Charlie Parker - Omnibook C

CHARLIEPARKEROMNIBOOKForC Instruments(TrebleClef) • TranscribedFromHis RecordedSolos• TransposedTo ConcertKey

CONTENTSTitle PageAH-LEU·CHA (AH LEV CHA) 86ANOTHER HAIRDO 104ANTHROPOWGY 10AU PRIVAVE (No.1) 24AU PRIVAVE (No.2) 26BACK HOME BLUES 106BALLADE 142BARBADOS 70BILLIE'S BOUNCE (BILL'S BOUNCE) 80THE BIRD . . . . . . . . . . . . .. . .. 110BIRD GETS THE WORM '" : . .. . 94BWOMDIDO 108BLUE BIRD :......................... 84BLUES (FAST) 124BLUES FOR ALICE 18BUZZy 78CARD BOARD 92CELERITY 22CHASING THE BIRD 82CHERYL 58CHI CHI 28CONFIRMATION 1CONSTELLATION 45COSMIC RAYS " 30DEWEY SQUARE 14DIVERSE 114DONNA LEE . . .. . . .. . . . . . .. . . . . . .. . . 48K. C. BLUES 20KIM (No.1) 51KIM (No.2) 54KLAUN STANCE 89KOKO 62LAIRD BAIRD 32LEAP FROG 130MARMADUKE 68MERRY·GO·ROUND 117MOHAWK (No.1) 38MOHAWK (No.2) 40MOOSE THE MOOCHE 4MY LITTLE SUEDE SHOES 120NOW'S THE TIME (No.1) 74NOW'S THE TIME (No.2) 76ORNITHOWGY 6AN OSCAR FOR TREADWELL . . . . . . . .. 42PARKER'S MOOD 134PASSPORT 102PERHAPS 72RED CROSS 66RELAXING WITH LEE 122SCRAPPLE FROM THE APPLE. . . . . . . . . . . . 16SEGMENT 97SHAWNUFF. . . . . . . . . . . .. . . . . . . . .. .. . . 128SHE ROTE (No.1) 34SHE ROTE (No.2) 36mm �

STEEPLECHASE . . . . . . . . . . . . . . . . . .. .. . . 112THRIVING FROM A RIFF 60VISA 100WARMING UP A RIFF . .. .. .. .. . . . . .. . . . .. 136YARDBIRD SUITE........................ 8Charlie Parker (Biography) iiIntroduction ivScale Syllabus 143

'i'J1978 ATLANTlC MUSIC CORP.International Copyright Secured Made in U.S.A.

All Rights ��

. "��

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INTRODUCTION

The solos in this book represent a cross section of the music of Charlie Parker.In presenting these solos, we hope to bring musicians closer to the true genius of "Bird".

These solos are in C concert key, treble clef. The book was originally published inEb key and this new concert version should allow many more people to explore the wonderfu.1world of music that Charlie Parker gave us.

Most Jazz musicians have learned to play by listening to records and imitatingthe notes, articulations, vibrato, etc. of the masters. We encourage you to play thesewith the actual recording. listen to the record first, then play through the solo slowly,gradually increasing the speed until you are at the recorded tempo Bird played it. Idon't feel the idea is to try to play the solos exactly as Bird did, but rather to findphrases, articulations, scoops, turns, etc. that you feel you would like to incorporateinto your own playing. By being able to see and play the actual notes, it should helpspeed up the learning process. Many players play like Bird but retain their ownpersonality.

Practice with a metronome. Each day try to increase the tempo a little, all thewhile retaining the inflections, articulations, etc. that you would use at the slowertempo. Try practicing some of these solos with the Aebersold Play A Long records. Takea slow blues solo in F and play it with one of the records in the series that has a slowF blues, then move to a record that has a faster F blues. It is fun to work towards playing the solos with Bird along with the actual Parker recorded version.

Blues make up the largest portion df this book. Rhythm changes come next.Some compositions have the two versions recorded by Parker in separate solos. Whena measure occurs without a chord symbol above it, the chord is the same as the measure preceeding it.

Most players like to analyze solos in order to find out what the musician is doing. Our ears cannot always HEARwhat is happening so we slow the music down.transcribe it, analyze it, practice the licks, patterns and phrases we like best, andend up playing them in our own way on our instruments. We have put chord symbolsover most all bars to enable you to analyze the notes in relation to the chord. Remember, each chord symbol represents a series of tones called a scale. Older musiciansused to improvise mainly on chord tones; Charlie Parker was one of the first to broadenthat to include scales and substitute scales. For information on scale substitution referto the Scale Syllabus chart. '" Bird loved to use the b9 over the Dom. 7th chord/scale.The Blues scale and its accompanying licks was an important part of his music, evenwhen playing songs other than bluesl When you find licks or patterns that you enjoy,practice them in several keys so the melodic phrase becomes a part of you. It shouldbecome automatic in order to really be useable in a playing situation.

Only a minimum of articulations have been put in this book. We feel that jazz,being an aural art form, is often times best imitated by listening over and over, andthen playing the notes the way you hear it on the record. This might seem like the longway ta do it, but experience has proven reliable. After all, who would object to listeninganyway? listening is what music is all about.

The records from which these solos are taken are listed at the top of each solopage. They are contained in approximately eight records (some are two record sets)and most all are still available. The two record sets are a barg,ain)

We hope you have as much enjoyment with this book as we have hadputting it together.

lamey Aebersold* For SCALE SYLLABUS see page 143

iv

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-:Confirmation

1

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Ornithology

By Charlie Parker and Benny Harris '.'RD SYMBOLS'C. PARKER407

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8Yardbird Suite

By Charlie ParkerJ = 224

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10 Anthropology

By Charlie Parker and John 'Dizzy' GillespieJ = 300

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By Charlie ParkerJ ; 184

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Scrapple From The Apple

By Charlie ParkerJ : 200

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Blues For Alice

By Charlie Parker VERVESOlO/VERVE

J = 165

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19

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ALSO AVAILABLE

CHARLIEPARKEROMNIBOOKFor E Flat Instruments. Transcribed Exactly From His Recorded Solos

CHARtJEPARKEROMNIBOOKTransposed for B Flat Instruments. Transcribed Exactly From His Recorded Solos

(Tenor and Soprano Sax, Trumpet and Clarinet)

20

By Charlie ParkerJ '"126

Blues

K.C. Blues

VERVE 8840/VERVE 8010/MGM 4949/VERVE 251

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© 1956 ATLANTIC :-mSIC CORP. .j....1e 1978 ATLANTIC MUSIC CORP. .All Rights Reserved, W.W.

21

..,F7 F7 C7

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• Best selling text book used by leading universities.

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• Discusses contemporary trends in Jazz, PoP and"Modern Classical" Techniques. New scales, chords,progressions, free improvisation, vocal effects, usingtone rows in practical music, etc'.-

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The both books complement each other!

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--------------22

Celerity


VERVE 8002/VERVE 25

2

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© 1958 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC CORP.

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23

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25

13

STAGEDANCEBANDArran.ed by Frank Comstock

THESEBOOTSAREMADEFORWAlKIN'.IEINIE'S TUNEDREAM.INTERMISSIONIIFFn's A COODDAY.JUMPlN'WITHSTMPHONYSID.MOONLICHTIN VERMONTOFF SHOIE....1018'N'S NEST.SPECIALOCCASIONMEDLEYTAllliATERAMlLE.VA.TISTWALTZMEDLEY

Arran•• ' b, Jotlnny Wamnlt,n

TINYBUllLES.

· (Rork liit)

(Brllht Swin,)' .. !Johnny Mercer)

· .(Bouncy)· ... (Bouncy)

· .{SWinIY). .(Great Standard

.{Dreamy}(A SWlnler!)

. (Often used Songs)· . (OI_leland)

· .{Dreamy)

· (Mod. Beat)

e 1956 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


IIIIIIIIIIIIIIIIIIIII

C7

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An Importon/ f/emen/ory

Arronging'Book For Schools

BARNEY KESSEL says: "This bookopens the door to an arranging career for musicians. Van's first bookdid this for me."

Contains two records of charts in thebook:

and"Moonlight In Vermont" for full orch.and 4 examples of contemporarystyles by a leading university on:h.

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Written by Pros ...

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FIRSTCHART

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28 Chi Chi

By Charlie Parker VERVE 8005/MGM 4949/VERVE 8409

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All Rights Reserved. \V.W.

29

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© 1956 ATLANTiC MUSIC CORP.© 1978 ATLANTiC MUSIC CORP.

All Bights Reserved. W.\V.

31

GbO

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CRITERIONMUSICCORPORATIONPUBLICATIONS

SAXOPHONEUNa. SAXO'HONEsmis

BySamDonahue.Sol,psby DonirIS,lester Young.etc',...

eNDUE 'ARlEl'S IEIOP ALltiSAl FOUORecordedIIit bop alto solos.

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Recordl!dhit tenorsolos,.

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Fnturins stylesof 22 lop-notchdrummers..

PIIOfESSIDrw.DI. STUDIES8, Brld Spinney. _For Radio,Stage& Screen..

CLARINET

TRUMPETClEATTUMPETsnus

ByBillyBlItterfield.Solosby,louis Armslronc.HarryJames & DizzyGilles9If:,. . .. , ...

OIEAT CLAII"n STYUSSolosby ArtieShl'll",BennyGoodman,Buddy de Franco,etc...

JAZZ CONCIITO fOl ClARINETByBuddyde FrlllCO..

32Laird Baird

~

VERVE 8005

D7A</J

By Charlie ParkerJ - 162

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1. · ,I - Jr'"

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,

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8~'t:~e 1956 ATLANTIC MUSIC CORP.101978 ATLANTIC MUSIC CORP.


