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8/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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Taiwanese Arts and Design
Exhibition Artwork Lists
Project Manager
Yu-Jen Lin
07595 823537
http://theformosa.blogspot.com
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Video Installation
1
Craig Kao
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7
6
5
Painting
Ling-Ting, Kao
Pink Legend2010Mixed Media25cm x 30cm x 1.5cm
Ideas from the 1969 .
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family_PC Wu
Installation
13
http://theformosa.blogspot.com/2010/04/candidate-pei-chen-wu.html
Pei-Chen Wu
My inspiration came from Olafur Eliassons statement
of All works are made by layers and layers of deci-
sions. I would like to create a piece of work which
does the opposite, illustrating that a masterpiece
could be created by a collection of random decisions.
For this piece of work, I would like to illustrate the
relationships or links between myself and my family.
Being brought up from a Buddhism background, we
believe in past and present life and karma. We alsobelieve that we have known each other for more than
one life but in different relationship setting.
The work begins with inviting ve family members to
try different types of nuts that are commonly eaten
during Chinese New Year. I then ask them to random-
ly throw the empty nutshells and stones into the grid
on the oor. The throwaway parts have formed someinteresting patterns which were not thought of before.
I also took part in the video and these patterns were
used to discover the inter-relationship between my
family and me.
http://theformosa.blogspot.com/2010/04/candidate-pei-chen-wu.htmlhttp://theformosa.blogspot.com/2010/04/candidate-pei-chen-wu.html8/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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Installation with Timeless Rain Sound Installation
see DVD1 Folder Sound & Video, No.15 Timeless rain.mp3
Installation
15
Yen-Ting Hsu
Time is running with rain and river.Time is stuck with rain and river as
well. Whilst recording the ritual of
Tsou (Aborigine in Taiwan), Yen-Ting
Hsu and her collaborator were strand-
ed in the Alishan mountain because
of Typhoon Morakot. Such experience
has led her to create Timeless Rain,
an exploration of time and a reection
on personal / collective memory.
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Painting, 23
Fan chiao ling
Self-portrait (three pictures are eye, nose, eye)
destruction leads to construction, thus through the action of curving /destroying , the inner-self
meanwhile emerging ,and the light revealed.
Explain the process of self-recognition, wondering, dubitable, afrmative
The work will be installed with light -box
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Michael Wu
Many effects are imprinted onto a person who is
within a particular culture and once it is applied it is
very difcult to remove, one may put on a disguise and
live in another character however there are occasions
where they revert back to being the original. Hence
I used this opportunity to express the personal point
of view of a minoritys requirement to integrate into a
different culture. Also probably to a lesser extend, I
believe to others this will echo the struggle of the con-
icting nature of a persons individuality against theexpectation of their society.
I focus more on the mask and face painting I begin to
relate to the mask itself. I can see the struggle between
playing a character and being ones self, and through
my experiences I found the subject to be one I like to
pursue further.
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Painting 32, Yosifu
People say our tribe is like the setting sun
- going to disappear slowly behind the land-
scape very soon. From now on I want to usemy hand to show the colour and vibrancy of
our culture on my canvases, so that this may
build up our ancestoral awareness again - like
the sun rising up with its full original strength
and colours - hopefully!
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From 1940s to 1990s Mandarin was pro-
moted as the main language of Taiwan, with
restrictions on the use of all other languages
inforced in the media, schools and publiclife. I remember as a child at school, if we
were caught speaking our mother tongue
rather than Mandarin, we were punished
either by a ne or by having to wear a sticker
saying that we were unpatriotic and did not
love our country enough! With this cultural
destruction over several decades, and withnone of our young generation now speaking
aboriginal languages as their rst language,
it may be that this aspect of our culture is
gone forever.
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Chin Chang (Ava)
The one who is absent: Marcel
DuchampI never talked with you in per-
son.- Hsiao Tao, who is hurt
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CHAO MIN-TZUA Way to Read the Life Stories through the Wedding Dresses of Taiwanese Women from 1884 to 2009.
