70
A Digital Anthology of Early Modern English Drama emed.folger.edu Discover over four hundred early modern English plays that were professionally performed in London between 1576 and 1642. Browse plays written by Shakespeare’s contemporaries; explore the repertoires of London’s professional companies; and download plays for reading and research. This documentary edition has been edited to provide an accurate and transparent transcription of a single copy of the earliest surviving print edition of this play. Further material, including editorial policy and XML files of the play, is available on the EMED website. EMED texts are edited and encoded by Meaghan Brown, Michael Poston, and Elizabeth Williamson, and build on work done by the EEBO-TCP and the Shakespeare His Contemporaries project. This project is funded by a Humanities Collections and Reference Resources grant from the NEH’s Division of Preservation and Access. Plays distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.

A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

  • Upload
    others

  • View
    13

  • Download
    0

Embed Size (px)

Citation preview

Page 1: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

A Digital Anthology of Early Modern English Drama

emed.folger.edu

Discover over four hundred early modern English plays that were professionally performed in London between 1576 and 1642. Browse plays written by Shakespeare’s contemporaries; explore the repertoires of London’s professional companies; and download plays for reading and research.

This documentary edition has been edited to provide an accurate and transparent transcription of a single copy of the earliest surviving print edition of this play. Further material, including editorial policy and XML files of the play, is available on the EMED website. EMED texts are edited and encoded by Meaghan Brown, Michael Poston, and Elizabeth Williamson, and build on work done by the EEBO-TCP and the Shakespeare His Contemporaries project. This project is funded by a Humanities Collections and Reference Resources grant from the NEH’s Division of Preservation and Access.

Plays distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Page 2: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

THERENEGADO,

A TRAGICOMEDY.

As it hath been often acted by theQueen’s Majesty’s servants, at

the private Playhouse inDrury Lane.

By PHILIP MASSINGER.

LONDON,Printed by A. M. for John Waterson,and are to be sold at the Crown in

Paul’s Churchyard. 1630.

Dramatis Personae.

TO THE RIGHT HONORABLE GEORGE HARDING,

Baron Barkley, of Barkley Castle,and Knight of the Honorable

Order of the BATH.

ASAMBEG, Viceroy of Tunis.MUSTAPHA, Bashaw of Aleppo.VITELLI, A Gentleman of

Venice disguised.FRANCISCO, A Jesuit.ANTONIO GRIMALDI the

Renegado.CARAZIE an Eunuch.GAZET servant to Vitelli.AGA.CAPIAGA.MASTER.BOATSWAIN,SAILORS.JAILOR.3. TURKS.

DONUSA, niece to AMURATH.PAULINA, Sister to Vitelli.MANTO, servant to Donusa.

img: 1­asig: [N/A]img: 1­bsig: A2rln 0001ln 0002ln 0003

ln 0004ln 0005ln 0006ln 0007

ln 0008

ln 0009ln 0010ln 0011ln 0012

img: 2­asig: A2vln 0001 The Actors’ names.

ln 0002 John Blanye.ln 0003 John Sumner.ln 0004ln 0005 Michael Bowier.ln 0006 William Reignalds.ln 0007ln 0008 William Allen.ln 0009 William Robins.ln 0010 Edward Shakerley.ln 0011ln 0012ln 0013ln 0014ln 0015ln 0016ln 0017

ln 0018 Edward Rogers.ln 0019 Theo. Bourne.ln 0020img: 2­bsig: A3rln 0001ln 0002ln 0003ln 0004ln 0005

Page 3: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Your Honor’s

Commanded Servant

PHILIP MASSINGER

To my Honored Friend, Master PHILIPMASSINGER, upon his RENEGADO.

My good Lord.

TO be Honored for old Nobility,or Hereditary Titles is not aloneproper to yourself, but to somefew of your rank, who may challenge the like privilege with you:but in our age to vouchsafe (as youhave often done) a ready hand to raise thedejected spirits of the contemned Sons ofthe Muses, Such as would not suffer the glorious fire of Poesy to be wholly extinguished, is so remarkable, and peculiar to yourLordship, that with a full vote, and suffrageit is acknowledged that the Patronage andProtection of the Dramatic Poem, isyours, and almost without a rival I despairnot therefore, but that my ambitionto present my service in this kind, may inyour clemency meet with a gentle interpretation. Confirm it my good Lord in

Your gracious acceptance of this trifle, inwhich if I were not confident there aresome pieces worthy the perusal, it shouldhave been taught an humbler flight, andthe writer (Your Countryman) neveryet made happy in your notice, and favor,had not made this an advocate to plead forhis admission among such as are wholly,and sincerely devoted to your service. I maylive to tender my humble thankfulness insome higher strain, and till then comfortmyself with hope, that you descend fromyour height to receive.

DAbblers in Poetry that only can,

ln 0006ln 0007ln 0008ln 0009ln 0010ln 0011ln 0012ln 0013ln 0014ln 0015ln 0016ln 0017ln 0018ln 0019ln 0020ln 0021ln 0022ln 0023ln 0024ln 0025

img: 3­asig: A3v

ln 0026ln 0027ln 0028ln 0029ln 0030ln 0031ln 0032ln 0033ln 0034ln 0035ln 0036ln 0037ln 0038

ln 0039

ln 0040

ln 0041

img: 3­bsig: A4rln 0001ln 0002

ln 0003

Page 4: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

JAMES SHIRLEY.

To his worthy Friend Master PHILIPMASSINGER, on his Play, Called

the RENEGADO.

Court this weak Lady, or that Gentleman,with some loose wit in rhyme;others that fright the time.Into belief with mighty words, that teara Passage through the ear;or Nicer men,That through a Perspective will see a Play,and use it the wrong way,(not worth thy Pen)Though all their Pride exalt ’em, cannot beCompetent Judges of thy Lines or thee.

I must confess I have no Public nameTo rescue judgement, no Poetic flameto dress thy Muse with Praise,and Phoebus his own Bays;Yet I commend this Poem, and dare tellthe World I liked it well,and if there beA tribe, who in their Wisdoms dare accuse,this offspring of thy Muse,let them agree,Conspire one Comedy, and they will say’Tis easier to Commend, than make a Play.

THE bosom of a friend cannot breathe forth

A flattering phrase to speak the noble Worth

Of him that hath lodged in his honest breast,

So large a title: I among the rest

That honor thee, do only seem to praise

Wanting the flowers of Art, to deck that Bays

Merit has crowned thy Temples with. Know friend

Though there are some who merely do commend

To live i’ th’ World’s opinion such as can

Censure with Judgment, no such piece of Man,

Makes up my spirit where desert does live,

There will I plant my wonder, and there give

My best endeavors, to build up his story

That truly Merits. I did ever glory

To behold Virtue rich, though cruel Fate

In scornful malice does beat low their state

That best deserve, when others that but know

Only to scribble, and no more, oft grow

Great in their favors, that would seem to be

Patrons of Wit, and modest Poesy:

ln 0004ln 0005ln 0006ln 0007ln 0008ln 0009ln 0010ln 0011ln 0012ln 0013ln 0014

ln 0015ln 0016ln 0017ln 0018ln 0019ln 0020ln 0021ln 0022ln 0023ln 0024ln 0025ln 0026

ln 0027img: 4­asig: A4vln 0001ln 0002ln 0003

ln 0004ln 0005ln 0006ln 0007ln 0008ln 0009ln 0010ln 0011ln 0012ln 0013ln 0014ln 0015ln 0016ln 0017ln 0018ln 0019ln 0020ln 0021ln 0022ln 0023

Page 5: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

DANIEL LAKYN.

THERENEGADO.

The Scene Tunis.

Actus primus. Scaena prima.

Enter Vitelli and Gazet.

Vitelli.

Yet with your abler Friends, let me say this

Many may strive to equal you, but miss

Of your fair scope, this work of yours men may

Throw in the face of envy, and then say

To those that are in Great­men’s thoughts more blessed,

Imitate this, And call that work your best.

Yet Wise­men, in this, and too often, err

When they their love before the work prefer,

If I should say more, some may blame me for ’t

Seeing your merits speak you, not report.

YOu have hired a Shop then?Gazet. Yes sir, and our wares

(Though brittle as a maidenhead at sixteen)Are safe unladen; not a Crystal cracked,Or China dish needs soldering; our choice PicturesAs they came from the workman, without blemish,And I have studied speeches for each Piece,And in a thrifty tone to sell ’em off;Will swear by Mahamet, and Termagant,That this is Mistress to the great Duke of Florence,That Niece to old King Pippin, and a thirdAn Austrian Princess by her Roman nose,Howe’er my conscience tells me they are figuresOf Bawds, and common Courtesans in Venice.

Vitelli You make no scruple of an oath then?Gazet Fie sir

’Tis out of my Indentures, I am bound thereTo swear for my Master’s profit as securelyAs your intelligencer must for his Prince,That sends him forth an honorable spy,To serve his purposes. And if it be lawful

ln 0024ln 0025ln 0026ln 0027ln 0028ln 0029ln 0030ln 0031ln 0032ln 0033

ln 0034img: 4­bsig: B1rwln 0001wln 0002

wln 0003

wln 0004

wln 0005

wln 0006wln 0007wln 0008wln 0009wln 0010wln 0011wln 0012wln 0013wln 0014wln 0015wln 0016wln 0017wln 0018wln 0019wln 0020wln 0021wln 0022

img: 5­asig: [N/A] [The opening A4v­B1r is duplicated in the EEBO image set.]img: 5­bsig: [N/A] [The opening A4v­B1r is duplicated in the EEBO image set.]img: 6­asig: B1v

wln 0023wln 0024wln 0025wln 0026wln 0027wln 0028wln 0029

Page 6: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

In a Christian shopkeeper to cheat his father,I cannot find but to abuse a TurkIn the sale of our commodities, must be thoughtA meritorious work.Vitelli I wonder sirrah

What’s your Religion?Gazet Troth to answer truly

I would not be of one that should command meTo feed upon poor John, when I see PheasantsAnd Partridges on the Table: nor do I likeThe other that allows us to eat fleshIn the Lent though it be rotten, rather than beThought superstitious, as your zealous Cobbler,And learned butcher Preach at AmsterdamOver a Hotchpotch. I would not be confinedIn my belief, when all your Sects, and sectariesAre grown of one opinion, if I like itI will profess myself, in the meantimeLive I in England, Spain, France, Rome, Geneva.I am of that Country’s faith,Vitelli And what in Tunis,

Will you turn Turk here?Gazet No! so I should lose

A Collop of that part my Doll enjoined meTo bring home as she left it; ’tis her venture,Nor dare I barter that commodityWithout her special warrant.Vitelli You are a Knave sir,

leaving your Roguery think upon my business,

It is no time to fool nowRemember where you are too! though this Mart time,We are allowed free trading, and with safety.Temper your tongue and meddle not with the Turks,Their manners, nor Religion.Gazet Take you heed sir

What colors you wear. Not two hours since there LandedAn English Pirate’s Whore with a green apron,And as she walked the streets, one of their MuftisWe call them Priests at Venice, with a RazorCuts it off Petticoat, Smock and all, and leaves herAs naked as my Nail: the young Fry wonderingWhat strange beast it should be. I ’scaped a scouringMy Mistress’ Busk­point, of that forbidden colorThen tied my codpiece, had it been discoveredI had been caponed.Vitelli And had been well served;

Haste to the Shop and set my Wares in orderI will not long be absent?

wln 0030wln 0031wln 0032wln 0033wln 0034wln 0035wln 0036wln 0037wln 0038wln 0039wln 0040wln 0041wln 0042wln 0043wln 0044wln 0045wln 0046wln 0047wln 0048wln 0049wln 0050wln 0051wln 0052wln 0053wln 0054wln 0055wln 0056wln 0057wln 0058

img: 6­bsig: B2r

wln 0059wln 0060wln 0061wln 0062wln 0063wln 0064wln 0065wln 0066wln 0067wln 0068wln 0069wln 0070wln 0071wln 0072wln 0073wln 0074wln 0075wln 0076wln 0077

Page 7: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Gazet.

Enter Francisco.

Gazet Though I strive sirTo put off Melancholy, to which, you are everToo much inclined, it shall not hinder meWith my best care to serve you

Vitelli I believe thee.O welcome sir, stay of my steps in this life,And guide to all my blessed hopes hereafter.What comforts sir? have your endeavors prospered?Have we tired Fortune’s malice with our sufferings?Is she at length after so many frownsPleased to vouchsafe one cheerful look upon us?Francisco You give too much to fortune, and your passions,

O’er which a wise man, if Religious, triumphs.That name fools worship, and those tyrants whichWe arm against our better part, our reason,May add, but never take from our afflictions:

Vitelli. Sir as I am a sinful man, I can notBut like one suffer.Francisco I exact not from you

A fortitude insensible of calamity,To which the Saints themselves have bowed and shownThey are made of flesh, and blood, all that I challengeIs manly patience. Will you that were trained upIn a Religious School, where divine maximsScorning comparison, with moral preceptsWere daily taught you, bear your constancy’s trialNot like Vitelli, but a Village nurseWith curses in your mouth: Tears in your eyes?How poorly it shows in you?Vitelli I am Schooled sir,

And will hereafter to my utmost strengthStudy to be myself.Francisco So shall you find me

Most ready to assist you; Neither have ISlept in your great occasions since I left youI have been at the Viceroy’s Court and pressedAs far as they allow a Christian entrance.And something I have learnt that may concernThe purpose of this journey.Vitelli Dear Sir what is it?Francisco By the command of Asambeg, the Viceroy:

The City swells with barbarous Pomp and PrideFor the entertainment of stout MustaphaThe Bashaw of Aleppo, who in personComes to receive the niece of AmurahThe fair Donusa for his bride.Vitelli I find not

wln 0078wln 0079wln 0080wln 0081wln 0082wln 0083wln 0084wln 0085wln 0086wln 0087wln 0088wln 0089wln 0090wln 0091wln 0092wln 0093wln 0094

img: 7­asig: B2v

wln 0095wln 0096wln 0097wln 0098wln 0099wln 0100wln 0101wln 0102wln 0103wln 0104wln 0105wln 0106wln 0107wln 0108wln 0109wln 0110wln 0111wln 0112wln 0113wln 0114wln 0115wln 0116wln 0117wln 0118wln 0119wln 0120wln 0121wln 0122wln 0123wln 0124wln 0125

Page 8: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

How this may profit us.Francisco Pray you give me leave.

Among the rest that wait upon the Viceroy,(Such as have under him command in Tunis.)Who as you have often heard are all false Pirates,

I saw the shame of Venice and the scornOf all good men: The perjured RenegadoAntonio Grimaldi;Vitelli Ha! his name

Is poison to me.Francisco Yet again?Vitelli I have done sir.Francisco This debauched villain: whom we ever thought,

(After his impious scorn done in Saint Mark’sTo me as I stood at the holy Altar)The thief that ravished your fair sister from you,The virtuous Paulina not long since,(As I am truly given to understand)Sold to the viceroy a fair Christian Virgin,On whom, maugre his fierce and cruel natureAsambeg dotes extremely.Vitelli ’Tis my sister

It must be she, my better Angel tells me’Tis poor Paulina. Farewell all disguisesI’ll show in my revenge that I am Noble.Francisco You are not mad?Vitelli No sir, my virtuous anger

Makes every vein an artery, I feel in meThe strength of twenty men, and being armedWith my good cause to wreak wronged innocenceI dare alone run to the viceroy’s CourtAnd with this Poniard before his face.Dig out Grimaldi’s heart.Francisco Is this Religious?Vitelli Would you have me tame now; Can I know

my sisterMewed up in his Seraglio, and in dangerNot alone to lose her honor, but her soul,The hell­bred Villain by too? that has sold bothTo black destruction, and not haste to send himTo the Devil his tutor? to be patient now,

Were in another name to play the PanderTo the Viceroy’s loose embraces, and cry aimWhile he by force, or flattery compels herTo yield her fair name up to his foul lust,

wln 0126wln 0127wln 0128wln 0129wln 0130

img: 7­bsig: B3r

wln 0131wln 0132wln 0133wln 0134wln 0135wln 0136wln 0137wln 0138wln 0139wln 0140wln 0141wln 0142wln 0143wln 0144wln 0145wln 0146wln 0147wln 0148wln 0149wln 0150wln 0151wln 0152wln 0153wln 0154wln 0155wln 0156wln 0157wln 0158wln 0159wln 0160wln 0161wln 0162wln 0163wln 0164wln 0165wln 0166

img: 8­asig: B3v

wln 0167wln 0168wln 0169wln 0170

Page 9: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus primus. Scaena secunda.

Enter Donusa. Manto. Carazie.

And after turn Apostata to the faithThat she was bred in.Francisco Do but give me hearing.

And you shall soon grant how ridiculousThis childish fury is. A wise man neverAttempts impossibilities; ’tis as easyFor any single arm to quell an Army.As to effect your wishes; we come hitherTo learn Paulina’s faith, and to redeem her,(Leave your revenge to heaven) I oft have told youOf a Relic that I gave her, which has power(If we may credit holy men’s traditions)To keep the owner free from violence:This on her breast she wears, and does preserveThe virtue of it by her daily prayers.So if she fall not by her own consentWhich it were sin to think: I fear no force.Be therefore patient, keep this borrowed shapeTill time and opportunity present usWith some fit means to see her, which performed,I’ll join with you in any desperate courseFor her delivery.Vitelli You have Charmed me sir

And I obey in all things; Pray you pardonThe weakness of my passion.Francisco And excuse it.

Be cheerful man for know that good intentsAre in the end Crowned with as fair events.

Donusa. Have you seen the Christian Captive,The great Bashaw is so enamored of?Manto. Yes an ’t please your Excellency

I took a full view of her, when she wasPresented to him.Donusa And is she such a wonder

As ’tis reported?Manto She was drowned in tears then,

Which took much from her beauty, yet in spiteOf sorrow, she appeared the Mistress ofMost rare perfections; and though low of stature,Her well proportioned limbs invite affection;And when she speaks, each syllable is musicThat does enchant the hearers. But your Highness

wln 0171wln 0172wln 0173wln 0174wln 0175wln 0176wln 0177wln 0178wln 0179wln 0180wln 0181wln 0182wln 0183wln 0184wln 0185wln 0186wln 0187wln 0188wln 0189wln 0190wln 0191wln 0192wln 0193wln 0194wln 0195wln 0196wln 0197wln 0198wln 0199

img: 8­bsig: B4r

wln 0200

wln 0201

wln 0202wln 0203wln 0204wln 0205wln 0206wln 0207wln 0208wln 0209wln 0210wln 0211wln 0212wln 0213wln 0214wln 0215

Page 10: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

a Galliard.

That are not to be paralleled, I yet neverBeheld her equal.Donusa. Come you flatter me,

But I forgive it, we that are born greatSeldom distaste our servants, though they give usMore than we can pretend too. I have heardThat Christian Ladies live with much more freedomThan such as are born here. Our jealous TurksNever permit their fair wives to be seenBut at the public Bagnios, or the MosquesAnd even then veiled, and guarded. Thou CarazieWert born in England, what’s the custom thereAmong your women? Come be free and merryI am no severe Mistress, nor hast thou met withA heavy bondage.Carazie Heavy? I was made lighter

By two stone weight at least to be fit to serve you.