33

10

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"~-!Z~ '1j1fl I

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12~~I'~D- Db- C- C- F7+

THE GUITARby

Barney Kessel

A Most Unique

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GUITARTUTORby LaurindoAlmeidaA Complete Concert Guitar Method in 3 Coursesfor Seginners-Intermediates -And Advanced,Students.c-tnctudes Solos transcribed from Almeida'sCapitol Recordings

laurindo Almeida'sConcertGuitarFolio"FROMTHf ROMANTICERA"

Transcribed Solos Jrcrn his Capitol album, Music ofBeethoven.SchomannChopin,Massenetand GreiJ<

Answers mOny questions ond solves prob

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tAURINDOALMEIDAGUITARSOLOSAll solos transcribed as recorded by Launndc AI·merdaon CaprtolRecords

.. ,AMoR flAMENCO.TrHUACAN

BALLERrASY CANCloN

BOSSAGUITARRA6 Solos for Guit.r

by LAURINOO ALME.IDA

Guitar Solos with lead line and chordsymbols (finger style guitar). Also

has suggested drum rhythms.

VENTURE FOLIOSBOOK=1 _ FeaturingWALKDON'TRUNand othersBOOK=2 - Featuring JOURNEYTO THE STARSandothers.BOOK=3 - Featuring JOSE.INSTANTGUITARSandothers.BOOK=4_Featuring DIAMONDHEAD,GRINGOandother hit songs.

f} ....

34

She Rote(No.1)


VERVE BOlO/VERVE 884C1/VERVE 8002/VERVE 2515

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3~'r - I-----.~© 1956 ATLANTlC ~lUSIC CORP.© 1978 ATLANTlC MUSIC CORP.

All Rights Reserved . w.w.

•

35c- Ab7 J Bb Bb G7b9

.~~~c- ~ F7 Bb C- F7

,,~-ooBb Bb Eb- Eb-

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36

She Rote(No.2)


VERVE8010/MGM 49.'

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e 1956 ATLANTIC ~IUSIC CORP.e 1978 ATLANTIC MUSIC CORP.

Al! Rights Reserved. W.W.

37

9~

13

-F7

14 !t\~~O

38

Mohawk(No.1)

By Charlie Parker VERVE 8006/VERVE 8840/VERVE 2501

J = 168

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B~7F-

,-- "11_ ,_

B~7 E~7 Bb)\1a

7~-''t¥E~7 E~7~ B~

L.AY e.AC.K8~1'



39

c- F7 c-

B" ." BI, j F- BIb

)~"~t"'~-¥E=ts

Eb7 Eb7 Bb7 J G7

l~¥~~

c- F7 Bb7 F7

'~''!~,r'1J#l1

Bb Eb7 Bb7 Bb7

'-Eb7 Bb D- G7

c- F7

5~Bb (Db-) F7 Bb

40

Mohawk(No.2)


BluesB~7 E~7


~-~

j,

B~7 B~7 E~7 E~7

'~B~7 G7 c- F7

3bJ'1~'1"!'~ 'l~~ ~ ~

- .,1 $\-'~~

F7c-

t:b

B~7

-B~7 B~7 E~7 E~7

5~E-~·,"B~7

./6~'"_ 4:t

7

E~7 B~7 B~7 E~7

8~¥~e 1956 ATLANTlC MUSIC CORP.© 1978 ATLANTlC MUSIC CORP.

All Rights Reserved. -W.W.

Bb7 D- Db-

41

j

!rI

Eb7

c- F7

Eb7 BbMa

BbMa

D-

(Db-)

42An Oscar For Treadwell


'PIANOViTRO c

VERVE 8002/VERVE 8006/VERVE 2501

D- G7

- -..............~. -1~ , I \ - 'r.,~~~

E- A7 D- G7 F Bb7

2

~'E- A7b9 D- G7 Ir2.c c

3_~1iWw "" ~

E7 A7

'U'f~~'~"1

m~51 !t

G7 c D- G7

. - - . - ~

~

E A7 D

7~"~IV

F Bb7 c A7 D- G7 c

7~'-e 1956 ATLANTIC ~JUSIC CORP.~ 1978 ATLANTIC ~JUSIC CORP.


----_.-

E- A7 D- G7 C7 43

F Bb7 E- A7 D- G7 C

'~'71-"~D- G7 E-j A7 D- G7 C7

.~'i~~F Bb7 C C E7

'~-~E7 A7 A7 D7

'Q--~D7 D- G7 j

'~~}~~

,~7tli~C7 F Bb7 C D- G7

,~tl't'f~ IC D- G7 E- j A7 D- G7

'~,"l"f'f_C7' F Bb7 E- A7 D- G7,_,1-,.1

(turn page)

44 An Oscar For Treadwell - cont.

C I>- 07 »- A7~

19Rti¥}'1~ t"1 ,

-C

~'tl

C7 F Bb7 C

~.~. ~ ....-20

E7 E7 A7 A7

~'JIO~ 7?Z~.,'t'1~ 7?Z~21 " • 1/f'p

D7 D7 D- G7.--J_

"_f~C D- G7 E- A7 D- G7

"II=!'Ii:'f~ ?E,~ 't'1l'l

u

"';~;;i~:~~~~~~oo.\~;;:"~~A·:;~(}~;~~:¥.;@"~'£~~,:~~~~::"

PIANO& VOICE PIANO FOLIOS

~.;;-

us BAlTER'SEXOTICMUSICFOLIOS P,ano & \lOICe, with guitar chords. ElOTlCSOUNDSOf MARTINDENNY..

lEEHAZlEWOODFOLIO:: 1 ERROLLGARNERPIANOSOLOS,IContainshils like HOUSTON.SAND.THESESOOTS ERROttGARNERprANOSOLOS,II art

AREMADEfORWo\lKIN',etc. H. REVn'SMUSiCOUTOFTHEMOON 'IlEE HAZLEWOODFOllO=2 NATKINGCOLE'SPIANOSOLOS

60 greatsongs.includingSUGARTOWN.SUMMERWIN£.COASTIN',SHADES.etc

PIANO SOLOSHAWAIIANSONGBOOK, ' AUTUMNCDNCUtD OFFSHORE26 HawaIIanhit songs includingPEARLYSHELLS. LUSHWALTl ROBBIN'SNEST '

fOREVERMORE,etc' MONTEVIDEO RUNAWAYROCKINGHORSE .~ISLANDSONGBOOK . MOONliGHTIN VERMONT WAlK TOTHEBUll RING I":.

31hils, featUringTINYBUBBLES,KAINOA, THENAKEDSEA } ,SINGINGBAMBOO,etc. ~ ,

SONGSFORSINGERS-Book:n ~

36 great songs,lncludmgSONGOFINDIA, ACCORDION.MODNUGHTIN VERMONT,BERNIE'STUNE,etc ~

SONGSFORSINGERS-Boak:::2 TOPTV RADIO' RECORDHIlS Fille i""36 great songs,IncludmgQUIETVILLAGE,WHEN ' ~ ,THEWORLDWASYOUNG,MARIKA.etc.. ACCO.OIO" S0105 , .

TINY8U88LES--lUIOVILLACiE-IIIUSICTOWATCH ...TOPTVHITTUMES CiIiLSIY_ QUENTIN'STMEIIIE_ ONE AIIIORE_ ' .'

29 lilt standardsIncludmgDREAMIT'SA EVf:lIYBOorsTALIIN', -IGOODDAY,HURRYONDOWNetc

~",~_~"\t'~<ji'"-.v./.~~fJ.t.~~~fJ'Z',r~~~)f?,1i:'IG:.."i(::$"::&1.UQt'·yOO~~~~~#I'~

45

Constellation

By Charlie Parker

J =324

C

SAVOY 2201

C

G- C7 F7 C7 G7 D- G7

~"t_4

E E7 A7 A7

C D- G7 E- A7 D- G7

~''1_G- C7 F7 C7 D- G7

C7 D- G7 E- A7 D- G7

,

<BRenewed and assigned 1976 ATLANTlC MUSIC CORP.<B1978 ATLANTlC MUSIC CORP.

A11Rights Reserved.

C7 D- G7 E- A7 D- G7

"~./ ~

G7D-

, '. :ftn_'-

Constellation - cont.0- C7 F7 C7 A7

~t\~~::;;:,=====-=+=1::;;':::::::::;;::'::;;:Y@

0- C7 F7 Bb7 C7 C7

111-~'f_

~-12~ , ." - I

131;~YI;~C7 D- G7 E- A7 D- G7

14~ ?f1- '1 , I

_Ii iii' i ..... UL: i _

D-C7

16~'t

C7 F7 F- C C

"I ¥~-'t-"'-\---B

~E~~_

,,_:~

l3~

47

G- C7 F7 C7 C7

-F

't\

-91'f~?~1~'t§J5=if.ij~'~R

;~~~~f~D7 D7 G7

'l~~§G7 C7 D- G7 E- A7

~_*€JD- G7 G- C7 F7 F- ~

~~C7 D-

"~G7 C7

Polynesian

HAWAIIANSONG BOOK

FOR PIANO. GUITAR & VOICEComplete words and music to 26Hawaiian hit songs. Featuring PEARLYSHELLS, fOREVERMORE, MAPUANAVINI VIN!, NO HUHU, I'LL SEE YOU INHAWAII. etc.

Criterion's BookI Cri.terion's Authentic

HAWAIIAN BOOKFOR ALL ORGANS

,W.tl> 'ell'sl'~I'O.," for p,pe. [Iect",dod FTC Set Q,g3nS)

Complete words and music to 17Hawaiian hit songs. including PEARLYSHELLS. QUIET VILLAGE. FAREWELL,NO HUHU. WAIKIKI. MAPUANA. etc.

SOUTH SEA FOLIOSSongsfrom Hawaii,Tahiti.SamBa& Maori

Book ~1 _ SOUTHSEASONGSBook =2-50NI>5 OFPOLYNESIABook =3 _ISLAND SONGSBOllk=4 _ MAORIMElODIESBook=S-SDNGS Of PARADISEBook~6-SDNGS fRDMTHEPACIfICISLESBook=7 -SDNGS FRDMTHERDMANTICISLANDSBook=8- TUNESfROMTHETROPICS

Contains words and music for voice and all sin~le noteinstruments-ukulele. guitar, etc..

