Aneta Stojnic CV OCT 2016

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  • Curriculum Vitae, 20th October, 2016

    Aneta Stojnic

    Theoretician, Artist and Curator, based in Belgrade and Vienna

    Contact: FMK Faculty of Media and Communications

    Department of Humanities and Theory of Arts and Media

    Karaoreva 65, 11000 Belgrade, Serbia

    Email: aneta.stojnic@fmk.edu.rs

    aneta.s7@gmail.com

    Phone: +381 63 7795768 (Sebia)

    +43 680 2429186 (Austria)

    Web: https://anetastojnic.wordpress.com

    ACADEMIC EMPLOYMENT

    2015 present, Assistant professor at Faculty of Media and Communications (Singidunum University, Belgrade) Department for Humanities and Theory of Art

    2015 Postdoc fellow at the Academy of Fine Arts in Vienna, Institute of Fine Arts, PCAP Post-conceptual art practices study program

    2013-14 Postdoc fellow at Ghent University, Faculty of Arts and Philosophy, Research centre S:PAM (studies in Performing Arts and Media)

    2013 present, editorial board member in A+M Journal for Art and Media Studies

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    mailto:aneta.stojnic@fmk.edu.rsmailto:aneta.s7@gmail.com

  • PUBLICATIONS in English

    Articles in Journals:

    Only Cyborgs and Cockroaches under review in Performance Research issue Vol. 22:3, Turning Animal, 2017

    Denkmal oder Mahnmal? Historization and its consequences. Debating the political articulation of a traumatic past in Documenta: tijdschrift voor theater, jaargang XXXIV, #1, 2016: 148-168

    Digital anthropomorphism: Performers avatars and chat-bots in Performance Research issue Vol. 20, No. 2 On Anthropomorphism, 2015: 71-78

    The Problem of the Political in Cyberspace in A+M, Journal for Art and Media Studies, No.7 (2015): 103-111

    Transfeminists and transmigrants perspectives in Europe (with Marina Grini) in n.paradoxa, international feminist art journal, Volume 34, July 2014: 16-27

    Cyborgs From Fiction to Reality: Marginalized Other or Privileged First? in IDENTITIES. Journal for Gender, Politics and Culture, Vol.10 No 1, Summer/Winter 2013: 49-54

    Book chapters:

    (Un)Dead and (Un)Buried: From Antigone to Chelsea Manning in Eds. Katharina Pewny, Luk Van den Dries, Charlotte Gruber, Simon Leenknegt, Occupy Antigone: Tradition, Transition and Transformation in Performance, Tbingen: Modernes Theater, 2016: 165-176

    What archives? in Eds. Joanna Krakowska and Daria Odija, Platform. East European Performing Arts Companion, Lubin: Adam Mickiewicz Institute/Center for Culture Lubin/ Institute of Art of the Polish Academy of Sciences, 2016: 394-405

    Live or Living Dead: (Un)Setting the Stage for the Hologram Performer, in Eds. arko Cveji, Andrija Filipovi, Ana Petrov, The Crisis in the Humanities: Transdisciplinary Solutions, Newcastle upon Tyne: Cambridge Scholars Publishing, 2016:174182

    A Discussion of Hans-Thies Lehmanns Post-dramatic Theatre in Eds. Miko uvakovic, arko Cveji and Andrija Filipovi, European Theories in Former Yugoslavia: Trans-theory Regulations between Global and Local Discourses, Newcastle Upon Tyne: Cambridge Scholars Publishing, 2015: 173 -178

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  • From Feminism to Transfeminism: from Sexually Queer to Politically Queer, (with Marina Grini) in ed. Katarzyna Kosmala, Sexing the Border: Gender Art and New Media in central and Eastern Europe,, Newcastle Upon Tyne: Cambridge Scholars Publishing, 2014: 231-252

    Decoloniality of New Media Technology in Utopia of Alliances, Conditions of Impossibilities and the Vocabulary of Decoloniality, Ed. Editorial Group for Writing Insurgent Genealogies, Wien: Locker, 2013: 260-266

    De/Re/Construction of memories of Yugoslavia: The Draft for the Exhibition, in ed. Sneana uruvija, De/Re/Construction: time, space memories, Panevo Cultural Centre, 15th Biennale of Art, 2012: 39-44

    Edited Publications:

    "This Body is in Danger! Shift-shaping CorpoRealities in Contemporary Performing Arts, Eds. Aneta Stojni, Christel Stalpaert and Marina Grini, Ghent: Academia Press (forthcoming)

    Image, Racialization, History, Eds. Miko uvakovi, Aneta Stojni and Marina Grini (under review)

    Focus issue editor, AM Journal for Art and Media Studies, No.8: Postfeminism, Transfemnism and Feminist Subjectivities beyond Identity Politics, October 2015

    Guest co-editor (with Nikola Dedic), focus issue: Serbian art in 2000s Interviews, Art Margins Online, September 2012

    Guest editor of New Moment Magazine no. 32, special edition on contemporary art and design in Balkans, 2008

    Book reviews:

    Aldo Milohnic: Theory of Contemporary Theatre and Performance (book review) in A+M, Journal for Art and Media Studies, no.6 (2014)

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  • PUBLICATION in French

    TRANSFORMATIONS et dfis dans les BALKANS with Marina Grini (Transformations and Challenges in Balkans) in Thtre/Public, No. 222, La Grece Et Les Balkans: Scenes En Transition Coordonne, (October 2016): 7-13

