A big book of canons

Two Cat CatchesA.3.Voc. from "The Catch Club or Merry Companions ... parts 1 and 2"Edited by Anders Stenberg

2005 by Anders Stenberg under CPDL- lisence

2 A Catch on the MidnightCats by Mr. Mich: Wise

I

3 4Ye Cats that at mid- night spit Love at each other who best feel the

II

3 4Old Lady Grimalkin with Goos- bery Eyes, when a Kitten knew

III

3 4Men ride ma- ny miles, Cats tread ma- ny Tiles, bot hazard, both

6

Pangs

of

a

pas-

sion-

nate

Lov-

er.

I

ap-

peal

to your

Scrat-

ches

and

some- thing

for

why

she

was

wise,

You

find

by

ex-

pe-

rience

the

ha-

zard

their

Necks

in

the

fray,

on- ly

Cats

if they

fall

from

a

311

tat-

ter- ed

Fur

if the

bus-

nes

of

Love

be

no

more

than to

Pur.

Love

fit's

soon

o'er,

Pus,

Pus

lasts

not

long

but

turns

to Cat-

whore.

House

or

a

Wall

keep

their

Feet,

mount their

Tails,

mount they

Tails

and a-

way.

4 A Cat Catch by Mr. R. Brown

I

WeII

Cats when as- sem- bled at

Mid-

night to-

get-

her, for

in-

no- cent

Pu-

ring,

IfIII

Dogs

be

in Ken- nel, all

fast

in their straw,

we march,

and we

meaw,

but4

if

they sur- prise

us, and

put us

to

flight,

we

fret,

fret, and we spit,

fret,

Pu-

ring, for

in-

no- cent

Pu-

ring,

Pu-

ring,

in

Moon-

shi- ney weat-

her:

meaw,

meaw

whit- out

scratch

or

a

Claw,

fret,

spit, spit, give a

squall,

squall and good

Music engraving by LilyPond 2.6.1 www.lilypond.org

Cantate domino

Adam Gumpelzhaimer

Can- ta-

te

do- mi- no

can- ti- cum no-

vum,

Can7

ta-

te do- mi- no

can-

ti- cum no-

no-

vum,

laus

e- ius

in ec-

cle- si-

a sanc- to- rum,

lae-

te

vum, 13

no-

vum,

laus e- ius

in ec- cle- si-

a sanc- to- rum,

lae- te

tur Is-

ra- el in

e- o

qui fe- cit e- um,

qui fe- cit

e- um,

et

tur 20

Is-

ra-

el in e- o

qui fe- cit

e- um,

qui fe- cit e- um,

fi- li- ae Si-

on ex- ul- tent in

re- ge

su- o,

ex- ul- tent in

re- ge

su- o,

ex- ul- tent in

et fi- li26

ae Si- on ex-

ul- tent in re- ge

su- o,

ex-

ul- tent in re- ge

su- o,

ex-

re- ge

su- o,

ex- ul- tent in

re- ge

su- o, ex-

ul- tent in re- ge

su-

o.

ul- tent in re- ge

su- o,

ex-

ul- tent in re- ge

su-

o, ex- ul- tent in

re- ge

su- o.

www.kantoreiarchiv.de

www.kreuznacherdiakonie.de

Cantate domino

Adam Gumpelzhaimer

Can- ta-

te-

do-

mi-

Can-

ta-

te-

do-

Can-

ta-

te-

Can6

ta-

no

can-

ti- cum no-

vum,

can-

ti-

cum

mi- no

can-

ti-

cum no-

vum,

can-

do-

mi-

no can-

ti-

cum

no-

vum,

te11

do-

mi-

no

can-

ti-

cum

no-

no-

vum,

can-

ti-

cum

no-

vum.

ti-

cum

no-

vum,

can-

ti-

cum

no-

vum.

can-

ti-

cum

no-

vum,

can-

ti-

cum.

vum,

can-

ti-

cum

no-

vum.

www.kantoreiarchiv.de

www.kreuznacherdiakonie.de

Domine DeusCanon a 4 v. i

I

& # #

# C . 1

Michael Haydn (1737 - 1806)

mi-ne De -

Do

us,

sa -

lu - tis

me

9

e,

in

e cla -

di

I II

& & & &

-

et

ma

vi

no - cte

co - ram

te:

