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Chapter 1 Key Terms/Places/ Names Paleolithic ochre Altamira Pigment Lascaux Dolmen Chauvet Cromlech Modeling Menhir Naturalism Neolithic Megaliths

Chapter 1 Key Terms/Places/ Names Paleolithic ochre Altamira Pigment Lascaux Dolmen Chauvet Cromlech Modeling Menhir Naturalism Neolithic

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Page 1: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Chapter 1 Key Terms/Places/ Names

Paleolithic ochre Altamira Pigment Lascaux Dolmen Chauvet Cromlech Modeling Menhir Naturalism Neolithic Megaliths

Page 2: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

PREHISTORIC ARTPaleolithic Art

Page 3: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

-Greek meaning Paleos“old” Lithos-Stone

Outstanding Feature-Development of the human species Homeo Sapiens

1.People were generally nomadic; Hunters and gatherers who sheltered in caves & huts, used fire and fashioned stone tools.

2. By the upper Paleolithic there is evidence of communal hunting, constructing of shelters, and belief systems centering on magic & supernatural

3.Cave iconography is limited to 3 basic themes: a. Animals b. Human representations c. Signs or Symbols

Page 4: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

CHAUVET CAVEFRANCE

Page 5: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Discovered in 1994-The scenes portrayed from 35,000 years ago

1.Earliest known cave art 2. Scientists at first believed the more primitive the

picture the older it was; Chauvet had very developed drawings so therefore they thought it was more recent

3. At first it was thought that it was more recent of the cave art as in comparison to Altimira or Lescaux caves. Carbon Dating dated it as oldest of the 3 caves.

Different animals depicted are rhinoceroses, lions, and bears. Most of the animals depicted were the animals hunted

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The dominant animals throughout the cave are lions, mammoths, and rhinoceroses. From the archaeological record, it is clear that these animals were rarely hunted; the images are thus not simple depictions of daily life at the time they were made. Along with cave bears (which were larger than grizzly bears), the lions, mammoths, and rhinos account for 63 percent of the identified animals, a huge percentage compared to later periods of cave art. Horses, bison, ibex (goat), reindeer, red deer, aurochs(oxen), musk-oxen, panther, and owl are also represented.

Page 7: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Lions Hunting Bison- Main Panel at the end of the chamber. Note Panel is scraped repeatedly, artist making his own white canvas. Makes the lions muzzle stand out more

Page 8: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Injured Bison– Red ochre and black carbon-Naturalistic shape

Page 9: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Mysterious Geometric shapes on rock hanging from the ceiling; could be interpreted as birds or butterflies

Page 10: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Panel of Panther and Hyena w/dots

Page 11: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Owl drawn with finger-Head is turned 180 degrees-Body shown from the back allows it to be identified as a Long-Eared Owl. The drawing was made on a thin film of clay

Page 12: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Big horn rhino- Drawn with carbon, note exaggerated horn

Page 13: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Bear in red ochre-Note shading on the muzzle and head of the bear

Page 14: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

LASCAUX CAVEFRANCE

Page 15: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Lescaux Cave discovered in 1940Images are 20,000 years old

Painted Galleries-figures cover the entire upper reaches of the walls & surface of the vault

http://www.lascaux.culture.fr/?lng=en#/en/00.xml

Page 16: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic
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Wounded man and Bison-Perhaps the most perplexing painting in all the Paleolithic caves shows a man, a rhinoceros, and a wounded Bison. Researchers can be sure of nothing, but if the figures were place besides each other to tell a story, there is evidence for the creation of complex narrative compositions involving humans and animals at a much earlier date than previously imagined.

Page 19: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic
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Hall of Bulls 15,000-13,000 BCELargest Bull is approx. 11’ 6” long

Page 21: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Altamira CaveSpain

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Altamira Cave located in Spain was discovered in 1879-17,000 yrs old

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Paleolithic Carvings

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Statuette carved from mammoth ivory of a human with a feline head

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Vogelherd Cave- dates back 30,000-36,000 yrs ago Carved from mammoth ivory Height 2” small hole located in the front legs suggest it might have been worn as a pendant

Page 29: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Spearthrower with Interlocking Ibexes- Medium is reindeer antler

Page 30: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Dame a la Capuche (Woman from Brassempouv) Medium Ivory 1 ½” 22,000 BCE

Page 31: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Woman of Willendorf (Venus of Willendorf) 28,ooo-25,000 BCE Limestone Height 4 1/8”

Page 32: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

NEOLITHIC ART

Page 33: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Neolithic or New Stone Age- dating from 8000 BCE in the Near East and about 5,000 BCE in Europe

1.Neolithic People started to settle down in permanent villages and began cultivation of regular food sources and the maintenance of herds of domesticated animals.

