4
AUDITORIUM PORTLAND, OREGON FRIDAY AFTERNOON AND EVENING, NOV. 14, 1919 SOUSA AND HIS BAND Northwest Tour direction of ELLISON-WHITE MUSICAL BUREAU MATINEE PROGRAM LIEUT. JOHN PHILIP SOUSA, Conductor Miss Mary Baker, Soprano Miss Florence Hardeman, Violinist Mr. H. Eenne Henton, Saxaphone Moorish Fantasia, "The Court of Grenada" Chapi Saxanhone Solo, "Scenes that are Brightest" Wallace-Henton MR. H . B E N N E HENTON C. G. Conn Instrument used. Suite "American Maid" Sousa (a) "You do not Need a Doctor." (b) "The Sleeping- Soldiers." (c) "With Pleasure." Vocal Solo, Valse from "Romeo ond Juliet" Gounod . M I S S MART BAKER "American Indian Rhapsody (new) Preston Ware Orem (On themes recorded and suggested by M r . T h u r l o w Lieurance) INTERVAL "An American Wedding March" (new) .... Sousa (Dedicated to the American People) In M a y , 1 9 1 8 , t h e A m e r i c a n Relief Legion (Mrs. Oliver Cromwell Field, President), adopted a resolution requesting John Philip Souso to write a W e d d i n g M a r c h f o r o u r A m e r i c a n brides, and recommend- ed that it be universally adopted by all Americans, t o w h o m i t i s re- spectfully dedicated. C. G. Conn Band Instruments used—McDougall Music Co. only Oregon Repre- sentative. Program continued on page 3 TENOR MAESTRO OF VOCE POSTATA— ART OF SINGING (BEL CANTO) From Elementary Stages to High Artistic Finish High Front Tone Placement—Nasal Resonance— Fundamentals of the OVERTONE Four years preparatory course with Lamperti of Milan, Van- nuccini and Cortesi of Florence, Scafati of Naples. Prior to Twelve Seasons Principal Tenor of Grand Italian-English Opera Companies of International Reputation STUDIO:.. 304-5 SHERMAN CLAY BLDG. Telephone Main 3145

AUDITORIUM - The Gallery | The Gallery

  • Upload
    others

  • View
    15

  • Download
    0

Embed Size (px)

Citation preview

Page 1: AUDITORIUM - The Gallery | The Gallery

A U D I T O R I U M P O R T L A N D , O R E G O N

F R I D A Y AFTERNOON AND EVENING, NOV. 14, 1919

SOUSA AND HIS BAND N o r t h w e s t T o u r d i r e c t i o n o f

E L L I S O N - W H I T E MUSICAL B U R E A U M A T I N E E PROGRAM

L I E U T . JOHN P H I L I P SOUSA, Conductor M i s s M a r y B a k e r , S o p r a n o

M i s s F l o r e n c e H a r d e m a n , V i o l i n i s t M r . H . E e n n e H e n t o n , S a x a p h o n e

M o o r i s h F a n t a s i a , " T h e C o u r t o f G r e n a d a " C h a p i S a x a n h o n e So lo , " S c e n e s t h a t a r e B r i g h t e s t " W a l l a c e - H e n t o n

M R . H . B E N N E H E N T O N C. G. C o n n I n s t r u m e n t u s e d .

S u i t e " A m e r i c a n M a i d " S o u s a ( a ) " Y o u do n o t N e e d a D o c t o r . " ( b ) " T h e S l e e p i n g - S o l d i e r s . " ( c ) " W i t h P l e a s u r e . "

V o c a l So lo , V a l s e f r o m " R o m e o o n d J u l i e t " G o u n o d . M I S S M A R T B A K E R

" A m e r i c a n I n d i a n R h a p s o d y ( n e w ) P r e s t o n W a r e O r e m ( O n t h e m e s r e c o r d e d a n d s u g g e s t e d b y M r . T h u r l o w L i e u r a n c e )

I N T E R V A L " A n A m e r i c a n W e d d i n g M a r c h " ( n e w ) . . . . S o u s a

( D e d i c a t e d t o t h e A m e r i c a n P e o p l e ) I n M a y , 1918, t h e A m e r i c a n R e l i e f L e g i o n ( M r s . O l i v e r C r o m w e l l

F i e l d , P r e s i d e n t ) , a d o p t e d a r e s o l u t i o n r e q u e s t i n g J o h n P h i l i p S o u s o t o w r i t e a W e d d i n g M a r c h f o r o u r A m e r i c a n b r i d e s , a n d r e c o m m e n d ­e d t h a t i t be u n i v e r s a l l y a d o p t e d b y a l l A m e r i c a n s , t o w h o m i t i s r e ­s p e c t f u l l y d e d i c a t e d .

C. G. C o n n B a n d I n s t r u m e n t s u s e d — M c D o u g a l l M u s i c Co. o n l y O r e g o n R e p r e ­s e n t a t i v e .

P r o g r a m c o n t i n u e d on p a g e 3

TENOR

M A E S T R O OF V O C E P O S T A T A —

A R T O F SINGING

( B E L CANTO)

From Elementary Stages to High Art ist ic Finish High Front Tone Placement—Nasal Resonance—

Fundamentals of the OVERTONE Four years preparatory course w i t h Lampert i of Mi lan , Van-nuccini and Cortesi of Florence, Scafati of Naples. Prior to Twelve Seasons Principal Tenor of Grand Ital ian-Engl ish Opera

Companies of International Reputation STUDIO: . . 304-5 SHERMAN C L A Y B L D G .

