[Baden Powell] Baden Powell. Songbook, Vol. 3 (Gui(Bookos.org)

8/14/2019 [Baden Powell] Baden Powell. Songbook, Vol. 3 (Gui(Bookos.org)

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Baden Powell

SongbookVol. 3

bearbeitet fOr Solo Gitarre vonabio Shiro Monteiro

Mit Fingersanen versehen vonOlaf van Gonnissen und abio Shiro Monteiro

Vorwort .. . . , . . . . . .. . . ... " . . . . . . . . 2Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . 4Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6Prefacio .. . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Chanson d Hiver . . . . . . . . . . . . . . . . . 10Berceuse a Jussara . . . . . . . . . . . . . . . 12Sirnplesmente . . . . .. . . . . . .. .. . . . . . 14Quaquaraquaqua .. . . . . . . . . . . . . . . 16Cas. Velh . . . . . . . . . . . . . . . . . . . . . . . . 18

Pra Valer . . . . . . . . . . . . . . . . . . " . . . . . . 20Samba de Pintinho .. . .. .. 22Cidade Yazia . . . . . . . . . . . . . . . . . . . . . 24Samba Triste . . . . . . . . . . . . . . . . . . . . . 27Charo para Metronomo . . . . . . . . 30

200 I TONOS Musikverl ags Gm bH

W ir danken der Firm a Bacana , Be rli n, fUr diefreun d liche Uberlassung des Umsch lag-Fotos

Ed. Nr P3I5MN : M 20 I 5 6725 9

TONOS Musikver ags GmbH Holzhofall ee IS 0 -6 4295 Darmstadt


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Die Stucke dieses Songbooks sind Bearbeitungen von LPAufnahmen Baden Powells .

Bei den so lo elngespielten Werken - Nr. 1 3 4 6 10 - wurde bei der Notation auf elne moglichst o nglnalgetreue Werkw iedergabe geachtet, wahrend die Combo-StOcke echte Bearbeitungen darstellen. 1m

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StUcken:I. Berceuse a Jussara . gewidrnet der Tochter von Baden Powells Schwester Vera. ist ein Wiegenlied-WaJzer.

VinfClus de Moraes schrieb spater den Text dazu. Soloaufnahme: Le Monde Musical de Baden Powelloc Barclay80235). Pans. 1964.

2. Casa Velha A1tes Hau51< , ein Freva, 1St e in schneller Strassentanz aus der Gegend von Recife. Aufnahme:})Samba Triste Barclay FLD 636), Paris, 1972, m it G. Pedersen Bass) und J Arpino Percussion) .

3. Das Chanson d Hiver franzQsisch: Winterlied) ist von einer Melancholie gepragt. die durch haufigenTaktwechsel aufgelockert wlrd. Soloaufnahme: siehe Nr. I.

4. Choro para Metronomo : Dieser Choro wlrd in der Aufnahme tatsachlich von Metronomschlagen begleltet und tragt einen deutlichen Einfluf3von Garotos Choros. Soloaufnahme: siehe Nr. I,

5, Cidade Vazia Leere Stadt) gewann 1966 elnen 4, Preis beim Musikfestivaldes Femsehsenders Excelsiorin Sao Paulo. Der Text stamm t von LUIs Fema ndo Lula) Freire geb, 1938). der die Samba damals auch vortrug.Aufnahme: .Baden Powell Quartet vol.2 Barclay 80 429). Pans. 1970. mit E R Gon,a lves Bass). H. Schiavound A Bessa Percussion).

6. Pra Valer dt. etwa: ,.Dieses gitt) ist elne wehmUtige brasilianische Toada mit elnem Hauch Jazz-Song. Textvon Baden Powells langjahrigem Freund Paulo Cesar Pinheiro geb.1949). Soloaufnahme: Estudos MPS-BASF21 29194-4). Villingen D), 1971.

