Anup Pandey Art Histor

7/23/2019 Anup Pandey Art Histor

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Art History TimelineThe frst surviving mention o the camera obscura was by Mo-Ti (470BC-390BC -a Chinese !hi"oso!her# This i$ea was then $eve"o!e$ on by %ree& !hi"oso!her'rtisto"e who sai$ he stu$ie$ the cresent sha!e o the sun !ro)ecte$ through a

sieve or ho"es in a "ea# This was the basic un$erstan$ing o a !inho"e camera#

*tone 'ge 30000 BC-+,00 BC


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*tone age art was !re$ominant"y cave !aintings# To create these the stone age!eo!"e wou"$ ma&e concoctions o crushe$ berries b"oo$ crushe$ u! roc&s

.ower !igments an$ "eaves# They wou"$ mi/ them together to orm a !aste

which cou"$ then be a!!"ie$ to the wa""s o caves either using their fngers or

tus&s o anima"s# Charcoa" was a"so use$ to create $rawings# ne o the things

that was most !o!u"ar to $raw were wi"$ anima"s such as bison $eer an$

horses# They a"so "i&e$ to create abstract !atterns an$ tracings o their own

han$s#

Meso!otamian 3,00 BC - ,39 BC


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Meso!otamian art "arge"y consists o scu"!tures create$ to g"oriy !oweru"

$ynasties# The ta""er the scu"!ture the more im!ortance the !erson it was

create$ to "oo& "i&e was# They showe$ that the !articu"ar !erson may have more

!ower than other scu"!tures create$ to "oo& "i&e !eo!"e who are "ess im!ortant -

these wou"$ be sma""er# Meso!otamia is a %ree& wor$ meaning 1between the

rivers1 an$ a"ways reers to the region between the Tigris an$ 2u!hrates rivers

which is to$ay &nown as ra Tur&ey an$ *yria#


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2gy!tian 3500BC- 30BC


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2gy!tian art consists o main"y !ainting scu"!ture an$ architecture# ' "ot o the

art create$ $uring this !erio$ was to re!resent symbo"ism "ie ater $eath an$

6haraohs# The co"ours which were oten use$ were natura" earthy co"ours with

hints o bright co"ours in them such as bright b"ue an$ bright re$#


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%ree& an$ e""enistic 8,0BC - 35BC


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%ree& an$ e""enistic art is !rimari"y base$ on scu"!ture# 'rtists an$ scu"!tors$uring this era wou"$ oten stu$y the human bo$y in its na&e$ orm an$ howc"oth $ra!es o: the bo$y# They wante$ to achieve a scu"!ture;art !iece thatcou"$ be stu$ie$ an$ a$mire$ rom "ots o $i:erent ang"es#


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Mi$$"e 'ges ,00-5400


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2ar"y an$ igh


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Baroue 5>00-57,0
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n the 57th Century the Camera bscura was being reuent"y use$ by artists to

ai$ their wor& an$ was now ma$e !ortab"e by *e$an Chairs#

This meant that artists cou"$ trans!ort the Camera bscura to near"y anywhere

they wante$ an$ go to sitters homes an$ "an$sca!es to create their wor& using

it#
http://3.bp.blogspot.com/-59xT7qYVFWk/T1NJLIVHxvI/AAAAAAAAEPw/JkysyY4UuHk/s1600/Fullscreen+capture+04032012+104808.bmp.jpghttp://2.bp.blogspot.com/-TJ4qLJTVz7I/T1NJJ7gzsRI/AAAAAAAAEPo/llfSY2svK6s/s1600/Fullscreen+capture+04032012+104825.bmp.jpghttp://1.bp.blogspot.com/-mGpqxucGb7c/Trfw2xnW3MI/AAAAAAAAB2w/W8Zl-V3xyKE/s1600/thetakingofchristbycaravaggio.jpghttp://1.bp.blogspot.com/-conw3jWbtKc/Trfw1vnabMI/AAAAAAAAB2o/V40gLRVIOG0/s1600/caravaggio.jpg


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?irst 6hotosensitive Com!oun$ 57+7

