Jessica Ross “Feline Fatale”

JULY ‘13 : ISSUE #01

CondignArtWORLD CONTEMPORARY ART

CONTEST WINNER

ART EVENTS // INTERVIEWS // REVIEWS // ART MARKET // ART COLLECTORS TIPS

A STORY BY ARTIST & MUSEJOSIMO JOHN PATERSON

THE DESTRUCTION OFA KEITH HARING THIRTHY FEET LONG MURAL

A TRIBUTE TOMARGARET KILGALLEN

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The Blanc de Blancs

The Blanc de Blancs

CondignArtWORLD CONTEMPORARY ART

S ISSUE 01 · JULY · 2013 T

008 An Interview WithContest Winner Jessica Ross

012 A Story by Artist & MuseJosimo John Paterson

017 The Destruction Of...a thirthy feet long Keith Haring mural

018 A tribute ToMargaret Kilgallen

022 FEATUREDThe McLoughlin Gallery & Artist Seikou Yamaoka

& Street Art Germany

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OThe publishers would like to thank everyone who has contributed to this issue. All featured

articles and related images in Condign Art retain copyright. Every effort has been made to reach copyright owners or their representatives.

CONDIGNART (ISSN #JULY 2013, Volume 001, Number 001. Published bi-monthly by Global Art Agency Limited, Oxford, UNITED KINGDOM. All rights reserved. Printed version not yet available. Reproduction in whole or in part without written permission is prohibited. Opinions expressed

in articles are those of the author. All rights reserved on entire contents. Advertising enquiries should be directed to office@globalartagency.com. Subscriptions are free of charge and available online. When issues become available in hardcopy we will announce on our website. Subscriptions

rates will then also be applicable.

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INTRODUCTION 005 ART NEWS 014 GUESS ART 016 RECYCLART 020 AIDA MAKOTO 021 ART EVENT CALENDAR 022

IntroductionIssue #001

Welcome to the first issue of Condign Art! This Art Magazine is created for Art lovers, Art enthusiasts, Art collectors, Art creatives, and Art fans, connecting the art world! Featuring World Contemporary Art, Design and Events from international artists, galleries, organisations and societies.

Condign Art means to us ’Worthy Art’. Hours, days, weeks, months or even years of hard work go into creating a piece of Art, with heart and soul... Art worthy to be seen!

What to expect.Condign Art features work from international artists, showcasing contemporary artworks, publishes art news, also interesting and fun articles, events and promoting exhibitions and art fairs. We are passionate about promoting to invest in Art, as we think its one of the best investments you can make.

Invest in Art.Purchasing Contemporary Art is one of the best investments you can make, it keeps its value, it’s personal, emotional and at the same time makes your home/office space look a lot nicer and engaging, giving positive vibes all around.

In this issue.On the front cover is featured the work of “Jessica Ross” Winner of the online competition we held together with Global Art Agency that lasted for two months. Nearly 200 artists from around the world entered the competition. The public voted for the best artwork entry, and from the top 10 most voted, GAA Curators and Jury members came together to choose the top entry. Read more on page 8.

What else.Barcelona Showcase April 2013, international art event, was held at the exclusive and facisnating Gaudi’s Casa Batllo, receiving a record-breaking 3600 visitors in one-day. The Showcase best artist award winners are featured in this issue on page 26.

This issue is featuring some of the best ‘to-be-discovered’ contemporary artists.

Enjoy issue #001Condign Art

Una familia con raices.

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“Tengogustos simples.

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II Palazzo Enciclopedico

The Encyclopedic PalaceVeneziaGiardini–Arsenale

Biennale Arte 20131.6-24.11www.labiennale.org

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Una familia con raices.

El C

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w w w . j u v e y c a m p s . c o m

“Tengogustos simples.

Me satifacelo mejor”

O S C A R W I L D E

Juvé&

Rosé

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“I have always been inside a bubble of what I both perceive and want the world to be. It is something that I have never grown out of and have been criticized for, yet I embrace that and bring what I see in this bubble of mine to life through my art. I let things into my imagination that should have been left behind as a child; witches, fairies, and ghostly creatures always frequent my imagination and thoughts. They are and have always been how I understand the world and its issues. Over time, I’ve come to realize that the real world is often a very scary and dangerous place, but if you look hard enough you can find beauty, sincerity, and maybe even magic, in those dark places.”