7. Quaquaraquaqua bras. Lautma lerei fUr schallendes Ge lachte r): Eine Samba de Breque, also BreakSamba. mit einem Text voller Schadenfreude von P C. Pinhe iro. Der Untertite l heir3t etwa lch werde michkrumm lachen. Die Form Samba de Breque entstand ca. 1940. Die Unterbrechung Breque) hat die gleicheFunktlon wle elne Kadenz 1m klasslschen Solokonzert: elne virtuose Einlage des Solisten, hier aber mit meisthumorvollem Text. Aufnahmen: .Canto on Guitar, MPS-BASF-CRM756). \tIlilngen. 1970 und Baden PowellQuartet vol. 2 Slehe Nr. 5).

8. Samba de Pintinho Kuken-Samba) - hler sollen die immer w iederkehrenden OktavsprDnge der

Melodie das Gepiepse von Kuken nacha hm en. Aufnahme: Le Coeur de Baden Powe ll Festival FLO 633).Paris. 1971, mit G. Pedersen Bass) und L. Agudo Percussion).

9, Samba Triste komponiert um 1956, mit Text von Wilham Blanco de A Tnndade alias Billy Blancogeb.1924). war Baden Powells erster Hit. Von diesem StUck gibt es viele Einspielungen. Aufnahme: siehe Nr. I.

10. SimpJesmente Einfach 50) ist eine Iynsche Toada. Der Text stammt von V de Moraes. Solo-Aufnahme:slehe Nr. 8.

F S. Monteiro Karlsruhe. im Ja nuar 200 I

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4

ForewordBaden Powell de Aquino was born on August 6th, 1937 In V a r r e e - S a ia small town situated about 200 milesnortheast of Rio de Janeiro. His father, an amateur gUitarist. named the child after the boy scout pioneer RobertBaden-Powell 1859 - 194 1 . whom he admired , Th ree m onths later. the fami ly moved to the Rio suburb SaoC ristovao, At the age of 8, Baden Powell became a g Uitar pupil of Jaime Florence a. k. a. Meira (1909 - 1982),a highly regarded samba and choro playe r In the following five years, his instrumental technique and repertoireprogressed qUickly.

At the age of 15 , he was already a professional player. accompanying renowned musica popular brasileira

singe rs. Sho rt ly a fter, he was also perfo rm ing as a soloi st and jazz com bo mem ber a t radio s tat ions a nd nightclubs in Rio. In J 959 he recorded his first solo album. His fnend Vinicius de Moraes (1913-1980), the famousBrazilian poet and diplomat. wrote many lyrics to Baden Powell s musIC and enabled him to travel to Paris In1963. There he started an international career, which led him to further European countries, the USA and Japan.He introduced bossa nova in Europe, and his both VirtuOSOand sensitive guitar playing amazed audiences all overthe world. He settled in Paris, move d to Baden-Baden . Ge rmany, in 1983 and returned finally to Brazil in 1987 .to live In ltanhanga, In the countryside west of Rio. In 1995, he was awarded the Shell prize for hisoeuvre: about 250 music titles and over 60 recorded albums. He died on September 26th, 2000 In Rio deJaneiro.

The re is already a qu rte informative book abou t the bright and dark Sdes of Baden Powell s career and privatelife (Dom inique Dre yfus: a Violao Vadio de Baden Powe ll, Rio , 1999). However. we s t ill miss a deeper analys isof his compositions and his guitar playing. It seems clear that his works represent a very successful syntheSIS ofthe best of Brazilian popular music in the 20th century: samba, choro, bossa nova . folklore from Northeast,African musIc from Bahia. toadas and eve n children tunes from different regions. Moreover, he was Influencedby Jazz giants like Les Paul . Thelonious Monk and Jacques Loussier . This synth es is was madepossib le thro ugh an ext raordinary mu sica l talent. apt to absorb a nd immed iate ly elabora te fro m all these sou rces, through a remarkable background of guitar technique - Baden Powell remembered gratefully even in hislast years his teacher Melra - and, last but not least. through an experience achieved during the years of hardworking in the night life of RIO.