6roessor @# *chu"Ae mi/e$ cha"& nitric aci$ an$ si"ver in a .as& not inten$ing to

create a "ight sensitive substance but noticing that the si$e o the .as& e/!ose$

to sun"ight was turning a $ar&er co"our than the si$e not e/!ose$#

eoc"assica" 57,0-58,0


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*un 6ictures 5800
http://1.bp.blogspot.com/-fMyB8dcz5pU/T1NL1oF7rZI/AAAAAAAAEP4/_AgaGndf5QM/s1600/Fullscreen+capture+04032012+110011.bmp.jpghttp://1.bp.blogspot.com/-8uNptb6Iyjk/T1M8pPteVSI/AAAAAAAAENY/n-uqwB7FkMg/s1600/Fullscreen+capture+04032012+095629.bmp.jpghttp://2.bp.blogspot.com/-0zUykxoGJiU/T1M8oJTgBMI/AAAAAAAAENM/DWT4smkF6Gs/s1600/Fullscreen+capture+04032012+095613.bmp.jpghttp://1.bp.blogspot.com/-4wavLV-TIeg/T1M8nTDb-nI/AAAAAAAAENI/LfzbN2Phox4/s1600/Fullscreen+capture+04032012+095603.bmp.jpg


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This !hotogra!h was ta&en by British !ottery ma&er Thomas e$gwoo$# t was

create$ by !"acing a "ea on "eather treate$ with si"ver nitrate an$ e/!osing it to

the sun#

ice!hore ie!ce 58+>

n 58+> ie!ce create$ the frst !ermanent image o rooto!s in ?rance# t was

ta&en on an 8 hour e/!osure an$ e/!ose$ onto a !ewter !"ate coate$ in

bitumen o @u$ea# The bitumen har$ene$ when e/!ose$ to sun"ight an$ the

une/!ose$ !arts o the image remaine$ water so"ub"e an$ cou"$ be washe$

away#

enry ?o/ Ta"bot 5834

n 5834 Ta"bot create$ the frst ever negative to !ositive !rocess using !a!er

soa&e$ in si"ver ch"ori$e an$ set with sa"t so"ution# e create$ !ositive images

by contact !rinting onto another sheet o !a!er - this is where we get the term

contact sheet rom#
http://3.bp.blogspot.com/-FTlyntQo1zI/T1NTnKHCatI/AAAAAAAAEQI/evQZuLE__Xg/s1600/Fullscreen+capture+04032012+113500.bmp.jpghttp://3.bp.blogspot.com/-7C2rvTTDzgc/T1NRXWoZm-I/AAAAAAAAEQA/Acbw2eUGogc/s1600/Fullscreen+capture+04032012+112534.bmp.jpg


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Douis =aguerre 5837

n 5837 Douis =aguerre create$ images on si"ver !"ate$ co!!er coate$ with

si"ver io$i$e an$ $eve"o!e$ with warme$ mercury# e ca""e$ this the

=aguerroty!e !rocess an$ the ?rench government awar$e$ him a state !ension

in e/change or !ub"ication o his metho$s an$ the rights or other ?rench

citiAens to use his !rocess#

n 5838 =aguerre create$ (using his !rocess the frst ever !hotogra!h

containing !eo!"e#

This image was ta&en in 6aris at the 1Bou"evar$ =u Tem!"e1# The street was very

busy with things !assing by but because o the 50 minute e/!osure they were

not ca!ture$ within the image# The on"y thing that was ca!ture$ were two

!eo!"e - one shining the other ones shoes# This is the frst ever &nown!hotogra!h containing !eo!"e who were on"y ca!ture$ in it because they $i$

not move or 50 minutes whi"e the image was ta&ing#

?o/ Ta"bot 5845

n 5845 ?o/ Ta"bot !atents his !rocess The Ca"oty!e 6rocess# This meant that he

wou"$ be the on"y one name$ to have invente$ the !rocess#

58,4

n 58,4 '$o"!he =is$eri $eve"o!s carte-$e-viste !hotogra!hy in 6aris "ea$ing to

wor"$wi$e boom in !ortrait stu$ios or the ne/t $eca$e# This enab"e$
http://3.bp.blogspot.com/-i2c9qZONI6E/T1pz_u1S9pI/AAAAAAAAERw/orWhErWJjaQ/s1600/Fullscreen+capture+09032012+205841.bmp.jpg


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!hotogra!hers to get more c"ients coming into their stu$ios an$ !aying or their

