ASHDOWN KATALOG 2011

BASS AMPLIFICATION

www.ashdownmusic.com

Ashdown Design & Marketing Ltd

Stevens Farm (The Stables), Mashbury Road, Chignal St James,Chelmsford, Essex CM1 4TX

Tel: +44 (0)1245 441155

A FESTIVAL OF BASSEvery Summer, the Ashdown tour bus pulls in at the world's major festivals to support

our artists as they take the stage in front of tens of thousands of fans.

Here's a photo-diary of this seasons highlights.

Authorised Ashdown dealer

Bass is much more than a business, downon Stevens Farm. The heart of the Essexcountryside is also the hub of a globalfamily of bassists that insist upon Ashdownamplification, encompassing every type ofplayer from absolute beginners to stadiumsuperstars all bonded together in pursuitof the ultimate in bass amp tone.

Celebrating its 15th anniversary in 2011 and incorporating office andwarehousing facilities in Southern California, Chicago and Kentucky,Ashdown Engineering is itself a family concern. Owner Mark Goodayhas more than 30 years experience building brilliant bass amps, whilehis son Dan clocks up more than 100 gigs a year and a lot more air mileslooking after Ashdown's worldwide artist roster. Also home to adedicated team of professionals that bring Ashdown tone to more than 40countries around the world, bass is in the blood down on Stevens Farm.

Welcome to the spiritual home of bass.

THE SPIRITUALHOME OF BASS


WELCOME TO

STEVENS FARM.

Relied upon by countless players including the Foo Fighters Nate Mendel (featured), the ABM(Ashdown Bass Magnifier) EVO 111 rangeencompasses 575W and 900W heads, a pair ofcombos and a full range of cabinets.

ABM bass amps are designed to satisfy both bass-purists and tech-heads alike.Three straightforward rotary tone controls provide 20dB of cut and boost at 60Hz,660Hz and 5kHz, and are supplemented by two pairs of additional sliders giving15dB cut and boost at 180Hz, 340Hz, 1.3kHz and 2.6kHz. The EQ can be switchedin/out by a footswitch, enabling players to go from a f lat fretless sound to a boostedsound via a favourite EQ setting. A single input is switchable for passive and activeinstruments with a blend of solid state and dual triode tube preamp stages whichcan be preset and selected by footswitch, providing access to a massive range ofclean, warm and overdriven tones.

Also footswitchable is the on-board compressor and the mighty Ashdown sub-harmonic generator which precisely tracks the main signal and reproduces it anoctave lower. A sub-harmonic level control enables the player to add just the rightamount of low-end reinforcement - everything from a subtle, thickening of the soundto unbridled, bone crushing tone.

ABM

ABM 900 EVO 111Like all ABM heads and combos, the575W + 575W ABM 900 EVO 111 headfeatures a front-panel mounted balancedDI out with pre or post EQ switching, asub-bass output, a tuner output, an FXloop and a line input for the connectionof an external sampler or sound source.Output muting cuts the signal from theDI output but leaves the tuner output'live', allowing the player to tune up insilence. A new upgraded power sectionhas faster transient attack, moreheadroom and even less noise.


ABM 500 EVO 111All the ABM features in a 575Wamp head.

ABM 500 EVO 111 RCChrome-panelled, rack-mountingversion of the 575W ABM EVO 111 head.

ABM 210H Compact Cab

350W RMS, 2x10" + Switchable HF Horn(Hi, Low, Off), 8

ABM 115 Compact Cab

300W RMS, 1x15", 8

ABM 115 Cab300W RMS, 1x15", 8

ABM 410H Cab650W RMS, 4x10" + Switchable HF Horn(Hi, Low, Off), 8

ABM 610 Cab800W RMS, 6x10", 4, tilt-back

ABM 810 Cab1200W RMS, 8x10", 4, tilt-back

WHERE TONE

MEETS CONTROL.

Take the BlueLineAshdown BlueLine speakers are specially developed to achieve a superb balance ofpower, transparency and deep, controlled low end, without sacrificing any of the mid-band attack and high-end brightness that are so important in a modern bass sound.

Constructed from high-grade birch ply and protected by a tough, buffalo leather clothcovering, metal corners and steel grilles, ABM Cabinets use high quality handles infavour of inferior f lip handles which can rattle after years of use. Vibration is reduced byheavy-duty rubber feet. ABM 610 and 810 cabinets are tilt-back designs, incorporatingbar handles, castors, kick plates and slide rails.