Criterion's Book 2

ISLANDSONG BOOK

FOR PIANO. GUITAR & VOICEComplete words and music to 31 Hawaiian hit songs. featuring TINY BUB·BlES. E MAllU MAl (Hawaiian loveCall). KAINOA, There Goes KEAlOHA,SINGING BAMBOO. THAT'S THE HA·WAIIAN IN ME. etc.

Criterion's

EXOTIC BOOKFOR ALL ORGANS

lW,th ,eK,strat,ons 10' P,p ... EI"Gl .. ~and Pre· Set O'gans,

WordS & music and instrumentals of 15sxcnc Hit songs. Including QUIET ViL·LAGE: MOUNTAIN HIGH, VALLEY LOW:OFF SHORE: SONG Of INDIA: HOUSEOF BAMBOO. etc

CRITERION'SHAWAIIAN SING·A·SONG

LYRIC BOOKWords to 84 Hawaiian favorites

New & OldIncludes TINY BUBBLES. PEARLY SHELLS, OFFSHORE. QUIET VILLAGE. etc.

48

Donna Lee

SAVOY 2201By Charlie Parker

J = 230

~A'~1 'T'1. ,.,~

Bb- Eb7 Ab Eb- Ab7

,~t.~

D'" 0'7~3~'~ B'- E'7

, -~

~

Ab

,~,~,~5~

;z, It=DC7

.~1? - ~G9l' C7.L F-

6~ •

7

~ B'- E'7

6 ,~e 1947 ATLANTIO MUSIC CORP.e Renewed and assigned 1975 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


2nd ChorusA~ F7 Bb7

49

I - I

Bb7J Bb7

;

st- Eb7

Ab F7 Bb7

--F- C7 F- BO

'~~\~C- F7 Bb- J Eb7 Ab . ~ Bb- Eb7

6~'~-,\

3rd Chorus

,,~~~~B~b7~~~~

Eb7 Ab7

(turn page)

-Donna Lee - cont.

Gb7 Ab

, I I I .... _

50

D' _'_I_~19~

Eb7

~-20 Jt9~'t~

--.,7e _

Ab F7 Bb7 Bb7

21~:::;;;j'?i;:::::::::;::;-;::::::I_---=-.,----

-F- C7

~!t-\

<¥

-~ to..- _ "' __

221i===-=~ , .,..,.~"

C7 F- C- F7

"~1i_, I 7A M - - .. I n. ,,·n _

Bb- Eb7 Ab Bb- Eb7 Ab

Z4~'fit_ - ~

ORGAN==

Criterion's

HAWAIIAN BOOKFOR ALL ORGANS

ORGAN SOLOS

QUIETVlllMiE - For HammondOrganPURLY SHELlS- For All OrgansTINYBUBBLES- For All Organs

ORGAN fOLIOS

14 HITSForAllORGANSGreatStandardsarrangedby BenKendall.

PACIFICISLAND11m ForAllORGANS17 Islandfavorites like TINYBUBBLESarrangec1byBenKendall., . . . . .. .. . ..

EXOTICHITSfor AllORGANS15hits like QUIETVILLAGE,etc..

HAWAIIANBOOKfor AllORGANSStandardslike PearlyShells,etc..

TOPTV,RADIO& RECORDliltSFor HammondChordOtgan¥lith words & music lorDream.MoonlightIn Vermont-phis21 morehils.

CRITERIONORlaNHilSFor the Pre-setand SpinetmodelHammondOrgans.19 hit songsarrangedby Marklaub

CRITERIONORGANHITSFor all WurlilzerOrgans.19 bit songs arrangedbyMarklaub.

EARLCRANT'SfAVORITESFor the HammondChordOrgan,Words& music to 27top songs rec:ord~d by EartGrant.

EXOTIC BOOKFOR ALL ORGANS

(Willi rellislr:at,ons fo' Pipe. Electric:and Pr.Set Oraans)

Words & music and instrumentals of 15Exotic Hit songs, including QUIET VIL·LAGE: MOUNTAIN HIGH, VALLEY LOW:OFF SHORE: SONG OF INDIA: HOl,lSEOF BAMBOO. etc.

Criterion's Authentic

(Wilh ,el;slratio"s for Pipe, Eleclric:and Pre·Sel Oraans)

Complete words and music to 17Hawaiian hit songs, including PEARLYSHELLS. QUIET VILLAGE. FAREWELL.NO HUHU. WAIKIKI, MAPUANA. etc.

51

Kim(No.1)

VERVEBOOS/VERVE8840By Charlie ParkerJ = 320

Bb7 c- F7 D- G7 c- F7

1 l' - I

2~~ -" IBb7 c- F7 D- G7 c- F7

'~~Y~F- Bb7 Eb7 (cb) Bb7 Bb7,_,I - U

~5 ~ ~? I

61G7_~

~7 c- F7 I>- G7

7 ,ij'f_c- F7 Bb7 Eb7 Bb7 G7

8~?~"~~? - I~ (turn page)

e 1956 ATLANTlC MUSIC CORP.<D1978 ATLANTlC MUSIC CORP.


52Kim (No.1) - cont.

c- F7 Bb7 c- F7 D- G7

9~m=O~c- F7 F- Bb7 Eb7 Eb- D- G7

"~~-c- F7 Bb7 c- F7 D- G7

lll-~c- F7 F- Bb7 Eb7 (cb) Bb7

"~Bb7 D7 D7 G7

lll-~il

m~~14\-, tt'1;, ~ J 3

F7 Bb7 c- F7 D- G7

C-F7 B'7 .~16

1 - I - T tot. """

c- F7 Bb7 c- F7 D- G7

171-'7'1~'-1

53

c- F7 Bb7 Eb7 (cb) Bb7 Bb7

181!'(~-~

Bb7 c- F7 D- G7J C- F7

19~F- Bb7 Eb7 (cb) Bb7 Bb7

"jgjW_ 1?I - ID7 D7 G7

11 7t - I

C7 C7 C- F7

"~.1?~Bb C- F7 D- G7 C- F7

.~

3

F- Bb7 Eb7 G7 C· F7 Bb7

-:4

ORCHESTRATIONS

SMALL ORCHESTRATIONS

MODERNSOUNDSERIESCharlie Parker's

COMFIRMUICH_ YARDI.ID SUITEMOOSETHE MODcHE- OItNITHOlOIO'SCRAPPLEFROMTHE ","PLEDEWEYSQUARE

berry MUlligan's MULlIGANETTE$BERNIE'S TUNE_WALKIN' SHOESNU;HTS AT THE TURNTABLESOFTSHOE- FREEWAY

illinois Jacauers D',zzyG,llesp',e'sROBBINS' NEST THE CHAMP

Coleman Hawkin'sSTUFFY

Lester Young'sJUMPIH' WITH SYMPHONY SID

STANDARDDANCEIUTUMNCONCERTO

(My Hearl Remonds Me)'ERNIE'S TUNEDRUMINTERMiSSiONiliFFIT'S'" CODD DAY

OICH£STlATlONS

MAliNAMOONLIGHTIN VERMONTOff SHOREQUIETVILUGE(AT) THE END (OF ...RAINBOW)

QUANDOLALUNA(Smallarch.!

54 Kim(No.2)

~

By Charlie Parker VERVEBOO5/MGM4949

J = 320

~- F7 I>- G7 C- F7

, . I 't-~

F- Bb7 Eb7 Eb- Bb C- F7

'!=il!z;'1_ - "?: ...~

3

F- Bb7 Eb7 Eb- Bb Bb

4~ ., - 0A- D7 G7 G73

5~

6

Bb c- F7 D- G7 c- F7

7~?t~ ~ ~ - IF- "7 ~7 "7 G7 C- F7

81 -?t) j 7 I -~ - D

© 1956 ATLANTlC MUSIC CORP.e 1978 ATLANTlC MUSIC CORP.


Bb c- F7 D- G7

55

F- Bb7 Eb7 D- G7 C- F7

~?,-~~

Bb7 C- F7 D- G7 C- F7

~?t~~}I-~

F- Bb7 Eb7 Bb Bb

~71-11A- D7 G7 G7

~~-l-_

., c~ F7 D-~

\Eij'~-17 . IF:; Bb7 Eb7 Bb G7 C- F7

~'I-"~.,.Bb C- F7+ D- G7b9

.~(turn page)

56 Kim (No.2) - cont.c- F7 F- Bb7 E~7 Bb

"!ijtT~ Ic- F7 Bb j c- F7 Bb G7

19 1 - ~ - I!

c- F7 F- Bb7 Eb Bb G7

2O__ ·IZ_~1

c- F7 ~D7 G7 G7

211 - V.

~ C7 ~ "

"~"71 - ~Bb C- F7 D- G7 C- F7

"~?fJf~F- Bb7 Eb7

24§ '7

Bb (PIANOSO~ (PlANO)32 (DRUMS)32

Bb - C- F7! D- (Db-) G7 C- F7

20~F- Bb7 Eb Eb- Bb G7 C- F7

27~'1 - I

57Bb C- F7 D- G7 C- F7

Il'·~-_F- Bb7 Eb Eb7 Bb Bb

~'t-~, . ~

A- D7 G7

C7 C7~

~?I't

Bb C- F7 D- G7 C- F7

.W¥if!t~. l',~F- Bb7 Eb Eb7 Bb

'~?t~

,~;, GI I

Contains these solos- "THESEBOOTS AREMADEFOR WALKIN'," "LET THE GOOD TIMES ROLL,""HOUSTON," "TINY BUBBLES," and 15 otherhits.

A SHORT CUT--NOT A GIMMICK

AN APPROVED MUSICAL METHODYOU HAVE TO SEETO BELIEVE!

For: THE BEGINNERTHE SLOW READERTHE "PLAYBY EAR" MUSICIAN

Edited byBurdell Mathis

Endorsedby:

BARNEYKESSEL

JACKMARSHALL

GEORGERUSSELL" -;

~GUITARMETHOD

1'·I,':

A GUITAR METHOD THAT

TEACHES READING & PLAYING

INSTANTLY!

