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Maurice Utrillo
La rue du Mont-Cenis
1915
Oil on canvas
19-3⁄4 × 24”
Musée National d’Art Moderne
Pompidou, Paris
[Fig. 11-05]
Henri Matisse
Piano Lesson, late summer
1916
Oil on canvas
8’ 1⁄2” × 6’ 11-3⁄4”
The Museum of Modern Art, New York
[Fig. 11-06]
Henri Matisse
Decorative Figure Against an Ornamental Background
1925–26
Oil on canvas
51-1⁄8 × 38-1⁄2”
Musée National d’Art ModernePompidou, Paris
[Fig. 11-09]
Pablo Picasso
Olga Seated in an Armchair
1917
Oil on canvas
51-1⁄6 × 35”
Musée Picasso, Paris
[Fig. 11-15]
Pablo Picasso
The American Manager
1917
Reconstruction
Realized by Kermit Love for The Museum of Modern Art
1979.Paint on cardboard, fabric, paper, wood,
leather, and metal
11’ 2-1⁄4” × 8’ × 3’ 8-1⁄2”
The Museum of Modern Art, New York
[Fig. 11-16]
Pablo Picasso Guernica1937 Oil on canvas 11’ 6” × 25’ 8” Museo Nacional Centro de Arte Reina Sofía, Madrid
Georges Braque
Café Bar
1919
Oil on Canvas 63 ¼” x 31 7/8 “
Ofentliche KunstsammlungKunstmuseum Basel
[Fig. 11.23]
Fernand Léger
Three Women (Le Grand Déjeuner)
1921 Oil on canvas
6’ 1⁄4” × 8’ 3”
The Museum of Modern Art New York
[Fig. 11-25]
Le Corbusier (Charles-Édouard
Jeanneret)
Still Life
1920Oil on canvas 31-7⁄8 × 39-
1⁄4”
The Museum of Modern Art New York
[Fig. 11-28]
Piet Mondrian
Tableau, No. II with Red, Blue, Black,, Yellow, and grey
1921-25
Oil on canvas
29 5/8 “ x 25 5/8”
Private Collection, Zurich
[Fig. 12.3]
Theo van Doesburg
Composition IX (Card Players)
1917Oil on canvas
45-5⁄8 × 41-3⁄4”
Gemeentemuseum The Hague the Netherlands
[Fig. 12-06]
Gerrit Rietveld
Red and Blue Chair
1917 (painted 1923)
Painted woodheight 34-1⁄2”
The Museum of Modern Art New York
[Fig. 12-15]
Walter Gropius and Adolph Meyer, Model Factory at the Werkbund Exhibition, 1914. Cologne. [Fig. 13-02]
László Moholy-Nagy, Untitled, c. 1940.Photogram, silver bromide print, 20 × 16” (50 × 40 cm).
The Art Institute of Chicago. Gift of George and Ruth Barford. [Fig. 13-06]
Josef Albers, City, 1928.Sand-blasted colored glass, 11 × 21-5⁄8” (27.9 × 54.9 cm).
Kunsthaus, Zurich. [Fig. 13-08]
Paul Klee, In der Strömung sechs Schwellen (In the Current Six Weirs), 1929.Oil and tempera on canvas; original frame, 16-3⁄5 × 16-3⁄5” (42.2 × 42.2 cm).
Solomon R. Guggenheim Museum, New York. [Fig. 13-10]
Paul Klee, Tod und Feuer (Death and Fire), 1940.Oil and colored paste on burlap; original frame, 18-2⁄5 × 17-1⁄2” (46.7 × 44.6 cm).
Zentrum Paul Klee, Bern. [Fig. 13-12]
Vasily Kandinsky, Several Circles, No. 323, 1926.Oil on canvas, 55-1⁄8 × 55-1⁄8” (140 × 140 cm).
Solomon R. Guggenheim Museum, New York. [Fig. 13-14]
Oskar Schlemmer, Abstract Figure, 1923.Bronze (cast 1962 from original plaster), 42-1⁄8 × 26-3⁄8” (107 × 67 cm).
Museum Moderner Kunst, Vienna. [Fig. 13-16]
Marcel Breuer, Armchair, Model B3, Dessau, Germany. Late 1927 or early 1928. Chrome-plated tubular steel with canvas slings,
28-1⁄8 × 30-1⁄4 × 27-3⁄4” (71.4 × 76.8 × 70.5 cm).The Museum of Modern Art, New York. [Fig. 13-18]
Paul Citroën, Metropolis, 1923.Collage, printed matter, and postcards, 30 × 23” (76.5 × 58.5 cm).Printroom of the University of Leiden, the Netherlands. [Fig. 13-20]
Naum Gabo, Construction for the Bijenkorf department store, 1956–57.Pre-stressed concrete, steel ribs, stainless steel, bronze wire, and marble, height 85’ (25.9 m).
Rotterdam, the Netherlands. [Fig. 13-22]
Willi Baumeister, Wall Picture with Circle II, 1923.Oil and wood on wood panel, 46-1⁄2 × 27-1⁄8” (118 × 69 cm).
Kunsthalle, Hamburg. [Fig. 13-24]
Ludwig Mies van der Rohe, German Pavilion, International Exposition, Barcelona, Spain. Floor plan, 1929 [Fig. 13-28]