Players like System Of A DownsShavo Odadjian (featured)demand all the same bass amptone and features in the studio asthey do from their live rigs.

Thankfully, thats what Ashdown ABM combos are allabout. Partnering all the features and power of the ABM500 EVO 111 head with a choice of 2x10" + HF Horn and1x15" + HF Horn Ashdown BlueLine speakerconfigurations, the ABM combos provide a potent andpowerful package for recording, and for small tomedium-sized club gigs.

ABM COMBOS

ABM C210H-500 EVO 111The ABM C210H-500 EVO 111 combo combines the features of the ABM 500 EVO111 head with a pair of 10" Ashdown BlueLine drivers with an HF horn. Theprecision tuned cabinet is constructed from high-grade birch ply, protected by atough, buffalo leather cloth covering, metal corners and steel grilles. Heavy-dutyrubber feet are used to reduce vibration. Like all ABM EVO 111 amps, theamplifier chassis is built from heavy-duty 16 swg zinc coated mild steel, foil linedto minimise interference.

ABM C115H-500 EVO 111Just like the ABM C210H combo, the 1x15" + HF horn-equipped C115H combo ispacked with all the ABM features 7-band rotary + slider tone control, variabletube grind, built-in compressor and sub-harmonic generator, DI output,extensive performance footswitching and, of course, the classic Ashdownilluminated VU meter.


It was actually Ashdowns more affordable ampsthat legendary Jam bassist Bruce Foxton (featured)fell in love with when he discovered an EB comboin his local music store.

Weve kitted Bruce out with an ABM rig since then, but his love of the MAG/EBamps proves that it is possible to get great Ashdown tone on a reduced budget. Atthe heart of the MAG/EB heads and combos lies a feature-packed bass preamp withrotary bass, middle and treble controls, along with supplementary rotary controlsproviding 15dB of cut and boost at 220Hz and 1.6kHz. Additionally, front panel pushswitches for Bright and Deep settings provide instant access to attacking and warm,rounded sounds respectively and, on the subject of low-end response, thetrademark Ashdown sub-harmonic generator is ready and able to deliver truck loadsof earth moving tone if called upon.

With the MAGs and EBs now achieving EVO 11 status, the amplifiers also include abuilt-in compressor with precision sonic control.

MAG/EB

MAG 115 Deep Cab250W RMS, 1x15", 8

MAG 210T-Deep Cab250W RMS, 2x10"+ Switchable HFTweeter (Hi, Low, Off), 8

MAG 414T Deep Cab450W RMS, 4x10"+ + Switchable HFTweeter (Hi, Low, Off), 4

MAG 410T Cab450W RMS, 4x10",+ Switchable HFTweeter (Hi, Low, Off), 8

MAG-300H EVO 11Fueled by a potent 300W power section,the MAG EVO 11 amp head featuresinputs for active and passiveinstruments, along with an effects sendand return, a tuner/line output and abalanced DI output for direct connectionto a mixing console.


BECAUSE EVERYONE DESERVESA GREAT BASS AMP

Ready for the roadLoaded with custom Ashdown drivers for exceptional attack, clarity and low-end performance, MAG cabinets look as good as they sound with retro vinyl covering,chrome protective corners, cloth grilles and original single-wing badges. Partnered with the MAG 300 EVO 11 amp head, they create the perfect rig for the hard-workingbass player.

EB 12-180 EVO 11With their striking blue front panels, the Electric Blue(EB) combos have the same comprehensive facilitiesas the MAG bass amps, partnered with 180W powersections. The EB-12 180 EVO 11 is loaded with a 12"driver.

EB 15-180 EVO 11The EB-15-180 EVO 11 employs a 15" driver forextended low-end response.

MAG C115-300 EVO 11A single 15" driver gifts the MAG-C115 300 EVO 11combo with a rich, warm sound, and plenty of power courtesy of a 300W power section.

MAG C210T-300 EVO 11For more attack and a brighter, faster sound, the MAG-C210T 300 EVO 11 delivers its payload via a pair of 10"drivers, supplemented by a high-frequency tweeter foreven greater top-end bite.

MAG C410T-300 EVO 11With its 4x10" + HF tweeter speaker configuration, theMAG-C410T 300 EVO 11 combo moves a lot of air agreat all rounder for club gigs and studio use.

Sharing the same feature-packed preamps, MAG/EB combosprovide a choice of power sections 300W in the case of the MAGsand 180W for the Electric Blues, along with a choice of speakerconfigurations.