!ortrait $one# They no "onger ha$ to cart a"" their eui!ment aroun$ an$ it cou"$

a"" stay in the same !"ace#


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The sty"e o rea"ist !aintings is that they are in the 3r$ !erson !ers!ective which

is ob)ective rea"ity#


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m!ressionism starte$ with a sma"" grou! o 6aris base$ artists who set u! their

own in$e!en$ent e/hibitions which was rare $uring that time# This got !eo!"e

intereste$ in their wor& an$ thereore their wor& was seen more wor"$wi$e#

m!ressionism art main"y consists o oi" !aintings with "ots o sma"" thin brush

stro&es# The mar& ma&ing ma&es images uite abstract# The images oten

re!resent the changing o "ight over a !erio$ o time e#g# sun setting# The sma""brush stro&es a"so create movement within the imagery#

6ost m!ressionsim 588,-5950
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6ost im!ressionists wante$ to change the origina" im!ressionist way o !ainting

rom .owing brush stro&es to more harsh ones to create structure#

?auvism an$ 2/!ressionism 5900 - 593,
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Cubism ?uturism *u!remativism Constructivism =e *ti)" 590,-59+0
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=a$a an$ *urrea"ism 5957-59,0
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http://4.bp.blogspot.com/-oOpvvBiGdFg/T9XlLN3ZKTI/AAAAAAAAEng/6K8dzllq7bA/s1600/Ramaz-Razmadze-Fantasy-Still-life-Contemporary-Art-Post-Surrealism.jpghttp://3.bp.blogspot.com/-qeNTfJCFuMk/T9XlKMIWilI/AAAAAAAAEnY/R9mhDnAOoTg/s1600/220px-Hoch-Cut_With_the_Kitchen_Knife.jpghttp://4.bp.blogspot.com/-OALt3FotnxU/T9XlJUJv6gI/AAAAAAAAEnQ/8__-rIdfjkM/s1600/14_dadaism.jpghttp://3.bp.blogspot.com/-gb3ovAqXsD4/T9XlIGD8oUI/AAAAAAAAEnI/Rqvl2i2dQUg/s1600/073d-fantasy-art-works_sharks-B.jpg


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2/!ressionism 5940s-59,0s
http://4.bp.blogspot.com/-FtosxaWvNiU/T9XlNTI5JUI/AAAAAAAAEn4/hCHpKAL4G1A/s1600/surrealism-painting03s.jpghttp://2.bp.blogspot.com/-qGjiBhj1fPk/T9XlMuQwqOI/AAAAAAAAEns/aBOlT324iyU/s1600/dadaism2.jpghttp://2.bp.blogspot.com/-ydwwz4fGnfk/T9XlMD6vueI/AAAAAAAAEnk/600IGh9iqS8/s1600/dadaism.jpg


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6o! 'rt 59>0s
http://3.bp.blogspot.com/-vIjtaPZI7zU/T9XmPRfFyVI/AAAAAAAAEoY/W1xm9mRyMOk/s1600/european_expressionism_expressionists.-merello._meeting.jpghttp://2.bp.blogspot.com/-QqgwtVBoq5s/T9XmO-Djw8I/AAAAAAAAEoM/esZVfmQE178/s1600/abstract-expressionism.jpghttp://2.bp.blogspot.com/-6kYOhkRA7n4/T9XmN0e-t1I/AAAAAAAAEoI/Z0apVOYGsqk/s1600/IMG_5106_essence_expressionism.jpghttp://2.bp.blogspot.com/-VIOEUIAGtEU/T9XmNRQJ2vI/AAAAAAAAEoA/PIPozzatH0U/s1600/220px-The_Scream.jpg


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http://3.bp.blogspot.com/-7EZr5TDPBUE/T9XmwvCgAuI/AAAAAAAAEpA/8PEy73lBoc0/s1600/pop_warhol.cam.tomat.lg.jpghttp://4.bp.blogspot.com/-qXkKQFrv4ag/T9XmtVwfGhI/AAAAAAAAEow/0YGmn8rBBv8/s1600/images-1.jpeghttp://4.bp.blogspot.com/-EA6oMTPxTaw/T9XmsbLQRaI/AAAAAAAAEoo/5UPf_ENFJPk/s1600/girl-with-hair-ribbon.jpghttp://1.bp.blogspot.com/-2YIqEy6NL9Y/T9XmrC8Wr-I/AAAAAAAAEog/9SpqarArdk8/s1600/Roy_Lichtenstein_Drowning_Girl2.jpg


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=e-constructivism 5970-
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Anup Pandey Art Histor