His guitar playing style was stro ngly influe nced by his idols: Melra. Dilermando Reis ( 191 6 1977), later alsoAnibal A Sardinha alias Garoto ( 1915 - 1955), and J03 0 Gilberto (born 193 I). the pioneer bossa nova gUitarist. But his instrumental uniqueness de rives from his late r style, in which percussive rhythm pattems of Africanorigin are mixed with jazz, for example in the afro -sambas. HIs best recordings present his utmost legacy:highly Inspired melodic Improvisation skills and astonishing rhythmic vanety, put together in flamboyantspon taneity


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The works in this songbook are transcriptions from several Baden Powell s P recordings.

As, one wou ld expect, the solo pieces (number s 1,3,4, 6 and 10) are closer to or almost identical wi th the originals, whereas the othe r pieces demanded mo r-e elabo rate arrangement:

I. erceuse a Jussara is a charming lullaby wa ltz, dedicated to the daug hter of Baden Powe ll's sister Vera.ViniCiusde Moraes wrote the lyrics later. So lo recording: Le Monde Musical de Bade n Powe ll (Barclay 80 235),Paris 1964.

2. Casa Velha (O ld House) is a freva, a fast street dance from the Recife region , Recording: Samba TristeBarclay FLD 636) , Paris. 1972, with G. Pedersen bass) and J Arp i o perc).

3. Chanson d hiver (French: W inter Song): the melancho ly of this piece seems to be balanced by thefreq ue nt measure changes in its second part. So lo recording: see I.

4. Choro para Metronomo (Choro for Mett onome) . T his choro in the style o f Garoto was reallyrecorded w ith a metronome accompaniment. Solo recording: see I .

5. Cidade Vazia (Empty City) won In 1966 the 4th pn ze at th e Excelsior television music festival in SaoPau lo. The lyrics were w ritten by Luis Fernando (L u la) Fre ire (born 1938), who also sang th is samba a t th e con

test , Recording: ))Baden Powel l Quartet Vol. 2 (Ba t clay 80 429), Paris, 1970 , with E. R. o n ~ a l v e s(bass). H.

Sch iavo and A Bessa (perc).

6. Pra Valer (somethi ng like: })Good Va lue ) IS a long ing Braz ilian toada with a touch of jazz-song. Lyrics byBaden Powell's old fr iend Paulo Cesar Pinheiro (bo m 1949). So lo recording: })Estudos (MPS-BASF 2 1 29194-

4). Vi llingen . Germany, 1971.

7. Quaquaraquaqua (sound imita t ion of loud laugh te r): a samba de breque (break-samba) with scorn inglyrics by P C. Pinheiro, s ubtitled 1 1 ie and roll on laugh ing


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6

PrefaceBaden Powell de Aquino est n Ie 6 aoCrt 1937 aVarre-e-Sai. une petite villea environ 300 km au nord-estde Rio de Janeiro. Son pere, un guitariste amateur, lui do nn era ce nom en hommage aSir Robert Baden -Powell1857-194 1). Ie fondate ur du mouvement scout. Trois mo is plus tard. sa famil le part s instal ler a Sao Cristovao.

une banlieue de Rio. A I age de 8 ans, Baden Powell dev ient I eleve de Jaime Florence dit Meira(1909-1982), un joue ur de samba et de choro hautement est ime. Cet enseignemen t durera cinq ans et poserales jalons de la future carr iere de I enfa nt.

Baden Powell ja ue de f ~ o nprofess ionnelle des age de 15 ans, tout d abord comme accompagnateur de c hanteuses de Musica Popular Brasileira renommees , pu is en tan t que m usicie n et solis te dans diffe rents combos de

jazz qui se produisen t essent iel lement dans des nightclubs, mais sont ega lement diffuses sur les andes. En 1959,

Baden Powe ll e nreglstre son pr e mier disque en so lo: cel u i-ci sera su ivi de nombre ux autres, plus de 60 au tota l.