But to your question Madam, women in EnglandFor the most part live like Queens. Your Country LadiesHave liberty to hawk, to hunt, to feast:To give free entertainment to all comers,To talk, to kiss, there’s no such thing known thereAs an Italian girdle. Your City DameWithout leave wears the breeches, has her husbandAt as much command as her Prentice, and if need beCan make him Cuckold by her Father’s Copy.Donusa. But your court Lady?Carazie She, I assure you Madam,

Knows nothing but her will, must be allowedHer Footmen, her Caroche, her Ushers, her Pages,Her Doctor, Chaplains, and as I have heardThey are grown of late so learned that they maintainA strange Position, which their Lords with allTheir wit cannot confute.Donusa. What’s that I prithee?Carazie Marry that it is not only fit but lawful,

Your Madam there, her much rest, and high feedingDuly considered, should to ease her husbandBe allowed a private friend. They have drawn a BillTo this good purpose, and the next assemblyDoubt not to pass it.Donusa We enjoy no more

That are of the Ottoman race, though our ReligionAllows all pleasure. I am dull, some MusicTake my Chapines off. So, a lusty strainWho knocks there?Manto ’Tis the Bashaw of Aleppo

Who humbly makes request he may present

wln 0216wln 0217wln 0218wln 0219wln 0220wln 0221wln 0222wln 0223wln 0224wln 0225wln 0226wln 0227wln 0228wln 0229wln 0230wln 0231wln 0232

img: 9­asig: B4v

wln 0233wln 0234wln 0235wln 0236wln 0237wln 0238wln 0239wln 0240wln 0241wln 0242wln 0243wln 0244wln 0245wln 0246wln 0247wln 0248wln 0249wln 0250wln 0251wln 0252wln 0253wln 0254wln 0255wln 0256wln 0257wln 0258wln 0259wln 0260wln 0261wln 0262wln 0263

Page 11: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Mustapha, puts off his yellow Pantofles.

Delivers a letter.

His service to you.Donusa Reach a chair. We must

Receive him like ourself, and not depart withOne piece of Ceremony, State, and greatnessThat may beget respect, and reverence

In one that’s born our Vassal. Now admit him:

Mustapha The place is sacred, and I am to EnterThe room where she abides, with such devotionAs Pilgrims pay at Mecca, when they visitThe Tomb of our great Prophet.Donusa Rise, the sign

That we vouchsafe his presence.Mustapha May those Powers

That raised the Ottoman Empire, and still guard it,Reward your Highness for this gracious favorYou throw upon your servant. It hath pleasedThe most invincible, mightiest Amurath(To speak his other titles would take from him)That in himself does comprehend all greatness,To make me the unworthy instrumentOf his command. Receive divinest LadyThis letter signed by his victorious hand,And made Authentic by the imperial Seal.There when you find me mentioned, far be it from youTo think it my ambition to presumeAt such a happiness, which his powerful willFrom his great mind’s magnificence, not my meritHath showered upon me. But if your consentJoin with his good opinion and allowanceTo perfect what his favors have begun,I shall in my obsequiousness and dutyEndeavor to prevent all just complaints,Which want of will to serve you, may call on me.Donusa His sacred Majesty writes here that your valor

Against the Persian hath so won upon himThat there’s no grace, or honor in his giftOf which he can imagine you unworthy.And what’s the greatest you can hope, or aim at,It is his pleasure you should be receivedInto his Royal Family, Provided

For so far I am unconfined, that IAffect and like your person. I expect notThe Ceremony which he uses inBestowing of his Daughters, and his nieces.

wln 0264wln 0265wln 0266wln 0267wln 0268

img: 9­bsig: C1r

wln 0269wln 0270wln 0271wln 0272wln 0273wln 0274wln 0275 The Eunuch takes up

the Pantofles.wln 0276wln 0277wln 0278wln 0279wln 0280wln 0281wln 0282wln 0283wln 0284wln 0285wln 0286wln 0287wln 0288wln 0289wln 0290wln 0291wln 0292wln 0293wln 0294wln 0295wln 0296wln 0297wln 0298wln 0299wln 0300wln 0301wln 0302wln 0303wln 0304

img: 10­asig: C1v

wln 0305wln 0306wln 0307wln 0308

Page 12: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus primus. Scaena tertia.

A shop discovered, Gazet in it.

Francisco, and Vitelli, walking by.

As that he should present you for my slave,To love you, if you pleased me: or deliverA Poniard on my least dislike to kill you.Such tyranny and pride agree not withMy softer disposition. Let it sufficeFor my first answer, that thus far I grace you.Hereafter some time spent to make inquireOf the good parts, and faculties of your mindYou shall hear further from me.Mustapha Though all torments

Really suffered, or in hell imaginedBy curious fiction, in one hour’s delayAre wholly comprehended: I confessThat I stand bound in duty, not to check atWhatever you command, or please to imposeFor trial of my patience.Donusa Let us find

Some other subject, too much of one Theme cloys me:Is ’t a full Mart:Mustapha A confluence of all nations

Are met together? There’s variety tooOf all that Merchant’s traffic for.Donusa I know not.

I feel a Virgin’s longing to descendSo far from mine own greatness, as to beThough not a buyer, yet a looker onTheir strange commodities.Mustapha If without a train

You dare be seen abroad? I’ll dismiss mine.And wait upon you as a common man,And satisfy your wishes.Donusa I embrace it.

Provide my veil; and at the Postern Gate

Convey us out unseen: I trouble you.Mustapha It is my happiness you deign to command me.

Gazet What do you lack, your choice China dishes,your pure Venetian Crystal, of all sorts, of all neat andnew fashions, from the mirror of the madam, to the privateutensil of her chambermaid, and curious Pictures ofthe rarest beauties of Europa: what do you lack

wln 0309wln 0310wln 0311wln 0312wln 0313wln 0314 Gives him

her hand to

kiss

wln 0315wln 0316wln 0317wln 0318wln 0319wln 0320wln 0321wln 0322wln 0323wln 0324wln 0325wln 0326wln 0327wln 0328wln 0329wln 0330wln 0331wln 0332wln 0333wln 0334wln 0335wln 0336wln 0337wln 0338wln 0339wln 0340wln 0341

img: 10­bsig: C2r

wln 0342wln 0343wln 0344

wln 0345

wln 0346

wln 0347

wln 0348wln 0349wln 0350wln 0351wln 0352

Page 13: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Francisco.

Enter Grimaldi, Master, Boatswain, Sailors, Turks.

Gentlemen?Francisco Take heed I say, howe’er it may appear

Impertinent, I must express my love:My advice, and counsel. You are youngAnd may be tempted, and these Turkish DamesLike English mastiffs that increase their fiercenessBy being chained up, from the restraint of freedomIf lust once fire their blood from a fair objectWill run a course the fiends themselves would shake atTo enjoy their wanton ends.Vitelli Sir, you mistake me

I am too full of woe, to entertainOne thought of pleasure: though all Europe’s QueensKneeled at my feet, and Courted me: much lessTo mix with such; Whose difference of faithMust of necessity: (or I must grantMyself forgetful of all you have taught me)Strangle such base desires.Francisco Be constant in

That resolution, I’ll abroad again,And learn as far as it is possible

What may concern Paulina? Some two hoursShall bring me back.Vitelli All blessings wait upon you.Gazet Cold doings, Sir, a Mart do you call this? ’Slight

A pudding wife, or a Witch with a thrum CapThat sells Ale under ground to such as comeTo know their Fortunes, in a dead VacationHave ten to one more stirring.Vitelli We must be patientGazet Your seller by retail ought to be angry

But when he’s fingering money.

Vitelli Here are company;Defend me my good Angel, I beholdA Basilisk!Gazet What do you lack? what do you lack? pure

China dishes, clear Crystal glasses, a dumb Mistress tomake love to? What do you lack gentlemen?Grimaldi Thy Mother for a Bawd, or if thou hast

A handsome one thy sister for a Whore,Without these do not tell me of your trashOr I shall spoil your Market.Vitelli — Old Grimaldi?Grimaldi Zounds wherefore do we put to Sea, or stand

The Raging winds aloft, or piss uponThe Foamy waves when they rage most? derideThe thunder of the enemy’s shot, board boldly

wln 0353wln 0354wln 0355wln 0356wln 0357wln 0358wln 0359wln 0360wln 0361wln 0362wln 0363wln 0364wln 0365wln 0366wln 0367wln 0368wln 0369wln 0370wln 0371wln 0372wln 0373

img: 11­asig: C2v

wln 0374wln 0375wln 0376wln 0377wln 0378wln 0379wln 0380wln 0381wln 0382wln 0383wln 0384wln 0385wln 0386wln 0387wln 0388wln 0389wln 0390wln 0391wln 0392wln 0393wln 0394wln 0395wln 0396wln 0397wln 0398wln 0399wln 0400

Page 14: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

A Merchant’s ship for prize, though we beholdThe desperate Gunner ready to give fireAnd blow the deck up? Wherefore shake we offThose scrupulous rags of charity, and conscience,Invented only to keep Churchmen warm,Or feed the hungry months of famished beggars;But when we touch the shore to wallow inAll sensual pleasures.Master. Ay but Noble Captain

To spare a little for an after clapWere not improvidence.Grimaldi Hang consideration:

When this is spent is not our ship the same?Our courage too the same to fetch in more?The earth where it is fertilest returns notMore than three harvests, whilst the glorious SunPosts through the Zodiac, and makes up the year:But the Sea, which is our Mother, (that embracethBoth the rich Indies in her outstretched arms)Yields every day a crop if we dare reap it.No, no my Mates, let Tradesmen think of thrift,And Usurers hoard up, let our expenseBe as our comings in are without bounds:We are the Neptunes of the Ocean,And such as traffic, shall pay sacrificeOf their best lading; I’ll have this CanvasYour boy wears lined with Tissue, and the catesYou taste, served up in gold; though we carouseThe tears of Orphans in our Greekish wines,The sighs of undone Widows, paying forThe music bought to cheer us; ravished VirginsTo slavery sold for Coin to feed our riots,We will have no compunction.Gazet Do you hear sir,

We have paid for our Ground?Grimaldi Hum.Gazet And hum too,

For all your big words, get you further off,And hinder not the prospect of our shopOr —Grimaldi What will you do?Gazet Nothing sir, but pray

Your worship to give me handsel.Grimaldi By the ears,

Thus sir, by the ears.Master. Hold, hold.

wln 0401wln 0402wln 0403wln 0404wln 0405wln 0406wln 0407wln 0408wln 0409

img: 11­bsig: C3r

wln 0410wln 0411wln 0412wln 0413wln 0414wln 0415wln 0416wln 0417wln 0418wln 0419wln 0420wln 0421wln 0422wln 0423wln 0424wln 0425wln 0426wln 0427wln 0428wln 0429wln 0430wln 0431wln 0432wln 0433wln 0434wln 0435wln 0436wln 0437wln 0438wln 0439wln 0440wln 0441wln 0442wln 0443wln 0444wln 0445wln 0446

img: 12­asig: C3v

Page 15: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Grimaldi.

Exeunt Master, Boatswain, Sailors.

Enter Mustapha, Donusa, veiled.

Vitelli You’ll still be prating.Grimaldi Come let’s be drunk? then each man to his whore,

’Slight how do you look, you had best go find a CornerTo pray in, and repent. Do, do, and cryIt will show fine in Pirates.Master. We must follow

Or he will spend our shares;Boatswain. I fought for mine.Master. Nor am I so precise but I can drab too:

We will not sit out for our parts,Boatswain Agreed.Gazet The devil gnaw off his fingers, if he were

In London among the clubs, up went his heelsFor striking of a Prentice. What do you lack,What do you lack gentlemen.1 Turk. I wonder how the Viceroy can endure

The insolence of this fellow.2 Turk. He receives profit

From the Prizes he brings in, and that excusesWhatever he commits? Ha, what are these!

1 Turk They seem of rank and quality, observe ’em.Gazet What do you lack! see what you please to buy,

Wares of all sorts most honorable Madonna.Vitelli Peace sirrah, make no noise, these are not people

To be jested with.Donusa Is this the Christians’ custom

In the venting their commodities.Mustapha Yes best Madam

But you may please to keep your way, here’s nothing,But toys, and trifles, not worth your observing.Donusa Yes, for variety’s sake pray you show us, friends,

The chiefest of your Wares.Vitelli Your Ladyship’s servant;

And if in worth or Title you are more,My ignorance plead my pardon.

Donusa. He speaks well.Vitelli Take down the looking glass: here is a mirror

Steeled so exactly, neither taking fromNor flattering the object, it returnsTo the beholder, that Narcissus might(And never grow enamored of himself:)View his fair feature in ’t.Donusa. Poetical too!Vitelli Here China dishes to serve in a Banquet,

Though the voluptuous Persian sat a guest.

wln 0447wln 0448wln 0449wln 0450wln 0451wln 0452wln 0453wln 0454wln 0455wln 0456wln 0457wln 0458wln 0459wln 0460wln 0461wln 0462wln 0463wln 0464wln 0465wln 0466

wln 0467wln 0468wln 0469wln 0470wln 0471wln 0472wln 0473wln 0474wln 0475wln 0476wln 0477wln 0478wln 0479wln 0480wln 0481wln 0482

img: 12­bsig: C4r

wln 0483wln 0484wln 0485wln 0486wln 0487wln 0488wln 0489wln 0490wln 0491wln 0492

Page 16: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Unveils herself.

Exit Vitelli.

Breaks the glasses.

Here Crystal glasses, such as GanymedeDid fill with Nectar to the ThundererWhen he drank to Alcides, and received himIn the fellowship of the gods: true to the owners.Corinthian plate studded with Diamonds,Concealed oft deadly poison; This pure metalSo innocent is, and faithful to the MistressOr Master that possesses it: that ratherThan hold one drop that’s venomous, of itselfIt flies in pieces, and deludes the Traitor.Donusa How movingly could this fellow treat upon

A worthy subject, that finds such discourseTo grace a trifle!Vitelli Here’s a Picture Madame

The masterpiece of Michael Angelo,Our great Italian workman; here’s anotherSo perfect at all parts that had PygmalionSeen this, his prayers had been made to Venus,To have given it life, and his Carved ivory ImageBy poets ne’er remembered. They are indeedThe rarest beauties of the Christian worldAnd nowhere to be equalled.Donusa You are partial

In the cause of those you favor I believe,I instantly could show you one, to theirsNot much inferior.Vitelli With your pardon Madam

I am incredulous.

Donusa Can you match me this!Vitelli. What wonder look I on! I’ll search above

And suddenly attend you.Donusa Are you amazed

I’ll bring you to yourself.Mustapha Ha! what’s the matter!Gazet My master’s ware? We are undone! O strange!

A Lady to turn roarer, and break glasses’Tis time to shut up shop then.Mustapha You seem moved.

If any Language of these Christian dogsHave called your anger on, in a frown show itAnd they are dead already.Donusa. The offense

Looks not so far. The foolish paltry fellowShowed me some trifles, and demanded of meFor what I valued at so many aspers,A thousand Ducats. I confess he moved me;Yet I should wrong myself should such a beggarReceive least loss from me.

wln 0493wln 0494wln 0495wln 0496wln 0497wln 0498wln 0499wln 0500wln 0501wln 0502wln 0503wln 0504wln 0505wln 0506wln 0507wln 0508wln 0509wln 0510wln 0511wln 0512wln 0513wln 0514wln 0515wln 0516wln 0517wln 0518wln 0519wln 0520

img: 13­asig: C4v

wln 0521wln 0522wln 0523wln 0524wln 0525wln 0526wln 0527wln 0528wln 0529wln 0530wln 0531wln 0532wln 0533wln 0534wln 0535wln 0536wln 0537wln 0538wln 0539wln 0540

Page 17: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt Mustapha, Donusa, two Turks.

The end of the first act.

Actus Secundus Scaena prima.

Enter Carazie, Manto.

Mustapha Is it no more?Donusa No, I assure you. Bid him bring his bill

Tomorrow to the Palace and inquireFor one Donusa:That word gives him passage through all the guard;Say there he shall receive full satisfaction.Now when you pleaseMustapha I wait you.1 Turk. We must not know them, let’s shift off and vanish.Gazet The Swine’s Pox overtake you, there’s a curse

For a Turk that eats no Hog’s flesh.Vitelli Is she gone:Gazet. Yes you may see her handiwork.Vitelli No matter.

Said she aught else?Gazet That you should wait upon her

And there receive Court payment, and to pass

The guards, she bids you only say you comeTo one Donusa.Vitelli How! remove the wares

Do it without reply. The Sultan’s niece!I have heard among the Turks for any LadyTo show her face bare, argues love, or speaksHer deadly hatred. What should I fear, my fortuneIs sunk so low: there cannot fall upon meAught worth my shunning. I will run the hazard:She may be a means to free distressed Paulina.Or if offended, at the worst, to dieIs a full period to calamity.

Carazie In the name of wonder! Manto, what hath my LadyDone with herself since yesterday.Manto. I know not.

Malicious men report we are all guidedIn our affections by a wandering Planet?But such a sudden change in such a person,May stand for an example to confirmTheir false assertion.Carazie She’s now pettish, froward,

Music, discourse, observance tedious to her.Manto. She slept not the last night: and yet prevented

The rising Sun in being up before him.Called for a costly Bath, then willed the rooms

wln 0541wln 0542wln 0543wln 0544wln 0545wln 0546wln 0547wln 0548wln 0549wln 0550wln 0551wln 0552wln 0553wln 0554wln 0555wln 0556wln 0557

img: 13­bsig: D1r

wln 0558wln 0559wln 0560wln 0561wln 0562wln 0563wln 0564wln 0565wln 0566wln 0567wln 0568wln 0569wln 0570

wln 0571

wln 0572wln 0573wln 0574wln 0575wln 0576wln 0577wln 0578wln 0579wln 0580wln 0581wln 0582wln 0583wln 0584wln 0585

Page 18: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Donusa.

Should be perfumed; Ransacked her CabinetsFor her choice, and richest Jewels: and appears nowLike Cynthia in full glory, waited onBy the fairest of the Stars.Carazie Can you guess the reason,

Why the Aga of the Janissaries, and heThat guards the entrance of the inmost portWere called before her.Manto. They are both her creatures,

And by her grace preferred, but I am ignorantTo what purpose they were sent for.

Carazie Here she comes.Full of sad thoughts: we must stand further off.What a frown was that!Manto. Forbear.Carazie I pity her.Donusa What Magic hath transformed me from myself?

Where is my Virgin pride? How have I lostMy boasted freedom? what new fire burns upMy scorched entrails. What unknown desiresInvade, and take possession of my soul;All virtuous objects vanished? Have I stoodThe shock of fierce temptations, stopped mine earsAgainst all Siren notes lust ever sung,To draw my bark of chastity (that with wonderHath kept, a constant, and an honored course.)Into the gulf of a deserved ill fame?Now fall unpitied? And in a momentWith mine own hands dig up a grave to buryThe monumental heap of all my years,Employed in Noble actions? O my fate!But there is no resisting. I obey theeImperious god of love, and willinglyPut mine own Fetters on, to grace thy triumph;’Twere therefore more than cruelty in theeTo use me like a tyrant. What poor meansMust I make use of now? And flatter such,To whom; till I betrayed my liberty,One gracious look of mine, would have erectedAn altar to my service. How now Manto?