58 Cheryl

By Charlie Parker SAVOY 1101

J = 180Blues

1

-'C7 F7 F7 C7

'-E- t A7 D- G7 C7

~3~ ~77~'1~1>- G7 C7 C7 C7~

4~-~-\'t~- .."

F7 F7 C7

- -- _.. .."5 - ~"f~

A7 D- G7 C7

6lt4.,- 1'7 ,-1D- G7 C7 F7 C7

~ - ¥ - I'-'"

C7

81 - ,fl==l© 1947 ATLANTIC MUSIC CORP.© Renewed and assigned 1975 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC CORP.

Al! Rights Reserved.

59

~~~II - I 'tJ

D- G7 C7 D- G7 C7

,I -~__f~_1

cr C7 F7 F1 C7_._-\-""'" ~

,

A7 D-

C7 D- G7 C7

:~ 7t - ) T~"- B~ ~

GmTARGUITAR FOLIOS

"lOOTS"FORGUITARGuitararrangementswith completepartsforSoloand RhythmGuitar

FROMTHERDlIAHTICERAConcertguitarsolostranscribedfromlaurindoAlmeida'sCapitolalbum,musicofBeethoven,Greig,etc.

BOSSACUITURASix solos by LaurindoAlmeidawithlead lineandchordsymbols

SURfIH'GUITARSurfingsongsarrangedby JimmieHaskell'or pianosoloandguitarsolo

coumty 1U1T..Hib fromItIeCountryField

fDLlSYSOIIISfaR em•• (Simpleto Advanced!"MfA". "Philldelphi. llWYtf". etc

2t UUT HIES FGICUlT•• (Pick Style)39 GreatArrangementsby Danfox, featuring"MoonlightIn Vlnnonr

OSCUMOOIECUlT.'SOlOS

:~:T:':OS ~::ACIOUS.. AHliITIEIIWTlDIIIUUElIAS1 CAICIUN 0TEllIACAI ~

GUITAR BOOkS

CUITAR1UTOIIby LaurindoAlmeidaA completeConcertGuitarMethod.

THEcurrARby BarnerKessellA uniqueguideforBuitarists

VENTUREFOLIOS

Book#1- Hits 1111WAllIlOll'Tnil... #2 _ Hitslib JOUIlll1EYTOTHESTARS.... #3-HIts Iae JOSE,INSTANTGUITARS8Iak #4-Hits I•• DIAIIIIIIDHEAD,ClIllSO

60

Thriving From A Riff

By Charlie Parker

Jc- F7 Bb c- F7

SAVOY 2201

'-'

1

F- Bb7 Eb EO Bb c- F7

'~-~

B' "" C- F7~3~?t~ -

_ E' B' B'4 'tl- 't-D

D7 G7 G7

5D'¥ i I

~6~~-~~~ ~~Bb c- F7 Bb c- F7

'U.!,-!- ~F- Bb7 Eb Eb- Bb c- F7

'~-! - I

© 1945 ATLANTlC MUSIC CORP.© Renewed and assigned 1973 ATLANTIC MUSIC CORP.e 1978 ATLANTlC MUSIC CORP.


61

F- Bb7 Eb EO Bbc- F7

~.'fl - I

., C-F7"~

~?-

~-I

am_lm._

~J@F7_ 0

.,~.,~i~ "'t a

F- Bb7 Eb Eb- Bb c- F7 Bb

;~

,

62

Ko Ko

By Charlie Parker

J = 308

SAVOY 2201

l~~

21 'r - ~

38 I • I I - '?',~

4~7,>1-~ 00

,m7j'j~ "7 f ~---I

6 '-I 0 \3 J - I

Bb

7~"t.~Bb F- Bb7 Eb

'~ll-~'1~e 1946 .ATLANTlC MUSIC CORP.e Renewed and assigned 1974 ATLANTIC ~lUSIC CORP.e ATLANTlC MUSIC CORP.

All Bights Reserved.

Eb Ab7 Ab7 Bb63

,!

9'- eM \ • ~

Bb C7 C7 C- J

o~-lf~?t'58

1

Bb F- Bb7 Eb

'~-I'1~Eb Ab7 Ab7 Bb

.~1tI- ~Bb J C7 3 C7 c-

4~-~7t~F7 B' B' cs-~15~"t1 - ~}j

F~7 B 2 B- E7

L6~ I IfA A A- D7

17 -~?r I

~,,~~- ; =:0mP:

64 Ko Ko - cont.c- F7 Bb Bb

"~""l- IF- Bb7 Eb Eb

201-~- IAb7 Ab7 Bb Bb

"I~, .

C7 C7 C- F7 Bb

22~ - \ - N.l " EJ .. I-' '--""" .. -

231~C~-~~~7~~~

Bb7 Eb Eb IfJ Ab7

24.~1~ Ifl - '.Ab7 Bb Bb C7

25~C7 C- G7+9 C- F7

b~g-~~26k@ - 1-

'"Eb Eb Ab7 Ab7

"~.- I

38

B'~C7 ssl~ - - I

C- F7 Bb Bb

)I-·~:p-II

C#- F#7 B B,_-IB- E7 A A

'Il'~- ~

3IA-_~~~

~~4@ "'7'-

Bb Bb F- Bb7

5~!f1 - IEb Eb Ab7 Ab7

'51.-~~~Bb Bb C7 C7

"~J - I~

C-__ .s:.u:. , ...v-

- . -

1

68

Marmaduke

By Charlie Parker

J = 208

SAVOY 2201

G- C7 F G- C7 F

2 17'., '1~

3~

' __ '1~- I

F C- F7 Bb

5~-1-"~

6~-~, .!

C7 ~ G- G- G-7_G- C7 F G- C7 F

8 ? - I© 1948 ATLANTlC MUSIC CORP.e Renewed and assigned 1976 ATLANTlC MUSIC CORP.'01978 ATLANTlC MUSIC CORP.


A- 07SoloG-~

69

,

G- C7 F G- C7 F

1O~!~'1A- 07 G- G-

'11 - ~'fm'V!B-~G- C7 F G-

\01"

FC- ~131 - ~'t

Bb G7 G7 G-

"m,-~, 8

~~5 . :t'~

G- C7 F

I.6 ~

A- 07 G- T~pr: 31.7("?~ -, I r 0

... (BRIDGE)-cT ANI" 11; 'DRUMS2 Bb

~ (turn page)

70 Marmaduke - cont.• , G7 G7~

19~-\ -.,

~. o- o- ~20 ,

G- C7 F G- C7 F

21

BarbadosBy Charlie Parker

J = 168

SAVOY 1101

Blues

4 F G- C7 ,r- ~

F7

C- F7 Bb7 Bb7

'1"1~!'1~ I

F F G-

silO~ I '1~ 'I i1I I

c7b9 F G- C74m mF~"'pi4~ i je 1948 ATLANTIC MUSIC CORP.e Renewed and assigned 1976 ATLANTIC MUSIC CORPe 1978 ATLANTIC MUSIC CORP.


71

F7 G- C7 F7

~~IV ~

~B'7_li~

_F~ ~ ~_ _ ~.S'~~~~I

3 ."c+.. ---F7 F7 c- F7 Bb7 !

_I-~,Bb7 02I-AY--.-u---, F7 A- Ab- G-..-~-

~

C7 F7 G- C7 F7

·_~T-~

SHAPING FORCES IN MUSICBy Ernst Toch

An inquiry into harmony,melody,counterpointand form. A completeadvancedmusiccoursenowbeingusedby manyleadingcollegesas their textbook.

72

Perhaps

By Charlie Parker

J = 200Blues

SAVOY 2201

(Head)C7 C7

-C7 C7

F7 F7 C7 E- A7

2

D- G7 C7 D- G7

'-SoloC7 C7 C7 G- C7+

'w-~F7 F7 C7 C7 A7b9

'~-~~C7 a ~G7

6 . ~ -m!tl-~

7

A7b9F7F7

'~ Jl- C73

"'" e 1948 ATLANTIC MUSIC CORP.e Renewed and assigned 1976 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC CORP.


73 1G7D- C7 D- G7

~-"--~~C7 C7 C7

~,-~D- G7 C7 G7b9 j C7

~'l_'tl

CRITERION'S BOOKS"JAZZ PUBLICATIONS

NEW HOT DISCOGRAPHYby Charles DelaunayThe standard directory of recorded jazz. Titles,personnel, dates and numbers of 20,000records.608 pp. Price $24.95

FIRST CHART by Van Alexander (Edited andContributed to by Jimmy Haskell)

An important elementary arranging book. Features step-by-step instruction to help musiciansthrough that "first chart." Includes all themodern styles, Jazz·Rock, Blues-Rock, Contemporary Latin, etc. Includes a record of two of thecharts including John C. Fogerty hit lorCredence Clearwater Revival, "Lookin' Out MyBack Door", 112pp. Price $1••95

THE STECHESONCLASSIFIED SONGDIRECTORYby Anne & Anthony Stecheson

A classified directory of over 100,000song uues,395 dillerent categories. Used by every majorrecord company. 503 pp.incl. 68 pg. supplement Price $40.00

-------------------

THE PROFESSIONAL ARRANGERCOMPOSER(BoOkOne) by Russ Garcia

Text book used by leading schools. Basis forcourse lor practical arranging and composing inthe commercial field. For the advanced and professional arranger. 172pp., 1951 Price $14.95

CHARLIE PARKEROMNIBOOK60 Recorded Solos - 4 Books

Eb... C ... Bb ... Bass Clef (New!)Price $11.95

Newl CHARLIE PARKERFOR PIANO15 Plano Solos Based on His Re<;ordlngs

Arranged by Paul Smith and Morns FeldmanPrice $7.95

THE PROFESSIONAL ARRANGERCOMPOSER(Book Two) by Russ Garcia

Discusses contemporary trends in Jazz, Pop and"Modern Classical" Techniques. New scales,chords etc. using tone rows in practical music.Contains a record of many of the 169 examplesand the recording of a complete,score of a composition by Garcia. 91 pp., 1978 Price $14.95

-------------------CHARLIE PARKERFOR PIANO

Recorded by The Paul smith TrioCassettes available $8.18 by mall

CRITERIONMUSICCORPORATION8124sel .... Avenue,Hollywood, CA 9llO28

74

Now's The Time(No.1)

By Charlie Parker VERVE 8840

For Melody see Now's The Time (No.2) - page 76

