24 tips on DSLR

8/11/2019 24 tips on DSLR

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Canon Tutorials: 24 DSLR tips for getting more fromyour EOS camera

Your Canon EOS camera is packed with sophisticated features and functions that make the technical side of

photography a breeze. But how many of these do you use regularly? Do you know which settings give you bags

of control, but ensure you grab high-quality pictures with zero fuss? Are you using all the EOS camera short-cuts

hat make photography fast and fun?

For this essential Canon tutorial, weve put together 24 expert DSLR tips that will make sure youre not missing

out on some of your Canon cameras biggest tricks. From setting up your EOS camera to streamlining menus

and matching the right shooting mode to the right subject, theres a stack of advice for Canon photographers of

all abilities to take away and start shooting like a pro with your EOS camera, whatever it may be.

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Tip 1: Raw + JPEG

e always bang on about shooting RAW files, as they enable you to make lots of edits without degrading picture

quality. JPEGs are less tolerant to editing, but theyre often perfectly usable straight from the camera. Choose

he RAW+JPEG setting (under Quality on your Canon cameras first Shooting menu) for the benefits of both:

JPEG for speed and RAW for back-up. Bear in mind that as youre doubling up on each picture, memory cards

will fill up faster; you can reduce the resolution/quality of both RAW and JPEG files on higher-end EOS bodies

like the 60D and 7D, so capacity becomes less of an issue.

Tip 2: Highlight Alert

Your EOS cameras Highlight Alert blinkies give you an at-a-glance guide to areas of an image that are likely to

be overexposed, enabling you to reduce the exposure before taking another shot. Highlight Alert is an optional

feature that can be switched on and off through the Playback menu (you can also do this through the Quick

Control Screen during playback mode if youve got an EOS 60D). The flashing highlights warning is visible in

both the full-screen preview and the array of information screens, although they disappear if you zoom in.

Tip 3: Tone it down

If pictures that look fine in-camera seem a little dull on your computer screen, it s probably because the

brightness of your EOS screen is set too high. To calibrate your LCD, take a test shot using the S tandard Picture

Style and best quality JPEG setting. Copy this to your computer, without deleting it from the memory card, and

open the file in Photoshop. Now press Play on the camera and compare the two images. If the image on your

EOS appears lighter or darker than the one on your (calibrated!) computer monitor, use the LCD brightness

scale in your Canon cameras Setup menu to adjust it.
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Tip 4: Lets get it AF-ON

Half-pressing the shutter release to lock both autofocus and exposure is a simple system that works. So why

does Canon put a separate autofocus button on the back of many of its EOS DSLRs? Because operating AF

independently of metering and exposure can be useful. Take action photography, where the AF-ON button lets

you switch off focusing if a subject is temporarily obscured by an object. Its handy for portraits too; you can focus

on an off-centre subject, then take your thumb off AF-ON to recompose without the focus shifting.

Tip 5: View clipping in colour

As well as using the brightness histogram to help you judge exposure when reviewing a shot, you can call up a

set of more precise RGB colour histograms. Digital images are created from the three primary colours of light

red, green and blueand the RGB histograms enable you to check if any of these colour channels are clipped.

As with the brightness histogram, if data falls off the left or right of the graph, that channel is clipped, and picture

detailin a bright red coat for examplecan be lost. Note that these histograms reflect in-camera settings; if

you shoot RAW, youll capture more highlight and shadow detail than indicated.

Step 1:Call up the RGB histogramsStrongly saturated subjects, such as this rose, can often cause one of the

colour channels to blow. To check if it has, repeatedly press the INFO or DISP button during image playback

until you reach the RGB histograms screen.

Step 2:Spot the problem channelYou can see that the brightness histogram for our shot indicates a good

exposure, but the red channel is clipped. The histograms are different shapes, but thats down to the relative

colour mix and brightness of the image.