My ever­careful woman, and CarazieThou hast been faithful too.Carazie I dare not call

wln 0586wln 0587wln 0588wln 0589wln 0590

img: 14­asig: D1v

wln 0591wln 0592wln 0593wln 0594wln 0595wln 0596

wln 0597wln 0598wln 0599wln 0600wln 0601wln 0602wln 0603wln 0604wln 0605wln 0606wln 0607wln 0608wln 0609wln 0610wln 0611wln 0612wln 0613wln 0614wln 0615wln 0616wln 0617wln 0618wln 0619wln 0620wln 0621wln 0622wln 0623wln 0624wln 0625wln 0626

img: 14­bsig: D2r

wln 0627wln 0628wln 0629

Page 19: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Whispers, and uses vehement actions.

Exeunt Carazie, Manto.

Exit Donusa.

Actus Secundus, Scaena Secunda.

Enter Aga, Capiaga, Janissaries.

My life mine own since it is yours, but gladlyWill part with it: when e’er you shall command me,And think I fall a Martyr, so my deathMay give life to your pleasures.Manto. But vouchsafe

To let me understand what you desireShould be effected: I will undertake itAnd curse myself for Cowardice if I pausedTo ask a reason why.Donusa I am comforted,

In the tender of your service, but shall beConfirmed in my full joys, in the performanceYet trust me: I will not impose upon youBut what you stand engaged for, to a Mistress,(Such as I have been to you.) All I askIs faith, and secrecy.Carazie Say but you doubt me,

And to secure you I’ll cut out my tongueI am libbed in the breech already.Manto. Do not hinder

Yourself by these delays.Donusa. Thus then I Whisper

Mine own shame to you. — O that I should blushTo speak what I so much desire to do!And further —Manto. Is this all.Donusa. Think it not base

Although I know the office undergoesA course construction.Carazie Course? ’tis but procuring

A smock employment, which has made more Knights,In a Country I could name, than twenty yearsOf service in the field.

Donusa You have my ends.Manto. Which say you have arrived at, be not wanting

To yourself, and fear not us.Carazie I know my burden

I’ll bear it with delight,Manto. Talk not, but do.Donusa O Love what poor shifts thou dost force us to!

Aga. She was ever our good Mistress, and our maker,And should we check at a little hazard for her,We were unthankful.

wln 0630wln 0631wln 0632wln 0633wln 0634wln 0635wln 0636wln 0637wln 0638wln 0639wln 0640wln 0641wln 0642wln 0643wln 0644wln 0645wln 0646wln 0647wln 0648wln 0649wln 0650wln 0651wln 0652wln 0653wln 0654wln 0655wln 0656wln 0657wln 0658wln 0659wln 0660wln 0661wln 0662

img: 15­asig: D2v

wln 0663wln 0664wln 0665wln 0666wln 0667wln 0668wln 0669wln 0670

wln 0671

wln 0672wln 0673wln 0674wln 0675

Page 20: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Vitelli.

Exeunt Aga, and Janissaries

Exit Vitelli, Capiaga.

Actus Secundus Scaena tertia.

Enter Carazie, Manto.

Enter Vitelli.

Exeunt.

Capiaga. I dare pawn my head,’Tis some disguised Minion of the Court,Sent from great Amurath, to learn from herThe Viceroy’s actions.Aga. That concerns not us:

His fall may be our rise, whate’er he beHe passes through my guards.Capiaga And mine, provided

He give the word.

Vitelli To faint now being thus far,Would argue me of Cowardice.Aga. Stand: the word.

Or being a Christian to press thus far,Forfeits thy life.Vitelli. Donusa.Aga. Pass in peace.Vitelli What a privilege her name bears.

’Tis wonderous strange!

(The Captain of the Janissaries,) If the great OfficerThe guardian of the inner port deny not.Capiaga Thy warrant: Speak,

Or thou art dead.Vitelli Donusa.Capiaga. That protects thee, without fear, Enter.

So: discharge the watch.

Carazie Though he hath passed the Aga, and chief PorterThis cannot be the man.Manto. By her description I am sure it is.Carazie O women, women!

What are you? a great Lady dote uponA Haberdasher of small wares!Manto. Pish, thou hast none.Carazie No, if I had I might have served the turn:

This ’tis to want munition when a manShould make a breach and Enter.Manto. Sir, you are welcome:

Think what ’tis to be happy and possess it.Carazie Perfume the Rooms there, and make way.

Let Music with choice notes entertain the man,The Princess now purposes to honor.Vitelli I am ravished:

wln 0676wln 0677wln 0678wln 0679wln 0680wln 0681wln 0682wln 0683wln 0684

wln 0685wln 0686wln 0687wln 0688wln 0689wln 0690wln 0691wln 0692wln 0693wln 0694

img: 15­bsig: D3r

wln 0695wln 0696wln 0697wln 0698wln 0699wln 0700wln 0701

wln 0702

wln 0703wln 0704wln 0705wln 0706wln 0707wln 0708wln 0709wln 0710wln 0711wln 0712wln 0713wln 0714wln 0715wln 0716wln 0717wln 0718wln 0719

Page 21: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Actus Secundus Scaena Quarta.

A Table set forth, Jewels and Bags upon it: loud Music

Enter Donusa, takes a chair, to her Carazie, Vitelli, Manto.

Song.

Stands amazed.

kneels.

Donusa, Sing o’er the Ditty, that I last composed

Upon my Lovesick passion’s suit, your VoiceTo the Music that’s placed yonder, we shall hear youWith more delight and pleasure.Carazie I obey you.Vitelli Is not this Tempe, or the blessed shades,

Where innocent Spirits reside? Or do I dream,And this a heavenly vision? HowsoeverIt is a sight too glorious to beholdFor such a wretch as I am.Carazie He is daunted.Manto Speak to him Madam, cheer him up, or you

Destroy what you have builded.Carazie Would I were furnished

With his artillery, and if I stoodGaping as he does, hang me.Vitelli That I might ever dream thus.Donusa Banish amazement,

You, wake; your debtor tells you so, your debtor,And to assure you that I am a substanceAnd no aerial figure, thus I raise you.Why do you shake? My soft touch brings no Ague,No biting frost is in this palm: Nor areMy looks like to the Gorgon’s head, that turnMen into Statues, rather they have power(Or I have been abused) where they bestowTheir influence (let me prove it truth in you)To give to dead men motion.Vitelli Can this be?

May I believe my senses? Dare I thinkI have a memory? Or that you areThat excellent creature, that of late disdained notTo look on my poor trifles.Donusa I am she.Vitelli The owner of that blessed name Donusa,

Which like a potent charm, although pronouncedBy my profane, but much unworthier tongue,

Hath brought me safe to this forbidden place,Where Christian yet ne’er trod.Donusa I am the same.Vitelli And to what end, great Lady pardon me,

wln 0720

wln 0721wln 0722wln 0723

img: 16­asig: D3v

wln 0724wln 0725wln 0726wln 0727wln 0728wln 0729wln 0730wln 0731wln 0732wln 0733wln 0734wln 0735wln 0736wln 0737wln 0738wln 0739wln 0740wln 0741wln 0742wln 0743wln 0744wln 0745wln 0746wln 0747wln 0748wln 0749wln 0750wln 0751wln 0752wln 0753wln 0754wln 0755wln 0756wln 0757wln 0758wln 0759

img: 16­bsig: D4r

wln 0760wln 0761wln 0762wln 0763

Page 22: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

That I presume to ask, did your commandCommand me hither? or what am I? to whomYou should vouchsafe your favors; nay, your angers?If any wild or uncollected speechOffensively delivered, or my doubtOf your unknown perfections, have displeased you,You wrong your indignation, to pronounceYourself my sentence: to have seen you only,And to have touched that fortune­making hand,Will with delight weigh down all tortures, thatA flinty hangman’s rage could execute,Or rigid tyranny command with pleasure.Donusa How the abundance of good flowing to thee,

Is wronged in this simplicity: and these bountiesWhich all our Eastern Kings have kneeled in vain for,Do by thy ignorance, or wilful fear,Meet with a false construction. Christian, know(For till thou art mine by a nearer name,That title though abhorred here, takes not fromThy entertainment) that ’tis not the fashionAmong the greatest and the fairest Dames,This Turkish Empire gladly owes, and bows to:To punish where there’s no offense, or nourishDispleasures against those, without whose mercyThey part with all felicity. Prithee be wise,And gently understand me; Do not force herThat ne’er knew aught but to command, not e’er readThe elements of affection, but from suchAs gladly sued to her, in the infancyOf her new born desires, to be at onceImportunate, and immodest.Vitelli Did I know.

Great Lady your commands, or to what purposeThis personated passion tends, (since ’twereA crime in me deserving death, to thinkIt is your own: I should to make you sportTake any shape you please to impose upon me:And with joy strive to serve you.Donusa Sport? thou art cruel,

If that thou canst interpret my descent,From my high birth and greatness? But to beA part in which I truly act myself.And I must hold thee for a dull spectatorIf it stir not affection, and inviteCompassion for my sufferings. Be thou taughtBy my example, to make satisfactionFor wrongs unjustly offered. WillinglyI do confess my fault; I injured thee

wln 0764wln 0765wln 0766wln 0767wln 0768wln 0769wln 0770wln 0771wln 0772wln 0773wln 0774wln 0775wln 0776wln 0777wln 0778wln 0779wln 0780wln 0781wln 0782wln 0783wln 0784wln 0785wln 0786wln 0787wln 0788wln 0789wln 0790wln 0791wln 0792wln 0793wln 0794wln 0795

img: 17­asig: D4v

wln 0796wln 0797wln 0798wln 0799wln 0800wln 0801wln 0802wln 0803wln 0804wln 0805wln 0806wln 0807wln 0808wln 0809wln 0810wln 0811

Page 23: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

In some poor petty trifles; Thus I pay forThe trespass I did to thee. Here receiveThese bags stuffed full of our imperial coin,Or if this payment be too light, take hereThese Gems for which the slavish Indian divesTo the bottom of the Main? Or if thou scornThese as base dross (which take but common minds)But fancy any honor in my gift(Which is unbounded as the Sultan’s Power)And be possessed of ’t.Vitelli I am overwhelmed:

With the weight of happiness you throw upon me.Nor can it fall in my imagination,What wrong I e’er have done you: and much lessHow like a Royal Merchant to returnYour great magnificence.Donusa They are degrees,

Not ends of my intended favors to thee.These seeds of bounty I yet scatter onA glebe I have not tried, but be thou thankfulThe harvest is to come.

Vitelli What can be addedTo that which I already have received,I cannot comprehend.Donusa. The tender of

Myself. Why dost thou start! and in that gift,Full restitution of that Virgin freedomWhich thou hast robbed me of. Yet I professI so far prize the lovely thief that stole it,That were it possible thou could’st restoreWhat thou unwittingly hast ravished from me,I should refuse the present.Vitelli. How I shake

In my constant resolution! and my fleshRebellious to my better part now tells me,As if it were a strong defense of frailty.A Hermit in a desert trenched with prayersCould not resist this battery.Donusa Thou an Italian?

Nay more I know ’t, a natural Venetian,Such as are Courtiers born to please fair Ladies,Yet come thus slowly on?Vitelli Excuse me Madam,

What imputation soe’er the worldIs pleased to lay upon us: in myselfI am so innocent that I know not what ’tisThat I should offer.Donusa. By instinct I’ll teach thee,

wln 0812wln 0813wln 0814wln 0815wln 0816wln 0817wln 0818wln 0819wln 0820wln 0821wln 0822wln 0823wln 0824wln 0825wln 0826wln 0827wln 0828wln 0829wln 0830wln 0831wln 0832

img: 17­bsig: E1r

wln 0833wln 0834wln 0835wln 0836wln 0837wln 0838wln 0839wln 0840wln 0841wln 0842wln 0843wln 0844wln 0845wln 0846wln 0847wln 0848wln 0849wln 0850wln 0851wln 0852wln 0853wln 0854wln 0855wln 0856wln 0857wln 0858wln 0859

Page 24: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit, inviting him to follow.

Exeunt.

Actus Secundus, Scaena Quinta.

Enter Aga. Capiaga, Grimaldi, Master, Boatswain, etc.

Enter Asambeg, Mustapha.

And with such ease as love makes me to ask it.When a young Lady wrings you by the hand thus,Or with an amorous touch presses your footLooks babies in your eyes, plays with your locks,Do not you find without a tutor’s helpWhat ’tis she looks for.Vitelli. I am grown already

Skilful in the mystery.Donusa Or if thus she kiss you,

Then tastes your lips again.

Vitelli That latter blowHas beat all chaste thoughts from me.Donusa Say she points to

Some private room, the Sun beams never enters,Provoking dishes, passing by to heightenDeclined appetite, active Music usheringYour fainting steps, the waiters too as born dumb,Not daring to look on you.Vitelli. Though the Devil

Stood by, and roared, I follow: now I findThat Virtue’s but a word, and no sure guardIf set upon by beauty, and reward.

Aga. The Devils in him I think.Grimaldi Let him be damned too

I’ll look on him though he stared as wild as hell,Nay I’ll go near to tell him to his teethIf he mends not suddenly, and proves more thankful,We do him too much service, were ’t not for shame nowI could turn honest and forswear my trade,Which next to being trussed up at the main yardBy some low country butterbox, I hateAs deadly as I do fasting, or long graceWhen meat cools on the table.Capiaga But take heed,

You know his violent nature.Grimaldi Let his Whores

And Catamites, know ’t, I understand myself,And how unmanly ’tis to sit at homeAnd rail at us, that run abroad all hazards:If every week we bring not home new pillage,For the fatting his Seraglio.

wln 0860wln 0861wln 0862wln 0863wln 0864wln 0865wln 0866wln 0867wln 0868wln 0869

img: 18­asig: E1v

wln 0870wln 0871wln 0872wln 0873wln 0874wln 0875wln 0876wln 0877wln 0878wln 0879wln 0880wln 0881

wln 0882

wln 0883wln 0884wln 0885wln 0886wln 0887wln 0888wln 0889wln 0890wln 0891wln 0892wln 0893wln 0894wln 0895wln 0896wln 0897wln 0898wln 0899wln 0900wln 0901wln 0902

img: 18­bsig: E2r

Page 25: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Aga. Here he comes.Capiaga How terrible he looks?Grimaldi To such as fear him:

The viceroy Asambeg were he the Sultan’s selfHe will let us know a reason for his fury,Or we must take leave without his allowanceTo be merry with our ignorance.Asambeg Mahomet’s hell

Light on you all, you crouch, and cringe now, whereWas the terror of my just frowns, when you sufferedThose thieves of Malta, almost in our harborTo board a ship, and bear her safely off,While you stood idle lookers on?Aga. The odds

In the men and shipping, and the suddennessOf their departure yielding us no leisureTo send forth others to relieve our own,Deterred us mighty Sir.Asambeg Deterred you cowards?

How durst you only entertain the knowledgeOf what fear was, but in the not performanceOf our command? in me great Amurah spoke,My voice did echo to your ears his thunder,And willed you like so many Seaborn­Tritons,Armed only with the Trumpets of your courage,To swim up to her, and like Remoras.Hanging upon her keel, to stay her flightTill rescue sent from us, had fetched you off,You think you are safe now; who durst but dispute itOr make it questionable, if this momentI charged you from yon hanging cliff, that glassesHis rugged forehead in the neighbor lake,To throw yourselves down headlong? or like faggotsTo fill the ditches of defended Forts,While on your backs we marched up to the breachGrimaldi That would not I. Asambeg Ha?Grimaldi Yet I dare as much

As any of the Sultan’s boldest sons,(Whose heaven, and hell, hang on his frown, or smile,)His warlike Janissaries.Asambeg Add one syllable more

Thou dost pronounce upon thyself a sentenceThat earthquake­like will swallow theeGrimaldi Let it open,

I’ll stand the hazard, those contemned thievesYour fellow Pirates Sir, the bold MalteseWhom with your looks you think to quell, at Rhodes

wln 0903wln 0904wln 0905wln 0906wln 0907wln 0908wln 0909wln 0910wln 0911wln 0912wln 0913wln 0914wln 0915wln 0916wln 0917wln 0918wln 0919wln 0920wln 0921wln 0922wln 0923wln 0924wln 0925wln 0926wln 0927wln 0928wln 0929wln 0930wln 0931wln 0932wln 0933wln 0934wln 0935wln 0936wln 0937wln 0938wln 0939

img: 19­asig: E2v

wln 0940wln 0941wln 0942wln 0943wln 0944wln 0945wln 0946wln 0947wln 0948wln 0949

Page 26: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Laughed at great Soliman’s anger: and if treasonHad not delivered them into his power,He had grown old in glory as in years.At that so fatal siege, or risen with shameHis hopes, and threats deluded.Asambeg. Our great Prophet

How have I lost my anger, and my Power!Grimaldi Find it and use it on thy flatterers:

And not upon thy friends that dare speak truth,These Knights of Malta but a handful toYour armies that drink rivers up, have stoodYour fury at the height, and with their crossesStruck pale your horned moons; These men of MaltaSince I took pay from you, I have met and fought with.Upon advantage too. Yet to speak truthBy the soul of honor, I have ever found themAs provident to direct, and bold to doAs any trained up in your discipline:Ravished from other nations.Mustapha I perceive

The lightning in his fiery looks, the cloudIs broke already.Grimaldi Think not therefore sir,

That you alone are Giants, and such PygmiesYou war upon.Asambeg Villain I’ll make thee know

Thou hast blasphemed the Ottoman power, and safer

At noon day might have given fire to St Mark’sYour proud Venetian Temple. Seize upon him;I am not so near reconciled to himTo bid him die: that were a benefitThe dog’s unworthy of, to our use confiscateAll that he stands possessed of: Let him tasteThe misery of want, and his vain riotsLike to so many walking Ghosts affright himWhere’re he sets his desperate foot. Who is ’tThat does command you?Grimaldi Is this the reward

For all my service, and the rape I madeOn fair Paulina.Asambeg Drag him hence, he dies

That dallies but a minute.Boatswain What’s become

Of our shares now Master.Master Would he had been born dumb:

The beggar’s cure, patience is all that’s left us.Mustapha ’Twas but intemperance of speech, excuse him

Let me prevail so far. Fame gives him out

wln 0950wln 0951wln 0952wln 0953wln 0954wln 0955wln 0956wln 0957wln 0958wln 0959wln 0960wln 0961wln 0962wln 0963wln 0964wln 0965wln 0966wln 0967wln 0968wln 0969wln 0970wln 0971wln 0972wln 0973wln 0974wln 0975wln 0976

img: 19­bsig: E3r

wln 0977wln 0978wln 0979wln 0980wln 0981wln 0982wln 0983wln 0984wln 0985wln 0986wln 0987wln 0988wln 0989wln 0990wln 0991wln 0992 Grimaldi dragged off, his

head covered. Exeunt

Master and

Boatswain.

wln 0993wln 0994wln 0995wln 0996wln 0997

Page 27: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Mustapha.

