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Alan Foster Production Artist and Retoucher [email protected] 503 975-2823

Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Page 1: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Alan Foster

Production Artist and Retoucher

[email protected]

503 975-2823

Page 2: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

I’ve been fortunate to work with some

of the world’s most talented graphic

designers and ar t directors, helping

produce integrated global campaigns

and one-of-a-kind, handmade pieces.

My greatest strength is helping creatives

realize their ideas—from refining layouts

and image retouching, to building final

executions across a range of media.

Retouching1

Production

503 975-2823 — [email protected]

Page 3: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Global Book: Wieden+Kennedy (WK)

Production of a 180-page, 7-color, die-cut book, which included stickers, iron-ons, a thumbdrive, a DVD and other items

that would give most production artists an ulcer.

Production

Page 4: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Global Book: Wieden+Kennedy (WK)Production

Page 5: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Production OOH and Print Campaign: Oregon Coast Aquarium (LKP)

Production included resizing and repurposing complex vector illustrations for print, collateral, billboards and a sticker sheet.

Page 6: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Print and Web Campaign: Benchmade (LKP)

Retouching, color correcting and production.

Page 7: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Print and Broadcast Campaign: Sundance Channel (JW)

Video capturing, retouching and production.

Page 8: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Production Outdoor and Print Campaign: Oregon Humane Society (LKP)

Layout and production for a multitude of executions.

Page 9: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Cityscape Mural and Book: CareerBuilder (WK)

Retouching and production of a 120-foot-wide mural and 20-foot-wide foldout booklet that challenged computer and human.

Page 10: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production OOH Campaign Photocomps: CareerBuilder (WK)

Retouching, color correcting and production.

Page 11: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Product Packaging: Friedrich (LKP)

Retouching and production for an air conditioner package laden with product details and rendered in 20+ iterations and three languages.

Page 12: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Print Campaign: Miller Genuine Draft (JW)

In addition to retouching and compositing, each ad’s typography was individually handcrafted through round after round of distressing

and manipulating printed and painted type.

Page 13: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Print Campaign: Miller Genuine Draft (JW)

Page 14: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Production Say Magazine: Amnesty International (JW)

Print production of a ‘90s publication with duotone type and imagery.

Page 15: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Production Portfolio book and DVD reel: Johnson+Wolverton (JW)

Video production included gathering and capturing assets and rendering the final DVD. Print production included building handmade books in-house.

Page 16: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Print and Broadcast Ads: World Picks (JW)

Helped shoot and capture footage and generate stills for the World Picks campaign. Each execution required photo retouching and color correction.

Page 17: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Annual Report: Friends Of The Children (WK)

Retouching and color correcting images and illustrations, as well as print production for offset printing.

Page 18: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Web Animations: Ivory (WK)

Built a 16-frame animation, which included type and photo retouching, and color correction.

Page 19: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

Production OOH Campaign: Starbucks (WK)

Resized and repurposed illustrations and layouts for placement in media across the US.

Page 20: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Photo Book: Angry White Men—McClaren (JW)

Print production required intensive manipulation and retouching of the text.

Page 21: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

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Production Tabloid Newsletter Publication: Northwest Film Center (JW)

Print production and retouching for a black and white, web press printed newsletter. The design is still used today.

Page 22: Alan Fosteralanfoster.com/afc_site_images/alanfoster-port100.pdf · 2015-04-11 · and image retouching, to building final executions across a range of media. Retouching 1 Production

thank you.

alan Foster

503 975-2823

[email protected]

www.alanfoster.com