.-

in

tret,

mi-ne

in

tret

Do

-

De

-

us,

sa -

I II

# #

o - ra

lu - tis

me

-

ti - o

-

me

-

a,

in

con

-

spec

n

-

vi

tu

tu

-

o

e,

in

di

-

e

cla -

ma

-

et

no - cte

co - ram

I II III

# . & & & # #Do te:

-

mi-ne

J

17

De

. -

-

in

. .

tret,

us,

De

-

us

sa - lu

-

tis

mi-ne

in

-

tret

Do

-

De

-

us,

sa

o - ra

-

lu - tis

me

-

ti - o

-

me

e,

me

-

a,

e,

in

I II III IV

# & #. & & & # # #Do in

-

mi-ne

n Jcon

Do

-

mi-ne,

j -

cla -

-

spec

n

vi

tu

ma - vi

-

25

co - ram

te.

. -

tu

o

Do

mi-ne

J

De

. .

In

di - e

-

di

-

e

cla -

ma

-

et

no - cte

co - ram

te:

in

-

tret,

us,

Do

-

mi-ne

I II III IV

# ad no - cte # & & & & & #De

cla - ma - vi

.co

-

ram te,

J-

# #

in

-

us

sa - lu

-

tis

-

tret

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-

us,

o - ra

sa -

lu - tis

me

-

ti - o

-

me

cla

-

#.Do

ma

-

e,

me

33

-

a,

in

-

mi-ne

n Jvi, con

cla -

ma

.

-

-

spec

n

Do

-

mi-ne,

j -

vi

cla -

vi

tu

e,

in

di

-

e

cla -

ma

-

et

I II III IV

# & co -

ram te,

Do

. .

-

mi-ne.

j J

cla -

. -

mi-ne De

Do

&

#

ma - vi

# &tu o no - cte

co - ram

te.

Do

-

mi- ne

De

.

In

di - e

-

co - ram

te:

in

-

tret,

us,

ad

-

us,

sa

-

lu - tis

me

no - cte

cla - ma - vi

-

De

-

us

sa - lu

-

tis

in

-

tret

o - ra

-

ti - o

I II III IV

& & & &

# #e,

J-

in

# #

co

.

-

ramte,

me

cla -

di

-

vi

et

#.Do

ma

-

e,

me41

-

a,

in

-

mi-ne

n Jvi, con

e

cla -

ma

ma

.

-

-

spec

n

Do

-

mi-ne,

j -

vi

no - cte

co - ram

te:

mi-ne.

cla

co

tu

-

ma - vi

o

-

ram te,

Do

. .

j J

co - ram

te.

tu

Do

-

mi-ne

I II III IV

# & & #

in

# & & #

.

-

tret,

mi - ne

in

tret

o

Do

De

.

In

-

De

di

-

-

us,

e

ad

-

-

us,

sa

-

lu

-

ra

-

tis

me

-

-

ti - o

me

-

a,

no - cte

cla

-

ma

-

vi

e,

co

.

-

ram te,

J-

in

De

us

sa

-

lu

-

tis

me

cla

-

e,

I II III IV

& & &

# #

in

con

-

spec

n

-

vi

tu

tu

-

o

.Do

#

di

-

e

cla

-

ma

-

# #. &Do

ma

-

-

mi - ne

J

vi,

n

cla

-

ma

.

-

Do

-

mi - ne,

j

vi

et

no - cte

co - ram

te:

-

mi - ne

J j

e,

co

cla

-

ma

-

vi

-

ram

te,

Do

.

-

mi - ne.

co - ram

te.

I II III IV

& &

#

#

De

.

49

-

# & .in

-

tret,

us,

De

-

us

sa

-

lu

tis

me

-

# &

mi - ne

in

-

tret

Do

In

-

De

di

-

n

e

ad

-

us,

sa

o

-

ra

-

lu

-

tis

me

-

ti - o

-

me

-

a,

no - cte

cla - ma

-

vi

.co

e,

-

ram te,

J

in

cla

-

I II III IV

# & #. & & & # #Do in

-

mi - ne

J

.Do -

mi-ne,

j -

cla -

con

-

spec

n

vi

tu

ma - vi

-

co - ram

te.