Equally at home on stage or in the studio, the MAG/EB combos combine authentic Ashdown tone with 5-bandrotary EQ, built-in compressor and sub-harmonic generator, inputs for active and passive basses, illuminated VUmeter, FX loop, tuner/line output and DI output.

MAG/EB COMBOS


Stanglers bassist JJ Burnel grabbed the bass-worlds attention with the unforgettable bassline toPeaches, and he hasnt stopped since.

A fitting tribute to a great player and a good friend of the Ashdown family, the JJ500Signature Series bass amp head is stripped and ready for action, designed andengineered for purity of signal path and absolute clariry. 12-band graphic EQcombines with a 575W ABM power section to deliver huge slabs of power withprecision sonic control, while comprehensive connectivity includes switchable preand post EQ balanced DI output, tuner output with mute switch, line output, effectsloop and speaker outputs on jack and Speakon connectors. When switched in, therevolutionary Harmonic Emphasis circuit has the effect of sounding like youve justreplaced your strings.

Signature Series

JJ Burnel


Ashdown bass amps make my kind of noise. Theyre as unique as the man that makes them,

and as unique as my sound. I love em!JJ Burnel

BEST OFBRITISH

Ashdown puts the bottom endinto some of Britain and Irelandsbiggest bands .

From Rap to Metal, Pop to Indie, bass players choseAshdown amplification for its unmistakable tone,sophisticated tone shaping facilities and legendarydependability. Here are just some of the players wereproud to stand behind.


Pino Palladino

Colin Greenwood Radiohead Martin Blunt The Charlatans Adam Clayton U2

Rick Savage Def Leppard

Pete Turner Elbow Carl Dalemo Razorlight

James Johnston Biffy Clyro

John Hassel The Libertines Chris Edwards Kasabian Guy Pratt Youth Killing Joke

Horace Panter The Specials Jesse Quinn Keane

Rob Lee Pulled Apart By Horses House Of Lords The Young Knives

Rob MaloneDavid Gray

Dougie PoynterMcFly

Jon ThorneLamb

Colin FoxThe Delays

Alfie AmbroseLarrikin Love

Robin MullarkeyZero 7

Nick OwenBonnie Tyler

Carey WilletsAthlete

Gordon MoakesBloc Party

Didz HammondDirty Pretty Things

Russell LeetchEditors

Paul DuffyThe Coral

Jodi MilnerPlan B

Sean McCann Badly Drawn Boy Adam Newton Blackbud

Dougie Payne Travis

Jerry MeehanRobbie Williams

Adam RichardsonRamases

Bear KurrieChipmunk

Russell LeetchFrightened Rabbit

Wag Marshall-PageThe Infadels

Freddy Feedback Art Brut

Graham BushMadness

John Garrison James Blunt

Ross McNaeTwin Atlantic

SheldrakeExample

Nick FyffePixie Lott

Oroh AngiamaProfessor Green

James GriffithsUnkle

Spider Sucioperro

Panda Joe Lean and the Jing Jang Jong

Wayne BennettLilly Allen

Dan CarterA

Charlie JonesGoldfrapp

Harry CollierKubb

Rob Hawkins The Automatic

Tony ButlerBig Country

For those players who worship at the altar of glass,fire and high-voltage, Ashdown has created asuperb range of valve bass amplification.

Combining straightforward rotary tone controls with two pairs of additional EQ slidersfor the more sonically sophisticated, Ashdowns ABM preamp became an instantclassic when it hit the bass world over a decade ago.

The BTA 300 and 400 (Big Tube Heads) partner a third-generation EVO 111 ABMpreamp (see ABM section for full details) with all-valve output stages for ABMsophistication with bone-crushing tube power. And theres a full range of ClassicSeries cabinets to partner the BTAs (see overleaf).

Featured BTA artist: James Johnston/Biffy Clyro

CLASSIC ALL VALVE SERIES


BTA 400The mighty BTA 400 Valve Series headspower comes courtesy of an 8 x KT88valve output stage, delivering 400W ofuncompromising valve tone. All the ABMfeatures are there 7-band EQ, variabletube grind input stage, on-boardcompressor and sub-harmonicgenerator, balanced DI output withPre/Post EQ switching, FX loop, tuneroutput and performance footswitching.

BTA 300All the features slightly less power. TheBTA 300 head uses a 6 x KT88 valveoutput stage to deliver 300W of power.

BTASOPHISTICATE

D.BRUTAL.

