agrippa began at Lugdunum when

he cut his roads’18. It has already been argued here that Agrippa knew Lugdunum to

be nowhere near the ‘centre of the country’ and that he built his roads from there for

strategic reasons. The ‘acropolis’ was a disadvantage for a transport node which,

ideally, is at the same level as the roads to be connected so that through traffic need

not negotiate a hill. The meeting of the rivers refers to the confluence of the Saône

and the Rhône. This made Lugdunum a strategic position but not necessarily a major

river trading station. Vienne and Chalon-sur-Saône, shown on Fig. 1.6, were both

more important than Lugdunum in the pre-Roman era19, although Lugdunum could

have been a base for trade up the Rhône to Lake Geneva. It seems unlikely that the

pre-Roman river trade had changed significantly by 39 B.C. after foundation in

43 B.C. Even if Lugdunum had become important for river trade, Agrippa would

have chosen it as the hub of the roads because it was a Roman colony with a garrison

at a strategic position in an existing system of military security connecting Vienne,

the Roman positions on the Swiss plateau and Raurica. He would have avoided

Vienne, which had expelled Romans. It was also on the east of the Rhône when

18 Strabo, 4.6.11.

19 Cunliffe, B., Greeks, Romans and Barbarians, London, 1988, pp.49-55, 86, 87.

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- 43 - Agrippa's roads to the West, the English Channel and the Rhine were all to the west

of the Rhône-Saône system. In short, selection of Lugdunum was almost inevitable

unless Agrippa founded a new colony. This would not have been done when

Octavian wished to contain potential problems in Gallia Comata.

It has been argued in Chapter 1 that Agrippa formed his initial road network of

39-37 B.C. as far as possible from existing roads. A natural crossing of the Saône at

or near Lugdunum, marked on Fig. 2.1, indicates a pre-Roman W-E road, but this

would not have passed over the uninhabited plateau. A road must have been made

by the Romans before 39-37 B.C. to connect Vienne, Lugdunum and the Roman

positions in the Swiss Plateau. This would have crossed the Rhône at Vienne to reach

Lugdunum on its west side, since the crossing there was simpler than at Lugdunum.

At Lugdunum the road would then have ascended to the garrison on the plateau,

descended, and have crossed the Saône to go up the Rhône to Lake Geneva. Agrippa

could form his road to the West by striking off from this Roman town in the direction

of Feurs20. He probably had to build little, if any, new roads once he was clear of

Lugdunum itself since the route was defined by the topography. For his road to the

South Agrippa had only to follow, and perhaps upgrade, the Roman road from

Lugdunum to Vienne for his first construction, although, as seen on Fig. 2.2, the later

form of the road crossed over the river at Lugdunum via the Island of Bellecour 21.

The region of Lugdunum, with its plateau, formed a cul-de-sac for S-N land

passage 22. Consequently, the main pre-Roman road between Vienne and Chalon

would have by-passed Lugdunum, leaving it to the east. Fig. 2.423 shows the position

of the rivers. A route leaving the west bank of the Rhône near Givors and going up

the valley of the Garon could reach the valley of the Brévenne and then go down this

to Anse. Agrippa would, therefore, have used the existing road southward from

Chalon as far as Anse, but would have been obliged to cut a new road from this point

to reach Lugdunum, some 17 km further south. At Lugdunum, it connected to the

existing Roman road to the south and the pre-Roman road to the west.

20 Marked on Fig. 1.3.

21 See above, Chapter 1, Note 121, p.31, and Fig. 1.8.

22 Mandy, B., Sandoz, S. et al, ‘Les fossés du plateau de La Sarra’, Aux Origines de Lyon, pp.37-94, at p.92.

23 Based on Besnier, M.M., 'Le point de départ des grandes routes …', Fig. 2, p.87.

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- 44 - All the Agrippan roads reaching Lugdunum would have been brought together most

conveniently at the Trion site, below the top of the pla teau, marked on Fig. 2.1. The

road from Vienne to Lugdunum would have passed through the Trion, as can be seen

from the contours on Fig. 2.1, between St. Irénée and the Trion. The road from the

north (the combined road to the English Channel and the Rhine) reached the Trion by

climbing the contours on the west of the plateau. The road to the west would

automatically pass through the Trion. With a junction at the Trion, through traffic did

not have to ascend the slope of the plateau, but there was a connection for traffic to

the urban centre at the top. It is clear from Fig. 2.2 that the interchange facility at the

Trion was still used in the Empire, although other roads provided more direct access

to the top of the plateau, or avoided it altogether by passing around it.

(b) AGRIPPAN PLANNING AND CONSTRUCTION AT THE URBAN CENTRE:

§ Works of the period 39-37 B.C.

Agrippa must have built a construction camp at or near the Trion, since he formed his

roads from Lugdunum. He must also have provided for his military movements on

completion of the roads by building horse changing facilities, stores for animal feed,

and perhaps overnight accommodation at the Trion to reinforce facilities on the

plateau. Supplies from the south via the Rhône would have been received at river

port facilities, and a road connection from these must have been built. The decision

to form his strategic road network at Lugdunum increased the military importance of

the town and Agrippa almost certainly planned, and built, some new permanent

military works on the plateau.

There seems to be no evidence of early Roman buildings at the Trion site. Ditches

discovered on the top of the main plateau of La Sarra contain traces of fortifications

or encampments, the full extent of which is, as yet, unknown. Fig. 2.524 shows the

ditch at the Rue Henry Le chatelier site, two ditches at the Clos du Verbe-Incarné site,

and the fourth ditch at the Hôpital Sainte-Croix site at the S.W. side of the hill of

Fourvière. Dating of the finds in these ditches indicates transitory use from the

Caesarian period, and perhaps earlier. The Verbe-Incarné ditches were probably not

used after 60 B.C., but the other two were used as late as about 40 B.C. All ditches

contained evidence of military use and the Hôpital Sainte-Croix ditch also had animal 24 Mandy, B., Monin, M., and Krauzz, S., ‘L’hôpital, Sainte-Croix à Lyon un quatrième fossé’,

Gallia, 47, 1990, pp. 79-102, Figs. 1, p.80.

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- 45 - bones of a type which indicated civil as well as military food consumption25. The

ditches, therefore, provided evidence of occupation of the plateau shortly after the

foundation period, but it is not possible to know whether this resulted from the

activities of Agrippa in 39-37 B.C.

Figs. 2.6a and 2.6b26, respectively, show the Verbe-Incarné site located on Fig. 2.5

with nine divisions, and the cross-hatched part of this to a larger scale. Fig. 2.6b

indicates a permanent building 30m by 20m in size, of which the first construction

shown in bold black lines has been dated to about 40 B.C. There is, therefore,

evidence of a new grid superseding that of the ditches and dating from the time of

foundation, with a permanent building aligned to it. The grid was probably based on

the original Roman road over the plateau, the alignment of which is perpetuated by

the present Rue Roger Radisson. It is not possible to say whether the building was

built by Agrippa or Plancus27. If it was Agrippan it could have been a first

praetorium. Permanent construction dated from 40 to 15 B.C. has been discovered at

the higher (western) end of the Rue des Farges site shown on Fig. 2.728, but it is not

possible to suggest Agrippan works at this site which was nowhere near the garrison

on the top of the plateau. The baths of the Claudian period on the lower (eastern) end

are discussed when investigating the aqueducts29. Very early construction at the

‘Sanctuary of Cybele site’ immediately above the level of the theatre30 marked on

Fig. 2.7 cannot be related to Agrippa in 39-37 B.C.

There is, therefore, no definite archaeological evidence of any Agrippan works at

Lugdunum from 39-37 B.C., but it is possible that the earliest material remains at the

Verbe-Incarné site are partly Agrippan. It is also clear that Agrippa must have built

his roads, the facilities needed for their construction and operation, and that he almost

25 Ibid, pp.95, 97-102.

26 Desbat, A.; Genin, M. et al, ‘La chronologie des premières trames urbaines à Lyon’, Aux Origines de Lyon, pp.95-118, Fig. 61, p.100.

27 Ibid, pp.101-103 and Figs. 61b and c, p.100, also Mandy, B., ‘Le quartier antique du Verbe-Incarné’, Les Dossiers d’histoire et d’archéologie, 78, 1983, pp.23-26 for further details.

28 Desbat, Genin et al, Fig. 57, 'La chronologie …', Fig. 57, p.96.

29 See below, p.57.

30 See below, p.48, for the phasing of construction.

Page 54: Constructions Agrippa

- 46 - certainly built military works on the plateau, as well as facilities for recovering his

river borne supplies and the road connection from these.

§ Works of 19 B.C.

Fig. 2.831 showing the traditional idea of development on the main plateau in the

Augustan period was presented by Desbat and Mandy to indicate what should be

questioned in the light of more recent archaeological investigations 32. The long,

straight street running N-S along the eastern side of the plateau was first identified as

the cardo, with a T-junction at the decumanus at right angles to it. An astronomical

calcula tion indicated that the sun rose on the line of the decumanus on

11 October 43 B.C.33. Audin later discerned the cardo continuing north of the

intersection, as seen on Fig. 2.8 and revised the date to 9 October 43 B.C. He also

related the annual return of migrating crows to Lyon in October to the augury of

foundation34. The location of the street intersection and the foundation date must be

questioned in the light of the early grid at the Verbe-Incarné site mentioned above.

Also a foundation of Lugdunum earlier in 43 B.C., is indicated by the local coinage

and the texts35. Furthermore, the intersection would surely have been on the plateau

in a position that could be defended, and where buildings could be on level ground,

rather than on the eastern slope of the plateau.

The theatre, shown on Fig. 2.8, built on the plateau slope, has traditionally been

regarded as Augustan, with the Odeum immediately to its south, marked on

Figs. 2.2 and 2.3, dated later. The first works at the theatre were dated to 16-14 B.C.

by Audin, following the investigations of Wuilleumier36, indicating a construction by

Augustus, who was in the West at that time. This dating has been questioned in a

31 Desbat, A. and Mandy, B., ‘Le développement de Lyon à l’époque augustéenne : l'apport des

fouilles récentes’, Les villes augustéennes de Gaule, pp.79-97, Fig. p.80. This figure is based on Audin, Lyon miroir de Rome , Fig. p.90.

32 Ibid, p.97.

33 Wuilleumier, P., ‘Fouilles de Fourvière à Lyon’, Supplément à Gallia 4, 1951, pp.21-36 for the identification and the calculation.

34 Audin, pp.67-68.

35 Burnett et al, p.150, indicated coinage of Antony struck at Lugdunum in 43 B.C. following coinage of Plancus. Also, Goudineau, C., 'Les textes antiques …', pp.26, 27, noted that the correspondence between Cicero and Plancus about the foundation of Lugdunum, Ad fam 10, 22 and 24, was from the spring of 43 B.C.

36 Audin, pp.84-87, Wuilleumier, 'Fouilles de Fourvière …'.

Page 55: Constructions Agrippa

- 47 - new study of the archaeology37. Agrippa was in the Iberian Peninsula in 19-18 B.C.,

and his theatre at Mérida in Spain was dedicated in 16-15 B.C.38. It is, therefore,

possible that Agrippa was also responsible for providing the theatre at Lugdunum

when he was in Gaul in 19 B.C. Fig. 2.939 shows Mandy’s interpretation of the first

phase of the works. According to this, the final cavea diameter of 108.5m was

allowed for from the beginning. It would, therefore, have been necessary to complete

all the earthworks and most of the foundations and cavea substructures, together with

the entrances, and most of the circulation system. Part of the cavea seating and the

first form of all the other buildings would have been included. Previous

interpretations of the construction phasing postulated an initial cavea diameter of 89m

and it is not certain which concept is correct40. Even with the lesser diameter, the first

phase was a large structure, and also very much larger than the small Agrippan

Temple of Valetudo at Glanum41. The theatre at Lugdunum is, therefore, potentially

a major addition to the Agrippan corpus of work in Gaul.

Fig. 2.8 shows an Augustan forum, capitolium, and, possible Imperial palace on the

Hill of Fourvière. As can be seen from Fig. 2.3, this site is occupied by the

Basilique Notre Dame de Fourvière, and little has remained of the Roman

construction, none of which can be dated42. The name Fourvière is a corruption of

Forum Vetus, indicating the first forum, but this could have been at the Verbe Incarné

site where the early grid has been discerned, or, possibly, in the area of the esplanade

of the theatre marked on Fig. 2.8, where there was a building pre-dating the theatre

and referred to as the 'praetorium of Plancus’43. The location, and dating, of the early

forums are, therefore, uncertain and Agrippan planning or construction of a forum

cannot be established. It can be said only that any Agrippan urban planning of

19 B.C. would have made provision for a monumental forum.

37 Mandy, B., Hernandez, E., and Mar, R., 'Plaidoyer pour de nouvelles recherches',

Dossiers d'Archèologie, 134, January 1989, pp.30-35, pp.30, 31.

38 See below, Chapter 8, pp.148-150 for the inscription on the theatre at Mérida.

39 Mandy, Hernandez and Mar, unnumbered, Fig. p.34.

40 Professor F.B. Sear has analysed the staging suggested by Mandy and previous interpretations. He concluded that no alternative can be eliminated pending further investigations. The writer acknowledges this information with thanks.

41 See below Chapter 3 for the Temple at Valetudo.

42 Audin, p.89, for the 140 x 75 metres cryptoporticus and some other fragments.

43 Ibid, pp.76-78 and 88.

Page 56: Constructions Agrippa

- 48 - There is, therefore, no indication of any Agrippan construction of 19 B.C. , other than

that of the theatre, from the traditional understanding of the Augustan town, as

indicated on Fig. 2.8. Yet this emerges from later investigations. The site of the so-

called Sanctuary of Cybele is marked C on Fig. 2.1044. The western part is almost at

the general level of the top of the plateau, and the site slopes down over some

14 metres to the level at the top of the theatre marked D. Desbat has established three

main phases of construction on the Cybele site. The first one, at the lower level,

contained private buildings from the early days of the colony, or, perhaps, earlier still.

The second phase saw the addition of a large structure extending up the hill to occupy

much of the site. This building existed from approximately 20 B.C. until A.D. 10. It

was then replaced by a yet larger complex known as the 'Sanctuary of Cybele’. A

final phase, dating from approximately A.D. 160 may have included construction of a

reservoir for the Gier Aqueduct45. Archaeological investigations continue46. The

various phases of construction have been deduced by Desbat from numerous

excavations which revealed the process of building and the chronology of the

building phases from the datings of finds, mainly ceramic, in the same stratigraphy as

the constructions 47. The findings of the phases and the chronology are accepted here

as the basis of discussion. The layout of the second phase building is shown on

Fig. 2.1148 in solid black, with the ‘Sanctuary of Cybele’ as a background and the

curve of the cavea of the theatre indicated to the east. Figs. 2.12a and 2.12b49

illustrate the principal features of the construction. The three figures indicate a large

house with an atrium and a peristyle. Construction of the ‘Sanctuary of Cybele’

involved destruction of the second phase building above its floor level, but the

foundations were partly undisturbed since the new building was on a different axis

and had a different layout.

44 Based on Desbat, A., ‘Nouvelles recherches à l’emplacement du prétendu Sanctuaire Lyonnaise de

Cybèle’, Gallia 55, 1998, pp.237-277, Fig. 3, p.240.

45 Ibid, pp.237, 256, 263 for main indications of the phasing.

46 Desbat, A., Rapport sur les fouilles effectuées en 1998, 1999 et 2000 dans l’édifice dit “Sanctuaire de Cybèle”’, 2001, Lyon.

47 Desbat, A., ‘Nouvelles recherches …’, pp.249-263 and Figs. 12-18 and 25-27.

48 Ibid, Fig. 19, p.257.

49 Ibid, Figs. 20 and 21, p.258.

Page 57: Constructions Agrippa

- 49 - The prime position, large size, and lavish facilities of the house, reflected the status

of its occupier50. Desbat discovered evidence of opus tessellatum, hitherto not

noted in buildings of this period in Gaul51. The layout was typical of the late

Republican house of Italy52, but it was remarkable for its symmetry. This feature

is stressed by Vitruvius as an essential element of houses53, but is seldom seen so

clearly as here. Such symmetry indicates the praetorium of the typical Roman

camp. Desbat compared its layout with that of the praetorium at Oberaden in

Germany (near the River Lippe) and there are certainly similarities, including the

large atrium. He also mentioned the buildings at la Butte Saint-Antoine and

la Plate-Forme at Fréjus interpreted as the residence of the Commander of the Fleet,

but the layouts of these are less well understood54. It is possible that the location,

large size, facilities and strict symmetry of the building indicate the seat of the local

governor. This idea is reinforced by the large atrium.

Desbat considered that the building of the second phase was the praetorium of

Agrippa on the basis of its dating, location, size, facilities and general features,

although he acknowledged that there is no actual record which can confirm such an

attribution55. Desbat relied partly on Roddaz who stated that Agrippa was in Gaul

between 20 and 19 or 18 B.C.56. This suggested a lengthy stay. In fact, as stated by

Roddaz elsewhere, Agrippa was in Gaul for only about six month57. He had less

time to build a praetorium than suggested by Desbat, but this does not weaken his

hypothesis since Agrippa may have started to build it and have been called away

unexpectedly. It could also be explained as part of possible Agrippan development

50 As prescribed by Vitruvius, 6.5.2.

51 Desbat, ‘Nouvelles recherches …’, p.234.

52 Sear, F., Roman Architecture, London, 1989, pp.32, 33 and 105-108 for a general description of the Roman house of the period and some examples of it at Pompeii.

53 Vitruvius, De architectura , 6.2.1.

54 Desbat, ‘Nouvelles recherches …’, p.256 and Fig. 4, p.260; also Février, P-A., Forum Iulii (Fréjus), Paris, 1963, Fig. 36, p.51, for the layout of the Plate-Forme, and Février ‘Fouilles à la citadelle mérridionale de Forum Iulii (Fréjus, Var) en 1955’, Gallia, 14, 1956, pp.35-53, Fig. 3, p.39, also below Chapter 5, p.105 and Fig. 5.5.

55 Desbat, ‘Nouvelles recherches …’, p.256.

56 Ibid, p.256, Note 9, referring to Roddaz, Marcus Agrippa, p.384.

57 See above Note 14, p.12.

Page 58: Constructions Agrippa

- 50 - of Lugdunum in 19 B.C., mentioned above. The building can be regarded as possibly

Agrippan58.

As noted above, the next building phase involved virtual destruction of the

praetorium above floor level, and the insertion of the large reservoir of the Gier,

perhaps built in about A.D. 16059 caused further extensive damage below the floor

level. The parts of the praetorium which have survived are, therefore, most of its

foundations, and fragments of floors with a large space punched out for the cistern.

Desbat suggested that the atrium, which he measured as 12 m by 16 m, was covered

by a roof since he found no trace of an impluvium to receive rainwater through the

opening in the roof (the compluvium), nor any system to discharge water from the

impluvium60. It is difficult to understand how there could have been sufficient light

without an opening in the roof, and the absence of an impluvium must be regarded as

unusual for a building of this period61. Uncertainties, therefore, remain about the

absence of an impluvium and the roofing in the western part of the praetorium. As

pointed out by Desbat, the oecus shown on Fig. 2.11 was almost certainly a dining

room62. Its 12 x 6m dimension indicating a length twice its width conforms to the

precepts of Vitruvius63. An atrium measuring 12m wide and 16m long would agree

almost exactly with one laid out to the third Vitruvian method64. The peristyle is

unusually long in relation to its width65. The layout of the building, therefore,

corresponded in part to Vitruvian requirements. Since these also stipulated the

vertical dimensions in relation to the horizontal ones it might be possible to form at

least some idea of the elevations of the structure in more detailed studies. All the

58 The criteria for Agrippan attribution are listed above, pp.5-6.

59 See above Note 45, p.48.

60 Desbat, 'Nouvelles recherches …', p.252 and Note 10.

61 Sear, pp.32, 33 and Fig. 2b, p.13, commented on the possible early type of atrium (3rd and 2nd century B.C.) without the impluvium.

62 Desbat, ‘Nouvelles recherches …’, p.252.

63 Vitruvius, De Architectura , 6.3.8.

64 Ibid, 6.3.3. described three methods. The first two were based on the length as the measure. The width was either three-fifths of this or two-thirds. With a length of 16m, the width would be 9.6m or 10.67m. The third method used the width as the base and derived the length as the diagonal of the square formed by the width. With the width of 12m, this would give a length of 17m.

65 Ibid, 6.3.7, prescribed a peristyle lying across the house to be only one-third longer than it is wide.

Page 59: Constructions Agrippa

- 51 - materials of construction for the praetorium above floor level were removed before

building started on the next phase. Fragments of terrazzo flooring have been found,

together with tiles, perhaps under a mosaic, and a section of opus tessellatum, in the

balnea section. As can be seen from Fig. 2.12a, the floors were supported on soil

built up above natural ground except for the western portico of the peristyle where

there was a cryptoporticus with beams above this. The foundations of the walls were

carried down into the natural ground. The remaining sub-floor walls and the

foundations were in rubble masonry of very high quality using stones and mortar.

Thickness varied from 6.60m to 6.80m66.

The locations of the praetorium and the theatre close to each other on the same

hillside can be interpreted as an indication that they were planned, and, perhaps, built,

together, and possibly by Agrippa. The different orientation of the theatre can be

explained by necessary adjustments to suit the shape of the hillside. Nevertheless, it

is also possible to argue that the two buildings were not planned or built together,

since, as noted above, there is no certain dating of the theatre. As noted above,

Agrippa provided the theatre at Mérida and may have provided that at Lugdunum.

The conjunction of the two buildings can, therefore, be noted as a further possible

indication of Agrippan responsibility for both structures.

It can be concluded from investigations into Agrippan planning and construction at

the urban centre that, in 39-37 B.C., Agrippa built something on the plateau, at the

Trion site, and at river level. None of these works can be identified as his from the

material remains, but such works were needed because he had decided to base his

road system on Lugdunum. The town became important because of this decision,

and, in 19 B.C., Agrippa may have been responsible for planning and starting

construction of a new monumental city, although the praetorium at the

'Temple of Cybele' site is the only building which has so far been identified as his, or

probably so. Agrippa would have included a forum and a theatre in such urban

planning. The theatre may, therefore, have been planned and perhaps partly built by

him, like that at Mérida, but a forum of that period has not yet been identified, and no

Agrippan construction of such a building can, therefore, be suggested from present

evidence.

66 Desbat, ‘Nouvelles recherches …’, pp.249-256, and Fig. 22, p.259.

Page 60: Constructions Agrippa

- 52 -

(c) AGRIPPAN ACTION ON AQUEDUCTS: This is assessed as part of possible Agrippan urban planning, and also because of a local

suggestion of Agrippan aqueduct construction. The local suggestion is considered after

an independent examination. As can be seen from Fig. 2.1367 , the four aqueducts of

Lugdunum formed a very large system, of which some parts are yet to be found. There

is, also, uncertainty about the datings of the various aqueducts. Consequently,

investigation here can be neither comprehensive nor authoritative. It is based on the

published literature and some local inspection, and is focussed on Agrippan actions.

The following table has been drawn up to indicate the principal features of each of the

aqueducts which are to be discussed. All the figures are from Burdy, except those in

brackets, which are from Hodge 68. Differences of length result from uncertainties

about the course, and difference in capacity from varying calculations based on

uncertain evidence about the water channel features.

NAME LENGTH (KM)

CAPACITY (M³ PER DAY)

LEVEL OF TOWN ENTRY

(M)

PART OF PLATEAU SERVED

TRADITIONAL DATING

Mont d'Or 26

(28)

6,000

(10,000)

260 All except 30 m

10 B.C. to A.D. 10??

Yzeron 27 or 40

(25)

8,000

(13,000)

268 All except 22 m

10 B.C. to A.D. 10?

Brévenne 70

(60)

10,000

(28,000)

284 All except 6 m

Beginning of 1st Century A.D.

Gier 86

(75)

15,000

(25,000)

300 All Mid 1st Century A.D.

to early 2nd Century A.D

67 Bromwich, The Roman Remains of Northern and Eastern France, London, 2003, Fig. 95,

p.417.

68 Burdy, 'Guide des aqueducs romains de Lyon, Lyon, 1999, pp.13, 33, 71 and 78, Hodge, A.T., Roman aqueducts and water supply, 2nd Ed., London, 2002, p.347.

Page 61: Constructions Agrippa

- 53 - All four aqueducts had siphons bringing the water across the lower land around the

plateau which they served, and there were other siphons elsewhere, together with

some cascades69. Tunnels and viaducts were numerous on the Gier aqueduct and less

frequent on the Brévenne. There is less evidence of these on the Yzeron, and no

definite indication of tunnels on the Mont d'Or.

The traditional chronology is based on the work of de Montauzan published some

90 years ago 70. Burdy noted that the absolute and relative datings of de Montauzan,

had become almost traditional, but that they were not beyond dispute71. Wilson

suggested that the chronology remained as elusive as ever, relying on Jeancolas72.

Jeancolas considered that the chronology of the construction of the aqueducts of Lyon

was very uncertain73. His comments on the particula r aqueducts are taken up as these

are discussed. Hodge was concerned with description and explanation of aqueducts

rather than with the thorny problem of their dating. He only suggested in passing that

the Gier aqueduct which, alone, could serve all parts of Lugdunum, was the last to be

built74. The traditional chronology is, therefore, doubted in the modern scholarship,

but there is no consensus on what should replace it. Here, the object is to assess

Agrippan action on the aqueducts by examining the material and historical evidence

in a first section, and the aqueduct functions in a second.

(i) The Material and Historical Evidence

The Gier aqueduct is traditionally dated from the mid 1st century to the

early 2nd century A.D. Inscriptions and (possibly) marking on lead pipes indicate

69 A siphon was built where it was more convenient (or necessary) to avoid the construction of a

viaduct with an open channel. Pipes were laid at or near ground level and the water flowed because of the difference in level over the pipe length. Cascades had 'drops' between channels on acceptable gradient to allow steep descents, Hodge, Roman aqueducts, pp.147-161.

70 De Montauzan, G., Les aqueducs antiques de Lyon, Paris, 1909.

71 Burdy, J., ‘Some Directions of Future Research for the Aqueducts of Lugdunum (Lyon)', Hodge, A.T., Ed., Future Currents in Aqueduct Studies, Leeds, 1991, pp.29-44, at p.43.

72 Wilson, R.J.A., ‘Tot aquarum tam multis necessariis molibus … Recent studies on aqueducts and water supply’, JRA, 9, 1996, pp.5-29, p.15 and Note 70.

73 Jeancolas, L., ‘Présentation des aqueducs antiques, de Lyon (problèmes anciens – observations nouvelles)’, Boucher, J., Ed., Journées d’études sur les aqueducs romains, Lyon, 1983, pp.179-205, pp.182-3 and 185.

74 Hodge, Roman aqueducts, p.174.

Page 62: Constructions Agrippa

- 54 - Claudian and Hadrianic work at some places on the aqueduct75. The aqueduct has

survived in several places over its length76 and the remains indicate a common design

and construction method, including standardisation of dimension77. Fig. 2.1478 shows

a typical viaduct construction with opus reticulatum over a concrete core and brick.

The same construction appears on the siphon structures supporting the pipes. The

tunnels of the Gier are either cut in the rock and unlined, or lined with concrete with

some brickwork, but there is no opus reticulatum. This was used in the tunnel

inspection shafts79. The opus reticulatum, typical of Rome and central Italy, is rare in

Gaul, and, therefore, difficult to date. That of the aqueduct is probably of the

mid 1st century A.D.80 Bricks have been noted at Lyon in coursework of the

Augustan period, and in arches of the Tiberian principate81, although Adam stated

that bricks in courses in Gaul started as late as the early 2nd century A.D. 82. The

material evidence, therefore, indicates that the tunnels, which have no

opus reticulatum, may be Augustan, but that everything else with both brick and

opus reticulatum in the same structure is later and probably from the Claudian period,

or after this. The indications of Claudian connection to Lugdunum and his substantial

work on aqueducts at Rome are further evidence for his probable provision of the

Gier aqueduct83.

75 Desbat, ‘Nouvelles recherches …’,pp.273, 4 and Note 16, Burdy, Guide des aqueducs romains de Lyon,

p,39, Wilson, p.15 and Note 61, Leveau, P., ‘Research on Roman Aqueducts in the Last Ten Years', Future Currents in Aqueduct Studies, pp.149-163, p.150, Burdy, 'Some Directions of Future Research …', p.43, and Jeancolas, p.183.

76 Burdy, Guide des aqueducs romains de Lyon, described the remains. These included 11 tunnels, 10 viaducts and four siphons.

77 Burdy, 'Some Directions of Future Research', pp.41-42.

78 Burdy, Guide des aqueducs romains de Lyon , photograph, p.59.

79 Ibid, pp.16, 23, 28, 37, 43, 60 and 61.

80 Opus reticulatum is first noted at the Theatre of Pompey at Rome dedicated in 55 B.C., Sear, p.76. It was used for parts of the aqueduct of Forum Iulii (Fréjus in S.E. France), which is probably post-Augustan, Wilson, pp.18 and 19. Rivet, Gallia Narbonensis, p.230. Adam, J.P., Roman Building, Bloomington and Indianapolis, 1994, p.132, considered that the opus reticulatum of the Gier was probably from the mid 1st century A.D.

81 Desbat, A., 'Note sur l'appplication des constructions à arases de briques dans la région Lyonnaise', Gallia, pp.49, 1992, pp.45-50.

82 Adam, p.143.

83 Claudius was born at Lugdunum, Suetonius, Claudius 2. At Rome, Claudius built the Aqua Claudia and the Aqua Anio Novus and repaired part of Agrippa's Aqua Virgo. Aicher, P.J., Guide to the Aqueducts of Ancient Rome , Wauconda, Illinois, 1995, pp.39-40, pp.42-44.

Page 63: Constructions Agrippa

- 55 - The surviving Gier aqueduct is, therefore, predominant ly Claudian. Claudius may

have brought out an architectus from Italy to supervise the work in

opus reticulatum84, and the standard dimensions and uniform construction methods

indicate a military project85. Yet, it is possible that there was an earlier aqueduct on

the general Gier route. This is indicated by unexplained remains along another trace

not far from the principal remains86, and by the possibility of the tunnels being earlier

than the other works, as noted above. These tunnels could have been retained with

some repairs, since they were largely cut in rock, while all the other parts were

replaced. At Rome, Augustus had to virtually rebuild the entire aqueduct system

above ground level not long after the death of Agrippa in 12 B.C., despite Agrippa's

enormous aqueduct works of 34-33 B.C.87. It can also be argued that Lugdunum

would have had an aqueduct capable of supplying the town centre before the

Claudian period. There is, therefore, some material, historical and comparative

evidence for an Augustan Gier aqueduct. In this case, Agrippa, in Gaul in 19 B.C.,

could have been responsible for its planning, and, conceivably, for setting in hand the

preliminary works of survey.

The Brévenne aqueduct has several remains over an identified course, but these are

less substant ial and frequent than those of the Gier88. No opus reticulatum has been

found, but there is brick in coursework which has not been observed on the Yzeron or

Mont d'Or aqueducts. Consequently, the Brévenne has traditionally been dated later

than these. The early 1st century A.D. dating on the table has been disputed by

Jeancolas, who indicated a dating from the Trajanic period, or later89, but the remains

are probably insufficient to reconstruct the history of the aqueduct, which may have

been repaired or renewed. The Yzeron aqueduct has not yet been identified over the

whole of its course. No tunnels or viaducts have been found. The only substantial

84 As suggested by Wilson, pp.18, 19 and Jeancolas, p.193.

85 Although Février, P.A., ‘Armée et aqueducs’, Journées d’etudes sur les aqueducs romains, pp.133-140 did not indicate the work.

86 Burdy, 'Some Directions of Future Research …', p.43 and Jeancolas, pp.193-6.

87 The aqueduct works of Agrippa in 34-33 B.C. are noted below in Chapter 11. The comprehensive overhaul of Augustus is known from CIL 6.1244, also Evans, H.B., Water Distribution in Ancient Rome , Ann Arbor, 1994, pp.49, 138.

88 Burdy, Guide des aqueducs romains de Lyon , pp.67-74.

89 Jeancolas, pp.190-193.

Page 64: Constructions Agrippa

- 56 - remaining structure, a double siphon90, has been dated to the 2nd century A.D.91 rather

than to the 10 B.C.-1O A.D. dating of the tabulation. There seems to be insufficient

material evidence to date the aqueduct as a whole. The Mont d'Or aqueduct trace has

been recognised over much of its length. It had three or four bridges and two siphons,

but little remains of these92. There seems to have been no driven tunnels, but 'cut and

cover' of shallow depth with removable stones covering the channel as substitutes for

inspection shafts. Fig. 2.1593 shows the rudimentary design and the irregular placing

typical of a hurried construction, also indicated by the avoidance of tunnels. No brick

or opus reticulatum has been observed on the Mont d'Or aqueduct, and the work

cannot, therefore, be dated from the materials used. Nevertheless, it is inferior to that

on the other aqueducts, and indicates a construction earlier than these.

It is possible, therefore, that there was an Augustan Gier aqueduct, and that this was

largely replaced by the one which has survived. The earlier aqueduct, perhaps shorter

than the later one, could have been planned and partly built in the Agrippan period.

There is insufficient material evidence from the Brévenne or Yzeron aqueducts to

form a clear idea of the initial works, their repair or replacement. The Mont d'Or

aqueduct, also, canno t be dated, but the material remains are congruent with work of

the Agrippan period, and indications that its construction was hurried point towards it

being an early rather than a late aqueduct.

(ii) The Aqueduct Functions

As can be seen from the table on p.52, the Mont d'Or aqueduct could deliver water to

a level of 260 m. This was some 30 m below the top of the plateau, but more than

85 m above river level. As can be seen from the 10 m contours on Fig. 2.1, this

aqueduct, and the rivers, could supply a large area. The Yzeron aqueduct increased

water supply level by only 8 m and did not reach the theatre. The Brévenne aqueduct

supply was markedly higher, at 284 m, and could serve the theatre, but only the Gier

could supply the praetorium of Agrippa and the top of the plateau. The most

satisfactory course of action for water supply would have been to build the Mont d'Or

90 Hodge, Roman aqueducts, Fig. 111 and pp.157, 8, described and illustrated the double siphon

function, also Burdy, Guide des aqueducs romains de Lyon , photograph, p.74.

91 Jeancolas, p.183.

92 Burdy, Guide des aqueducs, pp.82-89, Jeancolas, pp.185-187.

93 Hodge, Roman aqueducts, Fig. 48, p.96.

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- 57 - and the Gier aqueducts together, and the other two later, since the Mont d'Or

aqueduct could be built quickly and cheaply, and a simultaneous start on the Gier

would have ensured the earliest possible supply to the top of the plateau, and,

therefore, to all of it. Such a double action would have imposed the least restraint on

urban development because of water shortage, and have increased the status of the

town. On the other hand, it was expensive. The construction of the Gier could,

therefore, have been deferred until after the Mont d'Or had been built and cisterns and

wells had become inadequate to service the higher levels.

Roman towns regularly depended on both local and distant water supplies, and some

never had an aqueduct, relying on cisterns and wells, like some earlier towns 94.

More than 50 cisterns from 10-30 m³ capacity have been discovered on the top of the

plateau and many more must have existed95. The rainfall of Lyon is now 85 cm per

year and well distributed over the seasons 96. If this was the same in the Roman

period, it would have kept cisterns and wells replenished. Water could also be carried

up from the river by the aquarii or water carriers of whom there was no shortage 97.

The first public baths, discovered at Lyon at the Rue des Farges site, shown on

Fig. 2.7, was at an elevation of 250 m, and could have been fed by the Mont d'Or

aqueduct, yet it was not built until the time of Claudius, or perhaps Nero98. This

dating indicates that water was used before that period only for domestic and general

use. Consumption depended very largely on the ease with which water could be got,

with demand increasing sharply once an aqueduct was installed99. An absolute

minimum of 25 litres per day per person has been calculated for undeveloped parts of

the world today, and 200 litres at Lugdunum when fully developed, and with all the

aqueducts100. Uncertainties, therefore, remain about the possible population on the

94 Hodge, Roman aqueducts, pp.48, 49, also Crouch, D.P., Water Management in Ancient Greek

Cities, Oxford, 1993, for a general account of the use of rainwater in the Greek and Hellenistic East before the Roman period.

95 Burdy, Guide des aqueducs romains de Lyon, p.7.

96 Pearce, E.A. and Smith, C.G., The World Weather Guide, Oxford, 1997, p.357.

97 Juvenal Satires 6.332 implied that aquarii were the ‘lowest’ of the slaves and, therefore, that plenty were available.

98 Desbat, A., Les Fouilles de la Rue des Fanges à Lyon,1974-1980, Lyon, 1984, pp.67-85.

99 Hodge, Roman aqueducts, pp.304-306 noted the increase in demand at Pompeii and the influence on the design of houses and creation of gardens.

100 Ibid, p.464, Note 4, using UNESCO figures for the 25 litres and quoting de Montauzan, p.340 ff for the 200 litres.

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- 58 - top of the plateau without aqueducts, but it was in the hundreds, and perhaps

thousands101. It would have been feasible to develop a town centre on the top of the

plateau with some permanent housing there.

The functional analysis indicates that the Mont d'Or aqueduct was built first. The

Gier aqueduct was not necessarily built only after all the other routes had been used,

as stated by Hodge 102. It is more likely that it was built after the Mont d'Or aqueduct,

but not long delayed, since it alone could supply all the plateau. The Brévenne and

the Yzeron aqueducts would have been built to supplement the other two.

When the material evidence and functions of the aqueducts are considered together, it

can be said only that Agrippa was more probably associated with the Mont d'Or

aqueduct than with the others. The case for Agrippa planning and building aqueducts

in 19 B.C., as argued above, remains unaltered. He may, therefore have been the

'father' of the aqueducts, instigating investigations into all water sources and the

prospective aqueduct routes. The decision on the priorities of the various routes

would have been taken after this initial survey. It is, therefore, unlikely that Agrippa

was responsible for any aqueduct construction. If investigations into aqueducts had

been made before 19 B.C. and a first route had been selected, Agrippa would have

ordered that the Mont d'Or aqueduct be built.

(iii) Local Suggestion of Agrippan Aqueduct Construction

Desbat suggested possible Agrippan action on the Gier aqueduct only in Annexure 3

to his paper on the supposed Sanctuary of Cybele 103. Desbat observed the imprint in

concrete of a pipe serving the praetorium. Since he had discovered no impluvium at

the building, he concluded that the pipe brought in water from an aqueduct. With the

praetorium construction dated to about 20 B.C., and only the Gier reaching the top of

the plateau, he argued that there must have been a Gier aqueduct, and that this was 101 The area of the main plateau is some 600,000m². 85cm of rain falling on this would deposit

510,000 m³ of water in a year, or 510,000,000 litres. This is 1,400,000 litres per day averaged over the year. If all this water were intercepted it would supply 56,000 people at 25 litres per day and 7,000 at 200. An interception of one-tenth would supply between 5,600 and 700 people. The extent of interception would depend on land use. Maximum recovery of water for direct use would res trict agriculture to river level with roofs and paved areas trapping water and leading it to cisterns. Water absorbed could be recovered at least partially from wells.

102 Hodge, Roman aqueducts, p.174 and above Note 74, p.53.

103 Desbat, 'Nouvelles recherches …', pp.273-275, as annexure to his paper pp.237-277.

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- 59 - probably Agrippan104. Yet it is also possible that the pipe supplied water from one of

the many cisterns on the top of the plateau105. The pipe does not, therefore, prove the

existence of an aqueduct in the period 20 B.C. to A.D. 10, when the praetorium

existed, assuming the absence of an impluvium. If there was an impluvium, the pipe

could have come from a cistern to bring in extra water.

Another argument advanced by Desbat for a first (Augustan) Gier aqueduct being

built before the Mont d'Or aqueduct is that only the Gier could supply the top of the

plateau106. Desbat reinforced his hypothesis of Augustan construction by pointing out

that the tunnel shafts were spaced strictly in accordance with the precepts of

Vitruvius, and that this strongly indicated an early construction107. There is no doubt

that this is the case108. He further argued that the remaining aqueduct is the Augustan

one restored, suggesting that the opus reticulatum in the structures was in use in the

Republican period, and that the Oolitic limestone used was typical of early works at

Lyon. He also referred to the 'Augustan brickwork'109. Yet, as argued here,

opus reticulatum was essentially an Italian form in the Republic and that used in the

structures is probably of the mid-1st century A.D. 110. The Oolitic limestone could

have been used in the Claudian period, unless the source was exhausted. Also, the

brickwork in the Gier aqueduct structures was not necessarily Augustan111, and there

is no doubt that the above ground structures of the Gier, like those shown on

Fig. 2.14, were built with the opus reticulatum and brick (penetrating the whole

section of the piers) in the same operation. The evidence, therefore, indicates that the

structures existing above ground are from the Claudian period, or later, and are not

earlier structures which have been repaired. It is possible that the unexplained

104 Ibid, p.274 and Fig. 32, showing the pipe imprint, also pp.237, 256, 263, for the general

chronology of the buildings on the Cybele site.

105 Guide des aqueducs romains de Lyon , p.7, and above Note 95, p.57.

106 Desbat, 'Nouvelles recherches …', p.275.

107 Ibid, p.275, referring to Vitruvius, De Architectura , 8.6.3.

108 The spacing of the tunnel shafts was noted by Burdy, Guide des aqueducs romains de lyon, p.22 and Hodge, Roman aqueducts, p.102, to be in accordance with Vitruvius, and unusual in this respect.

109 Desbat, pp.274, 5 and Note 17.

110 See above Note 80, p.54.

111 See above Notes 81, 82, p.54.

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- 60 - remains along another trace not far from the existing structures112 indicate a

pre-Claudian construction. The structures of this would have been kept in use until

the new structures had been completed and could be connected to the tunnels which

were to remain, possibly with repairs, indicated by some use of brickwork. The

Vitruvian spacing of the tunnel shafts also indicates retention of original tunnels.

Much, therefore, remains to be said about the aqueducts of Lyon, and particularly

about the history of them as utilitarian constructions which were repaired and restored

over many centuries. On present evidence, the first aqueduct at Lyon was the

Mont d'Or, and this is the only one which Agrippa could have started to build if there

had already been investigations into alternative routes. Otherwise, he may have been

the 'father' of the aqueducts, and, therefore, of the Gier with the others. Any further

connection between Agrippa and the Gier aqueduct has not yet been established, but

Desbat has pointed the way to a better assessment of this.

CONCLUSIONS Munatius Plancus founded a Roman colony at Lugdunum in 43 B.C. on the top of the

main plateau. Agrippa, in 39-37 B.C., selected Lugdunum as the hub of his road

system, building about 17 km of new road to connect his common road to the

English Channel and the Rhine to it. His road to the Atlantic was based on a

pre-Roman road in that direction. Agrippa's road to the south used the existing road

to Vienne. Agrippa brought his roads together at the Trion below the top of the

plateau. He built a construction camp there, and provided facilities for the operation

of the roads as through routes. Agrippa almost certainly built on top of the plateau at

the military centre and may have constructed the first permanent buildings at the

Verbe-Incarné site, including a first praetorium. He improved the port facilities to

handle his supplies brought in by river, and built a road connection to these. In

19 B.C., Agrippa may have been responsible for planning a major expansion of

Lugdunum, including water supply by aqueducts. In this case, Agrippa would have

been the ‘father’ of all four aqueducts. If plans for aqueducts had been developed by

19 B.C., Agrippa would have ordered the construction of the Mont d'Or aqueduct

before that of the others. At the town, Agrippa may have been responsible for

planning which would have included a forum and a theatre. No particular building

112 See above Note 86, p.55.

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- 61 - can be attributed to Agrippa beyond doubt, but the praetorium at the 'Cybele' site was

almost certainly his. He may also have provided the theatre at Lugdunum in addition

to that at Augusta Emerita.

Agrippa, therefore, did much more at Lugdunum than select it as the hub of his road

network and build roads meeting there, as is generally understood. It is probable that

Agrippa, rather than Plancus, built the first permanent structure on the plateau at the

Verbe-Incarné site. Agrippa’s choice of Lugdunum for his road junction was the

principal catalyst for the town becoming an important commercial centre, the site of

an Imperial Mint, and the virtual capital of the old Gallia Comata, with the

Altar to Rome and Augustus. Plancus founded Lugdunum as a garrison town, but

Agrippa was the real ‘father’ of the great city of the Empire, which came into

existence despite the problems of water supply. Previously, Agrippa’s contribution to

the development of Lugdunum seems to have been under-emphasised. This is

explained largely by an imputation that works at the urban centre resulted from the

visit of Augustus to the West in 16-13 B.C., and that Agrippa had no part in planning

or building at Lugdunum in 19 B.C. The discovery of the praetorium at the

'Temple of Cybele' site with its dating to the period when Agrippa was in Gaul, new

uncertainties about the dating of works at the theatre, and new ideas (including those

of Desbat) about the early history of Lugdunum, are all catalysts for further enquiry

into Agrippa's planning and construction at the town, and for its aqueducts.

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- 62 -

33.. TTHHEE TTEEMMPPLLEE OOFF VVAALLEETTUUDDOO AATT GGLLAANNUUMM

INTRODUCTION Roman Glanum1, located, as shown on Fig. 3.12 was near a slip road on the

Via Domitia and on a road over Les Alpilles to the Via Aurelia, as seen on Fig. 3.23.

Fig. 3.34 shows 'Les Antiques', with the arch on the slip road and Glanum proper to

the south. Hodge has suggested that Glanum may actually have been at or near

Saint-Rémy-de-Provence or on the Via Domitia, with the presently named

Les Antiques and Glanum as suburbs to the south5, but there is no archaeological

evidence of this.

There was continuous human occupation at Glanum from the Neolithic to the late

Iron Age, concentrated in the southern part of the site, where there was a cleft in the

hillside, marked ‘aven’ on Fig. 3.3, and a spring, probably an early place of worship,

marked 2 on Fig. 3.3. Finds of pottery and coins in this area indicate that people

living there traded with Massilia from the 6th century B.C.6. Glanum was, therefore, a

typical Celtic centre with a sacred spring located near the ancient road from Italy to

Spain. It was important both because of its religious significance, and its position7.

Influence from the Mediterranean through the port of Massilia, founded by Phocaeans

from Asia Minor in about 600 B.C.8 was joined by that brought along the road from

north Italy. Glanum of the 2nd century B.C. had Greek/Hellenistic features,

including Delian type houses, porticoes, a bouleuterion, temple and other public 1 Hodge, A. T., Ancient Greek France, London, 1998, p.151, suggested that 'Glanon', on which

'Glanum' is based, was a possible Hellenisation of the aboriginal name 'Glanikon’.

2 Gros, P., Hercule à Glanum’, Gallia, 52, 1995, pp.311-333, Fig. 3, p.319.

3 Roth Congès, A., ‘La fortune éphémère de Glanum : du religieux à l’économique’, Gallia, 54, 1997, pp.157-202, Fig. 1, p.161 (part).

4 Ibid, Fig. 6, p.171 (part), with minor additions.

5 Hodge, Ancient Greek France, p.152.

6 PECS, p.356, also Salviat, F., Glanum et les Antiques (Guides Archéologiques de La France, No. 19), Paris, 1990, pp.18-20.

7 Salviat, pp.17, 18 for the importance of the position and Hodge, Ancient Greek France, pp.151-2 for the religious aspect.

8 Ebel, C., Transalpine Gaul, London, 1976, p.10, and Cunliffe, B., The Ancient Celts, Oxford, 1997, pp.48 and 49.

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- 63 - buildings. The ancient sacred spring was converted into a nymphaeum and gates and

ramparts were built9. These architectural influences cannot be traced back directly to

Massilia, since virtually nothing remains there from this period10. Two destruction

levels at Glanum indicate Roman sackings of the last quarter of the 2nd century B.C.,

and there is evidence of minor house building during the first half of the

1st century B.C., including occupation of one house by Sulla11. With the fall of

Massilia in 49 B.C. and the foundation of Arelate in 46 B.C.12, Glanum became part

of the territory of the Arelate13 as an oppidum Latium with the ius Latii14. The major

Roman development at Glanum followed the visit of Augustus to the West in

27 B.C.15. Fig. 3.416 shows the layout of the town of the 2nd century B.C., and

Fig. 3.517 at the end of the Roman period. The Roman works recast the public sector.

In the sacred zone south of the gates, the Roman works, as shown on Fig. 3.5,

included the Temple of Valetudo.

Glanum seems to have been abandoned after Germanic invasions in about A.D. 270,

and was gradually covered over by alluvium18. The monuments at Les Antiques on

higher ground remained visible and received their modern name. In late Antiquity,

the buildings of Glanum proper were largely demolished for stone recovery, with

the parts useless elsewhere being dumped in wells and other convenient places19.

Consequently, at Glanum, the building parts were sorted after demolition, resulting

in separation from in situ remains. For the Temple of Valetudo, this dislocation

was compounded by the presence of the Temple of Hercules on the other side of the

9 Roth Congès, A., ‘Nouvelles fouilles à Glanum (1982-1990)', JRA, 5, 1992, pp.39-55,

pp.40-46; also Goudineau, PECS, p.356 and Salviat, pp.18-22.

10 Roth Congès, 'Nouvelles fouilles …', p.44 and Note 33.

11 Ibid, pp.44-49.

12 Pliny, 3.36, Suetonius, Tiberius 4.1, Rivet, p.197, also below Chapter 5. p.100.

13 Rivet, p.198.

14 Ibid, p.198 and Note 47, p.208, interpreting Pliny 3.37.

15 Roth Congès, 'Nouvelles fouilles …', pp.49-50.

16 Roth Congès, 'La fortune éphémère …', Fig. 9, p.175.

17 Ibid, Fig. 10, p.175.

18 Rivet, p.193, and Notes 55 and 56, p.208; also Goudineau, PECS, p.356.

19 Lequemont, M.F., Lambert, N., Roth Congès, A., ‘Un puit livré de la sculpture’. Les Dossiers d’archéologie, 140, July-August, 1982, pp.34-39.