J ; 132Blues

,~ F7

.~

B~7 F7 D7

21- ~~

~ _C73m.,-~'I - ,,;go\",.00

~F74 . -'<t~

..;

B~7 'it B~7 F7 -. . A- D7

'"5~7?-~

F7F7C7

6 IB~7

- ?'f~71 ~

F7 B~7 B~7 F 4

• ~ g

8~"

u

© 1945 ATLANTIC MUSIC CORP.© Renewed and assigned 1973 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


A- D7 G- C7

75 1

C7~w=tbJ,\fBb7 F7

G- C7 F7

IC~~

Bb7 F7 F7

~ C7 F7 G- C7 F7

.~

UNDERSCOREByFrankSkinner

A completecourseinscoringfor motion picturesand television,featuringanactualscorethat waswrittern, arrangedand recordedfor a motionpicture,withtimingsheets,orchestrasketchesand orchestrations.

76

Now's The Time(No.2)


J = 220

Blues (Head)

~ rl F7 st

1 I I I - .,,, ~;pg

F7 F7 Bb7 Bb7 BO

'~

3

F7C7 F7i ••

F7

4§j+¥i't , - D 't

F7 J F7 Bb7 Bb7

5~ ., \ - \ -~. ~"I

F7~ G- C7

6Ijj?f\-¥9~~ '-'

F7

e 1945 ATLANTlC MUSIC CORP.® Renewed and assigned 1973 ATLANTlC MUSIC CORP.© W78 ATLANTlC MUSIC CORP.


~

tO

t-"-

I0

t-"-

t-"-

I0

78

Buzzy


J = 230

,~B"_I

Eb7 Eb7 Bb7 G7

2~"~-1

c- F7 Bb7 C- F7

3~'t'~-'~Bb7 Bb7

I'J~-"",,-,

"";b7 Eb7 Bb7 G7

C- F7 Bb7 C- F7

6~-~'~Bb7 Eb7 Bb7 Bb7

7 ,\-DiE\ollI'

Eb7 Eb7 Bb7 G7

e 1947 ATLANTlC MUSIC CORP.© Renewed and assigned 1975 ATLANTlC MUSIC CORP.e 1978 ATLANTlC MUSIC CORP.


79

c- J F7 Bb7 . C- ",.

9~'t'f~-:

Bb7 Eb7 Bb7 F- Bb7

"Ifr"f_Bb7 Bb7

Eb7 Eb7 DELAYED i

11~?(_~g!1

c- F7 Bb7 c- F7 Bb7

,,~wi

CHARLIEPARKEROMNIBOOKForEFlallnslrumenls

1

80

By Charlie Parker

J = 165Blues

Billie's Bounce(also known as BILL'SBOUNCE)

F7 Bb7 BO

SAVOY 2201

- - - - ..."

n_2~1If"'f

-.",

F7 A- D7 G- C7

,-F7 D7 G- C7 F7 F7

4~F7! c- F7 ~Bb7 Bb7

'~'7I-"t'~F7 A- D7 G- C7

6~-Mt'!~F7 .j C7 F7 F7

7~"\ - IJS' "

1 • "'"

F7 C- F7 Bb7

© 1945 ATLANTIC MUSIC CORP.«JRenewed and assigned 1973 ATLANTIC ~IUSIC CORP.«J 1978 ATLANTIC MUSIC CORP.


181

F7 07

F7 C7~

~~J

DELAY£]) I

Bb7F7C-

1 1Z1-'~

F7 07 G-- C7 ~

~

F7 C7 F7 Bb7

'~-~~F7 F7 Bb7 Bb7

i~ - 11t I.,,/ ~. \0000"'"

\0000"

G--07F7

;

~6 't - I'-"

SAVOY nOB

!

I'·> ;k

82

Chasing The Bird

By Charlie Parker

J = 210

~C,1 ~I ~~

.....

,

IZ'G- C7 F E- j A7

3~ - ~1i'1~~SI

~"'~4 ' \ • .,

G- ~ F G- ~

5~'~F D7 G- C7 F7 Bb BO

6~~'~G- C7 F F G- C7,_-I~,c- F7

6 ?~e 1948 ATLANTIC MUSIC CORP.e Renewed and assigned 1976 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


Bb BO 3 A- 3 D7 G- C7 F

83 ~!

G- C7 F J G- C7 c- ~ F7

W·I"f'_Bb B." F F E~~

mJ ??~I - ~'t"1 3

'~'>~G7 G- C7 F

,g,1F"'f~

G- C7 F G- C7 . c- F7

'I"f'~-'~FBb Eb7 F G- C7

'DELAYED ---..

84

Blue Bird

By Charlie Parker

J = 125

SAVOY 2201

BluesEb F- Bb7 G- C7

1

~2 q - I

~:~3) ., - " - I

~C,~4 ;z- "-1

~ "., TRPr. 245 - ~ I I ~

- ~

s

Eb7 Ab7 Ab7 Eb7

'~}"-~7~'1

8

!) 1948 ATLANTIC MUSIC CORP 3<CRenewed and assigned 1976 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC CORP.


85

'~!f:'~

Eb7 Eb7 Ab7 Ab7

1O~1t'l~ - I - I

Eb7

L1

L2~

86 Ah-Leu-Cha(also known as AH LEV CHA)

SAVOY 2201

G-G-


Melody- Miles DavisG- G-

~1.i.

G- G- 1Il I(

Ii. BirdI G- F j E- A7

'~?-

4~ 1#r - I;~r~ 'q~ IMiles Davis

5~G- G- G- G-

6

Bird SoloG- ~ G- C7 F G-

'_IG- G- G- F7 J

8 1 - .,,_

e 1948 ATLANTIC MUSIC CORP.C Renewed and assigned 1976 ATLANTIC MUSIC CORP.C 1978 ATLANTIC MUSIC CORP.

AllRl!d>lsReserved.

B~7 J ~ A- D7 G- 87

-G- G- C7 F7

\.-.'

B17~ F7 I F7 E-

II '~'t~

~m m G7

't'1~''f~

G7 ~-.-.-1'G- G- C7 F7

SfW7~71

BI7 p~ ~.~~TRPr.SOLO1 -.., ''1' - I

~

15 PlANO 16;1 I I" t $H

G- G- G- G- C7

7 ''tDELAYED ,

F7 B~7 F7 F7 D7

._- ''1~. (turn page)

,88

Ah-Leu-Cha - cont.

19~G- 6 C7 F7 Bb7

20~F7 F7 J E-~

21~?i - I

7 G- G- G- G-

22\' I

G- G- J G- C7 F

23 ., - I

89

Klaun Stance

,

By Charlie Parker

J = 300

F D7

SAVOY 2201

c- F7 Bb Bb (Eb7)

~-l'~

,

;~1t-~:~~

s

c- F7 Bb Bb- (Eb7)

'~F Ab- G- C7 F ! Bb- Eb7

g~"tl- ~: ~ - OUrnp"g"

~ 1948 ATLANTIC MUSIC CORP.e Renewed and assigned 1976 ATLA.NTIC MUSIC CORP.~ 1978 ATLANTIC MUSIC CORP.


90 Klaun. - cont.

A'~9~ ,

!

~7'_.10 • 't I

~ (C'-) J ~11 't~'t

Ab! Ab G- C7

"1'Tf~'~F D7 G- C7

"~¥~IF D7 G- C7

- 't ~"~C- F7 Bb Bb- (Eb7)

"I:t'w:¥~A- Ab- G- C7 F (C7)

16~"1 -(C7) F A- Ab- G- (Gb)

"~-F TRPr, SOLO 67 1'!ANaSOLO3J

ISW- \¥ ¥ I \ - 't.,~

A~ F7 (AO) B~- E~7

91

A' n<Pr.SOLD 3~)~ I I 'tl

B~- E~7 A~ 1RPr. SOLD 3L~7·1 I 19

F D- G- C7.."", F D7

,~.m

3~11:~B~ (A- A~- G-7 C7 A-7 D7

4~

G- C7) F G-7 C7 ~E"¥¥-_,. I

92

By Charlie Parker

Card Board

VERVE 2501

J = 210

1

,~,~... 3

c EbO ~ m

,-D- G7 C Eb O D- G7

4 9 ~ ~wi' ~

~ n- G'5 . Y~~~

_. ~G-~6 9J§

F Bb7+4 C Ebo

'~"~'1~

8~© 1956 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


93

c Ab7 Ab7

--G7D7

D-

c

D-

G7Ab7

,c

Ab7

."

D- c

c Ab Ab7

F

---c

.."

(Eb-)~

D-

~f7' - ~J

Bird Gets The Worm

ByCharlie Parker SAVOY 2201

J = 340

~G-~1 '1-....,

_

F- ~ ~~FO FO

2_~ _==== -~~~

Ab Ab Bb- Eb7

'~-~'T'~'TIAb Ab7 Db - Db- Ab Eb7

41' ? -, - ~

A'~.G~C7 ...5ij¥

6~'.Ab F7 Bb Eb7

7

3

8IA'_~~~I!:) 1948 ATLANTIC MUSIC CORP.I!:) Renewed and assigned 1976 ATLANTIC MUSIC CORP.I!:) 1978 ATLANTIC MUSIC CORP.

An Rights Reserved.

ev-... F·

9~'t-~- %1

C7 C7 ~ol-~t

F- F- Bb- F-

'~-I, -..

Bb7 Bb7 Bb- Eb7

i21 - 't9~ - U

Ab Ab G-

13~jJ~-_

F- F7b9 F7b9.,L4 Ji,

Bb- st- Bb- Eb7

15~- IAb Ab7 Db Db- Ab Bb- Eb7

16~1t~Ab Ab TRPr. 6217~ '?' - \ I I n

1'!ANO 64 SASS~'PRUMS 1GWi $\\ I , I

(turn page)

Bird Gets The Worm - cont.

A~ A~ G- C7

19~1'_

~ ~ 32000 ,? \ I I U

B~- B~- B~- E~7

211-~t- ~1f. I

22~BARNEYKESSELPUBLICATIONS

THEGUITARAmethodbyBarneyKessel(spiralbound)

BARNEYKESSEL- PERSONALMANUSCRIPTSERIES#101-LONELYMOMENTS#102-ETUOE#1 INAMINOR#103-LEFTHANOGYMNASTIC#104-THEVERYFIRSTSTUOYIN

SYNCOPATEORHYTHMPATTERNS#105-THEVERYFIRSTWARMUPS#106-BLUEBOY

97

Segment

By Charlie Parker

J = 260

B~- c- F7 B~- c- F7

VERVE 8009

1~"1~'"F7+ 9

B~- F7~9 B~- ~9

2~-'t'1~....,

B~- c- F7 B~- c- F7

2~?t_B~- F7~9 B~- B~-

4~-DF- j B~7 E~- E~-

'_1E'-~

61- 't U. ~

B~- c- F7 B~- c- F7

7~B~- F7b9 B~- F7~9

8~iji~~t:.,1© 1957 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.

All Rights Reserved. w.w.

98

Bb- c-Segment - cont.

F7 Bb- c- F7

gll?fq==\ - I~

B~~n10I - WI .,1- 'f.

Bb- c-· F7 Bb- J c- F7

n~'_t~

Bb- F7bg Bb- Bb-

"'", I - i12 lo~

J

is

F7

F7

lDb

Bb-F7

Eb-

Bb-

16 ,I· ~

Bb- C- F7 Bb- C- F7

15~tl-~ ~ I

99

Bb- c- F7 Bb- c- F7

7 t- I,.~

Bb- F7 Bb- F7

s~-,~ - e

Bb- C- F7 Bb- C- F7,_IBb- F7b9 Bb- Bb-

Of-~'tl- .,.