“My work is meant to give beauty and attention to both humans and animals who are not respected or accurately represented in the society we live in. All of whom are often misrepresented to be of lesser importance, and as a result, are exploited and degraded. I intentionally reinvent seemingly normal human girls into freaks of nature, often depicted with large, pointy ears, horns, or fins-blurring the line between human and animal. In doing this, I feel that I can influence how the world perceives beauty. When someone is able to find my work beautiful, although it may make them feel a bit uncomfortable due to the tinge of creepiness or oddity that is woven into my portraits, I feel I have successfully done my job. I feel that perception changes the world and if people can learn to appreciate and accept things that are unfamiliar and find the beauty in them, that the world of intolerance and disrespect we live in may slowly become a happier and more accepting place.”

“Perhaps my empathy and defensive attitude towards animal rights and civil rights spawned out of my experiences of being bullied as a child and into my late teens. I was constantly ostracized and humiliated by my peers

due red hair and pale skin. In this I found happiness with other exiles. This is where I found acceptance; on the fringe of normalcy, popularity or beauty. I place with other misfits, both humans and animals. I began noticing how animals were often the object of abuse and humiliation; being tossed into circuses and beaten into submission for pure entertainment. I identified with this abuse and humiliation and that is when I saw these ties between human outsiders and animals that are so often overlooked. “

“I created a sanctuary for myself in this unforgiving society by surrounding myself with other outsiders. This sanctuary is my bubble that I have allowed myself to live in, and what strive to show the world through my art: the world through my lens. It is how the world should be or, at least, what needs to be seen with punchy watercolors and thousands of little inked lines.”

Jessica RossAn interview with Award Winning Artist.

Condign Art congratulates Jessica Ross on winning the competition run by Global Art Agency with 334 Votes by the public, Jessica has been chosen as the worthy winner, receiving the cover feature and an interview in the first ever issue of Condign Art.

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“I created a sanctuary for myself in this unforgiving society by surrounding myself with other outsiders.”

Top left: Jessica Ross (left) with her buddy Adam, who stood model -with

maku-up- for this piece.

“This is the top half of Adam as Sophiella DaVinci with her loyal subjects and birds of paradise sit

at either side of her. A chrysalis is about hatch into a beautiful butterfly,

but unfortunately, a spider sweeps in to consume her and prevent her

transformation…lucky for her, the bird of paradise sits in between them both…

and what do birds eat?

“I became an artist because I had no choice. From the time I was a small child, I never wanted to do anything else but draw,”

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“Close-up/Teaser of my current WIP with the dead dolphin fish who, according to biologists are a species of fish that often fall victim to cigg butt litter after mistaking them for smaller fish and eventually die.”

Project in progress: “The ugly.”

CA: “What does the artwork on the cover mean to you? Titled ‘Feline Fatale’.JR: “My artwork on this cover, “Feline Fatale,” gives me the chance to prove to the rest of the world that I am a serious artist who has a lot to share. It is a chance to become visible even if just for a short while; to stand out and be seen in a very big world of aspiring and accomplished artists.“

CA: “How did you become an artists?JR: “I became an artist because I had no choice. From the time I was a small child, I never wanted to do anything else but draw, write stories, and live in my own imaginative world. I always struggled in school, where you must learn other subjects, do different activities, and mingle with other children. Instead, I often chose to do things my way, drawing scenes from my imaginative world all over math dittos, even in the dirt outside during gym class. Now, at twenty-six I find myself exactly the same; a stubborn artist who refuses to grow up.”

CA: “-Where do you get your inspiration from? How do you deal with artist’s block?”JR: “I primarily get my inspiration from old Celtic folktales and legends. I’ve always been intrigued with the supernatural and historical events, and so I tie a lot of those elements into my art. I also get a lot of my inspiration from nature, every facet of it, from the ugly creepiness of spiders, grubs, and rotting vegetation, to the beautiful phenomena of flowers, birds, and sea life. I’ve always been very passionate about animal rights and the environment and so I try to tie in the feeling of humans as only one part of a vast and beautiful planet.”