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- 64 - ‘Fontaine’ or nymphaeum which contained a convenient basin for the disposal of

surplus material. As can be seen from Fig. 3.620, the searchers for stone could

throw unwanted pieces into the basin from the north, east, or south confusing the

excavator centuries later. The position of the Temple of Valetudo on Fig. 3.6 is that

of the existing reconstruction, which, as argued below, is not established as that of

the original building.

The dedication of the Temple to Valetudo, the Roman goddess of health and well

being, was related religiously to the nearby ancient sacred area with its nymphaeum.

The Altar to Glan, shown on Fig. 3.6, was dedicated to the Glanicae, the local form

of the triple Celtic goddesses associated with healing springs21. One inscription at the

altar marked Marcus Licinius Verecundus, veteran of the 21st legion, seeking a safe

return after battle from the Glanicae. This legion was created to reinforce the army of

the Rhine after the Varian disaster of A.D.922. The construction of the

Temple of Valetudo had probably aided syncretism between the pre-Roman and

Roman religious observances.

INVESTIGATION OF THE TEMPLE It must be said, at once, that the evidence of the material remains is insufficient for

a complete description to be given. In fact, questions remain about the location of

the temple. These lacunae and uncertainties result principally from the disturbances

and partial removal of late antiquity, noted above. It is possible that future

archaeological investigations may turn up new evidence, but investigation here is

based on the published literature and personal observation of the remains witho ut

any disturbance of these. A first section is set aside for a discussion on

reconstruction. This section is followed by one on description. An attempt is made

in a third section to explain why the temple was built. Finally, there is a general

conclusion. The question of dating is taken up as appropriate in the various sections

and summarised in the conclusion.

20 Roth Congès, 'La fortune éphémère …', Fig. 11, p.176, with minor alterations.

21 Green, M., Celtic Goddesses, New York, 1995, pp.106-7.

22 Salviat, p.30.

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- 65 -

1. RECONSTRUCTION OF THE TEMPLE

(a) EXCAVATION AND RECONSTRUCTION 1951-195523:

Henri Rolland discovered the scattered remains of parts of the temple in the basin

of the nymphaeum, and in the area north of this, and the street. Most of the pieces

were non-regular blocks which could not be used elsewhere. His paper

reconstruction had the temple facing the nymphaeum with a dead drop to it, and

the west cella wall on the street line, as shown on Fig. 3.724. Rolland’s location

and reconstruction of the cella layout depended on in situ material, shown on

Fig. 3.7 in solid black, and dotted lines, and on this material being Roman.

Rolland located the positions of the four columns by his discernment of Roman

reconstruction of the north wall of the Hellenistic basin at its upper levels25, where

he found that a narrow arch connecting the two walls of the basin had collapsed26.

This arch is seen more clearly on Fig. 3.827, which shows the Temple of Valetudo

in its present reconstruction, as on Fig. 3.6. Rolland's presentation of his proposed

layout is unconvincing when judged by modern standards, since he provides

insufficient textural and photographic information to adequately describe the

in situ remains. There is no doubt that he found the in situ remains of some

building, but whether these were of a Hellenistic building or a Roman one is open

to question. There could be no access to Rolland’s temple from the south or the

west, and a side entrance from the east must be regarded as very unconventional

for a Roman temple. Rolland concluded that the entrance was from the north, and

he noted a pedimental block, which may have indicated a doorway there28. His

solution of a prostyle temple facing south with a door in the back wall is more

credible than an amphiprostyle layout with colonnades at both ends29, since

23 Rolland, M. H., ‘Fouilles de Glanum’ (1951-2), Gallia 11, 1953, pp.5-17, pp.13, 14, for

discovery of the nymphaeum; Rolland, Gallia 12, 1954, pp.448-452 for clearance of the basin of the nymphaeum, discovery of Hellenistic coins, evidence of Roman repairs and discovery of temple remains; Rolland, ‘Un temple de Valetudo à Glanum’, RA, 46, July-Dec 1955, pp.27-53, for a description of the temple and a reconstruction of it.

24 Rolland, 'Un temple de Valetudo … ', Fig. 5, p.36.

25 Ibid, p.37 and Note 2.

26 Rolland, 'Fouilles de Glanum (1951-2)', p.14, with Fig. 11 showing the springing points of the arch.

27 Salviat, photograph p.31 (part).

28 Rolland, 'Un temple de Valetudo …', p.39, also below Note 92 and Fig. 3.24.

29 Vitruvius, De architectura , 3.2.4.

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- 66 - only four columns and capitals have been recovered30. Nevertheless, his layout

was unusual for a Roman temple, which is conventionally placed on a podium

approached by steps from the front.

Rolland stated in his text that there was a space between the columns of

one-and-a-third column diameters, based on this relationship at the Temple of Mars Ultor

at Rome31, resulting in a clear spacing of 0.586 metres based on the 0.44 metres

column diameter at Glanum. This is rather narrow, even for such a small temple.

Also, to transpose the spacing/diameter relationship at a large building with thick

columns to a small one with thin columns is questionable. A clear spacing of about

two column diameters, or 0.88 metres, is shown on Fig. 3.7, and this is what might be

expected. Measurement from the bar scale on Fig. 3.7 indicates that the temple was

nearly 5.0 metres wide, but, in the text, it was described as 3.90 metres in breadth32,

possibly indicating the interior width. With column spacings of 0.88 metres, the

width would be 4.40 metres. Rolland made a partial site reconstruction, shown on

Fig. 3.933. This was north and east of the position indicated on Fig. 3.7, but on the

same orientation, pending its permanent reconstruction directly over the face of the

nymphaeum with the wall of the basin wall repaired. He did not provide the full

height of the podium, assessed by him as at least 1.90 metres34, and also set no upper

moulding on the podium. Rolland placed one of the pilasters and its capital to form

part of the entrance from the pronaos to the cella. This position seems to be

appropriate, since both the pilaster and the capital are carved on two sides, and the

other two are dressed back for plastering, or to receive a door frame 35.

Rolland’s reconstruction of the temple, therefore, cannot be accepted entirely.

Nevertheless, much of the uncertainty resulted from the lower archaeological

standards of his day and his inability to concentrate on a small building when he was

excavating most of Glanum. It is remarkable that he provided so much information.

30 Rolland, 'Un temple de Valetudo …', pp.41, 42.

31 Ibid, pp.39, 41.

32 Ibid, p.37 and Note 3.

33 Ibid, Fig. 7, p.40.

34 Ibid, p.37.

35 Ibid, p.37, for Rolland’s explanation of this placement of the pilaster, also see below, Note 41, p.68.

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- 67 - The fact remains that Rolland was a distinguished archaeologist who also both

excavated the temple and described it. His unique testimony is, therefore, to be

respected. The most outstanding feature of Roland's reconstruction is its location.

The typical Roman temple was approached by steps from a public place. Here it is

placed directly against the basin of the nymphaeum. Rolland discovered a small pillar

altar inscribed Valetudini which he believed to have stood on the pronaos36. This

would have replaced the conventional altar in front of the temple, which could not

exist because of the dead drop into the basin of the nymphaeum. Ritual at the pillar

altar would have been visible from the sacred spring and from the Altar to Glan and

the Glanicae, shown on Fig. 3.6. It is difficult to imagine a position for a temple

more suitable for religious syncretism between the Celtic shrine and the temple.

Also, it is more likely that a Hellenistic temple would be built in such a position,

which respected the local conditions, than a Roman one which would alter them.

Agrippa could, therefore, have modelled his temple on the ruins of a Hellenistic

building. His action would then have been an act of reparation for Roman

destruction.

(b) THE EXISTING RECONSTRUCTION:

There seems to be no explanation of the existing reconstruction in the published

literature, although doubts have been expressed about its validity37. The two

temple locations shown on Figs. 3.6 and 3.7 are clear of each other, but the steps to

the present reconstruction occupy part of Rolland’s cella location. The break in the

wall on the east of the street shown on Figs. 3.6 and 3.7 coincides with a break in

the wall discovered by Rolland38. The southern part of this break marked the point

where Rolland’s west wall of his cella, shown in solid black, changed to the dotted

lines shown on Fig. 3.7. Rolland discerned the cella platform north of this point,

where the present reconstruction would have steps up to the temple. It is not

possible to resolve this crucial clash in interpretation from the evidence used here.

Rolland did not refer to his discovery of the break in the wall in his proposal for the

reconstruction, so that it is not possible to relate the two elements as he understood

them, or to know whether they were connected in his mind at all.

36 Ibid, pp.51, 52, also see below Note 48, p.70, and below Fig. 3.14.

37 Salviat, p.31, and Roddaz, Marcus Agrippa, p.397, raised doubts about the reconstruction without giving reasons.

38 Rolland, 'Fouilles de Glanum (1951-1952)', Fig. 1, p.4.

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- 68 - The placing of the existing reconstruction is conventionally Roman, since it faces the

public road directly, and is approached from this by steps leading up to a podium

sitting on a levelled hillside. The conventional W-E orientation agrees with that of

the other two Roman temples, marked XXIV and XXV on Fig. 3.5. Agrippa’s temple

in this position would be a small prostyle building of the ‘treasury’ type. As can be

seen from Figs. 3.6 and 3.8, the building was placed between the line of the street and

the cliff face, which was not dressed back. It was not possible to take levels at the

site, and the steps have not been rebuilt. Consequently, it was not easy to obtain a

clear idea of both the vertical and horizontal geometry of the layout, but there was

little room for a pronaos. This was most unusual in a Roman temple, in which the

deep pronaos was an important feature derived from the Etruscan period39.

Figs. 3.10, 3.11 and 3.1240 show, respectively, the front, south side, and south-east

corner of the reconstruction. This, like Rolland’s preliminary reconstruction, seems

to have been placed on a prepared ground without any obvious use of in situ

foundations. The column bases are set higher than in Rolland’s site reconstruction

since they allow for the addition of the upper moulded part of the podium. This part

appears only at the S.W. column, with the other two remaining columns built up from

sundry blocks, including new rubble walling. It is not at all clear that the

S.W. column is supported by a correct reconstruction of the parts in their original

positions. The tallest of the three rebuilt columns is incomplete. No column capitals

remain on site. One pilaster and its capital have been placed at the S.E. corner. This

position does not seem to be suitable, since, as already noted41, both pieces have the

uncarved faces dressed back, suggesting plastering or door frames, which might be

expected in an opening between the pronaos and the cella, but not at an exterior

corner of the building. The inscription of dedication on a string course originally

above the architrave has been placed on blocks where the steps would be. The clear

column spacing in the centre is twice the column diameter, and one-and-a-quarter

diameters at the sides, as far as can be deduced with the northern column missing.

These spacings indicate an adaptation of the eustyle column arrangement of

39 Boëthius, A., Etruscan and Early Roman Architecture, Harmondsworth, 1978, pp.35-48,

130-133 and 156-178.

40 Photographs by the writer.

41 See above Note 35, p.66.

Page 77: Constructions Agrippa

- 69 - Vitruvius, appropriate for a small temple with a restricted length42. The

reconstruction agrees with Vitruvian precepts connecting column diameter and

building width43.

Examination of the existing reconstruction, therefore, indicates that this resulted from

the application of general ideas about Roman temple location and Vitruvian concepts

to the arrangement of incomplete remains, but that the result is not entirely

convincing.

The evidence examined above is insufficient to form a clear opinion about the relative

merits of the two reconstructions. It is also possible that the temple was located in

some other position north of the nymphaeum, or even to its east or south, especially

since, as seen on Figs. 3.6 and 3.8, the rock face was cut back at these positions. The

Sanctuary of Hercules is shown as a Roman construction on Fig. 3.5, but Gros has

argued that it may have existed at a Greek religious site on the Heraclean route from

Italy to Spain, with Glanum as a centre of transhumance44. This was contested by

Roth Congès45, but neither could rely on up-to-date archaeological investigations at

the Sanctuary of Hercules. There is, therefore, no reliable information on what

buildings may have stood to the south or east of the nymphaeum before Agrippa built

his temple. Consequently, the origins of unwanted stone dumped in the basin of the

nymphaeum, as noted above, remain uncertain. Rolland discerned the sanctuary of

Hercules to the south of the basin, and Agrippa's temple to the north, with no other

building in the area His interpretation may be questioned as a result of future

investigations.

2. DESCRIPTION OF THE TEMPLE

It is not possible to provide a complete description, since not all the remains

have been recovered and there is no established location. The order of description is 42 Vitruvius, De architectura , 3.3.6, recommended for the eustyle arrangement a central

intercolumnation of three column diameters and side ones of two-and-a-quarter, but this would make the temple too long to fit in the space available if the length was in proper proportion to the width.

43 Ibid, 3.3.7, specified that the column diameter should be the building width divided by 11.5. The column diameter of 0.44 metres and the temple width would be 5.6 metres on this basis. This is the approximate width of the temple reconstruction.

44 Gros, ‘Hercule à Glanum’, pp.318-322.

45 Roth Congès, 'La fortune éphémère …'.

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- 70 - from the foundation to the acroteria, except for the inscription identifying the temple

as Agrippan and dedicated to Valetudo, which is considered first.

(a) INSCRIPTION OF DEDICATION:

Rolland found this in the basin of the nymphaeum46. Fig. 3.1347 shows it as now

placed. The beginning of the inscription

[VAL]ETUDINI. M. AGRIPPA

is confirmed by the inscription VALETUDINI on a small altar shown on Fig. 3.1448

recovered by Rolland 49 from the basin of the nymphaeum. The inscription must have

continued with L.F., indicating him as the son of Lucius, and by his consular rank.

Agrippa was consul first in 37 B.C., and was probably designated as such as early as

40 B.C. He was consul for the third and last time in 27 B.C.50. In 39-37 B.C.

COS DESIG may have appeared on the inscription, and, in 19 B.C., COS III.

Rolland suggested completion with COS III because there were two incomplete

inscriptions bearing the name Agrippa at Nîmes interpreted to end in this way, and he

considered these, like that at Glanum, to have been found at nymphaea associated

with healing51. The two inscriptions at Nîmes cannot be dated beyond question to

19 B.C., and the buildings on which they were placed have not been identified52. It

is, therefore, not possible to either date the temple or to associate it with the healing

process53 because of the inscriptions at Nîmes.

(b) FOUNDATIONS AND BASES:

As already noted, some questions remain about the construction of the parts below the

level of the column bases and how this is represented by Rolland on paper and in the

existing reconstruction. Rolland described the podium as having a minimum height

46 Rolland, 'Un temple de Valetudo …', p.45.

47 Photograph by the writer.

48 Rolland, 'Un temple de Valetudo …', p.51 and Fig. 18.

49 Rolland, Gallia 12, p.450.

50 Ehrenberg & Jones, pp.33 and 35.

51 Rolland, 'Un temple de Valetudo …', p.46 and Notes 1 and 2 referring to CIL 12 3153 and 3154.

52 See below Chapter 4, pp,94-96.

53 See below Note 112, p.80, for an Agrippan medical condition.

Page 79: Constructions Agrippa

- 71 - of 1.9 metres, but he did not state where this occurred, or indicate the maximum

height. He said nothing about the upper moulding of the podium nor did he provide a

drawing of it. Rolland recovered eight parts of the lower moulding, including all four

corner pieces, but these were insufficient to complete the temple perimeter54. These

lower mouldings can be seen on Figs. 3.10 and 3.11. They are of a well established

profile which was in use from an early period, and are quite similar to those at the late

3rd century B.C. temple at Gabii55.

All four bases of the columns were recovered, and three remain on site, as seen on

Figs. 3.9 and 3.10. Fig. 3.1556 shows the S.W. base, and the lack of plinths or base

plates. There is no evidence of stucco being used on the bases except, perhaps, for a

finish to the limestone. It was used in the fluting of the columns. The profile of the

base is shown as No. 2 on Fig. 3.1657. The upper torus or convex moulding of the

base is of much the same diameter and thickness as the lower one separated from it by

the scotia. The almost equal tori are common in late Republican temples, as at the

Temple of Vesta at Tibur (Tivoli) from the early 1st century B.C.58, although the bases

of the columns in the quadriporticus of Agrippa’s theatre at Mérida dated to

16/15 B.C. are of the earlier type59. Nevertheless, the general trend after the Republic

was towards a base in which the lower torus is more prominent, as seen on Fig. 3.1760

showing the base (and capital) of the Temple of Castor at Rome dedicated in

A.D. 661. The other bases shown on Fig. 3.16 are No. 1 for the smaller of the two

temples near the forum at Glanum, Nos. 3 and 4 for the mausoleum, and No. 5 for

the triumphal arch, both buildings at Les Antiques. The chronological order of the

bases shown in Fig. 3.16, judged from the size of the upper torus, is 2, followed by 1

with 3, 4 and 5 later, indicating that the Temple of Valetudo was earlier than the

forum temple constructed after the visit of Augustus for the West in 27 B.C. The

base and the lower part of the column cut out of the one block is also common in

54 Rolland, 'Un temple de Valetudo …', p.37 and Notes 1 and 2.

55 Boëthius, Fig. 46, p.56.

56 Photograph by the writer.

57 Gros, P., 'Les temples gémines de Glanum'. RANarb , 14, 1981, pp.125-172, Fig. 47, p.150.

58 Boëthius, Fig. 154, p.163.

59 See below Fig 8.40.

60 Sear, F.B., Roman Architecture, Fig. 36, p.66 (parts).

61 Ibid, p.67.

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- 72 - Republican temples, but it cannot be used as an indication of dating at Glanum, since

this has been adopted at the part reconstruction of the smaller of the two forum

temples62, with the profile No. 1 of Fig. 3.16. Fig 3.1863 shows the reconstruction.

(c) COLUMNS:

The columns, of mean diameter 0.44 metres, are fluted, with 16 grooves in the

shape of a meniscus separated by fillets64, as against the 24 and the 20 prescribed by

Vitruvius for the Ionic and Doric Orders respectively65. The lesser number is

aesthetically appropriate for a small temple, and, also, easier for the mason to

provide. It is not possible to know the height of the columns, since there is no

recorded complete recovery of any one shaft. Vitruvius specified that the columns

of the Ionic Order to be used with the Corinthian Capital66 are to vary in height

from eight to ten times the lower column diameter, depending on the column

spacing67. Since the column spacings at Agrippa’s temple are unknown, the shaft

height, according to this, could vary from 3.70 to 4.40 metres, assuming no column

taper. The columns of the smaller of the two temples near the forum temple shown

on Fig. 3.18 are barely seven times the lower column diameter in height. It is,

therefore, not possible to assess the length of the column shafts at Agrippa's temple,

and, consequently, a drawing showing the elevation of the front of the temple

cannot be provided. Each side of the pilaster, shown on Fig. 3.12, has four grooves

in the shape of a meniscus separated by fillets. Similar pilasters, but with six

grooves, are seen at the Maison des Antes located on Figs. 3.4 and 3.5, but this

house cannot be dated68. It has been argued here that the pilasters at the temple

with their capitals framed the entrance to the cella, as proposed by Rolland69.

62 Varène, P., ‘L’apport de l’ethno-archéologie à la connaissance des techniques antiques de

construction : deux examples tirés de la reconstruction partielle d’un temple à Glanum’, JRA , 6, 1993, pp.193-204, for the explanation of the reconstruction.

63 Photograph by the writer.

64 Rolland, 'Un temple de Valetudo …', Fig. 8, p.41 and p.39, Note 6.

65 Vitruvius, De architectura 3.5.14 and 4.3.9.

66 Ibid, 4.1.1.

67 Ibid, 3.3.10.

68 Salviat, pp.50-53.

69 See above Note 35, p.66, and Rolland, 'Un temple de Valetudo …', p.37.

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- 73 - (d) CAPITALS:

Only one capital remains on the site. This is the pilaster capital shown on Fig. 3.1970.

All the four column capitals are in the museum at the Hotel de Sade at

Saint-Remy-de-Provence, but it was not possible to identify these or photograph

them. Figs. 3.20 and 3.2171 represent the two kinds of column capitals. Fig. 3.20

shows the type with the blossom at the top centre, and Fig. 3.21 that with no blossom,

but with tendrils or helices separated by acanthus. Rolland, and Picard concluded that

both types came from the same workshop72. This is indicated by the same astragal

decorated with bead and reel, no decoration on the abacus, and a common type of

acanthus treatment. Rolland noted the generally squat appearance of the capitals73, as

did Picard, who attributed this to the thick abaci, and, particularly, to the arrangement

of the acanthus. He considered that a strong horizontal emphasis was created by the

lower ring of leaves and the one above this turning over quite close to each other74.

This can be seen on Fig. 3.20, and to a lesser extent on Fig. 3.21, but not on Fig. 3.19.

There is some doubt also about the effect of the abacus, since this is not remarkably

thick75. The squat appearance can be assessed further from Fig. 3.2276. This shows

the Vitruvian type capital on the left with two others of the late Republic. There is

little difference in the thickness of the abaci. All three have the same height, and

much the same widths at the astragal and the abacus, yet the Vitruvian capital looks

narrower than the other two. This is mainly explained by the three rings of the

acanthus 77, which have a stronger vertical emphasis from the more definite vertical

connection between three rings. In addition, the larger volutes on the Republican

capitals place more emphasis on the top of the bell, and the lower part of this seems to

be crushed. If the column capitals of the Temple of Valetudo were shown with the

other three, and in the same manner, they would look at least as broad as the

70 Photograph by the writer.

71 Rolland, 'Un temple de Valetudo …', Fig. 10, p.43 and Fig. 12, p.45, respectively.

72 Ibid, p.42 and Picard, G-C., ‘Glanum et les origines de l’art romano-provençal. Première partie : Architecture’, Gallia, 21, 1963, pp.111-124, p.113.

73 Rolland, 'Un temple de Valetudo …', p.42.

74 Picard, p.113.

75 It varies from one-fifth to one-sixth of the total height of the capital.

76 Boëthius, Fig. 148, p.158, referring to Morgan, Vitruvius. The Ten Books of Architecture, Figs. 1, 2 and 4, p.105.

77 Vitruvius, De architectura 4.1.12.

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- 74 - Republican models because the acanthus division is similar to these, and, also,

because of the more prominent horizontal ‘basket work’. The pilaster capital is

higher from astragal to the top of the bell than it is broad at the astragal, whereas all

the other five capitals, shown on Figs. 3.20, 3.21 and 3.22, have equal corresponding

dimensions. It would, therefore, be recognised as taller than the other three if

represented in the same way with them. Nevertheless, it still looks quite broad, and

mainly because of the horizontal lines of the ‘basket work’.

The capitals of the Temple of Valetudo are, therefore, not of some outlandish form

like the very squat capitals of the Temple of Athena Alea at Tegea of the

mid-4th century B.C78. Also, they have at least some general characteristics of those

in late Republican Italy and of the Vitruvian model. They can be placed more

securely in the history of the development of the Roman Corinthian capital by

comparison of them with the capitals of the developed Corinthian Order, represented

by the Temple of Castor at Rome, as seen on Fig. 3.17. The capitals at Rome have a

height above the astragal some one-third greater than the diameter of the column

immediately below the astragal. All the capitals shown on Fig. 3.22, and at Glanum,

exceed this diameter in their heights by no more than one-eighth. This is generally in

accordance with the Vitruvian precepts79. The developed Corinthian Capital is,

therefore, more slender than those at Glanum. The capital at Rome has the three

rings of acanthus lacking at Glanum. Other differences are the decorated abacus and

plain astragal at Rome, while at Glanum the reverse is the case. At Glanum the

blossom is large and over the bell and the abacus. At Rome it is smaller and confined

to the abacus, and the volutes are under the abacus which is cut off at an angle at the

corners. At Glanum the volutes, as shown on Fig. 3.20, rise up into the abacus space

and the abacus is not well defined at the corners. At Rome the volutes and the helices

seem to spring naturally from the vegetation, but this is not the case at Glanum. Here

the ‘basket work’ is prominent, but it is barely evident at Rome. Apart from these

differences the general treatment of the vegetation at the Temple of Castor is

represented naturally, in detail, and the modelling is subtle. The vegetation is also

more like that of the olive than the acanthus. At Glanum, the rendering of the

78 Lawrence, A.W., Greek Architecture, Yale, 1996, p.144 and Fig. 224.

79 Vitruvius, De architectura, 4.1.11, specified that the height of the capital including the abacus should equal the column diameter at its base. Some taper of the column from bottom to top can be expected.

Page 83: Constructions Agrippa

- 75 - acanthus is less natural, with less detail, and the modelling is crude. The capitals at

Rome balance nature and symmetry in an elegant execution. At Glanum the work is

more ‘primitive’. This is not to deny the power and originality of the execution.

Here the drill was used extensively, while at Rome the chisel was the principal tool.

At the Temple of Castor the overlapping leaves of the acanthus form smooth cavities

shaped like pears, but, at Glanum, these are more like triangles with sharp corners. In

fact, there is no evidence in Figs. 3.19, 3.20 and 3.21 of the reshaping and

development of the Classical Orders which were a major feature of the developed

Corinthian Order80.

The capitals at Glanum, therefore, have little in common with those of the developed

Corinthian Order but are like those of the late Republic in Italy in respect of their

general proportions and the main feature. This similarity does not extend to the

treatment of the acanthus. In the late Republic, as can be seen from Fig. 3.22, there

were large shaggy leaves amply turned over at their ends. The turning point was

rounded so that the ends of the leaves formed a festoon. The subdivision of the

leaves was rather indefinite. At the Glanum capitals the acanthus is turned over much

less, and the festoon effect is not seen. Also, the leaves are much more split up. The

treatment is stiff, whereas it is florid in the Republic. The critical element in

understanding the capitals and their dating is the treatment of the acanthus. This is a

specialised subject and it is necessary to rely on the researchers expert in this

particular field.

Picard provided the first study on the capitals of the Temple of Valetudo81 and Gros

made reference to them in his study of the two temples at the Forum82, but

Roth Congès has provided an authoritative account of the capitals of the temple in a

paper focussed on the treatment of the acanthus in Provence83. Her treatment was

comprehensive, and it is possible here only to indicate the main features of the

80 Sear, Roman Architecture, p.62.

81 Picard, ‘Glanum et les origines …’, Note 72.

82 Gros, 'Les temples gémines …', p.146.

83 Roth Congès, A., L’acanthe dans le décor architectonique protoaugustéen en Provence’, RANarb , 11, 1983, pp.103-134.

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- 76 - conclusions. Her classifications are shown on Fig. 3.2384, starting at the top, and

from left to right, with the traditional typology of the acanthus treatment in the

late Hellenistic period, the second triumvirate, and the end of the Augustan age.

The next lines show, firstly, the interaction between leaves generally, illustrating

the space formed by these, secondly, the symmetrical type of the Republic and,

thirdly, the asymmetrical type of the Empire. The change between these types is

dated by her to the proto-Augustan period. The third line shows her

classification, in this period, of the various symmetrical types. Roth Congès

placed the capitals of the Temple of Valetudo principally in category C. This is

characterised by a combination of rounded and pointed leaves with distinctive

depressions like drops at the ends of the rounded ones. Roth Congès subdivided

this category C further into two types appearing at the bottom of Fig. 3.23. The

type on the right was seen by her to be the closest to the capitals at the Temple

of Valetudo. She traced the origin of this back to Asia Minor in the first quarter

of the 3r d century B.C. at the capitals of the mausoleum of Belevi, near Ephesus,

continuing at the Agora of Smyrna, then, in Egypt, on a capital of Heliopolis

Magna towards 240-230 B.C., and, finally, about 200 B.C. at the Gymnasium of

Miletus 85. Roth Congès has, therefore, established a connection between the

capitals of the Temple of Valetudo and the region of origin of the founders of

Massilia, since this was Phocaea on the coast of Asia Minor. The style spread

from Asia Minor to Egypt. Perhaps it extended into North Africa and reached

Massilia from there if it did not come directly from Asia Minor. She saw some

similarities between the treatment of the acanthus at Agrippa’s temple, and that

at the Arch of Rimini dated 27 B.C., and, also, at the Arch of Aosta, dated

25 B.C.86. The findings of Roth Congès were based on a detailed examination

of capitals from many places, and they are accepted here as the best explanation

for the capitals at Agrippa’s temple in relation to other Roman capitals. Roth

Congès dated the capitals of the Temple of Valetudo to 27 B.C., based on the

material evidence, but she was prepared for them to be a decade earlier than this

84 Ibid, Fig. 1, p.105, Fig. 2, p.106, Fig. 15, p.117 and Fig. 17, p.117 corresponding to the four

lines and starting at the top.

85 Ibid, p.119, 121, 2 and Note 90.

86 Ibid, p.111, Note 54.

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- 77 - archaeologically if she could accept the idea of Agrippa building a temple at

Glanum in 39-37 B.C.87.

(e) THE STRUCTURE ABOVE THE CAPITALS:

Rolland considered that he had found parts of the pediment and the cella cornice.

Fig. 3.2488 shows the architrave, an irregular pedimental block, and two parts of the

cornices. There is no reason to doubt the attribution of the architrave, which is a

Roman version of the triple layered Classical form. All the other parts must be

regarded with some suspicion, since the mouldings on these are very like that on parts

recovered from the Tuscan Hellenistic temple near the dromos, and located on

Fig. 3.489 as XVII. There is no decoration, and there are no modillions. The absence

of the second is not surprising since these have been noted in stone for the first time

at the third rebuilding in 36 B.C. of the Regia in the Via Sacra at Rome., although

they were made in stucco early in the 1st century B.C.90. The fact that modillions

appear at the other two temples of Glanum91 indicates that these are later than the

Temple of Valetudo. The large pedimental block is also difficult to explain as part of

Agrippa’s temple. Rolland noted the sloping underside, and suggested that this

indicated a ramp below, forming a possible entrance to his temple concept, but he

seemed to be uncertain of his own idea92. His reticence must be supported, since, the

very low angle of the roof, at barely 15°, is to be expected only at the broad cella of

the Tuscan temple 93. At all other Roman types, the slope would be at least 20°. The

column assemblies are quite unlike those of the Tuscan temple, which had plinths,

and capitals with a height only half the column diameter. The Tuscan Hellenistic

temple near the dromos shown on Fig. 3.4, had mouldings like those on the upper

parts recovered by Rolland. It is improbable that remains of this could end up some

150 metres further south in the nymphaeum basin. Some Hellenistic temple or other

building with a flatter than normal roof must have stood somewhere near the 87 Ibid, p.111 and Notes 52, 53.

88 Based on Rolland, 'Un temple de Valetudo …', Figs. 6 and 8, pp. 38 and 41 (parts).

89 Roth Congès, 'L'acanthe dans le décor …', p.111, Note 54.

90 Sear, Roman Architecture, pp. 63, 64; and Claridge, A., Rome , Oxford, 1998, pp.105-6.

91 Gros, 'Les temples gémines …', pp.128-143, for his examination of the cornices of the two temples in relation to others in Provence, including the modillions and other decoration.

92 Rolland, 'Un temple de Valetudo …', p.39.

93 Vitruvius, De architectura , 4.7.

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- 78 - nymphaeum. Gros has suggested a Hellenistic Sanctuary of Hercules94. The

Hellenistic type of roof parts, is, perhaps, to be explained by use or imitation of the

parts of this sanctuary, or of a temple sited as shown on Fig. 3.7.

(f) THE ROOF AND ITS DECORATION:

Rolland made no mention of any part of the roof of the temple, except acroteria,

although he recovered other objects from the basin of the nymphaeum, including

coins, votive offerings, etc.95. The absence of the tiles can almost certainly be

accounted for by their removal for use elsewhere in late antiquity. The acroteria

would probably have been cast aside like all the other decorated work. Rolland

recovered two acroteria from the basin of the nymphaeum96. That from the pediment

angle is shown, as recovered on Fig. 3.2597. The apex acroterium was restored, as

shown on Fig. 3.2698. The angle figure, recovered only to a height of 0.65 metres99

represents a palmette above vegetable volutes, with acanthus tendrils below. As

complete it was probably like that shown on Fig. 3.18. The female bust on Fig. 3.26

is Gaulish, as can be seen from the dress, the head covering, and, above all, from the

torc or torque. This ornament has been associated with human men or goddesses in

the late La Tène period100. The face is disfigured, but its carving was probably

typical of Entremont 101. This carving style can be seen in the general treatment of

the stone on Figs. 3.25 and 3.26. The treatment of the acanthus on Fig. 3.26 is quite

like that on the capitals of Agrippa’s temple, and particularly as shown on Fig. 3.19.

The acroteria from Agrippa’s temple seem to be Roman versions of Greek and

Hellenistic models as interpreted by the local craftsmen. There is no obvious reason

to think from their design or style that they are from a building other than the

Temple of Valetudo. One of similar type has been placed on the temple near the

94 Gros, 'Hercule à Glanum', pp.318-322. See also above Note 44, p.69.

95 Rolland, Gallia 12, pp. 450, 451.

96 Ibid, p.450.

97 Rolland, 'Un temple de Valetudo …', Fig. 13, p.47.

98 Photograph from the museum at the Hotel de Sade, Saint Rémy -en-Provence.

99 Rolland, 'Un temple de Valetudo …', p.48, Note 1.

100 Powell, T.G.E., The Celts, London, 1985, pp.69-73, and Figs. 34-46.

101 Salviat, p.105.

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- 79 - forum, as seen on Fig. 3.18. Yet, Salviat stated, without explanation, that the apex

acroterium shown on Fig. 3.26 was pre-Roman, and did not, therefore, belong to

what he saw as the ‘Temple of Agrippa’102 . If Salviat dated the apex acroterium as

pre-Roman from the Gaulish bust, this must be questioned. There was no obvious

religious difficulty in placing an acroterium showing a Gaulish figure on a temple

with an inscription dedicated to Valetudo. If the figure was Valetudo in Gaulish

guise, this symbolised the religious syncretism in the same way as would a figure

representing a Gaulish goddess.

(g) THE CULT FIGURE:

Rolland recovered the lower part of the statue of a female figure in the area of the

temple cella, and this is shown on Fig. 3.27103. There is no indication of the identity

since there is no inscription, but the figure is Roman or Hellenistic, and the long dress

is typical of either the Roman Valetudo, or the Greek Hygieia104, the daughter of

Asclepius whose cult at Epidaurus was introduced at Rome in the hope of ending a

major epidemic there in the 3rd century B.C.105. A connection arose between the

Greek goddess and the Roman Valetudo106. Both deities were venerated as bringers

of health and were related naturally to the Glanicae of the healing spring. It is

possible that the cult statue of Hygieia from a Hellenistic temple was found, and was

used in the Temple of Valetudo for practical reasons and as an act of piety and

reparation for the Roman destructions.

DESCRIPTION : CONCLUSIONS It has not been possible to determine the precise location of the Temple of Valetudo,

but this was not far from the nymphaeum, and probably to the north of it. The temple

had four columns supporting a pediment, but uncertainties remain about its ground

plan. The Roman temple has been partly recovered from the remains up to the level

of the architrave. The acroteria has also been recovered, but questions remain about 102 Ibid, p.109.

103 Rolland, 'Un temple de Valetudo …', Fig. 16, p.52. The remaining part of the statue is 0.57 metres high and the figure was, therefore, of natural size for quite a small woman.

104 Ibid, p,53 and Note 1.

105 Livy, 10, 47.7.

106 Rolland, 'Un temple de Valetudo …', pp.27-35, provided a quite comprehensive account of the cult of Valetudo as recorded in coins, inscriptions and the literature, and of the relationships to Asclepius and Hygieia.

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- 80 - the roof. The detailed study of the acanthus by Roth Congès indicated that the

capitals were dated between 37 and 27 B.C107. In a more recent study, the Temple of

Valetudo has been dated to the period 45-30 B.C. in the general chronology of the

monuments at Glanum108. This finding is not universally accepted. Salviat, writing

in 1999 in the official government guide of Glanum stated that the Temple of

Valetudo was built a little after 20 B.C.109. Levau, writing in 1989, assumed a dating

of 19 B.C.110. Neither produced any evidence supporting their datings. The dating

of the Temple to 45-30 B.C. is based on the most comprehensive and latest evidence,

and it is accepted here. The building was, therefore, built by Agrippa during or

shortly after his first visit to Gaul.

3. EXPLANATION OF THE TEMPLE

Agrippa had been sent to Gaul in late 40 B.C. to take control there on behalf of Octavian.

His mission was strategic and there is no obvious reason why he should have built a

temple in a small place like Glanum. The dedication to Valetudo, the Roman goddess of

wellbeing, indicates a possible medical reason. Agrippa suffered from a serious foot

condition in later life, and undertook a radical treatment by immersing his legs in hot

vinegar111. He also sought a cure from some ailment at the medical centre of Esclapius

at Epidaurus in 16/15 B.C.112. Yet, in 39-37 B.C., Agrippa was not yet 30 and it is

unlikely that he built the temple at that time in the hope of a medical remedy. The

explanation for the temple must, therefore, be sought from the location of Glanum, and

its particular characteristics in the context of Agrippa's aims at that time.

As can be seen from Figs. 3.1 and 3.2, the zone containing Glanum, Arelate, and

Tarusco was well placed for mobilisation of forces for Agrippan action in

Gallia Comata, since there was direct access up the Rhône valley by land and water,

and from the west and east along the Via Domitia. The sea port of Arelate was

107 See above Note 87, p.77.

108 Gross, P., Roth Congès, A., Varène, P., ‘Le centre monumental et gallo-romain’, Les Dossiers d’archeologique’, 140, July-August, 1989, pp.24-33, and plan 26,; also Roth Congès, 'Nouvelles fouilles …', pp.50 and p.51.

109 Salviat, p.30.

110 Leveau, P., ‘L’alimentation en eau’, Les Dossiers d’archéologie , 140, July-August 1989, pp. 62-67, p.62.

111 Pliny 23.58.

112 IG, 4.3.63, recorded his treatment at Epidaurus.

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- 81 - available for supplies from Italy and elsewhere. There had been a Hellenistic town at

Glanum and, though sacked by the Romans, it had been developed for housing113. It

was also a religious centre, and, perhaps, a market place. Gros considered that

Glanum was a pre-Roman centre of transhumance, with a market for food, fodder and

pack animals114. If so, this activity probably continued into the Agrippan period,

making Glanum a natural centre for procurement. Glanum was suitable as an

Agrippan command post for mobilisation since it would keep forces away from the

colony of Arelate and Agrippa could use one of the large houses there as his

praetorium.

Agrippa needed substantial military forces for his campaigns and his road works.

Roddaz suggested that he brought no troops from Italy. He also noted that the eleven

legions of Antony in Gaul had been disbanded, and implied that there could be little if

any support from Hispania 115. Agrippa would, therefore, have needed to form a new

army, recruiting his officer cadre mainly from southern Gaul. There are strong

indications, from the mausoleum of Les Antiques shown on Fig. 3.28116, of a military

tradition at Glanum going back to the time of Caesar. This well-preserved

monument has an inscription reading ‘Sextus, Lucius, and Marius, sons of Caius of

the family of the Iulii honour their grandfather’117. The monument has reliefs of

battle scenes on all four faces below the level of the arches. One of these shows a

member of the family in battle, as noted on a small inscription at the bottom right

corner of the relief. The mausoleum may be from the late 30's to the early 20's B.C.,

but there is little doubt that the grandfather was involved in the Caesarian wars118.

Construction of the triumphal arch in the late Augustan period119 very close to the

military mausoleum (as seen on Fig. 3.28) also indicates the wish to mark a military

tradition, since it could have been built at Tarusco, where it would have been seen

from the Via Agrippa as well as from the Via Domitia. There were only four other

113 Roth Congès, 'Nouvelles fouilles …', pp.47-49.

114 Gros, 'Hercule à Glanum', the abstract p.331.

115 Roddaz, Marcus Agrippa, p.71, Note 217.

116 Salviat, photograph, p.57

117 CIL 12.1012. SEX.L.M.IULEI.C.PARENTIBUS.SUEIS.

118 Gros, P., ‘Le Mausolée des Iulii et le status de Glanum’, RA, 1, 1986, pp.65-80, and Salviat, pp.74-88.

119 Salviat, pp.58-65.

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- 82 - triumphal arches in Gaul120 and the decision to build one of these at a small

oppidum latium seems to suggest its military rather than its civil status. As already

noted, a Latin inscription of the late Augustan period at the Altar to Glan was placed

by a Roman soldier121. In addition, there is some evidence of a military contribution

from Glanum indicated by a statute of Hercules and seven inscriptions at the

Sanctuary of Hercules excavated by Rolland 122.

There is, therefore, reason to suggest that Agrippa would have formed his first

headquarters in Gaul at Glanum where he could prepare for his operations in

Gallia Comata. It was essential for him to achieve this mobilisation before he

embarked on his activities, since he could not expect to live off the land as Caesar had

done in his conquest. This would have caused resentment, and frustrated his wish to

control Gallia Comata and keep it quiet while Octavian was concerned elsewhere.

Also, Lugdunum, the hub of his road system, was more than 200 kms from Arelate,

and at the extreme S.E. edge of Gallia Comata in which Agrippa was to build his

roads to the West, the Rhine and the English Channel. Agrippa would have built up

substantial forces and supplies in southern Gaul before undertaking his military

operations, military re-organisation, and large scale road works in Gallia Comata.

Agrippa's use of Glanum as his mobilisation centre would have stimulated activity there,

and the local elite could have advanced themselves by supplying provisions and by

contact with the virtual governor of Gaul. Glanum was already a religious centre, but

there is no evidence of a Roman temple before 39 B.C. The provision of a Roman

temple would have increased the importance of the town, bringing new business, which

would continue after Agrippa had left. A temple could function as a treasury, and as a

bank, charging a higher than normal rate of interest because of the security of the sacred

site and the stone walls123. There is some indication of a connection between the

merchant classes and the Celtic cult of the mother goddesses in Germania in the

120 Ibid, p.58 for triumphal arches at Orange, Avignon, Carpentras and Cavaillon.

121 Salviat, p.30 and above Note 22, p.64.

122 Rolland, 'Fouilles de Glanum …', pp.15 and 17 interpreted the statue and the inscriptions, Figs. 12, 13 and 14, as clear proof of a disproportionately large military contribution from Glanum. Roth Congès, 'La fortune éphémère …', pp.188-194 disputed this interpretation.

123 Henig, M., Religion in Roman Britain , London, 1984, pp.48-49.

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- 83 - Empire124, which may have applied to Glanum. Construction of a temple would have

advanced the cause of Agrippa by marking Roman reparation for the sackings of Glanum

and by relating the Roman religion to that of the indigenous soldiers to be recruited. This

religious connection would have helped him in Gallia Comata as a whole, since the

Glanicae were local variations of the goddesses worshipped throughout that region.

To build the temple at Glanum was, therefore, in the interests of the Roman power and

the local elite. It is most unlikely that the Temple of Valetudo was votive, or promised by

Agrippa before a military campaign125. This would have been out of keeping with

Agrippa’s consistent avoidance of public honours, and of less use as a rallying point for

recruitment than an immediate construction. The hypothesis of a 'mobilisation' building

explains why it was built at least ten years before other Roman public buildings at

Glanum, construction of which resulted from the visit of Augustus to the West in 27 B.C.

CONCLUSIONS The Temple of Valetudo was built by Agrippa early in the period 39-37 B.C. as a

'mobilisation' building intended to advance Agrippa's strategic aims in Gaul. It is possible

that it was a partial reconstruction of a Hellenistic temple sacked by the Romans. The

building was near the sacred spring of the local Glanicae, but its precise location, layout

and structural form have not yet been determined. The temple is of great architectural

interest as an early Roman building in southern Gaul, and, particularly, for the study of the

Corinthian capital in the region. The design of the capitals of the temple can be traced back

to Greece and Asia Minor and the founders of Massilia. The carving of the capitals

provides a good example of local interpretation. The religious aspects of the

Temple of Valetudo have been mentioned here only as they relate to its location, layout, or

the reasons for its construction. Rolland investigated the introduction of the cult of

Asclepius into Italy and the connection which was formed between his daughter Hygieia,

and the Roman Valetudo. He also made some comments about the cult of Valetudo at

Glanum. Juno, the Bona Dea, Demeter, and perhaps Hygieia, Tyche, Cybele and Isis all

appear at Glanum with the Glanicae126. Glanum, therefore, offers a rich field for

investigation of feminine deities in southern France.

124 Webster, G., The British Celts and their gods under Rome, London, 1986, p.111.

125 Orlin, E.M., Temples, Religions and Politics in the Roman Republic, Leiden, 1997, p.4, for votive temples.

126 Salviat, pp.121-123.

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- 84 -

44.. NNEEMMAAUUSSUUSS ((NNÎÎMMEESS)) The general location of Nîmes is shown on Fig. 4.11 with the course of its aqueduct,

which included the Pont du Gard viaduct. Fig. 4.22 marks the principal Roman urban

constructions identified to date, and the circuit of the walls. Agrippa was generally

regarded as the builder of the aqueduct until quite recently, and as responsible for the

Maison Carrée until some two decades ago. The prominence of the two sons of

Agrippa, Gaius and Lucius, has been seen as evidence of Agrippan activity there, yet,

this is in doubt. It is, therefore, necessary to clear the ground for investigation by first

examining the evidence of the two buildings and of Gaius and Lucius.

THE AQUEDUCT AND THE MAISON CARRÉE

The aqueduct was attributed to Agrippa by Espérandieu in 19263, and this view was

generally supported until quite recently. Hodge perpetuated the idea, although only

as a passing comment on an engineering problem4. Wilson, focussing on dating,

pointed out that the Agrippan attribution was based on an Agrippan Maison Carrée

and Agrippa, the builder of aqueducts at Rome, being in Gaul in 19 B.C.5. The

Agrippan attribution must now be abandoned6. The reasons are set out concisely in

the abridged version in English7. These include: the existence in the aqueduct

structure of ceramic fragments which could not be earlier than about A.D. 40, the

tunnel for the aqueduct which was driven under the existing town wall (started in

16/15 B.C.), and the conversion into a channel of the stream from La Fontaine

between A.D. 20 and 708. Nemausus had ample water resources from La Fontaine

and the groundwater under the town and the aqueduct was built for irrigation and

1 Rivet, A.L.F., Gallia Narbonensis, London, 1988, Fig. 18, p.166 (modified).

2 Ibid, Fig. 17, p.164.

3 Espérandieu, E., Le Pont du Gard et l'Aqueduc de Nîmes, Paris, 1926.

4 Hodge, A. T., Roman Aqueducts and Water Supply, 2nd Ed., London, 2002, p.184

5 Wilson, 'Tot aquarum tam multis ...', p.13.

6 Fabre-G., Luc Fiches-J. & Louis Paillet-J., L'Aqueduc de Nîmes et le Pont du Gard Archéologie, géosystème et histoire, Nîmes, 1991, p.14.

7 Fabre-G., Luc Fiches-J. & Louis Paillet-J., 'Interdisciplinary research on the aqueduct of Nîmes and the Pont du Gard', JRA, 4, 1991, pp.63-88.

8 Ibid, p.72.

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- 85 - extended to Nemausus for its prestige9. Agrippa could not, therefore, have been

responsible for any works at Nemausus associated with the aqueduct, as has

sometimes been stated10 or implied11. The Maison Carrée, thought for many years

to be Agrippan and dated to 16 B.C., was re-dated to A.D. 2-3 in a new study by

Amy and Gros published in 1979. In this, the inscription of dedication in bronze

letters was interpreted as naming Gaius and Lucius, and the second line of this was

dated to A.D. 4-5, or after the deaths of the two. A dating of A.D. 2-3 for the

buildings seems to have been accepted in the literature, but the dating of the

inscription has been disputed12. Amy and Gros reported the discovery of an earlier

building to the west of, and partly under, the Maison Carrée, with finds of pottery

and coins indicating construction of the late Republic13. More recent investigations

have uncovered quite extensive development in the area which might be dated to the

early 1st century B.C.14.

THE PROMINENCE OF GAIUS AND LUCIUS Gaius was patron of Nemausus15 and, as already noted, the Maison Carrée was

dedicated to Gaius and Lucius. Both these sons of Agrippa were, therefore,

important at the town. Roddaz assumed that this prominence indicated the

prominence of Agrippa even though he knew that Agrippa did not build the

Maison Carrée, and was not convinced that he built the aqueduct. He also assumed

that Agrippa and Augustus were patrons of the town, and that Gaius became patron

since his father had been patron16. There is no proof that either Augustus or

Agrippa was patron of Nemausus, although this was probably the case. Also, it

9 Ibid, pp.72, 73.

10 Balty, J.C., COL(onia) NEM(ausus). Notes 'd'archéologie et d'histoire augustéennes', RBPhil, 1960, pp.59-73, pp.63-67.

11 Roddaz, Marcus Agrippa, pp.398-401.

12 Amy, R., and Gros, P., 'La Maison Carrée de Nîmes', Gallia, Supplément 38, 1979, for the datings to A.D. 2-3 and A.D. 4-5, and Christol, M. and Goudineau, C., 'Nîmes et les Volques Arécomiques au 1er siècle avant J-C', Gallia, 45, 1987, pp.87-103, p.92 and Note 19 for the dispute about the dating of the inscription.

13 Amy & Gros, pp.197-200.

14 See below Note 33, p.88.

15 CIL 12.3155.

16 Roddaz, Marcus Agrippa, pp.399-401, for his general comments on Agrippa (and Augustus) at Nemausus.

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- 86 - does not necessarily follow that Gaius received the status of patronus because his

father had been patronus, since, as the grandson of Augustus, he could have been

the patron, even if his father had not been Agrippa. Roddaz suggested that the

dedication of the Maison Carrée to Gaius and Lucius indicated the regard of the

town for the family from which it has received benefits17. Yet the Maison Carrée

was, perhaps, dedicated to the 'young princes' Gaius and Lucius to demonstrate the

greater importance of the temple of the Imperial Cult than the ancient sacred

fountain of Nemausus18. There is, therefore, no automatic connection between the

patronus of Gaius and the dedication of the Maison Carrée to Gaius and Lucius, and

any Agrippan works at Nemausus.