    PUBLICATIONS in Serbian

    Monographs:

    ak Lakan (Jacques Lacan), Orion Art, Belgrade, 2016 (in print)

    Teorija izvoenja u digitalnoj umetnosti: Ka novom politikom performansu (Performance Theory in Digital Art: Towards a New Political Performance), Orion Art and FMK, Belgrade, 2015

    Articles in Journals:

    Ima li posthumanog performera? Transgresije i subverzije tela u sajberproetoru (Is there a Posthuman Performer? Transgressions and Subversions of Body in Cyberspace) in Kultura Journal for Theory and Sociology of Culture and Cultural Policy, No. 152, Autumn 2016

    Dekolonijalni obrt i politike epistemikog razdvajanja (Decolonial Turn and politics of epistemic delinking) in Srpska politika misao, No. 3, 2016.

    Uloga tehnologije u dekolonizaciji znanja (The Role of Technology in (de)Colonisation of Knowledge) in AM, Journal for Art and Media Studies, No.1, (2011)

    Ideoloki rad melodramskog zapleta u filmovima o Holokaustu (Ideological Work of Melodramatic Plot in Movies on Holocaust) in ProFemina, Journal for Womens Literature and Culture, no. 54, (2011):13-20

    Novomedijska slika i Izvoake umetnosti: Modovi interakcije (New Media Image and Performing Arts: Modes of Interaction) in Kultura Journal for Theory and Sociology of Culture and Cultural Policy, no.127 (June 2010): 287-304

    Book chapters:

    Sajber tenologija izmeu kritike i apologije kapitalizma (Cyber Technologies Between Critique and Apologie of Capitalism) in Eds. Irfan Hoi, Amir Husak, Kriza, umjetnost, akcija (Critis, Art, Action), City Gallery Biha/University in Biha, 2016: 140-151

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  • Lumino kinetika u svetlu prostora i vremena (Lumino Kinetics through Time and Space) in Radikalne Abstrakcije (Radical Abstractions), Eds. Miko uvakovi, Nikola Dedi and Jea Denegri. Beograd: Slubeni Glasnik, 2013: 53-64

    Book Reviews:

    Istorija umetnosti u Srbiji XX vek (recenzija knjige) in AM, Journal for Art and Media Studies, no.1, 2012: 122-126

    Other Commissioned Writings (selection):

    Doplgenger: Neimenovani fragmenti (Doplgenger: Fragments Untitled) text in exhibition catalogue Fragments Untitled by artist duo Dobpgenger, Dom omladine, Belgrade: 2014

    Umetnost kao akcija u javnom prostoru / Art as Action in Public Space text in exhibition catalogue Danilo Prnjat Art as Action in Public Space Kontekst gallery, Belgrade: 2009

    Izvoenje, prisustvo i elektornska reprodukcija (Performance, Presence and Electronic Reproduction) text in festival catalogue nama.TRE.ba Trebinje, Bosnia and Herzegovina: 2009

    Iza enformela" (Behind Informal) text in exhibition catalogue Igor Bonjak Painting of Internal Necessity, Academy of Arts, Trebinje, Bosnia and Herzegovina: 2008

    Wild Beauty Models nova kolekcija brkova za ene (Wild Beauty Models new collection of mustaches for women) text in exhibition catalogue Danilo Prnjat Wild Beauty Most Gallery, Podgorica, Montenegro: 2008

    Translations from English to Serbian:

    Politika i izvoake umetnosti collection of essays by Janelle Reinelt, eds. Ivana Vuji and Milija Gluhovi, University of Arts in Belgrade, 2012 (co-translated several essays in the collection)

    Teorija kao umetnika praksa by Jonathan Lahey Dronsfield in A+M, Journal for Art and Media Studies, no.1, 2011 (translation of two parts essay Theory as Art Practice. Notes for discipline and Outnotes for Indiscipline originally published in Art&Research, vol 2 no.2 and vol 3 no.1)

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  • RESEARCH EXPERIENCE

    Liminal Spaces and Shifting Realities in Contemporary Performance: Body, Politics, Technologies postdoc research project at the Academy of fine arts Vienna IBK, post-doc research project, 2015

    Body and its Double post-doc research project at Gent University Research center S:PAM, 2013/14

    Collaboration in research group PEPPER: Performance, Philosophy, Ethics and Politics, Gent University Research center S:PAM, 2014

    Politics of Body in 21st Century, Academy of Fine Arts Vienna, Ernst-Mach scholarship, 2013

    Performing in cyberspace: STRL Reloaded Tanzquartier Vienna, artistic research residency, 2011

    Post conceptual art practices and performance politics KulturKontakt Vienna, writers residency (part of PhD research), 2012

    ENPARTS Open Campus, colaborative artistic research project, Dansens Hus Stockholm (2011)

    What Archives? In Search of a history of Theatre and Performing Arts in Serbia, East European Performing Arts Dictionary (EEPAP), research on the performance and theatre archives (2013)

    Platfoma. colboratove artistic research project on self-education and colaboraiton processes in art and activism LeIpzig 2011, 2015

    Art and/as politics research group within Deschoolong classroom project, TkH Walking Theory, 2010/11

    CTLS Center for Theatre and Laboratory Studies rese