“I struggled with artist block for almost three straight years. It was awful because I had all these ideas, but lost them as soon as my hand touched the paper. What finally got me out of it was letting go of the fear of creating bad work. Once I stopped being afraid of that, making art became possible again. I guess the secret is believe in yourself and that you’re art is worth showing the world. Then you begin to draw.”

CA: “Where do you see your art going in ten years?”JR: “I don’t know exactly where I see my art in ten years. I hope that by that time much of the world has seen my art and has received a positive message from it.”

CA: “Can you tell us what you have going on right now?”JR: “Right now, I’m building myself as an artist. I’m finding places where my art can exist and finding ways that I can become visible to my audience. I teach art to teenagers and will be teaching at a college this coming fall. I’m also learning a lot about how artists survive in their career today in a struggling economy and have met many wonderful artists in this process. “

CA: “What’s on your Bucket List?”JR: “First on my bucket list is to see Europe, especially Scotland and Ireland because part of my father’s heritage is from those countries. I would also like to see Cuba because that is where my mother is from. I have this thirst to see what the rest of the world looks like for myself, with my sketchbook, paints, and camera.”

CA: “Whats the most memorable thing someone ever said about your art?”JR: “When I think of the most memorable thing anyone has said about my art, I think of when an artist who I’ve always looked up to said that my work was “gloriously rich and detailed.” I was also struck when another great artist told me that my work made her think of “the world through a child’s eyes.”

CA: “What is next for you?”JR: “I never quite know what is next for me. I suppose I will continue looking for ways to expand myself as an artist and continue create new work!”

http://insanegingerjess.tumblr.com

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“I primarily get my inspiration from old Celtic folktales and legends... supernatural and historical events”

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Josimo John PatersonA Story By Artist & Muse...

Born in Dunfermline, John Graham Paterson would find his initial path in life like most other boys, down the road to the Rosyth Naval Dockyard, an artist was not an option...

At the age of sixteen he found himself onboard a Harbour Tug as a Junior Ordinary Seaman, his life at sea has spanned over 35 years, experiencing life below the waves as a Deep Sea Diver, then finding his feet back on deck today assisting in the development of Offshore Wind Farms. For John Graham Paterson, life at sea has given him the greatest opportunity in continues studies and practising of art.

“The Submission” by Josimo John Paterson

“Courage” Painting

‘Everyone wants to be different and make a statement. We all have something to offer the world. For me, it is my art, for as long as I remember I always wanted to be an artist, at the age of around seven I would visualise paintings of religious settings, almost something from the ‘Sistine Chapel’ in an alcove of my Grandmother’s house, we weren’t brought up with any strict religion, though I was always fascinated by their presence, we’ve

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Josimo John Paterson

“Passion, Conviction & Dedication” Illustration

all heard the saying ‘that one’s been here before’, I really think I have!... I’d like to think I would have been one of the great masters.’

I have been able to self-study all types of art. Those studies have given me the ability to bring all those aspects together to create an original oiece of timeless art. When people see my work, I want them to be visually, emotionally and spiritually moved by what they see. Creating art with passion will speak to our generation and the generations to come. This generation needs to be influenced by the beauty of life that surrounds them and in turn allow them to create their own identity and to leave something behind for people to remember who we were.’

So, who is the artist Josimo?

‘I met Simona by some form of divine intervention, for I knew from the start she was my other half, my soul mate, someone who would lead me into believeing in myself and inspire me onto greater works.’

I believe we have all been here before and for some of us we are not content until we unknowingly find what we left behind, we both believe we’ve found it, no longer two individuals, but forming a new unity- ‘josimo’.Who is the muse Josimo?

Born in the region of Dobrogea, Romania Simona nee ‘Dobrinescu’ soon learned that life does not hand you anything on a plate, if you want something you’ve got to work hard at it.