F- ~ Bb7 Eb- Eb-

l~-I"""

Eb- Ab7 Db J F7

'~-'t@l

".f~'r~Bb- F7b9 Bb- F7 Bb-

l4 ,- I


BluesC7

1~'wi

F7

Visa

C7 C7+

VERVE 8000 ,NERVE 8009

" F7 C7 M,-D- G- C7 1~71

3~~ f~/Z07 C7 F7 C7

'~IG- C7 F7 F7 C7

51-'f~f;t'l~

6~-1·;~

~G7~7 1'~

•

F7 C7 G- C7 F7

8~1-~61953 ATLANTIC ~IUSIC CORP.61978 ATLANTIC MUSIC CORP.


v

C7 C7 n-

101

G7 ! C7 3 n- G7 C7

lo~.,I-,~~

F'_lIP' . trfiBF73 F7 C7 C7 A7

l2~'- ll~_~

L3~w

C7 D- G7 C7 :3

102

Passport


Bb c- F7 Bb


c- F7

F- Bb7 Eb Bb G7 c- F7

Bb c- F7 Bb c- F7

'~F-

D7 D7 G7 G7

Bb c- F7 Bb c- F7

7~~iPSolo begins

F- Bb7 Eb Bb G7 C- F7

<!:J1953 ATLANTlC MUSIC CORP.e 1978 ATLANTlC MUSIC CORP.

All Rights Reserved. W.w.

103

9

2

Bb c- F7 Bb C- F7

1~~F- Bb7 Eb Bb Bb

'~-f'l~D7 D7 _

,~ ~7?J1

F7 Bb C- F7

C- F7 F- Bb7 Eb

'~

104

Another Hairdo


Blues IBp7

SAVOY 2201

•

(F7)

Bb7 Bb7 Bb7 Bb7

7~!f~.,

8~!ft-~© 1948 ATLANTlC MUSIC CORP.© Renewed and assigned 1976 ATLANTIC MUSIC CORP.© 1978 ATLANTlC MUSIC CORP.

All RightsReserved.

Bb7

v

F7

105

Bb7 Bb7 Bb7 F- Bb7

) - \"~

Eb7 Bb7 G7

1

~7 c- ~

2 ?r-I'*~~ 'ell

Bb7 Eb7 ~7 Bb7

'1fr?~71

Eb7 Eb7 Bb D- (Db-)

"I'¥'1~. .",~

F7 c- F7 Bb7

15ij"t'1~

106

Back Home Blues


Blues

VERVE 8840/VERVE 8000/VERVE BOlO/VERVE 2515

C7 F7 F7

A7E-C7

2'''b~\14~D-J ~

3~'t~",~m C7 ~ m

4~''t~~~C7 C7 C7

5'~~~C7 J_ I .-.!7 F7 LAYSACK.

D- G7C7

JD-

6'I ,I •

C7 C7

7

~G7

8



c C C

9~107

~F7C7

,,~_" c\- ~"I

~~I

A7E- D- G7 G7(b9).s

Ir~;;~

~ G7

12 Jt ~~

C F

T"~7~C G- C7 F7

II;"_ .. D....._Ia"l(LoI ... _· .. - _.W-

F7 C E- A7b9 D-

.~-I·~G7 C7 G pedal C7

5~,"I-~q~

6

F7 Gbo C E- A7b9

7~'t1·~_j j

ts

108

Bloomdido

Bb7

veRVE 8840/MGM 4949/VERVE 8006/VERVE 2501

Bb7Bb7Bb


Blues

1.Eb7 Eb- Bb7 Db-

G7bg c- F7 ~7

'~C-§F~7~~~

F- Bb7 Eb7 Eb7

8



109

Bb7 J G7 C- F7 I

~,,-

),

Bb7Bb7r'\

C- F7Bb7

~

Bb7 Bb7 Eb7 Eb7 J

~~"'1~Bb7 C- F7 Bb7 a Bb7

''f~Bb7 Bb7 Eb7 J Eb7J

,~~,~

;~~

F7.6~ 7

. c- .J. F7 Bb7

"1?j- ~

110

The Bird

VERVE 2501

G7

-By Charlie Parker

J = 224c- Dl6 G7 c- Dfli

'~'f!'~"?I~~~c- Dfli G7 C- c7b9

2 -~

F-F-

C-

F- c7b9

~ ~'_Jl~-~~

C-

4EL-cJ~~-\-

C7 c7b9 F- F-

5~!-

e

C- Dfli G7 J C- G7+9

'~j!~"?- 1- 't¥ ~© 1956 ATLANTIC MUSIC CORP.e 1978 ATLANTIC MUSIC CORP.


~--------~

111

,

i :::IIlIJil1 I _-c- ~ JG7 G7 C7

19~ - 17f~-----'1

~11 , I

c- G7b9 c- c-

13~F- ~ ~7 Eb

14~-11't~07\' (}- _ 07 c- J

15~"lf't .~

~ G7b9 c- ~ G7

16~i p1 I I I ., - \f~

..~I'

c- ~ G7 C-

17-'-· -----.~

t~

112

Steeplechase

SAVOY 2201

F7cG7F7c-~ ~

-, . / ~

fi,"' ~tj'1 • ""; .-

,1.1 .-~.+

•


Bb

1

-G7D7 J D7 G7

3D-_~~~

~F74 !t~

.3 I

5~~T~~~Bb C F7 Bb7 G7 C- F7 Bb7

6~'~- IBb7 C- F7 Bb7 G7 C- F7

7~F- Bb7 Eb7 D- G7 C- F7

3~© 1948 ATLANnC MUSIC CORP.© Renewed and assigned 1976 ATLANnC MUSIC CORP.© 1978 ATLANnC MUSIC CORP.


-~

113

B~7 C- F7 D- G7 J C- F7

9~

F- ~

01 p?"f."II"

B~7

~.~

E~7

....

B~7

I

B~7...

.......

m~1~"''1twtI

G7

~il

C7 F7 F7

2\ ,

F7

Ii i lac: U£ i _

B~7 C- F7 B~7 G7 C-

'~9~ 'r 1------

L4

B~7 "TRPT:sOLO--- ~1

114

Diverse

By Charlie Parker

J = 260

VERVE 8009

1

h 1B~- I c- F7 B~-

Ic- F7- , - I

.... ....- - V· -10- I H'I "'""

B~- c- F7 B~- c- F7~9

'~1!¥~............

B~- F7~9 B~- B~-~

4~-~

5~~ B~7 E~- _ E~-

~_ __ -----=~-I'~&

E~- A~7 J D~ t F7~9

'~B~- c- F7 B~- c- F7

7~?r~B~- F7~9 B~-

© 1957 ATLANTIC MUSIC CORP.c 1978 ATLANTIC MUSIC CORP.

Al! Rights Reserved. W.W.

,F7 115

,~)

c-

-~I _

Bb-

9~- -- Lit.. ~

~ 1111

Bb- F7b9 Bb- F7

F7c-'wi"

Bb-F7c-Bb-

I -"10 yr ~.,r ,..y.., p. I~~ V· : ;..

"0

'_,-,~Bb- F7 .. •B~ Bb-

2~ - \,,_

~

iii iii i I i _

F- J Bb7 Eb- Eb-,-,--.----..4

..... I _

c- F7 Bb- c-~

~ ,\ - a'-""

Bb-

_5Qj't-Bb- F7 Bb- F7

16~- ~qf't~7~nt- c- F7 Bb- c- F7

17H'~F7

-~, - 1-Bb- F7 b9 I. Bb-

~~.~lSW ...... . Io....J

(turn page)

116

Diverse - cont.

Bb- c- F7 Bb- C- F7

,,-,~

Bb- Bb- Bb-

F- Bb7

,,~J

Bb- C- F7 Bb- C- F7

Bb- F7bg Bb- F7bg Bb-

24~-1

~

Merry-Go-Round117

By Charlie Parker

J = 300

BbBb

(C-) (F7) Bb G7

SAVOY 2201

c- F7 F- Bb7 Eb Bb

2~c- F7 Bb

I ~---c- F7 F- Bb7 Eb EO Bb

'~~]Bb F- Bb7 Eb

5

C7 C-~ I. I ~ ......

"\\ I~ r ~-;",~".q

......) "Vi

C7

6~

7~

F7 Bb C- F7 Bb

~7_

C- F7 F- Bb7 Eb EO Bb

'~?I~~~=:~~)e Renewed and assigned i976 ATLANTiC MUSiC CORP.e 1978 ATLANTiC MUSiC CORP.


118

Merry-Go-Round - cont.

c- F7 Bb

c- F7 F- Bb7 Eb EO D- G7

,,~tlc-

11\-

F7 J f", F- Bb7

12~-

G7

c-

D-

\ -F7

C7

•

C7Eb

~n Bb c-

15~?j.

31F7c-

c- 3 F7 F- Bb7 Eb EO Bb G7

16~Bb

~

;K I32

119

.~

Bb c- F7 Bb C- F7

I~=r~

F- Bb7 Eb (cb) Bb C- F7

1~1f~

'~f~'~3

Bb rTRPr.solO' 2- ~ - !"n

F- Bb7 Eb Eb

3~

"

Bb c- F7 Bb c- F7 Bb

"_'7-13

120

My Little Suede Shoes

(Head)F-

By Charlie Parker

J = 148

Bb7 Eb F-


F- Eb Ab G- C7

4~~'l~71

F- Bb7 Eb F- Bb7 G- C7

,~-~·oo

C7

EbF-Solo

7~~~~¥~§~".; V

Eb F- j Bb7 G-

<D1956 ATLANTIC ~IUSIC CORP.<D1978 ATLANTIC MUSIC CORP.

All Rights Reserved. \V.\V.

"II

121

~B'7 E'

9 V -~

F- Bb7 J Eb F- ~ Bb7

o~-I, b

.1~

Eb Eb7 3 Ab

2IJ'1~~-G- C7

~F- Bb7 Eb Ab G- C7

13 t't*~

, ! I ! I It r!! I ; _

F- Bb7 Eb F- Bb7 Eb

"~-I

F- Bb7 Eb J ~ • F- Bb7

I, f ~.,. .-. II ~• ,

15

~3 , 3

16~C7~bF-

?~ 't - ~

-J:

•••

81

Ll

__4~€40L4VLV

_Ji-~" LaLaLarLa

e~Wi~";l'

~~

1'~4\4~' L4V-4a-a-J:4Q

L4a

£61

124

By Charlie Parker

J = 265

Blues(Fast)

VERVE 8840/VERVE 8009/VERVE 2501

-

4

Eb7

\ -G7

-

F7

-

Bb7 Bb7

e 1977 ATLANTIC MUSIC CORP.© 1978 ATLANTIC 11USIC CORP.


""IIIIl

125

F7 Bb7 Eb7 Bb7

MgJ-~

1- ¥mBb7Bb7 (Db-) c- F7 J

,~-~~,

F7

-Bb7 Eb7 Eb7 Bb7

5

c- F7 Bb7 ~ 3(turn page)

126

17 ~ 1

11 F7

Eb7 Eb7

F7

20 1 •

kBb7 c- F7 Bb7 ~

"Itt 1't _ ., 1 '1~'1~ 't I

aa

""127

F7c-B~7

25~'\-~~

F7

26§3

Bb7 E~7 B~7

"-E~7

28~~

~29 . 1'- ~

128

Shawnuff

By Charlie Parker and John 'Dizzy' Gillespie

J = 326

PHOENIX 17JAZZ

8 Bb- cb

Bb- cb

't-

\-~

'~~l~-~~~'1~

~

4~~-m~~Bb c- F7 D- G7 c- F7 J

,-

D7

e 1948 ATLANTIC MUSIC CORP.I!:>Renewed and assigned 1976 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC COMPo


l,

~

129

C7 C7 ~F7

" - '7"7~,,;

.

~:~~ ~

c- F7 D- ! c- F7

F- Bb7 Eb7 EO Bb7 !

! V

F7

Bb7 Eb7 EO Bb7 D7

J

D7 G7 G7 C7 J.

..130

Shawnuff - cont.C7 C- . F7 Bb G7

.,1mJ 7t\?t~

-Bb G7 C- F7 Bb

17t~~U

Leap Frog

By Charlie Parker VERVE 8840jVERVE 8002/VERVE 8006/VERVE 2501

J = 330

1

h F F F A- D7-

:'¥ I I I. r "f~·... •

• . .....

C7-F

G-

~~§G-~~~