Grace a son am i Ie poete et diplomate bnsilie n Viniciusde

Moraes ( 1913-1980), qui lui ecrit les textes denombre de ses compositions. il se rend a Paris en 1963 , Ce sera Ie de b ut de sa carriere internationale, unecarriere qui lui fera parco u rir de nombreux pays e u ropeens et Ie condulra ega lement aux Etats-Unls e t au Japon.

Baden Powell fut I un des premiers a ou er la bossa-nova e n Europe. Son jeu brillan t et sens ib le enthous lasmeune communaute de fans sans cesse cr o issan te repartie dans Ie monde en t ier , II vivra desormais a Paris, puis (de1983 a 987) a Baden-Baden. avant de se retirer dans sa propriete de campagne a tanhanga. a ouest de Rio.En 1995. son ceuvre - environ 250 titres - a e te recompe nsee par Ie prix Shel l. II meurt Ie 26 septembre 2000

aRio de Janeiro ,Si la carr iere et la v ie privee de Baden Powell ont donne lieu a une abo ndante l itterature au cours des de rn ieresannees cf. Domi n ique Dreyfus: 0 Violao Vado de Baden Powell. Rio. 1999). en revanche, on attend toujoursune analyse qualifiee du guitari st e et compositeur . Ce qu i est inco ntestable. c est qu il a fort bien s u , a u travers de

sa creation. synthet iser les prinCipa les caracteristiques de la mus ique populaire bres ilienne du XXe siecle. Dans

ses ceuvres et e n reg istrements , o n r etrou ve 1a samba. Ie choro. la bossa-nova, Ie folk lore du nord-est du Bresil,

la mus ique africaine de Ba h ia alnsi que des toadas et des chansons en fan tines issues de diverses regions du pays.

Paralle lement il a s ubl I influenc e de grands noms du jazz te ls que es Paul. Thelonious Monk et JacquesLoussier La reussite de cette synthese est a attribuer en premie r lieu a son exceptionnel ta lent musica l. qUi lUIpermetta it d integrer avec une remarquab le i nspiration des innuences apparemment antagonistes. Ma ls sa

parfaite maitrise de la tech nique instrumenta le classique d une part (Baden Powell en est toujours reste

reconnaissant a son maitre Meira). les nombreuses annees passees a animer la vie nocturne de Rio commemusicien pendan t les annees cinquante et soixante d autre part, on t joue un ro le tou t auss i determinant.

Son jeu porte bien sur I emp reinte de guitaristes connus, cel ie de Maestro Meira et ilermando Reis

(1916- 1977) tout d abord, par la sUite egaleme nt d Anibal A. Sard inha , alias Garoto ( 1915 1955), et deJ030 Gilberto (ne en 193 1), conside re comme


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es morceaux de ce recueil de chansons sont des reprises d enreg istrements d albums deBaden Powell

Da ns Ie cas des morceaux enregistres en solo - n ) I, 3, 4, 6. 10 - la notation abeit a un souci de fidelite aI'ceuvre orig ina le. tand is que les morceaux interpretes en combo constituent d 'authentiques reprises. Voieiquelques informations sur les differents morceaux:

I. Berceuse a Jussara dediee a la fille de sa sceur Vera, est une berceuse sous forme de valse. Vinfcius deMoraes en ecrira Ie texte plus tard. Enregistrement en solo : Le Monde Musical de Bade n Powell (Barclay80235), Pans 1964.

2. Casa Velha (


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8

Prefcicio

Baden Powell de Aquino nasceu em 6 e agosto e 1937 em Varre-e-Sai, uma cidadezinha no norte doEstado do Rio de Janeiro. Seu pai urn vio lon ista amador, batizo u 0 filho em homenagem ao fundador do

escotismo, Robert Baden-Powell 1857 -1 941), a quem adm irava , Tres meses depois , a familia mudou-se parao suburb ia carioca de Sao Cr istovao. Aos oito anos 0 menino come;ou a ter aulas de violao com 0 professorMeira Jaime Florence 1909 - 1982), urn respeitave l sambista e horao . 0 apre ndizado d urou cinco anos eformou uma base salida na tecnica e no repert6rio d3ssico do ga roto.