Nowadays, the artist and the muse relationship appear on a more commercial level. With modern art moving away from the traditional female body there are fewer reasons for artists to find their creative outlet in the female form, the artist ‘Josimo’ has every reason.

For John and Simona, ‘josimo’ starts to become a brand name rather than an artist’s signature, if the artist wishes to survive purely through art itself then his main aim is to encourage people to buy his work, to do that he needs to sport an enviable muse.

This was never planned to create themselves as the ‘creative couple’ life has a way of making things happen, life changes and you have to move with the changes. The muse does not inspire only the artist but inspires an audience, a generation.

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Art News

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Why Can’t We Take Pictures in Art Museums?

– “Sporadic flashes of light temporarily altering visual perception...”

Sometimes it seems that a visit to an art museum or gallery is rigidly structured around a set of universal rules – no eating, no drinking, no touching the works, no crossing the possibly arbitrary lines on the ground, and perhaps most importantly: no flash photography. What is it that makes museums so fearful of the little burst of light? Can a flash really damage a work of art?

As an exhibition host at one of London’s leading art institutions, I encounter the photography ban every day. Pictographic signs notifying visitors are often ineffective and many will test their luck. It is at times exasperating asking visitors not to take photographs of exhibition text or shadows or gallery layout despite not being individual works. It is difficult to explain that though the marble sculpture is made of stone and therefore not sensitive to light like paintings and works on paper, photography is still prohibited. It is a losing battle, and one with seemingly little science to support it.

It is a proven fact that sunlight (more accurately UV rays) will damage a work by gradually fading pigments and inks over time. Delicate works are displayed in near darkness and significant sums of money have gone to the development of safe lighting to simultaneously allow works to be displayed in natural light while also protecting the fragile components. This is well and good and future generations will be grateful for the efforts, but most camera flashes contain little UV light.

Martin H. Evans decided to investigate the effects of camera flashes on samples of materials and pigments. His experiments were conducted using a naked (meaning without a UV filter) flash and a filtered flash that is most common on digital cameras and smart phones. The results showed that after more than a million flashes slight fading was evident on some of the samples using the naked bulb, though this is not entirely surprising considering the well-known effects of UV rays. The other samples, however, showed no change at all. Evans claims his research demonstrates that, “Curators, journalists, art-

lovers and museum directors have been telling each other this (that flashes damage art) for years, and many gallery visitors concur.” While there may be little scientific evidence to support the banning of photography,

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and in particular flash photography, other considerations, from the reasonable to the outlandish, also factor into the gallery rule. Perhaps one of the best reasons to prohibit flash photography is that it affects the other visitors in the gallery. It is difficult to see something properly with sporadic flashes of light temporarily altering visual perception. Another reason often cited for the strict rule is that photography slows down visitor movement throughout a space, and in the world’s largest museums where thousands of visitors flock every day, ed mobility can mean fewer visitors and therebyless profits. Museums benefit financially from prohibiting photography - without images of their own, visitors are more likely to purchase posters, catalogues, and most commonly postcards to commemorate their visit. In an ideal world, art museums would be free from concerns of profits and finances, but of course, this is far from reality and many museums derive significant portions of their income from gift shop sales.

Perhaps the most absurd of arguments involves anti-theft and anti-terrorism measures. It is believed that allowing thieves and terrorists to photograph gallery settings may aid in their crimes. This can easily be countered by citing the detailed maps and gallery plans provided both online and in print as well as the increasing number of online virtual panoramic tours. Surely such ruffians would glean more valuable information through these methods than digital photographs.

Buying Heart! Guess...

Guinness confirms world’s largest single-artist painting in Sweden

“When you buy from an indepent artist you are buying more than just a painting or a novel or a song. You are buying hundreds of hours of experimentation and thousands of failures. You are buying days, weeks, months, years of frustration and moments of pure joy. You are buying nights of worry about paying the rent, having enough money to feed the children, the birds, the dog. You arent just buying a thing, you are buying a piece of heart, part of a soul, a private moment in someone’s life. Most importantly, you are buying that artist more time to do something they are truly passionate about: Something that makes all of the above worth the fear and the doubt; something that puts the life into living.” – By Rebekah Joy Piett.

