Architectural and Landscape Photography - Stanford hector/CS45N/Architectural...آ  Landscape Photography

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  • Architectural and Landscape Photography

    The Pros and Cons of Using Wide Angle and Telephoto Lenses

  • Task: Photograph the Quad

    What lens do you choose?

    Stanford has asked you to take a “classic Stanford photo” of the quad. You have access to

    any photographic equipment you would like.

  • 16mm

  • 80mm

  • 125mm

  • 210mm

  • 260mm

  • Wide Angle v. Telephoto

    Wide Angle: Expansion of space

    Telephoto: Compression of space

  • 16mm

  • 260mm

  • Wide Angle v. Telephoto

    Wide Angle: Distortion of straight lines

    Telephoto: Retention of straight lines

  • 16mm

  • 125mm

  • Wide Angle v. Telephoto

    Wide Angle: Enlargement of close objects

    Telephoto: Compression of close objects

  • Leading Lines

  • LEADING LINES

  • LEADING LINES

  • LEADING LINES

  • LEADING LINES

  • Starburst Effect

    What you need:

    ✓ Point source of light

    ✓ Narrow aperture = small opening = large number (f/22)

    ➢ Diffraction of light

    ✓ Wide angle lens

    ➢ Larger effect

    ✓ More aperture blades in lens

    ➢ More points on the star

  • f/4 large aperture

    no starburst

  • f/25 narrow aperture

    STARBURST

  • f/28

  • Foreground and Background

  • FOREGROUND INTEREST

  • FOREGROUND INTEREST

  • Stretching Space

  • 300mm

  • 70mm

  • 16mm

  • 16mm

  • 10mm

  • Classic Stanford Shot!

  • 16mm

  • 260mm

  • 24mm

  • 15mm

  • 36mm

  • 15mm

  • 36mm

  • 15mm

  • 36mm

  • 15mm

  • 15mm

    Architectural and Landscape Photography Task: Photograph the Quad Slide Number 3 Slide Number 4 Slide Number 5 Slide Number 6 Slide Number 7 Wide Angle v. Telephoto Slide Number 9 Slide Number 10 Wide Angle v. Telephoto Slide Number 12 Slide Number 13 Wide Angle v. Telephoto Slide Number 15 Slide Number 16 Slide Number 17 Leading Lines LEADING LINES LEADING LINES LEADING LINES LEADING LINES Slide Number 23 Slide Number 24 Slide Number 25 Slide Number 26 Slide Number 27 Slide Number 28 Starburst Effect Slide Number 30 Slide Number 31 Slide Number 32 Slide Number 33 Foreground and Background Slide Number 35 FOREGROUND INTEREST FOREGROUND INTEREST Slide Number 38 Slide Number 39 Slide Number 40 Slide Number 41 Slide Number 42 Slide Number 43 Slide Number 44 Stretching Space Slide Number 46 Slide Number 47 Slide Number 48 Slide Number 49 Slide Number 50 Slide Number 51 Slide Number 52 Slide Number 53 Slide Number 54 Slide Number 55 Classic Stanford Shot! Slide Number 57 Slide Number 58 Slide Number 59 Slide Number 60 Slide Number 61 Slide Number 62 Slide Number 63 Slide Number 64 Slide Number 65 Slide Number 66 Slide Number 67 Slide Number 68