~~~G- C7 F F

e 1956 ATLANTIC MUSIC CORP.© 1978 ATLANTIC MUSIC CORP.


~131

E- A7 D7 D7

5i-~!~~

G7 G7~6~?F. J

7~q!~-1f;ijiijG- C7 F G- C7

6~?!_'t~

.- 31F /'fi<Pr.SOl~

9~ - \ I ! ~

'"""

A-FF

F F~'~If ~

3G- ""TRP1::'l~- \ ! I ~

~

D7 G- --rRPI :-'_-I3

~

132Leap Frog - cant.

,

C7

G7

G-

D7G7XRPr:'-

14 ?Tij@~-~~~~~

F! ~ F A- D7

"9'l~'~-----------

.~ ,,,~~~~@~-~~!7~~' D¥l- -F - - - - - - F - - - - - - -A=-' ~ D7 G-

17 't -

F A-

E- J A7 D7 D7

"~-~?t~G7

F

~133

G- C7 F G- C7

F ~3 'lltPT:' ~4

~

"'~~51 '7~

......'" ~_ ~ 1'RPT:

~ I i4

~

G-

--!

F D7 G- C7

F ~3 ~ 4 ~4

rv.·~

G7 G7 G- C7

!91¥~'1~J .3 3 ~

=1 I n 'DRtJMS mEN!'>

~4 ~Pr~ 430w=t e---¥=%....iiiiiii

..J

134

Parker's Mood


BluesG- c-

SAVOY SJL2201

4~

Bb7 F- Bb7 Eb7 LAY 8.o.a< -,

Eb7 Bb Bb7 Db- ab7

3~c- F7 j 3

5

e 1948 ATLANTIC MUSIC CORP.e Renewed and assigned 1976 ATLANTIC MUSIC CORP.~ 1978 ATLANTIC MUSIC CORP.


BbO

~

135

~10

Bb7

~9 - G I

~ ~~ ..:..-EO Bb7

101 - '7'1

F- Bb7 Eb7 Eb7 EO

ll~tim~~~~

12 't\fJ

13_

F7 Bb7 EbEO

Bb7

_ .--.._ 2~ c- ~

"_11111~~

CHARLIE PARKER FOR PIANORecorded by The Paul Smith TrioCassettes available $8.98 by mail

CRITERION MUSIC CORPORATION6124 Selma Avenue, Hollywood, CA 90028

136

Warming Up A Riff


F7 Bb Bb F-

SAVOY SJL2201

C7 C- F7+ Bb Bb

5

-Bb Bb C7 C7

7_~~

C- G7 C- F7

© 1949 ATLANTlC MUSIC CORP.<DRenewed and assigned 1977 ATLANTlC ~IUSIC CORP.e 1978 ATLANTlC MUSIC CORP.


•~ -A

B' B' F-~9 - "f ,

-,

~'lO . ?t - ~

1~-~

_I F"IL:I_

c- F7 Bb Bb

2~ 't~ 't 1-· ------,~

D'-~3 ~ !t .

&~41'T~!

A- D7 G G

,R-'_?tlG- C7 C- ~ F7

"l-~B' B' F- BI.,~

~-I-"; ~,-'Eb Eb- ~ Ab7 Bb

18~1i_l. ~ ..I (turn page)

~-...

~~--_.

138Warming Up A Riff - cont.

C7 C-

Bb F- Bb7 Eb

2~- ~'i!r-

-G7 C- J F7 Bb Bb

"~?I~

F- Bb7

25.~-~1~?f

Eb- Ab7",,~.=--==~,,~ !t I~-~=t:

----~

139 ~

7~rrBbBb

~.....""_ Fh

9~'~)I:~'-

G G

l~-G- C7

F-C- F7 Bb Bb

'~.~"""Bb7 Eb Eb

l~' ~\"7~J

Ab7

4~~~rn C- F7 ~ ~ n

'1-7~?~- I

Iioi..-_ ..J

140

Si Si


~4 F E(Ii A7

1

l' .,.. ~) -

VERVE VE2-2512

D- G7

....--

A- D7 G- C7 F7

.-G- C7' F E(Ii A7 D- G7,-

~

-C- F7 3 B~7 B~-

5_~~\,,00

F ~ A- D7 G-

6_'t~G- C7 F7 G- C7

7~q~~~F7 G- C7 F7 I\l c- F7

8~~-~~© 1956 ATLANTlC MUSIC CORP.© 1978 ATLANTlC ~1USIC CORP.


