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Fake it Til You Make it: Visual Literacy for Accidental Designers March 23, 2015 Charrosé King KC Sledd #16NTCdesign

Visual Communication for Accidental Designers

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Page 1: Visual Communication for Accidental Designers

Fake it Til You Make it: Visual Literacy for Accidental Designers

March 23, 2015

Charrosé King KC Sledd

#16NTCdesign

Page 2: Visual Communication for Accidental Designers

Collaboration Notes: http://po.st/design-16NTC

Twitter: #16NTCdesign

Page 3: Visual Communication for Accidental Designers

Your Team

Charrosé King @charroseckSenior Social Media Specialist American Psychiatric Association

KC Sledd @kcesleddSenior Manager of Strategy Atlantic Media Strategies

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Page 4: Visual Communication for Accidental Designers

Agenda

• True or False• Why Design Matters to Your Brand• Design Elements and How to Use Them• Small Group Design Critique

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Page 5: Visual Communication for Accidental Designers

True or False: Design Edition

Page 6: Visual Communication for Accidental Designers

Art and design are the same.

Page 7: Visual Communication for Accidental Designers

Art and design are the same.

FALSE

Page 8: Visual Communication for Accidental Designers

Good art says something different to everyone.

Good design says the same thing to everyone.

Page 9: Visual Communication for Accidental Designers

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Page 10: Visual Communication for Accidental Designers

Art is a talent.

Design is a skill.

Page 11: Visual Communication for Accidental Designers

Different is always better.

Page 12: Visual Communication for Accidental Designers

Different is always better.

FALSE

Page 13: Visual Communication for Accidental Designers

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Page 14: Visual Communication for Accidental Designers

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Page 15: Visual Communication for Accidental Designers

Originality exists.

Page 16: Visual Communication for Accidental Designers

Originality exists.

FALSE

Page 17: Visual Communication for Accidental Designers

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Page 18: Visual Communication for Accidental Designers

“The only art I’ll ever study is stuff that I can steal from.”

David Bowie

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Page 20: Visual Communication for Accidental Designers

“You are the sum total of everything you've ever seen, heard, eaten, smelled, been told, forgot - it's all there. Everything influences each of us.”

Maya Angelou

Page 21: Visual Communication for Accidental Designers

Remember this:

1. Look for problems, then solve them

2. Always use the company style guide

3. Design is CRAP - contrast, repetition, alignment, proximity

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Page 22: Visual Communication for Accidental Designers

What Brand Has To Do With It

Page 23: Visual Communication for Accidental Designers

Brand is perception.

It creates:

• Positioning of your organization in the marketplace

• Awareness among your target audiences

• A relationship between you and the audience

Image: SSIR

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Page 24: Visual Communication for Accidental Designers

For nonprofits, this can translate to donations.

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Donors gave 38% more through branded donation pages than through generic ones.

Page 26: Visual Communication for Accidental Designers

Your logo is not your brand.

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Page 27: Visual Communication for Accidental Designers

–Jeff Bezos, founder of amazon.com

“Your brand is what other people say about you when you're not in the room.”

Page 28: Visual Communication for Accidental Designers

Define what makes you different.

Actions + Values

What choices would your brand make on a journey?

What emotions best represent how your brand feels?

Voice

How does your brand convey its message?

What words and language will you use?

Look and Feel

How will visuals convey your brand?

How does your strategy support your visual choices?

Characteristics

What qualities would your brand have if it was a person?

How would you describe your brand at a cocktail party?

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Page 29: Visual Communication for Accidental Designers

Create your own Teen Magazine quiz to figure out who you are.

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Page 30: Visual Communication for Accidental Designers

Design can express your brand to the public.

GlobalGiving is:

Engaging Accessible Hopeful Curious Human Substantive Forward-thinking Smart Enthusiastic

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Page 31: Visual Communication for Accidental Designers

Imagery, fonts, and logo play a collective role in activating your brand.

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Page 32: Visual Communication for Accidental Designers

Design Elements and How to Use Them

Page 33: Visual Communication for Accidental Designers

Layout

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Alignment

Always use a grid

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Page 35: Visual Communication for Accidental Designers

Hierarchy

Gutenberg F formation Z formation

Primary Optical

Area

Strong Fallow Area

Weak Fallow Area

Terminal Area

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Page 36: Visual Communication for Accidental Designers

Balance

Symmetry Asymmetry Unbalanced

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Page 37: Visual Communication for Accidental Designers

Typography

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Page 39: Visual Communication for Accidental Designers

“Typography exists to honor content.”

-Robert Bringhurst, The Elements of Typographic Style

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Page 41: Visual Communication for Accidental Designers

Choosing a Typeface

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Choosing a Typeface1. Well-designed

2. Designed for intended use

3. Accommodating

• Numbers

• Italics

• Glyphs

4. “Sympathetic to the theme”

•Lean

•Strong

•Swift

Page 43: Visual Communication for Accidental Designers

Font Types

A T A TSerif Usually more formal, classical Varying strokes Good for body text in print, long reads

Sans Serif Usually more casual, modern, simple Uniform strokes, geometric lines Good for small text Good for electronic body text

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Page 44: Visual Communication for Accidental Designers

Choosing a Typeface

Instructions written in a sans serif typeface?

Or instructions written in a serif typeface?

Which instructions are easier to understand?

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Page 45: Visual Communication for Accidental Designers

Choosing a Typeface

Instructions written in a sans serif typeface?