For a deserving fellow.Asambeg At Aleppo

I durst not press you so far, give me leaveTo use my own will and command in TunisAnd if you please my privacy.Mustapha I will see you

When this high wind’s blown o’er.Asambeg So shall you find me

Ready to do you service. Rage now leave meStern looks, and all the ceremonious formsAttending on dread Majesty, fly fromTransformed Asambeg, why should I hugSo near my heart, what leads me to my prison?Where she that is enthralled commands her keeper,And robs me of the fierceness I was born with.Stout men quake at my frowns, and in return

I tremble at her softness. Base GrimaldiBut only named Paulina, and the charmHad almost choked my fury ere I couldPronounce his sentence. Would when first I saw herMine eyes had met with lightning, and in placeOf hearing her enchanting tongue, the shrieksOf Mandrakes had made music to my slumbers,For now I only walk a loving dreamAnd but to my dishonor never wake,And yet am blind, but when I see the object,And madly dote on it. Appear bright sparkOf all perfection: any simileBorrowed from Diamonds, or the fairest starsTo help me to express, how dear I prizeThe unmatched graces, will rise up and chide meFor poor detraction.Paulina I despise thy flatteries

Thus spit at ’em, and scorn ’em, and being armedIn the assurance of my innocent virtueI stamp upon all doubts, all fears, all torturesThy barbarous cruelty, or what’s worse, thy dotage(The worthy parent of thy jealousy)Can shower upon me.Asambeg If these bitter taunts

Ravish me from myself, and make me thinkMy greedy ears receive Angelical sounds,How would this tongue tuned to a loving noteInvade, and take possession of my soulWhich then I durst not call mine own.Paulina Thou art false,

Falser than thy religion. Do but think meSomething above a beast; nay more, a monster,

wln 0998wln 0999wln 1000wln 1001wln 1002wln 1003wln 1004wln 1005wln 1006wln 1007wln 1008wln 1009 plucks out a

gilt key.wln 1010wln 1011wln 1012wln 1013

img: 20­asig: E3v

wln 1014wln 1015wln 1016wln 1017wln 1018wln 1019wln 1020wln 1021wln 1022wln 1023wln 1024 opens a door,

Paulina discovered

comes forth.

wln 1025wln 1026wln 1027wln 1028wln 1029wln 1030wln 1031wln 1032wln 1033wln 1034wln 1035wln 1036wln 1037wln 1038wln 1039wln 1040wln 1041wln 1042wln 1043wln 1044wln 1045

Page 28: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit

Asambeg.

Actus Secundus, Scaena Sexta

Enter Franciso, Gazet.

Would fright the Sun to look on, and then tell meIf this base usage, can invite affection?If to be mewed up, and excluded fromHuman society; the use of pleasures;The necessary, not superfluous duties

Of servants to discharge those offices,I blush to name.Asambeg Of servants? can you think

That I that dare not trust the eye of HeavenTo look upon your beauties, that denyMyself the happiness to touch your purenessWill e’er consent an Eunuch, or bought handmaidShall once approach you? there is something in youThat can work Miracles, or I am cozened,Dispose and alter sexes. To my wrongIn spite of nature. I will be your nurse,Your woman, your physician, and your fool,Till with your free consent, which I have vowedNever to force, you grace me with a nameThat shall supply all these.Paulina What is ’t?Asambeg Your husband.Paulina My hangman when thou pleasest.Asambeg Thus I guard me,

Against your further angers.Paulina Which shall reach thee

Though I were in the Center.Asambeg Such a spirit

In such a small proportion I ne’er read ofWhich time must alter, ravish her I dare notThe magic that she wears about her neck,I think defends her, this devotion paidTo this sweet Saint, mistress of my sour pain’Tis fit I take mine own rough shape again.

Francisco I think he’s lost.Gazet. ’Tis ten to one of that,

I ne’er knew Citizen turn Courtier yet,But he lost his credit, though he saved himselfWhy, look you sir, there are so many lobbies,Out offices, and disputations hereBehind these Turkish hangings, that a Christian

wln 1046wln 1047wln 1048wln 1049wln 1050

img: 20­bsig: E4r

wln 1051wln 1052wln 1053wln 1054wln 1055wln 1056wln 1057wln 1058wln 1059wln 1060wln 1061wln 1062wln 1063wln 1064wln 1065wln 1066wln 1067wln 1068wln 1069wln 1070 Puts to the door

and locks it.wln 1071wln 1072wln 1073wln 1074wln 1075wln 1076wln 1077wln 1078wln 1079wln 1080

wln 1081

wln 1082wln 1083wln 1084img: 21­asig: E4v

wln 1085wln 1086wln 1087wln 1088wln 1089

Page 29: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Vitelli, Carazie, Manto,

Exeunt Carazie, Manto.

Hardly gets off but circumcised.Francisco I am troubled

Troubled exceedingly. Ha! what are these?Gazet One by his rich suit should be some french Ambassador

For his train I think they are Turks.Francisco Peace, be not seen.Carazie You are now past all the guards, and undiscovered

You may return.Vitelli There’s for your pains, forget not

My humblest service to the best of Ladies.Manto. Deserve her favor sir, in making haste

For a second entertainment.Vitelli Do not doubt me,

I shall not live till then.Gazet The train is vanished

They have done him some good office he’s so freeAnd liberal of his gold. Ha, do I dream,Or is this mine own natural Master;Francisco ’Tis he,

But strangely metamorphosed. You have made sir.A prosperous voyage, heaven grant it be honest,I shall rejoice then too.Gazet You make him blush

To talk of honesty, you were but nowIn the giving vein, and may think of GazetYour worship’s prentice.Vitelli There’s gold, be thou free too

And Master of my shop, and all the waresWe brought from Venice.Gazet Rivo then.Vitelli Dear sir

This place affords not privacy for discourse

But I can tell you wonders, my rich habitDeserves least admiration; there’s nothingThat can fall in the compass of your wishesThough it were to redeem a thousand slavesFrom the Turkish galleys, or at home to erectSome pious work, to shame all Hospitals,But I am master of the means.Francisco ’Tis strange.Vitelli As I walk I’ll tell you more.Gazet Pray you a word Sir,

And then I will put on. I have one boon more.Vitelli What is ’t? speak freely.Gazet Thus then, as I am Master

Of your Shop, and wares, pray you help me to some truckingWith your last she customer, though she crack my best pieceI will endure it with patience.

wln 1090wln 1091wln 1092wln 1093wln 1094wln 1095wln 1096wln 1097wln 1098wln 1099wln 1100wln 1101wln 1102wln 1103wln 1104wln 1105wln 1106wln 1107wln 1108wln 1109wln 1110wln 1111wln 1112wln 1113wln 1114wln 1115wln 1116wln 1117wln 1118wln 1119wln 1120wln 1121

img: 21­bsig: F1r

wln 1122wln 1123wln 1124wln 1125wln 1126wln 1127wln 1128wln 1129wln 1130wln 1131wln 1132wln 1133wln 1134wln 1135wln 1136wln 1137

Page 30: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt

Actus Tertius. Scaena prima,

Enter Donusa, Manto.

Enter Carazie.

Vitelli Leave your prating.Gazet I may, you have been doing, we will do too.Francisco I am amazed, yet will nor blame, nor chide you,

Till you inform me further. Yet must sayThey steer not the right course, nor traffic well,That seek a passage to reach Heaven, through Hell.

Donusa. When said he, he would come again?Manto. He swore,

Short Minutes should be tedious Ages to him,Until the tender of his second service,So much he seemed transported with the first.Donusa I am sure I was. I charge thee Manto tell me

By all my favors, and my bounties truly

Whether thou art a Virgin, or like meHast forfeited that name.Manto. A Virgin Madam?

At my years being a waiting­woman, and in Court too?That were miraculous. I so long since lostThat barren burden, I almost forgetThat ever I was one.Donusa And could thy friends

Read in thy face, thy maidenhead gone, that thouHadst parted with it?Manto. No indeed. I passed

For current many years after, till by fortune,Long and continued practice in the sportBlew up my deck, a husband then was found outBy my indulgent father, and to the worldAll was made whole again. What need you fear thenThat at your pleasure may repair your honorDurst any envious, or malicious tongue,Presume to taint it?Donusa How now?

Carazie Madam, the BashawHumbly desires access.Donusa If it had been

My neat Italian, thou hadst met my wishes.Tell him we would be private.Carazie So I did,

But he is much importunate.

wln 1138wln 1139wln 1140wln 1141wln 1142wln 1143wln 1144

wln 1145

wln 1146

wln 1147wln 1148wln 1149wln 1150wln 1151wln 1152wln 1153

img: 22­asig: F1v

wln 1154wln 1155wln 1156wln 1157wln 1158wln 1159wln 1160wln 1161wln 1162wln 1163wln 1164wln 1165wln 1166wln 1167wln 1168wln 1169wln 1170wln 1171wln 1172wln 1173wln 1174wln 1175wln 1176wln 1177wln 1178wln 1179wln 1180wln 1181

Page 31: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Mustapha.

Manto. Best dispatch himHis ling’ring here else will deter the other,From making his approach.Donusa His entertainment

Shall not invite a second visit, goSay we are pleased.

Mustapha All happiness.Donusa Be sudden

’Twas saucy rudeness in you sir to pressOn my retirements, but ridiculous follyTo waste the time that might be better spentIn complemental wishes.Carazie There’s a cooling

For his hot encounter.Donusa Come you here to stare?

If you have lost your tongue, and use of speech,Resign your government, there’s a mute’s place voidIn my uncle’s Court I hear, and you may work meTo write for your preferment.Mustapha This is strange!

I know not Madam, what neglect of mineHas called this scorn upon me.Donusa To the purpose

My will’s a reason, and we stand not boundTo yield account to you.Mustapha Not of your angers,

But with erected ears I should hear from youThe story of your good opinion of meConfirmed by love, and favors.Donusa How deserved?

I have considered you from head to foot,And can find nothing in that wainscot face,That can teach me to dote, nor am I takenWith your grim aspect, or toadpool­like complexion,Those scars you glory in, I fear to look on;And had much rather hear a merry taleThen all your battles won with blood and sweat,Though you belch forth the stink too, in the service,And swear by your Mustachioes all is true.You are yet too rough for me, purge and take physic,Purchase perfumers, get me some French tailor,To new create you; the first shape you were made withIs quite worn out, let your barber wash your face too,You look yet like a bugbear to fright children,

wln 1182wln 1183wln 1184wln 1185wln 1186wln 1187wln 1188wln 1189wln 1190

img: 22­bsig: F2r

wln 1191wln 1192wln 1193wln 1194wln 1195wln 1196wln 1197wln 1198wln 1199wln 1200wln 1201wln 1202wln 1203wln 1204wln 1205wln 1206wln 1207wln 1208wln 1209wln 1210wln 1211wln 1212wln 1213wln 1214wln 1215wln 1216wln 1217wln 1218wln 1219wln 1220wln 1221wln 1222wln 1223wln 1224wln 1225wln 1226

img: 23­asig: F2v

Page 32: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt

Actus tertius, Scaena Secunda.

Enter Vitelli, Francisco.

Till when I take my leave, wait me Carazie.Mustapha Stay you my Lady’s Cabinet key.Manto How’s this sir?Mustapha Stay and stand quietly, or you shall fall else,

Not to firk your belly up flounder like, but neverTo rise again. Offer but to unlockThese doors that stop your fugitive tongue (observe me)And by my fury, I’ll fix there this boltTo bar thy speech forever. So, be safe nowAnd but resolve me, not of what I doubtBut bring assurance to a thing believed,Thou mak’st thyself a fortune, not dependingOn the uncertain favors of a Mistress,But art thyself one. I’ll not so far questionMy judgement, and observance, as to askWhy I am slighted, and contemned, but inWhose favor it is done. I that have readThe copious volumes of all women’s falsehood,Commented on by the heart breaking groansOf abused lovers, all the doubts washed offWith fruitless tears, the Spider’s cobweb veilOf arguments, alleged in their defense,Blown off with sighs of desperate men, and theyAppearing in their full deformity:Know that some other hath displanted me,With her dishonor. Has she given it up?Confirm it in two syllables?Manto. She has.Mustapha I cherish thy confession thus, and thus,

Be mine, again I court thee thus, and thusNow prove but constant to my ends.Manto. By all —Mustapha Enough, I dare not doubt thee. O land Crocodiles

Made of Egyptian slime, accursed women!But ’tis no time to rail: come my best Manto.

Vitelli Sir, as you are my confessor, you stand boundNot to reveal whatever I discoverIn that Religious way: nor dare I doubt you.Let it suffice, you have made me see my follies,And wrought perhaps compunction; For I would notAppear an Hypocrite. But when you imposeA penance on me, beyond flesh, and bloodTo undergo: you must instruct me how

wln 1227 Exeunt

Donusa Caraziewln 1228wln 1229wln 1230wln 1231wln 1232wln 1233wln 1234wln 1235wln 1236wln 1237wln 1238wln 1239wln 1240wln 1241wln 1242wln 1243wln 1244wln 1245wln 1246wln 1247wln 1248wln 1249wln 1250wln 1251wln 1252wln 1253wln 1254wln 1255 gives

her jewels.wln 1256wln 1257wln 1258wln 1259wln 1260wln 1261

img: 23­bsig: F3r

wln 1262

wln 1263wln 1264wln 1265wln 1266wln 1267wln 1268wln 1269wln 1270wln 1271

Page 33: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Vitelli.

Enter Gazet, Grimaldi, in rags.

To put off the condition of a man:Or if not pardon, at the least, excuseMy disobedience. Yet despair not sir,For though I take mine own way, I shall doSomething that may hereafter to my glory,Speak me your Scholar.Francisco I enjoin you not

To go, but send.Vitelli That were a petty trial

Not worth one so long taught, and exercisedUnder so grave a master. Reverend FranciscoMy friend, my father, in that word, my all;Rest confident, you shall hear something of meThat will redeem me in your good opinion,Or judge me lost forever. Send Gazet(She shall give order that he may have entrance)To acquaint you with my fortunes.Francisco Go and prosper,

Holy Saints guide and strengthen thee. HowsoeverAs my endeavors are, so may they findGracious acceptance.

Gazet Now you do not roar sir

You speak not tempests, nor take ear­rent fromA poor shopkeeper. Do you remember that sir,I wear your marks here still.Francisco Can this be possible?

All wonders are not ceased then.Grimaldi Do, abuse me,

Spit on me, spurn me, pull me by the nose,Thrust out these fiery eyes, that yesterdayWould have looked thee dead.Graz. O save me sir.Grimaldi Fear nothing,

I am tame, and quiet, there’s no wrong can force meTo remember what I was. I have forgot,I e’er had ireful fierceness, a steeled heart,Insensible of compassion to others,Nor is it fit that I should think myselfWorth mine own pity, Oh.Francisco Grows this dejection,

From his disgrace do you say?Gazet Why he’s cashiered sir,

His ships, his goods, his livery­punks confiscate,And there is such a punishment laid upon him,The miserable rogue must steal no more,Nor drink, nor drab.

wln 1272wln 1273wln 1274wln 1275wln 1276wln 1277wln 1278wln 1279wln 1280wln 1281wln 1282wln 1283wln 1284wln 1285wln 1286wln 1287wln 1288wln 1289wln 1290wln 1291wln 1292

wln 1293wln 1294

img: 24­asig: F3v

wln 1295wln 1296wln 1297wln 1298wln 1299wln 1300wln 1301wln 1302wln 1303wln 1304wln 1305wln 1306wln 1307wln 1308wln 1309wln 1310wln 1311wln 1312wln 1313wln 1314wln 1315wln 1316wln 1317wln 1318

Page 34: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Gazet.

Enter Master, Boatswain.

Francisco Does that torment him?Gazet. O Sir!

Should the State take order to bar men of acres,From those two laudable recreations,Drinking, and whoring, how should Panders purchase,Or thrifty Whores build Hospitals? ’slid if IThat since I am made free, may write myself,A City gallant, should forfeit two such chartersI should be stoned to death, and ne’er be pitied,By the liveries of those companies.Francisco You’ll be whipped sir,

If you bridle not your tongue. Haste to the PalaceYour Master looks for you.Gazet My quondam Master,

Rich sons forget they ever had poor fathers,In servants ’tis more pardonable; as a companion,Or so, I may consent, but is there hope sir,He has got me a good chapwoman? pray you writeA word or two in my behalf.Francisco Out rascal.Gazet I feel some insurrections.Francisco Hence.Gazet I vanish.Grimaldi Why should I study a defense, or comfort?

In whom black guilt, and misery if balanced,I know not which would turn the scale, look upwardI dare not, for should it but be believed,That I (dyed deep in hell’s most horrid colors,)Should dare to hope for mercy, it would leaveNo check or feeling, in men innocentTo catch at sins, the devil ne’er taught mankind yet,No, I must downward, downward, though repentanceCould borrow all the glorious wings of grace,My mountainous weight of sins, would crack their pinions,And sink them to hell with me.Francisco Dreadful! hear me,

Thou miserable man.Grimaldi Good sir deny not,

But that there is no punishment beyondDamnation.Master. Yonder he is, I pity him.Boatswain Take comfort Captain, we live still to serve you,Grimaldi Serve me? I am a devil already, leave me,

Stand further off, you are blasted else, I have heardSchoolmen affirm man’s body is composedOf the four elements, and as in league togetherThey nourish life; So each of them affordsLiberty to the soul, when it grows weary

wln 1319wln 1320wln 1321wln 1322wln 1323wln 1324wln 1325wln 1326wln 1327wln 1328wln 1329wln 1330wln 1331wln 1332

img: 24­bsig: F4r

wln 1333wln 1334wln 1335wln 1336wln 1337wln 1338wln 1339wln 1340wln 1341wln 1342wln 1343wln 1344wln 1345wln 1346wln 1347wln 1348wln 1349wln 1350wln 1351wln 1352wln 1353wln 1354wln 1355wln 1356wln 1357wln 1358wln 1359wln 1360wln 1361wln 1362wln 1363wln 1364wln 1365wln 1366

Page 35: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Grimaldi

Exeunt.

Actus tertius, Scaena tertia.

Enter Asambeg, Mustapha, Aga, Capiaga.

Exeunt Aga, Capiaga.

Of this fleshy prison. Which shall I make choice of?The fire? no (I shall feel that hereafter)The earth will not receive me. Should some whirlwind

Snatch me into the air: and I hang there,Perpetual plagues would dwell upon the earth.And those superior bodies that pour downTheir cheerful influence deny to pass it,Through those vast regions I have infected.The (Sea) Ay that is justice there, I plowed upMischief as deep as Hell there: there I’ll hideThis cursed lump of clay may it turn RocksWhere plummets weight could never reach the sands.And grind the ribs of all such barks as pressThe Ocean’s breast in my unlawful course.I haste then to thee, let thy ravenous wombWhom all things else deny, be now my tomb.Master. Follow him and restrain him.Francisco Let this stand

For an example to you. I’ll provideA lodging for him, and apply such curesTo his wounded conscience, as heaven hath lent me.He’s now my second care: and my professionBinds me to teach the desperate to repentAs far as to confirm the innocent.

Asambeg. Your pleasure,Mustapha ’Twill exact your private ear,

And when you have received it, you will thinkToo many know it.Asambeg. Leave the room, but be

Within our call. Now sir, what burning secret brings you(With which it seems you are turned Cinders)To quench in my advice, or power?Mustapha. The fire

Will rather reach you.