The other imputed connection between Agrippa and Nemausus through Gaius and

Lucius arises from a text of Suetonius19. This described Tiberius in the East (in

6 B.C. to A.D. 2) wearing Greek garb and growing daily more despised until the

people of Nemausus were encouraged to overthrow his statues and busts. Suetonius

also referred to rivalry between Gaius and Tiberius. This text has been interpreted as

indicating support at Nemausus for the clan of Agrippa represented by his sons Gaius

and Lucius, and the corresponding unpopularity of the clan of Livia represented by

her son Tiberius20. The destruction of the images has also been accounted for by the

fact that Tiberius was the son of Tiberius Claudius Nero, and the assumption that the

latter had granted colonial status to Nemausus in 45/44 B.C. In this case, the people

of Nemausus were objecting to the disgrace brought upon the town by the scandalous

conduct of the founder's son21. It is argued below that Agrippa may have granted the

colonial status to Nemausus in 39-37 B.C. rather than Tiberius Claudius Nero in

45-44 B.C.22. In this case the destruction of the images of Tiberius was a reaction in

favour of the clan of Agrippa. Nevertheless, since the case for Agrippa taking this 17 Ibid, p.400.

18 Gros, P., 'Nouveau paysage urbain et cultes dynatiques : remarques sur l'idéologie de la ville augustéenne à partir des centres monumentaux d'Athènes, Thasos, Arles et Nîmes', Goudineau, C. & Rebourg, A., Eds., Les Villes augustéennes de Gaule, pp.121-148, at p.139 and Note 62.

19 Suetonius, Tiberius, 13.

20 Gros, P., 'L'augusteum de Nîmes', RANarb , 17, 1984, pp.123-134, p.134 and Note 90.

21 Christol, M. and Goudineau, C., 'Nîmes et les Volques Arécomiques au 1er siècle avont J-C', p.92 referring to the grant of colonial status to Nemausus by Tiberius Claudius Nero in 45-44 B.C., as argued by them.

22 See below Notes 31-36, p.88, 89.

Page 95: Constructions Agrippa

- 87 - action in 39-37 B.C, cannot be proved, the interpretation of the text of Suetonius is

problematic.

INVESTIGATION OF AGRIPPA AT NEMAUSUS

Agrippa has traditionally been seen to have acted at Nemausus only in 19 B.C. when

he was assumed to have set in train the construction of the aqueduct and the

Maison Carrée. His Temple of Valetudo at Glanum was dated to 19 B.C. until very

recently, but it is now generally dated to 39-37 B.C.23. There is, therefore, reason

now to consider Agrippan construction at Nemausus in 39-37 B.C. This is

investigated in a first section, followed by a second section where Agrippan

construction of 19 B.C. is investigated. Two inscriptions bearing the name of

Agrippa from unknown buildings at Nemausus cannot be dated. These are, therefore,

examined in a third section.

(1) AGRIPPA AT NEMAUSUS 39-37 B.C.

Nemausus was on the southern edge of the high country to the north, and on the

ancient W-E route which became the Via Domitia. Settlements on Mont Cavalier and

at the sacred fountain of Nemausus, both shown on Fig. 4.2, had developed into a

typical agglomeration of the district penetrated by Greek and Hellenistic influence

from Massilia before Roman control was established in about 120 B.C.24. The site

then probably became a changing station on the Via Domitia25. The triumph of

Caesar over Pompey, who had favoured the Massilians in their struggle with the local

Volques Arécomiques of Nemausus, must have resulted in substantial independence

for Nemausus and other centres of the Volcae26. Caesar's general grant of the Latin

right to communities in Gallia Transalpina27 was reflected in the creation of a Latin

colony at Nemausus, generally attributed to Tiberius Claudius Nero in 46-45 B.C.

This interpretation relies on extrapolation from a text of Suetonius noting his

23 See above Chapter 3, pp.79-80.

24 Py, M., 'Recherches sur Nîmes préromaine – habitats et sépultures', Gallia Supplément 41, 1981, pp.199-210, for an account of development from the Bronze Age to the beginning of the 1st century B.C., also Célie, M., et al, 'Enceintes et développement urbain : Nîmes, antique des origines au Ier S, ap. J-C', JRA, 5, 1994, pp.383-396, pp.385-387.

25 Rivet, p.43.

26 Goudineau, C., 'Le Statut de Nîmes et des Volques Arécomiques', RANarb, 9, 1976, pp.105-114.

27 Sherwin-White, A.N., The Roman Citizenship , Oxford, 1937, p.176, and Brunt, P.A., Italian Manpower, Oxford, 1971, p.239.

Page 96: Constructions Agrippa

- 88 - foundation of Roman colonies at Narbo and Arelate at that time28. Yet coins with

the legend NEM COL indicating the change of status, have been dated no earlier than

about 40 B.C.29, and as late as 20 B.C.30. This evidence points towards Agrippa in

Gaul in 39-37 B.C., being responsible for issuing the coins rather than

Tiberius Claudius Nero in 46/45 B.C., and the coins themselves neither name nor

show any person. In this case, Agrippa may have been responsible for creating the

Latin colony of Nemausus rather than Tiberius Claudius Nero.

Agrippa also had something to gain from such an action. Nemausus had 32 places

subject to it extending over a wide area31. As such an important centre on the

Via Domitia, Nemausus would have been able to provide him with supplies. He

could also have drawn recruits for his military operations from the town and the

surrounding areas for which it was the centre as a substantial urban site. As can be

seen from Fig. 4.332, there is no doubt about the extent of the town of the 3rd century

B.C. The development after this period and before the first visit of Agrippa in

39-37 B.C. is less certain, but the area shown hatched on Fig. 4.3 was at least partly

built over by this time33. There is no archaeological evidence of a deductio by

Tiberius Claudius Nero in 45/44 B.C. and the largest urban expansion seems to have

occurred between 100 and 75 B.C.34. There is also no evidence of any urban change

in 39-37 B.C., but this should not be expected, since Agrippa was recruiting forces

for his operations in Gaul35 and was not discharging veterans, or encouraging other

settlement. The general evidence of urban development is, therefore, more in

agreement with Agrippa at Nemausus than with Tiberius Claudius Nero. 28 Suetonius Tiberius 4.1, as interpreted by Christol and Goudineau, 'Nîmes et les Volques Arécomiques

…', p.92 and Notes 16-18, also Burnett et al, p. 152.

29 Burnett et al, pp.152, 3.

30 Christol and Goudineau, pp.95 and 96 and the lengthy Note 38 described several interpretations of the dating for the first NEM COL coins.

31 Strabo, 4.1.12, and Pliny, 3.37, described the 32 places subject to Nemausus, also Rivet, pp.167-176, and Christol and Goudineau, pp.98, 9.

32 After Célie et al, Fig. 1, p.384.

33 Célie et al, pp.385-389. The analysis refers to Benoit, J. 'Nîmes : Études sur l'urbanis me antique. Problèmes de méthode et resultats', Bulletin de l'Ecole antique de Nîmes, 16 (Nîmes, 1981), pp.69-90.

34 Ibid, pp.388, 9, referred to major agricultural, irrigation and defensive changes in the period 100-75 B.C. and suggested that the Christol-Goudineau hypothesis of action by Tiberius Claudius Nero should be examined in the light of this evidence.

35 Roddaz, Marcus Agrippa, p.71, Note 217, also see above, Chapter 3, p.81.

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- 89 - Furthermore, since the town was already well developed, and capable of providing its

own needs, Agrippa would have obtained the support of the local elite most

effectively by making the town a Latin colony, and, therefore, conferring Roman

citizenship on the leading people36.

There is, therefore, a better case for Agrippa creating a colonia Latina at Nemausus in

39-37 B.C. than for Tiberius Claudius Nero doing this in 46-45 B.C. and an argument

for Agrippa doing this for his mobilisation. At Glanum, Agrippa could obtain support

by building a new temple at a religious site, and there was no possibility of a colonial

status, since Glanum was controlled by Arelate37. At Nemausus, the town capable of

building its facilities would be made co-operative by the grant of increased status.

There is, therefore, little reason to think that Agrippa built anything of significance at

Nemausus in 39-37 B.C. Also, there seems to be no evidence of Roman construction

at that time. The few public buildings which have been identified indicate a local

interpretation of Hellenistic building ideas. This is seen at a large portico which has

been excavated immediately S.W. of the 'Temple of Diana'. Construction of this

began at the beginning of the 1st century B.C. and continued until 30-20 B.C.38.

(2) AGRIPPA AT NEMAUSUS 19 B.C.

Agrippa has traditionally been seen as important at Nemausus because of coins

showing him with Augustus. Fig. 4.439 conveniently illustrates the principal

features of the 'crocodile' coins of Nemausus. The crocodile has been universally

recognised as representing Egypt conquered, and there is no doubt that these coins are

post-Actium. The obverse has the heads of Augustus and Agrippa with various

crowns and the legends IMP and DIVI.F. On the reverse, a crocodile is chained to a

palm, and there is a wreath above. The legend COL NEM is split by the palm40. The

status of the colony remained that of a colonia Latina, although the COL NEM

replaced the earlier NEM COL. The crocodile coins were struck until A.D. 14 in

36 Sherwin-White, p.177 and Note 2.

37 See above Chapter 3, Notes 13 and 14, p.63.

38 Guillet, E., et al, 'Un monument à portique tardo hellénistique près de la source de La Fontaine à Nîmes (Gard)', Documents d'archéologie Méridionale, 1992, 15, pp.57-89.

39 Seaby, H.A., Roman Coins and Their Values, London, 1954, Figure p.33, (enlarged).

40 RIC, pp.51, 52.

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- 90 - three main groups41, but the date of the first strikings has not yet been established

beyond doubt. The most commonly accepted date is about 27 B.C.42, but 20 B.C.43,

and 16-15 B.C.44 have also been suggested. The 'crocodile' coins have been found in

abundance over most of the Roman West45. It is, therefore, possible that the coins

were designed to function as propaganda in the West, and not to reflect the

circumstances of Nemausus.

First issues in 27 B.C. coincided with the presence of Augustus in Gaul and his first

census there, together with the initiation of the three provinces of Northern Gaul46.

Inscriptions dated 25 B.C. marked an initiative by Augustus at the sacred fountain47.

First issues in 16/15 B.C. coincided with the visit of Augustus to Gaul48, and an

inscription of 16/15 B.C. marking the start of works on the town walls by him49.

Agrippa was in Gaul neither in 27 B.C. nor in 16/15 B.C, and could not, therefore,

build anything, or strike coins. Coins first struck in 19 B.C. would indicate striking

by Agrippa and current action by him, since Augustus is not known to have been in

Gaul at that time. Evidence of a first striking of 19 B.C. rather than in

27 or 16/15 B.C. is, therefore, needed to impute a dominant role for Agrippa from the

coins. Yet the weight of the numismatic opinion indicates a first striking in about

27 B.C., and the dating of 20 B.C. is based only on hoard-evidence50. Also, a first

striking in 27 B.C. is congruent with the coins themselves, with Augustus and

Agrippa shown naturally as the victors in the aftermath of Actium and the operations

in Egypt. Any strikings significantly later than this are harder to explain, although

this has been attempted51. Furthermore, the IMP on the obverse is perhaps to be

41 Ibid, p.27 and Burnett et al, pp.153-4.

42 Burnett et al, p.153, Roddaz, Marcus Agrippa, pp.595-6, Grant FITA., pp.70-99.

43 RIC, p.27 and Note 5.

44 Christol and Goudineau, pp.99-102.

45 As printed out first by Grant, FITA ., pp.70-80.

46 Cassius Dio, 53.22.

47 See below Note 60, p.92.

48 Cassius Dio, 54.23.

49 See below Note 54, p.91.

50 RIC, p.27.

51 Christol and Goudineau, p.102, explained the joint appearance of Augustus and Agrippa on coins first struck in 16/15 B.C. as indicating their joint powers of the tribunicia potestas.

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- 91 - expected more in about 27 B.C. near the dawning of the Augustan principate than in

16/15 B.C. The 'crocodile' coins are, therefore, to be explained as commemorations

of Actium for general distribution in the Roman West. It is possible that there was

some settlement of veterans at Nemausus, but there is no automatic indication of

Agrippan activity or construction at the town, as is commonly supposed.

The traditional view on Augustan development at Nemausus is that Augustus and

Agrippa were responsible for a radical re-organisation of a town which had limited

development outside the area of the sacred fountain of Nemausus 52. Roddaz

considered that Augustus and Agrippa re-organised Nemausus, although he was

reticent about the extent of the changes53. As can be seen from Fig. 4.3, there was

substantial pre-Roman urban development south and east of the sacred fountain, and

into the zone where the Maison Carrée was built in the first years of the Christian Era.

There is no doubt that Augustus initiated works at his Augusteum at the sacred fountain,

and, also, at the town walls and gates54, and the Maison Carrée was a Roman initiative.

Nevertheless, it is unlikely that Augustus or Agrippa would have initiated or paid for

works needed for the general development of a prosperous town. Also, Garmy has

indicated the uncertainty about the general urban development in the Augustan

period55.

The general location of the sacred fountain of Nemausus is marked on Fig. 4.2.

Fig. 4.556 shows the layout of the Roman Augusteum. Fig. 4.657 provides an

impression of its remains looking from the east, with the Temple of Diana in the

background. These two figures show the 18th century remodelling of the Roman

52 Balty, COL(onia) NEM(ausus), p.62 ff.

53 Roddaz, Marcus Agrippa, p.399.

54 See below Note 60, p.92, for the inscriptions recording the initiative of Augustus at the Augusteum, and CIL 12.3151, for the inscription on the Porta Augusta dated 25 B.C. noting the initiative of Augustus on the town walls and gates.

55 Garmy, P., 'Quelques réflexions sur la romainité augustéenne Nîmoise à la lumière des fouilles recentes', Les Villes augustéennes de Gaule, pp.41-44, also Célie et al, pp.389-396.

56 Gros, P., 'L'Augusteum de Nîmes', RANarb , 17, 1984, pp.123-134, Fig p.126 based on Naumann, R., Der Quellbezirk von Nîmes, Berlin and Leipzig, 1937, Plate 2.

57 Roth-Congès, A., and Gros, P., 'Le Sanctuaire des eaux à Nîmes', Revue Archéologique du Centre de La France, 22, 1983, pp.131-146, Fig. p.137, based on Naumann, R., Der Quellbezirk von Nîmes, Plate 26.

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- 92 - works58. The theatre, marked on Fig. 4.5, was partly visible before the 18th century

remodelling, but new steps up to the Tour Magne obscured it and it has only been

partly uncovered since that time59. As can be seen from Fig. 4.6, the main

concentration of the remains are at the nymphaeum and the 'Temple of Diana', with

little left of the triple portico, and only the foundations of the South Temple.

Two identical inscriptions dated 25 B.C. and indicating dedication to Augustus were

found near the sacred fountain, cut to suit the shape of the two exedrae which remain

to the south of the basin60. These inscriptions almost certainly indicated the start of

the works61, resulting from the visit of Augustus to the West in 27 B.C. The only

parts of the complex which can be dated confidently to the Augustan period from the

material remains are portions of the nymphaeum and its central platform, excluding

the altar itself, which has not survived. This dating is based on dating of mouldings

and decoration of the platform and of the bases and capitals of the free-standing

columns at its corners, shown on Fig. 4.6. The capitals of these columns have been

dated to 10 B.C., or somewhat later. All the other moulded or decorated parts date

from about 20-10 B.C. Agrippa, therefore, could have advanced progress on works at

the nymphaeum in 19 B.C.62. It is possible that the whole scheme was conceived

from the beginning, but there seems to be no information on the dating of the

porticoes, since virtually nothing remains of these, although the South Temple on the

southern portico is generally regarded as post-Augustan63. Gros argued that the

original layout of the 'Temple of Diana', which contains work from many periods, is

Augustan64, but this cannot be established beyond doubt, and this dating could be as

late as A.D. 14. There is, therefore, no indication that Agrippa may have advanced

construction other than at the nymphaeum, which can be dated to the general period

of his second visit to Gaul.

58 Rivet, p.168 and Note 22, p.177, for a brief account of the remodelling.

59 Ibid, p.165 and Note 23, p.177, also Notes 69-7.

60 CIL 12, 3148, 9, can be dated to 25 B.C. from known datings of the ninth consulate and the tenth designated consulate of Augustus marked on them.

61 Gros, L'Augusteum, p.129.

62 Roth, Congès and Gros, 'Le sanctuare', pp.132, 138, 140, 142, who provided illustrations of the frieze of the platform, p.139 and the capitals, p.146.

63 Gros, L'Augusteum, p.128 and Notes 48-51.

64 Ibid, p.128 and Notes 44-47.

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- 93 - Some kind of pre-Roman altar, dedicated to the deity of the sacred fountain, must

have existed at or near the basin, although no trace of such a structure has been

discovered. The remaining features from the ancient world are confined to the

Roman inscriptions at the two exedrae, parts of the steps there, and the square base

near these shown on Fig. 4.5. The masonry of this base has mortared joints indicating

Roman work as distinct from local techniques using dry joints. Yet, it is devoid of

features showing what stood on it, and it cannot be dated within the Roman period.

Grenier suggested that the square base indicated a square Celtic temple of the type

seen in parts of Gaul, but it is now thought that there was probably a central altar with

statues65 or columns at the corners. In this case, the small base with the altar and the

columns was a smaller version of the platform of the nymphaeum with its altar to

Rome and Augustus 66. Such a combination would have symbolised the absorption of

the cult of Nemausus by the cult of Rome and Augustus, with both the small and the

large base as part of the Roman works started in 25 B.C. Another explanation is that

the base, the altar and the statues (or columns) were built by Agrippa in 39-37 B.C.

when he constructed the Temple of Valetudo at Glanum near the sacred spring

there67. An Agrippan base with its altar would have been retained as part of the new

Roman works started in 25 B.C., and, perhaps used as a model for the platform of the

nymphaeum. The first alternative of both bases being built together provides the

simplest explanation of both the square constructions, and is adopted here. Also, it

has been argued above that Agrippa acted politically in 39-37 B.C., rather than by

works. Construction of the small base and the altar by Agrippa in 19 B.C. can be

ruled out since Agrippa would have advanced the work started by Augustus in

25 B.C. rather than build something new.

In the Iberian Peninsula in 19-18 B.C., Agrippa was responsible for providing the

theatre at Augusta Emerita68. He could have built a theatre at Nemausus when in

Gaul in 19 B.C., introducing a Roman cultural feature at a religious complex. As

already noted, there is virtually no exposed material at the theatre and investigations

65 Ibid, p.128 and Note 52 convincingly ruled out the idea of a square Celtic temple, with a

square cella and a verandah, as advanced by Grenier, Manuel d'archéologie gallo-romain, Paris, 1960, p.496.

66 Ibid, p.127 for the dedication of the altar of the nymphaeum to Rome and Augustus.

67 See above Chapter 3, pp.79, 80.

68 See below Chapter 8, pp.148-150.

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- 94 - have not been extensive or sustained. It is known that the orchestra was some 24 m

in diameter. There is evidence only of nine rows of seats in four cunei (or divisions)

of the cavea (auditorium), and the diameter of the cavea of 38 m, discerned from the

remains, may originally have been 85 m69. This latter dimension indicates quite a

large theatre of the conventional Roman type and is compatible with the diameter of

the orchestra. Yet the theatre could have been of the Gallo-Roman type where there

was no standard design, or fixed relationship between the size of the orchestra and the

cavea70. The only inscriptions discovered at the theatre are of the 2nd century A.D.71,

perhaps indicating that there was no theatre at the Augusteum until that time. It is not,

therefore, possible to suggest that Agrippa built a theatre near the Augusteum. No

theatre of the Roman period has yet been discovered in the town.

There is, therefore, some evidence that Agrippa may have advanced work at the

nymphaeum of the Augusteum put in hand by Augustus in 26 B.C., but no indication

of any other Agrippan works of 19 B.C. Agrippa was in Gaul for only a few

months72. He put down disturbances in Gaul73, and probably built a praetorium at

Lyon74. He would, therefore, have had little time to linger at Nemausus, assuming

that he passed through there on his way to put down the serious rebellion in

N.W. Spain, which was of great political importance to Augustus75. The evidence

does not, therefore, indicate any significant Agrippan works in 19 B.C., despite

previous assumptions of a major Agrippan role.

(3) THE INSCRIPTIONS BEARING THE NAME OF AGRIPPA

As noted above, these were not investigated as works of 39-37 B.C., or 19 B.C. since

they cannot be dated. The inscriptions CIL 12 3153 and 4, discovered in the

18th century, have not been assigned to any particular structures by the local

69 Information kindly provide by Professor F. Sear.

70 Bromwich, J., The Roman Remains of Northern and Eastern France, London, 2003, Fig. 20, p.116 and Fig. 42, p.211, indicated the large variations in the relationship between the size of the orchestra and the cavea in the Gallo-Roman theatre.

71 Gros, 'L'Augusteum', pp.130, 131.

72 See above Note 14, p.12.

73 Cassius Dio, 54.11.1.

74 See above Chapter 2, pp.49-50.

75 See below Chapter 6, Notes 3-8, pp.114-5.

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- 95 - archaeologists. It was not possible for the writer to examine the inscriptions, or to

obtain photographs of them from the Musée Archéologique at Nîmes which has them

in storage. The incomplete CIL 12 3153: M. AGRIPPA.L.F.C. survives as a single

fragment 1.64m long, 0.27m high with a moulding below. The letters are 0.15m

high. The inscription was discovered in 1742 in the cellar of a house in the present

Rue Thédenat (near the Lycée A. Daudet in the general location of the 'baths' marked

on Fig. 4.2 west of the amphitheatre). The incomplete CIL 12 3154: M. AGRIPP

survives in two adjacent fragments making up a length of 1.35m with a height of

0.43m and a moulding above. The letters are 0.20m high. CIL 12 3154 was

discovered in 1740 in the heaped up debris of the Roman remains to the south of the

sacred fountain of Nemausus 76.

CIL 12 3153 can be reconstructed: M(arcus).AGRIPPA.L(ucius).F(ilius).C(os). The

final surviving designation could be completed COS III, indicating a date of 19 B.C.,

following the third Consulate of Agrippa in 27 B.C., or COS DESIG, referring to

Agrippa's designation as consul for the first time in 40 B.C.77. Completion of the

inscriptions by COS III DAT78 or COS III FECIT79 are, therefore, not necessarily

correct. It is conceivable that the M.AGRIPPA was preceded by other letters, as in

the case of the Temple of Valetudo at Glanum with its inscription

VALETUDINI.M.AGRIPPA80. It is also possible that the inscription does not

indicate any action by Agrippa, but was on a structure where Agrippa was named

with other members of the Imperial family. In this case, the inscription was almost

certainly later than 19 B.C., but probably before the death of Agrippa in 12 B.C. The

much less complete CIL 12.3154 may have been on the same building as

CIL 12.3153, and, therefore, the same as it, but on a larger scale. On the other hand,

it could have been on another building, and, perhaps, of a different date. In either

case, the same comments for completing the inscription made for CIL 12.3153 apply.

76 Germier-Durand, E., and F., and Alimer, A., Inscriptions Antiques de Nîmes, Toulouse, 1893,

pp.115, No. 63 (CIL 12 .3153), and 117, No. 64 (CIL 12.3154).

77 Ehrenburg & Jones, pp.33, 35.

78 Germier-Durand & Alimer, pp.115, 117.

79 Reinhold, p.91, Note 81.

80 See above Chapter 3, p.70.

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- 96 - The discovery of CIL 12.3154 amongst the ruins of the Roman works at the sacred

fountain indicates that the building of which the inscription was a part was probably

near the place where the inscription was found. CIL 12.3153 was found in a cellar,

and had been placed there after removal from some other location. The first

recording of this inscription in 1742, or some two years after the discovery of

CIL 12.3154, may indicate that CIL 12.3153 was taken from the sacred fountain by a

collector. Germier-Durand suggested that both inscriptions may have either come

from the same building or from different ones, without indicating a preference for

either case81. The house in the present Rue Thédenat, where CIL 12.3153 was

discovered, was in the former Rue des Étuves (street of the old steam baths)

indicating the remains of the public baths. The ruins of an enormous Roman baths

have been found in the area, but cannot be dated. It is known that baths existed at

Nemausus in the Tiberian period from the evidence of inscriptions. Since the

aqueduct is probably Claudian, these buildings were supplied with water form the

sacred fountain82. Baths could, therefore, have been supplied from this source in the

Agrippan period and it is possible that CIL 12.3153 came from an Agrippan baths

building.

There are so many uncertainties about the inscriptions that it is difficult to form

conclusions about the structure or structures to which they were attached. Both were

on quite a small building, since the letters do not exceed 20cm in height. Whether

they indicate an Agrippan construction or mark him as a member of the Imperial

family is unknown. They are almost certainly not from 39-37 B.C.

CONCLUSIONS Agrippa was more probably responsible for Nemausus becoming a colonia Latina in

39-37 B.C. than Tiberius Claudius Nero in 45/44 B.C. It is unlikely that he built

anything at Nemausus at that time. If he did so, the only construction which can be

related to him is an altar to Nemausus on the square base on the margin of the sacred

basin. In 19 B.C., Agrippa may have advanced construction of the nymphaeum of the

Augusteum, which had been initiated by Augustus in 26-25 B.C., but there is no

81 Germier-Durand, p.117.

82 Information on the baths is contained in Fabre et al, Le Pont du Gard : Water and the Roman Town, Paris, 1992, p.35, and Fabre et al, L'eau à Nîmes Languedoc, 1994, p.79 and Fig. 39, p.36, showing the locations of the five baths and the numerous wells of Nemausus.

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- 97 - evidence indicating any other particular work of Agrippa at that time. Also, there is

no reason to think that he was responsible for general planning or construction at

Nemausus. The two inscriptions bearing the name of Agrippa cannot be dated or

related to any structure, and it is possible that they do not indicate construction by

him, but were part of something dedicated to the Imperial Cult. The indications of

Agrippan construction at Nemausus are, therefore, both uncertain and restricted,

pending any reliable interpretation of the two inscriptions referred to in section 3. He

can no longer be regarded as an important builder there, as was believed for many

years, and until quite recently83. This belief was based on mistaken attribution to

Agrippa of the Pont du Gard viaduct and the Maison Carrée, undue imputation of

Agrippan activity from the local prominence of his two sons, Gaius and Lucius, and

questionable interpretation of the 'crocodile' coins. Also, it is now widely recognised

that there is no clear evidence of a general re-organisation of the urban area of the

town by Augustus and Agrippa in co-operation, and in which both had a continuing

financial interest84. Such widespread commitment would be surprising at a Latin

rather than at a Roman colony. Furthermore, Nemausus had the resources to develop

the town. Rome would surely have taken initiatives only at works which increased its

influence, as at the Augusteum and the Maison Carrée, and, to a lesser extent, at the

town walls and gates. Nevertheless, it would have expected the local elite to find as

much money as possible to carry forward the works to completion. Also, Agrippa, in

Gaul only briefly in 19 B.C., would surely have been little involved in Nemausus, and

certainly less than in Lugdunum, where his actions in 39-37 B.C. had been so

important for urban development.

83 Roddaz, Marcus Agrippa, pp.399-401.

84 Ibid, p.399, suggested that Augustus and Agrippa were 'sleeping partners' in the re-organisation of the town, therefore implying a continuing financial commitment to work executed by others.

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- 98 -

55.. OOTTHHEERR AAGGRRIIPPPPAANN WWOORRKKSS IINN GGAAUULL

The constructions investigated in this chapter fall into two categories. The first is

made up of works which can be imputed to Agrippa from his known activities. These

include military works of his known campaigns and structures needed for the

operation of his road network, such as road stations. There is no doubt that Agrippa

built these campaign and associated road works, but there is little or no physical

evidence of them. The second category consists of possible Agrippan works not

considered in Chapters 1-4.

(a) WORKS IMPUTED FROM KNOWN AGRIPPAN WORKS , OR ACTIVITIES :

Agrippa was directly responsible for the military works of campaigns where he was

the general in charge. There is no specific information about Agrippan military

operations in Gaul. He won a brilliant victory against the Aquitani in 39/38 B.C. 1,

but the location of his operations is unknown, and works have not, therefore, been

identified. Agrippa was recalled from across the Rhine2, but nothing is recorded

about his operations in the region. Dating of the timbers of a wharf at Cologne to

38 B.C. is the only recorded evidence of his presence3. In late 20 to early 19 B.C.,

Agrippa was in Gaul putting down disturbances4, but there is no further definite

information about these pacifications or about any works for them. The general

lack of information in the historical texts and the loss of Agrippa's Commentaries

present great difficulties for the archaeologist seeking Agrippan military sites in

Gaul. It is unlikely that many remains of these will be discovered, except in

N.E. Gaul where there were semi-permanent forts and other defences. Yet, the sum

total of Agrippa's military works in Gaul was probably quite large since it resulted

from large scale operations. It is not possible to speculate on these works, as is

done here in Chapter 6 for the works of Agrippa's pacification of Cantabria in

N.W. Spain in 19 B.C.

1 Appian, 5.92.386.

2 Cassius Dio, 48.49.3.

3 See above Chapter 1, Note 75, p.25.

4 Cassius Dio, 54.11.

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- 99 - It was argued above that Agrippa used the army to build his road network, and that

this construction went hand- in-hand with a re-organisation of the military forces on or

near the roads5. Consequently, there was a large scale activity on developing

construction camps, other camps, garrisons and forts in a wholesale re-deployment of

large forces. These changes must have had a large immediate effect on the areas

traversed by the road, and have also led to some permanent influence on development

patterns there, and in wider zones. All these constructions were almost certainly in

timber or earth, and have, therefore, perished. Even at the Trion site at Lugdunum

there are no recorded remains6. Nevertheless, their influence of later development

was far reaching. It would be necessary to investigate these constructions separately

in order to form more definite opinions about the extent of their influence at particular

places.

It can be assumed that any facilities on existing roads used by Agrippa to form his

system were inadequate for rapid transmission of intelligence and the movement of

military forces to trouble spots. Agrippa, therefore, had to build road stations for

changing horses, overnight accommodation (in addition to encampment), stores,

workshops for running repairs, etc. Some of these would have been at forts and

garrisons. The Peutinger Tables and the Antonine Itinerary show the locations of

some of the road stations of the Empire. There was an average distance between

them of some 20-30 kms7. While the Agrippan stations may have not always been

at these locations, the average distance between them was probably similar, being

dictated by the practical aspects of travel. In this case, there would have been

between 60 and 90 road stations on the Agrippan network, exclusive of the road

south from Lugdunum. There seems to be no archaeological information on road

stations in Gaul as early as 39-37 B.C., but there is evidence of construction from

about 30 B.C. to A.D. 240 at the Mansio of the Great St. Bernard Pass. Here there

were not only two large buildings in timber on lower walling of stone, but also a

stone temple8. Most of Agrippa's road stations were not so large, but they made up

a substantial amount of construction. Furthermore, many of these nodes on the first

5 See above Chapter 1, Noes 128-133, p.33, 4.

6 See above Chapter 2, p.44, for the construction camp on the Trion.

7 Chevallier, Les voies romaines, pp.281-4.

8 Ibid, p.288 and Fig. 185, showing the Mansio.

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- 100 - Roman road network must have become the nuclei of later settlement9. Since the

Agrippan constructions associated with the Agrippan roads are lost, while at least

the routes of the roads remain, the constructions have been largely overlooked. Yet

there were so many of them that, together, they had a major influence on the

development pattern in large parts of Gallia Comata, whereas the camps, garrisons

and forts affected particular places.

(b) WORKS WHICH MAY BE AGRIPPAN:

§ Arelate:

Arelate (Arles) has been noted as a port through which Agrippa brought in supplies in

39-37 B.C.10. The main reason for examining Arelate is, therefore, to assess possible

works by Agrippa at its port, although Agrippa could also have been responsible for

construction at the town. As can be seen from Fig. 3.1, Arelate was some 100 km N.W.

of Massilia, the site of the ancient Greek colony. It was on the Rhône, and connected to

the Mediterranean by the Canal of Marius, built in about 100 B.C.11. Massilia controlled

the canal and a Greek settlement at Arelate until the conflict between Caesar and Pompey

in which Massilia supported Pompey12. Caesar built ships at Arelate for his successful

siege of Massilia13. Arelate was founded as a Roman colony by Tiberius Claudius Nero

on behalf of Caesar in 46 B.C. at the same time as he founded the colony of Narbo14.

Arelate was, therefore, one of the oldest Roman colonies in Gaul, the gateway to the

Rhône, and destined to overshadow Massilia.

Fig. 5.115 shows Arelate in the Empire, with the port area west of the Rhône and the

town to the east. The first works at the town were on a grid to which the forum and

theatre were aligned, but the amphitheatre, built after the forum and the theatre16, was

9 Woolf, Becoming Roman, p.88, noted the great importance of the Roman road network in

shaping the settlement pattern of Gaul.

10 See above Chapter 3, p.80.

11 Vella, C., Leveau, P., et al, 'Le Canal de Marius et les dynamiques littorales du Gulfe de Fos', Gallia, 56, 1999, pp.131-136.

12 Rivet, p.190 and Note 2.

13 Caesar, BC, 1.36, stated that twelve ships were built in 30 days.

14 Suetonius, Tiberius, 4.1.

15 Rivet, Fig. 22, p.192.

16 Ibid, p.195 and Note 34, p.207, indicated a possible Flavian dating.

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- 101 - orientated differently. The (pontoon) bridge, shown on Fig. 5.1, almost certainly did

not exist in the Agrippan period17, and there is no evidence of a fixed bridge at this

time. In this case, transfer across the Rhône was by boat. The town has been

extensively investigated for its general history and development in the Roman

period18. Gros has also considered the evidence for an Augustan programme of

works there which he related to other Roman works both before and after19.

The forum was built on sloping ground. It was, therefore, necessary to construct a

cryptoporticus to provide a level surface for the forum and its columns. Fig. 5.220

shows the general layout of the large structure, 240 m long and 12 m wide. Fig. 5.321

indicates the construction of vaults supported on exterior walls and piers connected

by arches. Amy has described the building22. This utilitarian type of work could be

dated to 46 B.C. or later in the absence of decoration other than cornices. There is

evidence of a sanctuary of the Imperial Cult in the north galley of the cryptoporticus

from the discovery of detached marble fragments. These have been identified as a

representation of the clipeus virtutis offered to Augustus in 27 B.C.23 and a bust

which may represent either Gaius, son of Agrippa, or the young Octavian24. The

second interpretation would indicate a visit to Arelate by Octavian when he was in

Gaul in 39 B.C.25 and, also, possible construction of some or all of the cryptoporticus

at that time, with the sanctuary added after 27 B.C. A bust depicting Gaius would

still not rule out such a construction chronology. The sparse remains of the forum

17 The bridge was sited to provide the most direct route to the amphitheatre from across the river.

There seems to be no text mentioning it in the early Empire and the mosaic of it at Ostia in the Piazzale of the Corporations is probably of the 2nd century A.D. (Ward-Perkins, J.B., Roman Imperial Architecture, Yale, 1983, p.143).

18 Rivet, pp.100-196, and Heijmans, M. & Sintes, C., 'L'évolution de la topographie de l'Arles antique. Un état de la question, Gallia, 51, 1992, pp.135-170.

19 Gros, P., 'Un programme augustéen: ' Le centre monumental de la colonie d'Arles', Jdi, 102, 1987, Berlin, pp.339-363.

20 Bromwich, The Roman Remains of Southern France, Fig. 51.

21 Coulon, Les gallo-romains, Paris, 1985, Photograph p.39.

22 Amy, R., 'Les cryptoportiques dans l'architecture romaine', CEFR, 14, 1973, 275 ff.

23 RG 34 and Gros, 'Un programme augustéen … ', p.346, Note 33.

24 Gros, 'Un programme augustéen …', pp.346-50, for the marble fragments and the sanctuary, and Note 41, p.349 for the bust.

25 Appian, 5.75.318, as interpreted by Roddaz, Marcus Agrippa, p.66, Note 203, for evidence of the visit.

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- 102 - above the cryptoporticus have been dated no earlier than 26 B.C.26. The

archaeological evidence is congruent with a cryptoporticus construction of 46 B.C.,

or later, irrespective of the sanctuary dating. There is, therefore, a possibility of

Agrippan works on the cryptoporticus in 39-37 B.C.

Fig. 5.427 shows the principal surviving part of the theatre built on the same grid as

the cryptoporticus. This large structure, with a cavea (auditorium) diameter of

102m28 was built on virtually level ground with the cavea supported on substructures.

The project was, therefore, much more extensive than that for a theatre built on a

hillside, as at Lugdunum or Nemausus. Such a large theatre in stone is not to be

expected at Arelate in 39-37 B.C. since, even at Rome, the first stone theatre of

Pompey, dedicated in 55 B.C., was not joined by others in stone until some 40 years

later29. Also, the remains of the surviving theatre indicate construction predominantly

from about 25-10 B.C., with some earlier work, which cannot be dated confidently as

early as 39-37 B.C.30. Agrippa could have built a timber theatre at that time with

some stone supports which were incorporated in the later work, but this possibility is

purely speculative.

Nothing is known for certain about the nature, extent, or dating of works in the town

built before or with the forum and the theatre, although Gros discerned from the

extent of constructions that these were begun on foundation31. Also, there is little

definite information about the location of the walls, as shown on Fig. 5.1. The

'Arch of Constantine' and the Arcus Admirablis, both shown on Fig. 5.1, probably

marked the original pomerium, but neither now remain, and the first stone

26 Gros, 'Un programme augustéen …', Fig. 3, showing a cornice from the forum and

pp.343-348, for the dating of this in relation to other remains at Arelate.

27 Ibid, Fig. 10, p.351.

28 Rivet, p.194, pointing out the 103m diameter of the theatre at Orange and the 102m diameter of the theatre at Arelate.

29 Cassius Dio, 39.38, for the dedication of the theatre of Pompey at Rome in 55 B.C., Cassius Dio, 54.25, for the dedication of the theatre of 'Balbus Minor' there in 13 B.C.

30 Gros, 'Un programme augustéen', pp.343-348, also Heilmeyer, W.D., Korinthische Normalkapitelle, Studien der Geschichte der römischen Architecturdekoration, Heidelberg, 1970, p.112, and Tafel 7, 2 and 3.

31 Gros, 'Un programme augustéen', p.342.

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- 103 - construction there cannot be dated, although this has been described as 'Octavianic' by

Rivet32.

There is, therefore, an indication from the archaeology of possible Agrippan works of

39-37 B.C. at the cryptoporticus of the forum, and perhaps at a first theatre. Other

early works for which Agrippa may have been responsible at the town or for the walls

and gates cannot be identified or dated. Nevertheless, it is unlikely that Agrippa built

anything in the town, as distinct from at the port, unless it was related to the logistics

of his supplies. In 19 B.C. Agrippa could have advanced construction at the existing

theatre and the forum, or elsewhere, which had been initiated by Augustus during his

visit to the West in 27 B.C., as has been argued for the nymphaeum at Nemausus in

Chapter 4. Yet, Agrippa was active in other parts of Gaul during his six months

there, as discussed above. There is, therefore, little possibility of Agrippa being

responsib le for any significant building at the town of Arelate in 19 B.C., even if he

visited it and did not go to Hispania on the Via Domitia through Nemausus.

Improvements at or near the port dating from 39-37 B.C. must, therefore, be the focus

of investigation of Agrippan works. Agrippa could obtain substantial general

supplies from southern Gaul, but much of the specialised military equipment could

probably be acquired only from Italy33. Since Agrippa's military forces in Gaul in

39-37 B.C. were substantial, and were largely recruited there34, large quantities of

military supplies had, therefore, to be brought in as goods. Fig. 5.1 shows only one

wharf, which was on the west bank, but wharves existed on the east bank near the

baths, shown on Fig. 5.1, in the Roman period, although the dates of their

construction are unknown35. Agrippa's supplies up the valley of the Rhône to

Lugdunum and beyond could be taken by river craft, or by road on the east bank,

shown on Fig. 5.1. The Rhône could not always be used for upstream traffic 36. As

noted already37, the pontoon bridge shown on Fig. 5.1 almost certainly did not exist in

32 Rivet, pp.191-3, and Notes 12-21, and Heijman's & Sintes, pp.48, 49.

33 King, Roman Gaul, p.116.

34 Roddaz, Marcus Agrippa, p.70 and Note 217, and above, p.81 and Note 15.

35 Heijmans & Sintes, Fig. 6, p.143 and p.147.

36 Strabo, 4.1.14.

37 See above Note 17, p.101.

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- 104 - the Agrippan period. Agrippa, therefore, needed a wharf on the east bank for direct

trans-shipment on to the road to Lugdunum in order to avoid barging across the river.

Such a wharf would have been strictly secured because of the military goods handled

there. Agrippa would almost certainly have been obliged to build a new one, even if

one already existed. Large shipments brought in by sea had to be safely stored

pending further movement in smaller lots. A cryptoporticus within the town walls

was an ideal storage place, and, also, needed to develop a level base for the forum. It

is, therefore, possible that Agrippa and the town authorities co-operated in building or

augment ing the capacity of a cryptoporticus.

It can, therefore, be concluded that Agrippa probably built at the port and at the

cryptoporticus in 39-37 B.C., but that he built nothing else at the town at that time, or

in 19 B.C.

§ Forum Iulii:

Forum Iulii (modern Fréjus) was located not far from the coast of the Mediterranean

near the eastern border of Gallia Narbonensis, and some 200 kms east of Arelate.

The name Forum Iulii appears first in a letter dated 43 B.C. from Munatius Plancus

to Cicero, without description or explanation of the name, indicating it as an

established place, but with no reference to a colony38. It probably did not become

one until after Actium39. It had a port formed from a natural lagoon, which may

have been further developed because of the struggle for mastery of the sea between

Octavian and Sextus Pompey40, since it was far from the main base of Pompey in

Sicily, and provided shelter at a time when most of the west coast of Italy was

without harbours41. The fleet used by Agrippa to defeat Sextus Pompey was built

principally at a new artificial port created by Agrippa in the Bay of Naples using

Lakes Lucrinus and Avernus42. Ships were also constructed in many parts of

38 Cicero, Ad fam, 10.15.3.

39 Rivet, p.226, suggested foundation in 35 or 27 B.C. based on various texts of Tacitus and Pliny the Elder. Gascou, J., in 'Quand la Colonie de Fréjus fut elle fondée?', in Latomus 41, 1982, pp.132-142, p.144 suggested the period after Actium, and probably from 31-27 B.C. Gros, 'Un programme augustéen', at p.362, indicated foundation by Octavian in about 31 B.C.

40 See above Note 10, p.2, for Sextus Pompey.

41 Cassius Dio, 48.49.1-2.

42 See below Chapter 11, Note 18, p.211.

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- 105 - Italy43, and Forum Iulii was very close to Italy. Agrippa may, therefore, have built

vessels at Forum Iulii. Roddaz considered this possibility, but rejected it on the

grounds of insufficient archaeological evidence44. Yet ships were constructed on

timber slipways, and it was necessary only to have timber moorings and a few

sheds, also in timber. Such works would have perished. There is some evidence of

remains under buildings of the Augustan period in the port area45, although this

does not necessarily indicate shipbuilding. The possibility of Agrippan

shipbuilding at Forum Iulii in 39-37 B.C. is, therefore, based entirely on imputation

from the general history.

Tacitus said that Italy was guarded by two fleets, one on each seaboard, and based at

Misenum and Ravenna. He also described Forum Iulii as defending the near coast of

Gaul, and stated that Octavian had sent warships captured at Actium there strongly

manned46. Strabo described Forum Iulii as an Augustan port of size similar to

Massilia, and stated that these two places provided the only important harbours on

this part of the coast47. It can, therefore, be presumed that a naval station was built at

Forum Iulii after Actium. Fig. 5.548 shows Forum Iulii in the Empire with a port area

of 20 hectares connected to the coastline by a canal. The sea has now receded. It can

be assumed that the ships from Actium were brought into a small harbour from which

the large harbour was formed. This harbour was flanked by two port constructions on

natural eminences, at the Butte St. Antoine to the west, and La Plate-forme to the

north. The first was probably the base of the commander of the fleet, and the second

the residence of the governor of the province49. The harbour constructions shown on

Fig. 5.5 have been dated to the general period 31-14 B.C. by Février50. Some traces

of foundations and a workshop from an earlier period were found under the port

43 Cassius Dio, 48, 49.1-2.

44 Roddaz, Marcus Agrippa, p.74 and Notes 232-4.

45 See below Note 51, p.106.

46 Tacitus, Annales, 4.5.

47 Strabo, 4.1.9-10.

48 Rivet, Fig. 29, p.227.

49 Ibid, p.228 and Notes 18 and 19.

50 Février, P.A., 'Fouilles à la citadelle méridionale de Forum Iulii (Fréjus, Var) en 1955', Gallia 14, 1956, pp.35-53, with summary of dating on p.53; also 'Fouilles à la plate-forme de Forum Iulii', Gallia 20, 1962, Fasicule 1, pp.176-203, p.203.

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- 106 - works at the Butte St. Antoine 51. Agrippa, as admiral of the fleet at Actium, would

surely have made the decision to send captured ships to Forum Iulii. This indicates

his prior knowledge of that port, and strengthens the hypothesis of his building ships

there in 39-37 B.C. As naval victor and the builder of Portus Iulius, Agrippa would

have been consulted on the layout, design and facilities of naval bases, and would,

therefore, have been involved in the development of that at Forum Iulii.

Agrippa was, therefore, the 'father' of the naval base at Forum Iulii, and the planner

and builder of it to an extent presently unknown, but which may come to light from

further investigations. Nevertheless, it is almost certain that Agrippa would have

visited the base under construction, especially since it was almost in Italy. The

construction of the naval base must have prompted new constructions at the town

itself, but there is no indication that Agrippa was responsible for any works at the

town from what is presently understood about these 52.

CONCLUSIONS Agrippan works at road stations, forts and garrisons, in association with the

construction and operation of his road network, were substantial, and more influential

in the development of Gallia Comata than any of his other works, except his roads.

Agrippa's military works remain unknown pending possible discovery. Agrippa may

have built at Arelate in 39-37 B.C. to handle his supplies, and at Forum Iulii in the

same period for shipbuilding. He certainly planned, and, perhaps, supervised the

construction of a naval base at Forum Iulii after Actium.

It is possible that Agrippa built elsewhere in Gaul, and that the evidence for this is

lost. Yet there is little reason to impute such works since construction of the first

form of the Agrippan road network and his other activities would have occupied most

of his time in Gaul in 39-37 B.C., and he had less opportunity to build there in

19 B.C. Any constructions, other than those listed in Chapters 1 to 5, were probably

at urban centres such as Vienne, Orange, Narbonne, Beziers, Toulouse, etc.

Nevertheless, these were almost certainly not major works.

51 Février, Gallia 14, 1956, Fasicule 1, Goudineau, C., (Informations archéologiques), Gallia 33,

1975, p.562 and Goudineau (Informations archéologiques), Gallia, 35, 1997, Fasicule 2, p.498.

52 Rivet, pp.228-230, provided a brief account of Roman works at Fréjus.

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- 107 -

AGRIPPAN WORKS IN GAUL : CONCLUSIONS Agrippa's main tasks in Gaul in 39-37 B.C. were to establish order, and to institute a

framework of strategic control. The only remaining material evidence of his military

actions is at Cologne, where timbers of a wharf dated to 38 B.C., indicate that he

crossed the Rhine for unknown operations in Germania. Nevertheless, Agrippa must

have been responsible for other military constructions in N.E. Gaul, and, also, in

Aquitania, where he conducted a military campaign. These works may yet be found.

Agrippa's most important construction in 39-37 B.C. was his road network radiating

from Lugdunum to the Atlantic Ocean, the English Channel, the Rhine, and southern

Gaul. Agrippa formed this principally from existing roads, since he could not

otherwise create an effective system before he left the territory. Agrippa's road

construction went hand in hand with a reorganisation of military forces. Larger units

were broken down into mobile detachments stationed on or near his road network. This

was used to convey intelligence of insurrection and for response by the security forces

travelling along it. Agrippa's road network, with its road stations and military

installations, formed the framework for the much larger Roman road system and was a

major influence on the development of Gallia Comata in the Roman period. The

creation of the road network radiating from Lugdunum made this town the strategic

centre of control in Gallia Comata, and started the process of its conversion into the

virtual capital of that large territory. Agrippa built at Lugdunum to establish his road

junction there, and he improved port facilities for his supplies brought in by river.

Agrippa probably constructed some buildings at the urbs quadrata established by

Munatius Plancus on the plateau of La Sarra when he founded Lugdunum in 43 B.C.

Agrippa's construction of the small Temple of Valetudo at Glanum in 39-37 B.C. was,

almost certainly, related to his mobilisation of military forces and supplies in a region

not far from the port of Arelate and near the Via Domitia. Agrippa may have improved

port facilities at Arelate and have built at the cryptoporticus of the forum to store his

supplies brought in by sea. Agrippa probably adapted the existing port of Forum Iulii

to build ships for the naval contest with Sextus Pompey, and, after Actium, he certainly

selected Forum Iulii as the site of a naval station and was concerned with its planning,

and, possibly, with its construction.

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- 108 - Agrippa was in Gaul from late 20 B.C. to the first quarter of 19 B.C., initially putting

down disturbances in the north-east. None of his military constructions have yet been

identified positively, but the first Roman bridge at Trier has been dated to the general

period, and road works were associated with it. At Lugdunum, Agrippa was almost

certainly responsible for the construction of a praetorium at the Cybele site, and,

possibly, for setting in hand a major programme of urban expansion, including first

planning and building of aqueducts. Agrippa was, perhaps, responsible for the start

of works at a new forum yet to be identified, and at the existing theatre where the first

works have not yet been dated. The first of the four aqueducts to be built was the

Mont d'Or and Agrippa may have been responsible for construction of it if there had

already been aqueduct planning by 19 B.C. If there had been no such planning,

Agrippa would have been the 'father' of all the aqueducts as a general urban planner.

Agrippa has generally been regarded as an important builder at Nemausus in 19 B.C.,

but this opinion can no longer be supported. Agrippa may have been responsible for

advancing works at the Augusteum started by Augustus in 27 B.C., but there is no

clear evidence of any other possible Agrippan construction in 19 B.C.

Agrippa, therefore, built in Gaul in 39-37 B.C. rather than in 19 B.C. He was also a

builder of strategic works rather than of urban monuments. Furthermore, his road

network, the largest and most influential of his constructions, was, essentially, an

instrument of Roman expansion into a large territory previously conquered but little

organised by Rome. These conclusions represent a new interpretation of Agrippa in

Gaul, replacing that in which Agrippa was seen to have been active mainly in

19 B.C., and predominantly at Nemausus. The new interpretation results from a

focus on Agrippan constructions, consideration of these as instruments of policy, and,

in the case of the Agrippan roads, an engineering analysis of Agrippa's response to an

engineering problem.

