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Chapter Seven: Early Christianity: Ravenna and Byzantium ——— Culture and Values, 8 th Ed. Cunningham and Reich and Fichner-Rathus

Chapter Seven: Early Christianity: Ravenna and Byzantium

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Chapter Seven: Early Christianity: Ravenna and Byzantium. ——— Culture and Values, 8 th Ed. Cunningham and Reich and Fichner-Rathus. The Decline of Rome. Constantinople : “ new ” Rome Geographic advantages Council of Nicaea Arian Controversy. - PowerPoint PPT Presentation

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Page 1: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Chapter Seven:Early Christianity: Ravenna and

Byzantium

Chapter Seven:Early Christianity: Ravenna and

Byzantium———

Culture and Values, 8th Ed.Cunningham and Reich and Fichner-

Rathus

———Culture and Values, 8th Ed.

Cunningham and Reich and Fichner-Rathus

Page 2: Chapter Seven: Early Christianity:  Ravenna and Byzantium
Page 3: Chapter Seven: Early Christianity:  Ravenna and Byzantium

The Decline of RomeThe Decline of Rome

• Constantinople : “new” Rome• Geographic advantages

• Council of Nicaea• Arian Controversy

• Constantinople : “new” Rome• Geographic advantages

• Council of Nicaea• Arian Controversy

Page 4: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Literature, Philosophy, and Religion

Augustine of HippoLiterature, Philosophy, and Religion

Augustine of Hippo• Bishop of Hippo (390)• Augustinian Premise• Absolute majesty of God• Immutability of God’s will• Flawed state of the human condition

• The City of God• Linear history

• Confessions• Autobiography, self-reflection

• Bishop of Hippo (390)• Augustinian Premise• Absolute majesty of God• Immutability of God’s will• Flawed state of the human condition

• The City of God• Linear history

• Confessions• Autobiography, self-reflection

Page 5: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Literature, Philosophy, and Religion

BoethiusLiterature, Philosophy, and Religion

Boethius

• Classical paganism + Christianity• The Consolation of Philosophy• Issues of human freedom• Praevidentia vs. Providence

• Plato, Aristotle, Cicero, Augustine

• Classical paganism + Christianity• The Consolation of Philosophy• Issues of human freedom• Praevidentia vs. Providence

• Plato, Aristotle, Cicero, Augustine

Page 6: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Reading SamplesReading Samples

In your written response, consider the following:Writing style,Their philosophical heritage, or who

they sound like/write like,Issues dealt with,And Statements of belief: theology.

In your written response, consider the following:Writing style,Their philosophical heritage, or who

they sound like/write like,Issues dealt with,And Statements of belief: theology.

Page 7: Chapter Seven: Early Christianity:  Ravenna and Byzantium

ByzantiumByzantium

• Constantinople• Justinian and Theodora• Restoration of the Empire• Western Silk Industry• Revised / Codified Roman Law• Tribonian• Code, Pandects, Institutes

• Christian fanaticism• 25+ churches and convents

• Constantinople• Justinian and Theodora• Restoration of the Empire• Western Silk Industry• Revised / Codified Roman Law• Tribonian• Code, Pandects, Institutes

• Christian fanaticism• 25+ churches and convents

Page 8: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Church of Hagia SophiaChurch of Hagia Sophia

• Unified basilica and dome• Pendatives• Ethereal light

• Divine Liturgy of St. Chrysostom• Converted to mosque (post 1453)

• Unified basilica and dome• Pendatives• Ethereal light

• Divine Liturgy of St. Chrysostom• Converted to mosque (post 1453)

Page 9: Chapter Seven: Early Christianity:  Ravenna and Byzantium
Page 10: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.3 Hagia Sophia, 532-537. Constantinople (Istanbul), Turkey

7.3 Hagia Sophia, 532-537. Constantinople (Istanbul), Turkey

Page 11: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.4 Interior of Hagia Sophia7.4 Interior of Hagia Sophia

Page 12: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Ravenna: Art and Architecture

Ravenna: Art and Architecture

• Roman+Gothic+Byzantine• Mosaics of Galla Placidia• Lunettes, apse, dome• Trompe l’oeil

• Neonian Baptistery• Octagonal• Mosaics as “theology in color”

• Roman+Gothic+Byzantine• Mosaics of Galla Placidia• Lunettes, apse, dome• Trompe l’oeil

• Neonian Baptistery• Octagonal• Mosaics as “theology in color”

Page 13: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Mausoleum of Galla Placidia, early 5th century. Ravenna,

Italy.

Mausoleum of Galla Placidia, early 5th century. Ravenna,

Italy.