Or instructions written in a serif typeface?

Which instructions are easier to understand?

90.7%

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Page 46: Visual Communication for Accidental Designers

Choosing a Typeface

The documentary using a sans serif typeface?

Or the documentary using a serif typeface?

Which documentary is more in-depth and well-researched?

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Page 47: Visual Communication for Accidental Designers

Choosing a Typeface

The documentary using a sans serif typeface?

Or the documentary using a serif typeface?

Which documentary is more in-depth and well-researched?

78.3%

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Page 48: Visual Communication for Accidental Designers

I love you.

I hate you.

Page 49: Visual Communication for Accidental Designers

Creating Contrast with One Typeface

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Color

Page 51: Visual Communication for Accidental Designers

The color wheel is your guide.• Primary

• Red

• Blue

• Yellow

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Page 52: Visual Communication for Accidental Designers

The color wheel is your guide.• Secondary (made from primary colors)

• Green

• Violet

• Orange

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Page 53: Visual Communication for Accidental Designers

The color wheel is your guide.• Tertiary (made from one primary and one

secondary color)

• Red-Orange

• Orange-Yellow

• Yellow-Green

• Green-Blue

• Blue-Violet

• Violet-Red

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Page 54: Visual Communication for Accidental Designers

Color Wheel: Complementary Colors• Complementary colors are directly across

from each other in the color wheel.

• High contrast

• Eye-catching

• Can also be difficult to look at, vibrates

• Primary-Secondary or Tertiary-tertiary

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Page 55: Visual Communication for Accidental Designers

Color Wheel: Analogous Colors• Three colors next to each other on the color

wheel

• Typically one color is dominant color, which tends to be a primary or secondary color, with two tertiary.

• Harmonious

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Page 56: Visual Communication for Accidental Designers

• Stands for Red, Green, and Blue

• Used for digital communications

• Additive color = mixing colored lights

• Lack of color = black

• Stands for Cyan, Magenta, Yellow, and Key (Black)

• Used for print

• Subtractive color = mixing pigments

• Lack of color = white

Color Codes: There are two different systems to express color in digital and print formats.

CMYKRGB

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Page 57: Visual Communication for Accidental Designers

Use 2-3 colors per piece to avoid overwhelming the user.

Use tints and shades to add variation without adding extra colors.

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Page 58: Visual Communication for Accidental Designers

Selecting colors for your brand should be part of your overall design strategy.

Black: Powerful and sleek

Blue: Trustworthy and secureGreen: Relaxing and easy to view

Purple: Calming and soothing

Yellow: Youthful and optimistic

Red: Energetic and urgent

Orange: Creates a call to action

Pink: Romantic and feminine

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Page 59: Visual Communication for Accidental Designers

Images

Page 60: Visual Communication for Accidental Designers

Decide what you want your brand to represent, and consider your audience through this process.

Is your audience international?

Will they need accessible features?

Where will you use the colors?

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Page 61: Visual Communication for Accidental Designers

10%

Images are critical to your visual strategy because of the Picture Superiority Effect.

Cat

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Page 62: Visual Communication for Accidental Designers

10%

Images are critical to your visual strategy because of the Picture Superiority Effect.

65%

Cat

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Page 63: Visual Communication for Accidental Designers

What do you want people to remember?

• Use:

• Hopeful, smiling faces

• Personality and character

• High-quality, high-resolution images

Not:

• Poor quality

• Obviously posed photos

• Constituents as victims

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Page 64: Visual Communication for Accidental Designers

Consider the Rule of Thirds when selecting images.

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Page 65: Visual Communication for Accidental Designers

The Face-ism Ratio is key when deciding how you want to portray your subject.

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Page 66: Visual Communication for Accidental Designers

Use memorable iconography to give clear context to your audiences.

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Page 67: Visual Communication for Accidental Designers

Apply it IRL

Page 68: Visual Communication for Accidental Designers

Powerpoint

• Ask “Does this serve a purpose?”

• White space is your friend

• Big text, fewer words

• Go big or go home: 60 point headers, 36 point font body text

• Test your Powerpoint - make sure that people in the back can read it

• Use a grid

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Page 69: Visual Communication for Accidental Designers

Good slides make it easy on the viewer to consume information.

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Page 70: Visual Communication for Accidental Designers

Newsletters

• Start with a strategy

• Use system fonts, even if it’s not your brand

• Have a header image, such as your logo

• Write out your organization’s name just in case

• Use two to three typefaces max

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Page 71: Visual Communication for Accidental Designers

Simple newsletter templates are easy to create and easy to read.

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Page 72: Visual Communication for Accidental Designers

Social Media Shareables

• Make sure info is accessible within 2 seconds or less

• Use icons that are familiar and recognizable by people

• Contrast, contrast, contrast

• Maintain a visual and message hierarchy

• Use words that your audience will recognize

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Page 73: Visual Communication for Accidental Designers

Social media shareables should give the user an identity to demonstrate to their networks.

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Page 74: Visual Communication for Accidental Designers

Small Group Activity

Page 75: Visual Communication for Accidental Designers

Thank You!

Page 76: Visual Communication for Accidental Designers

Thank You

KC Sledd @kcesleddSenior Manager of StrategyAtlantic Media [email protected]

Charrosé King @charroseckSenior Social Media SpecialistAmerican Psychiatric [email protected]

Please complete session-specific feedback survey through the: • http://po.st/YkbWaV • Mobile app • Website listing

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