A map not only shows geographical locations, but also tells stories. Symbols are used extensively in a map in order to convey infor-
mation and to achieve visual communication. In this project, modern symbolism is used to interpret times in which Taiwanese women
in four generations were born, lived and married. It seeks to understand the life experiences of Taiwanese women in a traditional, pa-
triarchal Han society, and to unveil these womens courageous spirit. Furthermore, by reviewing the history of social changes, politi-cal interventions and womens lives in the past few hundreds years in Taiwan, it helps to comprehend womens ever-changing lives
in modern Taiwan. An understanding of Confucianism helps us to understand Taiwanese womens situations over this time-span. In
a traditional Confucianism society, the value of paternity was emphasised, and the images of macho men and meek women were
favoured. A son was valued higher than a daughter, and education opportunities for women were restricted. Foot binding had been
considered fashionable for centuries, since it made a woman looked delicate and frail. Also related to the harm of womens body were
the comfort women (army prostitute) to serve the Japanese army in World War II when Taiwan was occupied by Japan. After the Jap-
anese occupation era, while Taiwanese started to gain their national initiative, social status of women also started to improve because
of the rise of feminism. Today, globalisation has brought even more changes to modern womens life in Taiwan
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YU-EN HSIEH
Could Sleuthing out scent, hair remnants and dead letters lead us to the life someone
had here?Since moving into this at in south London two years ago, I have been receiving letters
addressing to someone named Catherine every now and then. I kept all of them in a box,
which belonged to her. But one time, by chance, I unwrapped a parcel and found her
resume lay inside, which allowed me to inform myself of all her experience.
She is a British actress, having been cast in Les Misrables and The Sound of Music, be-
ing able to do more than twenty accents. The acting resume even tells about her height
and hair colour. What was interesting about it was that Id never gotten to know some-
one this way. I then opened the letters and parcels that Id saved in the box for over a
year, in an attempt to piece together her life. There were birthday presents from friends,
check, bills, cash, etc. Through all these things, I gradually found out about her birthday,
her recent situation, her everyday life and her love.
Later, I went to the school shed done her drama training in, to watch musicals shed
performed in. I found the bed sheet she left in our room and I threw everything I collected
and experienced about her on it. So, there laid her memories and the trace of her life on
the bed in her room.
I will go on to piece together everything about her bit by bit.
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67
Kenyon YEH
This project seeks to create personal identity from ubiq-
uitous uniformity. I have assembled the pieces from a
standard IKEA at pack without following the instructions.
Instead, I have simply composed the kits into customized
furniture to suit my personal preference, adding some new
details along the way.
The process is liberating and brings a limitless attitude of
possibility to the at pack market.
LOPA is a bookstand, features four legs, which have been
colored in black. The structure is a single piece and is di-
vided into three segments that are interconnected.
BRIA is a double rhombus-like structure, which has beeninterconnected in a way that appears as though one of the
rhombuses is being derived out of the other. It has four
legs, which have been give a contrasting blue colour. Ideal
for stacks of books, BRIA is a unique take on the common
bookcase.
KENN features three major quadrilateral shapes and a trian-
gular niche created by the intersection of the three 4-sided
parts of this piece. Two red feet support one end, whilethe other side rests on the angled corner of the rightmost
rhomboid.
DALT the bookrack is a two pieces structure featuring geo-
metric shapes. The rack has two legs of contrasting green
color installed on one side, while the other side is balanced
with the help of a secondary structure.
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76 Yu Wen Ku
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79 YING-I HSU
Inspired by Picassos sculpturework having an androgynous el-
ement twist. Fallow by breaking
down the jacket with different kind
of cotton stripe fabric.
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Fashion Video Installation
85 Mei-Hui Liu
The story based on four seasons changing withVictims clothes blooming in the trees. The idea is
using recycle fabric to create beautiful eco friendly
fashion.
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Jill HC Tsai
Concept/idea explanation
(less than 150 words)
An extension of my existing recycled art project. I
have
reused these unwanted objects to create something
visually fun and interesting thus reminding everyone
tocherish the materials we have before throwing them
away.