CL-115 Large500W RMS, 1x15", 8

CL-410H1050W RMS, 4x10" + SwitchableHF Horn (Hi, Low, Off), 8

CL-414H1050W RMS, 4x10" + SwitchableHF Horn (Hi, Low, Off), 4, tilt-back

CL-6101200W RMS, 6x10", 4, tilt-back

CL-8101600W RMS, 6x10", 4, tilt-back

CLASSIC ALL VALVE SERIESLurking under the hoodof this all-tube muscle-amp is an octet of KT88sand three over-fedtransformers, creating amonster power stage thatjust wont quit.Put the pedal to the metal and the 427surges into action with thundering tonesranging from clean to fat to downrightfilthy, courtesy of an ECC82/99/83-fueledpreamp loaded with passive tone circuitsand a whole lot of attitude.


427 Small BlockThe 427 Small Block head features highand low gain inputs, front panel-mounted FX send and return, rotarybass, middle and treble controls withmid shift, bass shift and bright switching,mute switch, rotary gain and mastervolume controls and balanced DI outputwith pre/post EQ switching.

Classic CabinetsSpecifically designed to partner the BTA, 427 Small Block, Drophead 200 and Little Bastard tubeheads, Ashdowns Classic Series bass cabinets feature custom drivers, dual Speakon/jackconnectors, traditional vinyl covering and vintage red grilles. Tilt-back cabinets also include barhandles, castors, kick plates and slide rails.

427SMALLBLOCKGET YOUR

MOTOR

RUNNING


Little Bastard 30 Head Rebellious, uncompromising and cool as they come, James Dean and the car he nicknamed theLittle Bastard are the inspiration for this iconic, all-tube mini bass amp head. Rated at 30-Watts,the Little Bastard wont rip your head off, but its EL84-equipped power section is more thancapable enough for small gigs. And, of course, it wont put your back out on the way.

The Little Bastard preamp stage employs ECC83 and ECC82 tubes and features High and Lowgain inputs, front panel-mounted Effects Send and Return, rotary Bass, Middle and Treblecontrols with Mid Shift, Bass Shift and Bright switching, Mute switch, rotary Volume control andbalanced DI output.

DP200HThe Drophead 200 head features high and low gaininputs, front panel-mounted FX send and return, rotarybass, middle and treble controls with mid shift, bass shiftand bright switching, mute switch, rotary gain andmaster volume controls and balanced DI output withpre/post EQ switching.


CLASSIC ALL VALVE SERIESTaking its styling cues from classicUS motorcycles, the Drophead 200bass head grabs your attentionbefore you even switch it on.

Throw the power switch and the Drophead 200 fires up a4 x 6550 tube output stage for masses of low end gruntand plenty of torque through the rev range. The preampcomes straight from the 427 Small Block (see previouspage) a sensationally expressive vacuum tube designusing 2 x ECC82, 1 x ECC99 and 2 x ECC82 valves.

Put one on top of a Classic Series cabinet and the result isone of the best-sounding and certainly best-looking bassrigs in the business.

LITTLE BASTARD

REBEL

WITHOUT A

TRANSISTOR

DROPHEAD 200HEAD OUT ON

THE HIGHWAY

CLASSIC ALL VALVE SERIES


DP-200 Drophead 15HNeed more power? The DP-200Drophead 15H combines the Drophead200 head (see previous page) with a 15"bass driver and HF horn to create apotent and portable 200W all-tubeDrophead combo.

LB-30 Drophead 15HThe beautifully-engineered LB-30Drophead 15H takes a Little Bastard 30Wamp chassis (see previous page) andbuilds it into a retro 1x15" + HF horncabinet with a stainless steel top.

When youre ready to play, simply un-clip the top, f lip the amp head intoposition, clip it back down and plug in.

From its custom covering to its vintagered grille cloth, bass combos dontcome much cooler than this.

DROPHEADCOMBOSFLIP IT, CLIP IT

,

PLUG IN AND PLAY

First heard in the 427 Small Block,Ashdowns Dual Tube bass preamp wasan instant hit, thanks to its solid, articulatebottom end and sparkling highs.

Ashdowns Dual Tube Preamp series takes this stunning tube preampdesign and partners it with the tour proven ABM (550), uprated MAG(330) and uprated Electric Blue (220) power stages to create a fullrange of affordable heads and combos, along with a dedicated rangeof cabinets.

The discerning bass player gets high and low gain inputs, front panel-mounted FX send and return, rotary bass, middle and treble controlswith mid shift, bass shift and bright switching, mute switch, rotary gainand master volume controls and a DI output.

