61626591 Develop Sight Reading

8/19/2019 61626591 Develop Sight Reading

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INCLUDING VOL

and

VOL 2 FOR ALL INSTRUMENT

15

West

53rd

St. New

York

N.

Y. 10019


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Preface

DEVELOP SIGHTREADING es tab l i shes i t se l f as a v i ta l con t r ibu t ion

i n music l i te ra ture. T h i s s tudy material , technica l i n nature i s indispensm

able for

t

st imulates, coordinates, and sta bi l iz es one's mental and phy sica l

re f

l

exes.

The se wr i t ings present an adventurous chal lenge in to the land of

mu sical and technica l intr igue.

A strand of mu sical geniu s i s weaved throughout these m usical pass-

ages of unusual or ig in al i ty. By atuning one's thoughts towards a grouping

of phrases expressing each phrase as a bea ut i fu l mu sical thought, one w i l l

respond

o

h iRy3iratEenal beauty th t the authors so cleve r ly highlighted.

Two o f the MUSIC WORLD'S most respected artist-performers and

teachers

GASTON

DUFRESNE and ROGER LOUIS VOISIN, members of th e

BOSTON SYMPHONY ORCHESTRA, als o fac ul ty members of the NEW ENG-

LAND CONSERVATORY o f MUSIC, Boston, Massac husetts and the BERK-

SHIRE MUSIC CENTER are credi ted w ith th is work.

An unprecedented r ise t o m usical fame came to GASTON

DUFRESNE

after rec eiv in g the highes t honors ever awarded at the NATIONAL CONSER-

VATORY in FRANCE MR DUFRESNE has contr ibuted many frui t fu l years

to the world's greatest music, from the CONCERTS

COLONNE

i n PARIS, t o

the

CHICAGO

SYMPHONY and

s

prese nt ly one of the senior members of the

BOSTON

SYMPHONY ORCHESTRA.

T he e d i t 4 m n s u l t a n t advisor, ROGER

LOUIS

VOISIN'S f am i l y

t rad i t ion s tems back for generat ions i n the WHO'S

WHO

IN

THE MUSIC

WORLD. MR. VOiSIN i s con t inua l l y e leva t ing th i s t rad i t ion to i t s we l l de -

served musical greatness. A fu l l f ledged s ol oi st and a permanent member of

the BOSTON

SYMPHONY

sinc e the age of s ixteen, MR.

VOlSlN

enjoys the

success of being one of the world 's most celebrated soloists.

T o h is cred i t are the fo l lowin g record ings of w hich

MR.

VOlSlN can be

heard as a featured solo ist :

Brandenburg Concerto, Ba ch

Poem of Ec stasy, Scriabi n

B a ch F e s t i v a l

Music of Jubi lee, Bach

ElL l EILI, Boston Pops

Bacham, Manna-Zucca

Trumpeter 's L u aby, Anderson

The Toy Trumpet

V i c t o r

V ic to r

Columbia

Columbia

V ic to r

V ic to r

V ic to r

V ic to r


3/60

oderato

Copyright

1972 by

CHARLES COLIN 15 West 53rd St. New York N. Y. 10019

All

Rights

Reserved

International Copyright Secured

Made

in U

S

A


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llegro

de iso


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my


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A1leet o on fuo o


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Alla reve

J S BACH


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lleero de iso


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I

d m


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llegretto


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Adagio

h7

llegro risoluco

d=9

The bea t un i t i n t he 6 f i r s t bars i s the e ight as represented by the nota t ion = 76

On bar 7 the ha l f-note i s the bea t -uni t

s = 9

On bar 22 t he qua r t e r i s t he bea t un i t J

=

184

S t a r t i n g t h e 7 /8 t i me on ba r 41 t hc e i gh t ha s t h e same t empo a s in t he preced ing 3 /4 t i me

-

T h e 3d beat of bar 41 has th e length of one bea t and a ha lf of the preceding 3 j 4

B a r 42 has t h e F i r s t bea t l onge r by one e igh t t ha n t he preced ing 3 /4 t i me

B a r

44

resume tem po of preceding

92

B a r 45 a m e a s b a r 41


34/60

Andanre deciso =84

On bar 3 take

2 8

tilnc twice fast er than the preceding 314 keeping the same tempo eighth for eighth

b b

.

Bar 3 1G should I)c 1)eatcrl in ame temp o per bea t a s of the preceding bar s in

2 8

time, however the 4th

bcat should be longer to play the

3

sixtc~cnths t the same rat e of speed a s the preceding

5

notes avoid triplets on tha t

beat)

Bar 36 same as har

3

but 3 bent tilnc

Bar 37 heat twice slower than preceding

2 P

anti firs 1 bcat s of bar 36 ast 3 8 bar twice faster than 3/4


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oderato

=7

on nrttl


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B e a t b a r (i a s p r e v i ou s m e a s u r e f o r

3

I ,c .. ts , in thc 4 th hca t g ive the bent enough t ime to p lay the 6 n o te s a t t h e s a m e

*peed you p la y t he 1 6 t h ~n t h e I s t , 2 nd a n d 3d h a t s

Salnc* o l~se rva t io non J ~ 7 a n d o n b a r 2 i

Takc I rar

7 it

c u t t i n i r

r

a r

9

t w i ce f a s t e r t h e n p r c c c d i n g

OIW

a c k t o c u t t im e o n b a r

3

n t h e

5 t

u m e

otl

34

krcp

the temp o of th e Xths exac t ly

as i n

p r c r e d i n ~ n c as u re ,

beat

i n o n c a n d p l a y t h e f i v e n o t e s e x a c t l y a l i k e w i t h

; ~c c c n t u a t i c ~ t itl 1st otlc of each bar.