. -

tu

o

Do

mi - ne

U J j u u

U

#

di

-

e

cla

-

ma

-

ma

-

vi,

cla

-

ma

-

vi

et

no - cte

co - ram

te:

co

-

ram

te,

Do

.

-

mi - ne.

Copia: Fernando G. Jcome Grupo Vocal "Slo Voces"

www. solovoces.com

Deo gratia 36(Canon XXXVI vocum)Sopranos 19

Johannes Ockeghem realisation Philip Legge 2001

# 3 & ..2

Soprano 1 starts

De5

S.

&9

# .gra

Soprano 5

S.

Soprano 9 #w & gra

j . j ti a, De o ti

o .gra

Soprano 6

. w.1.

gra ti a, j ti a,

Soprano 2 starts

Soprano 3 starts

De Soprano 7

.3

. J De o gra ti a,

o gra

Soprano 4 starts

22

Altos 19

#3 & 2Alto 5

8

.. Alto 6

..

. J De o 2. hold the note very long; U but do breathe occasionally! Soprano 8 a.

ti

a,

De

o

a. Alto 1 starts Alto 2 starts

13

A.

A.

. 3 . . Tenors 19 J J J De o gra ti a, 21 6 Tenor 7 Tenor # Tenor 5 . j Tenor . 8. j . J j T. & De o gra ti a, De o gra ti a, T. 8 & 9 end here, 25 U the 2 time through # Tenor 9 . . . w T. & J De o gra ti a, De gra ti a, o 30 U. T. 5 ends U T. 4 ends U T. 7 ends UT. 6 ends # . w T. & De o gra ti a, De De o o gra ti a, T. 2 ends 34 U 3j 3 U T. 3 ends # . 3 U T. 1 ends .. w T. & . . J J gra ti a, De o gra ti a. #3 & 2 .. Tenor 1 starts Tenor 2 starts

j j j . . j . ti a, De ti a, gra ti a, gra ti a, o gra 17 22 2. 1. U A.9 ends here U A. 1-8 end here 3 # Alto 9 .. w & j . j w De o gra ti a. a. &Alto 7 Alto 8

#

. De

o gra ti a,

.

Alto 3 starts

.De

Alto 4 starts

o

j . gra

16

j .

Tenor 3 starts

Tenor 4 starts

Basses 19

3 ?#2Bass 4 starts

16

..

8

Bass 1 starts

De28

B.

? # . o

gra

33

B.

B. U U 4 ends ? # . j gra ti a, o Bass 9 starts B. 5 ends

U B. 9 endsU . J ti a,Bass 5 starts

o

gra

Bass 6 starts

B. 8 ends

j U B. 7 ends U B. 6 ends . . De gra ti a, oBass 7 starts

ti

Bass 2 starts

a,

.

Bass 3 starts

De

Bass 8 starts

De

U B. 3 ends U B. 2 ends . j De o gra ti

U B. 1 ends wa.

..

Three (More or Less Naughty) Catches. 3. Voc. from ''The Catch Club or Merry Companions ...'' parts 1 and 2; 1731- 33

Copyright 2005 by Anders Stenberg (under CPDL lisence)

2 I. by Mr. H. Purcell; Tom the Taylor

Tom

ma-

king a Man- teau

for

a

lass of

plea- sure, pull d

But quick-

ly

found

tho

woun-

di- ly streight lac d Sir,

Three4

In-

ches more, at

lenght

brisk Tom

ad- van- ces,

yet

out,

pull d

out,

pull d

out

his

nine

In-

ches,

nine

In-

ches,

nine

In-

ches,

all,7

yet all too short,

yet all,

all,

all too short, all too

long,

his

long

and law-

ful

mea-

sure:

nine In-

ches

wou d not half sur-

round

her

wast Sir:

short,

yet all too short, all

too short to

reach her swin- ging

Han-

ces.

