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AP Art History Project By: Ryan Ballard Period: 5 4/8/14

AP Art History Project

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By: Ryan Ballard Period: 5 4/8/14. AP Art History Project. Title: Rebellious Silence Date: 1994 Artist: Shirin Neshat - Born in 1957 - Current home is in New York - Brought up in the religious town of Qazvin in north- western Iran - PowerPoint PPT Presentation

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Page 1: AP Art History Project

AP Art HistoryProject

By: Ryan Ballard

Period: 54/8/14

Page 2: AP Art History Project

Identification

• Title: Rebellious Silence• Date: 1994• Artist: Shirin Neshat

- Born in 1957- Current home is in New York - Brought up in the religious

town of Qazvin in north- western Iran

- Enrolled in UC Berkley - Married a Korean Curator,

Kyong Park- One child: Cyrus Park

Page 3: AP Art History Project

Content

• conceptual narrative on the subject of female warriors during the Iranian Islamic Revolution of 1979

• Fighting for women’s rights, freedoms and equality

• Part of a series of photographs titled Women of Allah

• inscribed calligraphic Farsi text on the women’s face

- text is poetry by contemporary Iranian women poets • Very moving and powerful gaze that brings

emotion to the viewer and awareness to the subject matter: the role of women in the war

Page 4: AP Art History Project

Patron / Site

• No patron – meant for the public

• Spread the word of feminism and women in the war

• Religion directly affects the community

Page 5: AP Art History Project

Media of Work

• Black and white photograph

• Ink• No color creates a

darker, more serious tone and feeling

• Picture captures the reality of current issue

Page 6: AP Art History Project

Scale

• Small • Black and white, deep shadows and undertones • Normal proportions

Page 7: AP Art History Project

Purpose • Feminism• Bring attention to

women involved in the war

• Religious duties of women

Style• Realistic (It’s a picture)• submissive gaze,

suggests a far more complex reality behind the surface.

• Woman holding a gun with poems written on her face that describe the war and what women do

• Dress wear is typical of a Muslim woman in Iran

Page 8: AP Art History Project

Formal Elements

• Dark shadows that create emotion and accentuate the woman’s expression

• Zoomed in on the subject which focuses the viewer’s attention

• No distinguishing lines except for the important areas: gun, face, writing

• Symmetrical, disregarding the writing• These are mostly typical of Neshat’s works

Page 9: AP Art History Project

Additional Works

Way In Way OutAllegiance with Wakefulness• Part of Women of Allah

Series• Black and white• Feet of Muslim woman

with gun• Photograph• 1994

• Part of the Women of Allah series

• Black and white• Muslim woman praying• Gun is present, so is a

Iranian poem• Photograph• 1994

These photographs became iconic portraits of willfully armed Muslim women.

Page 10: AP Art History Project

The End