2. Pottery, weaving, spinning as well as architecture of stone, mud bricks, and timber, contributed to a new mode of life.

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Neolithic plastered skull of Jericho- 7,000 BCE Life-size The inhabitants of Jericho buried their dead beneath the floors of their homes with the skulls reconstructed with tinted plaster, displayed above the ground. This practice suggests a respect for the dead and possible ancestor worship

Page 35: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Jericho was heavily fortified with walls 5 feet thick and over 13 feet high, and surrounded by a wide ditch. Several towers were constructed in the wall, measuring 28 feet tall and 33 feet in diameter at the base with a staircase to the summit of the tower

Page 36: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Human figures Ain Ghazal Jordan 6750 BCE-6250BCE Height of larger figure 33” 1st known large-scale sculptures Plaster around tightly tied reeds. Probably added wigs and clothing later…thought they might represent ancestors

Page 37: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Female Ceramic figure Cernavoda Romania 3500BCE Very linear form , found in a tomb may represent the man or woman or perhaps they were gifts that had a separate purpose before burial

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Male figure, Cernavoda, Romania “The Thinker”

Artist Auguste Rodin

Year 1902

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Menhirs, dolmens, and cromlechs appear in the Neolithic period. While Menhirs and dolmens were used to mark burial sites, cromlechs often suggested a ritual function. The most famous cromlech in Britain is Stonehenge

1.

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Menhir alignments at Menec, Carnac, France 4250-3750 BCE Menhir from Breton words meaning “long stone” Menhirs are always placed in horizontal alignments; There are 2,935 menhirs

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DolmensDolmens is a type of single chamber, megalithic tomb, usually consisting of 3 or more upright stones, supporting a large flat horizontal flat stone. Dolmens were usually covered w/ earth or smaller stones to form a barrow though in many cases they have weathered away.

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http://news.bbc.co.uk/2/hi/science/nature/7322444.stm

Timeline Stonehenge

Page 43: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

The Bluestones- About 2,000 BC, the first stone circle (which is now the inner circle), comprised of small bluestones, was set up, but abandoned before completion. The stones used in that first circle are believed to be from the Prescelly Mountains, located roughly 240 miles away, at the southwestern tip of Wales. The bluestones weigh up to 4 tons each and about 80 stones were used, in all. Given the distance they had to travel, this presented quite a transportation problem.

First the Henge was dug- Construction of the Henge In its day, the construction of Stonehenge was an impressive engineering feat, requiring commitment, time and vast amounts of manual labor. In its first phase, Stonehenge was a large earthwork; a bank and ditch arrangement called a henge, constructed approximately 5,000 years ago. It is believed that the ditch was dug with tools made from the antlers of red deer and, possibly, wood. The underlying chalk was loosened with picks and shoveled with the shoulder blades of cattle. It was then loaded into baskets and carried away.

Sarsen Circle: 30 stones (made of Sarsen sandstone), 13 feet high, 26 tons each. Circle = 97.5 feet in diameter.. Within the Sarsen Circle are 15 large stones in five groups called Trilithons, arranged in a horseshoe shape that opens toward the Heel Stone. Each Trilithon is composed of three 50-ton stones about 20-25 feet high; two positioned vertically, with the other lying horizontally across the top. Many have fallen, and several other sets of small stones (not shown) were added later.

Page 44: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Cromlech- 4 phases of construction -Stonehenge 2100BCE Wiltshire, England

Page 45: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic
Page 46: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Diagram of original arrangements of stones at Stonehenge

Page 47: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

http://www.youtube.com/watch?v=LQG6IWNUAms

Moving the stones

Page 48: Chapter 1 Key Terms/Places/ Names  Paleolithic ochre  Altamira Pigment  Lascaux Dolmen  Chauvet Cromlech  Modeling Menhir  Naturalism  Neolithic

Catal Huyuk

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Catal Hayuk-Turkey Turkish for “fork” Mound

Discovered in 1958 Entire settlement is composed of domestic buildings. Buildings were crammed together; no footpaths or streets. Most houses accessed by holes in the ceiling which were accessed by ladders or stairs. Roofs were “streets” No walls for protection needed since the houses were so close together

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Ancient Near Eastern ArtChapter 2 TermsMesopotamia Ground lineCuneiform Stele Ziggurat Registers Orthostats RhytonHieratic scaleCylinder sealsFrontalityButtressesLamassu