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- 109 -

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- 110 -

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- 111 -

HHIISSPPAANNIIAA INTRODUCTION

The Romans controlled the whole of the Iberian Peninsula south of the Pyrenees, now

Spain and Portugal. Here, the peninsula is referred to as 'Hispania', since this word

was used by the Romans 1, and it automatically includes both modern states. Fig. C2

shows the main geographical features with modern names. Portugal occupies a strip

of land some 170 km wide along the western seaboard from the south to the

River Miño.

The Romans acted first in Hispania in 218 B.C. after the 1st Punic War because of the

invasion of Italy by Hannibal from the peninsula and a request from the native

population for help against the Carthaginians. These were expelled from Hispania by

the Romans in the 2nd Punic War ending in 206 B.C. The Senate created the first

provincia, named Hispania, in 218 B.C.3, and the provinciae of the 'Two Spains' of

Hispania Citerior (nearer Spain) and Hispania Ulterior (further Spain) in 197 B.C.4.

Under the terms of the constitutional settlement of 27 B.C., Augustus was to take

charge of the whole of the peninsula, except for Hispania Ulterior, which was to be

under the control of the Senate and the people5. The division of Hispania into three

provinces of the Empire with Baetica as the old Hispania Ulterior, which resulted

ultimately from this, is shown in Fig. D6. The change may have originated from the

visit of Augustus to the West in 16-13 B.C.7. By 27 B.C., there was no serious

resistance to Roman rule, except in the North-West. Augustus campaigned in this

region in 26-25 B.C., but rebellion continued, and, in 19 B.C., Agrippa was brought

1 Augustus, RG 26, referred to the 'Two Spains'. Pliny used 'Hispania' exclusively, although

Strabo, 4.4.19, noted that the Greek based word Iberia, referring originally to the coastal area of the North-East, was sometimes applied to other parts of the peninsula.

2 Richardson, J.S., Hispaniae, Cambridge, 1986, p.12, Fig. 1.

3 Livy, 21.17.1.

4 Ibid, 32.27.6.

5 Cassius Dio, 53.12.

6 Keay, S.J., Roman Spain, London, 1988, Map p.61.

7 Cassius Dio, 54.23, for the visit of Augustus to Hispania, also see below Chapter 6, Notes 72, 73, p.124.

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- 112 - in to put down the last resistance in the Cantabrian territory8. Roman control in

19 B.C. was based on the coloniae (mainly in the east and the south), relationships

with native and Punic towns and road communication. There was ample scope for

the extension of Roman influence in the West and in the centre9.

The circumstances of Agrippa's move from Gaul to Hispania are not entirely clear.

Cassius Dio said that he was sent to Gaul to put down disturbances there, and ,

having done so, travelled to Hispania to quell a serious rebellion in the

North-West10. It is not known whether Agrippa was programmed to go to

Hispania when he left Rome. He probably arrived in Hispania in spring, or early

summer, 19 B.C.11. His campaign in Cantabria was difficult, and it almost

certainly continued into the winter of that year. Agrippa received renewal of his

proconsulare imperium for another five years with the receipt of the

tribunicia potestas for the first time in Rome in 18 B.C., and probably in early

July12. There is no information on Agrippa’s movements between Hispania and

Rome, but if he travelled directly, he probably left the Iberian Peninsula in spring

or early summer of 18 B.C., having been there for about a year. Agrippa provided

the theatre at Augusta Emerita, marked on Fig. D as Emerita, which was dedicated

in 16-15 B.C., and it is argued here that he was responsible for major urban

planning there in addition to some other construction. Inscriptions or coins at

urban centres, notably, Gades and Carthago Nova, shows that he was active there, and

he is seen here to have founded Caesaraugusta (Zaragoza). Roddaz suggested that

Agrippa made a tour of Hispania 13. He had time to do this, and it might be expected,

since Augustus had campaigned in the North-West in 26 B.C., but had retired ill to

Tarraco in 25 B.C.14, and there is no evidence that he went anywhere else in Hispania.

In 19/18 B.C., his son- in- law could review the situation in the peninsula, and act for

8 See below Chapter 6, Notes 3-11, pp.114, 5.

9 Richardson, Hispaniae, for development from 218-82 B.C., Richardson, The Romans in Spain, Oxford, 1996, pp.9-149, for the period from first Roman contact to the end of the Augustan principate, and also Keay, Roman Spain, pp.25-71, and Curchin, L.A., Roman Spain : Conquest and Assimilation, London, 1991, pp.7-54.

10 Cassius Dio, 54.11.

11 Roddaz, Marcus Agrippa, p.638, also Note 14, p.12.

12 Cassius Dio, 54.12.4-5 and Reinhold, p.98 and Note 3.

13 Roddaz, Marcus Agrippa, pp. 405, 6 and Note 154.

14 Cassius Dio, 53.25.

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- 113 - him in accordance with his overall policy. Agrippa had a geographical survey

made in Hispania15, and it is possible that he made some personal contribution to this

during a tour of the peninsula.

There was, therefore, a first phase of Agrippan activity in Cantabria. This included a

major military campaign for which there were important military constructions.

Agrippa may have ordered that other works be built in the region, including road

works connecting it to the other parts of the Roman domain. A first chapter is set

aside for the pacification and the aftermath of this. Three chapters are needed for

Augusta Emerita. In the first of these, the origin of the town is described, together

with Agrippa's part in its development. The second chapter is devoted to a

description of the theatre, which is by far the largest and best preserved Agrippan

building in the West. Possible other Agrippan constructions at the town are

investigated in the third chapter. The last chapter on Hispania is set aside for

investigation of Agrippan activity at other urban centres. The chapters on Hispania

are, therefore:

6. North-West Hispania

7. Agrippa at Augusta Emerita (Mérida)

8. The Theatre at Augusta Emerita : Agrippan Works

9. Possible Agrippan Works at Augusta Emerita

10. Possible Agrippan Constructions at Urban Centres Other Than Augusta Emerita.

There is a short section after Chapter 9 in which conclusions are drawn about

Augusta Emerita from Chapters 7, 8 and 9. The concluding section on Hispania after

Chapter 10 includes consideration of Agrippan works other than those which are

examined in Chapters 6 to 10.

15 Dilke. O.A.W., Greek and Roman Maps, Baltimore, 1998, pp.42, 4 and 7

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- 114 -

66.. NNOORRTTHH--WWEESSTT HHIISSPPAANNIIAA As noted in the Introduction to Hispania, Augustus campaigned in the North-West in

26-25 B.C. to bring this region into the Roman domain1, but this was not achieved

until 19 B.C. by Agrippa2. The constructions for this military operation are

investigated in a first section. Possible Agrippan works in the aftermath of the

campaign are investigated separately in a following section. The findings of these

two sections are brought together in a conclusion.

1. THE CAMPAIGN

Agrippa was directly responsible for all the constructions of his large scale campaign

in N.W. Hispania in 19 B.C. None of these has, as yet, been identified from their

material remains. The enquiry in this section is, therefore, directed to describing the

Agrippan works from historical texts and the circumstantial evidence to the extent

that this is possible.

(a) POLITICS AND TEXTS:

The supposed pacification by Augustus in 25 B.C. was surrounded by much publicity.

Augustus had closed the Precinct of Janus in 27 B.C.3 to signify peace through

victory throughout the Roman world after Actium. He opened it before his

campaigns in Hispania4 and closed it in 25 B.C. after them5. This closure also

acknowledged military success in Gaul, but Augustus had the title imperator

bestowed on him, and a triumph was decreed. He refused the triumph, but accepted

the right to wear both his victor’s crown and a triumphal costume on the first day of

the year6. Augustus also included the Cantabrian campaign in the final pages of his

autobiography7. He, therefore, intended to portray his campaigns as a major

1 Cassius Dio, 53.25.

2 Ibid, 54.11.

3 Ibid, 51.20.

4 Orosius, The Seven Books of History Against the Pagans, 6.21.1.

5 RG 13, Cassius Dio, 53-27, Orosius, 6.21.11.

6 Cassius Dio, 53.26.5.

7 Suetonius, Aug 85.

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- 115 - achievement which was to be remembered8. Rebellion erupted in the North-West in

24 B.C.9, again in 22 B.C.10, and, finally, in 19 B.C. causing Agrippa to be brought in

for a true pacification. Augustus ordered the senate to vote a triumph for Agrippa,

but he refused it11, as Augustus almost certainly expected12. Horace acknowledged

Agrippa’s victory13, and Velleius Paterculus, writing at the end of the 1st

century A.D., said that both Augustus and Agrippa subjugated the North-West in

separate campaigns, although he also credited Augustus with complete pacification14.

Florus 15 and Orosius16 gave the entire credit of conquering N.W. Hispania to

Augustus in his campaigns of 26/25 B.C. Florus wrote in the Hadrianic period,

probably from a lost epitome of Livy, a contemporary source, but composed some

30 years after the evidence, and, perhaps, also using the autobiography of Augustus 17.

The text of Orosius is from the early 5th century A.D., and is based either on that of

Florus or a common source18. Neither Florus nor Orosius mentioned any campaigns

after those of Augustus in 26/25 B.C. Cassius Dio, writing in the Severan period,

provided the only surviving account of Agrippa’s campaign19. Cassius Dio also

described those of Augustus in 26/25 B.C. (in a telescoped account of one year)20, the

revolt of 24 B.C. which followed almost immediately after21, and the more serious

8 Gruen, E.S., ‘The Imperial Policy of Augustus’, Rauflaub, K., and Toher, M., Eds.,

Between Republic and Empire, Berkeley, 1990, pp.395-416, at p.401.

9 Cassius Dio, 53.29.

10 Ibid, 54.5.

11 Ibid, 54.11.

12 Reinhold, p.93, suggested that Agrippa wanted to discourage triumphs other than for the princeps. This motive must be accepted in addition to that of prudence.

13 Horace, Epistles, 1.12, 26-27.

14 Velleius Paterculus, Compendium of Roman History, 2.90.1 and 2.90.4.

15 Florus, Epitome of Roman History, 2.33.46-60.

16 Orosius, 6.21, 1-11.

17 Syme, R, ‘The Conquest of North-West Spain’, Roman Papers.2 , Oxford, 1979, pp.825-854, p.827 and Note 3, and Roddaz, Marcus Agrippa, p.403 and Note 100.

18 Syme, p.827, noted that Florus and Orosius exhibit close parallels in language as well as in matter and structure.

19 Cassius Dio, 54.11.

20 Ibid, 53.25.

21 Ibid, 53.29.

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- 116 - one of 22 B.C.22. His texts seem to provide a true chronology. Cassius Dio also

mentioned a campaign earlier than 23 B.C., but this is disregarded here23. In fact, the

recordings of the various campaigns were influenced by the politics. Since the

princeps was involved personally writers would want to say what he had done, but

they had to be careful about what they wrote24 and could not generally be expected to

give a plain account of the limited pacification achieved by the princeps. A true

account of the Agrippan actions must, therefore, be sought from a critical reading of

surviving texts and from the circumstantial evidence.

The account by Cassius Dio of the Agrippan campaign of 19 B.C.25 is quoted in full

… ‘When he had restored these situations to order, he travelled to Spain. In that

province it appears that the Cantabri, who had been captured in the recent campaign

and sold into slavery, had in every instance killed their masters, returned home and

persuaded many of their compatriots to join their uprising. With the help of these

they had seized a number of positions and fortified them, and were making plans to

attack the Roman garrisons. Agrippa took the field against these rebels, but he also

had to overcome some difficulties with his own troops. Not a few of them were well

on in years and had been worn out by continuous active service; they feared that the

Cantabri would prove a difficult enemy to subdue, and were unwilling to follow

Agrippa’s orders. However, partly by remonstrating with them, partly by

encouraging them, and partly by giving them fresh hopes, he soon succeeded in

winning their obedience. But in spite of this he suffered many reverses in his

operations against the Cantabri. Not only had his opponents gained much practical

experience through having been enslaved by the Romans, but they had also

abandoned any hope that their lives would be spared if they were captured. However,

in the end Agrippa prevailed. He lost many of his men, and degraded many more

because of the defeats they suffered: for example he gave orders that the entire legion

which had been known as the Augustan should be deprived of its name. But he killed

almost all of the enemy who were of military age, disarmed the others, and compelled

them to come down from their fortresses and live in the plains. Yet he sent no report

22 Ibid, 54.5.

23 Ibid, 51.20. Statilius Taurus campaigned in 29 B.C., but this was described by Cassius Dio as insufficient to disturb the closure of the Precinct of Janus.

24 Richardson, The Romans in Spain , p.134.

25 Cassius Dio, 54.11.

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- 117 - concerning the Cantabri to the Senate, nor did he accept a triumph, even through one

was voted on Augustus’s orders.’

The text indicated that Agrippa penetrated the upland areas and eliminated resistance

there, but it is not possible to discern any particular Agrippan manoeuvres, and there

are no place names. Cassius Dio omitted these from his account of the earlier

campaigns, with one exception26. His reticence in describing the various campaigns

may, perhaps, be explained by his role as a general historian. Yet, Cassius Dio

described the operations of Agrippa and Octavian against Sextus Pompey in the

struggle to control the Mediterranean in some detail, although Octavian failed and

Agrippa was successful27. Perhaps he was even-handed about Agrippa and Octavian,

but not specific about the campaigns from 26-19 B.C. in case this reflected badly on

Augustus as the first princeps of the established state. His general account recorded

what was already known about the incomplete pacification of Augustus without

disturbing the politically correct histories by explicit description of military

operations28.

(b) THE REGION AND THE MILITARY OPERATIONS:

Fig. 6.129 shows the North-West and an enlargement of the territory of the Cantabri.

The text of Cassius Dio mentioned no local people other than the Cantabri. The

Astures had been pacified in the campaign of 22 B.C., but the Cantabri had not been

subjugated completely30. Agrippa’s campaign was, therefore, directed only against

the Cantabri, and probably only in their territory. The Cantabri were a separate

people with their principal town at Iuliobriga31. Fig. 6.2 32 shows the modern centres,

with Santander at Portus Victoriae, Aradillos near Aracillum, and Reinòsa some

26 Ibid, 25.7. mentioned Lancia.

27 Ibid, 49.1-11.

28 Reinhold, M. and Swan, P.M. ‘Cassius Dio’s assessment of Augustus’, Between Republic and Empire, pp.155-173, and Gabba, E., ‘The Historians and Augustus’, Millar, F. and Segal, E., Eds., Caesar Augustu: Seven Aspects, Oxford, 1984, pp.61-88, for possible interpretations of the texts of Cassius Dio in relation to Augustus.

29 Based on Diego Santos, F. ‘Die Integration Nord und Nordwestspaniens als römische Provinz in der Reichspolitik des Augustus’, ANRW 2.3, 1975, pp.524-571, Abb. 1, p.527.

30 Cassius Dio, 54.5.

31 Strabo, 3.4.20, and Pliny, 3.21, 26-27. Roddaz, Marcus Agrippa, p.406 and Notes 106-8.

32 Syme, Roman Papers, 2, pp.825-834, Map 3.

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- 118 - 2,500 metres north of Juliobriga (modern Retortillo)33. There is a pass through

Aradillos and Reinòsa down to the valley of the Pisuerga, which provides by far the

best route from the coast across the mountains to the south. This route split the

territory of the Cantabri in two, and Roman control of the sea provided the

opportunity to land troops from Gaul on the coast to meet those advancing from the

South.

The importance of the central corridor is seen from the texts of Florus and Orosius

describing the campaigns of 26/25 B.C. Both accounts begin with operations against

the Cantabri, as distinct from the Astures. Augustus divided his forces, attacking

Cantabria into three columns. The central one of these was directed towards

Aracillum, modern Aradillos, moving up the valley of the Pisuerga through Vellica.

There is no doubt about the identity of Aracillum since Florus and Orosius named this

Aracelium and Racilium respectively. For Vellica Florus had Bergida and

Orosius Attica, but there is little doubt that both are really Velica, and near modern

Velilla 34. There was a siege at Mons Vindius. The location of this is uncertain but it

may be in the general area as shown on Fig. 6.135. Nothing is known for certain

about the routes of the other two Roman columns except that one was to the west of

the central corridor and one to the east36. Both Florus and Orosius said that

Aracillum was taken, and described a fight under the walls of Vellica with the

survivors fleeing to Mons Vindius. Only Orosius described a siege that starved out

the Cantabri from this position37. Orosius said that the Roman fleet was used to

bring in troops at a late stage when the Roman forces were exhausted38. Florus

mentioned only assistance by the fleet with no mention of troops, and suggested that

it was used as part of the initial strategy39.

33 Solana Sainz, J.M., Los Cántabros y la ciudad de Iuliobriga , Santander, 1981, p.145.

34 Florus, 2.33, 49; Orosius, 6.21.4, 5. Syme, pp.835, 6 and Le Roux, P., L’armée romaine et l’organisation des provinces Ibériques d’Auguste à l’invasion de 409, Paris, 1982, p.65 and Note 248 for identification of Vellica, Also, Ramírez Sádaba, J.L., ‘La toponimia de la guerra. Utilizacíon y utilidad’, Almagro -Gorbea, M., Pres., Las Guerras Cántabras, Santander, 1999, pp.173-199, p.184.

35 Ramírez Sadaba, 'La Toponimía …', pp.182 and 185.

36 Santos Yanguas, N., La conquista romana del N.O. de la Péninsule Ibérica’, Latomus, 41, 1982, pp.5-49, pp.18 ff, for a discussion of the alternative routes.

37 Florus, 2.33, 40; Orosius, 6.21.4, 5.

38 Orosius, 6.21.4.

39 Florus, 2.33.49.

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- 119 - The texts of Florus and Orosius do not, therefore, provide a clear account of

operations in the territory of the Cantabri in 26/25 B.C. Consequently there have

been a number of interpretations, including a brief account by Keay40, and more

detailed and later suggestions by Ramírez Sádaba and others41. Nevertheless, the texts

pointed to two principal conclusions. Firstly, the control of the central corridor was

recognised by Augustus as the key to control of the territory. This reinforces the

deductions already made from the geography and the topography. Secondly, there

was no complete pacification of the territory. Some targets in the central corridor

were taken, but, even here, no location north of Aracillum was identified. These two

conclusions indicate, firstly, that Agrippa would have recognised the vital importance

of the central corridor, and, secondly, that he would have penetrated large upland

areas for the first time to achieve pacification. His task does not seem to have been

reduced by earlier operations. Agrippa’s problem was ‘an interminable conquest and

a tenacious rebellion favoured by the difficulty in controlling the mountains.’42 He

was the first Roman general to penetrate into these regions, and to remove all serious

resistance there permanently by killing most of the fighting men and bringing the

others down into the plains.

Florus had Agrippa with Furnius fighting for Augustus in 26/25 B.C.43. There is no

doubt that Antistius was there, but Furnius did not arrive until 22 B.C.44, and Agrippa

was in Rome building in the Campus Martius in 26/25 B.C.45. Both Roddaz and

Syme noted the error about Agrippa46, but neither connected it to any desire to

deceive or to provide a compression of events. Gardthausen suggested that Florus

and Orosius deliberately telescoped all the campaigns of 26-19 B.C. into one

account47 in an attempt to attribute everything to Augustus. This must be questioned,

because, as far as Cantabria is concerned, the two texts describe only the capture of

40 Keay, Roman Spain, p.45.

41 Ramírez Sádaba, 'La Toponimía …', pp.190-193.

42 Le Roux, P., L'armée romaine et l'organisation des provinces … , p.68.

43 Florus, 2.33.51.

44 Cassius Dio, 54.5.

45 Ibid, 53.23 and 53.27 and Chapter 11.

46 Roddaz, Marcus Agrippa, p.403 and Syme, p.835.

47 Gardthausen, V., Augustus und seine Zeit, Leipzig, 1891 reprinted, Aalen, 1964, Teile 2, Band 2, pp.14, 5.

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- 120 - some targets on the central corridor without indication of all the mountain fortresses

being taken. Diego Santos tried to show that Agrippa used the fleet in 19 B.C. rather

than Augustus in 26 B.C., but this cannot be proved48. In any case, both Augustus

and Agrippa might have used combined land/sea operations.

The texts of Florus and Orosius said nothing about the size of the forces used by

Augustus, but it must be assumed that all those in Hispania were available to the

princeps. Le Roux49 said that seven legions were stationed in Hispania from

26-19 B.C., and that all were used by Augustus. He also suggested that six were

there when Augustus arrived in 26 B.C., and that the seventh returned by sea for the

campaign in the territory of the Cantabri, having been in Aquitania under the

command of M. Messala Corvinus putting down a revolt there in 28 B.C.50. The

deployment of these forces in 26/25 B.C. is unknown. The main problem is to

determine whether they were used to attack Cantabria and the territory of the Astures

simultaneously or one after the other, with the Astures second. Cassius Dio said that

both peoples were attacked at the same time, but he provided only one account for

26 and 25 B.C.51. Florus had the attack on Cantabria in three parts, as already

noted52, but there is another passage describing division, also into three parts, for

attack against the Astures53. Orosius mentioned only the division against the

Cantabri54. Le Roux favoured the simultaneous attacks, suggesting that there were

six land operations, each of one legion, with three against the Cantabri, including the

one legion brought in by sea, making four legions, and three legions in the territory of

the Astures55. Syme disagreed, suggesting sequential attacks56. Santos Yanguas

examined the evidence and concluded that there was a wide military front with

48 Diego Santos, Die Integration …, p.539, linked the foundation of Portus Victoriae to its use

by Agrippa in 19 B.C. to bring in the fleet, but, as pointed out by Roddaz, Marcus Agrippa, p.408, this is uncertain since there is no definite information on the date of the foundation.

49 Le Roux., p.61.

50 Ibid, p.64 and Note 242.

51 Cassius Dio, 53.23.

52 Florus, 2.33.48.

53 Ibid, 2.33.56.

54 Orosius, 6.21.4.

55 Le Roux, p.64.

56 Syme, p.843.

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- 121 - various points of attack, in some cases simultaneous, and in others sequential57. If

the opinion of the military historian Le Roux is accepted, only one legion was

directed against the central corridor initially, although another three could have joined

it later for the major assault on Aracillum or perhaps on other targets.

Not all the legions remained in the North-West after 25 B.C, some being used for

civil works, as at Augusta Emerita58, but, by 19 B.C., most had returned to

Cantabria. Roddaz suggested that Agrippa used at least six legions in 19 B.C.59.

Le Roux was silent on this, but he probably assumed that Agrippa used all that were

available. The text of Cassius Dio, quoted above in full, indicated that Agrippa

succeeded only after losing many men, and suffering many reverses, and that he did

not release his veterans. The evidence, therefore, indicates that Agrippa used seven

legions in Cantabria — a much larger force than that of Augustus there.

(c) AGRIPPA'S MILITARY STRATEGY AND CONSTRUCTIONS:

Agrippa’s task was to relieve the Roman garrisons, and eliminate resistance in

Cantabria. He must have secured the central corridor and used this as a base for his

mountain operations. Agrippa almost certainly used the command of the sea to

bring in supplies60. There were two main construction zones. The first was along

the central corridor, or not far from it. There is no information on what had been

built along the corridor before Agrippa arrived, but it must be assumed that there

were encampments and fortifications. As can be seen from Fig. 6.361 all

subsequent military positions in Cantabria were along the corridor. Agrippan

constructions would be indistinguishable from others of the period, and overlaid by

later works. It can be said only that Agrippa probably built a substantial logistic

system, including roads and, perhaps, port facilities. The second zone of

construction was in the mountains where the Cantabri would have fortified elevated

positions. Agrippa had to seek these out and take them, moving his forces as

57 Santos Yanguas, N., La conquesta romana …', pp.17-22.

58 See below Chapter 7, Notes 40-42, p.133.

59 Roddaz, Marcus Agrippa, p.407 and Note 111.

60 Strabo 4.18, said that the Romans had great difficulty in getting supplies from Aquitania by road. Syme, p.831, related this to the Augustan campaigns, but the text indicated a general comment, applying to any military operation.

61 Le Roux, Fig. 2.

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- 122 - required. Traces of his overnight camps cannot be expected62, and there would be

little, if any, need to build roads or bridges, since movement would be on foot and by

pack animals in such terrain. Traces of construction can be anticipated at mountain

fortresses where there was sustained resistance. Here, camps could have existed for

weeks or months. If there was a siege, there would be constructions for this. Camps

and siege works would not be disturbed, since the upland areas were depopulated by

Agrippa.

The Agrippan constructions at upland fortresses were probably substantial. Florus

mentioned a siege at Mons Medullius (in Asturia) in the Augustan campaign for which

the Romans built a continuous earthwork some 15 km long63. Agrippa must have

undertaken such sieges in Cantabria, since, if Augustus attacked one upland position at

‘Mons Vindius’, he had to do this at several to stamp out resistance. Siege camps must

be distinguished from marching camps since a siege could last for a long time64. They

could therefore leave permanent impressions on the landscape. Siege works would be

even more intrusive. These generally included a continuous barrier intended to isolate

the target (the countervallation), and, in some cases, one outside this (the

circumvallation), to frustrate relief from the outside. Sometimes ramps were built up to

the fortress to support assault towers and artillery. In some cases, ‘the arm’ (bracchium)

connected other eminences built for assault65. Roman sieges such as those at Alesia and

Masada have been described in the texts of Caesar and Josephus, and archaeological

investigations prompted by these have made important discoveries66. In the case of the

Cantabrian wars the texts are not explicit and the campaigns are not well known.

Nevertheless, archaeological investigations at sites within an area approximately 20 kms

from Reinòsa have uncovered Roman fortifications and camps, but have not identified

specific evidence of any siege works, as distinct from Roman camps which may have 62 Le Bohec, Y., The Imperial Roman Army , London, 1989, p.131 for the generally limited

evidence of temporary camps (castra aestiva).

63 Florus, 2.33.30.

64 Goldsworthy, A.K. The Roman army at War 100 B.C.-A.D.200, Oxford, 1996, p.111-113, described the marching camp, and included siege camps in this classification, but this must be questioned since the purpose of the latter was essentially different from that of the former.

65 Le Bohec, pp.136-137, for a general description of siege tactics and the construction of these.

66 Baumgartner, F.J. From Spear to Flintlock , New York, 1991, pp.37 and 38, for the siege of Alesìa in Gaul by Caesar. Gabrièl, R.A. and Metz, K.J., From Sumer to Rome The Military Capabilities of Ancient Armies, New York, 1981, pp.38, 39, for the siege of Masada in Judaéa under Vespasian and Titus. Also, Hurvitz, G., ‘The Roman Siege of Masada’, Shatzman, I., Ed., The Story of Masada : Discoveries from the Excavations, Provo (Utah), 1997, pp.109-130.

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- 123 - been associated with these67. The remains have been dated to the Augustan period, but

not to any particular campaign of that era68. There seems to be no published

archaeological information on military works in other parts of Cantabria. Consequently,

much remains to be discovered about Roman military sites in that large territory.

The only archaeological evidence in the N-S corridor from the Agrippan period seems

to be from Iuliobriga (Retortillo), some 2,500 metres south of Reinòsa, where a large

Roman town has been partly excavated. No remains of military construction have

been discovered, but there is material evidence of civic development after the

pacification of Agrippa, although not necessarily in 19-18 B.C. It is also possible that

there was a military base there before 18 B.C.69. There is, therefore, no specific

evidence of Agrippan military construction, or of Agrippa founding a Roman town,

although Roddaz suggested this using the evidence of Solana Sainz70. It is more

probable that Agrippan pacification created the conditions for a new town, or the

extension of an old one.

(d) THE CAMPAIGN : CONCLUSIONS:

The campaign of Agrippa in Cantabria in 19 B.C. called for extensive military

constructions. Those in the central corridor were for logistics, including roads,

probably with port facilities, and for fortification and encampment. These remained

to form part of the long-standing military installations shown on Fig. 6.3, and can

probably never be identified. Those in the mountains were for the destruction of

upland fortresses. They included siege works in addition to Roman camps. The siege

works may yet be found, although it may be difficult to attribute these to Agrippa

from the archaeological evidence. Nevertheless, most of such constructions must

have been his, since no other Roman general conducted extensive operations in the

mountains of Cantabria. There is, therefore, a potential to discover extensive

Agrippan military work of great interest to the military historian, and, also, the need

to recognise the attribution to him rather than to Augustus, or others.

67 Labrador, E.P., ‘Los castros Cántabros y los campamentos romanos de Toranzo y de Iguna.

Prospecciones y sondeos (1996-1997), Almagro-Gorbea, M., Pres., Las Guerras Cántabras, pp.203-276.

68 Ibid, pp.259-265.

69 Solana Sainz, Los cantabros y la cuidad … , pp.143 and 150, 151.

70 Roddaz, ‘Agrippa et la péninsule Ibérique’, Ceresa Gastaldo, A., Pres., Il bimillenario di Agrippa, Genoa, 1990, pp.57-81, p.66 and Notes 39, 40 referring to Solana, Sainz, pp.143 and 151.

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- 124 -

2. THE AFTERMATH OF THE CAMPAIGN

It is assumed here that the campaign of Agrippa in 19 B.C. effectively pacified

N.W. Hispania71. As noted in the Introduction to Hispania, the 'Two Spains' existed

before Agrippa's campaign, and the evidence indicates that the change to the three

provinces began only after Agrippa's campaign, and, probably, as a result of the visit of

Augustus to the West in 16-13 B.C.72. There has been a suggestion of an intermediate

phase between the ‘two Spains’ and the three divisions of the Empire following the

discovery of the Tessera Paemeiobrigensis mentioning a Provincia Transduriana.

This tessera may refer to a province bounded on the south by the River Douro,

extending somewhat further east than Clunia, and then defined by a line going

N.N.W. to reach the coast near Santander. The tessera has been dated to February

15 B.C. Some questions remain about the authenticity and interpretation of the

Tessera Paemeiobrigensis73. If there was a new arrangement in 15 B.C., this

indicates that Agrippa left the 'Two Spains' in place. Also, the pacification of

Cantabria was important politically because of the stress placed on it by Augustus,

as noted earlier in this chapter, but there were few consequences for development in

N.W. Hispania as a whole, with Gallaecia and Asturia already pacified. Agrippa

would, therefore, almost certainly have left the two legates in charge of the

'Two Spains' to carry on as before.

Roddaz argued that the three centres of Bracara Augusta, Lucus Augusti and

Asturica Augusta, shown on Figs. 6.3 and D, were founded as a result of the

pacification of Cantabria, and possibly by Agrippa. He based this partly on his

belief that the territory was reorganised at that time, and partly on the relationship

discerned by him between the three centres and three altars built in the general

period74. The three altars mentioned by Roddaz are the Arae Sestianae. Their

71 Diego Santos, Die Integration …, pp.539-542, suggested campaigns in Asturia in 16-14 B.C.,

and in Gallaecia in 16-14 B.C., but Le Roux, pp.6-8, and Note 266, Syme, p.391 and Santos Yanguas, pp.10-16, denied this hypothesis.

72 Alföldy, CAH 10, 1996, p.45, dated the start of the definite forms of the three provinces to 13 B.C. Le Roux, pp.24, 75, suggested that the change was set in train by Augustus in 16-13 B.C. Richardson, The Romans in Spain , p.136, noted the possibility of change at this period.

73 Costabile, F. and Licandro, O., Tessera Paemeiobrigensis, Rome, 2000, for the putative province. Richardson, J.S., 'The New Augustan Edicts from North West Spain', JRA, 15, 2002, pp.411-415, raised important questions about the authenticity of the tessera , which were not mentioned by Costabile and Licandro. He suggested that these uncertainties should be resolved before a realistic interpretation could be arrived at.

74 Roddaz, 'Agrippa et la péninsule Ibérique', pp.65, 66 and Note 38.

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- 125 - position is unknown, but they were certainly together at one place on the coast, and

far from the three urban centres75. Their purpose was to demonstrate Roman

extension to ocean76 and to mark ‘places previously unknown’77. The date of the

altars has not yet been established, but they seem to have been installed between 23

and 15 B.C.78. Le Roux introduced another difficulty by dating the altars to

19 B.C. ‘if they can be attributed to L. Sestius Quirnalis’79. There is, therefore, no

definite information on Agrippan responsibility for building the altars, and no

connection between them and the urban centres other than the figure three and,

consequently, no indication of Agrippan foundation of the three urban centres of

which there is no definite information about their early history. Henderson

suggested that all were prominent in the region only for their conventus status in the

Empire, being neither municipia nor coloniae80. Galsterer considered that they were

founded as a consequence of the wars between 26 and 19 B.C., but he gave no

evidence supporting this81. As can be seen from Fig. 6.3, the military installations

of the Empire, in the region were principally in Cantabria, although there was a

camp near Asturica Augusta. This is probably to be explained by the town being a

centre for the extraction of gold and silver. There is no reason to think of any of

these three centres as military foundations82. Inscriptions at Bracara Augusta and

75 Pliny, 4.111 had them on the N.E. coast of Gallaecia. Pomponius Mela, Chronographia 3.13

located them at Noega on the coast of Asturia, shown on Fig. 6.1. Le Roux, p.75 and Note 317, listed other interpretations.

76 Le Roux, pp.76-7 and Note 328, compared the altars to the triple trophy at Saint Bertrand de Comminges in the Alps symbolising the religious triad protecting Rome, as well as the Roman domination of the Alpine passes. RG 26 referred to the provinces of the Gauls, the Spains and Germany bounded by ocean from Gades to the mouth of the Elbe being ‘reduced to a state of peace.’ The Arae Sestianae might have been installed to mark the extension to ocean.

77 Pomponius, Mela, Chorographia, 3.13, 'inlustrantque terras ante ignobiles'.

78 L. Sestius Quinalis was consul suffect in 23 B.C., and probably legate of the west from 19 B.C., or, perhaps, somewhat later, Syme, p.829. Yet he was mentioned on the Tessera Paemeiobrigensis, dated to 15 B.C., Costabile and Licandro, p.21. De Alarcão, J., Roman Portugal, Warminster, 1988, Vol. 1, p.15, dated the altars to 22 B.C., but gave no justification for this .

79 Le Roux, p.76.

80 Henderson, M.J., Review of Étienne Le culte Impérial dans la péninsule Ibérique d’Auguste à Dioclétien. JRS, 49, 1959, p.169.

81 Galsterer, H., Untersuchungen zum römischen Stadtewesen auf der iberischen Halbinsel, Berlin, 1971, p.30.

82 Le Roux, pp.76, 77.

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- 126 - Lucus Augusti, dated to 3-2 B.C., mentioned all the sons of Agrippa83, but this

indicates the Imperial Cult rather than Agrippan activity. It must be concluded that

there is no evidence of Agrippan initiatives at any of the three later conventus

centres. These were probably small native centres in 19 B.C. and only

Asturica Augusta ever became important 84.

Strabo described the region as 'a wretched place to live in'85, and it was too cold for

extensive agriculture, being suitable for running sheep and other non- intensive

settlement. The only obvious attractions, other than the mineral deposits of Asturia,

were the routes over the mountains, potential port sites, and navigation control

around the treacherous coast of N.W. Hispania86. There was no need to defend the

region, but legions stationed there were conveniently placed to quit Hispania for

Gaul, and were not near settled areas. In short, there was no need for large towns,

except, possibly, at Asturica Augusta as a mining centre. Agrippa may have

ordered road works to be carried out in N.W. Hispania to improve communications,

but these constructions would be executed by the two legates of the 'Two Spains'.

Fig. D shows the Camino de la Plata of the Empire, connecting Asturica Augusta to

Augusta Emerita. This was an extension and an upgrading of a road first built in

140 B.C. between the headwaters of the Guadiana and the Tagus to seal off

Lusitania from the east87. It is possible that Agrippa improved this road, together

with others connecting N.W. Hispania, to parts further south, but there is no

evidence of such action.

THE AFTERMATH OF THE CAMPAIGN : CONCLUSIONS

There is no evidence that Agrippa made any alteration to the administration of the

'Two Spains' or formed new Roman urban entities at Bracara Augusta, Lucus Augusti

or Asturica Augusta Agrippa may have ordered his legates to improve roads in the

region or to improve connections to other zones before he left Hispania. Otherwise,

the only works were those needed for security.

83 Ibid, p.76 and Note 325.

84 Pliny 3.28, described it as an urbs magnifica.

85 Strabo, 3.12.

86 A 34-metre tall lighthouse modelled on the Pharos at Alexandria was built in the Empire at La Corona, not far from Brigantium, marked on Fig. 6.3, Keay, p.131.

87 Keay, Roman Spain, pp.43, 44.

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- 127 -

NORTH-WEST HISPANIA : CONCLUSIONS

Agrippa built important military works for his pacification of Cantabria. Those on or

near the central N-S corridor, which became part of the military installations of the

Empire, will probably never be identified, or attributed to him because they became

part of the military installations of the Empire. Some Agrippan military constructions

in the mountains may have already been found in archaeological investigations in the

Reinosa area, although these have not been attributed either to Agrippa or to others.

These investigations have not discovered constructions for the siege of upland

fortresses, and other zones are yet to be investigated. While military works in the

Cantabrian mountains may not be attributable to Agrippa from the archaeological

evidence, all such remains are potentially Agrippan because of his much greater

penetration into these regions than that of any other Roman general. These military

constructions of Agrippa have been overlooked in studies of Agrippa, since the

material evidence of them is in a largely uninhabited region, and there are no specific

texts which have induced a search for them. Also, the focus of archaeological

investigations in the mountainous areas has been the Roman military campaigns

rather than on constructions for these being Agrippan. Nevertheless, they are of great

potential importance not only as substantial Agrippan works, but also as military

constructions. It is most unlikely that Agrippa altered administrative arrangements in

N.W. Hispania. He would have been concerned to ensure security before he left the

region, and he may have started a process in which Roman access to the region led to

the creation of ports and improved navigation. There is no evidence that Agrippa

founded any new towns, or built for civil purposes, but he may have encouraged some

development at Asturica Augusta for production of gold and silver. Any Agrippan

orders for road works in the region, or for road works to connect this to other parts,

would have been executed by the two legates, and such constructions can, therefore,

be related only distantly to Agrippa.

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- 128 -

77.. AAGGRRIIPPPPAA AATT AAUUGGUUSSTTAA EEMMEERRIITTAA11 ((MMÉÉRRIIDDAA))

As explained in the Introduction to Hispania, the object of investigation in this

chapter is to set the scene for the investigation of the Agrippan theatre in Chapter 8,

and of possible Agrippan works in Chapter 9.

There are three sections:

(a) Urban development before 19-18 B.C.,

(b) Agrippan urban development 19-18 B.C., and

(c) Posthumous epigraphic evidence of Agrippa at Augusta Emerita.

(a) URBAN DEVELOPMENT BEFORE 19-18 BC:

Augusta Emerita is marked on Fig. D, p.110, as Emerita. Cassius Dio described the

actions of Titus Carisius in the campaign of Augustus in N.W. Hispania in 25 BC2

and followed this with a description of the foundation of Augusta Emerita … 'When

this campaign had been ended, Augustus discharged the older age groups in his army

and enabled them to build a city in Lusitania which was named Augus ta Emerita. For

the troops which were still of an age to continue active service, he arranged for a

number of spectacles to be held within the military camps, and these were organised

by Tiberius and Marcellus who were the aediles for the year.’…3. Carisius issued the

first coins of the town as legate on behalf of Augustus, and these have been dated to

25-23 B.C4. Canto5 postulated a Caesarian camp at the town. This suggestion was

dismissed by Trillmich6, but Richardson was not prepared to rule it out completely,

concluding that the major foundation was in 26/25 B.C., and noting that the name

1 The names Emerita Augusta or Emerita are commonly used in the scholarship in addition to

Augusta Emerita. This last name is adopted here because it appears regularly on the provincial coinage (Burnett et al, pp.70-73).

2 Cassius Dio, 53, 25.9.

3 Ibid, 53, 26.1.

4 RIC, pp.41-42.

5 Canto, A.M., 'Las tres fundaciones de Augusta Emerita', Trillmich, W. & Zanker, P., Eds., Stadtbild und Ideologie, Munich, 1990, pp.289-298.

6 Trillmich, W., 'Colonia Augusta Emerita die Haupstadt von Lusitanien', Trillmich, W. & Zanker, P., Eds., Stadtbild und Ideologie, pp.299-318, at p.299.

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- 129 - Emerita, echoing the Latin word emeritus for a veteran, confirmed Dio's account7.

There was a natural crossing of the Guadiana River at Augusta Emerita, and the

Roman foundation was almost certainly not completely ex novo8.

The foundation text of Cassius Dio implied that discharged veterans built the town.

Yet, a general historian, writing in the 3rd A.D. 9 probably had little, if any, local

knowledge about first constructions. Cassius Dio probably assumed veteran

construction from the name Augusta Emerita. Frontinus, writing in the 1st

century A.D.10, was much closer to the date of foundation, and he was also writing

specifically about the veteran settlement and land use11. In this passage Frontinus

stated that most of those first discharged were placed at the extreme limits of a large

territory, with very few elsewhere. Remaining areas were set aside for second and

third placements of veterans. According to this passage, the first veterans were not

placed to develop the urban centre, but to occupy and work the land on the perimeter

of a large territory, and, probably, to form a first line of defence in an area not yet

under complete Roman control. Le Roux, noting the passage, observed that a large

reserve of land on which veterans could be settled over a long period relieved

pressure on the resumption of land for this purpose in Italy and elsewhere12.

Frontinus, therefore, described something which might be expected from the well

known difficulties of finding land for veteran settlement13. The territory of

7 Richardson, The Romans in Spain , p.138.

8 See below Note 22, p.130, also Edmondson, J.C., 'Romanisation and Urban Development in Lusitania', Blagg, T. & Millet, M., Eds., The Early Roman Empire in the West, Oxford, 1990, pp.151-179, at p.165.

9 Cassius Dio probably wrote his Roman History in the general period A.D.211-229, Cassius Dio, The Roman History. The reign of Augustus, Scott Kilvert, I., Harmondsworth, 1987, p.19.

10 Sextus Iulius Frontinus was praetor urbanus in A.D. 70, Tac. Hist 4.39 and was succeeded as Augur by Pliny the Younger in A.D.103-4 (presumably on his death), CIL 8.7066.

11 Frontinus, De controversiis agrorum, Die Schriften der römischen Feldmesser, Lachmann, pp.51-2, and Thulin, p.44.

'Scio in Lusitania, finibus Emeritensium, non exiguum per mediam coloniae perticam ire flumen Anam, circa quod agri sunt adsignati qua usque tunc solum utile visum est. Propter magnitudinem enim agrorum veteranos circa extremum fere finem velut terminus disposuit, paucissimos circa coloniam et circa flumen Anam. Reliquum ita remanserat, ut postea repleretur. Nihilo minus et secunda et tertia postea facta est adsignatio, nec tamen agrorum modus divisione vinci potuit, sed superfuit inadsignatus.' …

12 Le Roux, p.71 and Notes 292 and 293 referring to RG 16 listing expenditures for purchasing lots for veteran settlement.

13 Cassius Dio, 51.4.

Page 138: Constructions Agrippa

- 130 - Augusta Emerita was remarkably large 14. Mackie concluded that it extended some

70 kms from the urban centre15. In this case, veterans first settled at the perimeter,

could not have contributed to the construction of the urban centre, as has been

acknowledged by Roddaz16.

There is no definite information about civilian immigration in the foundation

period17, and, therefore, no reason to think that civilians could have made a

substantial contribution to first works at the urban centre. The foundation text

mentioning Marcellus and Tiberius as 'aediles for the year' and the presence of at least

part of the army at or near the town indicates urban development by the serving army.

Also, the coins struck by Carisius from 25-23 B.C.18 indicate that Carisius probably

made Emerita his headquarters in Hispania Ulterior. The army could, therefore, have

made a start on urban building. Yet, the cont inuing rebellion in N.W. Hispania

referred to above 19, which broke out in 24 B.C. and continued until 19 B.C., must

have called substantial forces away. There is no evidence of skilled civilian

craftsmen at the town in this period. It can, therefore, be concluded that the serving

army could have built only the first elements of the town, and without monumental

buildings.

Fig. 7.120 shows Augusta Emerita close to Metellinum, which had been founded in

the early 1st century B.C.21. It might be asked why it was necessary to found

Augusta Emerita. Richardson notes its position on a natural route from Baetica to the

north with an easy crossing of the Guadiana 22. Part of the Camino de la Plata, shown

14 Richardson, The Romans in Spain , p.140 and Note 39.

15 Mackie, N., Local Administration in Roman Spain, A.D. 14-212, BAR IS 172, 1983, Oxford, p.39, Note 26.

16 Roddaz, 'Agrippa et la péninsule Ibérique …', p.72 and Note 66.

17 Le Roux, p.71 and Note 294, and p.72 for evidence of immigration.

18 RIC, pp.41, 42.

19 See above Chapter 6, Notes 9, 10 and 11, p.115.

20 CAH 10, 1996, Map p.480 (part).

21 Keay, Roman Spain, p.43.

22 Richardson, The Romans in Spain, p.138. An island exists at Mérida and the river is narrower than elsewhere. It can be presumed that some kind of island existed in the pre-Roman period.

Page 139: Constructions Agrippa

- 131 - on Fig. D, had been built to contain the Lusitanians in the Sertorian wars23 and

Augusta Emerita lay on an extension of this road with a crossing of the Guadiana 24.

Also, there was ample room for a city on fairly level ground, surrounded by hills

which could be tapped for water supplied by aqueducts. Metellinum, on a crag

overlooking the river, was not a suitable site for a large city. The new site, with no

natural defences, could be ringed by walls25. In short, the new site was ideal for

development of a city in a position suitable for expansion into the West, but not too

distant from Baetica.

The first works at the new foundation were those needed to define a large space for a

city and to defend it by a protective barrier. Fig.7.226 shows that the walls enclosed

some 60 hectares. The line of the walls was determined on foundation, and the area

inside was developed to a predetermined grid, as first advanced by Richmond some

70 years ago 27. This was contested for many years by proponents of an urbs quadrata

with city limits defined by the ends of the decumanus maximus (on the line of the

bridge) and, along the cardo maximus, by the ‘Arch of Trajan’ and another gate at a

similar distance from the decumanus maximus to the south. The ‘Arch of Trajan’ is

now associated with the provincial forum28. The original defensive barrier followed the

natural topography, and evolved from an earth embankment 29. Construction was

progressive from 25 B.C., but the date of the various stages of the work remains

uncertain30. The final form of the city perimeter was a circuit of rubble stone walls

with monumental gates and towers faced in opus quadratum, or cut stone. Fig. 7.3a31

shows an idealised perspective view of the main gate near the Guadiana Bridge. It is

23 Keay, Roman Spain, p.49

24 See below Chapter 9, pp.164-167, for crossings of the Guadiana.

25 Richardson, The Romans in Spain, pp.137-9, for general comments on the site of the new foundation.

26 Based on Tabula Imperii Romani. Hoja, J-29 : Lisboa, Uníon Académica Internacional, Madrid, 1995.

27 Richmond, I.A. 'The first years of Augusta Emerita' The Archaeological Journal, 87, 1930, pp.96-116, pp.101-2.

28 See below Chapter 9, Notes 127-130, p.177, 8.

29 Álvarez Martínez, J.M. et al, Mérida, Léon, 1997, pp.18, 19.

30 Hernández Ramírez, J., Augusta Emerita. Estuctura urbana, Badajoz, 1998, pp.23-60.

31 Ibid, Fig. 6, p.36.

Page 140: Constructions Agrippa

- 132 - congruent with the general shape of foundations which have remained. The original

line of the walls lay between the theatre and the amphitheatre32.

Fig. 7.3b33 shows the reverse of a coin dated 25-23 B.C. struck by P. Carisius,

indicating a circular city wall with the legend EMERITA (or IMERITA) inscribed

above a gate. The gate has two arched entrances and two towers, and the line work

suggests coursed stonework. The idealised depiction of the gate on Fig. 3a was

probably based on the coin. The remains of the foundation of the gate cannot be

dated34. There is, therefore, no archaeological information indicating that the coin

depicts a gate built in 25-23 B.C. when the coins were struck. The gate and the

circuit of walls appeared only on three out of at least 33 coin types of Carisius. Also,

only these three types had the legend EMERITA35. There is, therefore, a close

numismatic connection between the Emerita, signifying the settlement of veterans

and the gate. Since, as noted above, nearly all the first veterans were settled well

away from the urban centre, the depiction of the gate probably signified the territory

of Augusta Emerita, rather than a town gate. Similar depictions of a circuit of walls

and a gate appearing quite frequently on coins of Augustus and Tiberius36 also

indicate that the gate was a symbol of the town. Furthermore, monumental stone

walls and gates were needed only for a monumental town. It can, therefore, be

concluded that the depiction of the monumental town gate and walls on the coins of

Carisius does not indicate such developed construction in 25-23 B.C.

Apart from the first form of the city walls, there seems to be no other urban

construction, which can be dated archaeologically to the foundation period. The

earliest known magistrates of the town are from the Tiberian period37 and the civic

organisation before 19 B.C. was, therefore, probably quite elementary. No substantial

stone buildings for civic administration, such as a basilica or a curia/local senate

house, can therefore be expected at that time. Also, the text of Frontinus referred to

32 See below Chapter 9, Note 7, p.162.

33 RIC, p.41 and Plate 1, Coin 9b.

34 Álvarez Martínez et al, Mérida, pp.18, 19.

35 RIC, pp.41.42 and Note 9, p.41.

36 Burnett et al, pp.70, 71 and 73.

37 Curchin, L.A., The Local Magistrates of Roman Spain, Toronto, 1990, p.173.

Page 141: Constructions Agrippa

- 133 - above describing the first veteran settlement on the boundary of the territory confirms

this analysis. The coins provide no evidence of any change in status between

25 and 19 B.C. which may have indicated physical expansion38.

In conclusion, urban development before 19-18 B.C. included a first defensive barrier

around a large urban space laid out to a grid. Modest initial constructions were

concentrated at the intersection of the principal streets, with a small praetorium,

barracks, stores and transport centre. The forum would have been an open space with

a small temple at one end, shops, and few, if any, buildings for civic administration.