141

D7A-F7Bb7 J

~G- C7 F7 G- C7

-kij - ~. ~ - ? W

~~C- Bb7 Bb7 F

~~~'t\'t

F~ G- C7 F7

~~IICHARLIE PARKER FOR PIANO

Recorded by The Paul Smith TrioCassettes available $8.98 by mail

CRITERION MUSIC CORPORATION6124 Selma Avenue, Hollywood, CA 90028

J

142

By Charlie Parker

J = 70

c-

Ballade

F7

"ERVE MGV8002

G7

D7

F

D7 ,.J-'I!I!!!!!~

..1,

-



OIoe 1. C

C r C Ib D

CHOU 111 C

atom III C

CIbCbA

C Ib Gb IbCEbCbI .. D

CECIDC I C I DCECIl)CICIIDCICIDCICIDCICID

CIIOID lW C

CEClbDC ! G Ib DClalbDC I cl Ib DC E C Ib Db (DI)c I C, Ib D'(nb)C I C Ib D (D')

CHOU til C

C Ib c Ib D ,CDGIbD'ClbGID'C !b C D D (,)CIIIGID,cnCID'C Ib C Ib

01010 1 C

SCALE IN ICEY0' C

SCAtP nr at or C

SCAU; Dr II'f 0' C

CDnrCbAbAIC

SCAI.! IN KEY OF C

CD' C A Ib C

CDIFGAICC D E r'C A I CCDErGAbICC D E rl e,A I CC Of E G lab I CC Db D I r' G A Ib CC Eb r " C Ib C

CDEbrCAIbCC D Eb r a Ab Bb CCDEb'CAICc Eb F " C 8b CC D £b r Cb At» A • CCDIbraAbICC Db Eb , C Ab Ib C

SCALE1M~ or C

C D E rCA Ib CC D I " C A Bb C'C D I , C Ab Ib CCD! p,a' Ib CC Db !b I r' C A Ib CC Db !b I rl e,Ib C

C Eb " C Ib C

C Db Eb r Cb Ab Ib CCDEbrGbAblbC

SCAI.! IN UY or C

V -3 V V R V

v • R COMSTlUCTION

VBWHvaVB

V , B CONSTRUCTION

v , R CONSTlucnOli

W • H CONSTlUCTIO

VBVVVBWVBWVHVVVK"VVV.-3 V R H -3 VVBVBVHIIIV R W W H -3 HH\I"WBVV

WWBVVVHWllVB\I\lHW V H \I H -3 HVV\lWKVH-3 II -3 H -3 HKVHVKVBV-3 V a B -3 W

WVHWVBVVVVRWHVVVKvav"vvvvvvBVBVHVBVBVHVVVV-3 V B II -3 V

W • H CORSTlUCTIOM

W , H CONSTRUCTION

!CAl It STtWUS,

Dtainj.hed (I tone .cale)

SCAlE NAME

SCALE NAME

SCAL! NAME

SCALE NAME

Balf Dt.1nlshed(tocrian) H V V H WWVHalf Dlaini_hed '2(Loerian '2) V H WH WV V

KinOI' (Dodan)Pure tUnorMelodic "lDor(aseendina)Ilues ScaleD1alniahed(belln with V Itep)Hamonic KinorPhrygian

Kajor(dou't emphasize the 4th)Lydlan(aajor .~.le with +4)?!'l?!??•Lydian Au,.nntedAupen tedDta1niahed'belia with II stap)Ilu.. Scale

Doa.7th scale but don't..,haslze the third

Doa1nant 7thLydian DoIa1nant'

·Rlndu¥hole Tone (6 tone scale)D1a1n1sh~(belin with H stap)Dialnuhed Whole ToneBluea Scale

WHOLE' HALFSTEP IASIC CROID• SCALENAHI CONSTRUCTION SCALIm lET or c 111UT or caroe SlMIOL

C Major VllR"WWll CDlraAIC CIC.DC7 PIn IASlC Doaiaat'lt 7th WVBVVHW C D ErG A Ib C CIOIbDC- CAnCOUIS Minor (Dorian) VHWV"B" C D Eb F e A Ib C CIbC~.. D

C' Half Dta.(Loerjan) HVVHWVW C Db Eb r Cb At» Ib C CEbGbI'Co Ot.in1shed(8 tone .cale) VaVHVHWH CDEbFCbAbAIC' C n Gb A(lbb)

CCA+4CAb6CA+5.+4CCC

C7C7+4C7b6C1+C1b9C7+9C7

C7 aua 4

Co

cCCCcCC-

OT!: The aboya chord ''''01 IUlde 1a .y .,stea of notatioll. t feel it belt rapr nnta tha eoullld. 1 bear ta ja ...The player should be aware that each chord s,.bol repres.ats a aeri •• of tones called a seale. !van thoulb I C7+t

. would appear to haye oaly a raised 9th it also hal a b9.+4 '+5. The nUre C7+9 scale would look like: Ioot.b' ..... ,3rd.+4.+S.b7 , root (C,Db,D',E.F'.CI.Bb.C). Mychord .,ebol ebbreYlatlO1l Is C7+9 aad the Il.-e of thia acala 11Dt.inlahecl Whole Tone s~tt.al called Super Locrlan or Altered Scale.

C7b9 appear. to have oaly one ltered tone (b9) but actuall, hal threa: b9, +9, aad +4. The eatire Icalalook. like thi.: loot,b9,+9,3rd.+4,5th.6th,b1.' root (C.Db.D',E,rl.G.A,''',C). Tb1. 1. called a Q~lni.b" .cal.and ., chord a,.bol abbreviation 1_ C7b9.

All Icales under the Do.lnant 7th cat lory are .calee that -.belliah the balic DaaiaaQt 7th souDd. Sa.eeealea provide ~h .are ten. Ion than the ba,ic da.iaant 7th .ouad and raquire practice aDd patiene. co Ira.p ~•••• ~c. 9f thetr •• antnl. "

2. 1)(»(1 AJfT7thSCALE 0I0ICU

1. MAJOR SCALE ClOlC!S

3. KIHO' SCALI CIlOlCU

s. DIKlKISHm SCA'ITarOlCl SCALEMAKE

6. DOMI1Wft' 7thSUSPENDED4th

4. HALPOIMlNlSatDSCALI CHOICES

•

H • Half step, W- Whole stepV7 means a Dominant 7th scale or chord-3 • three half steps (ainor third)

\"'YQ~an 8eaoLe}(Dom.7th scale)(C ainor - dorian ainor)(Lydian.doalnant scale)(Whole tone scale

__ ... . .,. vn ... '"

C7 • C DE' C A Bb CC- -,C DEb' C A Ib C

C7+4 • C D E " G A Bb CC7+ • C D E FI GI Bb C

mORD SYMBOLGUIDE POR SCALE SYLLABUS5

II of the scales listed in the scale syllabus are listed in the key of C so you can have a frame of reference andn eompare the similarities and differences . You are urged to write them in all twelve keys and practice them in

anMelve keys.

C = Major scale/chordC7 = Dominant7th scale/chordc- = Minor scale/chord (Dorian)C~ = Half diminished scale/chord

~ • Kajar scale/chord (emphasize the major 7th & 9th)(don't eaphasize the 4th)A+4 • Major scale/chord with raised 4th (Lydian) - WWWH WWH -

V7 • Dominant 7th sc.~e/chord (don't emphasize the 4th) (Mixolydian)- • Minor scale/chord (Dorian) (all scale tones are usable)+ • Raise the fifth tone of the scale ~ step

' 97+4 • Dominant Lydian scale (emphasize the 9th 9 ' 4t h, & 6th) - wWWH WK WV7+ • Yhole tone scale/chord • WWW~ ~ W (this scale has a +4 & +5)

V7b9 • Diminished scale be.inning with a half step • H WH WH W" WV7+9 • Diminished whole tone scale (emphasize the b9,19.14, & '5)- H WH WWWw

f • Half diminished scale/chord (Locrian scale or Locrian 12) - H WWK WWW(12) WH WH W~ W

SCALE SYLLABUS

Each chord symbol (C7. C-, Co, etc.) represents a series of tones which t~e improvisor can use whenImprovising. These series of tones have traditionally been caned scales . The scales listed here are the one~ I mostoften hear musicians play . All examples are in the key of C so you can compare the scale ccnstrucuon and

Similarities, .

This SCALE SYLLABUS is intended to give the improvisor a variety of scale choices which can be used overany chord-major, minor, dominant 7th, half diminished and diminished . Western music, especially jazz and pop,uses major. dominant 7th and dorian minor scales and chords more th~n any other. ~cales an~ chords used lessoften are the half diminished and diminished . If we agree on these ftve scale families as beang th~ most predominant, then we can set them up 8S categories and list substitute scales beneath each heading .

Each category begins with the scale most closely resembling .the ch~rd symbol giv~n to the left. The scales arearranged according to the degree of dissonance they produce an re/atl.on to the baSICchord ~oun~ , Scales n~arthe top of each category will sound mild or consonant and scare choices further down the lIst .wllI bec~me in

creasingly tense or dissonant. Each player is urged to start with th~ scales at the ~op and wl~h practice andexperimentation gradually work his way down the list to the more dissonant or tension prodUCing scales. Youshould work with a new scale sound on your instrument until your ears and fingers become ~omfortable with .11the tones in the scale . Music is made of tension and release. Scale tones produce tension or they producerelaxation. The improvisors ability to control the amount and frequency of tension and release will in largemeasure determine whether he is successful in communicating to the listener . Remember-you , the player are

also a listener!

Any of the various practice proceedures and patterns listed in Volumes 1, 2 or 3 can be appUed to the learningnd assimilation of any of the scale choices listed in this SCALE SYLLABUS . Needless to say. any scale you want

to learn should be transposed and practiced in all twelve keys , The column on whole and half step constructionthat I have listed for each scale on the syllabus should prove helpful when transposing 8 scale to any of the t.vetve

•keys.

EXAMPLES:C • C D ErG A • C (don't eaphasize the 4th tone)CA+4 • C D E rl GAB C (Lydian scale)

C7 • C DE' C A Bb C (Dom.7th scale)C- -,C DEb' G A Ib C (C ainor - dorian ainor)

C7+4 • C D E " G A Bb C (Lydian.doalnant scale)C7+ • C D E FI GI Bb C (Whole tone scale)

C7b9 • C Db Eb E pI C A Bb C (D~lni8hed scale beginning with b If atep)C7+9 • C Db Eb E PI cl Bb C (Dtainlshed whole tone Beale)

C' • C Db Eb , Gb Ab Ib C (Half dlainished scale/Locrlan scale)Cfl2 • C DEb' Cb Ab Bb C (Locr!an sharp two(I2) scale)

Documents

Charlie Parker - Omnibook C