Baden Powel l era ja aos quinze anos urn musico pro fiss ional. acompanhando cantaras famosas ao violao. Logoem segu ida passou a apresentar-se sozinho au em grupos de jazz, na radio e na vida notuma. Gravou em 1959seu primeiro d isco, ao qual se segulriam outros tantos, totalizando cerca de 6 ao lange de sua trajet6ria. Seu

amigo e parceiro Vinicius de Moraes 1913 - 1980 , poeta e dip lom a ta. poss ibilitou -lhe em 1963 uma v iagema Par is onde comer;o u a fase internaciona l de uma carreira que 0 lever ia ao resto da Europa, Estados Un idos e

ao Japao. Baden Powell foi urn dos introduto res da Bossa Nova na Europa, seu vio lao logo conquistaria uma fiele apaixonada legiao de fas no mundo in t eiro. Mudou -se para Paris viveu tambem em Baden-Baden, Alemanha,

de 1983 a 1987, antes de regressar ao Brasil, onde passa na a maior parte dos seus ultlmos anos em seu sltioem ltanhanga, Rio de Ja neiro. Em 1995 recebeu 0 Prem ia Shell pe lo conjunto de sua obra, de cerca de 250titulos. Falece u em 26 de setembro de 2000, no Rio.

Os altos e baixos da v ida privada e da carreira de Baden Powe ll receberam recentemen te uma documentar;ao

Dominique Dreyfus, 0 Violao Vadio de Baden Powe ll Rio, 1999 . Contudo, ainda nos fa lta uma anal ise maiscuidada de sua obra e tecn ica violo nisti ca . Parece elaro que ele representa uma sintese muito fe liz do melhor

da mus ica popula l bras ile ira no seculo 20: samba, choro, bossa nova, folelore nordes tino , muslca afro -baiana

toadas e a te canc;6es infantis de diversas regioes. Alem disso, fo i infiuenCiado por gigant es do jazz tais como Les

Paul , Thelonious Monk e Jacques Loussier . Essa sintese foi pass ive grac;as ao seu imenso talento musical,que captou e reelaborou todas as infiuencias, a ua tecn lca instrumen tal apurada peJa qual ele seria sempre gratoao Mestre Melra), e finalmen te, grac;as a grande e xperiencia adquirida ainda quando jovem, em arduos anos detraba lho na vida noturna carioca.

Seu estilo v iolon istico desenvo lveu-se dos fdolos de infa ncia e ju ventude Me ra ilermando Reis , Garoto e

tambem J03 0 Gilberto ) a uma maneira mui to particu lar de tocar, que juntar ia uma ritm ica percusslvatipicamente negra os a fro-sambas) com re cursos jazzisticos. Suas me lhores gravac;oes revelam um musico

com inspirac;ao me l6dica e ritm ica impressionantes, apresentadas em exuberante espontaneidade . Este e aBaden Powell que guarda remos na memoria .


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As obras deste songbook sao t r a n s c r i ~ e stiradas de diversos LPs

Como era de se esperar, as p e ~ a sem so lo numeros 1,3. 4 ,6 e 10) sao rnais pr6ximas ao original, ao passoque as outras sao arranjOS de diversas combinaC;6es instrumen tais. Em detalhe:

I. Berceuse a Jussara e uma valsinha dedlcada a sobrinha Jussara, i lha da irma Vera. Recebeu let l-a deVinicius de Moraes. Gravac;ao solo: Le Monde Musical de Baden Powel l Ba rclay 80 235). Paris . 1964.

2 Casa Velha , urn freva delicioso bern pernambucano. Gravac;ao: )lSamba Triste Barclay FLO 636). Pans ,1972, com G. Pedersen. baixo . e J Arpino, percussao.

3. Chanson d hiver Cam;ao e Inverno tern uma melan co lia que e amenl zada por constantes trocas decompasso. principa lmnente na seg unda parte. Grava


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Documents

[Baden Powell] Baden Powell. Songbook, Vol. 3 (Gui(Bookos.org)