Water was got from the river by cistern storage, with rainwater tanks and wells at the

higher levels. If a first crossing of the Guadiana River had not existed in 25 B.C., this

would have been provided by constructing fords, with timber bridging over the

permanent water channel. There was no monumental construction in stone.

(b) AGRIPPAN URBAN DEVELOPMENT IN 19-18 B.C.:

The pacification of Cantabria in 19 B.C. brought a new stability to Western Hispania,

and a new opportunity for further expansion towards the Atlantic. Large numbers of

soldiers could be released for civil works, since Agrippa had used six or seven legions

in his Cantabrian campaign39, and there is no reason to believe that legions were sent

outside Hispania at this time40. Even after veteran settlement41, and stationing of

units for local policing and for other works, substantial forces were available for

construction at Augusta Emerita, as the new centre from which expansion into the

west could be started. Agrippa could have brought in skilled stonemasons or other

craftsmen for monumental construction. Uncertainties remain about the date of the

creation of the new province of Lusitania, although this may have resulted from the

visit of Augustus to the West in 16-13 B.C.42. Nevertheless, Agrippa, in Hispania in

38 Burnett et al assigned no definite date to the first appearance of the legend

AUGUSTA EMERTIA on the coins replacing the EMERITA on the three types of the coinage of Carisius (Note 35).

39 See above Chapter 6, Note 59, p.121.

40 Richardson, The Romans in Spain, p.137, suggested that reduction of military forces in Hispania were gradual, since three legions were still there on the death of Augustus, as noted by Strabo, 3.3.8 and Tacitus Ann 4.5.2.

41 The numbers of veterans settled in 19 B.C. is unknown. Le Roux, p.73, pointed out that retirement depended mainly on the length of service rather than the ending of campaigns.

42 Richardson, The Romans in Spain, p.136 and Notes 26-29, for a discussion on the creation of the new provinces.

Page 142: Constructions Agrippa

- 134 - 19/18 B.C., was able to start the conversion of a small town into a city to be an

important symbol of the presence of Rome in the most western part of Europe43 and

which was to become a prime example of a provincial capital44. There is, therefore,

an indication that Agrippa, in 19/18 B.C., could have drawn up a master plan for a

city with monumental facilities (including his theatre). A stone bridge over the

Guadiana was needed as an approach to a monumental town built in stone, and

aqueducts were needed for gravity water supply. Such a large scale town plan could

be completed only in decades, but Agrippa could start construction on works other

than his theatre before he left Hispania.

(c) POSTHUMOUS EPIGRAPHIC EVIDENCE OF AGRIPPA AT AUGUSTA EMERITA:

There seems to be no contemporary epigraphic evidence of Agrippan activity in

19-18 B.C. Even the inscription on the theatre is dated 16/15 B.C. after Agrippa left

Hispania, and Agrippa does not appear on any of the coinage of Augusta Emerita.

Yet there is important posthumous evidence of Agrippa. Fig. 7.445 shows a headless

statue of Agrippa46 recovered from the municipal forum47. It was found in the

Portico of Augustus dated to the Imperial period48. The statue can be dated to the

1st century A.D.49, and is probably Claudian50. Agrippa appeared as a civic figure

with the togate statues of civic leaders. Yet he is shown as a soldier, as can be seen

from the military stance, the chalmys (worn generally by soldiers), and the calceus

patricius on his feet51. It is most unlikely that his statue marked his pacification of

the North-West over sixty years previously, especially since it was in the municipal

43 Ibid, p.141.

44 Mierse, W.E., 'Augustan building programs in the Western Province', Raaflaub, K. & Toher, M., Eds., 'Between Republic and Empire', pp. 308-333, pp.308-311.

45 Museo Nacional de Arte Romano, Madrid (English), 2000, photograph p.42.

46 The statue is certainly of Agrippa, since the inscription M. Agrippa appears on the plinth carved from the same block.

47 Trillmich, W., 'Ein historisches Relief in Mérida mit Darstellung des M. Agrippa beim Opfer', MM27, 1986, pp.279-304, p.280, Note 8.

48 See below Chapter 9, Note 80, pp.172.

49 The statue is signed by Gaius Aulus, as are the other togate figures of this period found nearby. Museo Nacional de Arte Romano, p.43.

50 Trillmich, 'Ein historisches Relief …', pp.298-9.

51 Roddaz, Marcus Agrippa, p.417.

Page 143: Constructions Agrippa

- 135 - and not the provincial forum52. It referred to something done by Agrippa for the city

using the army. The statue, therefore, probably indicates a large programme of urban

works using military forces started in 19-18 B.C.

Agrippa also appears, but as a civic figure, on a relief showing a sacrifice. This was

found in fragments in the civic forum near his statue. Trillmich provided a detailed

account of the discovery of the fragments, a reconstruction of the relief, explanation of its

dating to the Claudian period, and his interpretation of its possible significance53.

Fig. 7.554 shows the central scene of sacrifice, with Agrippa to the right. This is a civic

event, as can be seen from the lictors with their fasces55 which appear on another

fragment. There is little doubt that the sacrificing priest is Agrippa. The head is similar

to other portraits of him, and Trillmich provided supporting details 56. Trillmich

discerned the corona civica under the priest’s veil and suggested that Agrippa received

this in the Claudian era57. This seems to be very likely58. As pointed out by Trillmich,

many questions remain unanswered about the sacrifice, its function, the recipient, etc.,

but he suggested that the relief showed Agrippa as the founder, or, more probably, the

planner, or 'euergetes'59, of the new capital of Lusitania, with Carisius as the deductor

who introduced the first settlers. Trillmich also implied that Agrippa changed Emerita to

Augusta Emerita60. There seems to be no clear evidence about the date of this change

from the coins61, and there is no information about any civic organisation at

Augusta Emerita in this period62. The suggestion of the constitutional change made by

52 See below Chapter 9, pp.176-8, for discussion on the provincial forum as distinct from the

municipal forum.

53 Trillmich, 'Ein historische Relief …'. His Claudian dating, pp.298-9, is based on the stylistic details of the whole relief, including the presentation of animal and vegetable components.

54 Museo Nacional de Arte Romano, photographs, p.44.

55 Trillmich 'Ein historisches Relief…', p.300 and Note 51.

56 Ibid, pp.300-1, and Note 53.

57 Ibid, p.301.

58 The corona civica, originally a purely military decoration, became an Imperial emblem. In 27 B.C. the senate granted to Augustus the right to hang the corona civica on his door, Cassius Dio, 53, 16.4. The honour was an Imperial prerogative under Augustus and Agrippa with a corona civica could be presented as such only after his death.

59 Veyne, P., Bread and Circuses, London, 1990, pp.10-11 discussed the significance of 'Euergetes' in the ancient world.

60 Trillmich 'Ein historisches Relief …', pp.302-4.

61 See above Note 38, p.133.

62 See above Note 37, p.132.

Page 144: Constructions Agrippa

- 136 - Trillmich can, therefore, be neither accepted nor denied. Trillmich suggested that the

'Mérida of Agrippa' was completed in the Claudian period, and that this explained the

relief63. This seems to be a logical deduction.

A more recent paper64 accepted Agrippa as the sacrificing figure65, but indicated that

the relief was part of an altar, perhaps a local version of the Ara Pacis in Rome66. An

altar appeared on Tiberian coins of Augusta Emerita67 and no Claudian coins of

Augusta Emerita have been discovered. If the relief was built with an altar of the

Tiberian period, it could be dated A.D. 14-37, and if added to the altar in the Claudian

period, it could be from A.D. 41-54. Consequently, a Claudian relief could be from

four to forty years later than one of the Tiberian period. The interpretation of the

relief by Trillmich can be accepted pending proof that it is earlier than the Claudian

period, or that it formed part of an altar. There has been no suggestion that the statue

of Agrippa is earlier than the Claudian period.

CONCLUSIONS There is an indication from section (a) that Carisius, in 25 B.C., selected the site of

Augusta Emerita for the development of a large town, but that he did not build

anything monumental in the large urban space that he had defined, or develop

permanent bridges or aqueducts. As deduced from section (b), the conditions of

19/18 B.C. were appropriate for Agrippa to plan and start to build a monumental

town with stone bridges and aqueducts. There is, also, material evidence of

monumental work from the Agrippan theatre. The Claudian epigraphy considered in

section (c), indicates a long term master plan by Agrippa for urban development. The

combination of the evidence indicates strongly that Agrippa was the 'father' and part

builder of the monumental city with its urban buildings, bridges and aqueducts, as

Carisius was the founder of the town, creator of the large space set aside for it, and

the builder of the first modest structures there.

63 Trillmich, 'Ein historisches Relief …', p.303.

64 Nogales Basarrate, T., 'Un altar en el foro de Augusta Emerita', Nogales Basarrate, T., Co-ord., Actas de la 3 reunion sobre escultura romana en Hispania, Madrid, 2000, pp.25-46.

65 Ibid, p.27.

66 Ibid, pp.33, 4, 93.

67 Burnett et al, pp.72-3.

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- 137 -

8. THE THEATRE AT AUGUSTA EMERITA : AGRIPPAN WORKS

INTRODUCTION Inscriptions on the theatre show that it was provided by Agrippa, and dedicated in

16-15 B.C. The object of investigation in this chapter is to identify, describe and

discuss this first theatre. Alterations, and some additions, were made to this during

the centuries of the Roman Empire, although other parts remained relatively

untouched. It is, therefore, necessary to investigate the theatre of the late Empire

which remained to be excavated and examined by the archaeologists in order to

identify the Agrippan works. It is not necessary to describe the post-Agrippan

constructions in detail.

The first major investigation of the theatre was started in 1910 by

José Ramón Mélida. At that time the only visible remains were parts of the upper

level of the auditorium. The other buried parts had partially collapsed and some

material had been lost. Mélida exposed the auditorium and most of the other parts of

the theatre. He also started some reconstruction. His work was carried on by several

other archaeologists, including Maximiliano Macias and José Menéndez Pidal. The

restored theatre is now the most complete in Spain. The bibliography relating to

excavations and restoration is extensive. It will be referred to in some detail when

discussing the parts of the theatre, but a few sources provide a general account of the

principal events1. Not all the excavations, recordings, interpretations and rebuildings

were carried out to the standard expected today. Consequently, there is some

permanent loss of information and of material. Also, the archaeologists in charge at

various times during the long process of restoration reconstructed in accordance with

their own ideas, resulting in various types of rebuilding. In one particular part, an

earlier reconstruction was replaced by another. Excavation, examination of the

remains and restoration were focussed on the theatre of the late Empire, with no

specific attempt to identify, examine or describe the first works of Agrippa. Where 1 Mélida, J.R., 'The Roman theatre of Mérida', Art and Archaeology, 25. 1928, pp.30-35,

Wiseman, F.J., Roman Spain, London, 1956, pp.87-90, Álvarez Sáenz de Buruaga, J., 'Observaciones sobre el teatro romano de Merida', Álvarez Martínez, J.M., Ed., El teatro en la Hispania Actas del Simposio, Badajoz, 1982, pp.302-311, at pp.305-07, and Nogales Bassarate, T., Espectáculos en Augusta Emerita, Monografias Emerilenses.5, Badajoz, 2000, p.26 and Note 36.

Page 146: Constructions Agrippa

- 138 - these remained unaltered they could be seen and were accounted for. This was not

possible where the Agrippan construction was obscured by later work or had been

replaced. A complete reconstruction of the Agrippan theatre cannot, therefore, be

looked for, but sufficient original material remains for most of it to be described.

Fig. 8.12 shows the theatre in its present state, as seen from the east. The parts visible

above ground level before excavation were the seven sections of the top level of the

auditorium called the 'siete sillas', or 'seven thrones'. Two of these are now joined by

a restored staircase. All the other parts of the theatre have now been uncovered and

restored to some extent. The restoration is most complete in the lower part of the

auditorium, or cavea, at the semi-circular orchestra, the stage wall, or proscaenium,

immediately behind this, and the scaenae frons behind the stage where the

columnatio of two storeys has been almost entirely rebuilt. The stage itself, the

pulpitum, originally built in timber on masonry has been filled in. There is virtually

no reconstruction of the stage buildings, the postscaenium, behind the scaenae frons.

The large peristyle, or quadriporticus, behind the stage buildings has been rebuilt to

any significant extent only at the eastern portico, but the partial roofing, seen on the

frontispiece, is modern. Fig. 8.23 shows the plan of the theatre as excavated. The

Agrippan theatre was built symmetrically and the basilica on the east side adjoining

the cavea is post Agrippan. Fig. 8.34 shows the western half of the cavea and the

orchestra. The passage running under the edges or ends of the seating of the cavea is

the aditus maximus, or principal entrance. The lintel visible at the exit of this into the

cavea bears an inscription naming Agrippa and dated to 16-15 B.C. A similar

inscription exists on the lintel at the aditus maximus of the east side of the cavea.

Fig. 8.45 provides a better scale view of the orchestra and the stage facilities than that

shown on the frontispiece. Fig. 8.56 shows part of the quadriporticus viewed from

the N.W, with the partly restored and roofed eastern portico. The exedra in the north

2 Nogales Basarrate, T., Espectáculos en Augusta Emerita, Lámina 3, p.119.

3 Based on Duran Cabello, R.M., Estudo arquiteconica del teatro y del amfitoetro de Augusta Emerita : nuevas bases arqueologicas para la historia de la ciudad. Tesis doctoral, Universidad Autonoma de Madrid 1995 (unpublished), Pláno 6.

4 Photograph by the writer.

5 Álvarez Martínez, J.M. et al, Mérida, Leon, 1997, Fig. 16, pp.20, 21.

6 Ibid, Fig. 19, p.23.

Page 147: Constructions Agrippa

- 139 - wall of the quadriporticus shown on Fig.8.2 can be seen in the mid-foreground of

Fig. 8.5.

The double storey columnatio of the scaenae frons, and some other parts of the stage

works, together with the orchestra, shown on Fig. 8.4, were built in marble. The cavea,

together with its entrances, and the quadriporticus, were constructed in local stone, and in

opus quadratum, or squared, coursed masonry. The post-Agrippan basilica, marked on

Fig. 8.2 contained brick7. Marble cladding was added in the early 2nd century A.D. to a

platform cut in the first step of the cavea visible on Fig. 8.38, and also to the exedra in the

north wall of the quadriporticus in the post-Agrippan period9. As can be seen from

Fig. 8.4, marble cladding and marble mouldings have been added to the opus quadratum

and masonry in modern reconstructions of the podium of the scaenae frons and the front

wall of the stage. There is, therefore, clear evidence of substantial construction of at least

two phases at the stage works, but only cosmetic changes elsewhere.

Marble construction at Augusta Emerita belongs to the Marmorbegeisterung, or

'enthusiasm for marble', period later than the Augustan principate10. Utilitarian buildings,

such as bridges, were built in local stone throughout the Roman period, but new buildings

in the town were built with external surfaces of marble. In existing buildings, flat surfaces

could be covered with marble cladding and marble mouldings could be attached. Columns

in local stone had to be replaced by new ones in marble. The marble columnatio at the

scaenae frons has been dated as early as the last few years of the 1st century B.C., although

the type of capitals is acknowledged as not fully developed until the Flavian period11. A

local dating of the capitals to the 1st or 2nd century A.D., based on study of the capitals at

Mérida12 must be preferred. A long-held view that the scaenae frons is Hadrianic, based

7 See below Note 66, p.149.

8 Trillmich, W., 'Un sacrarium de culto imperial en el teatro de Mérida', Anas 2-3, 1989-90, pp.87-102.

9 See below Notes 153, 154, p.160.

10 Pfanner, M., 'Modelle römischer Stadtentwicklung am Beispiel Hispaniens und der westlichen Provinzen', Stadtbild und Ideologie, pp.59-116, at pp.100-102, for a general account of the Marmorbegeisterung, also Trillmich, W., 'Colonia Augusta Emerita, die Haupstadt von Lusitanien', Stadtbild und Ideologie, pp.299-319, at 309-310.

11 Von Hesberg, H., 'Augusteische Bauornamentik: Die neuen Grundmuster der Haupstadt und ihre Umsetzung in lokale Prototypen', Stadtbild und Ideologie, pp.353-367, at pp.359-362 and tafels 37, 38, 39 and 40.

12 Barrera, Antón J.L., de la, Los capiteles romanos de Mérida , Monografias Emeritenses 2, Badajoz, 1984, Standard Corinthian capitals, Nos. 28-37, pp.36, 37.

Page 148: Constructions Agrippa

- 140 - on the belief that fire had destroyed the scaena, and that it was replaced at that time is

almost certainly not correct13. The dating of the marble works will probably be established

from study of the iconography with the architecture14, but there is no doubt that it is well

after the Agrippan period.

The columnatio of the scaenae frons is, therefore, post-Agrippan. The podium is

partly so, as is the stage wall. The cavea, the aditus maximus and the lintels with the

inscription of dedication in local stone can be regarded as Agrippan, with the

qualification that an Agrippan cavea may have been extended in local stone. It can be

assumed that the modern marble surface of the orchestra replaces original marble

added to a first Agrippan orchestra in local stone. The quadriporticus, in local stone,

can be regarded as part of Agrippa's theatre of 16-15 B.C. It should be noted that the

presence of local stone, masonry and marble at the reconstructed podium of the

scaenae frons and at the stage wall does not necessarily indicate Agrippan work being

clad in marble, since the material under the marble can be dated only prior to the

marble period and, perhaps, to more than one part of this. In fact, the only major

parts of the theatre which cannot be Agrippan are the columnatio of the

scaenae frons, the basilica shown on Fig. 8.3, and other minor works in marble.

The investigation of the Agrippan works is, therefore, the investigation of the whole

theatre complex. Particular attention is to be paid to the transition zones where the

constructions of 16-15 B.C. were altered or extended. All the Agrippan works are to

be described in detail, but the later ones need to be investigated only to the extent that

this casts light on the first constructions. The order of investigation is:

(1) The Auditorium (the cavea), its entrances and circulation system

(2) The Inscriptions (at the entrances to the cavea)

(3) The Orchestra

(4) The Stage Constructions (the stage, the scaenae frons and the stage buildings)

(5) The quadriporticus.

13 CIL 2.478 was reconstructed by Hübner in 1869 from 11 fragments discovered in various parts of

the town, and not congruent according to Nogales Basarrate, T., Espectáculos en Augusta Emerita, p.30 and Notes 66 and 67.

14 Nogales Basarrate, Espectáculos en Augusta Emerita, p.27 and Notes 43, 44.

Page 149: Constructions Agrippa

- 141 -

(1) THE AUDITORIUM (a) GENERAL DESCRIPTION:

Fig. 8.2 shows the plan of the cavea. Figs. 8.6, 8.7, 8.8 and 8.915 show the various

levels, starting from the lowest. Fig. 8.6 is especially valuable since it correctly

shows one entrance on the east and one on the west into the annular passage or crypta

serving the ima cavea by six openings in its upper steps. The earlier plans16 showed

the two entrances split to serve both the crypta and the praecinctio running around the

top of the ima cavea. Fig. 8.6 also seems to be the first plan to show the small dead-

ended excavation into the masonry near the steps leading up on the west side from the

base of the aditus maximus. This was abandoned before it penetrated into the

aditus maximus, as that on the east side had done 17. Both the crypta and the

praecinctio are shown on Fig. 8.1018.

The six cunei of the ima cavea were separated by the seven staircases. Access to the

bottom of the ima cavea was through the aditus maximi. The crypta, entered from

east and west, had six vomitoria emerging between the 13th and 19th seats in the

middle of the cunei. As shown on Fig. 8.7, there were also five entrances from the

outside on the lines of the staircases, and a further two from the praecinctio.

Fig. 8.10 shows the crypta and the praecinctio in cross section, and the longitudinal

section of the entry from the outside along the main axis. The media cavea is

separated from the ima cavea by a 2.20 metres high podium wall. Another podium

wall 3.09 metres high separates the media from the summa cavea. Both these levels

are served by six common entrances shown on Figs. 8.8 and 8.9. These contain

stairways. The first flight ascends from ground level to the media cavea with a

landing at the top. A second flight ascends from this landing in the opposite direction

to a second landing near the outside wall. From this landing a third flight above the

first ascends to the summa cavea.

15 Based on Duran Cabello, Plános, 2, 3, 4 and 5 respectively.

16 Boschung, D., 'Die Präsenz des Kaiserhauses im öffentlichen Bereich', Stadtbild und Ideologie, pp.391-400, Abb.79, p.493. and Menéndez-Pidal Álvarez, J., 'Algunas notas sobre la restauracíon y atencíon prestadas a los monumentos emeritenses', Augusta Emérita Actas del simposio internacional commemorativo del bimilenario de Mérida, Madrid, 1976, pp.206-11, Fig. 1, (part), p.206.

17 See below Note 66, p.149.

18 Based on Menéndez-Pídal Álvarez, 'Algunas notas …', Fig. 2, p.207.

Page 150: Constructions Agrippa

- 142 - As can be seen from Fig. 8.10, the two upper levels were supported above 'natural'

ground level, on substructures, while the ima cavea was built on the slope of the hill,

with the crypta formed in an excavated trench and the aditus maximi above the

'natural' surface. This surface resulted from earthworks intended to scoop out a

hollow for the cavea from a natural hillside, as indicated on Fig. 8.1119, reducing

construction20, and providing a sheltered space with good acoustics. Fig. 8.10 shows

that a first cavea corresponding to the present ima cavea would have had access from

the crypta and the cavea perimeter. When the upper levels were built; openings

through them preserved entry from the top. A crypta is a feature of early theatres in

Spain. One exists at the theatre of Metellinum on the Guadiana some 35 kms away,

dated to the last quarter of the 1st century B.C.21. There is, therefore, a general

indication that the crypta was built as part of the original theatre. Its construction

provided access to the middle and lower parts of the present ima cavea and also

formed a base for the upper rows of the seating and the praecinctio, which gave

access to these.

As can be seen from Fig. 8.1, the external walling of the media cavea has largely

survived, while that of the summa cavea is lost, together with most of the staircases

and their vaults giving access to the two upper levels. Nothing has survived above

the seating of the summa cavea except traces of supports for a portico tentatively

shown on Fig. 8.10 and holes, possibly for holding poles to tension an awning or

vela22. Vitruvius said that the top of the cavea of a Roman theatre should be at the

same height as that of the scaenae frons for acoustic reasons 23. This is not seen at all

surviving Roman theatres24, but the level of the top of the cavea was generally not

markedly different from that of the top of the scaenae frons, as seen on Fig. 8.1225. A

19 Duran Cabello, Pláno 1.

20 As pointed out by Vitruvius De architectura , 5.3.3.

21 Amo, M. del, 'El teatro romano de Medellin', Álvarez Martínez, J.M., Ed., El teatro en la Hispania, Actas del simposio, Badajoz, 1982, pp.316-36.

22 The holes are shown on Fig. 8.2.

23 Vitruvius, De architectura , 5.6.4.

24 Where a roof covered the stage the acoustics were altered. At Orange the roof over the stage was higher than the cavea which, itself, was higher than the scaenae frons. Bellet, Orange Antique, pp.33-35.

25 Photograph by the writer.

Page 151: Constructions Agrippa

- 143 - first cavea, built only up to the top of the ima cavea, would have called for a

scaenae frons of the same height, and built in local stone.

Álvarez Martínez has estimated the capacity of the theatre in its final form as 6,000,

based on an inscription E.X.D. on one of the steps of the ima cavea interpreted as

'Equites decem decreto (decurionum)', or room for ten equites by order of the

decurions 26. Mélida, using the same inscription, assessed a total seating capacity of

5,383 with the 23 rows of the ima cavea at 2,302, the five rows of the media cavea at

1,090, the five rows of the summa cavea at 1,330 and others in the orchestra and

tribunalia27. The calculations, based on the inscription E.X.D., can be only

approximate, since the results depend on the assumed space needed for each person,

but they indicate that construction above the ima cavea to the perimeter would

approximately double the seating capacity. The inscription gives no indication of a

date, nor does it say how many rows of seats were allotted to equites, as is known at

Gades28.

(b) THE ADITUS MAXIMI:

The layouts of the two aditus maximi of the Agrippan theatre were like that shown on

the western side on Fig. 8.6. The entrance from the outer wall of the cavea on the

eastern side, formed in the late Empire, was constructed in the same style as the old

work. When the theatre was excavated some of the aditus maximi had collapsed or

had been removed, but the existing reconstructions provide a generally reliable

indication of the first works. Fig. 8.1329 shows the entrance to the western

aditus maximus from outside the theatre, and Fig. 8.1430, the view from the

aditus maximus on the east side looking outwards towards the basilica to the north,

marked on Fig. 8.6. Figures 8.13 and 8.14 indicate construction in opus quadratum

over a core of concrete (opus caementicium). There are some variations in the

surface treatment of the stonework, but within a common masonry type. In the

26 Álvarez Martinez et al, Mérida, p.24.

27 Mélida, J. R. 'El teatro romano de Mérida' in Revista de Archivos, Bibliotecas y Museos, 19-32, Madrid, Jan-June 1915, pp.1-39, at pp.14-15.

28 Cicero, Ad Fam, 10.32, described the (wooden) theatre of Balbus Minor, as having 14 rows for equites in 43 B.C.

29 Álvarez Martínez et al, Mérida, Fig. 18, p.22.

30 Photograph by the writer.

Page 152: Constructions Agrippa

- 144 - eastern vault, concrete acts with stonework in a modern reconstruction, as seen on

Fig. 8.1531. Further details of the aditus maximi can be found in Duran Cabello 32.

(c) THE CRYPTA:

This is shown in plan on Fig. 8.6 and in cross-section on Fig. 8.10. Figs. 8.16, 8.17

and 8.1833 show, respectively, the reconstructed entrance on the west of the theatre, a

view from the entrance looking along the straight part of the vault and the view near

the exit to the cavea. In the first straight part from the entrance, the floor slopes

downward, but the vault above is horizontal at two levels. Fig. 8.17 shows the

construction where these two levels meet34. At this point, and in some of the

vaulting, concrete was used. Otherwise, the opus quadratum of the crypta is like that

of the aditus maximi, indicating construction as part of the first theatre, as at the early

theatre of Metellinum35.

(d) THE ENTRANCES TO THE MEDIA CAVEA A ND THE SUMMA CAVEA:

The six entrances between the 'siete sillas', or seven thrones mentioned above, had

collapsed before excavations were begun in 1910 and there is no remaining material

from the vaults to indicate whether they were built in stone or brick. Fig. 8.1936

shows a reconstructed entrance. The vault of brick under the summa cavea is

modern, and meant to be seen as such since, in Roman work, bricks radiated from the

centre of the arch circle, whereas on Fig. 8.19 only alternate ones do so37. Space has

been left for stone voussoirs as facing on both sides of the vault. The use of brick is

not mentioned in any of the old records seen by the writer, nor does there seem to be

any explanation of its use in the modern reconstruction. Duran Cabello stated that

brick or tile vaults covered the staircases serving both of the two upper levels38 and

31 Photograph by the writer.

32 Duran Cabello, pp.228-235.

33 All three photographs are by the writer.

34 Duran Cabello, p.231 and Note 13 described the 'decenda de cava' type of construction used for access to cellars, and seen here.

35 Ibid, pp.166-8, for further information on the crypta. Also see above Note 21, p.142.

36 Photograph by the writer.

37 Brodribb, G., Roman Brick and Tile, Gloucester, 1987, p.43-47, also Adam, J.P., Roman Building, Bloomington and Indianapolis, 1994, pp.145-157 and pp.158-195.

38 Duran Cabello, p.552.

Page 153: Constructions Agrippa

- 145 - that bricks or tiles were used to level up the springing points for a stone arch39. By

this she meant that the springing layer sloping down towards the exterior of the

theatre, as seen on Fig. 8.19, was levelled by bricks or tiles. This comment must be

questioned since the entrances to the praecinctio above the ima cavea are on a slope

and are entirely in stone. She also referred to discovery of ceramic material in the

entrance in the 19th century and she mentioned recovery of Roman ceramic material

at two places during reconstruction in 198940. The evidence provided by

Duran Cabello for the existence of brick vaults is convincing, and a structural reason

to use brick can be suggested. The thickness of the vaults determined the distance

from the underside of the arch crown to the top of the structure. The thinner the

vault, the lower the surface above. Use of thinner vaults therefore allowed a lower

construction for the whole of the summa cavea, since the seating of this passed over

the vaults, as can be seen from Figs. 8.8, 8.9 and 8.10. Even a small decrease in arch

thickness would result in substantially less use of material. It was easier to order

bricks to be made to suit thinner vaults than to quarry stone and to cut this to the

required size and shape.

The presence of bricks at the amphitheatre indicates construction there much later

than 16-15 B.C., and no earlier than the Claudian period41. Brickwork at the

aqueducts is also generally regarded as post-Augustan42. There is, therefore, a strong

indication that the summa cavea was built in the Claudian period or later because of a

probable use of bricks in vaults supporting the seating of this top level. Bricks in

these vaults have no bearing on the dating of the media cavea. This is the case

because the media cavea was reached by steps and there was no need to provide

vaults over these until the summa cavea was built.

(e) THE ENTRANCES TO THE PRAECINCTIO ABOVE THE IMA CAVEA:

These slope down from the outside, as seen on Fig. 8.10. Fig. 8.2043 shows the

entrance to one of these from outside the auditorium. The original Roman work on

the left side can be contrasted with the modern reconstruction on the right. There is 39 Ibid, p.69.

40 Ibid, pp.69, 115 and 125.

41 Nogales Basarrate, Espectáculos en Augusta Emerita, p.36.

42 See below Chapter 9, Note 65, p.170.

43 Photograph by the writer.

Page 154: Constructions Agrippa

- 146 - no discernable difference between the opus quadratum of the passages and that of the

construction of 16-15 B.C. at the aditus maximi and the crypta. Yet, at the crypta, the

floor slopes down, with the vault built horizontally at two levels, as seen on Fig. 8.17.

At the passages, the vault and the floor both slope down continuously. There is,

therefore, an indication of a design later than 16-15 B.C. at the passages, but

opus quadratum built to suit the older work. The podium wall of the praecinctio

pierced by the passages is built in opus quadratum, which differs from that of

16-15 B.C. since there are courses of varying heights and some stones are placed on

the edge. The material evidence, therefore, indicates that the entrances to the

praecinctio above the ima cavea are probably post-Agrippan.

(f) THE EXTERIOR WALL OF THE CAVEA:

The line of this wall was laid out from the beginning to allow for the whole extent of

the final cavea seating, but it was built for Agrippa's theatre only to encompass the

crypta and the present ima cavea. Fig. 8.2144 shows the west side of the theatre with

the arched entrance to the crypta. The opus quadratum of the Agrippan construction

has survived only near the corner of the building and the facing is largely lost

elsewhere. Wherever it remains above the ima cavea it is rusticated rather than being

dressed flat or almost so, as in most of the work of 16-15 B.C. It is also distinguished

by large variations in the depth of the courses, the size of blocks, and by stones laid

on edge as well as on the flat. Fig. 8.2245 shows typical treatment. The rusticated

stonework of the wall above the ima cavea cannot be dated from other

opus quadratum at Augusta Emerita, since, apart from that of the aditus maximi, no

other can be dated from an inscription except that of the podium around the arena of

the amphitheatre. This dates from 8/7 B.C.46 and it is dressed flat. Fig. 8.2347 shows

one of the entrances to the amphitheatre, the outer wall of which was completed later

than the Claudian period48. Other rusticated opus quadratum appears at the

San Lázaro aqueduct, which is almost certainly post Augustan49. Heavy rustication

44 Photograph by the writer.

45 Duran Cabello, Lámina 41.

46 See below Chapter 9, Note 4, p.162.

47 Álvarez Martínez et al, Merida, Fig. 23, p.27.

48 See below Chapter 9, Note 8, p.163.

49 See below Chapter 9, Note 65, p.170.

Page 155: Constructions Agrippa

- 147 - was used on some Claudian works at Rome and Ostia, including the Porta Maggiore,

the viaducts of the Aqua Nova and the Aqua Claudia, the replacement of part of

Agrippa’s Aqua Virgo, and at some works at Ostia 50. Duran Cabello constructed a

categorisation of the various rustications of the wall and dated the upper levels to the

Claudian period or, perhaps, a little later51. Jímenez Martin also saw similarities

between the stonework of the outer wall and that of Claudian works at Rome 52. Some

reservations must be expressed about dating opus quadratum by comparison between its

treatment at buildings from different places. It is also possible that rustication was used

as an easy surfacing to apply on a large, high wall. Consequently, the exterior walls

above the ima cavea can be seen as post-Agrippan because of the probable post-Agrippan

dating of the six entrances in it, as discussed above, rather than from the rustication.

(g) THE AUDITORIUM : CONCLUSIONS

The evidence considered above indicates that the cavea of Agrippa's theatre was

completed up to a level above the crypta to include 23 rows of seats of the present

ima cavea, although the theatre was set out to allow for additional seating, within the

original perimeter. The summa cavea is Claudian or later from the evidence of brick

in the vaulting of the staircases. The media cavea cannot be dated from the vaulting,

but a post-Agrippan date is indicated by the design of the six passages to the

praecinctio above the ima cavea, and by the opus quadratum of the praecinctio.

Also, the addition of the present media cavea and the summa cavea to the ima cavea

of 23 rows would double the seating capacity, and such an increase should be

expected between 16-15 B.C. and the late Empire.

Duran Cabello undertook a lengthy study of the theatre based on the units of

measurement used in its construction, the materials and the methods of building. She

used the units of construction to form conclusions about the dating of the various

parts. Of the 47 reference points where she conducted detailed examination, over

30 were at the cavea. The units of construction which she identified were the

pes italicus and monumentalis, the palmipes, or 1.25 pes, the cubitus, or 1.5 pes and the

50 Sear, Roman Architecture, p.93, 94. Ward-Perkins, Roman Imperial Architecture, p.52 and

Note 11, p.470.

51 Duran Cabello, pp.244-25, identified four finishes and examined the positions of the contact surfaces between the blocks. The types of rustication are illustrated on her Pláno No. 13.

52 Jíménez Martín, A., 'Los acueductos de Mérida', Augusta Emerita Actas del simposio internacional commemorative del bimilenario de Mérida, Madrid, 1976, p.111 ff.

Page 156: Constructions Agrippa

- 148 - bipedalis or 2.0 pes53. Duran Cabello noted that the pes was used for the

aditus maximi and the crypta but not for the upper two levels. She concluded from

this that the two were built at different times54, and this can be agreed. She also noted

broken brick and tiles in the concrete core of the upper two levels but not in that of

the ima cavea, and saw this as evidence of a two-stage construction55. This deduction

can be questioned since it could have been caused by major demolition in some

building programme of the later epoch. Duran Cabello concluded that the Agrippan

cavea was built up to the exits of the crypta, or the first 13 rows, but she showed the

ima cavea completed up to the 19th row in her plan showing this phase56. There is,

therefore, some inconsistency in her conclusions. It is difficult to understand why the

seating was not extended up to 23 rows to make use of the space over the vaulting of

the crypta, since this would have added a large number of additional seats at little

extra cost. The crypta could also form a base for construction of the praecinctio, as

seen on Fig. 8.10. In fact, there was no need to build the crypta if there were no seats

above it since there was access from the perimeter, and, as argued above, the crypta

was built as part of the first theatre.

The evidence, therefore, indicates that the cavea of Agrippa's theatre extended up to

the top of the present ima cavea, and included the praecinctio above this. Access to

the seating was from the praecinctio and the crypta, and, perhaps, also from the

orchestra. The external wall of the cavea was laid out to accommodate future

provision of the two upper levels, which would double the original seating capacity.

It is not possible to date the constructions of the media cavea or the summa cavea,

except that the latter was no earlier than the Claudian period. It is also not known

whether the two upper levels were built at the same time or one after the other.

(2) THE INSCRIPTIONS

Fig. 8.2457 shows the inscription on the lintel above the western aditus maximus. The

same inscription appears on the corresponding lintel on the western side. The

53 Duran Cabello, Pláno 10, Vol. 1, pp.73-216, and appendice estadisticco, pp.1-21 and

pp.170-172.

54 Ibid, pp.263 and 278.

55 Ibid, pp. 264 and 268.

56 Ibid, pp.565-567 and Plános 11, 1 and 2.

57 Nogales Basarrate, T., Espectáculas en Augusta Emerita, lámina 5.

Page 157: Constructions Agrippa

- 149 - inscription58 M:.AGRIPPA·.L·.F·Cos· III· TRIB· POT· III, must be dated to 16-15 B.C.

since Agrippa first received the tribunicia potestas in 18 B.C., and probably on 1 July59.

Consequently, he had held this power for two years by 1 July 16 B.C., and for more

than three years after the same date in 15 B.C. As pointed out by Trillmich60, the

nominative case of Agrippa indicates the theatre as his. Roddaz suggested that the

theatre was built for the diffusion of dynastic ideas, and that the absence of dedit or

fecit indicates this61. Cooley noted that, by 16-15 B.C., Agrippa was in the East. She

argued that the decision to specify the year of Agrippa’s tribunician power was not

necessary if the town sought to recognise his generosity as a donor and that it implied a

commemorative purpose, and, perhaps, the promotion of the town as the capital of a

new province of Lusitania 62. As noted above63, there is some uncertainty about the

dating of the inauguration of the province of Lusitania and Cooley's comment is

interesting in this context.

Another inscription can be reconstructed from the holes left by bronze letters in a granite

block above the entrance to the eastern aditus maximus from the basilica, shown on

Fig. 8.6. Fig. 8.2564 shows the block, with some of the holes, and Fig. 8.26 the

reconstruction M·AGRIPPA·.L·F·.COS·TERT· TRIB·POTEST·TERT· 65. As can be

seen from Fig. 8.6, there was no basilica on the west side, and the new entrance on

the east side, was built to replace the original one blocked by the basilica which has

been dated to the late Empire66. The letters of bronze preserved in the Museum at

Mérida match both the holes which remain in the stone and the inscription as

reconstructed67. There is no evidence of any similar inscription on the west side in

58 CIL 2.474.

59 Cassius Dio, 54.12.4-5, and Reinhold, p.93, Note 3.

60 Trillmich, 'Colonia Augusta Emerita …', Stadtbild und Ideologie, p.304

61 Roddaz, Marcus Agrippa, p.417 and Roddaz, 'Agrippa et la péninsule Ibérique', p.73.

62 Cooley, A., 'A new date for Agrippa’s theatre at Ostia', PBSR, 67, 1999, pp.173-182, at p.179 referring to Roddaz, 'Agrippa et la péninsule Ibérique', pp.71-7.

63 See above pp. 133 and Note 42.

64 Photograph by the writer.

65 Richmond, Fig. 4, p.116.

66 Duran Cabello, pp.281-4, describes the basilica and brickwork in it.

67 Nogales Basarrate, T. , 'Bronces romanos en Augusta Emerita', 'Los bronces romanos en Espãna , Madrid, 1990, pp.103-115, pp.104-5.

Page 158: Constructions Agrippa

- 150 - the same position over the unblocked entrance there, although it has been suggested

that this existed68. Richmond considered that the inscriptions with bronze letters

over the entrances to both aditus maximi were the original ones and that those on

the lintels were provided only after the basilica was built on the east side. He based

this on the 'curious position of the lintels'69. This last comment must be questioned

since similar lintels with inscriptions appear at other theatres, notably at

Leptis Magna 70. Also, the lintels and the inscriptions are characteristic of the

Augustan period, both because of the mouldings and the style of the lettering.

Trillmich suggested that the two lintels were originally part of a scaenae frons of

Agrippa, and that when this was rebuilt they were removed and replaced where they

now are out of respect for the memory of Agrippa71. An Agrippan columnatio of

the scaenae frons in local stone would certainly have been replaced by a marble

one, and the hypothesis of Trillmich is to be supported. There is also some

archaeological evidence that the stone lintels were not placed on the aditus maximi

in 16-15 B.C.72. An inscription, which may bear the name of Agrippa, has been

discovered near the theatre73.

(3) THE ORCHESTRA

Figs. 8.4 and 8.12 show new marble and new brick placed over the orchestra to

provide access to an important area with no wear and tear on original surfaces74. This

has obscured the Roman work and damaged some of it75. Fig. 8.2776 shows part of

the orchestra as excavated. Blue and white marble was found over a semi-circular

area with a diameter of 17 metres. Around the rim of the orchestra there were three

broad and shallow marble steps on which were placed the marble seats, or bisella, for

68 Nogales Basarrate, Espectáculas en Augusta Emerita, p.26.

69 Richmond, pp.115-6.

70 Ward Perkins, Roman Imperial Architecture, Fig. 246, p.376.

71 Trillmich, 'Colonia Augusta Emerita', p.310 and Note 84.

72 Duran Cabello, p.274.

73 Garciá Iglesias, L., Epigrafia romano de Augusta Emerita , Madrid, 1973, Note 45.

74 Menéndez Pidal, J., 'Algunas notas …', Augusta Emerita, 1976, p. 210.

75 Duran Cabello, p.81.

76 Mélida, J.R., 'El teatro romano de Mérida', Revista de Archivos Bibliotecas y museos, 19.32, Jan-June, 1915, pp.1-39. Photograph between pp.8 and 9.

Page 159: Constructions Agrippa

- 151 - magistrates77. Fig. 8.2878 shows a plan published in 1956 indicating a paper

reconstruction. Although Agrippa’s orchestra was not identified from the

excavations, which did not penetrate below the late Roman works79, Fig. 8.2 probably

indicates it as accurately as possible from the evidence.

As seen from Fig. 8.2, the main axis of the theatre and the quadriporticus passed

through the centre point of the semi-circle from which the cavea was laid out. It is

not immediately clear that this centre point was used to lay out the scaena, but the

writer believes that this was the case. Unlike the Greek theatre, the Roman form

included the cavea, the orchestra and the scaena in one architectural plan forming an

artificial entity isolated from the outside world. All the dimensions of length, breadth

and height worked together to transmit the action on the stage to the auditorium. The

orchestra provided the only focus for co-ordination. Fig. 8.2980 shows the layout of

the Roman theatre according to Vitruvius81. Comparison with Fig. 8.2 shows

important differences. On Fig. 8.2, the line separating the stage from the orchestra

does not bisect the circle of the orchestra82, but passes through the aditus maximi.

This means that if the scaenae frons remains on the line A-B, as indicated on

Fig. 8.29, the stage will be shallower than intended. The length of the stage is not

twice the diameter of the orchestra83 but nearly three times as long. This calls for a

wider spacing of the entrance to the guest chambers than provided for by the points L

and M84. The two staircases of the cavea on either side of that on the main axis are

not aligned at 30° and 60° respectively from this 85 but are 27° and 53°. Also the

seating of upper levels extends into the stage area beyond the projection of line CD.

Vitruvius said that his precepts should be modified to suit each theatre86 and no

77 Ibid, p.10.

78 Wis eman, F.J., Roman Spain, London, 1956, Plan p.89.

79 Duran Cabello, pp.279-80.

80 Vitruvius The Ten Books on Architecture, Morgan, M. H., New York, 1960, Fig. P.147.

81 Vitruvius, De architectura , 5.6.1.

82 Ibid, 5.6.6.

83 Ibid, 5.6.3.

84 Ibid, 5.6.3.

85 Ibid, 5.6.3.

86 Ibid, 5.6.7.

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- 152 - known Roman theatre complies completely with these. At Augusta Emerita, the

precepts, as set out in de architectura, could not be used. In particular, the scaenae

frons and its two side doors could not be located from points in the circle since the

circumference of this did not reach them, although it was still possible to set out the

staircases of the cavea. It has been suggested that this resulted in the Vitruvian

precepts being retained for the cavea but dropped for the scaena at some theatres87.

This may be the case, but a version of the Vitruvian method, including both elements,

would have been looked for. Also, Vitruvius based his ideas on existing buildings88

and De architectura was published in the early rather than in the later part of the

Augustan principate89. Adaptations of his rules should be expected to keep pace with

developments in theatre design.

Sear has proposed a design method which might have been used for theatres like that

at Augusta Emerita90 and has illustrated it for this particular building. As seen on

Fig. 8.3091, the circle and triangles of Vitruvius are retained, but used to lay out

principal features by projections both in and outside the circle. The line of the

scaenae frons is tangential to the circle, and the side doors are set out from

projections beyond A and B. For the scaena there is a perfect match between the

design and the actual positions. The positions of the cunei determined by the design

do not agree with the actual ones, as can be seen from Fig. 8.30. Sear argued that

these had to be adjusted to give cunei of equal size 92. This can be seen from

examination of Fig. 8.29 which shows that the cunei next to the aditus maximi would,

otherwise, have a smaller seating capacity than the others. Sear’s design allowed for

a deep, long stage. He considered that it was used for other theatres, including those

at Corinth, Caesarea and Verona, and possibly at Augusta Praetoria, or Aosta93. Sear

87 Small, D.B., 'Studies in Roman Theater Design', AJA , 87, 1983, pp.55-68.

88 Böethius, A., Etruscan and Early Roman Architecture, p.34.

89 The work was dedicated to Augustus, and cannot, therefore, be before 27 B.C. A dating of 24 B.C. or thereabouts has been suggested by McKay, A., Vitruvius Architect and Engineer, London, 1978, p.16, and 25-22 B.C. by Ward-Perkins’ Roman Imperial Architecture, p.42.

90 Sear, F.B., 'Vitruvius and Roman Theater Design', AJA, 94, 1990, pp.249-258, Fig. 6.

91 Ibid, Fig. 6, p.254.

92 Ibid, p.255, section 5.

93 Ibid, p.255 and Notes 37-40 referring to literature on these theatres.

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- 153 - also showed how the design can be adapted for four or five cunei94. The Agrippan

theatre could, therefore, have been laid out from the beginning with the podium of the

scaenae frons and its doorways in the same location, as discovered on excavation. It

is not necessary to think of the cavea as built in the beginning and the existing

podium later, as might be inferred from considering only the standard Vitruvian design.

(4) THE STAGE CONSTRUCTIONS

(a) THE STAGE WALL AND THE STAGE:

The stage wall seen on Fig. 8.4 is a reconstruction, based on the excavations of

Mélida95, formed almost entirely from modern local stone, with surviving original

marble pieces added. Duran Cabello consulted records of Macias in addition to those

of Mélida to note that the wall, as excavated, was in local stone covered in marble 96.

The design of stage walls with alternating curved and rectangular niches seems to

have been brought into common use in the Augustan period97, but it is also seen in

later works, as at the Severan wall in the second phase of the Agrippan theatre at

Ostia98. The wall, as excavated, can, therefore, not be dated from its design, and the

material is from both before and during the marble period. Duran Cabello thought

that 'something might have existed' at the front of the stage in 16-15 B.C.99, but this

comment can be regarded as somewhat pessimistic as a description of Agrippa's

theatre, and seems to be based on an idea of it rather than on the archaeology.

The original Roman stage with boards is now filled in. Fig. 8.28 shows 12 slots in

masonry behind the stage wall to receive posts supporting the aulaeum, which was

lowered at the start of the performance100. Pits are not necessarily earlier than the

continuous trench or fossa into which the curtain was lowered, since both systems

94 Ibid, pp.255-257.

95 Mélida, 'El teatro romano…', p.16.

96 Duran Cabello, p.51, refers to Macías, L.M., Mérida monumental y artística , Barcelona, 2nd Ed., 1929, p.82.

97 Courtois, C., Le bâtiment de scène des théâtres d’Italie et de Sicile, Providence and Louvain-la-Neuve, 1989, p.185.

98 Ibid, Fig. 72, p.111.

99 Duran Cabello, p.566.

100 Mélida, 'El teatro romano…', p.19, Note 27.

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- 154 - were developed in the Augus tan period101. The pits cannot, therefore, be used to date

the stage. Mélida provided a good description of the dimensions of the stage, which

are generally congruent with those shown on Fig. 8.2102. He also described a trench

or fossa at the rear of the stage running along the front of the scaenae frons used for

stage effects, as were the two rectangular compartments near it which contained

brickwork103. The substantial use of the space below the stage, the hyposcaenium,

was an Augustan innovation104 and this, with the brickwork, indicates post-Agrippan

development. The six smaller rectangles in the mid stage indicate structural support

for the boards and are almost certainly from 16-15 B.C.

(b) THE SCAENAE FRONS:

The scaenae frons podium, shown on Fig. 8.4, is a reconstruction of the late 1960's,

replacing a reconstruction of 1925105 of the late Roman works. The two-storey

marble columnatio, noted above as post-Agrippan, was rebuilt largely from modern

material. The podium has been built up from detached pieces on in situ foundations,

now covered over by the filled in stage and the reconstructed buildings. The material

in the restored podium over these foundations is local stone, both original and new, in

various sizes, together with some brick, and attached original marble fragments.

Some parts of the podium have been rebuilt entirely in modern opus quadratum.

Figs. 8.31, 8.32 and 8.33106 show, respectively, the lower, middle and upper parts of

the podium in various places along its length. The surface of the wall was entirely

covered by marble when excavated. Fig. 8.34107 shows one interpretation of the

process by which the lower part of the podium, originally faced in opus quadratum,

was covered by marble108.

101 Courtois, p.185, for development, and pp.188-9, 197-9 for various systems and literature on

these.

102 Mélida, 'El teatro romano…', pp.17, 18.

103 Ibid, p.19, and Duran Cabello, p.52.

104 Courtois, p.185.

105 Duran Cabello, p.181, noted that the first reconstruction of 1925 by Goméz Millan, Mélida and Macias was virtually dismantled by the 1960's reconstruction of Menéndez Pidal.

106 All three photographs by the writer.

107 After Pfanner, Abb.32, p.101.

108 The part of the podium, below the existing level of the stage (now filled in), cannot now be inspected.

Page 163: Constructions Agrippa

- 155 - The reasons for the mixed reconstruction of the podium, including bricks, are not

explained in any literature seen by the writer. Mélida stated that the podium was built

from 'courses of granite' and mampostería with cladding of marble109. The 'courses of

granite' must be opus quadratum. Mampostería probably implied something made up

from various elements in various arrangements110. Mélida referred to bricks, ladrillo,

only in his description of stage compartments111. Duran Cabello noted that Mélida

referred consistently to masonry in several accounts of his excavations while Lantier

mentioned bricks. She referred also to old photographs (unspecified) which indicated

brick112. The composition of the wall under the marble, as excavated, is, therefore,

uncertain and Duran Cabello's discovery of mixed units used in building the

reconstructed wall only indicates the rebuilding113. A first podium wall in local stone

would have been faced in regular course work of opus quadratum, since it was visible

to the audience. Also, a podium built from the beginning with a marble surface

would have had marble applied directly to a concrete core. There is, therefore, no

doubt that there was a podium faced in opus quadratum. The details of the transition

from this to the podium clad in marble, discovered on excavation, are uncertain. The

evidence of the 'masonry' indicates that the podium was altered when the marble was

added. Whether the marble was applied to a first podium of 16-15 B.C. or of some

later date, or on an altered stone podium is open to question.