Asambeg Me?Mustapha And consume both,

For ’tis impossible to be put outBut with the blood of those that kindle it:And yet one vial of it is so precious,It being borrowed from the Ottoman spring,

wln 1367wln 1368wln 1369

img: 25­asig: F4v

wln 1370wln 1371wln 1372wln 1373wln 1374wln 1375wln 1376wln 1377wln 1378wln 1379wln 1380wln 1381wln 1382wln 1383wln 1384wln 1385wln 1386wln 1387wln 1388wln 1389wln 1390

wln 1391

wln 1392wln 1393wln 1394wln 1395wln 1396wln 1397wln 1398wln 1399wln 1400wln 1401wln 1402

img: 25­bsig: G1r

wln 1403wln 1404wln 1405wln 1406wln 1407wln 1408

Page 36: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

That better ’tis I think, both we should perishThen prove the desperate means that must restrain it,From spreading further.Asambeg To the point, and quickly.

These winding circumstances in relationsSeldom environ truth.Mustapha Truth Asambeg?Asambeg Truth Mustapha. I said it, and add more

You touch upon a string that to my ear,Does sound Donusa.Mustapha You then understand

Who ’tis I aim at.Asambeg Take heed Mustapha,

Remember what she is, and whose we are;’Tis her neglect perhaps, that you complain of,And should you practice to revenge her scorn,With any plot to taint her in her honor,Mustapha Hear me.Asambeg I will be heard first, there’s no tongue

A subject owes, that shall out thunder mine.Mustapha Well take your way.Asambeg I then again repeat it

If Mustapha dares with malicious breath(On jealous suppositions) presumeTo blast the blossom of Donusa’s FameBecause he is denied a happinessWhich men of equal, nay of more desert,Have sued in vain for.Mustapha More?Asambeg More. ’Twas I spoke it,

The Bashaw of Natolia and myself

Were Rivals for her, either of us broughtMore Victories, more Trophies, to plead for usTo our great Master, than you dare lay claim to,Yet still by his allowance she was leftTo her election, each of us owed natureAs much for outward form, and inward worthTo make way for us to her grace and favor,As you brought with you. We were heard, repulsedYet thought it no dishonor to sit down,With the disgrace; if not to force affection,May merit such a name.Mustapha Have you done yet?Asambeg Be therefore more than sure the ground on which

You raise your accusation, may admitNo undermining of defense in her,For if with pregnant and apparent proofsSuch as may force a judge, more than inclined

wln 1409wln 1410wln 1411wln 1412wln 1413wln 1414wln 1415wln 1416wln 1417wln 1418wln 1419wln 1420wln 1421wln 1422wln 1423wln 1424wln 1425wln 1426wln 1427wln 1428wln 1429wln 1430wln 1431wln 1432wln 1433wln 1434wln 1435wln 1436wln 1437wln 1438wln 1439

img: 26­asig: G1v

wln 1440wln 1441wln 1442wln 1443wln 1444wln 1445wln 1446wln 1447wln 1448wln 1449wln 1450wln 1451wln 1452wln 1453wln 1454wln 1455wln 1456

Page 37: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Or partial in her cause to swear her guilty;You win not me to set off your belief,Neither our ancient friendship, nor the rites,Of sacred hospitality (to whichI would not offer violence) shall protect you:Now when you please.Mustapha I will not dwell upon

Much circumstance, yet cannot but professWith the assurance of a loyalty,Equal to yours, the reverence I owe,The Sultan, and all such his blood makes sacred;That there is not a vein of mine which yet isUnemptied in his service, but this momentShould freely open, so it might wash offThe stains of her dishonor, could you think?Or though you saw it credit your own eyes?That she, the wonder and amazement ofHer sex, the pride, and glory of the empire,That hath disdained you, slighted me, and boastedA frozen coldness which no appetite,

Or height of blood could thaw, should now so farBe hurried with the violence of her lust,As in it burying her high birth and fame,Basely descend to fill a Christian’s armsAnd to him yield her Virgin honor up,Nay sue to him to take ’t.Asambeg A Christian?Mustapha Temper

Your admiration: and what Christian think you?No Prince disguised; no man of mark, nor honor,No daring undertaker in our service,But one whose lips her foot should scorn to touch,A poor Mechanic­Pedlar.Asambeg He?Mustapha Nay more,

Whom do you think she made her scout, nay bawd,To find him out but me? What place makes choice ofTo wallow in her foul and loathsome pleasures,But in the palace? Who the instrumentsOf close conveyance, but the captain ofYour guard the Aga, and that man of trustThe warden of the inmost port? I’ll prove this,And though I fail to show her in the act,Glued like a neighing Jennet to her Stallion,Your incredulity shall be convincedWith proofs I blush to think on.Asambeg Never yet,

This flesh felt such a fever, by the life

wln 1457wln 1458wln 1459wln 1460wln 1461wln 1462wln 1463wln 1464wln 1465wln 1466wln 1467wln 1468wln 1469wln 1470wln 1471wln 1472wln 1473wln 1474wln 1475wln 1476

img: 26­bsig: G2r

wln 1477wln 1478wln 1479wln 1480wln 1481wln 1482wln 1483wln 1484wln 1485wln 1486wln 1487wln 1488wln 1489wln 1490wln 1491wln 1492wln 1493wln 1494wln 1495wln 1496wln 1497wln 1498wln 1499wln 1500wln 1501wln 1502wln 1503wln 1504

Page 38: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus Tertius, Scaena Quarta.

Enter Carazie, Manto, Gazet.

Exit.

And fortune of great Amurath, should our prophet(Whose name I bow to) in a vision speak this,’Twould make me doubtful of my faith: lead on,And when my eyes, and ears, are like yours, guilty,My rage shall then appear, for I will doSomething; but what, I am not yet determined.

Carazie. They are private to their wishes,Manto Doubt it not.Gazet A pretty structure this! a court do you call it?

Vaulted and arched: O here has been old jumblingBehind this arras.Carazie Prithee let’s have some sport,

With this fresh Codshead.Manto. I am out of tune,

But do as you please. My conscience! tush the hopeOf liberty throws that burden off,I must go watch, and make discovery.Carazie He’s musing,

And will talk to himself, he cannot hold,The poor fool’s ravished.Gazet. I am in my master’s clothes,

They fit me to a hair too, let but anyIndifferent gamester measure us inch, by inch,Or weigh us by the standard, I may passI have been proved, and proved again, true metal.Carazie How he surveys himself.Gazet I have heard that some

Have fooled themselves at Court into good fortunes,That never hoped to thrive by wit in the City,Or honesty in the Country. If I do notMake the best laugh at me, he weep for myself,If they give me hearing. ’Tis resolved I’ll tryWhat may be done. By your favor sir, I pray youWere you born a Courtier?Carazie No sir, why do you ask?Gazet Because I thought that none could be preferred,

But such as were begot there.Carazie O sir! many, and howsoe’er you are a Citizen born,

wln 1505wln 1506wln 1507wln 1508wln 1509wln 1510wln 1511

img: 27­asig: G2v

wln 1512

wln 1513

wln 1514wln 1515wln 1516wln 1517wln 1518wln 1519wln 1520wln 1521wln 1522wln 1523wln 1524wln 1525wln 1526wln 1527wln 1528wln 1529wln 1530wln 1531wln 1532wln 1533wln 1534wln 1535wln 1536wln 1537wln 1538wln 1539wln 1540wln 1541wln 1542wln 1543

img: 27­bsig: G3r

wln 1544wln 1545

Page 39: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Manto.

Yet if your mother were a handsome woman,And ever longed to see a Masque at Court,It is an even lay but that you hadA Courtier to your Father; and I think so;You bear yourself so sprightly.Gazet It may be,

But pray you sir, had I such an itch upon meTo change my copy, is there hope a placeMay be had here for money?Carazie Not without it

That I dare warrant you.Gazet I have a pretty stock,

And would not have my good parts undiscovered,What places of credit are there?Carazie There’s your Beglerbeg.Gazet By no means that, it comes too near the beggar

And most prove so that come there.Carazie Or your Sanzacke.Gazet Sans­jack fie none of that.Carazie Your Chiaus.Gazet Nor that.Carazie Chief Gardener.Gazet Out upon ’t,

’Twill put me mind my Mother was an herb­woman,What is your place I pray you?Carazie Sir an Eunuch.Gazet An Eunuch! very fine, I’ faith, an Eunuch!

And what are your employments? neat and easy.Carazie In the day I wait on my Lady when she eats,

Carry her pantofles, bear up her trainSing her asleep at night, and when she pleasesI am her bedfellow.Gazet How? her bedfellow,

And lie with her?Carazie Yes, and lie with her.

Gazet O rare!I’ll be an Eunuch, though I sell my shop for ’tAnd all my wares.Carazie It is but parting with

A precious stone or two. I know the price on ’t.Gazet I’ll part with all my stones, and when I am

An Eunuch, I’ll so toss and touse the Ladies;Pray you help me to a chapman.Carazie The court Surgeon

Shall do you that favor.Gazet I am made! an Eunuch!Manto. Carazie, quit the room.Carazie Come sir, we’ll treat of

wln 1546wln 1547wln 1548wln 1549wln 1550wln 1551wln 1552wln 1553wln 1554wln 1555wln 1556wln 1557wln 1558wln 1559wln 1560wln 1561wln 1562wln 1563wln 1564wln 1565wln 1566wln 1567wln 1568wln 1569wln 1570wln 1571wln 1572wln 1573wln 1574wln 1575wln 1576wln 1577wln 1578wln 1579wln 1580

img: 28­asig: G3v

wln 1581wln 1582wln 1583wln 1584wln 1585wln 1586wln 1587wln 1588wln 1589wln 1590wln 1591wln 1592wln 1593

Page 40: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus Tertius. Scaena Quinta.

Enter Donusa, Vitelli.

Your business further.Gazet Excellent! an Eunuch!

Vitelli, Leave me, or I am lost again, no prayers,No penitence, can redeem me.Donusa. Am I grown

Old, or deformed since yesterday?Vitelli You are still,

Although the sating of your lust hath sulliedThe immaculate whiteness of your Virgin beauties,Too fair for me to look on. And though pureness,The sword with which you ever fought, and conquered,Is ravished from you by unchaste desires,You are too strong for flesh and blood to treat with,Though iron grates were interposed between us,To warrant me from treason.Donusa. Whom do you fear?Vitelli That human frailty I took from my mother,

That, as my youth increased, grew stronger on me,That still pursues me, and though once recoveredIn scorn of reason, and what’s more, religion,Again seeks to betray me.Donusa. If you mean sir,

To my embraces, you turn rebel toThe laws of nature, the great Queen, and MotherOf all productions, and deny allegiance.Where you stand bound to pay it.Vitelli I will stop

Mine ears against these charms, which if UlyssesCould live again, and hear this second Siren,Though bound with Cables to his Mast, his Ship tooFastened with all her Anchors, this enchantmentWould force him in despite of all resistance,To leap into the Sea, and follow her,Although destruction with outstretched arms,Stood ready to receive him.Donusa. Gentle sir,

Though you deny to hear me, yet vouchsafeTo look upon me. Though I use no languageThe grief for this unkind repulse, will printSuch a dumb eloquence upon my face,As will not only plead, but prevail for me.Vitelli, I am a coward, I will see and hear you,

wln 1594wln 1595

wln 1596

wln 1597

wln 1598wln 1599wln 1600wln 1601wln 1602wln 1603wln 1604wln 1605wln 1606wln 1607wln 1608wln 1609wln 1610wln 1611wln 1612

img: 28­bsig: G4r

wln 1613wln 1614wln 1615wln 1616wln 1617wln 1618wln 1619wln 1620wln 1621wln 1622wln 1623wln 1624wln 1625wln 1626wln 1627wln 1628wln 1629wln 1630wln 1631wln 1632wln 1633wln 1634wln 1635wln 1636wln 1637

Page 41: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

returns the Casket.

kneels

The trial else is nothing, Nor the conquest,My temperance shall crown me with hereafter,Worthy to be remembered. Up my virtueAnd holy thoughts, and resolutions arm me,Against this fierce temptation; give me voiceTuned to a zealous anger to expressAt what an overvalue I have purchased,The wanton treasure of your Virgin bounties,That in their false fruition heap upon meDespair, and horror; that I could with that easeRedeem my forfeit innocence, or cast upThe poison I received into my entrails,

From the alluring cup of your enticementsAs now I do deliver back the price,And salary of your lust: or thus unclothe meOf sin’s gay trappings, (the proud liveryOf wicked pleasure) which but worn, and heatedWith the fire of entertainment, and consent,Like to Alcides’ fatal shirt, tears offOur flesh, and reputation both together,Leaving our ulcerous follies bare, and open,To all malicious censure.Donusa You must grant,

If you hold that a loss to you, mine equals,If not transcends it. If you then first tastedThat poison as you call it, I brought with meA palate unacquainted with the relishOf those delights which most (as I have heard)Greedily swallow; and then the offense(If my opinion may be believed)Is not so great: howe’er, the wrong no moreThan if Hippolitus and the Virgin Huntress,Should meet and kiss together.Vitelli What defenses

Can lust raise to maintain a precipiceTo the Abyss of looseness? but affords notThe least stair, or the fastening of one foot,To reascend that glorious height we fell from.Mustapha By Mahomet she courts him.Asambeg Nay kneels to him;

Observe the scornful villain turns away too,As glorying in his conquest.Donusa Are you Marble?

If Christians have mothers, sure they share inThe tigress’ fierceness, for if you were ownerOf human pity, you could not endureA Princess to kneel to you, or look onThese falling tears which hardest rocks would soften,

wln 1638wln 1639wln 1640wln 1641wln 1642wln 1643wln 1644wln 1645wln 1646wln 1647wln 1648wln 1649

img: 29­asig: G4v

wln 1650wln 1651wln 1652wln 1653 Throws off his

cloak and

doublet.

wln 1654wln 1655wln 1656wln 1657wln 1658wln 1659wln 1660wln 1661wln 1662wln 1663wln 1664wln 1665wln 1666wln 1667wln 1668wln 1669wln 1670wln 1671wln 1672 Asambeg and

Mustapha abovewln 1673wln 1674wln 1675wln 1676wln 1677wln 1678wln 1679wln 1680wln 1681wln 1682wln 1683wln 1684wln 1685

Page 42: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Asambeg and Mustapha descend.

Enter Asambeg, Mustapha.

Exeunt with Vitelli

And yet remain unmoved. Did you but give me

A taste of happiness in your embracesThat the remembrance of the sweetness of itMight leave perpetual bitterness behind it?Or showed me what it was to be a wife,To live a widow ever?Asambeg She has confessed it;

Seize on him villains. O the furies.Donusa. How!

Are we betrayed?Vitelli The better, I expected

A Turkish Faith.Donusa Who am I that you dare this?

’Tis I that do command you to forbearA touch of violence.Aga. We already Madam

Have satisfied your pleasure further thanWe know to answer it.Capiaga Would we were well off,

We stand too far engaged I fear.Donusa For us?

We’ll bring you safe off, who dares contradictWhat is our pleasure?Asambeg Spurn the dog to prison,

I’ll answer you anon.Vitelli What punishment

Soe’er I undergo, I am still a Christian.Donusa What bold presumption’s this? under what law

Am I to fall that set my foot uponYour Statutes and decrees?Mustapha The crime committed

Our Alcoran calls death.Donusa Tush, who is here

That is not Amurath’s slave, and so unfitTo sit a judge upon his blood?Asambeg You have lost

And shamed the privilege of it, robbed me tooOf my soul, my understanding to behold

Your base unworthy fall, from your high virtue.Donusa I do appeal to Amurath.Asambeg We will offer

No violence to your person, till we knowHis sacred pleasure, till when under guardYou shall continue here.Donusa. Shall?

wln 1686

img: 29­bsig: H1r

wln 1687wln 1688wln 1689wln 1690wln 1691wln 1692 Enter Capiaga, Aga,

with others.wln 1693wln 1694wln 1695wln 1696wln 1697wln 1698wln 1699wln 1700wln 1701wln 1702wln 1703wln 1704wln 1705wln 1706wln 1707wln 1708wln 1709wln 1710wln 1711wln 1712wln 1713wln 1714wln 1715wln 1716wln 1717wln 1718wln 1719wln 1720wln 1721wln 1722wln 1723

img: 30­asig: H1v

wln 1724wln 1725wln 1726wln 1727wln 1728wln 1729wln 1730

Page 43: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

The Guard leads off Donusa.

Exeunt.

The end of the third Act.

Actus Quartus, Scaena Prima.

Enter Master, Boatswain.

Asambeg I have said it.Donusa We shall remember this.Asambeg It ill becomes

Such as are guilty to deliver threatsAgainst the innocent. I could tear this flesh now,But ’tis in vain, nor must I talk but do:Provide a well made galley for Constantinople,Such sad news never came to our great Master;As he directs, we must proceed, and knowNo will but his, to whom what’s ours we owe.

Master. He does begin to eat?Boatswain A little, Master,

But our best hope for his recovery, is thatHis raving leaves him, and those dreadful words,Damnation, and despair, with which he everEnded all his discourses are forgotten.Master This stranger is a most religious man sure,

And I am doubtful whether his charity,In the relieving of our wants, or careTo cure the wounded conscience of Grimaldi,

Deserves more admiration.Boatswain Can you guess

What the reason should be that we never mentionThe Church, or the high Altar, but his melancholyGrows, and increases on him?Master I have heard him

(When he gloried to profess himself an Atheist,)Talk often and with much delight and boasting,Of a rude prank he did ere he turned Pirate,The memory of which, as it appears,Lies heavy on him.Boatswain Pray you let me understand it.Master Upon a solemn day when the whole City

Joined in devotion, and with barefoot stepsPassed to Saint Mark’s, the Duke and the whole Signiory,Helping to perfect the Religious pomp,With which they were received; when all men elseWere full of tears, and groaned beneath the weightOf past offenses (of whose heavy burden

wln 1731wln 1732wln 1733wln 1734wln 1735wln 1736wln 1737wln 1738wln 1739wln 1740wln 1741

wln 1742

wln 1743

wln 1744

wln 1745wln 1746wln 1747wln 1748wln 1749wln 1750wln 1751wln 1752wln 1753wln 1754

img: 30­bsig: H2r

wln 1755wln 1756wln 1757wln 1758wln 1759wln 1760wln 1761wln 1762wln 1763wln 1764wln 1765wln 1766wln 1767wln 1768wln 1769wln 1770wln 1771wln 1772wln 1773

Page 44: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Grimaldi, with

a Book.

They came to be absolved and freed,) our Captain,Whether in scorn of those so pious ritesHe had no feeling of, or else drawn to itOut of a wanton irreligious madness,(I know not which) ran to the holy man,As he was of doing the work of grace,And snatching from his hands the sanctified meansDashed it upon the pavement.Boatswain How escaped he?

It being a deed deserving death with torture.Master The general amazement of the people

Gave him leave to quit the Temple, and a Gondola,(Prepared it seems before) brought him aboard,Since which he ne’er saw Venice. The remembranceOf this, it seems, torments him; aggravatedWith a strong belief he cannot receive pardonFor this foul fact, but from his hands against whomIt was committed.

Boatswain And what course intendsHis heavenly Physician, reverend Francisco,To beat down this opinion.Master He promised

To use some holy and religious fineness,To this good end, and in the meantime charged meTo keep him dark, and to admit no visitantsBut on no terms to cross him. Here he comes.