STOCKHOLM, Sweden — It may not be the world’s greatest artwork, but David Aberg’s 86,000-square-foot painting is definitely the biggest.

The Swedish artist said Friday that he spent 2 1/2 years and 100 tons of paint to complete his work, “Mother Earth,” inside an aircraft hangar in Angelholm, southern Sweden.

Guinness World Records in London confirmed it was the world’s largest painting done by a lone artist, more than twice as big as the previous record holder.

Aberg’s painting depicts a woman holding a peace sign.“The idea was to do something for peace,” Aberg said. “This is a peace painting that symbolizes the world with the woman as its symbol.”

He completed the painting at the end of June, and Guinness approved the record last week.

The previous record, according to Guinness, was a 41,400-square-foot painting by Canadian artist Eric Waugh. “Hero,” was unveiled in 2000 at the North Carolina Museum of Art in Raleigh.

© David Aberg / APSource: © 2013 The Associated Press.

Where is this picture taken? #GuessCondignArt and answer

@CondignArt on Twitter. Good Luck!

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The Destruction of a Keith Haring Thirty Feet Long Mural

In 1989, a year before his death, Keith Haring was in Barcelona. In full Raval district he made one of his most famous murals: “Todos juntos podemos parar el SIDA / Together we can stop AIDS”. The chosen Square, Salvador Segui, was a place were sex workers and heroin adicts hangout. In less than five hours he painted a mural of eight feet high by thirty long. It was a message clearly aimed at people in the neighborhood, one of the places most affected by the AIDS pandemic. It warned of the dangers of having unprotected sex or sharing needles.

The stupidity of goverment and some ignorant neighbors led to rapid degradation of the mural.

The mural was moved to the Plaza dels Angels, and was incomprehensible replaced by a mural of Chillida, called “Barcelona”, after was just erased by cleaning employees of BCN Neta. Finally in 2005, thanks to templates that are saved, the work could regroup at MACBA, away from whom it was addressed.

Keith Haring mural said of her: “She has an educational message: that people care, we think of AIDS and prevent the spread of. The mural includes the word” AIDS “in one end for the message to be clear, the other end there is a phrase in Spanish: TOGETHER WE CAN STOP AIDS. taken me five hours to paint it as planned.

The wall had a strange inclination that it was difficult to paint, but one of the things that I like of this work is adaptability (physical) required. I’ve found a position that allowed me to paint in a homogeneous and balanced way. “

Friend of Madonna and Basquiat, steady customer of gay saunas, fan and terrorist Disney drawings, fined 100 times on the street and break dance dancer disco Club 57 ... Haring all those faces appear in his work. And especially his commitment to the fight against AIDS.S.

“Todos juntos podemos parar el SIDA / Together we can stop AIDS”. 1989 Barcelona.

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wcA TRIBUTE

MARGARET KILGALLEN

She was a San Francisco Bay Area artist. Though a contemporary

artist, her work showed a strong influence from folk art. She was considered a central figure in the

Bay Area Mission School art movement.

Ms. Kilgallen was born in Washington and raised in Kensington, Md. She received a B.A. in studio art and printmaking at Colorado College before moving to San Francisco. Exposed to bluegrass music as a child, Ms. Kilgallen was a skillful banjo player. In San Francisco she took up surfing, becoming equally adept. In 1990 she met her future husband, Barry McGee, also a surfer, and one of several young painters showing in galleries and painting noncommissioned murals on city walls. She and Mr. McGee, who were married in 1999, became part of a circle that included the artists Chris Johanson, Phil Frost, Ed Templeton and Thomas Campbell.

Ms. Kilgallen eventually painted hundreds of murals around San Francisco, most of which have been painted over.