The scaenae frons wall, as excavated, was indented, with the valvae regiae enclosed

in a curved niche, and the hospitalia in shallow, rectangular niches. Courtois

considered such a form with niches to be unusual in the Augustan period, and

suggested that it may originally have been rectangular114, although she mentioned the

existence of niches at Augustan theatres, generally115, in Spain, at Belo and Acinipo

109 Mélida, 'El teatro romano…', p.18. He distinguished between the reddish marble of the plinth,

the white of the mouldings and the streaked material of the veneers on the wall.

110 As argued by Duran Cabello, p.182.

111 Mélida 'El teatro romano…', p. 19.

112 Duran Cabello, p.183, referred to several reports of Mélida and to Lantier, R., 'Le théâtre romain de Mérida' CRAI , Paris, 1915, p.172.

113 Duran Cabello, Appendice estadistico.

114 Courtois, p.184 and Note 288.

115 Ibid, pp.192, 3.

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- 156 - (Ronda), at Fréjus in Gaul, and at Augusta Praetoria in the Alps116. Duran Cabello

noted this comment, but could neither agree with it nor deny it because of the

'exorbitant reconstruction' 117, and her reservations seem to be justified. There is,

therefore, a possibility that an Agrippan podium wall in opus quadratum, or a later

one, was changed to provide niches by addition of 'masonry' and the marble cladding

was added to the resulting mix of construction as part of the same process.

It has not, therefore, been possible to form a clear idea of the podium of the scaenae frons

of Agrippa's theatre from the archaeological evidence. It follows from this that there is

no clear archaeological evidence of the columnatio which it may have supported, and

which had to be removed to be rebuilt in marble. Duran Cabello suggested that there was

only a 'germ' of an Agrippan scaenae frons118, and also proposed that this might have

been built in timber119. These comments are congruent with her idea of the rudimentary

Agrippan proscaenium120. Yet the archaeological evidence of the podium of the

scaenae frons indicates the addition of marble to a wall of local stone, and the wall could

have been Agrippan. The discussion on the podium is advanced further below by

considering the standard of theatre that would have been provided by Agrippa.

It is not possible to indicate the date or nature of the first scaenae frons from the

iconography. Mélida reported the discovery of marble fragments indicating that there

had been statues of Gaius and Lucius, the sons of Agrippa121. The use of marble

indicates a date after 16-15 B.C., as for inscriptions mentioning Gaius and Lucius

dated to 5 B.C. to A.D. 1 at the theatre of Carthago Nova122. There are also

indications of a statue of Agrippa123. Duran Cabello referred to statues of Claudius

and his family and suggested that the first podium was built to display these, although

116 Ibid, pp.183, 4.

117 Duran Cabello, p.520.

118 Ibid, p.566.

119 Ibid, p.276.

120 Ibid, p.366 and Note 99 above.

121 Mélida, 'El teatro romano…', pp.25-26.

122 See below Chapter 10, Note 64, p.190.

123 Gros, P., 'Théâtre et culte Imperial en Gaule Narbonnaise et dans la péninsule Ibérique', Stadtbild und Ideologie, pp.381-390, pp.386-7 and Note 43.

Page 165: Constructions Agrippa

- 157 - she dated the columnatio to the Flavian period124. There is no doubt that there was

substantial Claudian iconography125, but this does not necessarily indicate a first

podium of that principate. An earlier podium and columnatio could have contained

statues of Augustus and other figures now lost.

(c) STAGE BUILDINGS BEHIND THE SCAENAE FRONS:

Fig. 8.35126 shows the scaenae frons and the works behind this, when first excavated

by Mélida. The arrangement is indicated on Fig. 8.2. The four free-standing

columns, and those engaged in the walls of the building on the same line, as shown

on Fig. 8.2, supported the southern part of the roof of the southern portico of the

quadriporticus. It can be assumed that there was a solid wall behind the

scaenae frons of the Agrippan theatre to isolate the auditorium, but there is no clear

archaeological information that this wall and the southern supports of the portico

were connected. Nevertheless, it would be surprising if this was not the case, since

building there would have provided the choragia and the postscaenia of the Agrippan

theatre. The only reconstruction behind the scaenae frons is a partial building of the

wall behind the scaenae frons in random stonework of modern design, as seen on

Fig. 8.4. All the material uncovered behind the scaenae frons was in local stone 127.

(d) THE STAGE CONSTRUCTIONS : CONCLUSIONS:

There is insufficient archaeological information to show what Agrippa built for the stage

itself, the scaenae frons, and the facilities behind this. It is certain only that, for the stage

and the scaenae frons, there was construction in local stone, modified to look like

marble, and that this construction may have been Agrippan. It must be admitted that the

archaeological evidence does not rule out rudimentary stage works constructed in timber,

as suggested by Duran Cabello128. Yet, the stage facilities, and particularly the

scaenae frons, were the focus of audience attention and any economies in theatre

construction would have been achieved by lower standards elsewhere, and, probably, by

124 Duran Cabello, pp.276, 7.

125 Trillmich, W., 'Novedades en torno al programma iconográfico del teatro romano de Mérida', Trinidad Nogales Basarrate, Co-ord., Actas de la I reunion sobre escultura romana en Hispania, Madrid, 1993, pp.113-125, pp.115.

126 Mélida, 'El teatro romano…', photograph between pp.20 and 21.

127 Ibid, p.22.

128 See above Notes 118, 119 and 120, p.156.

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- 158 - building a smaller quadriporticus. Furthermore, Agrippa would have built a high

standard theatre where there were inscriptions which may have related its dedication

to the inauguration of the province of Lusitania129, and this would have had a high

standard scaena. Roddaz described the theatre at Mérida as an early example of a

building intended to advertise the dynasty of Augustus130 and Gros noted the theatre

in the Iberian Peninsula as an instrument of dynastic propaganda131, while also citing

the theatre of Balbus Minor at Gades as a building intended to project his power132.

Augustus, in 16-15 B.C., would have seen the theatre as an instrument for extending

and consolidating his authority. A developed scaena was needed to present the

ludi scaenici, and the scaenae frons was an important feature of this presentation.

Also, a scaenae frons was a billboard for the propaganda of statues and inscriptions.

Consequently, it is almost certain that Agrippa would have provided a scaenae frons

with the centre double doors decorated like those of the Royal palace and with side

doors leading to guest chambers, as prescribed by Vitruvius133. All the circumstantial

evidence indicates, therefore, that Agrippa built his theatre in stone throughout,

except for the stage boards, and to a uniformly high standard.

(5) THE QUADRIPORTICUS

Fig. 8.2 shows the plan of the quadriporticus, and Fig. 8.36134 the elevation of its

southern portico looking from the north towards the stage buildings. The portico was

attached to the stage buildings by a single pitched roof over the choragia and with a

projecting pediment supported on four columns. The other three porticoes were

double-pitched, with central columns, at double the spacing of the front ones, and a

back wall. At the centre of the north portico, the front columns were double-spaced

to emphasise the exedra. The space enclosed by the porticos had canals, walkways

and plantings. The quadriporticus design followed the precepts of Vitruvius for such

129 See above Note 62, p.149.

130 Roddaz, 'Agrippa et la péninsule Ibérique', pp.72, 73.

131 Gros P., 'Théâtre et culte Impérial en Gaule Narbonnaise et dans la péninsule Iberíque', Stadtbild und Ideologie, pp.381-390, at p.383.

132 Ibid, pp.382-3, also see below Chapter 10, Note 13, p.63.

133 Vitruvius, De architectura , 5.6.8.

134 Álvarez Martínez, J.M., et al. Conjunto arqueológico de Mérida : patriomonio de la humanidad, Mérida, 1994, Fig. P.256.

Page 167: Constructions Agrippa

- 159 - works 'behind the scaena'135. The width of the double porticos, their height and the

external Doric and inside Ionic columns was also in accordance with Vitruvius136.

Fig. 8.37137, dated from the 1950s, showed the south-east corner with the eastern portico

in the foreground. This portico has now been partly reconstructed, with everything

modern above the column capitals, and only partly roofed, as shown on Fig. 8.38138. The

three porticos standing free of the stage buildings had the same types of bases, column

shafts and capitals, except for the special double columns at the front of the portico

framing the exedra. Figs. 8.39 and 8.40139 show, respectively, the Doric and Ionic bases,

some constructed in modern materials to resemble the originals. Fig. 8.41140 shows

original Ionic and reconstructed Doric capitals. The unfluted columns in local stone and

stucco, rebuilt partly in brick, had the lower part cut from the same block as the base, as

at the Temple of Valetudo at Glanum dated 39-37 B.C141. The Doric material has some

resemblance to the Hellenised Doric of the Temple of Hercules at Cori dated to about

100 B.C.142. The Ionic bases have 'equal diameter tori', as seen at the Temple of Vesta at

Tibur (Tivoli) dated to the early 1st century B.C. and at the Temple of Valetudo143. The

general features of the colonnades are, therefore, to be expected in16/15 B.C. or earlier,

rather than later. The special double columns flanking the exedra are set at an angle to

project beyond the others, as seen on Fig. 8.2 and have bases and capitals of the Ionic

order, judging by the remains, as seen on Fig. 8.5. Fig. 8.2 shows a labrum, or small

basin, with a fountain. The back wall of the three free-standing porticoes has survived in

opus quadratum only partially at the west portico144. Elsewhere there is some walling in

opus africanum, which cannot be dated145.

135 Vitruvius, De architectura , 5.9.1 and 5.

136 Ibid, 5.9.2.

137 Wiseman. Photograph between pp.85 and 86.

138 Photograph by the writer.

139 Both photographs by the writer.

140 Photograph by the writer.

141 See Fig. 3.15.

142 Sear, Roman Architecture, p.23 and Fig. 1, p.22.

143 Böethius, Fig. 154, p.163 and above Chapter 3, Fig. 3.15, for the Temple of Valetudo.

144 Duran Cabello, pp.70-71, for a description of the walls.

145 Opus africanum is formed from long vertical and horizontal stones enclosing a masonry matrix as a development of clay in a timber framework. Adam, pp. 20 and 21.

Page 168: Constructions Agrippa

- 160 - Fig. 8.42146 shows one of the capitals of the four columns supporting the pediment of

the south portico behind the stage buildings. This capital, with its stucco, has been

dated to 20-10 B.C.147 and also to the general Augustan period148. The decoration is

more elaborate than that on the other capitals of the quadriporticus. This elaboration

is probably to be explained by the capital being part of the stage buildings of

16-15 B.C. In this case, the capitals of Agrippa's scaenae frons would probably have

been decorated in a similar manner.

Fig. 8.43149 shows the exedra in the north portico described in detail by Boschung150.

Some of the stone work flanking the entrances is late Roman, or later still151.

Fig. 8.44152 shows the mid-section of the back wall of the exedra. The combination

of stones and bricks is repeated on all the surfaces of the walls and there are several

phases of construction and decoration, with paintings over stucco and marble 153. The

final finish of the floor was in opus sectile using white marble154. The material

remains indicate a first exedra with space for one statue, probably of Augustus,

replaced by a larger one with space for several, as shown on Fig. 8.2. Parts of statues

from the early Empire, including that of Augustus, have been recovered155.

TTHHEE QQUUAADDRRIIPPOORRTTIICCUUSS :: CCOONNCCLLUUSS IIOONNSS

The physical characteristics of the quadriporticus indicate that it was all built either with

the Agrippan works of 16-15 B.C. or not long after these. This is to be expected since

Agrippa would have included a peristyle in his plan, both for its practical use and because

Vitruvius specified it as a part of the Roman theatre. The southern portico of the

146 Von Hesberg, 'Augustische Bauornamentik …', Stadtbild und Ideologie, Tafel 35 G-H.

147 Ibid, p.347.

148 Barrera Antón, de la, p.63.

149 Álvarez Martínez et al, Mérida, Fig. 21, p.25.

150 Boschung D., 'Die Präsenz des Kaiserhauses im öffentlichen Bereich', Stadtbild und Ideologie, pp.391-400, at pp.393-394.

151 Barrera Antón, de la, Los capiteles romanos …, Capital No. 101, pp.62 and 63 and Lámina, 101, described a capital similar to that carved on the left of the entrance, which he dated to the 4th century A.D.

152 Photograph by the writer.

153 Duran Cabello, p.276.

154 Ibid, p.213.

155 Boschung, 'Die Präsenz des kaiserhauses …', pp.395-399 and Duran Cabello, pp.213-6.

Page 169: Constructions Agrippa

- 161 - quadriporticus served as a choragia and would, therefore, have been built with the

scaena. The other three free-standing porticoes were perhaps built a little later. There is

no indication of a smaller first quadriporticus extended after the Agrippan period.

TTHHEE AAGGRRIIPPPPAANN TTHHEEAATTRREE :: CCOONNCCLLUUSSIIOONNSS The Agrippan theatre planned by him in 19-18 B.C. was intended to provide all the

features of the Roman theatre and the 'colonnades and walks behind the scaena'

specified by Vitruvius. The cavea was built up to the top of the present ima cavea,

but provision was made to double the original seating capacity without any increase

in the size of the ground plan. The upper levels could be built without disturbing the

first cavea, and they had their own circulation system. The scaenae frons was built to

approximately the height of the present ima cavea, with a single-storey columnatio,

and was penetrated by three openings into the stage buildings behind. The

quadriporticus could meet the requirements of the theatre built to the full seating

capacity. All the works were constructed in local stone, with decoration in stucco.

The theatre of the late Empire was, therefore, essentially the theatre planned by

Agrippa in respect of its ground plan and function. The principal changes were the

increased seating in the cavea, with the corresponding increase in the height of the

scaena frons, and the addition or substitution of marble in the orchestra and the stage

facilities. Agrippa's theatre was remarkable for its size, since the 86.63m diameter of

the cavea was exceeded only by three other theatres in Hispania, all of which were

later156. It was also distinguished by its exceptionally good circulation system,

including the crypta.

Agrippa's theatre was an important instrument of propaganda for Augustus and his new

order at the new monumental city which was to be the spearhead for Roman expansion

into western Hispania. Its undoubted attribution to Agrippa indicates the strong

possibility that Agrippa was responsible for the construction of other important public

works for the town as part of his overall urban plan for a monumental city.

156 Professor Sear advised the following diameters: Caesaraugusta, 104-106m (Tiberian);

Carthago Nova, 100m (5 B.C.-A.D.1) and Clunia, 96m (Tiberian).

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- 162 -

99.. PPOOSSSSIIBBLLEE AAGGRRIIPPPPAANN WWOORRKKSS AATT AAUUGGUUSSTTAA EEMMEERRIITTAA

The theatre is the only construction at Augusta Emerita which can be attributed to

Agrippa beyond doubt. The object of investigation in this chapter is to identify other

possible Agrippan works, and to assess the degree of probability that these were his,

whether by their planning within his overall programme or by construction.

THE AMPHITHEATRE The amphitheatre, as seen from Fig. 9.11 was close to Agrippa's theatre, on the same

hillside, and on the same orientation, deviating from the general town grid by some

11°2. Fig. 9.23 shows both buildings inside the town walls and, with the circus

outside, forming the entertainment zone. Two identical inscriptions on the tribunalia

of the amphitheatre bear the name Augustus and can be dated to 8-7 B.C.4. There is,

therefore, apparently clear archaeological evidence that Agrippa planned the theatre

and the amphitheatre together, but that he built only the first, with Augustus building

the second. In fact, the archaeology is more complicated. Brickwork in the podium

wall at the top of the ima cavea of the amphitheatre is post-Augustan5 and a tomb of

Claudian date has been discovered in the area of the media cavea6. This indicates that

the first form of the amphitheatre had only the ima cavea. It is also known that the

line of the original town walls passed at about the mid-point between the perimeter of

the theatre of Agrippa and the limit of the ima cavea of the amphitheatre7.

Consequently, the first form of the amphitheatre was clear of the original walls and

outside them, with the theatre inside them. Access to the amphitheatre from the town

would have been through a gate in the walls. The completed amphitheatre was built

1 Based on Duran Cabello, Pláno 1 (part).

2 Hernández Ramírez, Augusta Emerita. Estuctura Urbana, p.79.

3 Based on Pfanner, Abb. 31, p.99.

4 Trillmich, 'Colonia Augusta Emerita …', p.305, Note 47, and Tafel 23, F and G. The dating of 8/7 B.C. can be deduced from the 16th year of the tribunicia potestas of Augustus, marked on the inscriptions, first taken up in 23 B.C.

5 Nogales Basarrate, Espectáculos en Augusta Emerita, pp.36.7 for the brickwork in the media cavea; also Pfanner, Abb.34, a, c and d, p.104.

6 Nogales Basarrate, Espectáculos en Augusta Emerita, p.36.

7 Duran Cabello, p.574 and Plan 20.

Page 171: Constructions Agrippa

- 163 - against existing town walls on their final alignment, which passed round the building,

and the amphitheatre was distorted slightly to fit inside the walls8. The town walls

were, therefore, moved at some time before the completion of the amphitheatre,

which, in its final form, was larger than had been anticipated.

The archaeology indicates that Agrippa could have built his theatre inside the original

town walls without thinking about an amphitheatre, and that this was fitted into the

theatre scheme later. Yet it is much more likely that Agrippa planed both the

amphitheatre and the theatre. An amphitheatre and theatre close together on the same

hillside, as shown on Fig. 9.2, could be built more cheaply by taking advantage of the

natural slope. The theatre was well protected from the prevailing wind9 and the

undesirable southern exposure10. The circus was built only some 500 metres from the

amphitheatre, and all three entertainment buildings were eventually connected to each

other by an opening in the wall, as seen on Fig. 9.3a11. The entertainment zone was

convenient for spectators from outside the city and from within it, and the topography

offered no other position which was so favourable. The dating of the first works at

the circus is uncertain, but it was probably in the Augustan period12. Agrippan

planning for Augusta Emerita would surely have included the zoning for the

entertainment sector. The particular circumstances at Augusta Emerita, therefore,

encouraged an earlier planning for the amphitheatre than indicated by Vitruvius 13, and

an earlier construction than in the West where the amphitheatre was generally built

many decades after the theatre14. The dating of the first works at the amphitheatre to

8-7 B.C., so shortly after the theatre dedication, confirms the joint planning. Agrippa

must, therefore, have surveyed the area to ensure that both buildings could be

constructed close to each other, and was also responsible for determining the

principal dimensions and position of the amphitheatre. It is unlikely that he altered

8 Nogales Basarrate, Espectáculos en Augusta Emerita, p.36.

9 Álvarez Martínez et al, Mérida, p.23.

10 Vitruvius, De architectura , 5.3.2.

11 Nogales Basarrate, Espectáculos en Augusta Emerita, lámina 2a, p.118.

12 Ibid, pp.42-47, and láminas 18, 19 and 20 for plans and illustrations of the circus.

13 Vitruvius De architectura , 5.3.1 placed the theatre directly after the forum and did not mention the amphitheatre.

14 As at Arelate, Lugdunum and Nemausus, in Gaul and Italica and Caesaraugusta, Carthago Nova, and Gades in Spain.

Page 172: Constructions Agrippa

- 164 - the line of the walls. Fig. 9.3b15 shows the amphitheatre viewed from the S-E, along

its major axis, with the theatre to the left. The fossa arenaria can be seen in the

arena, and some structures for gladiators and animals have survived. The podium

around the arena was clad in marble and there were paintings on its parapet, some of

which are in the museum at Mérida. The ima cavea has survived, together with most

of the brick podium wall of the media cavea, but little remains above this level,

except some of the entrances16.

The amphitheatre and the theatre have survived substantially because they were large

buildings near the town perimeter and little influenced by later development. Other

buildings of the Augustan period in the town were either covered over or altered in the

Roman period, or later, and the possible works of Agrippa there must be sought from the

evidence of centuries. The bridges and the aqueducts were large structures little affected

by later works and can be readily distinguished. These are, therefore, investigated before

constructions in the town although they were probably scheduled for construction after

these. The bridges and the aqueducts are of great interest to the civil and hydraulic

engineer, but their construction cannot be attributed positively to Agrippa. Consequently,

no attempt is made to provide a detailed description of them and the emphasis is placed

on their datings in order to establish their possible connection to Agrippa.

THE BRIDGES Fig. 9.2 shows the locations of the two bridges of Augusta Emerita. That over the

Guadiana was the only link over a substantial river between Augusta Emerita and the

developed Roman South. The much smaller bridge over the Albarregas crossed a

much less important local river and was not critical for the security of the town. The

principal discussion is, therefore, about the bridge over the Guadiana.

Figs. 9.417and 9.518 respectively show the part of the existing bridge nearest to the

town, and looking from it, and an aerial view looking towards the town from the

15 Álvarez Martínez et al, Mérida, Fig. 22, p.26.

16 Ibid, pp.27-30; also Nogales Basarrate, pp.34-41. Duran Cabello examined the amphitheatre with the theatre in her doctoral thesis referred to above.

17 Álvarez Martínez et al, Mérida, Fig. 65, p.61.

18 Nogales Basarrate, Espectáculos en Augusta Emerita, lámina 21B, p.136.

Page 173: Constructions Agrippa

- 165 - opposite bank. Fig 9.619 shows part of the bridge in the middle of its length, and

further towards this opposite bank. The existing bridge has 60 spans with the

addition of a solid portion over the island shown on Fig. 9.520. At 792 metres long,

it is the longest surviving Roman bridge, and twice as long as any other in

Hispania21. The original Roman structure was extensively restored in the late

5th century A.D., and further reconstructions date from the 16th and 17th centuries22.

Variations in the existing work and the settlement problems are evident from

Fig. 9.6. Fig. 9.723 shows the original bridge according to Álvarez Martínez24, with

an island in the shape of a protected cut-water joined to each bank by bridges with

arches. The cut-water survived until the 18th century, when it was finally destroyed

by the river. Five arches had to be built in order to connect the two sides of the

river25. As seen on Fig. 9.5, a smaller solid section of the bridge remains, with a

ramp down to the river level. Álvarez Martínez considered that the whole of the

Guadiana bridge was completed as one project26 and that construction was not

spread over three phases, as argued by Cassado, and taken up by O'Connor27. The

interpretation of Álvarez Martínez, provides the only satisfactory explanation for

the existing remains, and is accepted here.

The Guadiana bridge is generally dated to the foundation period28, because the line

of the bridge is virtually the same as that of the decumanus maximus, and it has

been assumed that the town was laid out to suit the position of the crossing dictated

by an island in the river29, since there are no obvious topographical features on the

19 O'Connor, C., Roman Bridges, Cambridge, 1993, Fig. 79, p.106.

20 Álvarez Martínez et al, Mérida, pp.61, 2.

21 O'Connor, pp.106, 188, 189.

22 Álvarez Martínez et al, Mérida, p.62.

23 Nogales Basarrate, Espectáculos en Augusta Emerita, lamina 21A, p.136.

24 Álvarez Martínez, J.M., El Puente romano de Mérida. Monografiás Emertienses , 1, Badajoz, 1983.

25 Álvarez Martínez et al, Mérida, p.62.

26 Ibid, p.61.

27 O’Connor, pp.105-106, based on Cassado, C.F., Historia del Puente en Espãna, Madrid, 1971.

28 Richmond, p.114, Álvarez Martinez et al, Mèrida, p.61, Trillmich, 'Colonia Augusta Emerita', p.302, Pfanner, p.90, and Nogales Basarrate, Espectáculos en Augusta Emerita, p.21.

29 Trillmich, 'Colonia Augusta Emerita', pp.302-3.

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- 166 - land to fix the town grid. Nevertheless, it is not possible to date the remaining

Roman bridge to the foundation period from its material remains, since it is a

utilitarian structure built in opus quadratum30. The crucial question is, therefore,

whether the remaining Roman bridge was built on foundation, or whether it

replaced an earlier one on the same alignment. If a crossing did not exist in

25 B.C., when the city was founded, it was necessary to provide one quickly. The

army of Carisius could build a timber bridge with driven piles over the main

channel, and fords over the other parts in weeks or months. The construction of

such a long permanent stone bridge over the entire river was the task of many years,

and there were insufficient skilled workmen to carry out the work. Stone bridges

were not generally built at new settlements until the town had been well

established31. Furthermore, a stone bridge was needed at Augusta Emerita only as

an approach to the new monumental town, which was the 'eloquent symbol of the

Roman conquest of the West' 32. It is, therefore, most unlikely that the Guadiana

Bridge in stone is from the foundation of 25 B.C., and almost certain that it was

included in Agrippa's major urban development plan of 19/18 B.C. The stone bridge

on the line of the decumanus maximus can be explained by the engineering principle

of substitution in which an existing construction is replaced by a new one in the

same position after it has been closed to traffic. The Roman engineers would have

built new timber bridging on a new line. On completion of this, the old timber

bridging would have been dismantled, to be replaced by stone construction. Parts

of the existing bridge length could have been replaced progressively over many

years, with phasing to suit seasonal flooding.

The evidence indicates, therefore, that the stone bridge over the Guadiana, generally

dated to the foundation was, almost certainly, a part of Agrippa's master plan. It is

most unlikely that Agrippa started work on its construction since his priority was at

the town. The shorter bridge over the Albarregas33, shown on Fig. 9.834, of similar

30 Pfanner, p.103 and Abb.34, p.104, made no distinction between the typology of the bridge and

the other works built in opus quadratum.

31 O’Connor, p.132. Also, the bridge at Colonia Patricia (Córdoba) was built in stone many decades after the foundation. Knapp, R.C., Roman Córdoba, Berkeley, 1983, pp.10 and 65.

32 Trillmich, 'Colonia Augusta Emerita', p.303.

33 Álvarez Martínez et al, Mérida, p.63 noted that the Albarregas bridge was 145 m long.

34 Ibid, Fig. 6a, p.63.

Page 175: Constructions Agrippa

- 167 - design and construction, would have been built first in timber (if the narrow river

was not forded), to be replaced in stone as part of Agrippa's plan for the

monumental town.

THE AQUEDUCTS Water was available from the rivers, cisterns and wells and there was, therefore, no

need for an aqueduct for a small town35. The coins of Carisius struck between 25

and 23 B.C. had no legends or symbols suggesting supply of water. The next issue

under Augustus dated no later than 2 B.C.36 included figures described by Burnett as

the head of 'a river goddess spitting water', and Silenus 'in front of an amphora

pouring', but these were not seen by him as indicating aqueduct construction37, or by

Grant38. No later coins before striking ceased in the Tiberian period contained any

indication of works for water supply39. There is, therefore, no clear numismatic

indication of aqueduct works, but a development plan for a large town drawn up by

Agrippa would have included aqueducts and three aqueducts served the fully

developed town, as shown on Fig. 9.2, and on Fig. 7.2. The Cornalvo aqueduct came

in from the east while the Los Milagros and San Lázaro aqueducts had to be carried

over the valley of the Albarregas on high viaducts.

The Cornalvo aqueduct is the only one which has generally been regarded as

Augustan40. The dam of the Cornalvo was on the Albarregas, 15 kms North-West of

the city, but the channel was 25 kms long. This joined the town wall near the theatre,

where a branch penetrated the wall to serve it and the amphitheatre, but not

necessarily when these were built, and continued, supported on the outside of the

wall, until it went through this near the Casa del Mitreo and its castellum aquae not

far from the walls 41 at an elevation of 250 m42. Its channel width of 1.7 metres was

35 Grewe, K., 'Augusta Emerita/Mérida – eine Stadt römischer Technikgeschichte', Ant W 24.3,

1993, pp.244-255, p.246.

36 Burnett, et al, p.70.

37 Ibid, p.69.

38 Grant, FITA , p.221.

39 Burnett et al, pp.70-73.

40 Wilson, R.J.A., 'Tot aquarum tam multis necessariis molibus … '. p.14.

41 Álvarez Martínez et al, Mérida, pp.65, 66 and 68, as shown on Fig, 7.2.

42 Hernández Rámirez, Augusta Emerita. Estuctura Urbana, lámina 4.

Page 176: Constructions Agrippa

- 168 - the largest of the three aqueducts43 and there is no evidence in this of post-Augustan

construction, since surviving parts are in stone or concrete. An inscription bearing the

words Aqua Augusta, found in the Alcazaba near the Guadiana bridge 44, has been

related to the Cornalvo aqueduct by several writers45. Fig. 9.946 shows the marble

tablet with the holes made to take the bronze letters, and the reconstruction of the

inscription. Fig. 9.10a47 shows part of the dam, and 9.10b48 its cross-section. The

design was a sophisticated solution to the problem of ho rizontal pressures, since the

slope of the embankment on both faces gave stability when the reservoir was full or

empty. The intake tower, with inlets at different levels, could still be used as the

reservoir silted up, and this was also an advanced feature. The dam is generally seen

as Hadrianic49, but an Augustan aqueduct channel could have been supplied by an

earlier dam, or by springs, as at the San Lázaro aqueduct. The later dam does not,

therefore, rule out the Augustan aqueduct.

The Cornalvo aqueduct was identified by Richmond some 70 years ago as the main

one, with the other two as supplementary, since it could supply most of the town and

had the largest channel50. The castellum of the Cornalvo, at an elevation of about

250m51, could supply the whole town. That of the San Lázaro was somewhat lower,

but the water from it could reach the town centre52. The Los Milagros aqueduct could

serve only the N.W. town sector and the river area, since its castellum was at an

elevation of only 220m53. The Los Milagros and the San Lázaro aqueducts had to be

43 Álvarez Martínez et al, Mérida, p.67.

44 Canto, A.M., 'Sobre la cronología augustea del acueducto de 'Los Milagros' de Mérida', Homenaje a Saénz de Buruaga, Madrid, 1982, pp.157-176, p.162.

45 Álvarez Martínez et al, Mérida, p.65; Pfanner, p.90 and tafel 7b; Grewe, p.247 and abb 8 and Wilson, p.14.

46 Nogales Basarrate, T., 'Bronces romanos en Augusta Emerita' in Los bronces romanos en Espãna, Madrid, 1990, pp.103-115, Fig. 61, p.196.

47 Álvarez Martínez et al, Mérida, Fig. 69, p.55.

48 Hodge, Roman Aqueducts, Fig. 40a, p.83.

49 Smith, N., A History of Dams, London, 1971, pp.43-44, saw it as Hadrianic, and Hodge, Roman Aqueducts, p.89, agreed.

50 Richmond, p.109.

51 See above Note 42, p.167.

52 Its position is unknown but it was near the Casade Anfietro, Álvarez Martínez et al, Mérida, pp.67 and 68.

53 Hernández Ramírez, Augusta Emerita. Estuctura urbana, lamina 3.

Page 177: Constructions Agrippa

- 169 - carried over the valley of the Albarregas on long, high viaducts. Fig. 9.1154 shows

the viaduct of the Los Milagros, which was some 825m long and 25m high55. The

Cornalvo aqueduct avoided the valley and there were no viaducts. Its channel, of

about 25 km, was longer than those of the Los Milagros and the San Lázaro

aqueducts (nine and five kilometres long respectively), but both had cuttings and

structures56 and the channel of the Cornvalvo was simpler and cheaper to build than

the others per unit length. When the two viaducts are taken into account, the

Cornalvo route was the cheapest to build, and could be completed most quickly.

Richmond was, therefore, justified in saying that the Cornalvo was the first

aqueduct. Hodge suggested that the Los Milagros was built before the Cornalvo,

noting, rightly, that its dam is earlier and its route shorter57, but costs and usefulness

were the decisive factors which determined the choice of the Cornalvo route as the

first to be used.

The Cornalvo served nearly all the domestic fountains and cisterns that have been

discovered58, while the other aqueducts served other facilities. The San Lázaro

served the amphitheatre and the theatre59 in addition to the Cornalvo, as noted

above60. A possible baths building existed in the municipal forum, as shown on

Fig. 9.14, near the Portico of Augustus61. It has been suggested that this baths

building was supplied with water by the San Lázaro aqueduct62, but there is

insufficient information about the baths building to discover its dating63, or to know

which aqueduct served it. Another baths outside the walls, and near the amphitheatre,

54 Photograph by the writer.

55 Álvarez Martínez et al, Mérida, p.70.

56 Ibid, pp.64-71, in various passages.

57 Hodge, Roman Aqueducts … , p.89.

58 Grewe, p.246.

59 Trillmich, W., et al, Hispania Antigua : Denkmäler der Römerzeit, Mainz, 1993, pp.291-2.

60 See above, p.167.

61 Álvarez Martínez et al, Mérida, pp.49, 50, for the Portico of Augustus.

62 Hernández Ramírez et al, 'Un ejemplo de la ingeniería hidráulica romana : el conducto de Rabo de Buey-San Lázaro (Mérida)', Actas del 8Congreso Internacional de Ingenzeía Gráfíca, Jaén, 1996, p.417.

63 Álvarez Martínez et al, Mérida, p.20, for the baths building.

Page 178: Constructions Agrippa

- 170 - is from the Empire64, and would have been served by the nearby San Lázaro. There

is, therefore no indication of the dating of the Cornalvo aqueduct from the reticulation

in the town, other than it providing domestic needs, pointing towards an early

construction.

It must, therefore, be concluded that no dating can be assigned to the construction of the

Cornalvo aqueduct, except that it was in the Augustan era, and earlier than that of other

aqueducts. Agrippan action on the aqueducts is indicated by his overall planning for a

large city which needed these. If there had been no previous investigation of

aqueducts, Agrippa was, therefore, the 'father' of all three. If, as is more probable, there

had been assessment of water sources and aqueduct routes, Agrippa could have ordered

the building of the Cornalvo 65 as the most useful aqueduct.

THE TOWN INFRASTRUCTURE

The water reticulation system has already been described. The streets can be seen

only at a few points66, but the drains under them have largely survived to indicate the

town grid. Fig. 9.1267 shows the drainage system. This was integrated, with each

64 Ibid, p.68.

65 The dating of the Los Milagros aqueduct is generally based on the viaduct over the valley of the Albarregas shown on Fig. 9.11. Nearly all the arches are brick, and brick coursework alternates with opus quadratum in the piers. Wilson, p.14, pointed out that such extensive use of brick cannot be expected in Hispania in the Augustan period. The complete absence of this in Agrippa’s part of the theatre and the Augustan ima cavea of the amphitheatre confirms this opinion. The structural design of the viaduct suggests a post-Augustan date. Tall piers supporting the top arcade of arches were built as single units from bottom to top. The lower arcades of arches braced the piers against buckling. This advanced design is generally dated well after the Augustan period, and is to be compared with earlier designs where one bridge is built on top of another, although the Pont-du-Gard aqueduct, probably built in the Claudian period, is of this earlier type. The aqueducts at Cherchel in Algeria and at Fréjus, with the same advanced design as the Los Milagros viaduct, are probably Hadrianic. Smith, p.47 and Hodge, p.142 respectively. Cassado, C.F., Acuductos romanos en Espãna, Madrid, 1972, and Garbrecht, G., et al, Wasserversorgung in antiken Röm, 1987, p.162, saw the viaduct as Hadrianic. Grewe, p.254, considered it to be Trajanic. Only Canto, 'Sobre la cronologia augusta del aceducto …', argued in detail for an Augustan date. His case relied on material evidence of the remains, coins and interpretation of local history. Canto cited brick construction of the Augustan age in regions outside Hispania. It is not certain that this can be translated to Augusta Emerita, Wilson, p.14. His numismatic evidence was not conclusive. Also, the historical interpretation was circumstantial. Canto argued for an Augustan construction with Trajanic restoration in the small section over the river. Trillmich, et al, p.291, accepted this without elaboration. Álvarez Martínez et al, Mérida, p.71, considered that the Los Milagros aqueduct was probably Augustan, but stated no reasons, and, p.67, saw the San Lázaro as Augustan, on the basis that it supplemented the Cornalvo. The viaduct of the San Lázaro had brick in the piers and in most of the arches, indicating that this construction is post-Augustan, like that at the viaduct of the Los Milagros.

66 Hernández Ramírez, pp.103-122.

67 Ibid, lámina 4, pp.66 and 67.

Page 179: Constructions Agrippa

- 171 - channel laid to falls related to the others, and, therefore, pre-planned, either entirely

or in sections. Drains 3V, 8V and 13V, the 'mother drains' which picked up the water

of the three natural catchments draining to the vaguadas or valleys, were built first,

and the others added as they were needed for city development68. Drains 6V, 7V and

8V discharged into the Guadiana through a massive wall some 375m long upstream

of the Guadiana Bridge. Drains 2V and 3V served the areas of the theatre and

amphitheatre, and 3V was one of the 'mother drains'. The dating of these two drains in

relation to the known datings of the two buildings has not been established. It has

been suggested that the drainage system shown on Fig. 9.12 was started with the

streets before the pomerium was established69, but it was, surely, necessary to

determine the size of the town and lay out its grid before building the drains and

streets.

Typical construction is shown on Fig. 9.1370. The drains must have been built by 'cut

and cover', with the ground excavated to a depth of some 3 metres, the drain installed

and backfilled, and the surface above made good. If a street ran over the projected

drain, this would have been closed, dug up and rebuilt. The channel was marked on

Fig. 9.13 as made from 'opus testaceum', generally understood to indicate brick faced

concrete, but described in the text as 'a mortar floor with crushed bricks'71.

Opus testaceum is post-Augustan72, whereas the mortar may be earlier. The

'opus incertum' (generally post-Augustan) marking applied to the main drain was

described in the text as 'built from stones smoothed on the exterior'73 which could be

earlier. Carefully cut and laid opus quadratum like that at Agrippa’s theatre appears

at the outfalls of 6V, 7V and 8V74. Also, the inlets from the streets and building

were made up of tiles in common use from the foundation period, and the lack of

single form drainpipes suggests work before the Empire75. The construction could,

68 Ibid, p.73.

69 Ibid, p.71.

70 Ibid, Fig. 17a, p.68, with minor alterations.

71 Ibid, p.10.

72 See above Note 5, p.162, referring to the opus testaceum at the amphitheatre.

73 Hernández Ramírez, p.10.

74 Ibid, Figs. 26, 27 and 28, p.91.

75 Brodribb, G., Roman Brick and Tile, London, 1987, pp.84-88.

Page 180: Constructions Agrippa

- 172 - therefore, have been Agrippan. Hernández Ramírez noted that the construction

methods and materials were uniform throughout the system, and suggested that this

indicated a relatively short construction period76. Yet, if the first works presented no

maintenance problems, the same construction could have been used over a long

period, as in many utilitarian works. The construction method is, therefore,

compatible with first Agrippan works expanded as the town was built.

A drainage system capable of discharging waste water from aqueducts, as shown

on Fig. 9.13, was a key element of Agrippa's plan for the monumental city. The

construction of it, to a pre-conceived design, had to be kept ahead of new works

on streets and buildings. Construction on the drains was, therefore, almost

certainly begun with, if not before, that on the theatre. The drainage system is

easily overlooked because it is not seen. Yet its total length was about 23 kms,

and the work to build each metre of it was substantial. In fact, it was probably the

largest construction at the town, or outside it, on which Agrippa started

construction.

THE MUNICIPAL FORUM Fig. 9.1477 shows the general features of the municipal forum as interpreted by

Pfanner, extending nearly 200 metres along the decumanus maximus , and

slightly less along the cardo maximus78. The Portico of Augustus 79, built in

marble, belongs to the 'Marmorbegeisterung' or 'enthusiasm for marble' of the

post-Augustan period80. The statue of Agrippa and the relief of him sacrificing

were found here81. As already noted, the possible baths building shown on

Fig. 9.14 cannot be dated and might have been served by the Cornalvo or the

San Lázaro aqueducts82. The first forum was close to the intersection of the

main streets. Only the 'Temple of Diana' has survived in recognisable form in 76 Hernández Ramírez, pp.101-2.

77 After Pfanner, Abb.31, p.99 magnified.

78 Hernández Ramírez, lámina 1, p.15, indicated a similar size.

79 Álvarez Martínez et al, Mérida, p.50 and Fig. 54 for a general description of the portico.

80 Pfanner, p.102, for a general description of the 'marble period', also see above Chapter 8, Notes 10-14, pp.139, 140.

81 See above Chapter 7, Notes 45-63, pp.134-6.

82 See above Notes 61-63, pp.169, 170.

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- 173 - this area. It has been suggested that a basilica stood opposite the temple, with a

curia/local senate house in some unknown position83, but forums of the

Augustan period in Hispania probably had no regular form, and, perhaps, few

administrative buildings 84. Also, Vitruvius prescribed for the forum only that its

breadth was to be two-thirds of its length and that the basilica was to be near the

forum and in the warmest possible quarter in winter85. At some towns the

basilica did not form part of the forum86. There seems to have been no

substantial civic organisation at Augusta Emerita until the Tiberian principate87,

and, consequently, doubt about the previous need for substantial administrative

buildings. In 19 B.C., therefore, the forum was probably little more than a space

for commerce and buildings for this, with a small temple. If, as argued here,

Agrippa developed Augusta Emerita by using the serving army, the immediate

need was for a praetorium which could serve as a project office. Agrippa would

have recognised the need for an impressive new temple as the focus of the town

forum, but he may have built little else there which was to remain once the army

had completed its work. The 'Temple of Diana', therefore, emerges as the only

possible work of Agrippa in the municipal forum to be investigated here.

THE 'TEMPLE OF DIANA'

The 'Temple of Diana'88 is shown on Fig. 9.1589 as seen from the forum space which it

faced. Trillmich90 described this modern reconstruction as 'extraordinarily unfortunate'

and Álavarez Martínez, confining his criticism to the pediment, saw this as

'unfortunately to no great effect' 91. Fig. 9.1692 shows positions of columns

83 Álvarez Martínez et al , Mérida, p.20; also Álvarez Martínez, 'El foro de Augusta Emerita', Homenaje a

Sáenz de Buruaga, Badajoz, 1982, pp.53-68, 145-152.

84 Pfanner, pp.91 and 92 and Abb. 26, and Keay, Roman Spain, illustration, p.53, and text, p.118, for investigations into forums in Spain.

85 Vitruvius, De architectura , 5.1, 2 and 4 in particular.

86 Ward-Perkins, Roman Imperial architecture, pp.182-3.

87 Curchin, The Local Magistrates of Roman Spain, p.173.

88 The dedication to Diana is fictitious.

89 Álavarez Martínez et al, Mérida, Fig. 58, p.53.

90 Trillmich, 'Colonia Augusta Emerita', p.305.

91 Álvarez Martínez et al, Mérida, p.53.

92 Pfanner, Abb. 27 (part), p.94.

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- 174 - immediately in front of the cella unlike those shown on Fig. 9.15, and an extension in

front of the sheer podium face seen on Fig. 9.15. Trillmich has shown that this

extension existed, with a rostrum and flight of stairs at each side93. Of the 32 columns,

18 stood before reconstruction, built into the 16th century Casa de Los Milagros. This

explains the preservation of some parts, the destruction of others, and steps cut into the

front of the podium, traces of which remain. The layout was hexastyle peripteral with

11 columns on the sides. Traces of a portico with a cryptoporticus around three sides

of the temple have been discovered, with a pond between it and the temple 94. All the

surviving parts of the temple were built in granite with stucco moulding and other

decoration, but some capitals were not covered with stucco. No marble structural work

has been recovered. It can, therefore, be assumed that the whole building dates from

before the post-Augustan 'marble period'. There seems to be no evidence either for or

against the podium in front of the main façade being built later than the main temple.

Álavarez Martínez, writing in 1976, suggested that the temple was built between the

late Augustan period and that of the other Julio-Claudian emperors. He emphasised

that this dating was tentative 95. He has now revised this dating to the last years of the

Augustan principate96. Trillmich referred to the 1976 dating of Álavarez Martínez

without comment, but he also saw the 'Temple of Diana' as 'the principal temple of

the foundation, and of the old fashioned type'97. The 'Temple of Diana' was used for

the Imperial Cult, as seen from objects found there, or nearby98, but it does not follow

from this that the temple was built for the cult and dedicated to it, as has been

suggested99, and that it should, therefore, to be dated no earlier than the beginning of

the Christian era. It could have been built earlier with some other dedication and

have been adapted for the Imperial Cult, perhaps with the podium extension added for 93 Trillmich, 'Colonia Augusta Emerita', pp.307-9 and Notes 67-76.

94 Álvarez Martínez, 'El templo de Diana' in Augusta Emerita (Actas del simposio internacional…bimilenario de Mérida), pp.44-53, Fig. 2, and Álvarez Martínez et al, Mérida, p.54 for traces of the cryptoporticus.

95 Ibid, p.50.

96 Álvarez Martínez et al, Mérida, p.54,

97 Trillmich, 'Colonia Augusta Emerita', p.305 and Note 49.

98 They include an inscription, CIL 2 2167, mentioning a flamen Augusti, the statue of an emperor, possibly Claudius, and the figure of the genius senatus, Álavarez Martínez, 'El templo de Diana' p.51 and Notes 29-36, with láminas 22 A and B.

99 Álvarez Martínez et al, Mérida, p.54, Hernández Ramírez, p.181, and Barrera Antón, J.L. de la, Los capiteles romanos de Mérida, p.78.

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- 175 - this purpose, although this cannot be proved, since the cella has been lost, with the

altar100. Trillmich discovered some traces of iron gratings dividing the temple into

three parts101, but the geometry of the temple is quite unlike that of the Tuscan

Temple of Vitruvius with its broad triple cella102. The 'Temple of Diana' is quite a

large building103. It was not needed at the small town developed before 19 B.C., nor

were the resources to build it available in 25 B.C. Yet some place for religious

observances must have existed, and almost certainly as the focus of the first forum.

There is, therefore, reason to consider the 'Temple of Diana' as a rebuild of the first

temple, and part of Agrippa's town plan.

The podium of the 'Temple of Diana', built in opus quadratum to a high standard,

as seen on Fig. 9.17104 cannot be dated from its base or cornices. Fig. 9.18105

shows one of the column bases of the 'equal tori ' type, with the base and part of

the column shaft formed from one block. Similar bases, and use of the one block,

are seen at the quadriporticus of Agrippa’s theatre at Augusta Emerita dated to

16-15 B.C. and at the Temple of Valetudo built in 39-37 B.C.106. The capitals of

the 'Temple of Diana' are predominantly decorated in stucco, but all were formed

from three blocks of the local stone. Fig. 9.19a107 shows the plain form which has

been dated to the late Augustan-Tiberian period108. The decorated form shown on

Fig. 9.19b109 has been dated to the second half of the 1st century A.D.110. It is

difficult to understand how a dating to the late Augustan-Tiberian period can be

imputed from the crude carving of the stone shown on Fig. 9.19a. This

100 Álvarez Martínez et al, p. 54.

101 Trillmich, 'Colonia Augusta Emerita', p.307.

102 Vitruvius, De architectura , 4.7.

103 The size of the temple with the extension is 41 by 22 metres.

104 Álvarez Martínez, 'El tempho de Diana', láminas 18 A and B.

105 Photograph by the writer.

106 Figs. 8.39 and 8.40, for the quadriporticus, and Fig. 3.15, for the Temple of Valetudo.

107 Barrera Antón, J.L., de la, Los capiteles romanos … , lámina 1.

108 Ibid. p.27.

109 Ibid, lámina 20a. This is one out of 11 illustrations 20a-20k showing various capitals with stucco.

110 Ibid, p.33.

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- 176 - construction seems rather to indicate an earlier form111, or a military

construction112, and, perhaps, evidence of Agrippa's use of the army in 19-18 B.C.113.

It is possible that the dating of the undecorated capital to the Augustan-Tiberian

period resulted from the assumption that the temple was built for the Imperial Cult114.

The 'Temple of Diana', together with those at Barcelona and Ébora, is peripteral and there

are no other Roman temples of this type in Spain115. Mierse has discussed all three

temples, but he casts no clear light on the dating of the 'Temple of Diana'116. Investigation

of the material remains, therefore, indicates that the building is more likely to be from the

Agrippan period than the late principate of Augustus.

When all the evidence is taken into account, the temple is explained most easily as

a new building planned by Agrippa to replace the first forum temple, since this

was inappropriate for a monumental city. Rebuilding on the old site kept the

connection to the foundation. Retention of the original local material by

avoidance of marble addition in the Empire also indicates respect for the

foundation temple. The temple would have been dedicated to Rome and

Augustus, like the Augusteum at Nemausus. Agrippa would almost certainly have

wanted the foundation temple to be rebuilt with or before his theatre. The fact

that there is no inscription on the temple naming Agrippa and dating the

dedication prevents its positive attribution to him. It must, therefore, remain as a

possible Agrippan work pending any further discovery.

THE PROVINCIAL FORUM AND THE 'ARCH OF TRAJAN' The provincial forum117 indicated on Fig. 9.2 has been little excavated, since the area is

heavily built up. There is, therefore, virtually no reliable information about its extent,

or the purpose of buildings there. Fig. 9.20118 shows the interpretation of Pfanner,

111 Ibid, p.71 and Note 15 for the observation that the form was antiquated.

112 Mierse, 'Augustan Building Programs …..', p.316 and Note 38.

113 As argued above, Chapter 7, Notes 51, 52, pp.134, 5.

114 Barrera, Antón J.L., de la, p.69.

115 Álvarez Martínez et al, Merida, p.54.

116 Mierse, 'Augustan Building Programs', pp.308-333,

117 See above Chapter 7, Notes 27, 28, p.131, for the discussion on the urbs quadrata, the Arch of Trajan and the provincial forum.