Grimaldi For theft! he that restores treble the value,Makes satisfaction, and for want of meansTo do so, as a slave must serve it outTill he hath made full payment. There’s hope left hereO with what willingness would I give upMy liberty to those that I have pillagedAnd wish the numbers of my years though wastedIn the most sordid slavery might equalThe rapines I have made, till with one voiceMy patient sufferings, might exact from myMost cruel creditors, a full remission,An eye’s loss with an eye, limbs with a limb,A sad accompt! yet to find peace within here,Though all such as I have maimed, and dismemberedIn drunken quarrels, or o’ercome with rageWhen they were given up to my power, stood here nowAnd cried for restitution; to appease ’em,I would do a bloody justice on myself;

wln 1774wln 1775wln 1776wln 1777wln 1778wln 1779wln 1780wln 1781wln 1782wln 1783wln 1784wln 1785wln 1786wln 1787wln 1788wln 1789wln 1790wln 1791

img: 31­asig: H2v

wln 1792wln 1793wln 1794wln 1795wln 1796wln 1797wln 1798wln 1799

wln 1800wln 1801

wln 1802wln 1803wln 1804wln 1805wln 1806wln 1807wln 1808wln 1809wln 1810wln 1811wln 1812wln 1813wln 1814wln 1815wln 1816wln 1817wln 1818wln 1819

Page 45: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

kneels

Enter Francisco in a Cope

like a Bishop.

Pull out these eyes that guided me to ravishTheir sight from others; lop these legs that bore meTo barbarous violence, with this hand cut offThis instrument of wrong, till naught were left meBut this poor bleeding limbless trunk, which gladly

I would divide among them.Ha! what think IOf petty forfeitures, in this reverend habit,(All that I am turned into eyes) I look onA deed of mine so fiendlike, that repentance,Though with my tears I taught the sea new tides,Can never wash off; all my thefts, my rapesAre venial trespasses compared to whatI offered to that shape, and in a place tooWhere I stood bound to kneel to ’t.

Francisco ’Tis forgiven,I with his tongue (whom in these sacred vestmentsWith impure hands thou didst offend) pronounce it,I bring peace to thee, see that thou deserve itIn thy fair life hereafter.Grimaldi Can it be!

Dare I believe this vision, or hopeA pardon e’er may find me?Francisco Purchase it

By zealous undertakings, and no more’Twill be remembered.Grimaldi What celestial balm

I feel now poured into my wounded conscience?What penance is there I’ll not undergoThough ne’er so sharp and rugged, with more pleasureThan flesh and blood ere tasted, show me true sorrow,Armed with an iron whip, and I will meetThe stripes she brings along with her, as ifThey were the gentle touches of a hand,That comes to cure me. Can good deeds redeem me?I will rise up a wonder to the world,When I have given strong proofs how I am altered,

I that have sold such as professed the Faith,That I was born in, to captivity,Will make their number equal, that I shall

wln 1820wln 1821wln 1822wln 1823wln 1824

img: 31­bsig: H3r

wln 1825wln 1826wln 1827wln 1828wln 1829wln 1830wln 1831wln 1832wln 1833wln 1834

wln 1835wln 1836

wln 1837wln 1838wln 1839wln 1840wln 1841wln 1842wln 1843wln 1844wln 1845wln 1846wln 1847wln 1848wln 1849wln 1850wln 1851wln 1852wln 1853wln 1854wln 1855wln 1856wln 1857wln 1858

img: 32­asig: H3v

wln 1859wln 1860wln 1861

Page 46: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Francisco.

Exeunt Grimaldi, Master, Boatswain.

Enter Francisco.

Enter Gazet

Deliver from the oar; and win as manyBy the clearness of my actions, to look onTheir misbelief, and loathe it. I will beA convoy for all Merchants: and thought worthyTo be reported to the world hereafter,The child of your devotion, nursed upAnd made strong by your charity, to break throughAll dangers Hell can bring forth to oppose me;Nor am I though my fortunes were thought desperate,Now you have reconciled me to myself,So void of worldly means, but in despiteOf the proud Viceroys, wrongs I can do somethingTo witness of my change; when you please try me,And I will perfect what you shall enjoin me,Or fall a joyful Martyr.Francisco You will reap

The comfort of it, live yet undiscovered,And with your holy meditations strengthenYour Christian resolution, ere longYou shall hear further from me.Grimaldi I’ll attend

All your commands with patience; come my Mates,I hitherto have lived an ill example,And as your Captain lead you on to mischief,But now will truly labor, that good menMay say hereafter of me to my glory,Let but my power and means, hand with my will,His good endeavors, did weigh down his ill.

Francisco This penitence is not counterfeit, howsoeverGood actions are in themselves rewarded,My travails to meet with a double crown,If that Vitelli come off safe, and prove

Himself the Master of his wild affections,O I shall have intelligence, how now Gazet,Why these sad looks and tears?Gazet Tears sir? I have lost

My worthy Master, your rich heir seems to mourn forA miserable father, your young widowFollowing a bedrid husband to his grave,Would have her neighbors think she cries, and roars,That she must part with such a goodman do nothing,When ’tis because he stays so long above ground,And hinders a rich suitor: all is come out sir,We are smoked for being coney­catchers, my masterIs put in prison, his she customerIs under guard too, these are things to weep for;

wln 1862wln 1863wln 1864wln 1865wln 1866wln 1867wln 1868wln 1869wln 1870wln 1871wln 1872wln 1873wln 1874wln 1875wln 1876wln 1877wln 1878wln 1879wln 1880wln 1881wln 1882wln 1883wln 1884wln 1885wln 1886wln 1887wln 1888wln 1889wln 1890wln 1891wln 1892wln 1893wln 1894wln 1895

img: 32­bsig: H4r

wln 1896wln 1897wln 1898wln 1899wln 1900wln 1901wln 1902wln 1903wln 1904wln 1905wln 1906wln 1907wln 1908wln 1909

Page 47: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus Quartus, Scaena Secunda.

Enter Asambeg. unlocks the door,

leads forth Paulina.

But mine own loss considered, and what a fortuneI have, as they say, snatched out of my chops,Would make a man run mad.Francisco I scarce have leisure,

I am so wholly taken up with sorrow,For my loved pupil to inquire thy fate,Yet I will hear it.Gazet Why sir, I had bought a place,

A place of credit too, and had gone through with itI should have been made an Eunuch, there was honor,For a late poor prentice, when upon the suddenThere was such a hurlyburly in the Court,That I was glad to run away and carryThe price of my office with me.Francisco Is that all?

You have made a saving voyage, we must think now,Though not to free, to comfort sad Vitelli,My grieved soul suffers for him.Gazet. I am sad too;

But had I been an EunuchFrancisco Think not on it.

Asambeg Be your own guard; obsequiousness, and serviceShall win you to be mine. Of all restraintForever take your leave, no threats shall awe you,No jealous doubts of mine disturb your freedom,No feed spies, wait upon your steps, your virtueAnd due consideration in yourself,Of what is Noble, are the faithful helpsI leave you as supporters to defend you,From falling basely.Paulina This is wondrous strange

Whence flows this alteration?Asambeg From true judgement,

And strong assurance, neither grates of iron,Hemmed in with walls of brass, strict guards, high birth,The forfeiture of Honor, nor the fearOf infamy, or punishment, can stayA woman slaved to appetite from beingFalse, and unworthy.Paulina You are grown Satirical

wln 1910wln 1911wln 1912wln 1913wln 1914wln 1915wln 1916wln 1917wln 1918wln 1919wln 1920wln 1921wln 1922wln 1923wln 1924wln 1925wln 1926wln 1927wln 1928wln 1929wln 1930wln 1931

img: 33­asig: H4v

wln 1932

wln 1933wln 1934

wln 1935wln 1936wln 1937wln 1938wln 1939wln 1940wln 1941wln 1942wln 1943wln 1944wln 1945wln 1946wln 1947wln 1948wln 1949wln 1950wln 1951wln 1952wln 1953

Page 48: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Paulina steps aside. Enter Mustapha

Against our sex, why sir I durst produceMyself in our defense, and from you challengeA testimony not to be denied,All fall not under this unequal censure,I that have stood your flatteries, your threatsBore up against your fierce temptations; scornedThe cruel means you practiced to supplant me,Having no arms to help me, to hold outBut love of piety, and constant goodness,If you are unconfirmed, dare again boldly

Enter into the lists, and combat withAll opposites man’s malice can bring forthTo shake me in my chastity built uponThe rock of my religion.Asambeg I do wish

I could believe you, but when I shall show youA most incredible example ofYour frailty in a Princess, sued and sought toBy men of worth, of rank, of eminence; courtedBy happiness itself, and her cold temperApproved by many years; yet she to fall,Fall from herself, her glories, nay her safety,Into a gulf of shame, and black despair,I think you’ll doubt yourself, or in beholdingHer punishment forever be deterredFrom yielding basely.Paulina I would see this wonder;

’Tis sir my first petition.Asambeg And thus granted;

Above you shall observe all.Mustapha Sir I sought you

And must relate a wonder, since I studiedAnd knew what man was, I was never witnessOf such invincible fortitude as this ChristianShows in his sufferings, all the torments thatWe could present him with to fright his constancyConfirmed, not shook it; and those heavy chainsThat eat into his flesh, appeared to himLike bracelets made of some loved mistress hairsWe kiss in the remembrance of her favors.I am strangely taken with it, and have lostMuch of my fury.Asambeg Had he suffered poorly

It had called on my contempt, but manly patienceAnd all commanding virtue, wins uponAn enemy. I shall think upon him, ha!So soon returned? this speed pleads in excuse

wln 1954wln 1955wln 1956wln 1957wln 1958wln 1959wln 1960wln 1961wln 1962wln 1963

img: 33­bsig: I1r

wln 1964wln 1965wln 1966wln 1967wln 1968wln 1969wln 1970wln 1971wln 1972wln 1973wln 1974wln 1975wln 1976wln 1977wln 1978wln 1979wln 1980wln 1981wln 1982wln 1983wln 1984wln 1985wln 1986wln 1987wln 1988wln 1989wln 1990wln 1991wln 1992wln 1993wln 1994wln 1995wln 1996wln 1997wln 1998wln 1999 Enter Aga with

a black box.wln 2000

img: 34­a

Page 49: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

A solemn music. A guard. The Aga, and Capiaga,

leading in Donusa in black, her train borne

up by Carazie, and Manto.

Of your late fault, which I no more remember.What’s the grand Signior’s pleasure?Aga. ’Tis enclosed here

The box too, that contains it, may inform youHow he stands affected: I am trusted withNothing but this, on forfeit of your headShe must have a speedy trial.Asambeg Bring her in

In black as to her funeral, ’tis the colorHer fault wills her to wear, and which, in justiceI dare not pity, sit and take your place,However in her life she has degeneratedMay she die nobly, and in that confirmHer greatness, and high blood.

Mustapha I now could melt;But soft compassion leave me.Francisco I am affrighted

With this dismal preparation. Should the enjoyingOf loose desires find ever such conclusions,All Women would be Vestals.Donusa That you clothe me

In this sad livery of death, assures meYour sentence is gone out before, and IToo late am called, for, in my guilty causeTo use qualification, or excuse —Yet must I not part so with mine own strengths,But borrow from my modesty boldness, toInquire by whose authority you sitMy judges, and whose warrant digs my graveIn the frowns you dart against my life?Asambeg See here

This fatal sign, and warrant this brought to

A General fighting in the head of hisVictorious troops, ravishes from his handHis even then conquering sword; this shown untoThe Sultan’s brothers, or his sons, deliversHis deadly anger, and all hopes laid byCommands them to prepare themselves for heaven.Which would stand with the quiet of your soulTo think upon, and imitate.Donusa. Give me leave

sig: I1v

wln 2001wln 2002wln 2003wln 2004wln 2005wln 2006wln 2007wln 2008wln 2009wln 2010wln 2011wln 2012wln 2013wln 2014

wln 2015wln 2016wln 2017

wln 2018wln 2019wln 2020wln 2021wln 2022wln 2023wln 2024wln 2025wln 2026wln 2027wln 2028wln 2029wln 2030wln 2031wln 2032wln 2033wln 2034wln 2035

img: 34­bsig: I2r

wln 2036wln 2037wln 2038wln 2039wln 2040wln 2041wln 2042wln 2043wln 2044

Page 50: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

A little to complain, first of the hardCondition of my fortune, which may move youThough not to rise up intercessors for me(Yet in remembrance of my former life,This being the first spot, tainting mine honor)To be the means to bring me to his presence;And thou I doubt not, but I could allegeSuch reasons in mine own defense, or pleadSo humbly (my tears helping) that it shouldAwake his sleeping pity.Asambeg ’Tis in vain.

If you have aught to say you shall have hearing,And in me think him present.Donusa. I would thus then

First kneel, and kiss his feet, and after tell himHow long I had been his darling, what delightMy infant years afforded him; how dearHe prized his sister, in both bloods, my mother;That she like him had frailty, that to meDescends as an inheritance, then conjure himBy her blessed ashes, and his father’s soul,The sword that rides upon his thigh, his right handHolding the Scepter and the Ottoman fortune,To have compassion on me.Asambeg But suppose

(As I am sure) he would be deaf, what thenCould you infer?Donusa. I then would thus rise up,

And to his teeth tell him he was a tyrant,A most voluptuous, and insatiable EpicureIn his own pleasures: which he hugs so dearly,As proper, and peculiar to himself,That he denies a moderate lawful useOf all delight to others. And to theeUnequal judge I speak as much, and charge theeBut with impartial eyes to look intoThyself, and then consider with what justiceThou canst pronounce my sentence. Unkind nature,To make weak women servants, proud men MastersIndulgent Mahomet, do thy bloody lawsCall my embraces with a Christian, death?Having my heat and May of youth to pleadIn my excuse? and yet want power to punishThese that with scorn break through thy Cobweb edictsAnd laugh at thy decrees? to tame their lustsThere’s no religious bit, let her be fairAnd pleasing to the eye, though Persian, Moor,Idolatress, Turk, or Christian, you are privileged

wln 2045wln 2046wln 2047wln 2048wln 2049wln 2050wln 2051wln 2052wln 2053wln 2054wln 2055wln 2056wln 2057wln 2058wln 2059wln 2060wln 2061wln 2062wln 2063wln 2064wln 2065wln 2066wln 2067wln 2068wln 2069wln 2070wln 2071wln 2072

img: 35­asig: I2v

wln 2073wln 2074wln 2075wln 2076wln 2077wln 2078wln 2079wln 2080wln 2081wln 2082wln 2083wln 2084wln 2085wln 2086wln 2087wln 2088wln 2089wln 2090wln 2091wln 2092

Page 51: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

And freely may enjoy her. At this instantI know, unjust man, thou hast in thy powerA lovely Christian Virgin; thy offenseEqual, if not transcending mine, why thenWe being both guilty dost thou not descendFrom that usurped Tribunal and with meWalk hand in hand to death?Asambeg She raves, and we

Lose time to hear her: read the Law,Donusa. Do, do,

I stand resolved to suffer.Asambeg If any Virgin of what degree or quality soever,

born a natural Turk, shall be convicted of corporallooseness, and incontinence, with any Christian, she is bythe decree of our great Prophet Mahomet to lose herhead.Asambeg Mark that, then tax our justice.

Aga. Ever provided that if she, the said offender, byany reasons, arguments or persuasion, can win and prevailwith the said Christian offending with her, to alter hisreligion, and marry her, that then the winning of a soul tothe Mahometan sect, shall acquit her from all shame, disgrace and punishment whatsoever.Donusa I lay hold on that clause and challenge from you

The privilege of the Law.Mustapha What will you do?Donusa Grant me access and means, I’ll undertake

To turn this Christian Turk, and marry him:This trial you cannot deny.Mustapha O base!

Can fear to die make you descend so lowFrom your high birth, and brand the Ottoman lineWith such a mark of infamy?Asambeg This is worse

Than the parting with your honor, better sufferTen thousand deaths, and without hope to haveA place in our great Prophet’s Paradise,Than have an act to after times rememberedSo foul as this is.Mustapha Cheer your spirits Madam,

To die is nothing, ’tis but parting withA mountain of vexations.Asambeg Think of your honor;

In dying nobly you make satisfactionFor your offense, and you shall live a storyOf bold Heroic courage.Donusa You shall not fool me

Out of my life, I claim the Law and sue for

wln 2093wln 2094wln 2095wln 2096wln 2097wln 2098wln 2099wln 2100wln 2101wln 2102wln 2103wln 2104wln 2105wln 2106wln 2107wln 2108wln 2109

img: 35­bsig: I3r

wln 2110wln 2111wln 2112wln 2113wln 2114wln 2115wln 2116wln 2117wln 2118wln 2119wln 2120wln 2121wln 2122wln 2123wln 2124wln 2125wln 2126wln 2127wln 2128wln 2129wln 2130wln 2131wln 2132wln 2133wln 2134wln 2135wln 2136wln 2137wln 2138wln 2139wln 2140

Page 52: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Actus Quartus. Scaena Tertia.

Enter Franciso, Jailor.

Vitelli under the Stage.

Vitelli plucked up.

Exit Jailor.

A speedy trial; if I fail, you mayDetermine of me as you please.Asambeg Base woman!

But use thy ways, and see thou prosper in ’emFor if thou fall again into my powerThou shalt in vain after a thousand tortures

Cry out, for death, that death which now thou fliest fromUnloose the prisoner’s chains, go lead her onTo try the Magic of her tongue; I follow:I am on the rack, descend my best Paulina.

Francisco I come not empty handed, I will purchaseYour favor at what rate you please. There’s gold.Jailor, ’Tis the best oratory. I will hazard

A check for your content below there?Vitelli, Welcome.

Art thou the happy messenger that brings meNews of my death?Jailor Your hand.Francisco Now if you please,

A little privacy.Jailor You have bought it sir,

Enjoy it freely.Francisco O my dearest pupil,

Witness these tears of joy, I never saw youTill now look lovely; nor durst I e’er gloryIn the mind of any man I had built upWith the hands of virtuous, and religious precepts,Till this glad minute. Now you have made goodMy expectation of you. By my order,All Roman Caesars, that led kings in chainsFast bound to their triumphant chariots, ifCompared with that true glory, and full lusterYou now appear in, all their boasted honorsPurchased with blood, and wrong, would lose their namesAnd be no more remembered.Vitelli, This applause

Confirmed in your allowance joys me more,Than if a thousand full crammed TheatersShould clap their eager hands to witness that

wln 2141wln 2142wln 2143wln 2144wln 2145wln 2146

img: 36­asig: I3v

wln 2147wln 2148wln 2149wln 2150

wln 2151

wln 2152

wln 2153wln 2154wln 2155wln 2156wln 2157wln 2158wln 2159wln 2160wln 2161wln 2162wln 2163wln 2164wln 2165wln 2166wln 2167wln 2168wln 2169wln 2170wln 2171wln 2172wln 2173wln 2174wln 2175wln 2176wln 2177wln 2178

img: 36­bsig: I4r

wln 2179wln 2180wln 2181

Page 53: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Aga and Jailer.

the chain taken off.

Exit Francisco.