DUAL TUBEPRE AMPSERIES


550 HeadWith a stunning polished chrome frontpanel, the 550 head combines theacclaimed Ashdown Dual Tube preampwith a tour-proven 550W ABM powerstage

330 HeadThe unmistakable sound of the AshdownDual Tube preamp with an uprated330W MAG power stage.

VS-112-125150W RMS, 1x12", 8

VS-115-200300W RMS, 1x15", 8

VS-212-200300W RMS, 2x12", 8

VS-412-600600W RMS, 4x12", 4

TUBESWITHOUT THE

PRICE TAG VS CabinetsCustom drivers, retro looks, road-ready build quality the perfect partner for Ashdown Dual Tube Series bass heads.


220 Touring 112Ashdown Dual Tube preamp, 220W uprated ElectricBlue power section, custom 12" bass speaker.

220 Touring 115Ashdown Dual Tube preamp, 220W uprated ElectricBlue power section, custom 15" bass speaker.

330 touring 210HAshdown Dual Tube preamp, 330W uprated MAGpower section, 2 x custom 10" bass speakers with HFhorn for extended top end response.

330 Touring 115HAshdown Dual Tube preamp, 330W uprated MAGpower section, custom 15" bass speaker with HF hornfor extended top end response.

550 Touring 115HAshdown Dual Tube preamp, 550W ABM powersection, polished chrome panel, custom 15" bassspeaker with HF horn for extended top end response.

550 Touring 210HAshdown Dual Tube preamp, 550W ABM powersection, polished chrome panel, 2 x custom 10" bassspeakers with HF horn for extended top end response.

The Ashdown Dual Tube preamp, tour-provenEB/MAG/ABM power sections and Ashdown custom bassspeakers. All the ingredients of a great bass combo.

Ashdowns Dual Tube Preamp Series combos get you straight to warm, fat tube tone, with achoice of speaker configurations and power outputs to precisely match your needs. Features include high and low gain inputs, front panel-mounted FX send and return, rotarybass, middle and treble controls with mid shift, bass shift and bright switching, mute switch,rotary gain and master volume controls, and a DI output for studio recording or direct injectioninto the PA system.

DUAL TUBE PRE AMP COMBOS


Five Fifteen Mini RigBased on the amplifier design of the FiveFifteen combo, with the same powerful100-Watt output, the Five Fifteen head ispartnered by a 2 x 10" cabinet to createthe Five Fifteen MiniRig a trueminiature powerhouse. Conceived as ahome or practice set-up, the Five FifteenMiniRig actually packs enough muscleto hold its own in small gigs, faroutstripping standard practice amps inboth quality and f lexibility.

After EightThe After Eight bass practice ampcombines a 15 watt power section with asingle 8" Ashdown bass speaker.

Perfect TenThe Perfect Ten bass practice ampcombines a 30 watt power section with asingle 10" Ashdown bass speaker.

Five FifteenNamed in memory of our late, greatfriend John Entwistle, the Five Fifteenbass practice amp combines a 100 wattpower section with a single 15"Ashdown bass speaker.

Tourbus 15Great for the aspiring pro, Ashdown'sTourBus 15 is a 15W bass practice ampwith volume, bass and treble controls, aheadphone socket for silent practice, anda CD/MP3 input so you can play alongwith your favourite band. A rugged 8"driver delivers a surprisingly potent tone.

Tourbus 10All the great TourBus features in a morecompact package the TourBus 10features a 10W power stage and a 6.5"bass driver.

Whether youre in your bedroom or backstage at the Budokan,dont settle for anything less than Ashdown-quality bass tone.

As the name suggests, All Access bass amps give you Ashdown bass tone and advanced featureswherever you need them, whenever you need them. Great for rehearsing or getting a band together,perfect for warming up backstage, All Access is your ticket to the best in budget bass amplification.

With the After Eight, Perfect Ten and Five Fifteen, sounds can be shaped quickly and intuitively usingbass, middle and treble controls, supplemented by a pre-shaped 'deep' switch. A headphone outputis provided for private practice along with an extension speaker output. A CD/Line input let's you jamalong with your favourite tracks.

ALLACCESS

BACKSTAGE.

ONSTAGE.

ASHDOWN

TONE ON TAP.


Why should guitarists have allthe fun? Ashdown Bass EffectsPedals are designed specificallyfor bass players and feature truebypass switching to ensureabsolute signal integrity.

The Bass Effects range encompasses 6 pedals,including the James LoMenzo HyperDrive.