Page 14: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.6 Christ as the Good Shepherd, 5th century, Lunette mosaic, Mausoleum of Galla Placida, Ravenna, Italy

7.6 Christ as the Good Shepherd, 5th century, Lunette mosaic, Mausoleum of Galla Placida, Ravenna, Italy

Page 15: Chapter Seven: Early Christianity:  Ravenna and Byzantium
Page 16: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.7 Baptisteries of the Orthodox and Arians. Ravenna, Italy

7.7 Baptisteries of the Orthodox and Arians. Ravenna, Italy

Page 17: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Ravenna: Art and Architecture

Ravenna: Art and Architecture

• Arian Baptistery• Severely decorated• Passion/Resurrection of Christ

• Church of Sant’ Apollinare Nuovo• Theodoric’s palace church• Basilica style• Rich mosaics (Roman and Byzantine)

• Arian Baptistery• Severely decorated• Passion/Resurrection of Christ

• Church of Sant’ Apollinare Nuovo• Theodoric’s palace church• Basilica style• Rich mosaics (Roman and Byzantine)

Page 18: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.8 Church of Sant’Apollinare Nuovo, ca. 493-526. Ravenna, Italy

7.8 Church of Sant’Apollinare Nuovo, ca. 493-526. Ravenna, Italy

Page 19: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.9 Miracle of the loaves and fishes. Mosaic from the uppermost register of the nave wall, above the clerestory windows, Church

of Sant’Apollinare Nuovo, Ravenna, Italy

7.9 Miracle of the loaves and fishes. Mosaic from the uppermost register of the nave wall, above the clerestory windows, Church

of Sant’Apollinare Nuovo, Ravenna, Italy

Page 20: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Church of San VitaleChurch of San Vitale

• Octagons, dome, squinches• Program of mosaics• Christ Enthroned• Justinian as Christ on earth (paten)• Theodora with chalice

• Octagons, dome, squinches• Program of mosaics• Christ Enthroned• Justinian as Christ on earth (paten)• Theodora with chalice

Page 21: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.10 Church of San Vitale, Ravenna, Italy7.10 Church of San Vitale, Ravenna, Italy

Page 22: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.11 Christ enthroned, with Saint Vitalis and Bishop Ecclesius, ca. 530. Ceiling mosaic, Church of San Vitale,

Ravenna, Italy

7.11 Christ enthroned, with Saint Vitalis and Bishop Ecclesius, ca. 530. Ceiling mosaic, Church of San Vitale,

Ravenna, Italy

Page 23: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.12 Emperor Justinian and courtiers, ca. 547. Mosaic, south wall of the apse, Church of San Vitale, Ravenna, Italy

7.12 Emperor Justinian and courtiers, ca. 547. Mosaic, south wall of the apse, Church of San Vitale, Ravenna, Italy

Page 24: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.13 Empress Theodora and retinue, ca. 547. Mosaic, south wall of the apse, Church of San Vitale, Ravenna, Italy7.13 Empress Theodora and retinue, ca. 547. Mosaic, south wall of the apse, Church of San Vitale, Ravenna, Italy

Page 25: Chapter Seven: Early Christianity:  Ravenna and Byzantium
Page 26: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Saint Catherine’s Monastery at Mount Sinai

Saint Catherine’s Monastery at Mount Sinai

• Built by Justinian• Repository of art and culture• Codex Sinaiticus• Vast collection of religious icons

• Built by Justinian• Repository of art and culture• Codex Sinaiticus• Vast collection of religious icons

Page 27: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.15 Aerial view of the fortress of

Saint Catherine’s Monastery, 6th century.

Sinai Desert, Egypt

7.15 Aerial view of the fortress of

Saint Catherine’s Monastery, 6th century.

Sinai Desert, Egypt

Page 28: Chapter Seven: Early Christianity:  Ravenna and Byzantium

7.16 Christ Pantocrator, ca. 500-530. Encaustic on wood panel, 32” x 27” (84 x 46 cm). Saint Catherine’s Monastery, Sinai Desert, Egypt

7.16 Christ Pantocrator, ca. 500-530. Encaustic on wood panel, 32” x 27” (84 x 46 cm). Saint Catherine’s Monastery, Sinai Desert, Egypt

Page 29: Chapter Seven: Early Christianity:  Ravenna and Byzantium

The Legacy of Byzantine Culture

The Legacy of Byzantine Culture

• Influence on Russian Culture• Italo-Byzantine Style• Theological conservatism,

aesthetic stability (iconography)• Reinfusion of Greek culture• Greek refugee scholars• Classical learning in the Renaissance

• Influence on Russian Culture• Italo-Byzantine Style• Theological conservatism,

aesthetic stability (iconography)• Reinfusion of Greek culture• Greek refugee scholars• Classical learning in the Renaissance

Page 30: Chapter Seven: Early Christianity:  Ravenna and Byzantium

Chapter Seven: Discussion QuestionsChapter Seven: Discussion Questions

• Explain the difference in worldview between Augustine and Boethius. What issues were principal to their philosophies? Where did their ideologies overlap? Diverge?

• What role did the iconoclastic controversy play in the arts of Constantinople and Ravenna? In light of this controversy, what is the significance of the findings at Saint Catherine’s monastery?

• Reflect on the reciprocal relationships between the Byzantine culture (art, religion, politics) and other cultures. What did the various cultures “share” with one another? What is the legacy of this relationship?

• Explain the difference in worldview between Augustine and Boethius. What issues were principal to their philosophies? Where did their ideologies overlap? Diverge?

• What role did the iconoclastic controversy play in the arts of Constantinople and Ravenna? In light of this controversy, what is the significance of the findings at Saint Catherine’s monastery?

• Reflect on the reciprocal relationships between the Byzantine culture (art, religion, politics) and other cultures. What did the various cultures “share” with one another? What is the legacy of this relationship?