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1485-1660:A BRIEF BACKGROUND
The English Renaissance & Shakespeare’s Taming of the
Shrew
The Monarchy & the Church The Elizabethan Era
Writers influenced by rulers. Henry VIII married
Catherine of Aragon. Martin Luther wrote 95
arguments against Roman Catholicism.
Henry VIII breaks away from Rome and becomes head of the Church of England.
“Bloody” Mary (Catholic) succeeds Henry VIII.
Puritan reformers gain power.
1558: Elizabeth I (protestant) succeeds Mary.
Defeated the Spanish armada, establishing England as a super power.
1603: Elizabeth I is succeeded by James I, who begins the Stuart line.
The Renaissance: Historical Context
The Rise of the Stuarts The Defeat of the Monarchy
1605: Gunpowder Plot (led by Guy Fawkes, Catholic)
1625: Charles I succeeds his father, James
1629: Charles I dismisses Parliament
1640: Charles reconvenes Parliament, which strips the kings of many of his powers
English Civil War Royalists
Catholics, Anglicans, & nobilityVS
Supporters of Parliament Puritans, small landowners, &
middle class
Oliver Cromwell led Puritan army defeated Royalists established a commonwealth
After Cromwell’s death, Charles II is invited back to England The Restoration
The Renaissance: Historical Context
The Renaissance: Cultural Influences
Renaissance = “rebirth” or “revival”Marked by a surge of creative energy and a modern
worldview Renaissance Worldview is marked by a concern for THIS life
(unlike the medieval concern for the NEXT life) and human potential
Time of Shakespeare, Galileo, & ColumbusInvention of compass allowed for greater explorationGutenberg's printing press made books available
By 1530, more than 50% of England’s population could readTheater and literature thriveKing James commissioned a new translation of the bible
…Elizabethan Drama
Shakespeare’s Influence 37 plays Tragedies, comedies, &
histories Marked by clever wordplay,
memorable characters, & complex plots
Other playwrights Christopher Marlowe
Psychological probing Ben Jonson
Masques (elaborate scenery, costumes, music, dance, etc.)
1649—Puritans close theaters
The Renaissance: Literature
Elizabethan Drama…
Elizabethan drama emerges from 3 sources:1. Medieval drama—mystery,
miracle, & morality plays, which were religious
2. Interludes, which ridiculed the manners & customs of commoners
3. Latin & Greek dramas New dramas dealt with the
complexities of human life on earth
Plays staged in court, homes of the wealthy, & early theaters
Dramatic Conventions & Writing Style
Conventions of Shakespeare's Comedy
SoliloquyAsideMonologueDramatic IronyProse
Ordinary language used to emphasis characters of low social status
Iambic Pentameter Stylized language used to
emphasize characters of high social status
Comedy through language Word play, metaphors, insults
Love Thematic Also, pairs of lovers
Complex plots Intricate plot 5-part plot w/ induction
Mistaken identities Disguises Gender relations
Shakespearean Comedy
The Taming of the Shrew
Contains 3 stories of deception
Play-within-a-play Similarly used in
Hamlet Petruchio pretends to be
a male shrew, beating and berating servants
Goal is to give Kate a taste of her own medicine
Role of deception and disguise
Gender expectation and roles The play mirrors societal
attitudes of Shakespeare’s time.
Shrew was a stock character in comedy. An uncontrollable,
unreasonably angry, and sometimes cruel woman
Shrew usually gets “was she deserve[s]”
Shakespeare treats the shrew with a little more dignity
The Taming of the Shrew: Major Players
Baptista Minola: A rich gentleman of Padua and the father of Katherine and Bianca
Katharina Minola: Called the shrewBianca Minola: Younger daughter who acts
innocent and sweetGremio: A foolish old man and suitor to
BiancaHortensio: A suitor to Bianca who disguises
himself as a music teacher
The Taming of the Shrew: Major Players
• Lucentio: Disguises himself as a Latin teacher to spend time with Bianca
• Tranio: Lucentio’s servant who disguises himself as Lucentio
• Biondello: Lucentio’s other servant• Vincentio: Lucentio’s father from PisaPetruchio: Suitor to Katherine the shrewGrumio: Petruchio’s servant (often acts as
the comic relief in the play)