118 Pfanner, Abb. 31, p.99 enlarged.

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- 177 - which is accepted by Mierse119, although Hernández Ramírez considered that the

temple was closer to the 'Arch of Trajan' 120. Steps have been discovered leading from

the arch to a building to its west121, the ground plan of which has not yet been

determined. Its podium was built in granite faced concrete, and clad with slabs of

marble. The superstructure was marble, with columns of 1.5 metre diameter,

indicating a large building. It may have been tetrastyle122. The marble

superstructure with the marble over the granite base indicates a two-stage

construction, as at the scaenae frons of Agrippa's theatre where the podium could be

clad with marble, but the columnatio had to be replaced. A tetrastyle temple is

depicted on the reverses of some Tiberian coins, together with the legend

Aeternitati Augustae123. The partly excavated temple and that shown on the coins

may be one and the same124. Tarraco. had sought permission from Tiberius in

A.D. 15 to erect a temple there following the consecration of Augustus as divus in

A.D. 14, although the building was still under construction in the middle of the

1st century A.D., and was probably completed by the early years of the principate of

Vespasian (A.D. 69-79), if not before. The completion date of the temple at Augusta

Emerita, dedicated to the same cult, is unknown, but it may have been at about the

mid point of the 1st century A.D. based on the evidence of inscriptions 125. Mierse

mentioned the drawings of Laborde, which are the only evidence of a purported large

building at the provincial forum, interpreted variously as a 'Temple of Jupiter', an

'Imperial basilica' or an 'early Christian basilica'126. There is, therefore, little information

about the provincial forum other than a general indication of a large temple and of two

phase construction. These two phases are seen at the 'Arch of Trajan'. Fig. 9.21a127

shows the arch from a position looking towards the forum and Fig. 9.21b128 the plan. As

119 Mierse, W.E., Temples and Towns in Roman Iberia, Berkeley, 1999, Fig. 26, p.65.

120 Hernández Ramírez, lámina 1.

121 Álvarez Martínez et al, Mérida, p.20.

122 Ibid, p.20, and Trillmich, p.307 and Note 30.

123 Burnett, et al, pp.72, Coin 29 and p.73, Cons 47 and 48.

124 As suggested by Álvarez Martínez et al, Mérida, p.20. Hernández Ramírez, p.185, disagreed.

125 Fishwick, D., The Imperial Cult in the Latin West, Vol. 1, Leidèn, 1987. pp.150-158, discussed divus Augustus at Tarraco, and the provincial cults of Tarraconensis and Lusitania.

126 Mierse, Temples and Towns in Roman Iberia, pp.66, 68, and Fig. 27.

127 Álvarez Martínez et al, Mérida, Fig. 55, p.51.

128 Based on Pfanner, Abb. 33, p.102.

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- 178 - noted above, there were steps in the forum behind the central archway, and the sides were

wide enough for wheeled traffic, indicating that the Arch was an entrance to the forum.

Fig. 9.22129 shows the method of applying marble cladding to the opus quadratum, as at

the podium of the scaenae frons of Agrippa's theatre130.

There are, therefore, some difficulties in forming conclusions about Agrippa's actions for

the provincial forum. The two-stage construction at the forum and for the

'Arch of Trajan' are seen at Agrippa's theatre. Yet, unlike the theatre, there are no

indications of dating from inscriptions. Also it is not possible to assess the dating of the

'Arch of Trajan' from its material remains, as could be done for the Temple of Diana. It

is, therefore, possible to suggest Agrippa's actions only from the circumstantial evidence.

This indicates that Agrippa would have built the theatre and the temple before the

provincial forum, which was needed only when the provincial administration had been

developed. Consequently, he probably earmarked the zone for this and planned it general

features.

It is not possible from present evidence to indicate other works of Agrippa in the town. It

has been argued here that the monumental walls and gates were built to suit the

monumental town of the capital of Lusitania, despite the depiction of a stone gateway on

the coins of Carisius131. Agrippa would have included the monumental stone gates and

walls in his planning of 19/18 B.C., together with the stone bridges approaching the

town. Yet, they were probably built after the theatre or other first works in the town, and

not by Agrippa. He would have built first streets and drains needed for his first buildings

and, perhaps, road works at and near the town.

POSSIBLE AGRIPPAN WORKS : CONCLUSIONS Agrippa did not build the amphitheatre, but he made provision for it when he planned

and started construction on his theatre dedicated in16/15 B.C. He was, therefore,

responsible for determining its position, orientation, and also its size in order to work

out the space allotted to it. Agrippa planned the town drainage system, and started to

build it before or with his first buildings, including his theatre. At the municipal

129 Based on Ibid, Abb. 33, p.102 and Tafel 8e.

130 See Figs. 8.30-32.

131 See above Chapter 7, Notes 33-36, p.132.

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- 179 - forum, Agrippa planned, and probably started, construction on the 'Temple of Diana',

and he may have built a praetorium there. Agrippa probably took no action on the

provincial forum other than to set land aside for it and, perhaps, to decide on its main

features. Agrippa would have planned other works and started construction on some

of these, including streets and roads, but it is not possible to identify these from

present information. Agrippa was responsible for the new stone bridges being built

over the Guadiana and Albarregas rivers, but he was almost certainly not in Hispania

when construction was started on them. Agrippa's relationship to the aqueducts is

unclear. If he initiated investigation for these, he was the 'father' of all the aqueducts,

but had little, if any connection, to their construction. If aqueduct investigation had

been undertaken before 19/18 B.C., Agrippa probably ordered construction of the

Cornalvo aqueduct already selected as the first to be built.

Page 188: Constructions Agrippa

- 180 -

AUGUSTA EMERITA : CONCLUSIONS Augusta Emerita was founded by Carisius, as Emerita, in 25 B.C. following the

'pacification' of N.W. Hispania by Augustus. The site was suitable for building a

large town with aqueducts at a major river crossing, and was, perhaps, intended to

be a capital of a future province of Lusitania. Initial urban development by the

serving army was interrupted, and finally stopped, by withdrawal of forces to

N.W. Hispania, where rebellion continued. By 19 B.C., Emerita was a small town

in a large urban space without aqueducts or stone bridges over the rivers. After

Agrippa finally pacified N.W. Hispania in 19 B.C., he produced a master plan for a

monumental town, with aqueducts and stone bridges. The serving army, released

from conflict in N.W. Hispania, was used for its construction, and skilled artisans

were also brought in. His master plan was not fully executed for decades and the

actual construction may not always have conformed to it. Agrippa built the theatre

and he planned the amphitheatre, and possibly the circus, to form the entertainment

zone. He built the first part of the drainage system, which he planned for the whole

town. Agrippa almost certainly started work on the 'Temple of Diana' at the

municipal forum. He also made provision for the two stone bridges being built, but

it is unlikely that he started construction on these. If Agrippa was the first to

investigate aqueducts as the general planner of the new Augusta Emerita, he was the

'father' of all three. He may also have ordered work to be started on the Cornalvo

aqueduct, if, as is likely, this had already been selected as the first to be built.

These conclusions represent a new viewpoint on Agrippa at Augusta Emerita.

Previously, urban development in 25 B.C. was thought to have proceeded rapidly

because veterans were settled there. Yet, the early development was by the serving

army, and it ceased not long after foundation. The stone bridge over the

Guadiana River was thought to have been built on foundation, since the

decumanus maximus and it were on the same alignment, and this was seen to indicate

a rapid urban development. Yet, the conjunction of the alignments can be explained

by the replacement of a first timber bridge by a stone bridge planned by Agrippa, and

built after he left Hispania. The fact that Agrippa built his theatre, dedicated in

16-15 B.C., was an indication that monumental development (including a theatre) had

not started in 25 B.C., but this pointer was overlooked. The conclusions of this study

are supported, to some degree, by recent scholarship. Roddaz indicated that Agrippa

Page 189: Constructions Agrippa

- 181 - had done something at the town, other than build his theatre1. He also discerned, but

did not define, a yet larger Agrippan role at the town2. Trillmich examined the

posthumous epigraphy and saw Agrippa as 'planner and euegetes'. He also suggested

that 'the Mérida of Agrippa was ready first under Claudius'3. He did this without

reference to any evidence other than the posthumous epigraphy. The conclusions

arrived at here are, therefore, extensions of those of Roddaz and Trillmich after a

more thorough analysis than was possible for Roddaz or intended by Trillmich. They

also result from a new focus on all the activities of Agrippa at the town, replacing

previous separate studies of particular aspects related to him. There is, in addition, a

new engineering analysis augmenting previous archaeological and historical

assessments.

1 Roddaz, Marcus Agrippa, pp.417, 8.

2 Roddaz, 'Agrippa et la péninsule Ibérique', p.72.

3 Trillmich, 'Ein historisches Relief …', pp.302-3.

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- 182 -

1100.. AAGGRRIIPPPPAANN CCOONNSSTTRRUUCCTTIIOONNSS AATT UURRBBAANN CCEENNTTRREESS OOTTHHEERR TTHHAANN AAUUGGUUSSTTAA EEMMEERRIITTAA

Coins or inscriptions showing Agrippa or bearing his name have been found at

Gades, Carthago Nova, Caesaraugusta and Ulia Fidentia. The first three towns are

marked on Fig. D. Ulia Fidentia was a small town some 40 km south of Córdoba,

which is marked on Fig. D. An inscription found at Emporiae has also been seen as

Agrippan by some scholars. Emporiae is marked as Ampurias on Fig. C on the

N.E. coast north of Barcelona. There seems to have been no previous identification

of Agrippan constructions from these coins or inscriptions, or from other material

remains at any of these places. The object of investigation in this chapter is to

describe the coins, or inscriptions, suggest the Agrippan activities from which these

resulted, and assess possible Agrippan planning or works associated with these

activities.

(a) GADES (CÁDIZ):

The evidence of Agrippan activity is from the local coinage on which he is both

named and depicted. He appears in these ways nowhere else in Hispania on

contemporary coinage except at Carthago Nova1. Furthermore, at Gades, he is

described, both as patronus, and as parens. The latter description is seen on no other

Agrippan coinage of the West. Both terms appear with municipium, indicating some

initiative at and support for the civic entity.

Gades, or Gadir, (modern Cádiz) seems to be the earliest Phoenician settlement in

Iberia, traditionally founded by colonists from Tyre around 1100 B.C., but, perhaps,

really in the 8th century, according to archaeological studies2. The settlement was

intended to trade in south-west Spain on the Atlantic seaboard3, and at more distant

places, including Britain. Strabo gave an account of the settlement 4. Investigations,

1 See below Note 56, p.189.

2 Escacena, J.L. ‘Gadir’, Olmo Lete del G. & Semmler, M.E.A., Eds., Los fenicos en la peninsula Iberica, Vol. 1, Barcelona, 1986, pp.39-52, at p.39.

3 Keay, Roman Spain, p.12.

4 Strabo, 3.5.3. and 3.5.5.

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- 183 - both below and above present sea level, have revealed the topography and some of

the first developments5. Fig. 10.16 shows one interpretation of these, which extended

to the island of Antipolis and to parts of the mainland 7. There was almost certainly a

mainland port where ocean-going ships could meet river traffic, and, therefore,

probably sited near the mouth of the Guadalete River8. The Phoenician city became

an ally of Rome, as a civitas foederata in 206 B.C.9 Strabo described the Phoenician

city centred on Erytheia as ‘very small indeed’ and said that 'Balbus of Gades' built a

new one near it to form a twin city, (didyme) together with a new harbour city ‘on the

opposite coast on the mainland’10. The new city of Balbus was on Kotinousa near

the old Phoenician necropolis. Figs. 10.2a and 10.2b11 show changes since the

Roman period. Fig. 10.2a, showing the existing coast in full lines and that of the

Roman period dotted, indicates both erosion and deposition at the Phoenician town,

and that of Balbus near it. Fig. 10.2b shows a general retreat of the sea when related

to Fig. 10.1. Fig. 10.2a shows the location of the Roman theatre which was part of

the new town. Nothing is known for certain about the position of the new harbour

city. Cicero, in a letter dated 46 B.C.12, noted that 'Balbus of Gades' was building at

the town. It is also known that Balbus had built a theatre (probably in wood) by

43 B.C.13. Balbus had, therefore, started his new city on Kotinousa in the

1st century B.C., and was still active in 13 B.C. since his theatre in Rome was

probably dedicated in that year14. Nothing seems to be known about the date of

construction of the harbour city of Balbus, but it was probably started at much the

same time as the city of the didyme.

5 Ramírez Delgado, J.R., Los primitivos nucleos de asentamiento en la ciudad de Cádiz, Cádiz,

1982, pp.95-130.

6 Based on Escacena, 'Gadir', Fig. 1, p.41.

7 Fear, A.T., Rome and Baetica, Oxford, 1996, p.232.

8 Curchin, L.A., Roman Spain : Conquest and Assimilation , p.134.

9 Livy, 28.37.10.

10 Strabo, 3.5.3.

11 Esteban Gonzá lez, J.M., Vicente, A.M., Blanco Jiménez, F.J., 'Breve historia y criterios de intervencion en el área urbana del teatro romano de Cadiz’, Ramallo Asensio, S.F. & Santiuse de Pablos, F., Co -ords., Teatros romanos de Hispania, Murcia, 1992, pp.141-156, Fig. 1A and 1B, p.143.

12 Cicero, Ad Att, 12.2.

13 Cicero, Ad Fam, 10.32.

14 Cassius Dio, 54.25.

Page 192: Constructions Agrippa

- 184 - The archaeological information on Roman Gades is sparse because of the siltation

and erosion, and the extensive development since the Roman period. Partial remains

of the theatre have been dated to the late Republican/Augustan period and attributed

to Balbus15. Information on other Roman works is confined mainly to the area of the

twin city16. Coins struck at an unknown date in the Augustan principate show a

tetrastyle temple 17, but this may represent the famous Temple of Heracles18 as a

symbol of Gades rather than an actual building19. There is, therefore, no indication

of any constructions by Agrippa. Little seems to be known about Roman remains

from other parts of Gades.

'Balbus of Gades', the builder of the new town, the harbour city and the theatre, is more

accurately described as Balbus minor to distinguish him from his uncle, Balbus major,

since both were Lucius Cornelius Balbus. Balbus major, a native of Gades, received

Roman citizenship in 72 B.C., became the first foreign-born consul, and was Caesar’s

banker and agent. The nephew, a native of Gades and also a Roman citizen, received a

pontificate and consular rank (in 19 B.C.)20. Balbus minor is, therefore, a striking

example of a local person becoming influential, both at his place of birth and at Rome.

He, had the resources and the ambition to build new urban works at a long-established

commercial centre. Agrippa would have built there only for some project wanted by

Rome, such as naval facilities, or a new settlement of Romans in S.W. Hispania.

As noted above, the city had become allied to Rome in 206 B.C. Caesar set up laws

at Gades in 60 B.C.21 and granted Roman citizenship to the people of Gades in

49 B.C.22. The letter from Pollio to Cicero dated 43 B.C.23, describing the theatre of

Balbus, mentioned quattuorviri (elected by the comitia), who presided over a senatus,

15 Corzo Sánchez, R., ‘El teatro romano de Cádiz ‘Teatros romanos …’, pp.133-140, at 34.

16 Ramírez Delgado, J.R., 'Los primitvos nucleos …' , p.113-130 and references, pp.172-207.

17 Burnett et al, pp.81, 82.

18 Strabo, 3.5.3, Pliny 2.100.

19 Fear, pp.234-7 for the significance of the coin depiction and information on the temple.

20 Keay, Roman Spain, pp.52, 54, 73 and 84, Richardson, The Romans in Spain, pp.103, 119 and 126, and Ehrenberg & Jones, p.36, for the information about the Balbi.

21 Cicero, Pro Balbo, 43.

22 Cassius Dio, 41.24.10.

23 Cicero Ad fam, 10.32 and above Note 13, p.183.

Page 193: Constructions Agrippa

- 185 - and noted that the first fourteen rows of seats in the theatre were reserved for the

equites. Pollio also complained that the elections were unorthodox. The civic status

of Gades has been much discussed because Pliny described it not as a municipium but

as a township of Roman citizens called Augustani, living in the city of Julia Gaditana,

or an oppidum civium romanorum24. Fear concluded that Gades was a municipium by

43 B.C., with a 'reasonable political veneer'25. Brunt thought that Caesar's grant of

citizenship in 49 B.C. made Gades a municipium26. Sherwin-White, considered that Gades

did not possess the full organisation of municipium, although it might have been

classified as such until its constitution was altered under Augustus27. Grant suggested

that this change occurred under Agrippa in 19 B.C., with the coins of Agrippa

indicating this28. Rodríguez Neila also supported the idea of a change to an

unorthodox municipium by Agrippa in 19 B.C. He based this on an analysis of the

evolution of the civic organisation from the Phoenician magistrates, the suffetes, to

the quattuorviri of 43 B.C., the duoviri, who existed first in the Augustan period, and

the subsequent oscillation between quattuorviri and duoviri. He considered that the

change to the duoviri in the Augustan period brought the constitution of Gades into

the same form as the other orthodox municipia29. The evidence, therefore, indicates

that there was a municipium of some kind by 19/18 B.C. Curchin has suggested that

Augustus may have set up a colonia and a municipium corresponding to the two parts

of the twin city, based on the evidence of a single coin marked COL(onia) A(ugusta)

GAD(itana)30. This coin seems to be spurious, and there appears to be no other support

for the concept31. Strabo referred to Gades as a polis of the Gaditanians 32. Also,

Curchin made no reference to any colonia in his book on the magistrates of Roman

Spain, nor does there seem to be any other indication of a colonia or more than one

24 Pliny, 4.119.

25 Fear, pp.109, 110.

26 Brunt, P.A., Italian Manpower 225 B.C. – A.D.14, Oxford, 1971, pp.584-588 and p.602.

27 Sherwin-White, The Roman Citizenship, Oxford, 1937, pp.87, 141, 171.

28 Grant, FITA , P.171.

29 Rodríguez Neila, J.F., El municipio romano de Gades, Cádiz, 1980, pp.46-77, 81-84 and 95.

30 Curchin, Roman Spain. Conquest and Assimilation, p.120 and Note 24, p.205.

31 Galsterer, p.17, and Note 6 referred to the coin containing the colonia and described it as spurious, as did Burnett et al, p.80, and Fear, pp.66.7, Notes 16 and 19.

32 Strabo, 3.2.1.

Page 194: Constructions Agrippa

- 186 - municipium at Gades, despite its large geographical extent 33. It can be concluded,

therefore, that Agrippa found a municipium of some kind and altered it to a

conventional form, but that he did not add another municipium or create a colonia.

The coins showing or mentioning Agrippa are exclusively high value copper or

bronze dupondii or sestertii of large size. The obverses have the head of Agrippa,

bare or with rostral crown, or his figure, or the head of Hercules in lion skin with club

across the neck. There are no legends with Hercules. AGRIPPA or MUNICIPI

PARENS appear with Agrippa. The reverses all show an aplustre, carved stern of a

ship with ornaments, with legends of M. AGRIPPA COS III, MUNICIPI PARENS

or MUNICIPI (PATRONUS) PARENS34 Fig. 10.335 shows coins 77, 81 and 83,

which are the best preserved, twice real size. The legend COS III on the coins

showing Agrippa sets the earliest dating of these to 27 B.C., but there is no obvious

reason to date them earlier than 19 B.C. when Agrippa arrived in Hispania, although

Burnett et al dated the coins from 27 to 12 B.C., when Agrippa died, while also

indicating that a first striking in 19 B.C. was an 'attractive idea'36. Coins of the same

size, metal, and high denominations, struck at Gades, marked the pontificate of

Balbus minor (dated to 19 B.C.) by the legend PONT BALBUS, and instruments of

sacrifice on the reverse37. The coins showing the pontificate of Balbus minor cannot

be earlier than 19 B.C. when he received this office. Burnett et al have refuted the

idea that the coins of Agrippa and Balbus were posthumous 38. There is, therefore,

little or no doubt that the coins of Agrippa were first struck in 19/18 B.C.39 at much

the same time as those of Balbus.

33 Curchin, L.A., The Local Magistrates of Roman Spain, Toronto, 1990, pp.146-7, mentioned

only one municipium with one set of quattuorviri or duoviri, and no colonia. Mackie, N., Local administration in Roman Spain, 14-212, BAR-IS 172, Oxford, 1983, said nothing about a colonia .

34 Burnett et al, pp.81, 2. The coins are numbered 77 to 84.

35 Ibid, Vol. 1, Part 2 (illustrations).

36 Ibid, p.81.

37 Ibid, p.82, coins 85-87.

38 Ibid, pp.80 and 81 examined the evidence of Guadián (Archivo Español de Arqueologia 34, 1961, p.24) for this, and dismissed it on the grounds of insufficient proof and improbability.

39 Grant, FITA , pp.171, 2. Roddaz, Marcus Agrippa, p.604.

Page 195: Constructions Agrippa

- 187 - It can be concluded that the Agrippan coins marked a change to the constitution of the

municipium from an orthodox form to a more standard version acceptable in

19-18 B.C. This conclusion was arrived at by Burnett et al40, by Roddaz41, and by

Grant42, although Grant combined this observation with his hypothesis of foundation

issues43. Galsterer objected both to Gant's hypothesis of foundation issues and to its

application at Gades44. Galsterer's objection cannot be supported, and Grant's

hypothesis is not evaluated here. The coins of Balbus were struck in the same period

as those of Agrippa.

Other indications on the coins are connected to the sea. Agrippa is shown either bare

headed, or with the rostral (naval) crown, and there is an aplustre, or naval device, on

the reverses of all his coins. Hübner interpreted the PARENS and PATRONUS with

the aplustre as showing the creation by Agrippa of a naval station at Gades45.

Reinhold noted this, but was not convinced46. Naval bases existed at Misenum and at

Ravenna after Portus Julius was abandoned47, and there seems to be no proof of any

others. Rodriguez Neila referred to a possible naval detachment from Misenum to

Gades48, but he gave no evidence to support this. Pomponius Mela, a native of

Gades, writing in the principate of Caligula, mentioned Portus Gaditanum, without

reference to a naval facility49. There is, therefore, no actual evidence of a Roman

naval base or a less important naval facility at Gades. Yet there is a good case for

thinking that Agrippa would have established a naval presence at Gades. It was on

the Atlantic seaboard and, therefore, well placed for Roman naval expansion into

40 Burnett et al, p.81

41 Roddaz, Marcus Agrippa, pp.603-611 and Note 52.

42 FITA, pp.171, 2.

43 Ibid, pp.290-4, for the general hypothesis of foundation issues, also pp.131, 139 and 459 for its application to Gades.

44 Galsterer, p.18 and Note 10 suggested that the legend PARENS PATRONUS, indicated a stronger version of PATRONUS. Yet PARENS appears on its own on some of the coins.

45 RE, 7.1.15, p.457.

46 Reinhold, p.94 note 100, p.609, Note 48.

47 Ibid, pp.32, 74, also see above Chapter 5, pp.105-6, for the naval base at Forum Iulii, and below Chapter 11, p.211, for Portus Iulius.

48 Rodriguez Neila, El Municipio, p.95 and p.97 note 25.

49 Pomponius Mela, De Chorographia 3.4.

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- 188 -

western Hispania, corresponding to that over land from Augusta Emerita. Also,

Roman control over N.W. Hispania was a catalyst for increased Roman maritime

activity in that region, including improvement of navigational control50. Agrippa, as

the victor in Cantabria and the developer of Augusta Emerita, would have seen the

potential use of Gades for these purposes.

It can be concluded that the coins showing Agrippa marked his change of the

constitution of the municipium to a conventional form, and, almost certainly, his

action on a naval facility which he planned, but perhaps did not build. It is most

unlikely that Agrippa built anything for Gades itself. The coins mentioning

Balbus Minor may have indicated some works by him at his native town in addition

to noting his pontificate. The two issues would have symbolised the co-operation of

Rome and the town.

(b) CARTHAGO NOVA (CARTAGENA):

The evidence of Agrippan involvement is from an inscription and the coinage.

Figs. 10.4a and 10.4b51 respectively show an inscription (part) in the correct

orientation, and as it was found turned through 90° in the wall of the

Castillo de la Concepcion52.

The decipherable letters of the remaining part are:

M A G

L F COS

PATRON

Koch has reconstructed the inscription as

M(arco) AG(rippae)

L'(ucii) F(ilio) CO(n)S(uli) [III quinq(uennali)]

PATRON[o coloni].

50 See above Chapter 6, Note 86, p.126, for the lighthouse at La Corona on the N.W. coast of

Spain.

51 Koch, M., ‘M. Agrippa und Neukarthago’, Chiron, 9.1979, pp.205-214, Tafel 5 and Tafel 6.1.

52 Ibid, p.206.

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- 189 - using three better preserved inscriptions naming Tiberius Claudius Nero, P. Silius

Nerva, and King Iuba the 2nd of Mauritania, as patrons of the town53. The

reconstruction of Koch is as reliable as can be expected, and probably correct. The

imputed COS III indicates that the inscription is dated after 27 B.C. and, as in the

case of the coins at Gades, there is no reason to assume that it is earlier than 19 B.C.

when Agrippa was in Hispania 54, although Koch suggested that the inscription could

date from 19 to12 B.C.55.

Agrippa is named on a coin type of Carthago Nova as quinquennalis who has

delegated this office to a local praefectus. This type is not shown here since the

depiction is obscure. There is no mention of him being a patronus. Augustus is

presented on the coinage as holding the same delegated office as Agrippa56.

Carthago Nova, together with Ilici and Lepida, seems to be the only mint in

Hispania where the coins were struck by duoviri quinquennales57, or the magistrates

responsible for arranging the local census every five years, and revising the roll of

the local senate at the same time58. Both Agrippa and Augustus, therefore, held

high office at Carthago Nova, but took no active part in its discharge. Roddaz

discerned in this the origin of a dynastic cult, and suggested that this fitted in

perfectly with the Iberian tradition of regard for the victorious conqueror,

in this case in Cantabria and by Augustus and Agrippa59. Quinquennales had

existed at Carthago Nova since the middle of the 1st century B.C.60. The

numismatic evidence of Agrippa and Augustus, therefore, indicated a connection to

a well-established local practice congruent with the comment made by Roddaz.

53 Ibid, pp.208, 211, 212.

54 As argued by Roddaz, Marcus Agrippa, p.414 and Note 150.

55 Koch, p.213 and Note 54.

56 Burnett et al, p.94, coins 162, 3 for Augustus and coin 164, for Agrippa. Roddaz, Marcus Agrippa, p.605 and notes 56-60 described some other similar coins showing Agrippa.

57 Burnett et al, p.91.

58 Curchin, The Local Magistrates of Roman Spain, p.30.

59 Roddaz, Marcus Agrippa, p.415 and note 153.

60 Burnett et al, p.93.

Page 198: Constructions Agrippa

- 190 - Carthago Nova, founded for Carthage on a previous Iberian site by Hasdrubal in

226 B.C. was captured by Scipio in 209 B.C.61 at much the same time as Gades

became an ally of Rome. The foundation of the colonia of Iulia Victrix cannot be

dated accurately, but it was certainly before 27 B.C.62. Development after

capture was rapid because of the Roman exploitation of the rich mineral deposits

in the district, and the rise of local industries. Nevertheless, the Republican town

was an agglomerate, and a structured layout with an orthogonal street pattern did

not develop until the last years of the 1st century B.C. The major urban building

was, therefore, after the Agrippan period, but details of the development are, as

yet, not well understood since little excavation has been possible in the modern

town63. The theatre has been partly excavated. This was almost certainly

dedicated to Gaius, the first son of Agrippa and Julia, as indicated by inscriptions,

one of which can be dated between 5 B.C. and A.D. 164. The general architecture

of the building as excavated is congruent with a start on construction in this

period65. Consequently, it is surprising to find a suggestion that Agrippa, in

19/18 B.C. agreed to finance the building, and for Gaius to continue this after his

death66. No justification was offered for this suggestion, and it was followed by

reference to an active construction role by King Iuba in Mauritania, and his close

connections to Carthago Nova67, where, as noted above68, he was patron of the

city. The birth of Gaius in 20 B.C.69 was important for Agrippa, who may have

marked it by some particular action. Nevertheless, it seems unlikely that this took

61 Livy, 26.42.1.

62 Galsterer, p.29 and Note 129, Brunt, p.592, also Richardson, The Romans in Spain , p.120, noting the establishment of coloniae by Caesar in about 45 B.C.

63 Ramallo Asensio, S.F., San Martín Moro, P.A. and Valdéras, E.R., Ramallo Asensio, S.F. & Santiuste de Pablos, F., Co-ords., ‘Teatro romano de Cartagena. Una aproximación preliminar’, Teatros romanos de Hispania , pp.51-92, p.90, pp.88-90 and Note 105, p.87, referring to Ramallo Asensio , La ciudad romano de Carthago Nova : la documentacíon arqueológica. Murcia, 1989, pp.28-37. Also Jiménez Salvador, J.L., ‘Teatro y desarrollo monumental urbano in Hispania’, Teatros romanos de Hispania, pp.224-238, p.233-4..

64 Ramallo Asensio et al, pp.82, 83.

65 Ibid, p.81.

66 Ibid, p.90.

67 Ibid, p.91.

68 See above Note 53, p.189.

69 Cassius Dio, 54.8.5.

Page 199: Constructions Agrippa

- 191 - the form indicated by Ramallo Asensio. Consequently, there is no evidence that

the theatre was planned by Agrippa, or that he had any part in its construction.

In conclusion, the Agrippan inscription and coins indicate that he was patronus and

held local office. The inscription has been seen as a good example of the relationship

between the Imperial family and Spanish cities in this period70, and the coins of

Augustus and Agrippa were probably an early form of the Imperial cult 71. There is no

indication of Agrippan planning or constructions from these pieces of evidence, nor

should this be expected at a town, which, like Gades, was able to build its own urban

facilities. Unlike Gades, there is no indication of any municipal or other initiative of

Agrippa. Also, there seems to be no posthumous evidence of Agrippa equivalent to the

iconography at Augusta Emerita72 or the coinage at Caesaraugusta73.

(c) CAESARAUGUSTA (ZARAGOZA):

Coins struck at Caesaraugusta in the principate of Gaius (Caligula), A.D. 37-41,

show and name Agrippa. These coins indicate that Agrippa was an important

figure at the town half a century after his death and, therefore, that he had done

something there in 19-18 B.C., since he was not in Hispania after this period74.

Agrippa was not previously shown on the coins of Caesaraugusta75 and there

seems to be no other contemporary material evidence of Agrippa at

Caesaraugusta in 19-18 B.C. corresponding to the inscriptions at Agrippa's theatre

at Augusta Emerita76. Consequently, there is no justification for such a detailed

investigation of Agrippan works at Caesaraugusta, as at Augusta Emerita.

Nevertheless, there is other evidence indicating Agrippan activity at

Caesaraugusta in 19-18 B.C. which should be examined closely. This evidence of

19-18 B.C. is investigated in a first section, and the posthumous coinage in a

second.

70 Alföldy, CAH 10, 1996, p.451 and note 2.

71 Roddaz, Marcus Agrippa, pp.414, 5 and Note 59.

72 See above Chapter 7, Notes 45-67, pp.134-6.

73 See below Notes 108-118, pp.196-7.

74 There is no evidence of such a visit of Agrippa in any biography of Agrippa, seen by the writer.

75 Burnett et al, pp.117-125.

76 See above Chapter 8, Notes 57-73, pp.148-150.

Page 200: Constructions Agrippa

- 192 -

(i) The Evidence from 19/18 B.C.

Pliny described Caesaraugusta as a colony immune from taxes on the site of a town

called Salduba77. Construction for a Roman town was not, therefore, completely

ex novo, but there was a Roman foundation. The name Caesaraugusta shows that the

colonia was established by, or on behalf of, Augustus in or after 27 B.C., but the

crucial question here is whether Agrippa, in Hispania in 19/18 B.C., founded the first

urban entity. If this is the case, he selected the site, and was responsible for

determining the principal features of the town. Agrippa would not have built

monumental works at Caesaraugusta in 19/18 B.C. when he was doing this at

Augusta Emerita, where a small town had already been developed78.

There is no indisputable evidence of the date of the first Roman town at Caesaraugusta.

Cassius Dio did not record a foundation, although he noted that of Augusta Emerita in

25 B.C.79. This silence indicates no foundation at that time, although this has been

suggested80 at the same symposium where a dating of 19-14 B.C. was supported81.

Le Roux has, more recently, indicated a foundation of 14 B.C.82 and Roddaz one of

19-18 B.C.83. It is unlikely that there was a foundation between the departure from

Hispania of Augustus in 25 B.C. and the arrival of Agrippa in 19 B.C. Consequently, the

most probable foundation date is either 19-18 B.C. or 16-13 B.C. when Augustus was in

the West84, or, possibly, later still. It will be argued here that the first town was almost

certainly established by Agrippa in 19-18 B.C. It will also be argued that it was not

founded for the settlement of veteran, as is commonly supposed85.

77 Pliny, 3.24.

78 See above Chapter 7, pp.128-133, for urban development at Augusta Emerita before 19/18 B.C.

79 Cassius Dio, 53.26.

80 Beltrán Martínez, A., 'Caesaraugusta', symposium de ciudades augusteas, bimilenario de Zaragoza, 1976, pp.219-261, at pp.224-226, as noted by Le Roux, p.73, Note 302, and Roddaz, 'Agrippa et la péninsule Ibérique', p.67, Note 46.

81 Arce, J., 'Caesaraugusta', Symposium de ciudades …., 1976, pp.115-126, at pp.118-119, as noted by Le Roux, p.73, Note 302 and Roddaz, 'Agrippa et la péninsule Ibérique', pp.67, Note 46.

82 Le Roux, p.73.

83 Roddaz, 'Agrippa et la péninsule Ibérique', pp.67-68.

84 Cassius Dio, 54.23.7.

85 Grant, FITA, p.217 and Note 10, Galsterer, p.27, Roddaz 'Agrippa et la péninsule Ibérique', pp.69-70.

Page 201: Constructions Agrippa

- 193 - The coinage provides the best evidence of the early town, but it must be treated with

caution because there was local coinage and also putative Imperial strikings, with

the numismatic interpretation split between the two 86. There are also problems in

understanding the local coinage87. According to Burnett et al, the issue of

Q. Lutatius and M. Fabius is ‘generally agreed to be the earliest’, because of its

stylistic similarity to the gold and silver Imperial coinage attributed to

Caesaraugusta, and struck in 19/18 B.C.88. Here, Burnett et al referred to

Imperial issues marking the return of the Parthian Standards in 20 B.C.89, and

attributed to ‘uncertain Spanish mints 1 and 2, (Colonia Caesaraugusta and

Colonia Patricia [Córdoba])’ by Mattingly following Laffranchi. Attempts to

weaken this hypothesis have been based on discovery at Nîmes of an obverse die

from a gold coin of Colonia Patricia, but the attribution to Spain has not been

overturned (or confirmed). The general understanding is that the Imperial coins

were struck at Caesaraugusta in 19/18 B.C.90. Curchin dated Q. Lutatius and

M. Fabius as II viri to ‘Ca. 23-13 B.C.’91. There are, therefore, uncertainties

about the date of the first Roman coinage of Caesaraugusta, but 19/18 B.C. is the

most likely. The first coins of Augustus, as listed by Burnett et al92, named

Caesaraugusta and not Colonia Caesaraugusta, and bore the traditional foundation

symbol of the priest ploughing with oxen to define the pomerium, although this

appeared on a number of later coins. There were no military symbols or legionary

numbers. The first military symbol, a vexillum (standard or flag), appeared on the

third Augustan issue, not dated by Burnett et al, but placed immediately before the

issue dated 8-1 B.C.93 which was supported by Curchin’s general dating of the II

viri on the coins94. The legionary number 4, 6 and 10 were noted first by

Burnett et al on the sixth issue. This can be dated to the general period 4-2 B.C. by

86 Burnett et al, pp.117-127, for the local strikings, RIC, Vol. 1. 1984, pp.25, 26, 43-45, for the

Imperial.

87 Burnett et al, p.117.

88 Ibid, p.117.

89 Cassius Dio, 54-8.

90 RIC, pp.25-26, and pp.43-45.

91 Curchin, The Local Magistrates of Roman Spain, p.188.

92 Burnett et al, p.119, the coins of Q. Lutatius and M. Fabius, Nos. 304-5.

93 Ibid, p.120, coin 311.

94 Curchin, The Local Magistrates … , p.188.

Page 202: Constructions Agrippa

- 194 - the appearance of Gaius and Lucius with Augustus between them, and the dates of the

Il viri95 on it. The colonia was indicated later on the eighth issue. Burnett et al dated

this after 4-3 B.C. and before A.D. 10-12, or after the depictions of Gaius and Lucius,

and before the issue showing Augustus and Tiberius96. Curchin dated the II viri on the

coin showing the colonia to ‘perhaps Ca. A.D. 4’97.

The coins, therefore, as interpreted by Burnett et al, indicate a foundation in

19/18 B.C. for civilian settlement, with the military settlement and the colonia

progressively later. No substantial veteran settlement at Caesaraugusta can be

expected after the pacification of Cantabria in 19 B.C., since a large area had been set

aside for this in the province of Augusta Emerita98. Also, the military historian

Le Roux considered that there would have been insufficient veterans to form a town

settlement at that time99. The arguments of Roddaz for soldier settlement at

Caesaraugusta after the pacification based on a mutiny hypothesis are questionable100.

Le Roux argued for a civilian settlement in 14 B.C. on the basis of the visit of

Augustus to the West101. The text of Cassius Dio describing the visit of Augustus to

the West noted the introduction of Roman settlers in 14 B.C., but it did not clearly

indicate the creation of new colonies rather than the settlement of new colonists at

existing ones102. The findings from the coins are, therefore, generally supported by

the military and historical evidence.

Strikings of Imperial coins marking the return of the Parthian Standards at the new

town of Caesaraugusta indicated that Celsa, some 50 kms further down the Ebro from

Caesaraugusta, founded by Caesar, and renamed by Lepidus, was to be

95 Burnett et al, p.120, coin 319 and Curchin, The Local Magistrates … , pp.188, 9.

96 Ibid, p.121, coin 325.

97 Curchin, The Local Magistrates … , p.189.

98 See above Chapter 7, Note 11, p.129, for the text of Frontinus describing settlement of veterans in a large area of Augusta Emerita set aside for successive retirements.

99 Le Roux, p.73.

100 Roddaz, 'Agrippa et la péninsule Ibérique', pp.67, 68, suggested that Agrippa really came to Cantabria to suppress a mutiny rather than to pacify the area. The text of Cassius Dio, 54.11, did not indicate this.

101 Le Roux, p.73.

102 Cassius Dio, 54.23.7 stated that Augustus established colonies of Roman settlers in many cities in Gaul and Spain.

Page 203: Constructions Agrippa

- 195 - overshadowed. Celsa103, unlike Caesaraugusta, and as seen from Fig. D, never

became a conventus centre of the Empire. A decision to eclipse Celsa is probably to

be explained by the position of Caesaraugusta further up the Ebro for river trading

and with better access to land routes in the interior, and, also, by the undesirable

association of Celsa with Lepidus. The coins marking the return of the

Parthian Standards were valuable propaganda for Augustus 104 and Agrippa almost

certainly had some part in their production. Furthermore, he needed precious metal

coinage to pay his legions after the campaign in Cantabria. There is, therefore, a

strong indication that Agrippa went to Caesaraugusta and set up a new Roman town

which would eclipse Celsa.

Augusta Emerita, founded in 25 B.C., was converted into a monumental town in

accordance with a master plan drawn up by Agrippa in 19-18 B.C., and the serving

army was used for building the initial works. At Caesaraugusta there is no

numismatic evidence of military works at the early town since, as noted above, the

legionary numbers 4, 6 and 10 do not appear on the coins until later, and perhaps in

4-2 B.C.105. This is congruent with units of the serving army being retained at

Augusta Emerita until substantial progress had been made there and then being

transferred to Caesaraugusta. The archaeological evidence at Caesaraugusta indicates

that the first works at the town were built in the Augustan period, with a first phase of

monumental construction in the principates of Tiberius and Claudius106. It is not

known whether the first works were Agrippan, dated to 19-18 B.C., or whether they

resulted from the visit of Augustus in 16-13 B.C.

The contemporary evidence, therefore, indicates a probable foundation of

Caesaraugusta by Agrippa in 19-18 B.C. If the Imperial coinage was struck

elsewhere, the case for Agrippan foundation is weakened to some extent. The fact

that Agrippa was not named or shown on the contemporary coinage does not indicate

his lack of connection to the town, since only the princeps featured regularly on

103 Galsterer, pp.24 and 25 and notes 81-81 for the early history of the Victrix Iulia Lepida.

104 Cassius Dio, 54.8, recorded the diplomatic victory of Augustus in recovery of the Standards from Phraates (lost by Crassus at Carrhae, 53 B.C.; Decidus Saxa, 40 B.C., and Antony, 36 B.C.).

105 See above Note 95, p.194.

106 See below Note 121, p.198.

Page 204: Constructions Agrippa

- 196 - coinage. Carisius was named on the coins of Augusta Emerita from 25-23 B.C.

because he was the legate in charge of the part of Hispania acting on behalf of the

princeps. Agrippa, in Hispania in 19/18B.C., had no territorial attachment to

Caesaraugusta, and there was no need for him to feature on the coins. Agrippan coins

at Gades and Carthago Nova have already been explained by local factors.

Roddaz107 suggested that there was a change from 25 B.C. to 19/18 B.C., with the

princeps increasingly claiming the credit for all important actions. He argued that

Carisius could, therefore, claim to have acted at Augusta Emerita, but that Agrippa

could not do so at Caesaraugusta. This argument is to be supported.

(ii) Posthumous Evidence

Fig. 10.5a108 shows one of the coins struck at Caesaraugusta in the principate of

Caligula (Gaius)109. Agrippa has the rostral crown (generally unclear) with the legend

M AGRIPPA. L.F COS III on the obverse. The reverse has the legend C.C.A.

indicating the Colonia Caesaraugusta, and TITULLO ET MONTANO II VIR

with the foundation symbol of the priest ploughing, as seen on many others

struck at Caesaraugusta at various periods. Another coin is the same, but with

SCIPIONE replacing TITULLO 110. Both coins were dated A.D. 38, 39 by

Burnett et al111. They are hybrid coins since, on the obverse, they are virtually

the same as the very large Imperial issues of the so-called ‘Agrippan’ asses

circulated throughout the Roman world. Fig. 10.5b112, enlarged to the same

degree as 10.5a, shows the Agrippan asses. On the reverse, the ‘Agrippan’

asses have a depiction of Neptune, with trident and dolphin between the S and

C, which indicated issue by authority of the Senate. The coins struck at

Caesaraugusta by the city were imitations of the Imperial ones113. ‘Agrippan’

asses were struck under Caligula, and possibly also under Tiberius and

Claudius, at Rome, and probably elsewhere. They indicated Agrippa,

107 Roddaz, 'Agrippa et la péninsule Ibérique', pp.78-81.

108 Burnett et al, Vol. 1, Part 2, Plate 27 coin 386. The representation here is twice the actual size.

109 Ibid, p.127 coin 386.

110 Ibid, p.126 and coin 38l.

111 Ibid, p.119.

112 RIC, plate 14, coin 58.

113 Burnett et al, p.49.

Page 205: Constructions Agrippa

- 197 - the grandfather of Caligula, or Gaius, as the naval victor of Actium and Sicily114.

The coins struck at Caesaraugusta seem to be the only ones modelled on the

‘Agrippan’ asses which have been discovered from a western provincial mint 115. This

indicates that the city, prompted, by the issue of the ‘Agrippan’ asses, sought to

connect itself to Agrippa. Coins were also struck showing divus Augustus and

Agrippina Major and Germanicus (parents of Caligula) in addition to Caligula116.

These coins are the only ones from a local mint in the West associated with the

propaganda of Gaius and Claudius117. The propaganda of Gaius was designed to

trace his rule back to Augustus 118, but through Iula rather than Agrippa, whose origin

was humble. There seems to be no known relationship between the colonia and

Caligula, Agrippina Major, or Germanicus and the connecting link between

Caesaraugusta and the coin issues was, therefore, Agrippa, who left Hispania in

18 B.C., and is not known to have returned. Consequently, there is a clear indication

that Agrippa did something so important for the town at that time that he was

remembered some sixty years later.

The combination of the contemporary and the posthumous evidence shows that

Agrippa almost certainly founded the future colonia of Caesaraugusta in 19/18 B.C.

for general settlement and as the principal Roman centre in the region. Roddaz

argued that the posthumous evidence alone was sufficient to prove the Agrippan

action119, but this is to be questioned. The town would naturally claim any Agrippan

connection to the town when the Agrippan asses were so prominent. It does not

necessarily follow that the posthumous coins recollected a foundation by Agrippa

rather than some other action. Perhaps Agrippa had provided the first bridge over the

Ebro, or made the site a transport node by building road works. The essential

114 RIC., p.112 (obverse legend 4) listed ‘Agrippan’ asses under Caligula and the mint of Rome,

while noting other possible datings and mints, pp.105 and 115. Roddaz, Marcus Agrippa, pp.606-11, summarised the extensive bibliography on the ‘Agrippan’ asses.

115 Roddaz, Marcus Agrippa, p.609.

116 Burnett et al, pp.125-127, various coins.

117 Trillmich, W., ‘Familienpropaganda der Kaiser Caligula und Claudius’ Deutsches Archäologisches Institut. AMUGS, 8, 1978, pp.1-179, and tafels 1-16, pp.99, 100. Also, Trillmich, W., 'Zur Münzprägung des Caligula von Caesaraugusta', MM 14, 1973, pp.151-173.

118 Burnett et al, pp.50, 51.

119 Roddaz, 'Agrippa et la péninsule Ibérique', p.68 and Note 50.

Page 206: Constructions Agrippa

- 198 - evidence of Agrippan foundation, as set out in (1), was contemporary and the

posthumous coins reinforce this rather than demonstrate it on their own.

Agrippa, as founder, would have selected the site of the existing town of Salduba

and have defined the pomerium, together with the town layout. No doubt he

established some kind of urbs quadrata with defensive barriers. Nevertheless, his

early works cannot be distinguished from others of the Augustan period.

Fig. 10.6120 shows the principal known Roman remains in the town. The bridge

over the Ebro is lost, and probably underneath the existing structure. The forum

buildings along the cardo are Tiberian/Claudian, as is the theatre. The Augustan

forum was near the intersections of the principal streets, and the walls and drains

were set out in the Augustan period121.

(d) ULIA FIDENTIA:

The small town, some 40 km south of Colonia Patricia (Córdoba), is the only

one in Baetica which did not defect from Caesar to Pompey122. This explains

its name. There is an inscription M . AGRIPPAE . PATRONO123, together with

a statue of Agrippa with those of other members of the Imperial family, and also

a dedication to Agrippa Postumus 124. Ulia Fidentia, founded by Caesar125, was

of little importance and, is not included by Galsterer in his description of the

towns of Baetica. It did not strike any coins 126. The epigraphy indicates the

long established relationship to the dynasty of Augustus, and there is no

evidence of, or reason to expect any Agrippan activity there.

120 Beltrán Lloris, M., 'El valle medio del Ebro y su monumentalización en época republicana y

augustea (Antecedentes Lepida — Celsa y Caesaraugusta)', Stadtbild und Ideologie, pp.179-206, Fig. p.198, with some alterations.

121 Ibid, pp. 1967, also Beltrán Lloris, M., ‘El teatro de Caesaraugusta estado actual de conocimiento’, Teatros romanos de Hispania, pp.93-118, at pp.97-100, and Perez Casas, JA, ‘La excavacíon del Foro de Caesaraugusta’, Pancio, J. & Perez Casas, J.A., Eds., La Plaza de la Seo, Zaragoza , Zaragoza, 1989, pp.81-156..

122 Cassius Dio, 43.31.4.

123 CIL., 2.1527.

124 Roddaz, Marcus Agrippa, p.415 and note 152 referring to Etienne, le Culte, p.394.

125 Fear, p.116, and M.I. Henderson, ‘Julius Caesar and Latium in Spain’, JRS 32 (1942) 1-13.

126 Burnett, p.58, did not include Ulia Fidentia in the nine local mints of Baetica.

Page 207: Constructions Agrippa

- 199 -

(e) EMPORIAE:

Fig. 10.7127 shows the general location of Emporiae on the N.E. coast of Hispania,

and the Roman town on the plateau overlooking the later of the two Greek colonies.

These originated from a Phocaean trading post of the 6th century B.C. The Roman

town replaced a Roman garrison, and was built in the last few years of the

2nd century B.C.128. A colonia Latina was possibly founded there in 113 B.C.129, but

a municipium of this time was, perhaps, given a more definite form in the Augustan

period130. Fig. 10.8131 shows the original forum with the capitolium and

cryptoporticus on the north side, and the shops on the south, the extension of this in

the Augustan period, and further development in the Empire. The basilica, porticus

and possible curia, shown on Fig. 10.8, are Augustan, but there is no clear indication

of their dating within this period132. The Augustan forum is, therefore, a potential site

of Agrippan constructions of 19-18 B.C. possibly associated with an Agrippan change

to the constitution of the existing municipium, as at Gades133.

Fig. 10.9134 shows a photograph of the marble fragments of what may be one

inscription (No. 24) found at the Forum of Emporiae and, below it, the reconstruction

as proposed by Fabre et al135:

M(arco)[AGRIP]PAE

PAT[RO]NO

Fabre et al acknowledged that this interpretation replaced other versions with one or

three lines136, but they preferred it at least partly because Agrippa was seen by them

127 Keay, S.J., 'Processes in the Development of the Coastal Communities of Hispania Citerior in

the Republican Period', Blagg, T. & Millet, M., Eds., The Early Roman Empire in the West, pp.120-150, Fig. 10.6, p.131 (with addition of the general location).

128 Ibid, pp.130, 131.

129 Keay, 'Processes in the Development …', p.130 and Note 60.

130 Fabre, G, Mayer, M., Rodà, I., Inscriptions romaines de Catalogne, 3 Gérone, Paris, 1991, p.18 and Note 15.

131 Based on Pfanner, Abb. 26, p.92.

132 Ibid, p.19.

133 See above p.188.

134 Fabre et al, Plate 14.

135 Ibid, p,58.

136 Ibid, pp.58, 59.

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- 200 - as an important figure at Emporiae137. Fabre et al, therefore, accepted a dating of

19-18 B.C. for the inscription, while acknowledging that it marked the first use of

marble rather than local stone in the epigraphy of this part of Spain138. At

Augusta Emerita, the general use of marble was post-Augustan139, and Pfanner

identified the Augustan forum at Emporiae with the pre-marble period140. From

examination of the photograph, there seems to be little evidence of the P before AE,

and the spacings of the reconstruction are different in the two lines. Also, Roddaz did

not include the inscription in his list of those of Agrippa in Spain141 even though it

was officially noted in 1900142. It would be necessary to inspect the fragments to

form a more definite conclusion, but the inscription may not refer to Agrippa. Even if

it did so, it could have mentioned him in some context other than planning or

construction. Consequently, neither activity can be imputed to him from it, and there

is no other indication of these actions.