Copyright 2005 Anders Stenberg. Music engraving by LilyPond 2.6.4 www.lilypond.org

3 II. by Mr. John Isum; Celia Learning on the Spinnet

3 4When Cilia was Lear- ning on the Spin- net to play, her

3 4She shook not the

3 4Sur5

priz d was the

Tu-

tor stood

by

her

made

him, and

made him

cry:

``Zounds tis

said,9

and

said,

and

said:

show her,

to

show her,

to

a

long prick, a

long

prick d

Note

you

touch!

shake it,

I will shake it

when I

come

to t a-

gain.


Note,

which

an-

gred him

much,

and

La-

dy

to

hear him com- plain:

and

to

show her,

to

a

long prick,

``I will

show

her the

way:

4 III. Here dwells a pretty Maid

Here dwells a

pretty

Maid

whose Name

is

her

hole,

her

hole,

her

hole,

her

you may Kiss,4

you may Kiss,

you may Kiss,

Sis,

You

may

come

in

and

Kiss:

whole

Es- tate

is

sev n-

you may Kiss

her,

if


teen

Pence

a

Year;

Yet

you come

but

near.

Some ''Musical'' Catches For three and Four Voices _____________________________

From ''The Catch Club or Merry Companions ...'' parts 1 and 2; 1731- 33By Anonymous: A Fiddler and a Fuddler ...... p.3 By Mr. H. Purcell: A Catch by way of Epistle ....... p.2 By Mr. H. Purcell: A Catch on the Viol ..... p.4 _______________________________ Edited by Anders Stenberg _________________________


2 By Mr. H. Purcell: A Catch by way of Epistle

I.

3 4To all Lo- vers of Mu- sick, Perfor- mers and Scra- pers, to those that love

II.

3 4But my Bro- ther John Play- ford and I shall present you, e er

III.

3 4My mag- got Man Sam, at the first Tem- ple Gate, will further in-

6

Cat- ches, play tunes and cut

Ca- pers. With a

New Catch

I greet you and tho I

Book,

I pre-

sume will con-

tent you. Tis

true

we know well

form you, if12

not

my Wife

Kate,

From be- tween

the two

de- vils

shou dn t. Like a

Fid- dle,

tis

mu-

sick

tho the

words are

but wood

mu- sick,

But to

hear

us

per-

form woud

make

him

sick

or

you Sick.

Bar,

I

rest

your

Friend

and

ser-

vant John

Carr.


the near

long with

a

say it that

Sale

of good

Tem-

ple

n:

3 By Anon.: A Fiddler and a Fuddler

I.

3 4A Fiddler and Fud- dler are always together Like

II.

3 4United Companions the like ne- ver known and

III.

3 4The Fiddler did Fuddle and the Fuddler did Fiddle a

5

Fid-

dle and

Case

tere was

both

or

else

neg-

ther,

may

be com-

pa-

red

to

two

parts

in

One

U-

ni-

son

sure

doth un-

rid-

dle

the

Rid-

dle


4 By Mr. H. Purcell: A Catch on the Viol

I.

OfII.

all,

all,

the

In-

stru- ments,

all,

Mark,III.

Mark,

Mark,

Mark,

how

the

but2

a-

bove

all,

all,

all,

all,

all

the

In-

stru- ments

that

are

none, none, none,

none,

none,

none,

Strings,

how

the Strings

Their or-

der keep, with a whet, whet, whet,

whet,

whet,

whet,

all,4

all,

all,

all

this

still

a-

bounds

with a zin- gle, zin- gle, zin- gle, zin- gle,

none,

none,

none,

none,

none

with the

Vi-

ol

can

com- pare

whet,

whet,

whet,

whet,

whet, whet, whet and a

sweep,

sweep,

sweep.

zin- gle, zin- gle, zin- gle, zin- gle, zing

and a

zit

zan

zounds.


Ave MariaVierstimmiger Kanon KV 554

W.A.Mozart Datiert Wien, 2. September 1788

AndanteSoprano

&b C A

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Ma -

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a

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Bona nox! bist a rechta Ox(Kanon zu 4 mnnlichen Stimmen)Allegro

Wolfgang Amadeus Mozart (1756 - 1791)

; ! 2 (1) Zuerst|Stimme Tenor 2 | |Bo na nox!

b b |nuit,

t t t t Bist

|Ox!

Y c t tYBo - na

Ba

! 2 | 2

Documents

A big book of canons