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Ms. Mengouchi Romanticism in British Literature

Romanticism in British Literature

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Page 1: Romanticism in British Literature

Ms. Mengouchi

Romanticism in British Literature

Page 2: Romanticism in British Literature

SensibilityInnocenceImaginationInspirationIndividuality

IdealismIntuitionNatureFreedom from tradition

KEY CONCEPTS:

Page 3: Romanticism in British Literature

Denis Diderot future is built on reason: man is born to think for himself. His works were banned by the government.

Jean Jacques Rousseau: feeling over thought, to feel is to exist .

American revolution inspired new ideas of equality and liberty in Europe

Influences

Page 4: Romanticism in British Literature

Both (Diderot and Rousseau) believed that control and authority are repressive and thought that man needs freedom.

Rousseau: Man was born free and everywhere he is in chains

Civilized man is born and dies a slaveMan is innately good, but science is wicked and

civilization is harmful and all cultures are corrupt

Called for the end of civilization « Nature never deceives us, it is we who deceive ourselves »

Jean Jacques Rousseau

Page 5: Romanticism in British Literature

FRENCH REVOLUTION: Political upheaval in France inspired dreams of liberty.

1793 Louis XVI is executed by the Guillotine

French Revolution inspired ideas of freedom and liberty to the British

1780 French Revolution

Page 6: Romanticism in British Literature

Romanticism revolted against Industry, commerce, rationality, science, the new technology-oriented world.

Revolted against the repressive organized lifestyle of the modern world.

Revolution against authority and hierarchy

Page 7: Romanticism in British Literature

There are two Generations:

First Generation Romantics: William Blake, William Wordsworth, Samuel Taylor Coleridge

They are known as the Lake poets because they originate from Lake District

They were against change, wanted a return to poetry, imagination and legend. (Nostalgia for the past) They wanted a return to the magical and Mysterious.

Major Figures

Page 8: Romanticism in British Literature

The Second Generation Romantics:

John Keats, P. B. Shelley, Lord Byron

They defied the standards of society, revolted against and transgressed the laws.

Sought to give meaning to life

They were self-sufficient and individualistic

Their poetry was self regarding and subjective.

They were envoloped in passion and emotion, incorporating so much more intuitive thought, the supernatural, the exotic.

Sought satisfaction and made it unreachable.

Page 9: Romanticism in British Literature

German literary figure, one of the fathers

of Romanticism.

1774 The Sorrows of Young Wherther

A love story between Wherther, a poet,

and Charlotte, a married beauitful woman.

The book encouraged society to prefer

love rather than class, lineage, and money.

In Romanticism it is noble to follow one’s

heart

Johann Wolfgang Von Goethe

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Imagination is the source of artSought freedom: he thought

the system enslaved him.Chose poetry and painting to

express his uncommon ideas. Life is a prison, will and

imagination are locked out of imposed systems

Blake was influenced by the ideals and ambitions of the French and American Revolutions.

William Blake 28 November 1757 – 12 August 1827

Page 11: Romanticism in British Literature

Blake and Wordsworth had a grief for children who had to work

Blake wrote The Chimney SweeperSpontaneous childhood visions are the

source of adult Inspiration1726 Rousseau: Wisedom of little children,

spontaneity, adults are repressive (like reason)

Industrialization Vs Child innocenceThere is human nature in child innocence,

and rational corruption in adult disciplineInnocence is a source of creativity and

genius

Page 12: Romanticism in British Literature

William Wordsworth (7 April 1770 – 23 April 1850

Revolution promised freedom for the future of humanity: « Human nature seems born again »

The dream of a new world is broken by the turn of events in France

Conflict between France and Britain.

Wordsworth became wanderer in search of peace.

Landscape restored his faith in human nature.

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Poetry about human passions

Celebrated nature (daffodils, oak trees, rivers, butterflies…)

Hated anything mechanical and industrial

Preferred simplicity and nature rather than industry.

In Bristol he wrote poetry with Samuel Taylor Coleridge

Both saved Romanticism from the chaos of the French revolution.

Both made a bond to change the world through poetry

Page 14: Romanticism in British Literature

The Lyrical Ballads 1798-1800A collection of poems written by both W. Worsdworth

and Samuel T Coleridge.

This collection is considered as the bible of Romanticism for it contains its main principles.

They wrote with the same purposes of the French revolution

People cease to be subjects and become citizens

Topics were the same as earlier poetry (rural poor, beggars, deserted mothers) but what made it different was its depth of moral and psychological complexity

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Samuel Taylor Coleridge 1772 –1834He gave lectures on Revolution

after the French Revolution

Wrote The Rime of the Ancient Mariner in which a voyager shots an Albatross and his ship was followed by ghosts. A warning that man should respect other creatures.

Through this poem, the search of freedom led Romantics to the Natural world

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Coleridge explored the limits of human imagination which inspired him Kubla Khan (1797) –Opium—

For Coleridge, Mind is a mystery discovered through imagination

Imagination is the human soul, able to create a new world.

God and religion are not at the centre of the world.

Page 17: Romanticism in British Literature

John KeatsHe experienced the horror

of conducting operations without anesthesis

Wrote people’s pain in poetry

A poet is a sage, humanist physician to all men. (words are medicine)

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Percy Bysshe ShelleySought the meaning of

life and claimed that it was found in Atheism.

Had different love affairs, sought self gratification.

By violating social conventions, Shelley pioneered a notion of Free Love

Driven by Individual will and feeling

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Lord Byron The great object of life is

sensation

1812 Childe Harold’s Pilgrimage a poem of a wanderer looking for an exotic experience

Impossibility of satisfation both of Byron and his character Childe.

Desire for extreme experience

Heightened sensation

Page 20: Romanticism in British Literature

Mary Shelley

She was poet and Novelist

Wrote Frankenstein

Gothic sotries of ghosts and beasts, supernatural, mystery, antiquity

Fear of the supernatural

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Gothic Architecture

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ConclusionTHE FIVE Is OF ROMANTICISM:

o INNOCENCE AND YOUTH: YOUTH IS NOT CORRUPTED

thus free from the evils of society

o IMAGINATION: A SOURCE OF INFORMATION which

deserves exploration

o INSPIRATION: BY NATURE. Nature is more valuable than

towns and cities. People are free from judgement and from negative influences

o INTUITION: INNER VOICE

o INDIVIDUALISM: A DIVINE SPARK IN EVERY HUMAN

BEING

Page 23: Romanticism in British Literature

References:Wordsworth, William, Coleridge, Samuel

Taylor. Lyrical Ballads and Other Poems. London: Wordsworth Editions, 2003. Print.

https://www.youtube.com/watch?v=scck3YCiRxg

https://www.youtube.com/watch?v=liVQ21KZfOI

https://www.youtube.com/watch?v=R6mefXs5h9o

https://www.youtube.com/watch?v=OiRWBI0JTYQ