Step 3:Adjust the exposureYou need to ensure that detail in the most important colour channel isnt

overexposed or underexposed. As red was most important here, we reduced the exposure and shot again. It s

still clipped, but more detail is retained.
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Tip 6: Highlight tone priority

As the name suggests, Highlight tone priority (HTP) priori tises detail at the right side of the histogram,

preserving up to one stop of extra detail in the highlights for optimum brightness without underexposing the rest

of the picture. HTP is disabled by default, but its a useful feature to enable (via the Custom Functions: Image

menu) when photographing high-key scenes, such as sunsets, snowy landscapes or a bride in her wedding

dress. Its in these situations that highlights could typically blow and lose all their delicate detail. HTP has a

subtle effect though, and one trade-off of using it is that you cant select the lowest ISO setting while its active.

Tip 7: Bracketing

Taking a series of shots at different exposure values aka bracketing is a tried and tested way of

guaranteeing that you capture at least one usable picture of a scene in tricky lighting conditions, particularly if

youre shooting JPEGs. Sometimes a slightly darker or brighter take on a subject can be more aesthetically

pleasing, too. Although you can take a sequence of exposures manually, your Canon camera s Autoexposure

Bracketing (AEB) feature offers a much more efficient route. The bracketing options are identical on most Canon

cameras, enabling you to shoot three frames with bracketing of between +/- 1/3 to 2 stops, applied in 1/3 or 1/2-

stop increments. The 60D and 7D offer an increased bracketing range of up to +/- 3 stops.

Step 1:Select the increment Set the exposure level increments in the custom function menuyou get a choice

of 1/3 or 1/2 stops (1/3-stops offer more accuracy). Next, scroll to the Exposure comp./AEB setting in the

shooting menu, and youll see this screen.

Step 2:The compensation optionIn Av, Tv and P mode you can set both exposure step size and exposure

compensation, so the sequence will be centred on the exposure compensation that s applied (useful if youre

likely to want to under- or overexpose a scene).

Step 3:Choose the bracketing orderIn addition to controlling the exposure step size you can also set the order

of bracketing in the Custom Functions menu. Using the sequence -, 0, + is often a benefit when it comes

o processing a sequence of HDR shots.

Tip 8: Compensation

Canons Evaluative metering may be sophisticated, but it isn t foolproof. It may end up brightening up a dark

scene (overexposing it) or darkening a lighter scene (underexposing it). Using exposure compensation is a way

o tame hot highlights or bring back the detail to blocked-up shadows. Whether that s achieved by pressing the

+/- button and turning the main dial, or simply by rotating the Quick Control Dial depends on your EOS camera

model.

The result is the same: pictures that hold more detail. Its rare that youll need to dial in more than two stops of

exposure compensation. Always remember to reset your exposure compensation to zero after each shoot; it s

easy to forget, and you could end ruining your shots next time you re out!
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Tip 9: Metering modes

The metering modes common to all EOS cameras are Evaluative, Centre-weighted Average, Partial and Spot

(although the latter is unavailable on the 1100D). Each covers a progressively smaller portion of the image, with

he default Evaluative metering mode taking multiple readings across the entire frame to create an exposure itcalculates as the best possible. Evaluative is reliable, but be prepared to check the histogram and dial in some

compensation. Centre-weighted, as the name suggests, biases its reading towards the middle of the frame, so

its a good choice for portrait shots. For precise exposure readings, use Partial or Spot metering in conjunction

with the Exposure Lock (AE-L or asterisk) button.

Tip 10: Auto Lighting Optimizer

Canons ALO dynamic range booster is available in all current Canon DSLRs. Essentially, ALO flattens out the

contrast in an image, revealing shadow detail (and a touch of noise) without having a marked effect on

highlights. Its a great solution for photographing backlit portraits without flash, or if you re shooting a high-

contrast subject in bright light. ALO can be applied in three strengths or switched off altogether, and its effects

are only applied to JPEGs. You can, however, apply an ALO setting when converting compatible RAW files in

DPP.