B a r :IN (i. 8 t ime, krcp s t i l l same speed of the e ights .

S a m r otl I ~ a r

i(i

u ~ d

7

f r o m I ,a r

27

t o 4 7 , a l w a y s s a me t c m p o o f e i g h t h s .

=


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ndanteJ=7 7

Starting Bar 22 beat twice faster than previous

measures ar 23, the 3rd beat has th e value

of 3/16th s (not tr iple ts =

Bar 26 beat twice slower than previously.

Bar 27 beat twice faster eat bar 28 as bar 27 giving a longer 3d beat

Same thin g with bar 35.


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oderato

166 72

In f i r s t ba r t he 5 notes in the last beat should be equal void

or ame n

bar s 5, 8 and 9

In bar 13 speed up (accel lerando) to have th e last note

El

establ ish th e speed of the 3/8 t ime fol -

lowing

In bar 30 beat twice slower than previous measure

Bar

42

has a longer 3d beat (avoid triplets)

Same wi th bar --j,

ar

52

a s

:&


40/60

ndante J =76


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oderato 9

con nim

On bar e 2 3 p l ay 3 / 4 t i m e in o ne a r

27

beat in one the measure hav ing the durat ion o f two

quarters n bar 46 beat in two keeping the Fame va lue o f quarter and e igh ths hen proceed beat ing

i n o ne up t o t he 4 / 4 t i m e .


42/60

Moderato

In th is lesson the quarter has alw ays the same value measure in 2/ 2 or 3/2 should be.beaten faster

I

would recommend to study the exercise at first in subdividing the 9 4 time in nine 2 4 in

twelve /2 in four and 3/ 2 in si x nd later on playin g the whole exerc ise without subdividing.


43/60

Beat in two cut t ime) bea t thi rd measure in onc ea t

5 /4

a t

10

in

3

a n d

2

t wi ce fa s t e r t han

preceding measures a r 13 should be beaten in two in slower temp o

B a r

15

beat in

3

t wi ce fa s t e r

Bea t ba r

32

in one

O n b a r

53

beat

3 /4

twice fas te r than previous measures and twice s lower on bar

55


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Moderato

4

Subdivide (beating the eighth) from Start

up

to bar

7

Then beat in 3 (vivace) beat bar 24 in 2 with the 2nd beat having the time value of three eighth s

At 35 beat 3/4 time in one


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Andante J=7

A t

measure

25

beat . 7 /8 as 3 /8 and

2 4

eat measure 38 in 3 and

2

On

measure

9

the beat

is twice slower than in the previous me*I ~ P


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Subdivide beating the eighth u p to measure 40 On measure 40 beat 3/4 time in. 3 every beat

having the time value of two

eighths


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B e a t m e a s u r e 23 t w o a n d t h re e

O n m e a su re

26

b e a t tw ic e f a s t e r

O n m e a su re 31 b e a t 9 / 1 6 i n fo u r th e f a u l th b e a t h a v in g th e t im e v a lu e of t h re e s ix t e e n th s O n m e a su re 32

b e a t

ir

fo u r w i th th e f i r s t b e a t h a v in g th e t im e v a lu e o f t h re e s ix t e e n th s

On m e a s u r e 41 bea t l ike 3 / 8 with the th i rd bea t hav ing thvee s ix teen ths

S a m e w i t h m e a s u r e s

42, 43, 44

e su r e to a v oid p l a y in g th e t h re e s ix t e e n th s l i k e t r i p l e t s

O n m e a su re

46

bea t in

4

a s in beg inn ing o f le sson


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argo

J=6

On Ba r 36 (3/ t ime) bea t twice fas t e r tha n previous 2L4 measure rom then on keep same va lue

of eight reg ardless of diffe rence in t ime sign atu re

On Ba r

40

bea t in three wi th thi rd bea t

1 1/ 2

t i me a s l ong a s p re vi ous

2

bea ts ame on bar

45

whe re f i f t h be a t ha s t i me va l ue o f 3 16 t h~ .


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~ l l e ~ r e t t o4 4 Con spirit0


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At Bar

17

beat 3 4 twice faster than previous bar in (keep ing sam e value of quarters)

At bar 56 beat 5 beats as indicated by dotted l ine (twice faster than

6 .

At bar 85 keep sam e tempo of the e ights as in the previous

3 4

Beat the

5 . 4

t ime in two a s indicated by the dotted lines.


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Cont d


53/60

<

Larghetto

Beat unit

is

the whole note. Do not subdivide. When going from 3 l t o

12/ 2

(Bar

19)

do not change

the tempo, the last beat of Bar 1 already establishes the 12/2 meter.


54/60

A t

iar

:: Iwat twice faste r than bar before then twice slower at

40.

Same a t

52.


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Andante >= 8


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First 8 measures sh( )~tI(I)e pl;iyccl freely Recitative)

From

Bar

*30

to ?he

entl

kr p

sam e value to the e ighth eat bar

rq4

twice slower than previous

one R


58/60

Suhdivitlp the 12 8 as ititlirated

h

=

100

At hal

~ 7

eat

3 4

in one umber 5 sho uld be interpreted freely

Rreitativo)

A t hav

43

Iwat one to a me a s u r e


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RHI R

i t 1 o t i \

I / : {

R ~ ~ O I . ~ C I .

han prev ious or follow in^

ba r

S a me o n Bars 71, 76 t o 78.

At ha] .

99

k p c i .ght in sa me tempo u p to bar 11118, beat.5/8 n two -


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61626591 Develop Sight Reading