Until 1997, she worked as a book conservator in the San Francisco Public Library, a job that enabled her to study traditional type fonts, which became central to her work. Her installations featured words and cartoonish figures, usually women, painted in different scales on pieces of wood that resembled shop signs, or directly on walls on top of expanses of odd, Depression-conjuring colors. (Consistent with her use of wood scrap for her signs, Ms. Kilgallen got her paint free from recycling centers, which

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mixed surplus colors at random.)The overall result was impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. Her women smoked, fought, surfed, played the banjo and occasionally hooked up with men.

Ms. Kilgallen had her first solo exhibition at the Drawing Room at the Drawing Center in New York 1997, and her second the following year at the John Berggruen Gallery in San Francisco. She had a second show in New York at Deitch Projects in SoHo in 1999. Titled ‘’To Friend and Foe,’’ it featured floor-to-ceiling images and words and a pair of small, scrappy wood shacks painted with her signature Victorian lettering.

Ms. Kilgallen’s work is currently in ‘’East Meets West,’’ an exhibition at the Institute of Contemporary Art in Philadelphia through July 29, and at Stanford University, where she received a master’s degree on June 17.

She is survived by her husband; a daughter, Asha, who was born on June 7; her parents, Dena and James Kilgallen, of Rockville, Md.; two sisters, Lil Kilgallen of Adamstown, Md., and Marianne Sullivan of Marriottsville, Md.; and a brother, Jamie Kilgallen of Charleston, N.C.

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She died in 2001, at age 33, three weeks after the birth of Asha, her daughter with her husband and collaborator Barry McGee. Kilgallen has since been the subject of several

posthumous retrospectives. Though diagnosed with breast cancer, Kilgallen opted to forgo chemotherapy so that she might carry a pregnancy to term.

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RecyclArt“Recycling is the future, our mother earth have limited resources, we have to see things in a different way and learn how to REuse, REcycle and REduce our materials and products

consumption in order to decrease our footprint!” - RecyclArt.org

© Artist Federico Uribe - Artwork made from electrical and a/v cables called, appropriately,

Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly

colored sculptures and 2D artworks like this.

Source: http://www.federicouribe.com/

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How to become the

GREATEST Artist in the World

Never repeat the same - or even similar - thing twice. A genius artist need to have a mind and spirit so fresh that they seem to be suffering from repeated amnesia every single second.

Just like how your own past doesn’t matter much, the history of the human race is equa-lly unimportant.

Artists have no concept of schedules and deadlines.

As far as being able to speak English goes, you should work towards a point where you can handle a banal everyday conversation while still doubting your own linguistic talents. If you really want to while away the hours speaking a language other than your own, choose something more interesting — ancient Sumerian, or dog talk.

You don’t need a passport. If you feel like it, go ahead and welcome the guests who come to you, but it’s inconceivable that you would become a “guest” yourself.

Stay away from money. If you touch it with your fingers, your soul will start to rot.

Even if you get to meet the power players, big shot collectors, curators, galleries and critics, forget about them right away. The next time you meet them, say “Eh? What’s your name again?” Even better, go ahead and punch them for no reason whatsoever.

Keep taking all sorts of drugs, stimulants, coffee, cigarettes, alcohol, whatever you like, including harmful mind-altering and psychotropic substances. It is nonsense to filter those substances through your liver, too, so go ahead and have that useless or-gan removed beforehand.

It’s good to have passionate affairs and duels on a regular basis.

Don’t work. Don’t make anything.

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By Aida Makoto

Source: Picture http://www.rowthree.com/2012/05/10/hot-docs-2012-aida-a-natural-born-artist-review/