In the LoMenzo Hyper Drive, a band of frequencieswithin the midrange of the bass signal is filtered outand the distortion effect is added only to this band. Thefiltered frequencies can be tuned to the precise rangethat gives the optimum effect. The degree of distortionavailable is variable from a subtle break up to hugeoverdrive, enabling a new range of extreme effects forbass to be created. The distortion effect can then bemixed with the original dry bass signal to maintain apowerful, full-bodied bass tone with distortionovertones.

FXPEDALS

FS-Dual CompAshdowns Dual BandCompressor splits the signalinto high and low frequencybands and applies compressionseparately to both fast attackand decay for the highfrequency and slow attack anddecay for the low frequency orfundamental waveform of thenote. The amount ofcompression applied to each isindependently variable and thebalance between the high andlow frequency components ofthe signal is also controllableas they are re-combined into asingle, full range output.

FS-Sub OctaveThis earth-shattering pedalgenerates a note one octavebelow the note being played, atthe same volume and based onthe waveform of the originalsignal. By blending the sub-octave note with the originalsignal, bass players can movefrom a subtle reinforcement ofthe sound to truckloads ofbone-crushing tone. As afurther plus, distortion can beadded to the sub-octave note,with the amount and tonalcharacteristics of the distortionboth adjustable by the player.

FS-Drive PlusAshdowns Bass Drive Pluspedal generates a wide rangeof bass distortion effects from aslight grunge through to noholds barred, high-gainoverdrive. The Drive controlsets the amount of distortion,Distortion Tone adjusts itscharacter and Distortion Levelbalances the amount of theeffect with the clean basssignal.

FS-Envelopets time to get funky with theAshdown Envelope Filter.Capable of a wide range ofeffects from auto-wah throughto spaced-out, auto-triggeredfunky tones, the sweep of thefilter can be either up or downwith selection of band-pass orhigh pass filter modes. A peakcontrol is provided to deepenthe Q for more extreme effectsand the depth of the effect iscontrolled by the volume ofeach note as its played, makingthis a truly creative anddynamic pedal.

FS-ChorusA high-quality chorus, just forbass players. In addition to thestandard Depth and Speedcontrols, the Plus part of thispedal can be switched in toprovide f langing and a uniquerange of delay effects.

FS-1, FS-2 and FS-4 FootswitchesA range of heavy-duty single, 2-way and 4-way footswitches with 4 metre cables, specificallydesigned for use with Ashdown bass amplification.

FS-BassOmeterFinally, a tuner dedicated to the needs of bass players, with a clear,bright display and true-bypass switching for on-stage use.

OUR FRIENDSAROUND THE WORLDWere based in the UK, but the Ashdown family of bass playersextends right around the world.


Nick Seymour Crowded House

Wojtek Pilichowski Nate Mendel Foo FightersValerio Bruno

Shavo Odadjian System of a Down

Tim Kingsbury The Arcade Fire Jack Daley Lenny Kravitz

Spencer Pollard Trash Talk The Key Club Viper RoomAshdown Engineering, official bass amp of Hollywoods famous

Viper Room.

Bob RutherfordDallas Moore Band

Aaron Julison Kid Rock Whynot JansveldGavin DeGraw

Jaqou III-X Nick Harmer Death Cab For Cutie

Jeremy Little The Turning The Roxy Los Angeles

Brendan Berg Tele Jimmy Stofer The Fray

Jared Reynolds Ben Folds Jimmy Ashhurst Buckcherry

Billy MohlerThe Calling

Josh WernerMatisyahu

Mario PagliaraloSerj Tankian

Daniel Btge Clueso

Detlef Blanke Groove Injection

Marco Mendoza

Brian RaySir Paul McCartney

Chris CainWe are Scientists

Clarence RaganMatt Goss

Denholm HardingJust Ginger

Eric WilsonSublime

Gregg PicardStereo Trigger

Michael JeffersJoe Nichols

Josh WernerKaty Perry

Laz PinaIII Nino

James LoMenzo Megadeth Nick Cates 3 Inches of Blood

Johnny Lonely Orson Mike Duda WASP

Ashdown bass amps are available throughout the worldvia a network of specialist dealers and distributors people who share our passion for bass.

Check out the Ashdown website to find a dealer in yourtown and find out why Ashdown bass amps are thefirst choice of so many great bass players.

ASHDOWN SHOPA GREAT RANGE OF WEARABLES AND ACCESSORIES ATWWW.ASHDOWNMUSIC.COM


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ASHDOWN KATALOG 2011