Telephone Main 3145

Page 2: AUDITORIUM - The Gallery | The Gallery

C O M I N G —

HENRI SCOTT BASS B A R I T O N E of the

METROPOLITAN OPERA COMPANY In Recitals

H E I L I G T H E A T R E , W E D N E S D A Y , NOV. 19th, 8:15

Seat Sale opens Monday, November 17th, 10:00 o'clock at Hei l ig Box Office. Reservations received by phone—Main 1.

Seats $2.00, $1.50, $1.00, .50—plus war tax.

NORTHWEST TOUR

Direction of

ELLISON-WHITE MUSICAL BUREAU Portland, Oregon

Page 3: AUDITORIUM - The Gallery | The Gallery

M A K E T H E HOME H A P P I E R

GIVE MUSICAL INSTRUMENTS THIS XMAS

O N L Y T H E B E S T M A K E S C A R R I E D B Y US Including

The Famous Vega Tu-Ba-Phone and Whyte-Laydie Banjos The Famous Vega Mandolins and Guitars. The Famous Deagan Xylophones and Marimbaphones. The Best Violins, Ukeleles, Ukelele-Banjos, Drums,

I n Fact F O R ANYTHING MUSICAL S E E McDOUGAL F I R S T

P R O G R A M — C O N T I N U E D 7. ( a ) V a l s e t t e , " T h e W o o d N y m p h " ( n e w ) E r i c C o a t e s

( b ) M a r c h , " S a b r e a n d S p u r s " - S o u s a 8. V i o l i n S o l o , " L a R o n d e des L u t i n s " B a z z o n i

( T h e D a n c e o f t h e G o b l i n s ) M I S S F L O R E N C E H A R D E M A N

9. C a p r i c e B r i l l a n t e , " T h e C a r a v a n " ( n e w ) O r d H u m e T H E N A T I O N A L A N T H E M

EVENING PROGRAM L I E U T . JOHN P H I L D ? SOUSA, Conductor

M i s s M a r y B a k e r , S o p r a n o M i s s F l o r e n c e H a r d e m a n , V i o l i n i s t

M r . F r a n k S i m o n , C o r n e t i s t

1 . O v e r t u r e , " M i g n o n " T h o m a s 2. C o r n e t S o l o , " W i l l o w E c h o e s " ( n e w ) S i m o n

M R . F R A N K S I M O N 3. S u i t e . " I m p r e s s i o n s a t t h e M o v i e s " S o u s a

( a ) " T h e J a z z B a n d i n A c t i o n . " ( b ) b " T h e C r a f t y V i l l a i n a n d t h e T i m i d M a i d . " ( c ) " B a l a n c e A l l a n d S w i n g P a r t n e r s . "

4. V o c a l S o l o , " M o o n l i g h t a n d S t a r l i g h t " H a l l e t G i l b e r t e M I S S M A R T B A K E R

5. M e m o r i a l , " T h e G o l d e n S t a r " ( n e w ) S o u s a ( D e d i c a t e d t o M r s . T h e o d o r e R o o s e v e l t . C o m p o s e d i n M e m o r y o f

t h e B r a v e w h o g a v e t h e i r l i v e s t h a t l i b e r t y s h a l l n o t p e r i s h . ) I N T E R V A L

6. A M i x t u r e , " S h o w i n g Of f B e f o r e C o m p a n y " ( n e w ) S o u s a 7. ( a ) V a l s e L e n t e , " K i s s e s " ( n e w ) Z a m e c n i k

( b ) M a r c h , " B u l l e t s a n d B a y o n e t s ( n e w ) S o u s a 8. V i o l i n S o l o , " P o l o n a i s e B r i l l a n t e " - V i e u x t e m p s

M I S S F L O R E N C E H A R D E M A N 9. S a t a r e l l e , " T h e B o h e m i a n s " ( n e w ) O r d H u m e

T H E N A T I O N A L A N T H E M

C. G. C o n n B a n d I n s t r u m e n t s u s e d — M c D o u g a l l M u s i c Co. o n l y O r e g o n R e p r e ­s e n t a t i v e s .

A L L BAND INSTRUMENT D E A L E R S

Strive to secure the Agency for

CONN BAND INSTRUMENTS BUT T H E Y ARE SOLD I N OREGON ONLY BY

McDOUGALL MUSIC COMPANY 325 A L D E R S T R E E T Get Price Lists

Hear Sousa Compositions on Pathe Records—at Our Store

Page 4: AUDITORIUM - The Gallery | The Gallery

Strangers in Portland

are invited to make the Ladd & Ti l ton Bank their banking home, to utilize its facilities for service, and to rely upon i t for business advice and information.

Even though you do not deal in large sums, a bank account establishes your credit, provides safety for. your cash, and systematizes your business dealings.

We are glad to offer our services to strangers unacquainted w i t h Portland, because we are sure that our present customers w i l l assure prospective ones that Ladd & Ti l ton Bank fulf i l ls all the requirements of a modern bank.

minimum iii i l i i i i i i i i i i imiii i i i lmi ml - HI 11

I F YOU W A N T A N INCOME BEYOND YOUR SALARY, CONSULT T H E BOND DEPARTMENT AS TO "SECURITIES OF PROVED W O R T H . "

L A D D & T I L T O N B A N K Oldest in the Northwest

Washington and Third