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JULY 2013

Until 5 JulyMASTER DRAWINGS & SCULPTURE WEEK

LONDON // UNITED KINGDOMMASTERDRAWINGSANDSCULPTUREWEEK.CO.UK

05-06 JulyTHE LAKESHORE ART FESTIVAL

MICHIGAN // UNITED STATESWWW.LAKESHOREARTFESTIVAL.ORG

Until 7 JulyADHOCRACY

NEW YORK //UNITED STATESWWW.NEWMUSEUM.ORG

Until 14 JulyMICHAEL CAINE PHOTOGRAPHY

LONDON //UNITED KINGDOMWWW.MUSEUMOFLONDON.ORG.UK

Until 21 JulyTHE PICASSOS ARE HERE

BASEL // SWITZERLANDWWW.MGKBASEL.CH

26-27 JulyDEVENTER ART FAIR

DEVENTER // NETHERLANDSWWW.DEVENTERKUNSTMARKT.COM

25-29 JulyART SOUTHAMPTON

NEW YORK // UNITED STATESWWW.ART-SOUTHAMPTON.COM

27-28 JulyTHE OXFORD ART FAIR

OXFORD // UNITED KINGDOMWWW.THEOXFORDARTFAIR.COM

The McLoughlin Gallery is an approachable, inviting gallery with a social conscience. The mission of the gallery is to educate and intrigue by showcasing established mid-career and emerging contemporary artists whose work is unique, integrating bright, bold colors and conveying an emotional punch. Art work that makes you think. A portion of proceeds will benefit Glide and Stanford Breast Cancer Research.

San Francisco, US.http://www.mgart.com

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AUGUST 2013

01-04 AugustART ASPEN

ASPEN // UNITED STATESWWW.ART-ASPEN.COM

01-05 AugustMELBOURNE ART FAIR

MELBOURNE // AUSTRALIAWWW.ARTFAIR.COM.AU

Until 11 August5TH AUCKLAND TRIENNIAL

AUCKLAND // NEW ZEALANDWWW.AUCKLANDTRIENNIAL.COM

11-19 AugustART SALZBURG

SALZBURG // AUSTRIAWWW.ARTSALZBURG.INFO

Until 19 AugustDANH VO

PARIS // FRANCEWWW.MAM.PARIS.FR

Until 19 AugustURS FISCHER

LOS ANGELES // UNITED STATESWWW.MOCA.ORG

Until 25 AugustRELAUNCH

BERLIN // GERMANYWWW.KW-BERLIN.DE

Until 25 AugustAERNOUT MIK

AMSTERDAM // NETHERLANDSWWW.STEDELIJK.NL

From 30 AugustART COPENHAGEN

COPENHAGEN // DENMARKWWW.ARTCOPENHAGEN.DK

1st June - 24th Nov55TH INTERNATIONAL ART EXHIBITION

VENICE // ITALYWWW.LABIENNALE.ORG

Japanese artist Seikou Yamaoka creates complex and beautiful digital

paintings on his iPod Touch during his commute to work. This amazing

time-lapse video reveals the striking image of a woman ‘painted’ over three

and half hours using the £1.99 app ArtStudio.

Osaka, Japan. http://www.seikou-art.com/

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Facebookpage

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@STREETARTGERMANY

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1st Tatiana Loguinova 2nd Aneela Fazal

1st Zen-Sations Arboreum 2nd Stefan Petrunov

GLOBAL ART AWARDS SSPRING 2013T

BARCELONASHOWCASE AWARDS

SAWARDS 2013T

Congratulations to the well-deserved winners of the GAA Spring Awards 2013 announced at the Barcelona Showcase Art event held at the prestigious “Casa Batllo” by Gaudi.

www.globalartagency.com

With over 300 votes by the public: Aneela Fazal

Winner by Robert Llimos & GAA Stefan Petrunov

With over 700 votes by the public:Tatiana Loguinova

Winner by GAA Curators: Zen-Sations Arboreum

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FREITAG 25. Oktober 201318.00 Uhr - 22.00 Uhr Vernissage & Sektempfang. Tickets oder

nur auf Einladung. VIP TICKETS € 7.00, buch online.

SAMSTAG 26. Oktober 201310.00 - 17.00 Uhr EINTRITT FREI, vorbestellung online.

INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

VIENNASHOWCASE

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Palais Schönborn, Vienna

A selection of the most talented and emergent artists from around the world will be exhibiting their artworks at the Museum of Young Art located within Palais

Schönborn for a two day Art exhibition.

WWW.VIENNASHOWCASE.COM

¿Quieres más información o asesoramiento personal?Visítanos en www.facebook.com/cobra.wmo o consulta nuestra página web www.cobra.royaltalens.com

¡Novedad!Cobra Studycolor al óleo miscible con agua