Enter Donusa Asambeg Mustapha Paulina

bows herself.

The Scene I act did please, and they admire it.But these are (father) but beginnings, notThe ends of my high aims. I grant to have masteredThe rebel appetite of flesh and bloodWas far above my strength; and still owe for itTo that great power that lent it. But when IShall make ’t apparent, the grim looks of deathAffright me not, and that I can put offThe fond desire of life (that like a garmentCovers, and clothes our frailty) hastening toMy Martyrdom, as to a heavenly banquet,To which I was a choice invited guest.Then you may boldly say, you did not plowOr trust the barren, and ungrateful sandsWith the fruitful grain of your religious counsels.Francisco You do instruct your teacher. Let the Sun

Of your clear life (that lends to good men light)But set as gloriously, as it did rise,Though sometimes clouded) you may write nil ultraTo human wishes.Vitelli I have almost gained

The end of the race, and will not faint, or tire now.

Aga. Sir by your leave (nay stay not) I bring comfort;The Viceroy taken with the constant bearingOf your afflictions, and presuming toYou will not change your temper, does commandYour irons should be ta’en off. Now arm yourselfWith your old resolution, suddenlyYou shall be visited, you must leave the room tooAnd do it without reply.Francisco There’s no contending,

Be still thyself my son.Vitelli ’Tis not in man

To change or alter me.Paulina Whom do I look on?

My brother? ’tis he! but no more my tongue,Thou wilt betray all.Asambeg Let us hear this temptress,

The fellow looks as he would stop his earsAgainst her powerful spells.Paulina He is undone else.Vitelli I’ll stand th’ encounter, charge me home.Donusa I come sir,

A beggar to you, and doubt not to findA good man’s charity, which if you deny,You are cruel to yourself, a crime, a wiseman(And such I hold you) would not willingly

wln 2182wln 2183wln 2184wln 2185wln 2186wln 2187wln 2188wln 2189wln 2190wln 2191wln 2192wln 2193wln 2194wln 2195wln 2196wln 2197wln 2198wln 2199wln 2200wln 2201wln 2202wln 2203wln 2204wln 2205wln 2206wln 2207wln 2208wln 2209wln 2210wln 2211wln 2212wln 2213wln 2214wln 2215

img: 37­asig: I4v

wln 2216wln 2217wln 2218wln 2219wln 2220wln 2221wln 2222wln 2223wln 2224wln 2225wln 2226wln 2227wln 2228wln 2229

Page 54: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Be guilty of, nor let it find less welcomeThough I (a creature you contemn) now show youThe way to certain happiness, nor think itImaginary, or fantastical,And so not worth th’ acquiring, in respectThe passage to it is nor rough nor thorny;No steep hills in the way which you must climb up;No monsters to be conquered; no enchantmentsTo be dissolved by countercharms, beforeYou take possession of it.Vitelli What strong poison

Is wrapped up in these sugared pills?Donusa My suit is

That you would quit your shoulders of a burdenUnder whose ponderous weight you wilfullyHave too long groaned, to cast those fetters off,With which with your own hands you chain your freedomForsake a severe, nay imperious mistress,Whose service does exact perpetual cares,Watchings, and troubles, and give entertainmentTo one that courts you, whose least favors areVariety, and choice of all delightsMankind is capable of.

Vitelli You speak in riddles.What burden, or what mistress? or what fetters?Are those you point at?Donusa Those which your religion,

The mistress you too long have served, compels youTo bear with slave­like patience.Vitelli Ha!Paulina How bravely

That virtuous anger shows!Donusa Be wise, and weigh

The prosperous success of things, if blessingsAre donatives from Heaven (which you must grantWere blasphemy to question) and thatThey are called down, and poured on such as areMost gracious with the great disposer of ’em,Look on our flourishing Empire; if the splendor,The Majesty, and glory of it dim notYour feeble sight; and then turn back, and seeThe narrow bounds of yours, yet that poor remnantRent in as many factions, and opinions,As you have petty kingdoms, and then ifYou are not obstinate against truth and reason,You must confess the Deity you worshipWants care, or power to help you.Paulina Hold out now

wln 2230wln 2231wln 2232wln 2233wln 2234wln 2235wln 2236wln 2237wln 2238wln 2239wln 2240wln 2241wln 2242wln 2243wln 2244wln 2245wln 2246wln 2247wln 2248wln 2249wln 2250wln 2251wln 2252

img: 37­bsig: K1r

wln 2253wln 2254wln 2255wln 2256wln 2257wln 2258wln 2259wln 2260wln 2261wln 2262wln 2263wln 2264wln 2265wln 2266wln 2267wln 2268wln 2269wln 2270wln 2271wln 2272wln 2273wln 2274wln 2275wln 2276wln 2277

Page 55: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

And then thou art victorious.Asambeg How he eyes her!Mustapha As if he would look through herAsambeg His eyes flame too,

As threatening violence.Vitelli But that I know

The Devil thy Tutor fills each part about thee,And that I cannot play the exorcistTo dispossess thee, unless I should tearThy body limb by limb, and throw it toThe furies that expect it, I would nowPluck out that wicked tongue, that hath blasphemed

That great omnipotency at whose nodThe fabric of the World shakes. Dare you bringYour juggling Prophet in comparison withThat most inscrutable, and infinite essenceThat made this all, and comprehends his work?The place is too profane to mention himWhose only name is sacred. O Donusa!How much in my compassion I suffer,That thou, on whom this most excelling formAnd faculties of discourse, beyond a woman,Were by his liberal gift conferred, shouldst stillRemain in ignorance of him that gave it?I will not foul my mouth to speak the SorceriesOf your seducer, his base birth, his whoredoms,His strange impostures; nor deliver howHe taught a Pigeon to feed in his ear,Then made his credulous followers believeIt was an Angel that instructed himIn the framing of his Alcoran. Pray you mark me.Asambeg These words are death, were he in naught else guilty.Vitelli. Your intent to win me

To be of your belief proceeded fromYour fear to die. Can there be strength in thatReligion, that suffers us to trembleAt that which every day, nay hour we haste to?Donusa This is unanswerable and there’s something tells me

I err in my opinion.Vitelli. Cherish it

It is a Heavenly prompter, entertainThis holy motion, and wear on your foreheadThe Sacred badge he arms His servants with,You shall, like me, with scorn look down uponAll engines tyranny can advance to batterYour constant resolution. Then you shallLook truly fair, when your mind’s pureness answersYour outward beauties.

wln 2278wln 2279wln 2280wln 2281wln 2282wln 2283wln 2284wln 2285wln 2286wln 2287wln 2288wln 2289

img: 38­asig: K1v

wln 2290wln 2291wln 2292wln 2293wln 2294wln 2295wln 2296wln 2297wln 2298wln 2299wln 2300wln 2301wln 2302wln 2303wln 2304wln 2305wln 2306wln 2307wln 2308wln 2309wln 2310wln 2311wln 2312wln 2313wln 2314wln 2315wln 2316wln 2317wln 2318wln 2319wln 2320wln 2321wln 2322wln 2323wln 2324wln 2325

Page 56: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

The end of the fourth Act

Actus Quintus, Scaena Prima.

Enter Vitelli, Francisco.

Donusa. I came here to take you,

But I perceive a yielding in myselfTo be your prisoner.Vitelli, ’Tis an overthrow

That will outshine all victories. O Donusa,Die in my faith like me, and ’tis a marriageAt which celestial Angels shall be waiters,And such as have been Sainted welcome us,Are you confirmed?Donusa I would be; but the means

That may assure me?Vitelli, Heaven is merciful,

And will not suffer you to want a man,To do that sacred office, build upon it.Donusa Then thus I spit at Mahomet.Asambeg Stop her mouth:

In death to turn Apostata! I’ll not hearOne syllable from any; wretched creature!With the next rising Sun prepare to die.Yet Christian, in reward of thy brave courage,Be thy faith right, or wrong, receive this favor.In person I’ll attend thee to thy death,And boldly challenge all that I can giveBut what’s not in my grant, which is to live.

Francisco You are wondrous brave, and jocund.Vitelli. Welcome Father.

Should I spare cost, or not wear cheerful looksUpon my wedding day, it were ominousAnd showed I did repent it, which I dare not,It being a marriage, howsoever sad

In the first ceremonies that confirm it,That will forever arm me against fears,Repentance, doubts, or jealousies, and bringPerpetual comforts, peace of mind, and quietTo the glad couple.Francisco I well understand you;

And my full joy to see you so resolvedWeak words cannot express. What is the hour

wln 2326

img: 38­bsig: K2r

wln 2327wln 2328wln 2329wln 2330wln 2331wln 2332wln 2333wln 2334wln 2335wln 2336wln 2337wln 2338wln 2339wln 2340wln 2341wln 2342wln 2343wln 2344wln 2345wln 2346wln 2347wln 2348wln 2349

wln 2350

wln 2351

wln 2352wln 2353wln 2354wln 2355wln 2356wln 2357wln 2358

img: 39­asig: K2v

wln 2359wln 2360wln 2361wln 2362wln 2363wln 2364wln 2365wln 2366

Page 57: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus Quintus, Scaena Secunda.

Enter Grimaldi, Master, Boatswain, Sailors.

Designed for this solemnity?Vitelli The sixth,

Something before the setting of the SunWe take our last leave of his fading light,And with our souls’ eyes seek for beams eternal,Yet there’s one scruple with which I am muchPerplexed, and troubled, which I know you canResolve me of.Francisco What is ’t?Vitelli. This sir, my Bride

Whom I first courted, and then won (not withLoose lays, poor flatteries, apish compliments,But Sacred, and Religious zeal) yet wantsThe holy badge that should proclaim her fitFor these Celestial Nuptials; willing she is,I know, to wear it, as the choicest jewelOn her fair forehead; but to you, that wellCould do that work of Grace, I know the ViceroyWill never grant access. Now in a caseOf this necessity, I would gladly learn,Whether in me a layman, without orders,It may not be religious, and lawfulAs we go to our deaths to do that office?Francisco A question in itself, with much ease answered;

Midwives upon necessity perform it,And Knights that in the Holy­Land fought forThe freedom of Jerusalem, when fullOf sweat, and enemies’ blood, have made their HelmetsThe fount, out of which with their holy hands

They drew that heavenly liquor, ’twas was approved thenBy the Holy Church, nor must I think it nowIn you a work less pious.Vitelli You confirm me,

I will find a way to do it. In the meantimeYour holy vows assist me.Francisco They shall ever

Be present with you.Vitelli You shall see me act

This last Scene to the life.Francisco And though now fall,

Rise a blessed Martyr.Vitelli That’s my end, my all.

Boatswain Sir, if you slip this opportunity,

wln 2367wln 2368wln 2369wln 2370wln 2371wln 2372wln 2373wln 2374wln 2375wln 2376wln 2377wln 2378wln 2379wln 2380wln 2381wln 2382wln 2383wln 2384wln 2385wln 2386wln 2387wln 2388wln 2389wln 2390wln 2391wln 2392wln 2393wln 2394wln 2395

img: 39­bsig: K3r

wln 2396wln 2397wln 2398wln 2399wln 2400wln 2401wln 2402wln 2403wln 2404wln 2405wln 2406wln 2407wln 2408

wln 2409

wln 2410wln 2411

Page 58: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Francisco.

Never expect the like.Master With as much ease now

We may steal the ship out of the harbor, Captain,As ever Gallants in a wanton braveryHave set upon a drunken Constable,And bore him from a sleepy rug­gowned watch:Be therefore wise.Grimaldi I must be honest too

And you shall wear that shape, you shall observe me,If that you purpose to continue mine,Think you ingratitude can be the parentTo our unfeigned repentance? do I oweA peace within here, Kingdoms could not purchase,To my religious creditor, to leave himOpen to danger, the great benefitNever remembered? no, though in her bottom.We could stow up the tribute of the Turk,

Nay, grant the passage safe too: I will neverConsent to weigh an Anchor up, till he,That only must, commands it.Boatswain This Religion

Will keep us slaves and Beggars.Master The Fiend prompts me

To change my copy: Plague upon ’t, we are Seamen,What have we to do with ’t, but for a snatch, or so,At the end of a long Lent?Boatswain Mum, see who is here?Grimaldi My Father!Francisco My good convert. I am full

Of serious business which denies me leaveTo hold long conference with you: Only thus muchBriefly receive; a day, or two, at the mostShall make me fit to take my leave of Tunis,Or give me lost forever.Grimaldi Days, nor years,

Provided, that my stay may do you service,But to me shall be minutes.Francisco I much thank you:

In this small scroll you may in private readWhat my intents are, and as they grow ripeI will instruct you further. In the meantimeBorrow your late distracted looks, and gesture;The more dejected you appear, the lessThe Viceroy must suspect you.Grimaldi I am nothing,

But what you please to have me be.Francisco Farewell sir,

Be cheerful Master, something we will do

wln 2412wln 2413wln 2414wln 2415wln 2416wln 2417wln 2418wln 2419wln 2420wln 2421wln 2422wln 2423wln 2424wln 2425wln 2426wln 2427wln 2428

img: 40­asig: K3v

wln 2429wln 2430wln 2431wln 2432wln 2433wln 2434wln 2435wln 2436wln 2437wln 2438wln 2439wln 2440wln 2441wln 2442wln 2443wln 2444wln 2445wln 2446wln 2447wln 2448wln 2449wln 2450wln 2451wln 2452wln 2453wln 2454wln 2455wln 2456wln 2457wln 2458wln 2459

Page 59: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

That shall reward itself in the performance,And that’s true prize indeed.Master I am obedient.Boatswain And I, there’s no contending.Francisco Peace to you all.

Prosper thou great Existence my endeavors,

As they religiously are undertaken,And distant equally from servile gain,Or glorious ostentation. I am heardIn this blessed opportunity, which in vainI long have waited for. I must show myself.O she has found me. Now if she prove rightAll hope will not forsake us.Paulina Farther off,

And in that distance know your duties too.You were bestowed on me as slaves to serve meAnd not as spies to pry into my actions,And after to betray me. You shall findIf any look of mine be unobserved,I am not ignorant of a mistress power,And from whom I receive it.Carazie Note this, Manto.

The pride, and scorn, with which she entertains usNow we are made hers by the Viceroy’s gift.Our sweet conditioned princess, fair Donusa,Rest in her death wait on her, never used usWith such contempt. I would he had sent meTo the Galleys, or the Gallows, when he gave meTo this proud little devil.Manto. I expect

All tyrannous usage, but I must be patient;And though ten times a day, she tears these locks,Or makes this face her footstool, ’tis but justice.Paulina ’Tis a true story of my fortunes, father,

My chastity preserved by miracle,Or your devotions for me; and believe it,What outward pride soe’er I counterfeit,Or state to these appointed to attend me,I am not in my disposition altered,But still your humble daughter and share with youIn my poor brother’s sufferings, all hell’s tormentsRevenge it on accursed Grimaldi’s soulThat in his rape of me gave a beginning

To all the miseries that since have followedBe charitable, and forgive him gentle daughter;

wln 2460wln 2461wln 2462 Exeunt. Grimaldi.

Master Boatswain.wln 2463wln 2464wln 2465

img: 40­bsig: K4r

wln 2466wln 2467 Enter Paulina Carazie.

and Manto.wln 2468wln 2469wln 2470wln 2471wln 2472wln 2473wln 2474wln 2475wln 2476wln 2477wln 2478wln 2479wln 2480wln 2481wln 2482wln 2483wln 2484wln 2485wln 2486wln 2487wln 2488wln 2489wln 2490wln 2491wln 2492wln 2493wln 2494wln 2495wln 2496wln 2497wln 2498wln 2499wln 2500wln 2501wln 2502

img: 41­asig: K4v

wln 2503wln 2504

Page 60: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exeunt.

Actus Quintus, Scaena Tertia.

Enter Asambeg, Mustapha, Aga, Capiaga.

Exeunt Aga, Capiaga.

He’s a changed man, and may redeem his faultIn his fair life hereafter. You must bear tooYour forced captivity (for ’tis no better,Though you wear golden fetters) and of him,Whom death affrights not, learn to hold out nobly.Paulina You are still the same good counselor.Francisco And who knows

(Since what above is purposed, is inscrutable)But that the Viceroy’s extreme dotage on youMay be the parent of a happier birthThan yet our hopes dare fashion. Longer conferenceMay prove unsafe for you, and me, howeverPerhaps for trial he allows you freedom.From this learn therefore what you must attempt,Though with the hazard of yourself, heaven guard you,And give Vitelli patience, then I doubt notBut he will have a glorious day since someHold truly, such as suffer, overcome.

Asambeg What we commanded, see performed, and fail notIn all things to be punctual.Aga. We shall sir.Mustapha ’Tis strange that you should use such circumstance

To a delinquent of so mean condition.Asambeg Had he appeared in a more sordid shape

Than disguised greatness ever deigned to mask in,The gallant bearing of his present fortuneAloud proclaims him noble.Musta If you doubt him,

To be a man built up for great employments,

And as a cunning spy sent to exploreThe City’s strength, or weakness, you by tortureMay force him to discover it.Asambeg That were base;

Nor dare I do such injury to VirtueAnd bold assured courage, neither can IBe won to think, but if I should attempt it,I shoot against the Moon. He that hath stoodThe roughest battery, that captivityCould ever bring to shake a constant temper,Despised the fawnings of a future greatness,By beauty in her full perfection tendered;That hears of death as of a quiet slumber,And from the surplusage of his own firmness

wln 2505wln 2506wln 2507wln 2508wln 2509wln 2510wln 2511wln 2512wln 2513wln 2514wln 2515wln 2516wln 2517 delivers a

paper.wln 2518wln 2519wln 2520wln 2521wln 2522

wln 2523

wln 2524wln 2525wln 2526wln 2527wln 2528wln 2529wln 2530wln 2531wln 2532wln 2533wln 2534wln 2535

img: 41­bsig: L1r

wln 2536wln 2537wln 2538wln 2539wln 2540wln 2541wln 2542wln 2543wln 2544wln 2545wln 2546wln 2547wln 2548wln 2549

Page 61: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

A dreadful music, at one door;

The Aga, Janissaries, Vitelli, Francisco, Gazet: at the other,

Donusa, Paulina, Carazie, Manto.

Can spare enough of fortitude, to assureA feeble woman; will now, MustaphaBe altered in his soul for any tormentsWe can afflict his body with?Mustapha Do your pleasure,

I only offered you a friend’s advice,But without gall, or envy to the manThat is to suffer. But what do you determineOf poor Grimaldi? the disgrace called on himI hear has ran him mad.Asambeg There weigh the difference

In the true temper of their minds. The one,A Pirate sold to mischiefs, rapes, and allThat make a slave relentless, and obdurate;Yet of himself wanting the inward strengthsThat should defend him, sinks beneath compassionOr pity of a man; where as this merchant,Acquainted only with a civil life,Armed in himself; entrenched, and fortifiedWith his own virtue, valuing life and death,At the same price, poorly does not inviteA favor, but commands us do him right,Which unto him, and her (we both once honored

As a just debt I gladly pay ’em; they enter,Now sit we equal hearers.