CONCLUSIONS

The most important evidence of Agrippan activity at urban centres, other than

Augusta Emerita, from the surviving inscriptions and coins, is from Caesaraugusta

where he almost certainly founded the first Roman town in 19/18 B.C. Agrippa, as

founder, would have selected the town site, laid out the pattern of the principal urban

facilities, including the bridge over the Ebro, and probably have started initial works.

Agrippa altered the constitution of the municipium of Gades and may also have

established a new Roman naval station there. For a naval station, Agrippa would also

have selected a site and acted as at Caesaraugusta. There is no indication of any

constructions by him at Carthago Nova, Ulia Fidentia or Emporiae, nor should these

be expected.

It is not possible to extrapolate from these conclusions in order to assess Agrippa's

activity at urban centres in the peninsula as a whole. This is the case because the

137 Ibid, p.18.

138 Ibid, p.59.

139 See above Chapter 8, Note 10, p.139.

140 Pfanner, pp.90-91.

141 Roddaz, Marcus Agrippa, map after p.623.

142 Fabre et al, p.58.

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- 201 - survival of inscriptions is random. It is less likely that coin issues have been

completely lost, but it is not possible to impute Agrippan action at urban centres

generally from the surviving coins, even though there were so many issues of

these143, since, as noted above, Agrippa would have appeared rarely on the coins,

and not always even when he had been prominent, as at Caesaraugusta. The

possibility of Agrippan action at urban centres other than Augusta Emerita,

Caesaraugusta and Gades is discussed in the section which follows.

143 Richardson, The Romans in Spain, p.145, noted the large number of coins struck in Hispania

in this period.

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- 202 -

AGRIPPAN WORKS IN HISPANIA : CONCLUSIONS

INTRODUCTION

It was possible to draw conclusions about Agrippan works in Gaul directly from the

findings of Chapters 1-5, since the constructions were explained by Agrippa's roles

during his two visits there and were congruent with the time available to him there. It

is not so clear that the works identified in Chapters 6-10 formed the corpus of his

works in Hispania. Firstly, Agrippa probably had a freer hand to act in Hispania in

19-18 B.C. than in Gaul in 19 B.C., since Augustus, in Hispania in 26-25 B.C., is not

known to have initiated plans for general development of the peninsula, as is recorded

for his actions in Gaul in 27 B.C. Secondly, apart from the pacification works in

Cantabria, all the others examined above were in a few urban centres in a large region

with several developed centres. It is, therefore, necessary to consider possible works

of Agrippa not investigated in Chapters 6-10 before drawing conclusions.

It has been argued here that Agrippa probably founded Caesaraugusta in 19/18 B.C.,

and Augusta Emerita was certainly founded, on behalf of Augustus, by Carisius in

25 B.C. Several other coloniae can be regarded, with a greater or lesser degree of

certainty, as founded or created in the Augustan principate. In fact, the urbanisation

of the peninsula under Augustus was so extensive that the Julio-Claudian emperors

did not extend colonial or municipal status other than to a few centres1.

Nevertheless, the dates of the foundations within the Augustan period are uncertain2.

Keay stated that Barcino was founded as a colonia between 15 and 13 B.C.3. It has

also been seen as founded in the late Republican or Augustan period4. These

indications are insufficient to suggest that Agrippa was responsible for its foundation.

Augustus was in the West in 16-13 B.C. It is not clear from the text of Cassius Dio

1 Alföldy, CAH 10, 1996, pp.449-458, also, Richardson, The Romans in Spain , Chapters 1, 2

and 3 and Chapter 4 up to p.149.

2 Brunt, Italian Manpower, pp.590-593 and Alföldy, CAH 10, 1996, p.457.

3 Keay, 'Processes in the Development of the Coastal Communities of Hispania Citerior …', Blagg, T. and Millet, M., Eds., The Early Roman Empire in the West, pp.120130 at p.138 and Note 97.

4 Mierse, Temples and Towns in Roman Iberia, p.78, and Notes 90-93.

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- 203 - whether he established new colonies or made new settlements at existing colonies5,

but there was ample time for new coloniae to be established during the principate of

Augustus. The possibility of Agrippa founding colonies other than

Caesaraugusta cannot be dismissed entirely, but it is less likely than Augustus doing

so in 16-13 B.C., or later.

Agrippa planned and started construction of a major town at August Emerita, and

probably as the future capital of Lusitania, but the possibility of his building

something at Cordoba and Tarraco, as the respective chief centres of Baetica and

Taraconensis, can almost certainly be ruled out. Agrippa was patron of Cordoba6, but

this does not necessarily indicate that he built anything there, and it is not possible to

identify works of the Agrippan period7. The town was probably sufficiently

developed by 19/18 B.C. to function as a regional capital, since it was rebuilt shortly

after its virtual destruction by Caesar in 45 B.C.8. At Tarraco there were substantial

urban works by 19 B.C., although the nature and extent of these is unknown since the

Augustan town in the lower part of modern Tarragona remains unexcavated, except

for a basilica of the Vitruvian type. The vestiges of the theatre may be late

Augustan9. There is, therefore, no knowledge of any works of the Agrippan period at

Tarraco, or at Cordoba, and little reason to expect these because they became

provincial capitals. Augusta Emerita was to be a 'palpable symbol of the presence of

Rome in the most westerly part of the Empire'10, since there was only a small town in

19 B.C., and major works were needed.

Possible Agrippan constructions at Carthago Nova, Iulia Fidentia and Emporiae were

not indicated from investigation in Chapter 10. These conclusions were to be

expected. Rome assumed responsibility for founding and starting development at its 5 Cassius Dio, 54.23.7, also see above Chapter 10, Note 102, p.194.

6 Mierse, 'Temples and Towns …', p.238 and Note 126. This possibility was based on a questionable inscription of the 18th century, noted in Masdeu, J.F., History critica de España , Madrid, 1784, pp.396-7 by Knapp, Roman Córdoba, 1983, p.30.

7 Ventura, A., León, P., and Marquez, C., 'Roman Córdoba in the Light of Recent Archaeological Research', Keay, S.J., Ed., The Archaeology of Early Roman Baetica, Portsmouth, Rhode Island, 1998, pp.86-107, and particularly pp.91-95 and p.106.

8 Ibid, p.92.

9 Keay, Roman Spain, pp.118-121 provided information on Tarraco; also Keay, 'Processes in the Development of the Coastal Communities of Hispania Citerior, pp.127, 8 and 137.

10 Richardson, The Romans in Spain , p.141.

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- 204 - coloniae for settlement of veterans or others. Elsewhere, the local elite were expected

to take the lead in development. In some cases, the charter of the town stipulated

labour on works by the inhabitants11. The example of local urban initiatives at Gades

by Balbus Minor has already been noted here and, at Saguntum, a large forum was

paid for by a local person12. Agrippa's role was to encourage development rather

than to participate in it. He would have honoured a particular town by becoming its

patron or by accepting some local office to be discharged locally, as at Cathago Nova.

Such action would have increased the status of the town and fostered its building

programme. There is, therefore, little reason to suspect Agrippan construction at

towns other than coloniae or those which were to attain this status.

There was no need for Agrippa to plan and built an extensive road network in

Hispania like that in Gallia Comata, since there was no externa l threat. Also, roads

had been improved or built over a long period in the south and the east, and there was

no immediate need for major works in the west or in the centre. Agrippa may have

extended the Caminio de la Plata, shown on Fig. D, to connect Asturica Augusta to

Augusta Emerita, or have improved the road to Asturica Augusta to Caesaraugusta,

but there is no evidence for his participation in these works13. It is more likely that

Augustus was responsible for road works in Hispania14.

As noted in the introduction to Hispania, Cassius Dio, describing Agrippa's visit to

Gaul and Hispania in late 20 B.C.15, did not indicate whether he was to go only to

Gaul, and was called away unexpectedly from Gaul to the rebellion in N.W. Hispania,

or was to visit both regions. It is, therefore, not possible to know if Agrippa stayed

on in Hispania after his pacification only to execute some particular works while he

11 Ibid, p.143, for a general analysis of the Augustan policy of urbanisation and Roddaz,

Marcus Agrippa, p.410, for the provisions of the Charter of Urso in Baetica.

12 See above Chapter 10 for Agrippa at Gades and Beltráán Lloris F., Epigrafia Latina de Saguntum y su territorum, (Valencia, 1980, No. 64), for Saguntum, as noted by Richardson, The Romans in Spain , p.144, Note 53..

13 Curchin, L.A., The Romanisation of Central Spain, London, 2004, p.110, noted milestones from 8-7 B.C. between Asturica Augusta and Caesaraugusta.

14 Keay, Roman Spain , p.49 and Note 3 referring to Roldan, J., Iter ab Emerita ad Asturicam. El camino del la plata, Salamanca, 1971, for the Camino de la Plata, and Chevallier, Les voies romaines, pp262-267, for general information on roads in the peninsula.

15 Cassius Dio, 54.11, also above Notes 10 and 11, p.112.

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- 205 - was there, or if he had some larger predetermined role. Nevertheless, it is likely that

the princeps, in the region in 16-14 B.C. and later, was responsible for large scale

planning in the peninsula. Roddaz has seen Agrippa, in Hispania in 19-18 B.C., as

the alter ego of Augustus16, but it is doubtful that he could act as freely as when he

was in the East, as discussed below.

Much, therefore, remains uncertain about the extent of Agrippa's role in Hispania in

19-18 B.C., but the evidence indicates that his primary roles were the pacification of

Cantabria and advancement of Roman expansion into the West, through development

of Augusta Emerita and, to a lesser extent, into the centre through the foundation of

Caesaraugusta. These activities, with other indications, have been investigated in

Chapters 6-10. It is, therefore, appropriate to draw conclusions about Agrippa in

Hispania from the findings of these chapters, pending further discoveries..

CONCLUSIONS Agrippa constructed substantial military works for his campaign in Cantabria, some

of which may yet be found and attributed to him. These are of great potential interest

for the military archaeologist and historian. Agrippa made no alteration to the

administration of N.W. Hispania after his pacification of Cantabria. He probably

ordered improvement of roads in the region and those connecting it to other parts of

the country, but the execution of such works would have been the responsibility of

the legates of the 'Two Spains'. There is no reason to think that Agrippa established

any urban centres or planned any urban works in the region. Agrippa, in 19-18 B.C.,

provided the theatre of Augusta Emerita, dedicated in 16-15 B.C., and planned

development of a monumental town, probably as the future capital of the province of

Lusitania, at the small town founded by Carisius in 25 B.C. His urban planning

embraced works at the town, new stone bridges, and aqueducts, but it is unlikely that

he built the bridges or any substantial part of the aqueducts. He started construction

of the early town works, including the town drainage system and probably the

'Temple of Diana', in addition to his theatre, but his planning was not fully

implemented until decades after his death, and, possibly, in the Claudian period.

Agrippa almost certainly founded the future Roman town at Caesaraugusta, selecting

the site, and establishing the main physical features of the town. There is no evidence

16 Roddaz, 'Agrippa et la péninsule Ibérique', pp.65-8, and 72-81.

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- 206 - for Agrippa's foundation of any other colonia, but he may have established a new

Roman naval station at the old Punic city of Gades, where he changed the constitution

of the existing municipium. Agrippa's activities at urban centres other than coloniae

were, almost certainly, limited to his patronage and encouragement of construction by

the local elite. There is no evidence of Agrippan road works in Hispania generally,

although he may have ordered road works in N.W. Hispania and those connecting

Asturica Augusta to Augusta Emerita and Caesaraugusta.

These conclusions represent a new interpretation of Agrippa in Hispania in which his

planning and constructions were principally instruments of Roman conquest in

Cantabria, and of expansion of Roman influence into western and central Hispania

centred on Augusta Emerita and Caesaraugusta respectively. There seem to have

been no previous investigations into Agrippa's military constructions in Cantabria,

and little enquiry into Agrippa's possible foundation of the first Roman town at

Caesaraugusta. Furthermore, previous studies of Agrippa at Augusta Emerita have

been directed largely to the archaeological investigation of his theatre there, with little

enquiry into Agrippan planning for the town, its bridges and aqueducts and the

possibility of his building other monuments. There has, also, been little or no

bringing together of archaeological investigations and posthumous evidence of

Agrippan activity. In fact, the previous information and comment on Agrippa in

Hispania was incomplete and uncoordinated. This resulted from the lack of a study

either of Agrippa in the peninsula or of his planning and constructions there, and a

consequent lack of focus on investigation of various aspects.

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- 207 -

OOTTHHEERR RREEGGIIOONNSS

1111.. AAGGRRIIPPPPAANN WWOORRKKSS OOTTHHEERR TTHHAANN IINN TTHHEE WWEESSTT

The objects of enquiry in this chapter are to complete the catalogue of Agrippan

constructions in the Roman world, and to cast further light on those in the West by

comparison with the others. The description of these other works is brief, with

footnotes referring to more detailed information. The historical information and

comment on them is also not detailed, and is intended to explain the functions of the

works being described so that these functions can be compared with the functions of

those in the West.

ROME AND ITALY

In 34/33 B.C., Agrippa, consul in 37 B.C., was prepared to take up the much lower

position of Aedile to carry out works on the infrastructure of Rome He built a new

aqueduct, the Aqua Iulia, which he joined to the existing Aqua Tepula, repaired the

others, and greatly increased the quantity and points of water distribution in the city.

Agrippa also upgraded the drains and streets and repaired buildings 1. This enormous

programme of works greatly improved living conditions at Rome for the general

population and was an important factor in influencing public opinion in favour of

Octavian and against Antony, who was in the East and doing nothing for the city. It

was reinforced by Antony's rejection of his legal Roman wife, Octavia, by his

marriage to Cleopatra, and the provisions of his will read out to the Senate by

Octavian that he be buried in Alexandria beside her. In 32 B.C., Octavian persuaded

the Senate to declare war against Cleopatra and, effectively, against Antony. At the

Battle of Actium in 31 B.C. where Agrippa was admiral, Antony and Cleopatra were

1 Strabo, 5.3.8, Pliny, 36.121, Frontinus, De Aqueductu 1, 9-10, Cassius Dio 49.43.

Shipley, F.W., Agrippa's Building Activities in Rome, St Louis, 1933, pp.19-34, Van Deman, E.R., The Building of the Roman Aqueducts, Washington, 1934, pp.1-29, 147-163, Ashby, T., The Aqueducts of Ancient Rome , Oxford, 1935, pp.160-165, Evans, H.B., 'Agrippa's Water Plan', AJA 86, 1962, pp.401-411, Evans, H.B., Water Distribution in Ancient Rome, Ann Arbor, 1994, pp.17, 95-103 and Aicher, P.J., Guide to the Aqueducts of Ancient Rome, Wauconda, 1995, pp.38, 39, also Reinhold, pp.45-52, and Roddaz, Marcus Agrippa, pp.145-153.

Page 216: Constructions Agrippa

- 208 - defeated, making Octavian master of the Roman world 2, and ensuring that the centre

of Roman power remained at Rome rather than going to Alexandria.

In 28-24 B.C., Agrippa's built a new quarter in the Campus Martius. The

Aqua Virgo, constructed by Agrippa to serve his development, was not dedicated

until 19-18 B.C.3. Fig 11.14 shows the Campus Martius in the Augustan period.

The Capitolium overlooks the Forum Romanum to the east. The Agrippan

structures were the Pantheon, the Basilica of Neptune, his Baths, the Saepta

(begun by Lepidus), and the Diribitorium. The last mentioned was completed by

Augustus after the death of Agrippa5. Agrippa's Pantheon was replaced by the

larger remaining building with the rotunda, which dates from the period of

Hadrian, although the inscription on its portico names the builder as Agrippa. The

Pantheon of Agrippa, a traditional temple with columns, occupied the space of the

porch and a small part of the rotunda of the present building. The

Basilica of Neptune consisted of a portico commemorating the naval victories of

Sicily and Actium, decorated with a fresco showing the exploits of the Argonauts.

The first form of the Baths of Agrippa, a laconium, built in 25 B.C., was expanded

into the Thermae Agrippae in 19-18 B.C., when the Aqua Virgo was

commissioned. This was probably the first of the thermae at Rome. The Saepta,

planned by Caesar and partly built by Lepidus, consisted of an enormous space

with porticoes abutting the Diribitorium. The large artificial lake, the stagnum,

received the waters of the Aqua Virgo and was the focus of a large garden in

which Agrippa placed numerous statues to form an extensive park for recreation.

It is not certain that Agrippa built the Euripus, which connected the Stagnum to

the Tiber, or whether the Aqua Virgo reached the west bank of the Tiber over the

Agrippan bridge. Little is known about the bridge or the Agrippan villa on the west

river bank marked on Fig. 11.1. There are few remains of the Agrippan works at the

Campus Martius, and the information on these is mainly from texts, inscriptions and 2 Cassius Dio, 50, 1-6, for the events which led to the declaration of war and their significance,

also Cary & Scullard, pp.295-6. Cassius Dio, 50.11-34, for the Battle of Actium, and Gurval, R.A., Actium & Augustus, Ann Arbor, 1995, for an interpretation of the importance of Actium.

3 Cassius Dio, 54.11, Frontinus, De Aqueductu, 1.10, Van Deman, pp.167-8, Ashby, pp.167-183, Shipley, pp.31-34, Evans, Water Distribution , pp.105-109, and Aicher, pp.68, 9.

4 Based on Tortorici, E., 'L'attivita edilizia di Agrippa a Roma', Ceresa Gastaldo, A., Pres., Il bimillenario di Agrippa , Genoa, 1990, pp.19-55, Plan 12, p.51 (after Coarelli, 1974)

5 Cassius Dio, 55.8.

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- 209 - the Marble Plan of Rome discovered at the Temple of Peace6. The Campus Agrippae

and the Porticus Vipsania, shown on Fig. 11.1 to the east of the Via Flaminia, were

developed after the death of Agrippa7. The only other possible public work of

Agrippa at Rome seems to be the warehouse near the Forum Romanum8.

The Basilica of Neptune and the Pantheon indicated, respectively, the achievements

of and the justifications for the rule of Augustus, since the former showed the

victories and the latter his connection to Caesar, being consecrated to Mars,

Venus Genetrix (the ancestor of Caesar), Caesar and all the gods. Agrippa had

wanted to place a statue of Augustus in it and name the building after Augustus, but

the princeps declined both tributes9. Completion of the Saepta and start of work on

the Diribitorium symbolised support for the political rights of the populace, since the

first was the meeting place for the Comitia Tributa, attended by all citizens, where

votes were cast and the second was the place where the votes were counted. The hot

baths, the large lake and ornamental gardens, with their works of art, formed a sort of

villa for the people where they could enjoy facilities previously not available to them.

Agrippa, of humble origin, favoured a greater participation by the people in culture10.

The Agrippan works at the Campus Martius, therefore, projected a double message.

The new order rested on conquest and a dynastic connection to the gods, but the

rights of the people were to be respected and the benefits of the new peace were to be

available to all. Agrippa, embracing the new order and providing these benefits, was

a champion of the people. Yet neither the Saepta nor the Diribitorium were used for

their original purposes once the new order had been firmly established11.

6 The principal texts are Strabo, 5.3.8, and 13.1.19, Pliny, 36.102, and Cassius Dio, 53.27 and

54.29, also Shipley, pp.37-72, Roddaz, Marcus Agrippa, pp.252-277, Tortorici, 'L'attavita idealizia di Agrippa a Roma', Lloyd, R.B., 'The Aqua Virgo, Euripus and Pons Agrippae', AJA, 83, 1979, pp.193-204, and Evans, Water Distribution in Ancient Rome , p.105.

7 Cassius Dio, 55.8.

8 The Horrea Agrippina (warehouses), perhaps built by Agrippa, were on the N.W. slope of the Palatine Hill. Bauer, H., described the buildings in Archaeologica Classica, 30, 1978, pp.31-146.

9 Cassius Dio, 53.23.

10 Shipley, pp.37-43 and Roddaz, Marcus Agrippa , pp.256-260, for the Saepta and the diribitorium. Roddaz, Marcus Agrippa , pp.244-290, for a general description of the political and cultural aspects pf Agrippa's development. Pliny, 35.26, for the oratio of Agrippa advocating cultural diffusion, also Roddaz, Marcus Agrippa, pp.245-6.

11 Zanker, P., The Power of Images in the Age of Augustus, Ann Arbor, 1988, pp.139-142, for a general discussion of the Agrippan works at the Campus Martius as part of the Augustan reshaping of Rome.

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- 210 - Octavian planned construction at Rome before Actium in his rivalry with Antony.

The announcement of his decision to build his Mausoleum at Rome when Antony

intended to be buried in Alexandria was a master stroke of Octavian's propaganda.

Most of these works were not completed before Actium12. After Actium, Augustus

embarked on an enormous programme of works, completing important projects started

by Caesar, and building new ones. There was, also, a comprehensive restoration of

buildings which had fallen into disrepair. The public monuments of Rome were

virtually recast during the principate of Augustus. On completion, a new style of

Roman architecture had been established, built to a higher standard than before, and

faced in marble instead of the local stone. The principal Augustan works were at the

centre of the city. Augustus completed the Forum of Caesar. At the Forum Romanum,

he finished the Basilica Julia, begun by Caesar, and re-built the Curia Julia restored by

Caesar. Augustus also built a temple to the deified Caesar, the Arch of Augustus, the

Temple of Castor and Pollux, and the Temple of Concord. Augustus created his own

forum with a temple dedicated to Mars Ultor. He completed the Theatre of Marcellus

in the Campus Martius, and the Ara Pacis, and rebuilt or restored more than 80 temples

in the city13.

In 34-33 B.C., therefore, Agrippa improved the whole of the city infrastructure by

building utilitarian works, which induced the population to favour Octavian. After

Actium, Agrippan building was restricted to one part of the city where it could be

easily identified as symbolising the beginning of the new order. Agrippan

constructions ceased in 18 B.C., whereas those of Augustus continued until the end of

the principate in A.D. 14, and recast the principal monuments of the city to represent

the centre of the Roman world, with himself as princeps14. The building

programmes of Agrippa and Augustus at Rome reflected their respective roles at the

centre of political power. Agrippa was allowed to help Octavian to win over the

12 The works of Octavian included the Temple of Apollo on the Palatine Hill vowed by him at

the Battle of Naulochus in 36 B.C., but not completed until 28 B.C, Claridge, A., Rome, Oxford, 1988, p.131, and his Mausoleum in the Campus Martius, also completed in 28 B.C., Claridge, pp.181-4.

13 RG 19-21 and Suetonius, Aug 28.3. There is a substantial modern scholarship on the Augustan works at Rome. Sear, Roman Architecture, Chapter 3, provided an overall summary, including reference to the building plans and construction of Caesar with information on the principal constructions. Favro, D., The Urban Image of Augustan Rome , Cambridge, 1996, examined the Augustan remodelling of Rome from the aspect of town planning.

14 Favro, p.19.

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- 211 - people, but not to take part in building the principal monuments for the political and

religious activities of the new state. This was reserved for the princeps.

In the West it was not practicable for Augustus to be so dominant in construction, nor

was this so necessary politically. Before Actium, Agrippa probably acted

independently in building his road network in Gaul to advance the interests of

Octavian. After Actium, Augustus took the major initiatives in Gaul at Nemausus,

Arelate and Glanum, with Agrippa possibly acting independently only at Lugdunum.

It is not known whether Agrippa acted independently at Augusta Emerita and

Caesaraugusta, or was largely guided by Augustus. At both these coloniae, Agrippan

actions were acknowledged after his death rather than in 19-18 B.C., and even the

inscriptions on the theatre at Augusta Emerita may have been intended to record the

inauguration of the province of Lusitania rather than the fact that Agrippa built it15. The

evidence from Gaul and Hispania indicates, therefore, that, after Actium and the

establishment of the new order, Augustus, as the princeps, was to be seen as the principal

actor for the state, by the publicity about constructions, if not always by the actual

division of works between the princeps and Agrippa.

Agrippa formed Portus Iulius in the Bay of Naples to build a new fleet and train it for

the fight against Sextus Pompey16. Fig. 11.217 shows the harbour dredged out of the

natural lagoon of Lake Lucrinus, with a canal cut to reach Lake Avernus and tunnels

connecting the two lakes and, also, Lake Avernus to Cumae, where supplies were

brought in. The Via Herculeana, along the shoreline, was cut to allow the fleet to sail

out into the open sea for training, and to return to a harbour safe from the ships of

Sextus Pompey. Portus Iulius was abandoned not long afterwards when a naval base

was built at Misenum, marked on Fig. 11.2. Since that time bradyseism (the natural

slow rise and fall of the land) and volcanic eruptions have altered the topography and

raised sea levels so that the Agrippan works, other than the tunnels in stable rock, can

presently be realised only partially and with great difficulty18. Portus Iulius was,

15 Cooley, PBSR, 67, 1999, pp.173-183, pp.178, 9, also see above Chapter 8, Note 62, p.149.

16 See above Notes 10 and 11, p.2, for the sea battles with Sextus Pompey.

17 Based on Roddaz, Marcus Agrippa, Carte 2, p.96, who had it from Castagnoli (Campi Flegrei).

18 References to Portus Julius in the ancient texts include Strabo, 5.5-6, Cassius Dio, 48.50-51, 49.2, Velleius Paterculus¸2.78.1-2, 79, Pliny, 36.125 and Virgil, Ecologues, 2.161, 162. Roddaz, Marcus Agrippa , pp.95-117, provided a modern account of the harbour, with references to more detailed information.

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- 212 - perhaps, the most unusual work of Agrippa, and one in which he best demonstrated

his genius for organisation of materials and human forces. It also provides a good

example of construction built specifically for war. Agrippa built the first form of the

theatre at Ostia, and probably in 18-17 B.C., as suggested recently19.

THE EAST The circumstances of Agrippa's first visit to the East from 23-21 B.C., his mission,

and powers remain uncertain20, but there is no doubt that he was, for all intents and

purposes, equal to the princeps during his second visit from 17-13 B.C.21.

Substantial works might, therefore, be expected from the second and longer visit as

co-regent. The Odeion in the Agora of Athens seems to be the only building in the

East clearly identified as his which has survived sufficiently to be reconstructed on

paper using foundations, fragments and texts referring to the period22. Fig. 11.323

shows the location of the Odeion, and Fig. 11.424 a perspective section through the

building. Fig. 11.525 shows the Agora in relation to the Market of Caesar and

Augustus and the Library of Hadrian. The Odeion, built in 16-15 B.C, has many

interesting design and architectural features which cannot be discussed here,

including a large roof span and the combination of Greek and Roman features26.

19 Cooley, PBSR 67, 1999, pp.178-9, also see above Chapter 8, Note 62, p.149. 20 Cassius Dio, 53.27, stated that Augustus arranged the marriage of his daughter, Julia, to her

cousin, Marcellus (the son of Octavia), and seems to have regarded Marcellus as his heir. Yet, when Augustus fell ill in 23 B.C. and was thought to be dying, he handed his signet ring to Agrippa. On his recovery, Augustus made no clear statement about his successor. Cassius Dio, 53.30-32, considered that Agrippa was sent out of Rome to avoid friction with Marcellus. Reasons for Agrippa's departure are argued by Roddaz, Marcus Agrippa, pp.307-324. Lacey, W.K., Augustus and the principate, Leeds, 1996, Chapter 5, pp.117-131, advanced the hypothesis of an Agrippan provincia in the East.

21 Agrippa was now the son-in-law of Augustus and his wife Julia had borne Gaius and Lucius. Also, Agrippa had received the tribunicia potestas in 18 B.C., Cassius Dio, 54.12.4-5.

22 Thompson, H.A., 'The Odeion in the Athenian Agora', Hesperia, 19, 1950, pp.31-141, and Plates 16-8, and Thompson, H.A., and Wycherley, R.E., 'The Agora of Athens', Agora , 14, 1972, 5, pp.111-4.

23 Thompson and Wycherley, The Agora of Athens, Plate 8.

24 Ibid, Plate 60a.

25 Thompson, H.A., 'The Impact of Roman Architects and Architecture on Athens : 170 B.C.-A.D. 170' , Macready, S. & Thompson, F.A., Eds., Roman Architecture in the Greek World, London, 1987, pp.1-17, Fig. 1, p.5, with some alterations.

26 Rawson, E., 'Architecture & Sculpture - The Activities of the Cossutii, PBSR, 43, 1974, pp.36-41, Sear, Roman Architecture, pp.235-7, and Izenour, G.C., Roofed Theaters of Classical Antiquity, Yale, 1992, pp.84-89.

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- 213 - The Market of Caesar and Augustus, marked on Fig. 11.5, built in the Classical

style27, fitted in with previous development. On the other hand, the Odeion, a large

structure of advanced design placed centrally in the Agora surrounded by older and

smaller buildings, constituted a major planning and architectural intrusion.

Furthermore, this radical change was accentuated by the erection, at much the same

time, of the Classical Temple of Ares, which had been transported stone by stone

from the Attic countryside. An inscription describing Gaius, the son of Agrippa, as

the 'New Ares' may have come from this temple or be related to it in some way. In

this case, the planning intrusion also marked a political change in which the Agora

became a civic rather than a commercial centre, and the temple became a building of

the Augustan dynasty28. Agrippa was, therefore, the agent of political change as

co-regent. He also demonstrated the political use of public construction at Athens, as

Augustus did at Rome29.

Agrippa could not act in the West as at Athens, since there was no western, political

or cultural equivalent of it, and he was never co-regent there30. Also, if the Odeion,

with the Temple of Ares symbolised Roman hegemony in the Hellenised East, its

nearest Agrippan equivalent in the West, the theatre at Augusta Emerita, brought the

Mediterranean culture into a zone of Roman expansion31. The functions of the two

buildings were, therefore, quite different.

There seems to be no other evidence of Agrippan urban construction in the East,

except at Antioch, marked on Fig. 11.632. Founded in 300 B.C. as a Hellenistic city

by Seleucus I and taken over by Pompey the Great in 64 B.C., it has remained

important through the Roman Empire, the Byzantine period, the Muslim conquest,

the Ottoman Empire and present rule by Syria. It was developed by Caesar,

Augustus, Herod, Tiberius and later Roman Emperors as well as local rulers, but the 27 Sear, Roman Architecture, p.234, and Thompson, 'The Impact of Roman Architects …', pp.5-6

for description of the market.

28 Sear, Roman Architecture, pp.235-6 and Thompson, 'The Impact of Roman Architects …', pp.6-7, who referred to the inscription honouring Gaius, IG 2 3250.

29 Roddaz, Marcus Agrippa, p.439 and Note 16, also IG 3.575. 30 He did not receive the Tribunicia Potestas until he arrived in Rome after leaving Spain.

Cassius Dio, 54.12, 4-5.

31 See above Chapter 8, p.161, conclusions for the cultural and political importance of the theatre.

32 Based on Cary and Scullard, Map pp.348, 9 (part).

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- 214 - Roman works have been largely covered over or destroyed33. The early Roman

works are now buried under some 10 metres of ground and the only evidence of them

is from isolated excavations or texts, notably those of the 6th century historian

J. Malalas who mentioned many monuments and urban features over an area of some

four square kilometres. Few of these have been discovered during excavations 34.

This is to be accounted for by the difficulties of discovery, rather than by an

assumption that Malalas provided false information, although it is possible that his

descriptions were not entirely accurate. Fig. 11.735 shows the general layout of

Antioch and the principal features of the Roman period.

Malalas stated that Agrippa, with Augustus at Antioch after Actium, 'was delighted

with the situation of the city of Antioch and provided a public baths building outside

the city near the mountain, finding a spring there. He called this the Agrippianon

after himself; it is now known as the Ampelion bath. He also built a group of

dwellings and a bath, calling this the neighbourhood of Agrippitai'36. Malalas also

stated that Agrippa, during his visit to Antioch in 17-13 B.C., 'cleared the old

Hippodrome of rubble, which had accumulated as a result of the previous

earthquakes'37. The theatre and the Hippodrome are located on Fig. 11.7 at 14 and 2

respectively, but little has been uncovered at either building and Agrippan work

cannot be identified. Agrippa's new quarter (Aggripitai) has been interpreted from

Malalas as occupying an area of some 700 by 800 metres to the north of the city

outside the wall of Tiberius and east of the road to Beroea, near the 'Eastern' gate38. It

is unclear that this specific interpretation is supported by the text of Malalas, or by

archaeological excavations. Yegül, investigating the numerous baths of Antioch, has

suggested locations for all ten baths mentioned by Malalas. He placed Agrippa's

33 Downey, G., A History of Antioch in Syria from Seleucus to the Arab Conquest, Princeton,

1961, Lassus, J., 'La ville d'Antioche à l'époque romaine d'apres l'archéologie', ANRW 2.8, 1977, pp.54-102, and Kondoleon, C., Ed., Antioch : The Lost City, Princeton, 2001.

34 Antioch : The Lost City, pp.5-8, for an account of the excavation history, which was begun in 1932, and is remarkable for the mosaics which were discovered.

35 Antioch : The Lost City, general map based on Downey, 1961, Fig. 11, after Wilber.

36 The Chronicle of John Malalas, 9.14.

37 Ibid, 9.21.

38 Lassus, Plan B, p.57.

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- 215 - baths (the Agrippianon), serving his new quarter, to the east of this and the other

Agrippan baths inside the wall of Justinian, east of 11, 12 on Fig. 11.739.

There is, therefore, a strong indication from the text of Malalas that Agrippa was

responsible for substantial constructions at Antioch, although it is possible that

Malalas may have confused Agrippan works with those of others40, and there is, as

yet, no archaeological proof of his works. Also, Agrippa built at Antioch shortly after

Actium and during his second visit to the East, rather than during his first visit, when

he had his headquarters at Mytilene on the Island of Lesbos41, and may not have gone

to Antioch. The dating by Malalas of the hippodrome works t 17-13 B.C., is

supported by the record of an earthquake on nearby Cyprus in 15 B.C.42. It is

difficult to draw comparisons between the ill-defined Agrippan works and his

constructions at towns in the West. Antioch was very large. Even the Punic centres

at Gades and Carthago Nova were much smaller than it. Agrippa's supposed

700 by 800 metres new quarter at Antioch would have swallowed the whole of

Augusta Emerita43, and an Agrippan naval base at Gades44 would have been small in

relation to it. Furthermore, Antioch was an established Hellenistic city.

The known Agrippan urban works in the East were, therefore, at Athens and at

Antioch , the Roman provincial capital of Syria, which included Asia Minor. If

Agrippa built at other established towns, his constructions were probably minor. This

assessment is baaed on the well-established urban development in the East, and the

Roman concern with urban administration, rather than with construction, as noted in

the following paragraphs on colonies.

Agrippa may have founded colonies at Beirut in the Lebanon, at Patras in western

Greece and at Alexandria Troas near the Hellespont in Turkey, all marked on

39 Yegül, F., 'Baths and Bathing in Roman Antioch', Kondoleon, K., Ed., Antioch : The Lost

Ancient City, pp.146-151, p.148 and Fig. 1, p.147.

40 Downey, pp.169-171, indicated that Pompey, Caesar, Antony and Augustus (at Antioch in 31-30 B.C. and 20 B.C.) all probably built something there, together with Herod of Judaea.

41 Cassius Dio, 53.32.1.

42 Cassius Dio, 54.23.7.

43 Fig. 7.2 indicates the size of Mèrida.

44 See above Chapter 10, pp.187, 8.

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- 216 - Fig. 11.6. Strabo stated that Agrippa settled two legions at Berytos but did not date

this45. There is an inscription of Berytos bearing the name of Agrippa, but this is

undated and it does not prove a foundation by him46. Veterans from Actium were

settled at the town before 27 B.C.47. Yet, the colony was named after Caesar48.

Lauffray suggested a foundation before 15 B.C., with Agrippa only bringing in new

veterans 49, and Roddaz a foundation of 15 B.C. following previous veteran

settlements50, but neither could form a definite assessment. There seems to be no

evidence of any Agrippan constructions at Beirut51. In the case of Patras, there is

no mention of Agrippa in any of the records and he is connected to the colony only

by his presence at Actium and Strabo's record of veteran settlement after the battle

there52. It is possible that he founded the colonia Augusta Aroe Patrensis there in

15 B.C., but such a suggestion is entirely speculative53. It is known that the colony

at Alexandria Troas was founded between 27 and 12 B.C., and that Agrippa

campaigned in the Bosphorus in 13 B.C.54. This conjunction indicates only the

possibility of its foundation by Agrippa.

Agrippan responsibility for founding any of the three colonies is, therefore, unproven,

although there is better evidence for his action at Beirut than elsewhere because of the

inscription. In the East, the principal reasons for creating colonies after Actium were

to give land to veterans of the triumviral period, to create centres of surveillance, and

to stimulate economic activity under ordered conditions 55. These aims overshadowed

45 Strabo, 16.2.19.

46 CIL 3.156, had the wording I.O.M.PRO.SAL(U)TE AGRIP(P)AE 'to Jupiter Optimus Maximus for the well-being of Agrippa'.

47 CIL 3.1416.

48 Pliny, 5.78, noted the name Colonia Iulia Felix Berytos.

49 Lauffray, J., 'Beyrouth : Archéologie et Histoire, époques greco-romaines I. Période hellénistique et Haut-Empire romain', ANRW, 2.8, 1977, pp.135-163, p.147.

50 Roddaz, Marcus Agrippa , p.433.

51 The volumes of Berytos : Archaeological Studies, published by the American University of Beirut do not indicate any such works.

52 Strabo, 8.7.5.

53 As noted by Roddaz, Marcus Agrippa , pp.431-2.

54 Ibid, p.432 and Note 72.

55 Ibid, p.431 and also pp.4237-431, for the Augustan reforms after Actium of abuses in the control of cities in the East, where local elites had taken possession of public assets.

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- 217 - the wish to attract civilian immigrants from Italy. In any case, there was little

possibility of coloniae introducing any radical change to well-established patterns of

culture and ethnicity in the Hellenistic East. In the West there had been no such

developments, except in southern Gaul and in parts of Hispania. Also, these had been

advanced largely by Rome following Greek and Punic influences. It was possible in

these regions to form colonies for veterans and immigration of Italian and other

settlers, and to introduce further Roman urban models continuing on from the older

coloniae. There was, therefore, a fundamental difference between an Agrippan

foundation of Caesaraugusta and any Agrippan foundation in the East.

CONCLUSIONS All the constructions of Agrippa were intended to advance the interests of Octavian

and Augustus. The distinguishing and additional feature of those in the West is that

they were, also, instruments of Roman expansion into new regions, and, at the same

time, spread the Mediterranean culture there. This effect resulted from the

co-incidence between the struggle for pre-eminence in the Roman world, Octavian's

possession of the West, and the greater opportunities for Roman expansion there than

in the Eat. In Gallia Comata, Agrippa's road network was both the first physical

framework of formal Roman control and the conduit for the further spreading of

Mediterranean influences. In Hispania, Agrippa's development of Augusta Emerita,

and his foundation of Caesaraugusta, formed bases for the extension of Roman and

Mediterranean influences into regions where these were not widespread. These

changes were far reaching because they established the pattern for the development of

centuries. There was no possibility of Agrippan works elsewhere resulting in such

regional change since, at Rome, the Agrippan works affected only the city, and, in the

Hellenised East, the fundamental features of physical and cultural development

already existed.

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- 218 -

AAGGRRIIPPPPAANN CCOONNSSTTRRUUCCTTIIOONNSS IINN TTHHEE WWEESSTT :: CCOONNCCLLUUSSIIOONNSS The Agrippan works in the West, and, indeed, the whole body of them in the Roman

world, did not result in any major innovations in engineering or architecture. The

local technical aspects of his works are discussed in the individual chapters. Also,

conclusions are drawn about Agrippan constructions in Gaul and in Hispania at the

ends of Chapter 5 (pp.107.8) and Chapter 10 (pp.202-206, and about those elsewhere

at the end of Chapter 11 (p.217). These conclusions are not repeated here, since the

intention is to summarise the findings of the whole study.

The successful transition from the Roman Republic to the Roman Empire determined

the history of the West for centuries. Agrippa's support of Octavian and Augustus in

war and peace was crucial for completing the transition, and the body of Agrippan

construction was an essential part of this support. All the Agrippan works were,

therefore, important instruments of change in war and peace during a pivotal period

of history. The Agrippan constructions in the West also served to extend the

influence of Rome and the Mediterranean culture into large new regions.

Consequently, they set a pattern for the development of centuries. Agrippa's

constructions in the East were not so influential, since the region was already

Hellenised and under Roman control. At Rome, the Agrippan works affected only

the city. The Agrippan constructions in the West were, therefore, more important

than those elsewhere.

These conclusions represent a new interpretation of Agrippan constructions in which

they are regarded as material objects, instruments of policy in an historical process,

and as catalysts of further change. In previous investigations there was no focus on

all three of these aspects. This resulted from the constructions either being included

with other actions of Agrippa in biographies, or being subjects of particular

investigation. In the first, the description was only general, and, in the second, there

was little explanation. Great attention was paid to works at Rome and in other towns

where there were substantial material remains, or other evidence. Yet there has been

little speculation about possible Agrippan works in town for which there is no direct

epigraphic or literary evidences. Also, important constructions in the country

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- 219 - districts, and those for military operations, were largely overlooked. Consequently,

Agrippa was represented principally as a builder of monuments in towns, and the

larger aspects of his works were little understood. Finally, apart from engineering

investigations of the Agrippan aqueducts at Rome, studies of his other works have

generally been by historians or archaeologists, although some of his large

constructions can be explained adequately only by engineering analysis. The

difference between previous investigations and those here are demonstrated by

examples drawn from various chapters.

Agrippa's road network in Gaul was previously investigated with a focus on the later

high standard Roman roads, with little reference to Agrippa's strategic aims in

39-37 B.C., or the practical engineering aspects of his achieving these during his first

visit to Gaul. Consequently, he was not recognised as the mastermind conceiving the

whole system, and building the first low standard form of it, as concluded on p.38.

Instead, he was seen as being involved in initial works on part of a high standard

system, although this would have been useless for his purposes. Agrippa has

traditionally been associated with Lugdunum only because he began to build his

roads there. Nevertheless, there is now evidence which indicates that Agrippa was

involved in planning and construction in the town and for the aqueducts, as noted in

Chapter 2 and summarised pp.60-61. There has been no previous attempt to explain

why Agrippa built the Temple of Valetudo at Glanum, yet it is possible, by

considering Agrippa's strategic aims in 39-37 B.C., as shown in pp.80-83 of

Chapter 3, to put forward a hypothesis that it was a mobilisation building. There is

also a new archaeological treatment of the temple in the chapter. Agrippa has

generally been regarded as an important planner and builder at Nemausus, but

investigation in Chapter 4, as summarised pp.96,97, indicates that this was not the

case when new archaeological evidence is considered. A new analysis of the local

coinage, pp.89-90, supports the new viewpoint. In Chapter 5, pp.98-100,

consideration is given to Agrippan constructions in Gaul, which have left no material

remains and which have previously been ignored, and, particularly, the stations on his

road network which influenced later development. In the same chapter, pp.100-104,

possible Agrippan constructions at Arelate are proposed for the first time, taking into

account Agrippa's need to handle and store his supplies imported there in 39-37 B.C.

Previously, Agrippa has not been considered as a planner or builder at Forum Iulii.

Yet the texts and the archaeology indicate that he planned, and perhaps built, a naval

Page 228: Constructions Agrippa

- 220 - base there after Actium (pp.104-106). In Gaul, therefore, Agrippa was much more

active in Gallia Comata than was previously thought. This new interpretation

emerges from the new emphasis on the Agrippan road network, as does the new idea

that Agrippan activity in 39-37 B.C. was more important than that in 19 B.C., as

previously thought.

In Hispania there are similar reasons for new interpretations. Since there are no

known material remains of Agrippan military works of 19 B.C. in Cantabria, there

was no study of them, despite their importance. Yet, it has been possible in Chapter 6

to form some idea of these substantial constructions from texts, the topography and

the military factors. Although it has been recognised that Agrippa built the theatre at

Augusta Emerita, scholars have formed no clear idea of what else he did there. Also,

it was generally believed that the monumental town with its bridges was built shortly

after foundation in 25 B.C. These interpretations resulted from an uncritical

acceptance of the foundation text indicating construction by veterans, and a dating of

the bridges to the foundation. Agrippan responsibility for planning and part

construction of the monumental town is demonstrated by reference to a more specific

text describing veteran settlement (pp.129-130), analysis of urban development in

19-18 B.C. (pp.133-134), and interpretation of Claudian epigraphy (pp.134-136). A

new engineering study of the bridges, pp.164-165, indicates that these were built well

after foundation. There is also a new study of the Agrippan theatre in Chapter 8,

showing that it was built to a high standard in stone, although it has sometimes been

seen as constructed partly of timber. The 'Temple of Diana' previously thought to be

late Augustan is re-dated to the Agrippan period, by a new analysis, pp.173-176.

Agrippa has not previously been regarded as a planner or builder of aqueducts at

Augusta Emerita, but this possibility is explored in Chapter 9, pp.167-170.

Caesaraugusta is generally thought to have been founded for veteran settlement, and

probably by Augustus in 16-13 B.C. Investigation in Chapter 10, pp.191-198,

indicates that it was almost certainly founded by Agrippa in 19-18 B.C. for general

settlement. This interpretation is based on study of the town coinage and

consideration of Roman expansion up the Ebro Valley, resulting in the eclipse of

Celsa. Agrippa's recasting of the constitution of Gades is already generally

recognised. In Chapter 10, pp.187-188, it is argued that Agrippa may have built a

new naval base there for naval access to the Atlantic, corresponding to the land access

provided by Augusta Emerita. In Hispania, therefore, Agrippa planned and built

Page 229: Constructions Agrippa

- 221 - more extensively than previously considered. Nevertheless, there seems to be no

evidence of widespread Agrippan reorganisation in Hispania as a whole, whether by

founding coloniae or building roads, as has sometimes been suggested (pp.205-6).

In conclusion, the totality of Agrippan constructions has never previously been

studied, as distinct from his other activities. This has been the case for his

constructions in the West, and, also, for his general activities in the West, as distinct

form his constructions there. Consequently, neither the constructions in their totality

nor in the West have been fully investigated. Yet, both are of great interest, not only

as bodies of work but, also, and more importantly, as instruments of policy in a

pivotal historical period. In addition, those in the West were associated with Roman

expansion and cultural change, and formed patterns for future development. This

thesis has attempted to fill the gap in the scholarship, with specific reference to the

Agrippan constructions in the West.

Page 230: Constructions Agrippa

- 222 -

Page 231: Constructions Agrippa

- 223 -

LIST OF ABBREVIATIONS

These are in accordance with and limited to the abbreviations of periodicals, series,

books, etc., as listed and described by the American Journal of Archaeology, except

for those marked *.

Agora: The Athenian Agora. Results of Excavations Conducted by the

American School of Classical Studies at Athens.

AJA: American Journal of Archaeology. The Journal of the Archaeological

Institute of America.

AMUGS: Antike Münzen und geschnittene Steine.

ANRW: H. Temporini, ed: Aufstieg und Niedergang der römischen Welt

(Berlin 1972- )

Ant W: Antike Welt. Zeitschrift für Archäologie und Kulturgeschichte.

BAC: Bulletin Archéologique du Comité des travaux historiques et

scientifiques.

BAR-IS: British Archaeological Reports. International Series.

Britannia: Britannia. A Journal of Romano-British and Kindred Studies.

CAH: The Cambridge Ancient History.

CEFR: Collection de l'École française.

Chiron: Chiron. Mitteilungen der Kommission für alte Geschicte und

Epigraphik des Deutschen Archäologischen Instituts.

CIL: Corpus inscriptionum latinarum.

CRAI: Comptes rendus des séances de l'Académie des inscriptions et

belle- lettres [Paris].

FITA: * Grant, M. From Imperium to Auctoritas. Cambridge, 1969.

Gallia: Gallia. Fouilles et monuments archéologiques en France métropolitaine.

Helinium: Helinium. Revue consacrée à l'archéologique des Pays-Bas de la

Belgique et du Grand Duché de Luxembourg.

Hesperia: Hesperia. Journal of the American School of Classical Studies at Athens.

IG: Inscriptiones graecae.

J di: Jahrbuch des Deutschen Archäologischen Instituts.

JRA: Journal of Roman Archaeology.

JRS: Journal of Roman Studies.

Page 232: Constructions Agrippa

- 224 - Latomus: Latomus. Revue d'études latines.

LTUR: * Lexicon Topographicum Urbis Romae. ed., Steinby, E.M.

MM: Madrider Mitteilungen.

PBSR: * Papers of the British School at Rome.

PECS: R. Stillwell et al. eds. Princeton Encyclopedia of Classical

Sites. (Princeton, 1976).

RA: Revue archéologique.

RANarb: Revue archéologique de Narbonnaise.

RBPhil: Revue belge de philologie et d'histoire.

RE: Pauly-Wissowa.. Real-Encyclopädie der klassischen Altertumswissenschaft.

RIC: The Roman Imperial Coinage. (London, 1923- ).

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- 225 -

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Fabre, G., Mayer, M. & Roda, J., Inscriptions romaines de Catalogue 3, Gerone,

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Florus. Epitome of Roman History. Forster, E.S., London and New York,

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Frontinus. De aqueductu urbis romae. Ed. Rodgers, R.H., Cambridge, 2004.

" " De controversiis agrorum. Die Schriften der römischen Feldmesser.

Blume, F., Lachmann, K. and Rudorff, A., Berlin, 1848 (reprinted

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Horace. Satires and Epistles. Persius. Rudd, N., Harmondsworth, 1987.

Juvenal. The Sixteen Satires, Green, P., Harmondsworth, 1974.

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Malalas. The Chronicle of John Malalas. Jeffreys, E. & M., and Scott, R.,

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