Tip 11: How to get perfect focus

Canon EOS cameras have three basic autofocus modes: One Shot, AI Servo and AI Focus. One Shot locks the

focus once: even if you have Continuous Shooting enabled, the focus wont shift unless you take your finger off

he shutter release, so its good for stationary subjects such as portraits and landscapes.

AI Servo is Canons focus- tracking mode: the camera will constantly autofocus, so it s perfect for following

moving subjects, especially when combined with high-speed continuous shooting. AI Focus rolls these two

modes into one, so its worth trying if youre photographing wildlife that might leg it/take flight at any moment,

although its not quite as quick to pick up a moving subject as AI Servo.
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Tip 12: Customise Canon Picture Styles

hether you want to capture a faithful representation of a scene, or a more vibrant version, the Picture Styles

menu can help you achieve it. However, apart from Monochrome there s not a lot between the default settings.

Try customising them for extra impact, or cook up your own recipes and store them in one of the User Defined

slots (just go easy on the sharpening). If you shoot JPEGs, youre stuck with the setting that was active when you

ook the picture; if you shoot RAW, you can alter the Picture Style setting when processing the image in-camera

with compatible models, or with DPP.

Tip 13: Controlling shutter speed

Time Value (Tv on mode dial) autoexposure mode, aka Shutter Priority, is the opposite of Aperture Priority: you

choose the shutter speed, and the camera sets a complementary aperture for the conditions. Shutter speed

becomes the priority if youre photographing moving subjects and want to control whether the action is frozen

(such as when photographing sports) or exaggerated (if you want to blur the movement of water).

Tip 14: Forget about Full Auto mode

New to digital SLRs? Then Creative Auto mode (CA) is a good way to start taking over some of the decisionmaking from the camera. Functionally, it sits somewhere between point-and-shoot Auto (the green box) and

Program mode (P). Hit the Q button with CA mode selected, and a simplified set of controls is displayed on the

rear screen, enabling you to change the degree of background blur, drive mode, flash and image tone.

Tip 15: Find the best aperture

Aperture Priority (signified by Av for Aperture Value on the mode dial) is a widely used autoexposure mode that

gives you control over how much of an image appears in sharp focus. You manually select the aperture (the size

of the hole in the lens) and the camera matches it with an appropriate shutter speed to create a balanced

exposure. Wide apertures let in more light, but crucially also give the image a shallower depth of field, which can

be useful for blurring distracting backgrounds in portraits and wildlife shots. Small apertures have the reverse

effect, giving extended depth of field thats perfect for landscapes and macro work.

Step 1:Small for landscapes To get as much of a landscape shot as possible in focus, you ll need a small

apertureso stick to the large f-stop numbers, such as f/16 and f/22. This might lead to long exposure times,

so increase ISO if youre shooting handheld.
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Step 2:Watch the settingsAs you turn the dial to alter the aperture setting, you can monitor the changes through

he viewfinder or top-plate screen, if your camera has one. You can also tweak the aperture through the Quick

Settings screen (shown here).

Step 3:Use the previewThe image in the viewfinder is always shown at the Canon cameras widest aperture.

To ensure that youre getting everything crisply in focus, use the depth-of-field preview button to stop down the

lens to your set aperture.

Tip 16: High ISO noise reduction

This custom function is available on all current EOS cameras, and offers three noise reduction settings

Standard, Low, Strong, plus Off. These do a decent job of removing chroma speckling that can plague high ISO

shots. There are compromises to be made, though, the biggest of which is that fine detail is often softened.

Stick with Low for the most part, and avoid Strong unless you really can face editing a shot later. High ISO noise

reduction can also reduce the cameras shooting speed, as it takes longer to process each shot.

Tip 17: Canon Auto White Balance

Your Canon EOS cameras Auto White Balance (AWB) setting can be relied on to give neutral results in most

situations, so colours will be captured as you saw them. Shooting under artificial lighting often presents a

challenge though, and pictures can end up with a colour cast as the system struggles to compensate. If you

shoot JPEGs, its at times like these that you should reach for one of the white balance presets for a more

faithful resulttheres a reason Canon includes them, after all. However, for total accuracy and consistency, you

cant beat a Custom White Balance. Heres the process for creating one on a Canon EOS 60D

Step 1:Dont rely on the presets Your Canon cameras white balance presets have their limits, as not all light

sources are created equal. Here, using the Tungsten preset has still resulted in an image that appears too

warm.