Objects I nd are illustrated with an appropriate
environmental message, adjusting perceptions and
turning the old into new.
Lets create something new- lets start Recycling Art.
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http://www.yaojenchuang.com/projects_opium.html
Digital Print with Video on screen
Yaojen Chuang
Part of the project entitled Chronicles of a Cure
The project explores the ephemeral, poly-sensorial experiences of the body, based on Jean Cocteaus 1952 book Opi-
um. Through an ongoing research into digital algorithms and simulations, environments were derived through a series of
exploratory spatial collages that correspond and capture these transient notions such as; a sense of sacredness, weight-
lessness, the disintegration of the boundaries between the body and its surroundings along with the spaces that engage
these saturated emotions and the heightened senses. The work inspects how the mythical sense of illusions and dreams
can be spatially constructed, incorporating playful manipulation of liquid, vapour, light and shadow.
http://www.yaojenchuang.com/projects_opium.htmlhttp://www.yaojenchuang.com/projects_opium.html8/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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http://www.vimeo.com/8162990
49
Illustration drawing with Video Installation.
Paohan Chen
This animation is from a personal project.Starting from my own interest about the
relationship between head and mouth. It
was inspired by my studying experience in
the UK. As an overseas student from Tai-
wan, because of different culture environ-
ment and language barrier I have to wear a
mask as my condent protector to avoid the
misunderstanding embarrassment when I
communicate with people. According to this
situation, my project content is more about
how do people communicate with others
with their own mask as a lie between each
other? How to make a perfect undoubted
lie between people? And how do they ex-
press their mind into words. This animationpresent how do people communicate with
each other as a magic show? Communica-
tion is not only like the cunning magician but
also the silly magician assistants are making
all the audients become foolish.
http://www.vimeo.com/8162990http://www.vimeo.com/81629908/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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http://www.vimeo.com/10744598
53 CHIEN-NI HUNG
Video Installation on Screen
Welcome Home is fundamentally a cri-
tique of modern Taiwanese families; it
shows how an ordinary and dysfunctionalfamily lives their absurd, day-to-day life
without taking living itself into considera-
tion.
http://www.vimeo.com/10744598http://www.vimeo.com/107445988/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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http://www.youtube.com/watch?v=v9YiiA1l8-w http://www.youtube.com/watch?v=NE3NqqMI7Qo
4645
Video Installation on Screen An-Li Chen
The lm is based on the sense and space of
isolation in urban life. Structuralist style is used
to construct various continuous sequences.
The narrative is about a person how to occupy
different spaces in a city/London.
Narrative: When I sat down at the table near by
a window in a caf shop. I looked at outside.
A lot of people and cars passed through. I waswriting my diary. I listened to the undertone of
noises, and looked at the refection of myself
from the window. When I was seeing through
my reection, there was a bus passed by. I
saw another reection of mine on the bus. The
reections of my images were constantly over-
lapped and overlapped by seeing reectionsfrom different objects. Through reections, im-
ages of mine were transformed and twisted. It
seems to me that I was isolated by the glass.
http://www.youtube.com/watch?v=v9YiiA1l8-whttp://www.youtube.com/watch?v=NE3NqqMI7Qohttp://www.youtube.com/watch?v=NE3NqqMI7Qohttp://www.youtube.com/watch?v=v9YiiA1l8-w8/4/2019 Ban-Do_ Formosa Final Selected Artwork List
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56Rosy Tsai
From script to typography / From theatre to de-
signBackground
I used to express the script through acting while
I was in theatre. After I changed my eld to
design, I started using typography to express
the text. Somehow, I nd there is something
interesting between the transformations. Even
though I am now in a different area, still I am
dealing with the interpretation of words/lines.Exploring the potential of theatre lines to move
beyond the constraints of linguistic system, re-
ecting the true complexity of communication
and creating a typographic solution will be my
intention to this project.
Chosen script
Hedda Gabler by Henrik Ibsen
Now I am burning your child, Thea. You, with
your curly hair. Your child and Ejlert Lovborgs.
Im burning it - burning your child.