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AL HUANG and SUZANNE PIERCE
with the UNIVERSITY DANCE THEATRE..
JOHN F. KENNEDY THEATRE
Choreography by AI Huang
Costume design by Suzanne Pierce
A Cloud Passed
Suzanne Pierce
PROGRAM
JULY 20. 21. 22. 1967
Adolf Brunner
Renee Bushnell. Sandra Johnson, Joan Kelly, Mary Ellen Madsen, Mimi Wisnosky,Diane Lam, Sylvia Nolan, Bonnie Oda, Sylvia Yamada
Cicada Song
AI Huang
Gaga u-Huang
Inspi.red by the metamorphosis of the 17-year locust. The life-like shell, shed by theCicada, remains silently crying long after its ephemeral life. The middle part of thescore is composed of natural cicada sound (no+ electronic).
New .and Curious School -of Theatrical Dancing*
Choreography by Carl WolzScenic Design by Edgardo De la CruzCostume Design by Lois Ginandes
&nst Krenek
I. Nancy Donaldson, Georgia Engel. Lois Ginandes, Jacqueline Kellet,Sabra K. McCracken. Becky Walker, Earlene Williams, Mimi Wisnosky
II. Joan Kelly, Lacey O'Neal
III. Carl Wolz
IV. Entire Cast
Conductor: Ernst KrenekViolin: Susan HeePiano: Hai-LuenCeleste: Mona SenPercussion: Robert DeMello, Gary Dunn, Donald Caneva, Glenn Nosse. RaymondShigeoka, William Steinohrt, Rodney Uyehara
* This is the name of a book on dance by Gregorio Lambranzi published at Nuremberg in 1716. The author writes in his preface to the book: "If this work is receivedwith favour, I shall give to the world further new and extraordinary creations toprove the extent of the knowledge I have acquired, and of which there is an abundance to impart to others."
INTERMISSION
Butterfly Dream
AI HuangHuang-Sussilo-Moor
The paradox of dream and reality. Chuang-tzu the Taoist philosopher frequentlydreamed that he was a butterfly. Troubled by his dreams, he sought enlightenmentfrom his master, Lao-tzu. The great man mused: "How do you know that at thismoment you are not a butterfly dreaming you are a man."
Dan eJions and Sunflow rs
Suz nne Pierce
O. Vaporous Heart!
I. Cry, want
AI Huang
II. Inner monologue
Suzanne Pierce
III. ush - p~rishabl
AI Huang and Suzan Pierc
Yin and Yang
AI Huang and Suzanne Pierce
INTERMISSION
Hans Haug
Jimmy Giuffre
Gr h m-Rhodes
Stefan Wolpe
C r Rhodes
The oriental cosmic symbols of the dual forces. liThe circle divided into the lightand dark, and above and below, a right and a left-the world of the opposites inceaseless alteration..... ("I Ching")
Yu Ko Chou Wen ChungScenic Design by Edgardo De la Cruz
Sylvia Nolan, Bonnie ada, Sylvia Yamada. Renee Bushnell. Joan Kelly, MaryEllen Madsen
Music adapted from "Yu Ko" for Ch';n by Mao Min-chung (c. 1280). "Yu Kolt means"Song of the Fisherman." The fisherman here is a symbol of the man who is in harmony with nature. The dance is inspired by the element of water-a symbolicfeminine mystique of the Orient, particularly that of the court harem and thegoddesses.
Sleep's a Shell, to Break and Spurn-GoetheAI Huang, Suzanne Pierce, Carl Wolz, Joan Kelly
Bruno Maderna
• " ~, '; .-: ',' 1, ,I ~ ~.' • .
~ . .... \.' J ~ •.
AL HUANG was born in China, spending most of his youth In th¢.' ~uraf C9u:~t;rYs·id.~:~ I
The beauty ,a'nd drama of nature, together 'with hi's' early exposur'e' 'to .' P.el<j'~g 6p~ra,,' "formed the basis of. his concept in theatre.' He received his B.A. in Ar~hitectl:Jral, D,esign at University of California-Los Angeles and M.A. in Choreography fro'm' Ben-'nington College. He has performed with Sammy Davis, Lotte Goslar, and was featured in the movie' I Flower Drum Song." He was soloist for three seas~ns at Ja~o.b'sPillow International Dance Festival and Choreographer for the Perry, Mansfietd ,The- "atre, Colorado, Bennington Concert Tour, Contemporary Dance, Inc., New _'York, andthe Lotte Goslar Show in Hollywood. He has been on the Dance Faculty at UCLAsince 1963 and was Guest Artist-Teacher at Rockford College (1963), at the Northwest Dance Symposium (1964, 1965) and at Wayne State University, (Sur1(mer, 19661.
&~ • I". ~;, .. ,;
SUZANNE PIERCE, wife of AI Huang, has been leading soloist with AI Huang Company since 1963. She ma jored in Dance and Drama at Boston Conservatory', J 'RockfordCollege and University of California-Los Angeles. Since then she has performed .with Lotte Goslar in Hollywood and at the Rockford Theatre Festival; she has" com- .pleted a dance role in the film "My Fair Lady." In 1962 she was Make-up Artist .~nd ';,Assistant, Costume Designer for the Yale University production 'of' Brecht's "Cau-' 'casian Chalk Circle," and has worked with make-up artist Vincent Kehoe, SMA, inNew York, and subsequently on her own in Connecticut, Illinois, and California. Shehas been Costume Designer and Make-up Consultant for AI Huang Dal'Jce Company .since 1963. '
AI and Suzanne made their duo-concert debut on a West-Coast Tour, Winter, 1965They toured the United States, Summer, 1966, including debut performances at theAmerican Dance Festival in New London, Connecticut, and the New York City DanceFestival. Last year, as Ford Foundation Research Scholars, they were studying in theareas of theatre movement, make-up, costumes in the Republic of China, finding asynthesis of the symbolic oriental theatre and the realistic Western theatre. f:'.s visiti~g
professor at the Drama-Dance Departments of the College of Chinese Cufture, Mr.Huang conducted seminars for dance teachers and professional dancers. He wasawarded a medal of hono from the Ministry of Education of the Republic of Chinafor his work and contribution in the field of dance education. The couple performedand toured Hongkong, Thailand, Malaysia l Singapore, Korea and Japan before returning to America, where they are Artists-in~residence at the University of Hawaiithis summer, choreographing and performing at the Festival of the Arts of ThisCentury.
Productio Staff
S age ~Aanager: Katharine Hartzell
Lighting Design: R. W. Ward
Sound: John Van der Slice
Costumes: Fujie Kajikawa, students of Drama 150, and the dancers
Publicity and Promotion: Gary Toyama, Takeo Miji
Dance photographs by Mr. Si-chi K'o will be on exhibit j'n the Kennedy Theatre Lob-by and at George Hall, July 16-23. ' '.