Step 2:Take a reference shot For more accurate results, take a reference shot of a piece of white paper or card

in the prevailing light. Now select Custom White Balance in the Shooting menu and scroll through to your shot.
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Step 3:Save the WB settingPress SET to store the neutral reading from your reference shot as a Custom White

Balance setting. To use it, go to the White Balance menu and select Custom. Its a bit of a faff, but worth it!

Tip 18: Autofocus points: man vs machine

hen should you manually select an autofocus point, and when should you leave it to the camera to do the job

automatically? Well, automatic selection is commonly used in conjunction with AI Servo Focus for

photographing moving subjects. If the subjects framed against a clean backdrop (such as a bird flying in the

sky), then automatic selection does a fine job. But if the subject moves against a detailed background, you may

well find that the camera refocuses on the background instead.

For more accurate results, choose an AF point manually, and then track the subject with the point positioned

over it. The centre AF point is the most precise, so start with that one. Its also a good idea to select a focus point

manually when shooting portraitsyou want eyes to be sharp, not noses!

Tip 19: Using Live View

If you want the most precise focus, then make the most of your Canon cameras Live View. It might not be as

responsive as the traditional viewfinder system, but the big advantage is that you can zoom in to check

sharpness on a bright screen and fine-tune accordingly, making it a great option for low -light landscape

photography. The vari-angle LCDs on the 600D and 60D enable you to use the camera at seriously awkward

angles, too, whether thats at ground level for macro shots or held above your head for shooting over crowds.
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Tip 20: Cool the flash

As with your cameras ambient light meter, its flash metering system is reliable but not infallible. It measures

he light reflected back from the subject, and switches off the flash when it calculates that its received enough.

However, dark subjects can cause it to pump out too much light, leading to overexposure, while bright subjects

and reflective backgrounds can cause it to kill the flash too early, underexposing the subject.

By dialing in flash exposure compensation, you can increase or decrease the flash power to remedy this. You

can do this through the Quick Control Screen, or by assigning the function to the SET button. Creatively, you

might also want to dial down the flash power so as to provide just a little fill light, rather than making it the

dominant light source.

Tip 21: SET button

By default, the SET button on the back of your camera has no function during shooting. Its definitely worth giving

it one though, and you can do this via the Operation custom function menu. The 60D, for instance, has no whitebalance button, but you can assign the white balance sub-menu to the SET button. Similarly, the 1100D has no

dedicated depth-of-field preview button, but you can register this function to the SET button. It doesnt half speed

hings up.

Tip 22: C mode

Canons Custom Mode, available on the 60D series upwards, lets you configure the camera to your liking and

hen store the settings under C on the mode dial; used well it can help you to speed up reaction times for spur-

of-the-moment situations. To register a Custom mode, choose your preferred exposure mode and set up the

camera accordingly, then head to the Setup menu and choose Camera User Settings. The EOS 60D lets you

register one Custom mode, while the EOS 7D and 5D Mark II can store up to three.
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Tip 23: Q button

The Q button gives access to all the major parameters of your camera on the rear LCD, enabling you to adjust

key settings fast. You can navigate to the feature you want to change and press the SET button to open up a sub-

menu, or you can simply rotate the Quick Control Dial with the feature highlighted on the Quick Control screen to

change the setting.

Tip 24: My Menu

Fed up of flicking through lots of menu options to find a favourite function? Create your own custom set offrequently used controls in the My Menu tab (head for the final menu page, indicated by a star). You can add up

o six items to use in the Creative Zone modes, and by enabling the Display from My Menu option you can

make these appear first when you press the MENU button. It does a similar job to the Quick Control Screen

riggered by the Q button, but you dont need to navigate a fiddly control panel.

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24 tips on DSLR