Mustapha I shall hearAnd see, sir, without passion, my wrongs arm me.Vitelli A joyful preparation! To whose bounty

Owe we our thanks for gracing thus our Hymen?The notes though dreadful to the ear, sound hereAs our Epithalamium were sungBy a Celestial choir, and a full ChorusAssured us future happiness. These that lead meGaze not with wanton eyes upon my bride,Nor for their service are repaid by meWith jealousies, or fears; nor do they envyMy passage to those pleasures from which deathCannot deter me. Great sir pardon me;Imagination of the joys I haste to,Made me forget my duty, but the formAnd ceremony past, I will attend you,And with our constant resolution feast you,Not with course cates, forgot as soon as tasted,But such as shall, while you have memory,Be pleasing to the palate.

wln 2550wln 2551wln 2552wln 2553wln 2554wln 2555wln 2556wln 2557wln 2558wln 2559wln 2560wln 2561wln 2562wln 2563wln 2564wln 2565wln 2566wln 2567wln 2568wln 2569wln 2570wln 2571wln 2572

img: 42­asig: L1v

wln 2573wln 2574wln 2575wln 2576wln 2577wln 2578wln 2579wln 2580wln 2581wln 2582wln 2583wln 2584wln 2585wln 2586wln 2587wln 2588wln 2589wln 2590wln 2591wln 2592wln 2593wln 2594wln 2595wln 2596wln 2597

Page 62: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Francisco.

Francisco Be not lostIn what you purpose.Gazet Call you this a marriage?

It differs little from hanging, I cry at it.Vitelli See where my bride appears! in what full luster?

As if the Virgins that bear up her train,Had long contended to receive an honorAbove their births, in doing her this service.Nor comes she fearful to meet those delights,Which once passed o’er, immortal pleasures follow.I need not therefore comfort, or encourage

Her forward steps, and I should offer wrongTo her mind’s fortitude, should I but askHow she can brook the rough high­going Sea,Over whose foamy back our ship well riggedWith hope and strong assurance must transport us.Nor will I tell her when we reach the Haven(Which tempests shall not hinder) what loud welcomeShall entertain us; nor commend the place,To tell whose least perfection would strike dumbThe eloquence of all boasted in story,Though joined together.Donusa ’Tis enough my dearest;

I dare not doubt you, as your humble shadowLead where you please, I follow.Vitelli. One suit sir,

And willingly I cease to be a beggar,And that you may with more security hear it,Know ’tis not life I’ll ask, nor to deferOur deaths, but a few minutes.Asambeg Speak, ’tis granted.Vitelli We being now to take our latest leave

And grown of one belief, I do desireI may have your allowance to perform itBut in the fashion which we Christians useUpon the like occasions.Asambeg ’Tis allowed of.Vitelli My service; haste Gazet to the next spring,

And bring me of it.Gazet. Would I could as well

Fetch you a pardon, I would not run but fly,And be here in a moment.Mustapha What’s the mystery

Of this? discover it?Vitelli Great sir, I’ll tell you,

Each country hath it’s own peculiar rites,Some when they are to die drink store of wine,Which poured in liberally does oft beget

wln 2598wln 2599wln 2600wln 2601wln 2602wln 2603wln 2604wln 2605wln 2606wln 2607wln 2608

img: 42­bsig: L2r

wln 2609wln 2610wln 2611wln 2612wln 2613wln 2614wln 2615wln 2616wln 2617wln 2618wln 2619wln 2620wln 2621wln 2622wln 2623wln 2624wln 2625wln 2626wln 2627wln 2628wln 2629wln 2630wln 2631wln 2632wln 2633wln 2634wln 2635wln 2636wln 2637wln 2638wln 2639wln 2640wln 2641wln 2642wln 2643wln 2644wln 2645

Page 63: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Gazet with water.

A bastard valor, with which armed, they bearThe not to be declined charge of deathWith less fear, and astonishment; Others takeDrugs to procure a heavy sleep, that soThey may insensibly receive the meansThat casts them in an everlasting slumber;Others — O welcome.Vitelli. Now the use of yours?

The clearness of this is a perfect signOf innocence, and as this washes offStains, and pollutions from the things we wear,Thrown thus upon the forehead, it hath powerTo purge those spots that cleave upon the mind,If thankfully received.Asambeg ’Tis a strange custom!Vitelli How do you entertain it my Donusa?

Feel you no alteration? No new motives?No unexpected aids that may confirm youIn that to which you were inclined before?Donusa I am another woman, till this minute

I never lived, nor durst think how to die.How long have I been blind? Yet on the sudden,By this blest means I feel the films of errorTa’en from my soul’s eyes. O divine Physician,That hast bestowed a sight on me, which death,Though ready to embrace me in his arms,Cannot take from me. Let me kiss the handThat did this miracle, and seal my thanksUpon those Lips from whence these sweet words vanishedThat freed me from the cruelest of prisons,Blind ignorance, and misbelief: false Prophet,Impostor Mahomet.Asambeg I’ll hear no more;

You do abuse my favors, sever ’em:Wretch if thou hadst another life to lose,This Blasphemy deserved it, instantlyCarry them to their deaths.

Vitelli. We part now, blest one,To meet hereafter in a Kingdom, whereHell’s malice shall not reach us.Paulina Ha, ha, ha.Asambeg What means my Mistress?Paulina Who can hold her spleen,

When such ridiculous follies are presented,The Scene too made religion: Oh my Lord,

img: 43­asig: L2v

wln 2646wln 2647wln 2648wln 2649wln 2650wln 2651wln 2652wln 2653wln 2654wln 2655wln 2656wln 2657wln 2658 Throws

it on her face.wln 2659wln 2660wln 2661wln 2662wln 2663wln 2664wln 2665wln 2666wln 2667wln 2668wln 2669wln 2670wln 2671wln 2672wln 2673wln 2674wln 2675wln 2676wln 2677wln 2678wln 2679wln 2680wln 2681wln 2682

img: 43­bsig: L3r

wln 2683wln 2684wln 2685wln 2686wln 2687wln 2688wln 2689wln 2690

Page 64: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Aside.

Aside

Exeunt.

Actus Quintus, Scaena quarta.

How from one cause two contrary effectsSpring up upon the sudden.Asambeg This is strange.Paulina That which hath fooled her in her death,

Wins me, That hitherto have barred myself from pleasure,To live in all delight.Asambeg There’s Music in this.Paulina I now will run as fiercely to your arms

As ever longing woman did, borne highOn the swift wings of appetite.Vitelli O Devil!Paulina Nay more, for there shall be no odds betwixt us,

I will turn Turk.Gazet. Most of your tribe do so

When they begin in whore.Asambeg You are serious Lady?Paulina Serious? but satisfy me in a suit

That to the world may witness that I haveSome power upon you, and tomorrow challengeWhatever’s in my gift, for I will beAt your dispose.Gazet. That’s ever the subscription

To a damned whore’s false Epistle.Asambeg Ask this hand,

Or if thou wilt, the heads of these. I am raptBeyond myself with joy, speak, speak, what is it?Paulina But twelve short hours reprieve for this base couple.Asambeg The reason, since you hate them?

Paulina That I mayHave time to triumph o’er this wretched woman:I’ll be myself her guardian. I will feast,Adorned in her choice and richest Jewels,Commit him to what guards you please. Grant this,I am no more mine own, but yours.Asambeg Enjoy it;

Repine at it who dares: bear him safe offTo the black Tower, but give him all things useful,The contrary was not in your request.Paulina I do contemn him.Donusa Peace in death denied me?Paulina Thou shalt not go in liberty to thy grave,

For one night a Sultana is my slave.Mustapha A terrible little tyranness.Asambeg No more;

Her will shall be a law. Till now ne’er happy.

wln 2691wln 2692wln 2693wln 2694wln 2695wln 2696wln 2697wln 2698wln 2699wln 2700wln 2701wln 2702wln 2703wln 2704wln 2705wln 2706wln 2707wln 2708wln 2709wln 2710wln 2711wln 2712wln 2713wln 2714wln 2715wln 2716wln 2717wln 2718

img: 44­asig: L3v

wln 2719wln 2720wln 2721wln 2722wln 2723wln 2724wln 2725wln 2726wln 2727wln 2728wln 2729wln 2730wln 2731wln 2732wln 2733wln 2734wln 2735

wln 2736

Page 65: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Francisco Grimaldi Master Boatswain and Sailors

Exeunt.

Actus Quintus, Scaena quinta.

Enter Paulina, Donusa, Carazie, Manto.

Grimaldi Sir, all things are in readiness, the TurksThat seized upon my Ship stowed under hatches,My men resolved, and cheerful. Use but meansTo get out of the Ports, we will be readyTo bring you aboard, and then (heaven be but pleased)This for the Viceroy’s fleet.Francisco Discharge your parts,

In mine I’ll not be wanting; fear not Master,Something will come along to fraught your Bark,That you will have just cause to say you neverMade such a Voyage.Master We will stand the hazard.Francisco What’s the best hour?

Boatswain After the second watch.Francisco Enough; each to his charge.Grimaldi We will be careful.

Paulina Sit Madam, it is fit that I attend you;And pardon, I beseech you, my rude language,To which the sooner you will be invited,When you shall understand, no way was left meTo free you from a present execution,But by my personating that, which neverMy nature was acquainted with.Donusa I believe you.Paulina You will when you shall understand, I may

Receive the honor to be known unto youBy a nearer name. And not to wrack you further,The man you please to favor is my brother,No Merchant, Madam, but a GentlemanOf the best rank in Venice.Donusa I rejoice in ’t

But what’s this to his freedom? for myself,Were he well off, I were secure.Paulina I have

A present means, not plotted by myself,But a religious man, my confessor,That may preserve all, if we had a servantWhose faith we might rely on.Donusa She that’s now

wln 2737

wln 2738wln 2739wln 2740wln 2741wln 2742wln 2743wln 2744wln 2745wln 2746wln 2747wln 2748wln 2749wln 2750

img: 44­bsig: L4r

wln 2751wln 2752wln 2753

wln 2754

wln 2755

wln 2756wln 2757wln 2758wln 2759wln 2760wln 2761wln 2762wln 2763wln 2764wln 2765wln 2766wln 2767wln 2768wln 2769wln 2770wln 2771wln 2772wln 2773wln 2774wln 2775wln 2776wln 2777wln 2778

Page 66: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Exit Manto.

Exeunt.

Actus Quintus, Scaena Sexta

Enter Vitelli, Aga, and a Guard.

Your slave was once mine, had I twenty livesI durst commit them to her trust.Manto. O Madam,

I have been false, forgive me. I’ll redeem itBy any thing however desperateYou please to impose upon me.Paulina Troth these tears

I think cannot be counterfeit, I believe her,And if you please will try her.Donusa. At your peril;

There is no further danger can look towards me.Paulina This only then, canst thou use means to carry

This bake­meat to Vitelli?Manto. With much ease,

I am familiar with the guard; beside,It being known it was I that betrayed,My entrance hardly will of them be questioned?Paulina About it then, say that it was sent to him

From his Donusa, bid him search the midst of ’tHe there shall find a cordial.Manto, What I do

Shall speak my care and faith.Donusa Good fortune with thee.Paulina You cannot eat.Donusa The time we thus abuse

We might employ much better.Paulina I am glad

To hear this from you. As for you Carazie,If your intents do prosper, make choice whitherYou’ll steal away with your two MistressesOr take your fortune.Carazie I’ll be gelded twice first;

Hang him that stays behind.Paulina I wait you Madam,

Were but my brother off, by the commandOf the doting Viceroy there’s no guard dare stay me.And I will safely bring you to the placeWhere we must expect him.Donusa Heaven be gracious to us.

Vitelli Paulina to fall off thus? ’tis to me

wln 2779wln 2780wln 2781

img: 45­asig: L4v

wln 2782wln 2783wln 2784wln 2785wln 2786wln 2787wln 2788wln 2789wln 2790wln 2791wln 2792wln 2793wln 2794wln 2795wln 2796wln 2797wln 2798wln 2799wln 2800wln 2801wln 2802wln 2803wln 2804wln 2805wln 2806wln 2807wln 2808wln 2809wln 2810wln 2811wln 2812wln 2813wln 2814wln 2815wln 2816wln 2817

img: 45­bsig: M1r

wln 2818

wln 2819

wln 2820

Page 67: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

reads the paper.

Exit Vitelli.

Exit Manto.

Exeunt.

More terrible than death, and like an earthquakeTotters this walking building (such I am)And in my sudden ruin would prevent,By choking up at once my vital spirits,This pompous preparation for my death.But I am lost; that good man, good FranciscoDelivered me a paper which till nowI wanted leisure to peruse.Aga. This Christian

Fears not, it seems, the near approaching SunWhose second rise He never must salute.1. Guard Who’s that?2. Guard Stand.Aga. Manto.Manto. Here’s the Viceroy’s ring

Gives warrant to my entrance, yet you mayPartake of any thing I shall deliver;’Tis but a present to a dying manSent from the princess that must suffer with him.Aga. Use your own freedom.Manto. I would not disturb

This his last contemplation.Vitelli O ’tis well!

He has restored all, and I at peace againWith my Paulina.Manto. Sir, the sad Donusa

Grieved for your sufferings, more than for her own,Knowing the long and tedious pilgrimageYou are to take, presents you with this cordial,

Which privately she wishes you should taste of,And search the middle part, where you shall findSomething that hath the operation, toMake death look lovely.Vitelli. I will not dispute

What she commands but serve it.Aga. Prithee Manto

How hath the unfortunate Princess spent this nightUnder her proud new mistress?Manto. With such patience

As it o’ercomes the other’s insolenceNay triumphs o’er her pride. My much haste nowCommands me hence, but the sad Tragedy past,I’ll give you satisfaction to the fullOf all hath passed, and a true characterOf the proud Christian’s nature.Aga. Break the watch up,

What should we fear in the midst of our own strengths?’Tis but the Bashaw’s jealousy. Farewell soldiers.

wln 2821wln 2822wln 2823wln 2824wln 2825wln 2826wln 2827wln 2828wln 2829wln 2830wln 2831 Enter Manto.

with the Baked­meat.wln 2832wln 2833wln 2834wln 2835wln 2836wln 2837wln 2838wln 2839wln 2840wln 2841wln 2842wln 2843wln 2844wln 2845wln 2846wln 2847wln 2848wln 2849

img: 46­asig: M1v

wln 2850wln 2851wln 2852wln 2853wln 2854wln 2855wln 2856wln 2857wln 2858wln 2859wln 2860wln 2861wln 2862wln 2863wln 2864wln 2865wln 2866wln 2867wln 2868

Page 68: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Actus quintus. Scaena Septima.

Enter Vitelli, With the baked­meats, Above.

The Scroll.

Francisco.

Exit Vitelli.

Actus Quintus, Scaena Ultima.

Asambeg, Mustapha, Janissaries.

Vitelli. There’s something more in this then means to cloyA hungry appetite, which I must discover.She, willed me search the midst. Thus, thus I pierce it:Ha! what is this? a scroll bound up in packthread?What may the mystery be?Son, let down this packthread, at the West window of the Castle. By it you shall draw up a Ladder ofropes, by which you may descend, your dearest Donusawith the rest of your friends, below attend you. Heavenprosper you.O best of men! he that gives up himself

To a true religious friend, leans not uponA false deceiving reed, but boldly buildsUpon a rock, which now with joy I findIn reverend Francisco. Whose good vows,Labors, and watchings in my hoped­for freedomAppear a pious miracle. I come,I come, good man, with confidence, though the descentWere steep as hell, I know I cannot slideBeing called down, by such a faithful guide.

Asambeg Excuse me Mustapha, though this night to meAppear as tedious as that treble oneWas to the world, when Jove on fair AlcmenaBegot Alcides. Were you to encounterThose ravishing pleasures, which the slow paced hours(To me they are such) bar me from, you wouldWith your continued wishes strive to impNew feathers to the broken wings of TimeAnd chide the amorous Sun, for too long dallianceIn Thetis watery bosom.Mustapha You are too violent

In your desires, of which you are yet uncertainHaving no more assurance to enjoy ’emThen a weak woman’s promise, on which wisemenFaintly rely.Asambeg Tush she is made of truth

And what she says she will do, holds as firm.

wln 2869

wln 2870

wln 2871wln 2872wln 2873wln 2874wln 2875wln 2876wln 2877wln 2878wln 2879wln 2880wln 2881img: 46­bsig: M2r

wln 2882wln 2883wln 2884wln 2885wln 2886wln 2887wln 2888wln 2889wln 2890

wln 2891

wln 2892

wln 2893wln 2894wln 2895wln 2896wln 2897wln 2898wln 2899wln 2900wln 2901wln 2902wln 2903wln 2904wln 2905wln 2906wln 2907wln 2908wln 2909 The

Page 69: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

Enter Aga.

Exeunt.

FINIS.

As laws in brass that know no change, what’s this?Some new prize brought in sure. Why are thy looksSo ghastly. Villain speak.Aga. Great sir hear me

Then after kill me, we are all betrayed,The false Grimaldi sunk in your disgraceWith his confederates, have seized his shipAnd those that guarded it stowed under hatchesWith him the condemned Princess, and the MerchantThat with a ladder made of ropes descendedFrom the black Tower in which he was enclosed,And your fair mistress,Asambeg Ha!Aga. With all their train

And choicest jewels are gone safe aboard,Their sails spread forth and with a fore­galeLeaving our coast, in scorn of all pursuitAs a farewell they showed a broadside to us.Asambeg No more.Mustapha Now note your confidence.Asambeg No more.

O my credulity! I am too fullOf grief, and rage to speak. Dull, heavy foolWorthy of all the tortures that the frownOf thy incensed Master can throw on theeWithout one man’s compassion, I will hideThis head among the deserts, or some caveFilled with my shame and me, where I aloneMay die without a partner in my moan.

chamber

shot off.

wln 2910wln 2911wln 2912wln 2913

img: 47­asig: M2v

wln 2914wln 2915wln 2916wln 2917wln 2918wln 2919wln 2920wln 2921wln 2922wln 2923wln 2924wln 2925wln 2926wln 2927wln 2928wln 2929wln 2930wln 2931wln 2932wln 2933wln 2934wln 2935wln 2936wln 2937wln 2938wln 2939

wln 2940img: 47­bsig: [N/A]

Page 70: A Digital Anthology of Early Modern English Drama · ln 0022 ln 0023 ln 0024 ln 0025 img: 3a sig: A3v ln 0026 ln 0027 ln 0028 ln 0029 ln 0030 ln 0031 ln 0032 ln 0033 ln 0034 ln 0035

1. 23 (2­b) : The regularized reading in is supplied for the original [].2. 24 (2­b) : The regularized reading inter is supplied for the original in[***].3. 25 (2­b) : The regularized reading Lord is supplied for the original Lo[**].4. 25 (2­b) : The regularized reading in is supplied for the original [].5. 520 (12­b) : The regularized reading incredulous is amended from the originalincredculous.

6. 937 (18­b) : The regularized reading breach is supplied for the originalbreac[*].

7. 994 (19­b) : Modern edition attributes this speach to the boat Master; thissolves problem of Mustapha talking twice in a row and saying "us" in relationto the pirates.

8. 996 (19­b) : Ambiguous speech prefix, likely Mustapha, but possibly theMaster.

9. 1305 (24­a) : The regularized reading Grimaldi is supplied for the originalG[*]i..

10. 2217 (37­a) : The regularized reading Whom is supplied for the originalWh[*]m.

Textual Notes